kileyrose-2003

[kileyrose-2003]

day 4 of painting a random s2 scene until good omens gets renewed for s3

they wanna hold hands so bad u guys

[kileyrose-2003]

I am screaming look at these photos

Cut scene of Crowley sleeping on a WALL in his PAJAMAS (HE WEARS PAJAMAS ((AND BLACK SILK ONES AT THAT)))

(From the Script book) He DOES wake up a mess and he DOES clean up instantly (WE WERE ROBBED OF MESSY HAIR CROWLEY)

CONCEPT ART FOR CROWLEYS BEDROOM

I CANT

[kileyrose-2003]

EVERYONE SHUT THE FUCK UP I JUST FOUND OUT DOLLY AND STEVIE RECORDED A SONG TOGETHER FOR DOLLYS ROCK ALBUM AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHH

[kileyrose-2003]

Disney

My best friends. Y'all know who you are :)

My family

Music

Coffee

When you get this, please respond with five things that make you happy! Then, send to the last ten people in your notifs :)

thank you but i'm lazy so i'll just tag them

1. journaling

2. reading

3. my boyfriend

4. my moots

5. pinterest

@try-cry-why-try

@nevilleismywhore

@magic-is-beauty

@fightingdragonswithreid

@lantsovheart

@katherinespetrova

@themarauderswhore

@xunxunny

@andromedas-star

[kileyrose-2003]

Home as a motif for Lydia in Beetlejuice

Because Sapien is awake in the unholy hours and has decided to unburden her knowledge on all of you people

So this is mainly coming off of the back of listening to the Beetlejuice soundtrack again and fawning over the Dead Mom lyrics because DAMN

So the first mention of home is in the first introduction to the Deetz family beyond Prologue: Invisible and refers more explicitly to the old house. “Dead Mom loved that house!”/“My whole life is in that house!” Both lines are said by Lydia during her bid to try and provoke Charles into seeing her and acknowledging both her own and his own grief. What I find interesting is the use of the personal pronoun “my” over “our”. Along with her later expressions of misplaced hatred towards her father, this creates an image of Charles’ emotional incapability towards approaching grief that paints him out of the picture of the life before Emily died in Lydia’s mind. Because he cannot cope with the painful memories attached to that house, or any external stimuli that remind him of Emily (probably a contributing factor to why he begins to shun Lydia from his life — she’s the spit of Emily in character).

Okay, so now we’ve broached the topic of first introduction, we can get into the good stuff!! Dead Mom!! So, we have all of Lydia’s angsty hours going on during this song, but after the belts the song softens. She claims “You’re my home, my destination” in relation to her deceased mother. “Home”, in this instance, refers to the abstract concept of where/with whom you feel most safe, most protected, most comfortable. This is how home is perceived in every instance of its mention throughout the play. For Lydia? Home is Emily. The only person who really understands her and accepts her exactly as she is. And Emily is dead. She has no home, adrift in the “abyss” before she ever reaches the Netherworld. Additionally, there’s a lovely bit of foreshadowing here with “my destination”, subtly nodding towards Lydia’s impromptu vacation in the Netherworld in pursuit of her dead mom.

So, without doing a lot of research into the script of Beetlejuice, the next reference of the motif I could find was the song Home. Which, of course, is riddled with the word. This is the song that, in my humble opinion, shows Lydia’s character development in the most clear and concise manner.

The first time she mentions the word: “Back at home you don’t exist, so here I am in the abyss”. This is the first and only I think time that she refers to the house in Winter River as home (rather than referring to a person, as she usually does). This may just be a choice for lyrical flow, but I find it interesting, as it emphasises that Emily is NOT there and so therefore home is not home.

We get some nice metaphors for depression sprinkled within the already gut wrenching performance. And the parallels between “I’m prob’ly talking to myself here” and “Tired of talking to myself here” are amazing. She’s so weary of the world and it’s cruelty, so so tired.

“I don’t know which way’s home”; “Show me the way back home”; “Is there a way back home?” These lines come in chronological order, and their development is particularly interesting to me. The first iteration has a double meaning: firstly, the more explicit plea of ‘I’m lost’, both in terms of direction and without Emily; secondly, that she can’t find her mom, and therefore doesn’t know the way back into her arms. She doesn’t know which way’s home. But then the wording changes. “Show me the way back home”, to me, sounds like an open cry for help although she’s still talking to Emily in particular she’s not fussy. Home is no longer pertaining to Dead Mom, but is instead a reference to the human world and the life she left behind (indicated by the line “No light above and there’s no hope below”).

So I’m moving “Is there a way back home?” down here because I feel like this could be lengthy. This has so many interpretations, I love it! So, firstly, let’s start with the surface connotations. The first and foremost implication being her questioning whether or not actually leaving the Netherworld is a possible scenario for her and her father (especially since Juno is after both of them). That’s on the surface. Now, deeper, you’ve got this idea that Lydia has yet to find Emily in the deep dark pit of the Netherworld. Is she even there? Would she ever find her? Is there a way back to the woman she considers home? Who knows? There’s a further idea about a happy family that I’d like to touch on. This idea of home could include Charles. A happier, more open Charles who wasn’t so insecure (because I have a gut feeling Lydia’s actually a daddy’s girl) and a time when Mom was alive and they were all happier. That memory of having an unbroken family is also home, supported by the next reference of “There’s no home without you in it”.

Now we have the bit where Charles and Lydia make up before going back into song.

“I’m gonna go back home / Adam, Barbara, Delia, and Dad / It’s messy but they’re all that I have” Lydia finds her homes in people rather than places, and in this case she’s accepting that Emily cannot be her home anymore though she promises not to forget her and that she has to move on to make more meaningful relationships with others who care about her. “It’s messy but they’re all that I have” will always be one of the most beautiful lines in the entire musical, because it demonstrates how far she’s come. Yes, they’ll have to work on it. Yes, it will be tough. But they’re there for her no matter how disjointed and how difficult it is for them to communicate. She has found herself a new home.

Now! Onto the finale!! Jump in Line!! The very very last line of the entire musical is “I’m hoooommmeeee” from Lydia. Now, thank you to @barbara-lazuli for bringing this to my attention but there is a parallel I hadn’t noticed in this line. The very first lone of the entire musical is the ensemble: “Daylight come and me wanna go....” The line cuts off before home. Flash forward to the very last line of the musical. The ensemble sings the same line, only it ends with Lydia singing the “I’m home” part. At the start she was incomplete, ill at ease with grief and depression, adrift in an ocean far from home; however, with help, support, patience, and love, Lydia has found a new place, a new family to call home.

In conclusion, Sapien has spent 2 hours writing this and is tired as anything. Come back next time for Sapien overanalysing the motif of invisibility and how it creates a wonderful parallel for Beetlejuice and Lydia. Please enjoy. :)

[kileyrose-2003]

@projectbway  event 02 : adaptions   —  Beetlejuice    

— I thought I knew But I was wrong ‘Cause life is short But death is super long

[kileyrose-2003]

Halloween Aesthetics // Autumn Aesthetic

[kileyrose-2003]

DAILYFLICKS HALLOWEEN EVENT → FAVORITE HORROR MOVIE PER MEMBER DOCTOR SLEEP - Pluto (@volcra​)

You need to listen to me. The world’s a hungry place. A dark place. I’ve only met two or three people like us. They died. When I was a kid, I bumped into these things. I don’t know about magic. I, I always called it “the shining”.

[kileyrose-2003]

Happy 41st Birthday Eva Green.

[kileyrose-2003]

Happy 41st Birthday Eva Green.

[kileyrose-2003]

Let me give you some advice. You can’t care about anyone. Everyone else is an obstacle. You care about what an obstacle wants or feels, you’re dead.

[kileyrose-2003]

Her Angel

Zelda Spellman x fem!Reader

Warning(s): Trauma, swearing, blood, fighting, mentioned NSFW, angst, fluff

Words: 5,7k

A/N: Hi! I am back! For now, I have so many things to write and I’m thinking perhaps that if people like this, I’ll make a second part to this. I already have it all planned so let me know what you think! A huge thank you to @kileyrose-2003​ & @multimilfs​ for helping me on this one. You’re both darlings! I do apologize if there’s any miss spellings or wrong grammar, I don’t really proof read.

 Thank you all for the patience and support, warms my heart :D. Love you all! Xx

You stepped out of a much needed shower. The warm water relaxing your tense muscles in your back, arms and legs. Softening your shoulders and neck. Soothing the throbbing ache in all the bruises and bite marks that covered your body. Chuckling to yourself as you watched your reflection in the mirror. It looked like someone had beaten you. You were covered from head to toe in blue, purple and black marks. Not to mention the bite marks. As if someone had tried to eat you. Well, someone had tried.

Keep reading

[kileyrose-2003]

[kileyrose-2003]

“𝐼 𝑘𝑛𝑜𝑤 𝑤ℎ𝑎𝑡 𝑦𝑜𝑢 𝑎𝑟𝑒. 𝑌𝑜𝑢 ℎ𝑎𝑣𝑒 𝑛𝑜 𝑖𝑑𝑒𝑎 ℎ𝑜𝑤 𝑑𝑎𝑛𝑔𝑒𝑟𝑜𝑢𝑠 𝑦𝑜𝑢 𝑎𝑟𝑒. 𝑌𝑜𝑢’𝑟𝑒 𝑠𝑢𝑝𝑝𝑜𝑠𝑒𝑑 𝑡𝑜 𝑏𝑒 𝑎 𝑚𝑦𝑡ℎ. 𝐴 𝑏𝑒𝑖𝑛𝑔 𝑐𝑎𝑝𝑎𝑏𝑙𝑒 𝑜𝑓 𝑠𝑝𝑜𝑛𝑡𝑎𝑛𝑒𝑜𝑢𝑠 𝑐𝑟𝑒𝑎𝑡𝑖𝑜𝑛 … 𝑇ℎ𝑖𝑠 𝑖𝑠 𝐶ℎ𝑎𝑜𝑠 𝑀𝑎𝑔𝑖𝑐, 𝑊𝑎𝑛𝑑𝑎. 𝑇ℎ𝑎𝑡 𝑚𝑎𝑘𝑒𝑠 𝑦𝑜𝑢 𝑡ℎ𝑒 𝑆𝑐𝑎𝑟𝑙𝑒𝑡 𝑊𝑖𝑡𝑐ℎ.”

#wandavison spoilers

[kileyrose-2003]

Elizabeth Olsen as Wanda Maximoff through the decades on WandaVision (2021).

[kileyrose-2003]

It was Agatha all along!

#wandavison spoilers

[kileyrose-2003]