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I'm starting to understand why The Spot went nuts

Cna i... Can I ask what the beef is with M Night Shyamalan?

fair warning, this is a self-indulgently long post. but if you endure the page break, you may find the story entertaining.

a long time ago...in a small indie comic book shop in downtown Philadelphia...

picture this. it's circa 2016. my hyperfixation at the time is DC Comics-- the Flash specifically. I like the Flash, but I really like his nemesis, the Reverse Flash. This guy's gimmick is that he has the same powers as the Flash, but he's also evil because he used to be a Flash stan and his idol didn't validate their parasocial relationship when they actually met in person, and now he just wants to kill the Flash instead. It's a long story. Reverse Flash has died many times. He's also from the future, but that's not the important bit right now.

Anyway, despite being one of the Flash's main enemies, there are not that many comic book issues that feature the Reverse Flash for some reason. My main hobby at the time of this whole ordeal is to go to the local comic book shops and search through the bins of back issues to find anything with the Reverse Flash in it (bonus points if he's on the cover, but at a certain point you can't be picky). I'd been fairly successful at this, and had even been able to avoid buying too much off Ebay as I really didn't care too much about the condition or grade of the comics. The comic book shop in downtown Philly I was in on the day of the Incident was one I'd been to before, but not in a while as I went to school out in the suburbs and didn't leave that general area too much.

So. I enter this shop, and it's not too busy. That's a good thing as it's not a large space and if there were too many people it would have been very difficult to navigate around the displays of Funko Pops and tables of back issues. However, as I was soon about to find out, it doesn't matter if there's only one other person shopping at the same time as you if that person is the wrong person.

I make my way to the back where all the big boxes of old comics are, and scan the rows alphabetically to find the 'Fs.' I see 'Firestorm,' and 'Fantastic Four,' and all the others...but there, right there, where the Flash comics should be...there's a guy. Standing there. In the way.

Now, that's alright. He just seemed to be perusing randomly and wasn't actually looking at the Flash comics specifically (my Flash comics), and I can just go look at the action figures or something until he moves to another section of the shop. No problem. I mean, it's one box of comics, Harold. How long does it take to look through it? 5 minutes? No, all I have to do is wait a little bit and then I can examine those 1980s Flash comics with my own grubby little paws.

So I do a loop of the store. I examine the Funko Pops (they all look the same), the t-shirts (only Hot Topic quality), the new comics (Superman #1? How many times are they going to reboot this thing?), and even the super expensive vintage comics up on the wall (no Reverse Flash here, and it would still be beyond my price point anyway). But when I finally make my way back to the back issues, the guy...is still there. He hasn't moved. And now he's not even pretending to look at the comics anymore.

Now, to my horror, he seems to be having a full-on conversation with one of the store employees right on top of my box of comics, and neither of them seem like they plan to end this discussion anytime soon. You may be asking at this point, "well Raz, if you wanted to look at the comics where they were standing, why didn't you just ask them to move out of the way?" You're right. I could have done that.

But problem. I have social anxiety. And sometimes it gets very bad about very small things. So while it would have been entirely reasonable to ask these two men to move their conversation elsewhere, the crippling social anxiety made it so that asking for that very small and reasonable thing would have been akin to asking these guys if they would set me on fire right here right now, please and thank you. It wasn't gonna happen. My only option was to hover uncomfortably 6 feet away, pretending to go through the back issues systematically and hope they picked up on what I was doing and moved out of the way when I got back to the 'Fs,' or give up and suffer an hour and a half on the SEPTA train back home with nothing to show for it.

now, i've never had a conversation with famous filmmaker and director M Night Shyamalan. I didn't even know what he looked like at the time, so when all this happened I thought he was just Some Guy who in his unawareness was keeping me from completing my mission. Maybe he's a really engaging conversationalist and talking with him causes you to not notice anything going on around you. That may even be the case-- as neither the Twistmaster himself or the besotted store employee seemed to notice I was there. But I WAS there. And my frantic silent social cues were being "returned to sender," unread.

Meanwhile I was enduring a level of internal turmoil on the level of a character in a Greek tragedy. This was my crucible. Surrender, or do something I was honor-bound not to do. Was this the meaning of an impossible choice?

It was only after almost 15 long, agonizing minutes and two more laps of the store on my part that finally, finally there was a breakthrough. Unaware Man (for this would be Shyamalan's superhero code name) and Employee-Bro had moved to the cash register, as the former had found something he wanted to buy. With speed rivaling the Flash himself, I descended on the fated box of comics like a plague. It seemed that the day had not been lost after all.

However, like any film from the man himself, there was to be a final twist to this tale. One last turn of the knife. You might be thinking-- "And it turned out that there weren't any comics in the box you wanted to buy after all, rendering this whole ordeal meaningless, right? Like any tragic hero you endured the terrible trials only to discover that the treasure you sought was a hollow fantasy of your own creation, and this all could have been avoided if you had not fallen prey to the follies of man?"

No. The problem was-- I did find several comics in that box that I wanted to buy. I even found one with the Reverse Flash on the cover. But now that I had found my prize, I faced a new, even greater challenge, which was somewhat an extension of the old challenge, but to the extreme.

I now had to get Employee-Bro to ring me up so I could leave this cursed place, but here's the kicker: I had to do this while he was still utterly engaged in discussion with Unaware Man and thus blind to the outside world. I had come out of the frying pan and into the fire, because now it wasn't like I could just go home and take only a feeling of defeat with me. My precious comic book finds were on the line, and what was I going to do? Just put them back in the box and leave?

Unfortunately, I was committed. I would have to stand reasonably out of the way of Unaware Man's personal space yet close enough to indicate that I was, yes, in line to check out my purchases. And goddamnit, I was going to do this until all of us died of old age or the world ended.

I kind of lost all sense of time at that point. It could have been only a few minutes. It could have been five hours. All I know is that it was long enough that I wished for the sweet release of death, because then at least I'd be able to lie down. How it eventually went down was that Employee-Bro rung up Unaware Man (because really, processing a credit card transaction and signing the receipt only can take so long), and the two continued to talk as Employee-Bro gradually gained awareness that I Was There Too, and multitasked to check out my items while remaining totally focused on his other conversation and not speaking a word to me.

And that was it. I was free, from the physical prison of the comic book store at least. But again, like a Shyamalan film, this was in reality only the end of the second act. Because as I walked through the streets of Center City Philadelphia and rested my head against the smudged window of the SEPTA train on the way home, I started to descend into the mental turmoil of the question, "wait, who was that guy? Was he like...famous, or something?"

If you've ever been to a comic con or spent enough time in a hobby shop, you know that sometimes Nerd Bros can get really deep into conversation about these sorts of things. Many of them even have lots of opinions on films, and will be happy to share them in detail unprompted. So it wasn't entirely unreasonable for me not to realize in the moment that what was happening wasn't just "Nerd Bros Being Dudes."

But the more I thought about it, the one-sided adoring dynamic between Employee Bro and Unaware Man did seem unusual. And in the bits of their conversation that I had been forced to endure, hadn't one of them mentioned something about...filming locations? What was that about? Nobody in their right mind films stuff in Philly unless they're making the 86th Rocky film or the like.

It was a Google search of "movies filming in Philadelphia" that returned several results of articles talking about how location scouting was going on in the area as part of the production of a long-awaited sequel to the 2000 film Unbreakable, a undercover superhero sleeper hit. Unbreakable, a film set in Philadelphia, written and directed by famous filmmaker M Night Shyamalan.

Shyamalan. SHYAMALAN. the man responsible for 2010's The Last Airbender. it was HIM. he was not only the man who originated the (still unbroken!) curse on the Avatar franchise, but also the man who had ruined my day. Thoughtlessly. Carelessly. Not by massacring a beloved children's television franchise, but by being unaware. Inconceivable.

This was horrific. It wasn't even like I was the Reverse Flash or any other famous superhero nemesis, who had a compelling backstory causing their undying hatred of the hero. Instead, I now had a narrative foil who barely even fit that description, because chances are he hadn't even taken notice of my existence the whole time! This was my supervillain origin story, and it was his normal day!

It was at this moment I swore an oath. I would not forget this terrible day of inconvenience that was partially caused by my own social failings. I would dedicate my life from this point forward to slightly narrowing my eyes and shaking my head disapprovingly when I saw mentions of Shyamalan or his works online. I would color any opinions I had of his films with the thought, "but remember that one time he was kind of a dick to you without even meaning it? what was up with that?"

and that is the tale of my tragic encounter with M Night Shyamalan. To this day, my only solace is that my epic origin story turned out more narratively coherent and with deeper substance than any other film made in the Unbreakable saga, including the one he was location scouting for at the time this happened. Shyamalan can write twists all he wants, but no one is better at that game than karma itself.

-END-

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