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Simon Adjiashvili

http://www.simonadjiashvili.com/

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Nykelle DeVivo, selection from tha crossroads, 2013-2023

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The Bedroom, 1908 Léon Spilliaert

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The Magdalen at the Foot of the Cross

George Frederic Watts

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Isabel Quintanilla, "La higuera", 1973.

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Jungjin Lee

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Salvador Dali, Paris. Photo by Carl Van Vechten, 1934

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Ohio Skeleton aka Unworn aka Benadryl (Chilean, based Chile) - Untitled, 2023, Photography, Mixed Media

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Odd Nerdrum, Loving Couple

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Einsturzende Neubauten

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If we observe how in embryonic development an organism is gradually created out of the liquid, our attention is drawn to movements which play their part in fashioning it according to invisible plans, though they are themselves not all visible in the finished form. They are like the hands of the potter in their abundance of possibilities, moulding a vessel from without and within and then withdrawing again into the invisible world. They are movements which originate in the will and spirit of a living being. As movements they are actually the creative and formative forces through which the idea underlying the forms can be impressed on the elements. Once this has been accomplished, the creative movement releases the form and appears in it as a function, of which the embodied being may now make use.

Theodor Schwenk, Sensitive Chaos: The Creation of Flowing Forms in Water and Air

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Tyra Kleen - Shadows (1902)

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Katherine Spindler (South African, b. 1982), Lullaby, 2015. Oil on paper, 15 x 19 cm.

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'Under the Wineleaves'. Peter Ilsted. 1893.

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Leonora Carrington - Farmacia del ahorro (2002)

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Pieds de Géants, 1929, Léonard Misonne. Belgian, (1870 - 1943)

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LAIBACH