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natsubeatsrock · 16 days

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Ranking Fairy Tail Death Fakeouts

I'm not posting frequently enough to make joke posts.

We've had quite many death fakeouts in this series.

That statement alone is an indictment on Hiro Mashima, who has gone on record to say that he enjoys writing characters in situations where it seems they died but survived.

I figured I'd rank as many fakeouts as I remember from best to worst.

I tried to limit myself to situations where it was clear that we should think the situation led to death. However, things got out of hand. (You'll see.) Bear in mind that some involve groups of people who we thought died.

While this is my ranking, I tried to stick to these criteria in ranking them.

Should they have died otherwise?

Does their return make sense?

Is the series better for their return?

We're starting with the best version of this trope.

Fairy Sphere was the best death fakeout, and I'm not sure people would expect it to fit these criteria.

Everyone on the island thought they would die. They accepted their fate in Toy Story 3 style when the Black Dragon came and blasted Tenrou Island, leaving only a crater.

That's good games, folks.

However, the return makes sense. Those members were at a sacred spot for their guild. While we know Mavis' body isn't on the island now, we've seen her powers at work earlier in the arc. Mavis using one of the guild's most powerful spells is reasonable. It activated because of their shared spirit, leading to the Grand Magic Games.

I've criticized Mashima's handling of training in series, especially in the Grand Magic Games. Their return was a genius idea. Time skips happen often in anime and manga, but few function as this did. The heroes have to play catch-up with the rest of the world. The execution wasn't the best, but this was one of Mashima's best ideas in the series.

Speaking of Mavis, I think her death fakeout was the best individual example. This might be because we didn't get enough reason to believe there was anything past her death. If you could make a phantom image of yourself, wouldn't you put yourself in your prime? We had no reason to believe she died at the age we saw her.

I'm not the most supportive of Zervis, but I like this as a death situation. The good news is that she didn't die from the curse of contradiction. While it's a bit sketchy, I do like that there are attempts to keep her alive as soon as possible.

Her continued existence as Lumen Histoire (I prefer this name to Fairy Heart) was foreshadowed amazingly. It was a situation that affected all the major arcs from its mention to the end of the main series. Of course, after escaping Lumen Histoire, she continues to impact the series for the better. The Larcade/August situation is a mess, but I don't think it hurts Mavis' return.

Speaking of which, Lisanna's fakeout was also really good. (Shocking, I know.) Let me start by admitting that this one is hurt by her lack of importance in the series. She hasn't taken out any major villains or caused dramatic character changes (unless you read my stories). It doesn't matter since we never really were led to think she would become a super relevant character.

As for the other aspects, she passes with flying colors in my book. She should have died on the mission based on everything we know about the situation. No one in the guild operates under the assumption otherwise, and it is taken for granted for two in-series years.

However, we never see her die in the manga. We hear about the events and get flashes of what happened. However, Mashima never shows us that she died, even after the series was extended past Phantom Lord. While the anime shows more of what happened, the director admitted he never planned to treat Lisanna as dead. Edolas as an escape for Lisanna makes more sense than people give it credit for.

Next up is Irene, whose situation is interesting. I should be madder about how that was handled. There didn't seem to be a reason for her to kill herself, especially given the justification of actually loving Erza. While Acnologia brutalizing her body was too much, that felt like the nail in the coffin. If she wasn't dead before, she was dead then.

However, the return itself isn't nonsensical. Irene was impressed by Wendy's enchanting skills during their battle. No wonder she would want to tag along with her temporarily. I do prefer this justification for Irene. She still wants to find a body of her own to host. I'm glad she's selfish about it.

This aspect was one of my favorite things about the sequel. It was great to see how Wendy and Irene interacted with each other. Often, it would be Wendy accounting for Irene in situations or Irene intervening in places where Wendy needed help. I wasn't a big fan of the resolution, but I did appreciate that it tied into the Knightwalker situation.

The last of the good returns is Gajeel. His death was another situation that was treated as a given. He was being taken to 'hell' at the end of his fight. This was almost a tragic end to the best ship in the Big 4. We recognize their mutual feelings only to be ripped out of their hands just as soon.

The genius of this moment comes in the timing of events. It's hard to explain this, but the events of the arc all overlap in weird ways. This fight happens as Natsu and Lucy hope Brandish can negotiate peace with August and Irene's meeting with Acnologia. While the portal closes, Irene is casting Universe One. The spell changes the continent's shape-up, so it's not out of the realm of possibility this brings Gajeel back into commission.

Honestly, Gajeel doesn't do a whole lot past his return. He certainly puts work in, especially in the sequel. However, he's not impacting the series like several other characters mentioned before, along with others to come. Though, even at this point in the series, he's nowhere near the focus of the series. Not to mention, he's always been a secondary character, so no meaningful change there.

Other people wouldn't count this, but I'm putting Silver next. I say I'm not sure because this is a rare example of a fakeout of a death fakeout. Silver was killed by Deliora all those years ago. However, he was brought back to life thanks to Keyes, who used him as a puppet and experimental rat. This makes sense as a reason for him to return.

However, the lead-up to this revelation is pretty messy. We're led to believe he's Deliora for some time, among other things. (We'll get to him soon enough.) His most meaningful impact is giving Gray Demon Slaying magic. His role involved setting plot points before their fight, like freezing Sun Village and capturing Natsu.

I'm not a fan of Jellal's return. This could be a higher ranking. The circumstances surrounding his supposed death are reasonable enough to think he died. We'd probably assume he was gone forever if it weren't for Mystogan showing up during Fantasia. Nirvana justifies his return. He's arguably made the most impact of anyone on this list.

So what gives?

Petty as it sounds, this version of Jellal bores me. Look at how Jellal acts before Nirvana and how he acts after it. Of course, this is because of what happened in the Tower of Heaven arc. However, I wish there was a way we could keep Jellal's snarky attitude while also being a heroic figure. Thank goodness Crimson Starbird wrote Kidnapping Erza. Speaking of which, his ranking is saved pending his joining Fairy Tail. It's a cliche ending to his arc, but a welcome cliche for a fan favorite.

Moving down the rankings, God Serena is up next. This is another situation like Silver, where he died but was brought back to life. I don't like him or his return. I plan to talk about this later, but his death is made worse by the final battle of the main series. We're supposed to believe the power of eight dragons couldn't beat Acnologia. Yet the power of seven fire dragons can get the job done? No dice.

His importance in the sequel is to be noted. It certainly was a shock to see him come back. However, I don't think anyone was clamoring for this former member of the Spriggan Twelve to come back into the series. Brandish and DiMaria were more popular characters. I'd take my chances with the Dragneels coming back again. (You can tell this is a personal list.)

We have another fakeout in this list of death fakeouts because we have Igneel, Metallicana, Grandeeny, Skidarum, and Weisslogia. That's right, I'm putting all the dragons on this spot. This is another spot that feels like cheating because they did die all those years ago. All we saw was their last spurt of energy. That was enough to go toe to toe with Acnologia and destroy all the Face statues.

I want to like this one more. This was one of the best moments in the series. Still, I can't say that it makes sense for them to be back. I appreciate that this was hinted at, but the hints were cryptic. I'm glad the dragons destroyed the Dragon Seeds and Natsu's dreams. I can't put them any higher in good conscience.

I wish this next one was at the bottom, but I can't lie. I hate what happened to Ultear. I've talked about that much already. Last Ages might be the only thing I hate more than Nalu in Fairy Tail. That said, I can't act like it makes no sense to exist or that the results are shocking.

I can say that I'm annoyed by the future implications of this moment. I'd rather Ultear not be an active character in the series than see what's happened. Whenever I see Ultear do something, I can't tell if Mashima regrets his decision or is doubling down on it. This isn't anywhere frequent enough to piss me off more.

I'm going to throw Deliora next on this list. I'm not sure who counts for this list anymore. Let's start with the positives. His death was very well explained. The plot to revive him was interesting.

However, this arc is among my least favorite in the series because of what happens when the ice melts. Outside of a version-dependent last roar, Deliora was always dead. While Moon Drip and Deliora's legacy matters moving forward, the real Deliora doesn't.

We're in the bottom three now. Fitting that the only man to be guild master three times is up next. Makarov's situation is a bit too weird. He only survived based on the technicality of Tenrou Island joining the continent when he went out. You probably didn't know that was a part of the deal. That's right. The only reason this can be justified isn't even common knowledge.

Honestly, there wasn't enough reason for Makarov to come back. The benefit to his return is that Erza can go on the Century Quest without worrying about being the guild master. I know that the Ghost Dragon Slayer was part of the guild, but that's not enough reason for him to not have passed leadership to the next generation.

This is another shocking addition to this list, but our second to last person is Kageyama. Technically, he was the first instance of this happening in Fairy Tail. During the Lullaby mission, he was about to free them from Erigor's trap, but he was stabbed before he could do anything. I could see this argued as not truly being a death fakeout. However, I'm counting it because it wouldn't make sense to interpret his absence as not being a death. Then again, we are talking about him here.

You could also argue that his situation isn't as bad as other characters we've mentioned. However, he earns this spot because, by coming back, he causes more problems for the Strongest Team. Let's get this out of the way. Natsu should have left him in the trap, regardless of his feelings. But by being brought along, he betrays the group's tenuous trust in him and endangered guild masters from all over the land. If he threatened them, I'd bump him higher on this list. He served as a glorified delivery boy. Erigor could have been in the same place as him, fought Natsu, and lost. Nothing serious would have been lost.

But he's not the worst. The undisputed worst death fakeout was only ever going to one person. You know her. You love her, but nowhere near as much as she loves Gray. That's right, Juvia's death fakeout is the worst. (I can hear the Gruvians coming for me from a mile away.)

I've also discussed this situation too much for any person's sanity to be intact. But let's review what we've gone through in this list. Some character's death (fake or otherwise) makes sense, but not the return. For others, the return is pretty sensible, but not the death. Many characters are saved by their relevance after the fact. Whatever the case, some aspect of their situation has reasonable logic. The best characters make sense on all accounts.

Juvia's in a league all her own. Juvia's death was under ridiculous circumstances that strained believability. Her return was arguably just as bad, if not worse. I've heard plenty of people talk smack about Lisanna's comeback. You can't tell me with a straight face that this is better. At least people didn't expect Lisanna to return at all, least of all the chapter after she was revealed to have died. That would be enough to earn this spot on its own.

What cements it for me is that Mashima decided to shoehorn her into nearly every arc of the sequel. I won't go so far as to say I wish Juvia was dead so the ship wouldn't happen. But is Juvia living to fuel one of Mashima's sloppiest ships ever to head towards being canon that good a tradeoff? By the way, this whole situation shaped Gruvia's current trajectory. Considering that happens to be one of the worst things about the sequel, I feel comfortable putting this return at the bottom of this list.

Let me know what you think. If I left anyone on this list, I'd be shocked to find out.

#fairy tail #not a joke post #the only jokes are me and mashima #me for posting this later than i wanted #mashima for allowing this trope to be a thing #no way I'm tagging everyone in this

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natsubeatsrock · 1 month

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The Lucy Paradox

I'm going to get murdered for posting this on Tumblr, huh?

Somehow, I've never talked about this. I've made this joke in private. However, it's worth discussing in this format. Think of it as a celebration of International Women's Day.

Incidentally, Lucy isn't the one who I named this paradox after. The original name of this was the Sakura Paradox. For the record, I mean Sakura Haruno from Naruto.

It feels like a given that Sakura is a weak character. The way some fans talk about her, you'd think she was the worst character in the series. The closest example I can think of is Yamcha, whom no one takes as a threat past the first arc of Dragon Ball. After the big-time skip, he's treated as the joke of the group, especially by fans.

Here's the problem. Sakura's very strong. That's true in a literal sense, but she has more ability than fans give her credit for. It's not a stretch to say she's the strongest civilian in the series universe.

"Yeah, that's true in the second half. But what about in part 1?"

Do you mean the part where she has a better grip on chakra control than her teammates? Or the part where she's shown to ace the first part of the Chunin Exam without having to cheat? What about later in the exam when she breaks out two separate genjutsu? Yeah, I'm not hearing it.

Why do people say she's weak? Simple, she'd been dwarfed in power by monsters. It's not controversial to say Sakura is the worst member of Team 7, with the potential exception of Sai, if you even count him. It's not a close race between her, Sasuke, and Boruto's dad. She's a distant third. The only debate is how badly she's lapped.

If this sounds like I'm insulting her, it's not. Those two might be the strongest characters in the universe, with no qualifiers or exceptions. From what I've heard about Boruto, they're still doing crazy things years after their time in the spotlight should be over.

I call this the Lucy Paradox because fandom might not be fully aware of how incredible Lucy is. She's on the level of magic to use two gold Celestial Spirit Keys at the same time. It's impressive if someone's able to use two keys. She can mix and match between any of the ten she has.

Remember that she's the only wizard capable of Celestial Star Dress. At its introduction, it was just being able to take the abilities of her spirits. In the sequel, it's also the ability to combine the powers of two different spirits.

Let's take that for granted for a second. Lucy comes up with strategies that are helpful to her friends. And it's not just helping Natsu's fights. She's the one who recognized the true meaning behind Daybreak. She's the one who saw through the Eclipse Gate in two different timelines. She rewrote the entirety of the Book of E.N.D. after reading it once. Most importantly, she's the one who revises Anna's plan to make it possible to defeat Acnologia.

I say all that, but she's the weakest human member of the Strongest Team. She's never been on Natsu or Gray's level. Erza's not an S-Class mage for nothing, even if you want to argue that Natsu's overtaken her. While Wendy started weak, she's surpassed Lucy in the last arcs of the main series. I'm not cruel enough to say that Carla is even close to better than her. However, if your only meaningful competition is the Exceeds, that's not great.

Though, let's back up and think about that last paragraph. Lucy is the weakest member of the Strongest Team, no doubt. She's not the weakest member of Fairy Tail. Let's ignore the no-named scrubs who show up for a couple of lines every four volumes Lucy clears. If Lucy joined Shadow Gear, she might be the team's ace. She was able to hold her own with Cana as her partner. (Speaking of which, Tenrou Island is another situation where her planning came in the clutch, and I can't believe I didn't talk about it earlier.) She's more powerful than the Strauss kids not named Mirajane. I'd even go so far as to say she could make a solid member of the Thunder God Tribe.

This is probably where someone else would make this about feminism and how shonen writers aren't good at writing women. (Except for the rare female writers.) I get this for Kishimoto whose writing of women is indefensible. Akira Toriyama (R.I.P.), who influenced much of the genre as we've seen it, isn't much better with how he handles his women.

But Mashima?

I know the fanservice can be way too much at times. But, as I mentioned years ago, his women are better written than fans often give him credit for. Lucy loses to two women on her team. Some of the best story arcs in Fairy Tail revolve around characters like Lucy, Cana, and Erza. I'd put Erza's character up against almost any other female character in a similar narrative role in the same genre. I don't care that she punched that meteor that one time. She's still a better character than a lot of them.

No, this issue is more the fault of fans and their pesky expectations. They see characters who aren't the strongest and assume they're weak. Fans do this despite the advanced strength of other characters and the narrative role of the characters.

I wouldn't say that we have a feminist problem. I'd say we don't recognize the strength of femininity.

I'm just going to come out and say it. Women are great because they're not men, and vice versa. I'm in favor of getting rid of some of the restrictive gender roles culture places on both genders. That shouldn't come at the expense of making women more like men.

"Doesn't that mean that we can't have women who fight and have active roles in media, similar to typically male characters?"

You know what? That might be the most eloquent I've made this voice sound.

My answer is simple. Why can't we have both?

Why can't we have our Rukia and our Orihime? Why can't we have our Tifa and our Aeris? (Or is it Aerith?) Why can't we have our Lucy and our Erza?

Now, don't get it twisted. I love seeing physically strong women in fiction. She-Hulk is one of my favorite heroes in Marvel comics. (I hate that I have to specify comics.) Jupiter is my favorite of the Sailor Guardians. Homura is my favorite member of the EZ Crew. However, a strong character is a good character, and vice versa.

The best thing about the traditional female characters is how they manage their lack of physical strength. They use their wit and charms to their advantage instead of brute force. Men rely on power and speed. Women focus on flexibility and accuracy.

I like to think of it in sports terms. If traditional masculine traits are more offensive, feminine traits are considered more defensive. Both are necessary for teams to succeed. Some sports require people to switch between both roles. However, players usually excel at one of the two.

"What about sports like fencing and the martial arts?"

You need to switch between offense and defense quicker than other sports. However, is it good if a fencer only parries attacks and never thrusts? Is being able to throw punches without blocking a great boxing strategy?

What makes characters compelling has nothing to do with either masculine or feminine traits. (At least, it shouldn't.) What matters are their virtues and determination. It may manifest itself differently in male and female characters. However, it's not as if women can't show strength without sending people through walls. It's not as if men can't show tenderness without caring for children.

The most essential trait for characters might be weakness. How do characters make up for their failings? How do they overcome the conflicts they face? These things draw us to good characters, no matter their gender.

Let's compare two fictional women. Sophie Hatter from Howl's Moving Castle and Captain Marvel.

Carol Danvers is an unfortunate case. She started as a character with solid writing in the comics as a side character. Her solo series as Ms. Marvel in the Civil War era is pretty good. However, since becoming the new Captain Marvel, she's been defined by her power and little else. Despite Marvel's best efforts, fans have not latched onto her new persona.

The MCU didn't help. Captain Marvel was one of the weakest movies in Phase 3. Even at the time, it was clear that its success was attached to the Avengers' success. Few people praised the movie on its own merits. Even fewer had meaningful defenses for its many critics.

Captain Marvel was a physically strong character with no weaknesses. She was so strong that the government she was working for had to limit her powers. However, Carol wasn't the best character the MCU has put out. She didn't endear herself to the audience, had no real connections to the main cast outside of Fury, and became a textbook example of a strong female character without the character part of the equation. Ironically, the best movie to handle her was the one where she barely showed up.

Then there's The Marvels.

It's unfair to say that the movie only flopped because of Captain Marvel's character. That movie's failure has much more to do with the current state of Disney and Marvel Studios. However, part of the plot's failings is because of Carol's lack of weaknesses. They had to find a way to nerf her and chose to tie her to the other characters. They had to find a way to show her connections to the universe and married her off-screen to a South Korean actor on a planet where everyone communicates through singing. No wonder it bombed the same year Guardians of the Galaxy did well.

Sophie Hatter (it took me an embarrassingly long time to realize that was her last name) is the protagonist of Howl's Moving Castle, one of Hayao Miyazaki's most beloved works and one of my favorite anime. Miyazaki is no stranger to writing strong women. While I could pick either of the women from Princess Mononoke, Sophie is for the point I want to make.

She is by no means strong. She has no magic and has to rely on Howl and Calcifer many times throughout the story for protection. In a cast of magical individuals, she might be one of the weakest members of the cast.

However, she is far from a weak character. Even at her most insecure, she shows great inner strength and determination. She's determined to find a way to get back to her younger self. She doesn't shrink at the task of cleaning Howl's house. Not to mention, she becomes the heart and soul of the castle. (No pun intended.) It makes sense that she gets younger as she becomes more assured in herself. Ironically, she proves to be braver than Howl. He gains strength and courage from her.

Sophie's strength doesn't come from her ability to use magic or how many soldiers she can knock out. Her strength is more of an inner strength. It's an unshakeable will to achieve what is necessary. That causes her to push past her insecurity and grow throughout the movie. It's no wonder that so many people love her and the movie.

In Conclusion:

If you want to make a strong female character, that's a fine goal. What matters is that you focus more on the "character" than the "strong."

#tfw you diss toriyama's writing in a post #only to hear that he died #i hate it here

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