lightsonparkave

[lightsonparkave]

SUCCESSION (4.07) | TAILGATE PARTY

[lightsonparkave]

[lightsonparkave]

ONE MORE WEEK TO SUBMIT YOUR WORK FOR ROUND 52!

Plenty of time to send something in for this round.

To betray, there must be trust in the first place, an intimacy born out of understanding or love. You have to get close to plunge a knife between the ribs.

The theme for Lights on Park Ave Round 52 is betrayal.

Here are the prompts:

"Landfill" - Daughter

A Squid Game gifset about what Gihun and Sangwoo believe it takes to survive and win

"Judas' Gift" by Adam Phillips, a piece about the intimacy and transformative nature of betrayal

Lestat telling Louis that he's glad Louis is the one to kill him in AMC's Interview with the Vampire

Samson and Delilah - Peter Paul Rubens

Tony telling Steve he doesn't trust Steve and calling him a liar in Endgame

An excerpt from "Yesterday He Still Looked in My Eyes" by Marina Tsvetaeva where the narrator asks what she did to be abandoned

"Mr. Brightside" - The Killers

A quote about being betrayed by one's heart from A Heart Under a Cassock by Arthur Rimbaud

"9 Crimes" - Damien Rice

Shiv's reaction to Tom's betrayal while Tom, unaware that she caught him, disingenuously comforts her in Succession with commentary from Mark Mylod

Eduardo promising Mark that he'll go after him for cutting him out of the company in David Fincher's The Social Network

Steve confronting Tony about wiping his memory and what the Illuminati members are doing in Avengers Vol. 5 Issue 29

A gifset from Martin Scorsese's The Departed about the moles in the mob and FBI's ranks

The Taking of Christ - Caravaggio

The Ides of March - Edward John Poynter

Robbie shouting at Briony about how she and her family ruined his life and his future with Cecilia because of her lie in Atonement

"Vicious" - Daniel Hart (AMC's Interview with the Vampire OST)

Miss Kenton admitting her feelings to Stevens, which makes him realize that his rigid adherence to his beliefs cost him a chance with her in The Remains of the Day by Kazuo Ishiguro

Tom and Shiv fighting bitterly about how the other person betrayed them and trying to hurt each other in Succession

Tim telling Hawk in 1968 that their love was a fantasy because of Hawk's actions and not giving into a yearning Hawk in 1979 in Fellow Travelers

Round 52 will end on April 30, 11:59 PM ET (what time is that for me?).

As always, you’re free to jump in whenever you’d like during the round, a wide variety of work types is accepted, and there are no minimum work requirements. Unfinished works and works for other fandom events are allowed. You can find more information about Lights on Park Ave and the participation guidelines here.

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“Vicious” by Daniel Hart ft. Damir Orascanin Interview with the Vampire (Original Television Series Soundtrack)

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Five years ago, you didn’t care about telling the truth.

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The Ides of March by Edward John Poynter

Caesar and his wife Calpurnia see a comet, as she tries to persuade him not to go to the Senate.

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MWW Artwork of the Day (4/14/22) Caravaggio [Michelangelo Merisi](Italian, 1571-1610) The Taking of Christ (c. 1598-1602) Oil on canvas, 133.5 x 169.5 cm. National Gallery of Ireland, Dublin

“The Taking of Christ” was painted for the Roman Marquis Ciriaco Mattei at the end of 1602, when the artist was at the height of his fame. Breaking with the past, Caravaggio offered a new visual rendering of the narrative of the Gospels, reducing the space around the three-quarter-length figures and avoiding any description of the setting, with the exception of a single olive branch. Judas has identified Jesus with a kiss and the temple guards move in to seize him; the expression of disturbed acceptance on his face one of the most moving details. The fleeing disciple in disarray on the left is Saint John the Evangelist. Only the moon lights the scene: although the man at the far side is holding a lantern, it is in reality an ineffective source.

Caravaggio is one of the featured artists in this MWW gallery/album: https://www.facebook.com/media/set/?set=a.473455999426441&type=3

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+ bonus:

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Avengers Vol 5 Issue 29

I don’t know what point I’m making with this photo set other than “the pages where I lost my shit in the middle of a comic shop while the owners laughed at me”

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A Comet Before the Ides

Fandom: Marvel Cinematic Universe Rating: Gen Warnings:  none  Characters/Pairing: Tony Stark/Steve Rogers Word count: 247 Link: none  Summary: Steve worries about Tony Author’s note: for @lightsonparkave inspired by this painting. Set in the lead up to CATWS, but like if Steve and Tony were together.

“Don’t go tomorrow.”

Tony sighs and puts down his tablet, but his exasperation is probably undercut by the way he leans into Steve and rests his head on his shoulder. It’s comfortable, almost domestic, spending time like this with Steve. “I don’t know what you think is going to happen. It’s a meeting with SHIELD.”

Steve rubs Tony’s shoulder, squeezing him closer. He’s looking out on the city, at the diffuse glow of millions of people carrying on with their lives into the night. A helicopter passes, it’s bright lights streaking across the sky as it searches for a place to land.

“Something is wrong. I can’t put my finger on what, but I know it.”

“Are we talking Coulson got a new taser and wants to test it out or they’ve all been replaced by aliens seeking world domination?” Tony asks, twisting around to lay in Steve’s lap. “Because from here everything looks fine—as above the board a secret spy organization gets. We’ve been working with them for years.”

“The STRIKE team is up to something and whatever it is, they have authorization from above.”

“I doubt they’re going to ambush me on my way to a meeting about their new helicarriers, but if it’ll make you feel better, I’ll take the suit. You know I like to keep a little something up my sleeve.”

Steve huffs a laugh. “You’re going to find out what they’re up to aren’t you?”

“Would you expect anything less?”

#ayapandagirl #fluffypanda #round 52 #work: fic #rating: g #universe: mcu

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The Social Network 2010 | dir. David Fincher

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For a long time, I couldn’t find the ending. And then, we did a take where we gave Sarah’s character time to process that moment. And when Tom walked over and said, “You okay?” Despite that absolutely extraordinary betrayal, she put a game face on and said, “Yep.” And because it was such a perfect kind of Succession moment, that she would still somehow find the strength to put that Teflon coat on and be in denial of that pain was so powerful to me that I knew we had the end of the season.

- Mark Mylod, dir. SUCESSION 3.09 - All the Bells Say

[lightsonparkave]

TWO MORE WEEKS TO SUBMIT YOUR WORK FOR ROUND 52! ❤️

To betray, there must be trust in the first place, an intimacy born out of understanding or love. You have to get close to plunge a knife between the ribs.

The theme for Lights on Park Ave Round 52 is betrayal.

Here are the prompts:

"Landfill" - Daughter

A Squid Game gifset about what Gihun and Sangwoo believe it takes to survive and win

"Judas' Gift" by Adam Phillips, a piece about the intimacy and transformative nature of betrayal

Lestat telling Louis that he's glad Louis is the one to kill him in AMC's Interview with the Vampire

Samson and Delilah - Peter Paul Rubens

Tony telling Steve he doesn't trust Steve and calling him a liar in Endgame

An excerpt from "Yesterday He Still Looked in My Eyes" by Marina Tsvetaeva where the narrator asks what she did to be abandoned

"Mr. Brightside" - The Killers

A quote about being betrayed by one's heart from A Heart Under a Cassock by Arthur Rimbaud

"9 Crimes" - Damien Rice

Shiv's reaction to Tom's betrayal while Tom, unaware that she caught him, disingenuously comforts her in Succession with commentary from Mark Mylod

Eduardo promising Mark that he'll go after him for cutting him out of the company in David Fincher's The Social Network

Steve confronting Tony about wiping his memory and what the Illuminati members are doing in Avengers Vol. 5 Issue 29

A gifset from Martin Scorsese's The Departed about the moles in the mob and FBI's ranks

The Taking of Christ - Caravaggio

The Ides of March - Edward John Poynter

Robbie shouting at Briony about how she and her family ruined his life and his future with Cecilia because of her lie in Atonement

"Vicious" - Daniel Hart (AMC's Interview with the Vampire OST)

Miss Kenton admitting her feelings to Stevens, which makes him realize that his rigid adherence to his beliefs cost him a chance with her in The Remains of the Day by Kazuo Ishiguro

Tom and Shiv fighting bitterly about how the other person betrayed them and trying to hurt each other in Succession

Tim telling Hawk in 1968 that their love was a fantasy because of Hawk's actions and not giving into a yearning Hawk in 1979 in Fellow Travelers

Round 52 will end on April 30, 11:59 PM ET (what time is that for me?).

As always, you’re free to jump in whenever you’d like during the round, a wide variety of work types is accepted, and there are no minimum work requirements. Unfinished works and works for other fandom events are allowed. You can find more information about Lights on Park Ave and the participation guidelines here.

[lightsonparkave]

Leave me out with the waste This is not what I do It's the wrong kind of place To be thinking of you It's the wrong time For somebody new It's a small crime And I got no excuse And is that all right, yeah? Give my gun away when it's loaded That all right, yeah? If you don't shoot it, how am I supposed to hold it? That all right, yeah? Give my gun away when it's loaded That all right, yeah, with you? Leave me out with the waste This is not what I do It's the wrong kind of place To be cheating on you It's the wrong time She's pulling me through It's a small crime And I got no excuse And is that all right, yeah? To give my gun away when it's loaded (Is that all right with you?) Is that all right, yeah? If you don't shoot it, how am I supposed to hold it? (Is that all right with you?) Is that all right, yeah? If I give my gun away when it's loaded (Is that all right with you?) Is that all right? That all right with you? That all right, yeah? If I give my gun away when it's loaded (Is that all right with you?) Is that all right, yeah? You don't shoot it, how am I supposed to hold it? (Is that all right with you?) Is that all right, yeah? If I give my gun away when it's loaded (Is that all right with you?) Is that all right? Is that all right with you? And is that all right, yeah? (To give my gun away when it's loaded) Is that all right, yeah? (You don't shoot it, how am I supposed to hold it?) Is that all right, yeah? (To give my gun away when it's loaded) Is that all right? Is that all right? Is that all right with you? No

Source: Genius

[lightsonparkave]

“(…) my heart, my heart betrayed me!”

— Arthur Rimbaud, from A Heart Under A Cassock in “Rimbaud Complete” [translated by Wyatt Mason]

[lightsonparkave]

Comin' out of my cage and I been doin' just fine Gotta, gotta be down because I want it all It started out with a kiss, how did it end up like this? It was only a kiss, it was only a kiss Now I'm fallin' asleep and she's callin' a cab While he's havin' a smoke and she's takin' a drag Now they're goin' to bed and my stomach is sick And it's all in my head But she's touchin' his chest now He takes off her dress now Let me go And I just can't look, it's killin' me And takin' control Jealousy, turnin' saints into the sea Swimmin' through sick lullabies Chokin' on your alibis But it's just the price I pay Destiny is callin' me Open up my eager eyes 'Cause I'm Mr. Brightside I'm comin' out of my cage and I've been doin' just fine Gotta, gotta be down because I want it all It started out with a kiss, how did it end up like this? (It was only a kiss) It was only a kiss Now I'm fallin' asleep and she's callin' a cab While he's havin' a smoke and she's takin' a drag Now they're goin' to bed and my stomach is sick And it's all in my head But she's touchin' his chest now He takes off her dress now Let me go 'Cause I just can't look, it's killin' me And takin' control Jealousy, turnin' saints into the sea Swimmin' through sick lullabies Chokin' on your alibis But it's just the price I pay Destiny is callin' me Open up my eager eyes 'Cause I'm Mr. Brightside I never I never I never I never

Source: Genius

[lightsonparkave]

“He taught me to live in fire, he threw me there, and then abandoned me on steppes of ice. My love, I know what you have done to me. - My love, what was it I did to you?”

— Marina Tsvetaeva, from Yesterday He Still Looked In My Eyes in “Bride Of Ice: New Selected Poems” [translated by Elaine Feinstein]