lazcht

[lazcht]

i love these!!

Characters co-owned w @_magic.stardust_ on IG 😌✨ (a couple more comics abt this on my account already)

I'm not a very positive person, i have a LOT of doomer tendencies. I feel everything like it's cranked up to the max, and as you can imagine it doesn't feel great. Every day throws more atrocious things in my face, and i can't ignore it 🥲

I see other people feeling the same way. We dissociate and numb ourselves by watching, playing, buying stuff. Hateful movements are gaining traction and climate change has its foot in the door

And it's all happening either way, to some degree. I feel like shit, and i'm sick of that. I might as well have a little bit of hope, otherwise i'll go bonkers 😭 Do we continue doomering our way through life or ignoring things altogether, or do we choose to hope a little?

That's why i'm looking into Solarpunk and am thinking of taking any readers (and myself) on a little journey through a better world, and how it might work, through a series of mini-comics I'm posting here. I don't have all the answers (no one person ever does), and i don't hold any pretenses that this kind of world is going to be our future. But i often hear "You love critiquing the status quo, but what do you propose instead?" I'd like to find out too. Here's to something we can hope for, no matter how slim the chances are! Because as I said, i might just lose my mind otherwise ☠️

P.S for new peeps: this is an AU with me and my friend's OCs, so all characters are genderless and go by they/them. It's not identical to our world in that regard, but other than this fact we try to keep it more or less realistic 🤙

I spent a thousand krillion hours on this and the other Solarpunk comics, consider throwing 2$ at me on Buy Me A Coffee to raise my spirits :] I'm not doing well mentally these days, but people's appreciation helps a lot. Thank you very much!

#solarpunk #reblog

[lazcht]

eyy proud of this work. i guess i didn't use tumblr that time so i didn't notice this post back in the year this released!

The Many Adventures of Peter and Fi Volume I Cover Art

Done by @lazcht

Laz designed the cover art for Volume I based on my suggestions while adding his own creative spin. I’m very happy with how it turned out!

#illustration #artwork #lazchtarthut #artwork2018

[lazcht]

My version of Emily, I plan make portraits mods for all of the bachelor/ettes, yeahhhh

in fact I already tested modding this one in hehe.

Anyway I'm kinda back to tumblr, hopefully I have energy to post again.

#art #artwork2023 #illustration #stardew valley #stardew fanart #sdv fanart #stardew emily

[lazcht]

bro he used mouse. i wonder what his desk looks like now

Kazuma Kaneko’s work computer, circa 1998.

#kazuma kaneko

[lazcht]

oohhhhh.

10 years ago me would be hyped to be employed as ATLUS' artist. today's me be like "i need to improve my skills and i want to work remotely... do they employ english-speaking person lmao"

Atlus Is Currently Hiring! Interview With "Persona" Character Designer Shigenori Soejima #DESKWATCH

2017.04.28

#DESKWATCH is a project that shines the spotlight on creators of illustrations, manga, anime, videos, music…. and their work environment. Discover how these gems of creativity are born, and what kind of tools professional creators use through photos and interviews!

Interview & article by Momoka Ito (vi) Pictures by Satopon

This time we visited Atlus, the video game studio behind groundbreaking titles such as Shin Megami Tensei, Persona and Etrian Odyssey. We were also lucky enough to have the chance to interview Shigenori Soejima, character designer for the Persona series and art director of Atlus new project Project Re Fantasy. We asked him about his illustrations and about the way he does design.

▲ Project Re Fantasy is a brand new project that is still under development. It’s produced by Katsura Hashino, who also produced Shin Megami Tensei III: Nocturne, and character designer Shigenori Soejima tagged along. 

 We also heard that Atlus is looking for new staff, and we decided to give you all a chance by creating a special platform on pixiv to make your entry! In you’re interested, please check the application form at the end of the article.

▲ This time we visited Soejima’s workspace, a.k.a. the “P・STUDIO” floor.. At the entrance, we were greeted by Persona 4 mascotte Teddie and a vending machine.

I started to work at Atlus right after graduating. What is it like to work at Atlus?

– I guess every video game fan already knows what Atlus is, but can you tell us something about your company? What are your most representative titles?

The most famous ones are without any doubt Shin Megami Tensei and the Persona series. Other representative titles are the Etrian Odyssey series and the most recent Catherine. 

 – How did you start working at Atlus?

It was 1995. I just graduated, and Atlus had just started to produce Revelations: Persona. I started working there as a designer, but at the time the separation between tasks wasn’t so harsh so I ended up doing a little bit of everything. Even pixel art. 

– Why did you choose Atlus?

It was because it wasn’t such a big company at the time. (laughs) I thought if I were to enter a big company, I wouldn’t have had much freedom to do whatever I pleased. On the other hand, at a company like Atlus I had many opportunities to give my contribution. 

 – What software are you using mainly?

Paint Tool SAI and Photoshop.

For the part where I use my pen tablet, I use SAI. So lines, coloring… I use Photoshop mainly to adjust the colors and to add special effects. Sometimes I also use CLIP STUDIO. 

 – Do you use a LCD tablet or a regular one?

I’ve been using a regular tablet for the longest time, ‘cause I didn’t like the idea of hiding my illustrations with my hand. However, I heard so many times about how great LCD tablets are that I’m thinking to get one. (laughs) I’m a creature of habit. If there’s a device I like to use, I’ll keep using even after it gets obsolete. Other members of the staff, though, use much newer things.

▲ His PC is a Windows 7, Intel Core i7 - 6700 32GB memory at 3.4 GHz. Soejima’s favorite pen tablet is an “Intuos 3” from 10 years ago. A good workman does not blame his tools! 

 – What are your must-have items?

My headphones. I use BOSE and AKG. The latter are the result of a collaboration between AKG and Persona 5.

▲ These “AKG K845BT” feature Persona 5 character Sakura Futaba.

 – Since headphones are your must-have item, I imagine you listen to a lot of music while you work!

Yes, mainly video game music. Or better, the music from the game I’m currently working for.

The atmosphere of my illustrations changes quite a lot according to what kind of music I’m listening, so I always try to get the BGM music data in advance to use it while I’m drawing.

– I see, so you’re using the BGM of the title you’re working on. I’m kinda jealous of your work environment!

Creators can move freely at Atlus

– If you’re a creator, you have two choices: to work as a freelancer and to work for a company. Can you tell us the advantages and disadvantages of being an employee?

One of the advantages is that you have always people around you. If you’re working as a freelancer, you always have to contact your editor via phone or chat. If you work for a company, though, everyone is already there - you just need to go to their office and you can talk to them right away.

▲ In the company’s common space, we found plenty of “P・STUDIO” paraphernalia.

▲ Daiichi Production, the studio behind “Shin Megami Tensei” and “Etrian Odyssey”, has a shared tatami space inside the office.

▲ The common space of Studio Zero, the studio working on"Project Re Fantasy". The layout facilitates the communication between each floor.

▲ A one-of-a-kind controller to commemorate the advent of Persona 5 sent from someone who works at Atlus USA. We need this…!

When you’re a creator of any kind, it can be hard to complete a project or gather all necessary ideas by yourself. Having a group of people around you can really help!

Also, you can get all the equipment you need. If you tell someone “I need this thing for my work”, they’re gonna buy it for you. And I’m not only talking about hardware - they’ll gather resources and whatever else you need. One of the merits of working in a company is that the environment built around you is thought for work.

However, the thing I like the most is the dynamism that working for a game company creates. Many brains mean many ideas, many illustrations, many people involved in the game. I really love this about Atlus.

The disadvantage is… Having a last train home. (laughs) There are limitations on how much we can work, so if I end up staying too late someone is gonna get angry at me.

But let’s think about it. You need to learn self-management this way, and that’s not necessarily a bad thing. 

  – Can you tell us something more about Atlus work rules?

Core time is from 11 until 16. During that time span, you should be at the company. But since work hours are flexible, they tend not to be too strict. You can get to work early in the morning and go home 8 hours later, or you can get to the office just in time for core time, at 11 o'clock.

  – It’s nice to have that kind of freedom! How many hours do you work?

When deadlines are approaching, I can work all day every day… (laughs) But basically, I work according to the rules.

 – What do you do in order to rest your eyes and hands?

I think it’s really important to choose the perfect chair. My company really values a nice work environment, so everyone is usually sitting on a very nice chair.

Us designers, unlike illustrations, don’t really keep drawing for hours and hours. We often look at materials and resources or have meetings. That’s why I don’t think the burden on our bodies is too big.

What are the limitations on character design? Joys and sorrows of group work

– Can you tell what goes inside the head of a character designer? How can you become good at it?

“Character design” means to create the setting for a certain character, but I think that the ability to draw is a prerequisite in order to be able to convey all their characteristics.

A thing I realized when I entered this company is that even if you’re good at drawing, that doesn’t mean you will make a good character designer. Competitions inside the company can get pretty harsh, but sometimes it can happen that designs from people who can’t draw end up being adopted. For the initial concept, stick figures are usually better than super detailed characters.

It might be hard to get good at design if you’re not that good at drawing, but I’m pretty sure that “drawing skills” and “design skills” are two completely different things. I realized all these things after joining Atlus, and since then I’ve always been drawing to increase my skills as a designer. 

 – What is the best way to increase your skills as a designer?

Of course, it’s important to observe what’s around you… But there’s something less vague that you could do. Personally, I started from asking myself: “What’s the thing that I enjoy the most?” I think when you start drawing something you’re always influenced by what’s popular at that time. Then, you start looking for ways to be different from the popular creators. However, you don’t always get results right away. I was even scolded by my boss because I couldn’t find a satisfying output, a way to be different. (laughs) He told me to just be myself and to draw what I felt like drawing.  Since that moment I started actively thinking about how to create something that was different from whatever came in the past. I started to find the things I was missing. It’s important to continuously try to perfect yourself, both by studying and by finding new interests.

▲ Even a successful designer like Soejima was scolded at the start of his career.

– What’s the most fun thing about character design?

To give shape to a character that has only a vague image gives me a blast every time.

Characters are not something that I make on my own, but that our team creates together. I like sharing what I made with the team, and everyone usually reacts with “Oh, so this is what this character was like!”

When I have to design a character, I start with written indications. Going from that to an actual physical image… That’s the most fun that I have during my job.

– And what’s the most frustrating thing?

Since design is quite different from plain art, there are many things that I have to consider when creating a character. I have to think that that same character will be made into a 3D model and animated… And if, for example, character A and character B are brothers they should resemble each other.  I have to base my drawings on character settings, and that leads to some limitations. It’s very hard to respect those limitations while creating a good character.

▲ Character creation is something that various members of the staff collaborate on. It doesn’t matter how small a character is, there’s always much thought going into it.

– I think that the designs for “personas” appearing in the Persona series are very cool and stylish. How are these creatures born?

The first thing that I consider is what kind of impression that persona will leave when it meets the eye of the player.

Do you want it to be cool? Scary? I mix different ingredients according to the kind of persona I want to create.

However, designs that are too easy to understand can end up resulting quite boring. I like to add elements that create a little mystery… I want the players to think “why does this persona look like this?”. My intent is not only to create good looking creatures but also to make the player curious about the original setting for each of them.

– What would you recommend to all those who’re aiming for a career as an illustrator or character designer?

I think the best method to learn something is “to make it into a job”. If you only do something as a hobby, you’ll tend to be biased towards things you like.

By entering a company, you’ll have the chance to draw both things from your specialty field and things outside of it. 

When I joined Atlus I was quite confident about my skills, but I can’t say the same about drawing something outside my field of interest. I remember clearly what one of my senpai said to me back then: “Soejima, you pretend like you can draw anything, but you actually can’t draw at all”. (laughs) So instead of working at your desk and thinking “I’d like to make this into a job one day”, get out there and make it into a job. And I hope you will choose our company!

▲ Soejima drew Persona 5 character Makoto Niijima just for us. How beautiful is this!?

Atlus is currently hiring! Apply through pixiv!

– I would like to ask you something about recruiting. What made you decide to recruit new staff?

After Persona 5 was released, the same team is considering to work on another project, Project Re Fantasy by Studio Zero, which I’m working on as an art director. Apart from that, Atlus is planning to launch a new project for Shin Megami Tensei 25th anniversary, but we don’t have enough staff to cover all that…

We are especially looking for artists, and we heard that the best place to find them is a certain treasure cave called pixiv.

▲ Studio Zero, the freshly established studio that deals with Atlus new project. To stimulate further growth and to follow the tradition of existing Atlus projects, they are hiring new personnel.

– Is this offer limited to newly graduated students?

No, we don’t really care about that. You can apply even if you’re in the middle of your career, or if you were a student quite a few years ago. People who are currently working as freelancers are also welcome to apply. We are looking for graphic creators to join our team at Atlus.

– Isn’t gonna be hard to get hired at a company like Atlus, that produces such original games?

Thank you for complimenting our company. However, it’s not like people without original ideas can’t find a job at Atlus! And it’s not like you have to know anything and everything about Atlus if you want to join. If you played Shin Megami Tensei you probably have this image of Atlas as a super serious company, but rest assured that the creators and members of the staff are only serious when doing their job. (laughs) We are very passionate about creating original contents, but as a team we are pretty standard. It’s a regular company.The tendency is to join everyone’s forces when it comes to creating a new title. If you’re interested in this creative side of the production, please apply! So if you’re interested in becoming a character designer or an illustrator, we will be more than happy to have you! 

 – Thank you so much! And to all artists out there who dream to work at Atlus… Please send your application using the form below!

     ★ ATLUS - Creators Wanted! Application Form ★

Make your dreams come true “right now”, and not “some other day”!

Such a wholesome interview, the one we had with Atlus character designer Soejima! He told us that, rather than practice at your desk, it’s way better to just find a job to get your skills up! Is it just a chance that Atlus is currently hiring new creators and staff? If you want to have a chance to make your dreams come true right now, don’t miss this unique opportunity! #DESKWATCH checks out the inspiring desks of creators and observes as they strive to deliver the best quality work.

[lazcht]

yeah, i was a comic artist and LiaL was a comic project. these were one of my attempts like… 10 years ago or even more. i just cleaned up the scans and translated them to English, since originally the text was written in Indonesian.

warning!!

before you read it all. I WARN YOU, this is a BAD comic, it’s lame, it got no story to be told except “Ciel is coming”, and the jokes are not even funny. so if you really have patience and some time to kill, then give it a shot and judge for yourself.

i’m not even ashamed to share this anymore, since this is too old i felt like it was not me writing this haha. (i have more older stuff to share later when i’m have the mood)

why i’m sharing this now?

haha, can’t do another char redesign since my old document’s are not with me at the moment, so i decide to share something else. i also think anyone would be curious enough to face their prototype shape. despite being a bad comic, i had lot of fun writing them, interacting, talking and drawing their expressions. i had no other media back then, to express my characters.

what did i realize?

the way i see them bad now, i think i should be grateful because that means my storytelling standard is getting better. :v

now i know why i’m bad with storytelling, because i didn’t let people proofread my story, i closed myself with my own characters, and silently hoped that would be awesome because i have talent, and that’s all i need to pull out a masterpiece. i always thought my characters will be lovely, but they all turned out to be only self-satisfying characters who couldn’t tell a story. i never been so wrong.

i only had like 5 person voluntarily read the whole strip and i knew they didn’t seem interested. i knew it was bad, but i was failed to move on to fix this error, yet i burnt myself without doing anything useful.

i realized i (most likely) have no talent or a good sense for this, but i believe sense and talent develops when you do them regularly :D

[lazcht]

ヤガミトール Happy 57th Birthday!!

artstn.co/p/aRXD19

commission info: lazcht.carrd.co 

#BUCK TICK #BUCKTICK #BUCK-TICK #B-T #Yagami Toll #Toll Yagami #Anii #Atsushi Sakurai #Hisashi Imai #Hidehiko Hoshino #Yutaka Higuchi #櫻井敦司 #今井寿 #星野英彦 #樋口豊 #ヤガミトール #イラストレーション #イラスト #ヤガミトール誕生祭2019

[lazcht]

“We love you!”

photo study+ stylization :3

#acchan #atsushi sakurai #buck-tick #櫻井敦司 #獣たちの夜

[lazcht]

Acchan appreciation for my anti-burnout treatment. photo study+"pen" stylization.

i’m on twitter lately! >> twitter.com/lazcht

#atsushi sakurai #buck-tick #あっちゃん #櫻井敦司

[lazcht]

Poinsettia | פוינסטיה

First proper artwork on 2019! Happy belated new year~ :)

Model: Ella Freya

-- lazcht.tumblr.com instagram.com/lazcht deviantart.com/lazcht twitter.com/lazcht

#poinsettia #flowery #flower #girl #short hair #rainbow #lazcht #Lazcht's arthut #LazchtArthut #少女 #女性 #イラスト #Illustration #話 #エラフレヤ #ella freya

[lazcht]

Ohohoho

have a good weekends!

twitter: http://twitter.com/lazcht

IG: https://www.instagram.com/lazcht/

commission: https://artistsnclients.com/people/Lazcht

#koopa hime #bowsette #クッパ姫 #デジタル #イラスト

[lazcht]

twitter: http://twitter.com/lazcht

IG: https://www.instagram.com/lazcht/

FB: http://fb.com/preyheaven

commission: https://artistsnclients.com/people/Lazcht

#chibi icon #イラスト #illustration #LazchtArthut #digital art

[lazcht]

Twitcher

art raffle result for twitch user DjorjeA~

i do art streaming lately! follow my channel twitch.tv/lazcht

twitter: http://twitter.com/lazcht

IG: https://www.instagram.com/lazcht/

FB: http://fb.com/preyheaven

commission: https://artistsnclients.com/people/Lazcht

#chibi icon #chibi #twitch.tv #LazchtArthut #lazcht #Illustration #絵 #イラスト

[lazcht]

The Stupidest Tea Party

one of two illustration I made for Tintakel’s Artbook project themed Alice’s Adventures in Wonderland.

twitter: http://twitter.com/lazcht

IG: https://www.instagram.com/lazcht/

FB: http://fb.com/preyheaven

commission: https://artistsnclients.com/people/Lazcht

#lewis carroll #Alice's Adventures In Wonderland #Alice In Wonderland #mad hatter #march hare #tea party #ふしぎの国のアリス #ファンアート #イラスト #絵 #illustration #LazchtArthut

[lazcht]

Orange Marmalade

one of two illustration I made for Tintakel’s Artbook project themed Alice’s Adventures in Wonderland.

twitter: http://twitter.com/lazcht

IG: https://www.instagram.com/lazcht/

FB: http://fb.com/preyheaven

#alice in wonderland #alice's adventures in wonderland #illustration #lazcht #ふしぎの国のアリス #digital art #digital painting #お絵かき #絵 #イラスト #Artists of Tumblr

[lazcht]

Ciel

i tried to improve my discipline towards this project again, so i give it another try of Friday being my moment to work for myself on this @preyheaven​ project (previously it’s called “LiaL”, but “PreyHeaven” sounds better and easier to remember). click “keep reading” if you’re interested to here more about the character :)

portrait commission info: https://artistsnclients.com/slots/24231-stylish-lazportrait-price-down

twitter: http://twitter.com/lazcht

IG: https://www.instagram.com/lazcht/

FB: http://fb.com/preyheaven

Ciel is kind of antisocial, but he didn’t really have a better choice but to work on a hospital at morning, bounty hunting at the end of shift. He didn’t actually care about health or medical things, the fact that he smoke and drink all day to improve his mood. He grew to enjoy combats, as he irritated easily and often problematic with people around him, and got lot of problems out of his elongated (elf-like) ears, thus he sometimes opted to conceal them with bandages.

Character sheet:

Old version (2011):

thanks for reading! :) you can read more about the character here.

#long hair #ponytail #portrait #Artists of Tumblr #artists on tumblr #digital painting #drawing #digital drawing #oc #original character #original story #original #preyheaven #illustration #Lazcht's arthut #LazchtArthut #オリジナルイラスト #オリジナルキャラクター #オリジナル #絵

[lazcht]

Laze // Sword of August

my character from another old Shmup flash game “Sword of August”.

play the game on your browser: http://stellar-0.com/playSoA.html

character icon commission: https://artistsnclients.com/slots/26856 or mail me directly [email protected]

twitter: http://twitter.com/lazcht

IG: https://www.instagram.com/lazcht/

FB: http://fb.com/preyheaven

my indie game team website: http://stellar-0.com

#sword of august #stellarNull #character icon #chibi icon #chibi #Lazcht's arthut #Illustration #artwork #drawing #絵 #flash #イラスト #white hair