KAT GIORDANO
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WHEN MY DEAD FATHER CALLED
Last night I dreamt my father called to us.
He was stuck somewhere. It took us
A long time to dress, I don't know why.
The night was snowy; there were long black roads.
Finally, we reached the little town, Bellingham.
There he stood, by a streetlamp in cold wind,
Snow blowing along the sidewalk. I noticed
The uneven sort of shoes that men wore
In the early Forties. And overalls. He was smoking.
Why did it take us so long to get going? Perhaps
He left us somewhere once, or did I simply
Forget he was alone in winter in some town?
ROBERT BLY
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M SOLEDAD CABALLERO
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LOVE POEM, WITH BIRDS
They are your other flame. Your world
begins and ends with the dawn chorus,
a plaint of saw-whet owl, and in between,
the seven different neotropical warblers
you will see on your walk to the mailbox.
It takes a while. I know now not to worry.
Once I resented your wandering eye that
flew away mid-sentence, chasing any raft
of swallows. I knew, as we sat on the porch
unwinding the cares of our days, you were
listening to me through a fine mesh of oriole,
towhee, flycatcher. I said it was like kissing
through a screen door: You’re not all here.
But who could be more present than a man
with the patience of sycamores, showing me
the hummingbird’s nest you’ve spied so high
in a tree, my mortal eye can barely make out
the lichen-dabbed knot on an elbow of branch.
You will know the day her nestlings leave it.
The wonder is that such an eye, that lets not
even the smallest sparrow fall from notice,
beholds me also. That I might walk the currents
of our days with red and golden feathers
in my hair, my plain tongue laced with music.
That we, the birds and I, may be text and
illumination in your book of common prayer.
BARBARA KINGSOLVER
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TO BE BRAVE, I LOOK TO THE DAFFODIL
To be brave, I look to the daffodil.
A stupid flower, I’ve always thought – too eager
to enter a world not fully thawed. Shrinking
after just one cold night. I surround myself with pluck.
Always one for adventure: running naked
across campus into a stranger’s car as rite of passage,
jumping into the freezing bay. Hitchhiking home but
afraid to speak in class. To order in my mother’s
tongue, my mother’s food. I let the dark take on its own
shapes, unchecked. No, I am not brave, but I like the people
who are. Who never overprepare or let their anxieties
stop them. For whom things always work out.
I’m chasing the high from one novelty to another,
wanting adventure but so unwilling to find it on my own.
Instead, I lose myself in people who live unafraid.
Bravery by osmosis. This might be the truest thing
I say today and it scares me. To admit that on my own,
I was never wild. All this time I thought the daffodil’s dropped
petals, the green leaves that remained, marked an ending.
But underground she is rebuilding for next spring.
For when she’ll dare, again, to push through the frostbitten
earth. Year after year, it goes on like this.
SUSAN NGUYEN
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THE WORLD
I thought that you were an anchor in the drift of the world;
but no: there isn't an anchor anywhere.
There isn't an anchor in the drift of the world. Oh no.
I thought you were. Oh no. The drift of the world.
WILLIAM BRONK
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HANIF ABDURRAQIB
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I ONLY LOVE YOU MORE BECAUSE THE WORLD IS ENDING
The news isn't good, and neither of us feels
like pretending, though the list of what we hope for
grows longer by the day. More news, good
or otherwise, everything witnessed by the light
of fires, and something we cherished always
burned away. So let me say this first: Brenda,
I love you. You make the world more beautiful--
how could I not love you for that? There are people
I'd die for, only they are not my children.
What I really mean is there are people I live for,
and if they died, I'd feel for a time out of time
with time. But I know as you do that endings are
upon us while love goes on starting over and over.
What this means lately is that each time I watch
a fly that thought it wanted to be inside try
with the whole measure of itself to get back out--
when the concussive sound gets to be too much,
I open every window in the house. If not for me,
if not for my life, then for those people I keep
finding my way deeper into life by loving. If not
for me, then for you and your children, Brenda.
But you ask if all of this pain hinders our capacity
to feel, and of course, we have to ask ourselves
because it's wise to put words to what drives us,
to say thirst
when the throat tugs the shirttails
of the mind and grief
when it leadens its surface.
If I'm going to lose--I can see that I am now--
let me at last be what I was made to be and say,
my only gift was that I was never afraid to love,
and love, I've never been more afraid.
BRENDA SHAUGHNESSY
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MARY OLIVER
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AFTER WE TRY TO SWITCH OUR HEARTS BACK ON
There are no mountains in Ohio so, on Sundays, I take my heart
out for a drive. We speed a little. I rush the hills fast so I feel them
in my throat. Later, I let someone kiss my mouth. Brandi Carlile’s
voice breaks on the record player and I buy all the strawberries I
can find because they are furious and red and beautiful. In the
evening, we dance around the kitchen — dogs shaking off rain. I
wear a little black dress for the first time in 8 months. My heart
cracks like an egg. The world spins so loudly now. In the swim-
ming pool, the checkout line, the middle of the street, I want to
ask — is it over? Are we different? What happens now?
JOY SULLIVAN
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THE SKY KEEPS SURPRISES
the wound is bleeding into white
the wound is threading clouds
across the eye, across its view
and how can it be
that I am
caught
by the end of this road
by the beginning of a faraway
flame
off guard
I find my steps
going back and forth on pavement
in the middle of the street
a follower
of clouds
a sort of
clown
does anybody see?
against this view, why
do I feel
myself
invisible and invincible
a leaking thing at times
there among the buildings
and windows
all above my head
I could be seen
a fool
and
I am I am.
AHMAD ALMALLAH
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A STATEMENT FROM NO ONE, INCORPORATED
“what is it when a death is ruled a homicide but no one is responsible for it”—Hanif Abdurraqib
We are not responsible. We have not
the capacity to respond, cannot take
your call, are not obliged. We promise
nothing in return except that we will
return, asking that the potential profit
this lost life’s labor could have produced
be accounted for, and blaming our
Black dead president for the deficit. We
are deficient and without your damage
the world is difficult work to live on.
We live on the unanswerable, assert
that acknowledgment is inartistic,
history is regressive, and aggression
looks like no one we know. No one
is responsible while we have the luxury
to see ourselves as infinite ones, ocean
of individual possibility. We are so
many blades in the yard the wind
runs screaming invisibly through.
We need to have a deeper dialogue
about the need for deeper dialogue,
but oh oh, we are always these spondees
of speechlessness and cannot process
your request, are too busy about
our dreams. The celestial bodies appear
from here, ripe for colonies and more
questions. We are over earthly inquiry
and unfortunately, though your sigh
traveled light-years from the dark
matter of gravity we’re intrigued to find
you now are, we will not see you today
(we are recessed on narrowing beaches,
toasting our gods with a wellsprung red
we cannot source but are confident
the year was relatively good), but here,
for your trouble, for coming so far:
JUSTIN PHILLIP REED
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SWEETHEARTS
One day
either you
or me
as if drugged
will be staring
at a collage
of photos
in an unfamiliar
foyer,
the other
sleeping
in the next room over
inside a shiny box
like a saw-in-half trick
where everyone
seated in rows
is waiting for something
to happen.
I know
I’ll be stuck
in that first room
where old friends
who knew
you briefly
but remember your smile
will hang out,
away from family.
I’ll be there,
almost
out the door,
alone
waiting as if for you
to come out
of the bathroom,
so we could
stand again
like we did our entire lives,
together
in the darkest corners,
making
dirty jokes,
not knowing what to say
to sadness,
eager to leave
when nobody’s
looking,
out across
a silver parking lot
like geese
breaking off
a lake.
C. L. O’DELL
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