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indestructibleannajay · 14 hours
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inside the actors' studio with Colin Firth
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indestructibleannajay · 14 hours
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“Nobody’s going to want to sit on high-speed rail for fifteen hours to get from New York City to LA.”
Me. I will sit on high-speed rail for fifteen hours. I’ll sit on it for days. I’ll write and read and nap and eat and then do it all over again. I’ll stare out the windows and see America from ground level and not have to drive. I’ll see the Rockies and the deserts and cornfields and the Mississippi River and your house and yours and yours too. I’ll make up stories in my head about the small towns I see as we go along. I’ll see the states I’ve yet to see because driving or flying there is a fucking slog and expensive to boot. I’ll enjoy the ride as much as the destination. And then I’ll do it all over again to come the fuck home.
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indestructibleannajay · 22 hours
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TOMORROW IS HALLOWEEN!!!
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tired: mermaids are all women
wired: much like elves, merfolk are mistaken by sailors for being all women because they have long hair and are very pretty
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I finally finished my WIP c:
Have an eepy Sun!
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apologize to him
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STUDIO GHIBLI + FLOWERS (PART II)🌸🌼🌷
My Neighbor Totoro (1988) Pom Poko (1994) Porco Rosso (1992) Princess Mononoke (1997) Spirited Away (2001) The Cat Returns (2002) The Secret World of Arrietty (2010) The Wind Rises (2013) When Marnie Was There (2014) Whisper of the Heart (1995)
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A murder mystery film set in a medieval village. After an outbreak of plague, the villagers make the decision to shut their borders so as to protect the disease from spreading (see the real life case of the village of Eyam). As the disease decimates the population, however, some bodies start showing up that very obviously were not killed by plague.
Since nobody has been in or out since the outbreak began, the killer has to be somebody in the local community.
The village constable (who is essentially just Some Guy, because being a medieval constable was a bit like getting jury duty, if jury duty gave you the power to arrest people) struggles to investigate the crime without exposing himself to the disease, and to maintain order as the plague-stricken villagers begin to turn on each other.
The killer strikes repeatedly, seemingly taking advantage of the empty streets and forced isolation to strike without witnesses. As with any other murder mystery, the audience is given exactly the same information to solve the crime as the detective.
Except, that is, whenever another character is killed, at which point we cut to the present day where said character's remains are being carefully examined by a team of modern archaeologists and historians who are also trying to figure out why so many of the people in this plague-pit died from blunt force trauma.
The archaeologists and historians, btw, are real experts who haven't been allowed to read the script. The filmmakers just give them a model of the victim's remains, along with some artefacts, and they have to treat it like a real case and give their real opinion on how they think this person died.
We then cut back to the past, where the constable is trying to do the same thing. Unlike the archaeologists, he doesn't have the advantage of modern tech and medical knowledge to examine the body, but he does have a more complete crime scene (since certain clues obviously wouldn't survive to be dug up in the modern day) and personal knowledge from having probably known the victim.
The audience then gets a more complete picture than either group, and an insight into both the strengths and limits of modern archaeology, explaining what we can and can't learn from studying a person's remains.
At the end of the film, after the killer is revealed and the main plot is resolved, we then get to see the archaeologists get shown the actual scenes where their 'victims' were killed, so they can see how well their conclusions match up with what 'really' happened.
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YOUNG FRANKENSTEIN (1974) dir. mel brooks
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How do you draw your ruffles? They’re really cool looking‼️‼️‼️
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Hope this helps!
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Curious Zelda
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https://twitter.com/curiouszelda
https://www.instagram.com/curiouszelda/
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being in the tma fandom, i also see a lot of posts about malevolent. and like…. what do yall got going on over there. sometimes i will see the most heart shattering displays of intimacy between two people who have blurred the lines of devotion so far its hard to tell where love and betrayal and trust are different and sometimes its some fuckass demon going OH ARTHUR. OH THERE IS A CREATURE ARTHUR. JESUS FUCKING CHRIST. ITS LARGE AND SCARY ARTHUR AND ITS GOING TO KILL YOU. OH MY GOD!!!
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