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megairea · 2 months
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Kathleen Graber, The Eternal City: Poems
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megairea · 3 months
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merricat funniest shirley jackson character
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megairea · 3 months
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the fall river axe murders (1981, angela carter) the others (2001, alejandro amenábar)
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megairea · 4 months
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John Singer Sargent, Mrs. Joshua Montgomery Sears, detail, 1899
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megairea · 4 months
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Carlo Nigra (1856-1942)
Castello di Montalto Dora
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megairea · 4 months
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I think houses live their own lives along a time-stream that’s different from the ones upon which their owners float, one that’s slower. In a house, especially an old one, the past is closer.
Stephen King, Bag of Bones, 1998
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megairea · 4 months
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megairea · 5 months
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Giulio Brocherel (1871-1954)
Castello d’Ussel
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megairea · 5 months
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[...] memories and dreams stood around him, strong and fearless.
Erich Maria Remarque, Arch of Triumph (tr. by Walter Sorell & Denver Lindley), 1945
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megairea · 5 months
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Inside the Hotel Regina, Paris
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megairea · 5 months
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megairea · 5 months
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Snow in Oxford Street, London, 1941
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megairea · 5 months
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[...] that dripping loneliness of alien starless nights.
Erich Maria Remarque, Arch of Triumph (tr. by Walter Sorell & Denver Lindley), 1945
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megairea · 5 months
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Fantasma d’amore
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megairea · 5 months
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Wuthering Heights (1939) dir. William Wyler
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megairea · 5 months
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I am proudly in support of the liberation of the Palestinian people, but that support also means acknowledging that Hamas is a tyrannical terrorist organization that has seized control of Gaza and is inflicting harm on the innocent Palestinian populace. There have not been democratic elections in Gaza in nearly two decades. They are not freedom fighters because they don't believe in freedom.
I understand the desire to root for an underdog rebel group that is fighting for freedom but that is under no circumstances what Hamas is. The inability of people to grapple with this pretty clear cut fact is staggering
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megairea · 5 months
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To be alone—the eternal refrain of life. It wasn’t better or worse than anything else. One talked too much about it. One was always and never alone. A violin, suddenly — somewhere out of a twilight—in a garden on the hills around Budapest. The heavy scent of chestnuts. The wind. And dreams crouched on one’s shoulders like young owls, their eyes becoming lighter in the dusk. A night that never became night. The hour when all women were beautiful.
Erich Maria Remarque, Arch of Triumph (tr. by Walter Sorell & Denver Lindley), 1945
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