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omegaplus · 4 months
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# FINAL POST.
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Ask me if there was one moment in my life that changed everything for the better. I’ll tell you: it was discovering both Cold Cave’s “Confetti” and Prurient’s Cocaine Death. It’s the Summer of ‘11 when the worst decision of my life was still being played out. I was suffering in a place I never imagined I would be; the product of the late Oughts’ economic crash when I went broke and bounced from job to job. I had no choice but to wave the white flag and take the first thing offered to me. I lost everything a few years prior that made me: a radio show, music shopping, graphics design, writing, and more. When I heard the opening notes to “Confetti”, I felt magic. It gave me a vibe and showed me a beauty I was going to look for in the years to come. Cocaine Death was created by Brooklyn noise artist Dominick Fernow who had a vision and aesthetic that intrigued me so much that I was curious to see what other things surrounded his origins. He was the reason why I discovered Cold Cave. Months passed and despite living through a personal hell at work, “Confetti” and Cocaine Death signified a new beginning for me. I got back into the habit of burning music, resumed Photoshop, and started writing again. I had enough momentum that I decided the time was right to get back into radio. I had a show during my stay at Stony Brook University, which ended when my tenure did. I had just enough music to give it another shot. Finds from Geneva Jacuzzi, Washed Out, Asteroids Galaxy Tour, Glass Candy and Italians Do It Better made me feel something. I got in touch with the current general manager and on December 12, 2012 (12/12/12) Omega WUSB was born.
Around that time, I made friends with some of the other co-workers who were more on my side and knew a thing or two about respect, privacy, and personal space. I helped my ex- moved into a new residence, I caught up with co-workers from previous jobs who gave birth to their first-borns with their deadbeat dads nowhere in sight, and re-united with old classmates from the Brentwood era whom I haven’t seen since. If that wasn’t enough, an all-too-special interest during the Stony Brook era decided to reach out to me - by total surprise - wanting to pick up where we left off. I was finally back into it. The following Summer, that potential and I were getting closer, and I finally got myself a second job to leave the consequences of the first. It’s not even halfway into my first year back that I was going crazy with Omega WUSB, and I was already enjoying it; being back in my element of playing music over the airwaves from a tattered control room with broken antiquated equipment which none have been replaced since the late Sixties. It felt great to be back. For the next ten years, Omega WUSB took me places, taught me things about myself I never knew, and showed me what it took to keep ongoing projects running. Since I’d be constantly finding music to keep my show fresh, why not start a blog and tell my listeners how enthusiastic I was about it? On December 2013, I started Ω+. What really made Ω+? It was a literal reflection of myself; a personal music diary of radio shows I played, releases in my library, purchases, mixtapes, live experiences, random things I listened to, listening habits and more. This was the place where I had no shame telling everyone what I was into, and I did it to prove a point. I aimed to make this blog stand out over everything else here. To do that, I posted about every genre I got my ears on because I truly enjoyed everything I listened to. It’s why you saw everything from indie, hip-hop / rap, post-punk, d.i.y, noise, industrial, shoegaze, d-beat, reggae, jazz / fusion, jungle, and much more to list.
There were also other ideas I had that no other music blog had: numbered posts, seasonal mixtapes, extensive year-end lists and best-of posts, personal insights, and tons of candor - much more to my benefit. Our favorite months were our ‘second issue series’ and ‘clearance sales’ where we posted heavily about alternate covers, colored vinyl and cassettes and other rarities which drew our largest amounts of followers. Plus, plenty of receipts of years past and many from two ‘record store victory tours’ (‘18 and ‘22) covered here. Wanted to know what was on a mix cassette or CD-r my friends gave me, or what played off of my iPhone or iPod during a train ride or walk through Central Park? The song that played on the overhead as a potential, and I sat over ice cream? What I listened to during a specific point in time, or what band tees people wore at a certain show I attended? It was all here. It got off to an inconsistent start (one which I’ll never get over when you see the archives), but eventually it got rolling when I made it a point to post consistently and have a presence because that’s how you got likes and followers. And Christ did I hammer at it. But without Omega WUSB, Ω+ wouldn’t have existed, and you wouldn’t be reading this now. For 10 years it gave you something not many or no other music blog gave you. Now, after lots of consideration, I’m making the decision to finally end Ω+ once and for all. This is our final post. ********************** It started during the pandemic summer when someone I met here left a poisonous impression on me. My anxiety and depression came back and totally threw me off. I couldn’t think straight as I was too busy figuring out the hurt and pain she just created for me. I wasn’t focused and wasn’t posting as much in as I used to. The pushback was enough that I started feeling different about lots of things and seriously wondered what I was still doing here. That was when Ω+ started to suffer.
Up until this point I’ve been falling behind and that’s not good. Once you fall behind on a music blog like this, it’s almost impossible and time-consuming to come back. And to come back, you have to short-change yourself. Cheat, cut corners, and be inconsistent with what’s being posted. After posting at least (on average) 38+ times a month, coming up with new ways of saying the same things over and over and over and over and over again, and writing in a way that keeps readers attention, then after all is said and done, what was I / Ω+ getting back in return? It used to get 250 followers a year, and I had to pull teeth in order to get them. When you put in so much work to show your followers how awesome and crazy an album or single is, only to get an average of 10 likes on each post (barring some of Omega WUSB’s playlists), and see others post the same exact thing for ten times the amount, it does get rather discouraging. I always felt, with millions of readers on here and with music being a universal thing, how and why was it so hard to get more out of what I do?
Some say you don’t do it for the numbers, you do it for personal satisfaction. Getting that personal satisfaction was never an issue by simply running this page because I always loved staying in touch and finding things in common with my followers. Only then I wanted all the numbers coming to me. Not getting that consistency that I wanted, even after 10 years of Ω+, feels like a letdown. I was hoping to have exactly 22 entries per month this year. Then, this happens: instead of privately posting entries on the spot before the month was over, I ended up queuing them at the last minute and miscalculated. Only 11 entries for August were posted, with the others after the fact in September, so there’s zero chance of getting the others back. I fucked up. The final straw was when I have seen my perfect format slightly altered as the header images now became smaller and wasn’t fitting the text column width entirely. It’s bad enough having to spend hours trying to find a working theme, only to see it messed around with no rhyme or reason. I reached a point to where I felt I was throwing my time away for less-than-desired gain, and what was once one of my favorite things to do became tiring and heavy-headed. In short: I’m massively overwhelmed with no end in sight. I’m too exhausted and don’t have it in me anymore in this capacity to keep this going. ********************** I’m in a much better place than I was ten years ago, financially and ambitiously. I still have everything I took back and more. I still have the radio show, and still do graphic design, sound editing, and photography. But there are still things left on the backburner. I haven’t written or created anything in months but want to again. There’s a backlog of music I’ve yet to listen to from last year’s massive island- and city-wide record-store shopping spree that left me 560+ vinyl records, tapes, and CDs richer and $3,000 poorer - and also from another shopping spree on top of that.
There are plenty of books I bought that I need to read up on, and tons of cassettes and VHS tapes I need to digitally transfer. I just started learning Italian thanks to one of the best people ever. I purchased a coding book six months ago that I’ve yet to even open. I’m still recovering from the retail-hell climate that took a daily toll on my mental and emotional health so heavy that it was depleting me. Now, I work at home and managed to stay with the company; essentially keeping my 401K, medical, and my time-off. Total game-changer. Since my dad left, I’ve been practicing self-care in ways I wasn’t allowed to. I took the time to step back, re-assess myself, and be the person I always wanted to be, with no constant surveillance of people keeping tabs on me. I’ve enjoyed many moments - arcades, travels to New York City, holidays with my family, live industrial-music shows in New York City, and meeting specific people - when I have them. My company has changed. Though I parted ways from some of the best co-workers I had, I also did the same from separating myself from the daily cast of the undesirable public.
My vision and state of mind have changed due to anti-depressants, focusing on some specific valuable people, and not having to think about the worst as much. Different things made by different people have happened. I’m welcoming and embracing the changes I’ve made for myself, and there’s plenty more I need to do. Right now, I’m still simplifying my life and focus on what I want to do from now until the day I cash it all in for good. ********************** What Ω+ leaves behind is ten years in the life and diary of one person’s lifetime listening habits and acquisitions of music. Decades of personal mixtapes, gifts from friends, giveaways, and the evolution of listening habits. Plenty of quarterly personal seasonal playlists, playlists of the day, and past WUSB shows when they happened. A roadmap of two record store victory tours, various receipts, and almost all live experiences ever attended. How about those ‘second issue’ series focusing on rare, out of print, and mispressed releases plus alternate covers, color vinyl and cassette editions? A multitude of year-end and even end-of-the-decade best-of lists. Documents of Omega WUSB’s anniversaries and all-out Summer broadcasting seasons. Locales, venues, and what t-shirt everyone was wearing. An enthusiasm of hip-hop’s golden age, post-punk / d.i.y., hardcore / metalcore, industrial, sampling culture, and vinyl treasures. Practically almost every genre, decade, and format Ω+ got it hands on.
Every song, album, purchase, listen, experience, interaction, broadcast, mixtape, playlist, purchase, and venture has all been documented here - and with all the utmost honestly and openness. All of that stops here. We (at Ω+) say this right now to save you the uncertainty: we’re not like those other blogs who abruptly stop posting without a heads-up and leave you hanging for months (or even years) waiting for another entry or at least announcing a hiatus, then decide to pop up once more and swear that things get rolling again. Guess what? You never heard from them again after that. What a surprise. Like unreliables, most promise but don’t deliver. Not us. When we say we’re done, we mean it. We’re done. We’re not posting again after this. There’s no coming back. No false hope or waiting for a day that will never come. (I’m sure you wouldn’t like being lied to or short-changed by anyone, either.) But, I’ll still be filling in the blanks from last year for completeness, as lives up to its name with this final post - in its current form. But, here’s a catch… There’s one follower of Ω+ who happens to be as obsessed and crazy about music as I am. Imagine that. She doesn’t have a dedicated music blog like this, but instead, has loads of Spotify playlists, plenty of audio and video posts all across many different accounts and social media. Between us, we’ve given each other CDs, records, and cassettes for holiday gifts and birthdays. We’ve traded MP3’s, and mailed out entire boxes of tapes from personal collections. We’ve been turned on to other’s recommendations. Our enthusiasm with finding and sharing music is unimaginable; perhaps more than what any normal human being is capable of. We have lots of artists, bands, genres, and even specifics in common that it was almost improbable to have found each other, but we did. She started following us not too long ago, so she’s going to be disappointed to learn that this music blog has come to a full stop. But, I’m not the one to disappoint. That is a total non-negotiable. So, I decided to re-invent it. Ω+ is now dead. Long live ΩRMX.
ΩRMX is a revision of the original with all the seasonal mixtapes, Omega WUSB playlists, personal posts, record-store receipts, live experiences, and other important stuff that made it. Instead of reviews, they’ll be replaced with now- or currently-listening. Tagging will be minimal and not specific, and some other details like numbered posts have been left behind. Everyone passing through will know what I’ve been listening to in real time. It’ll be simpler and faster for me to post without having to spend too much time and be constantly under the gun to do so. Problem solved. As much as I’d love to, I can’t continue with this specific music -blr with how it’s currently done. I really don’t want to completely give up on it altogether. I’ll be doing things a little differently. I’m still curious to see who’s paying attention to what I’m listening now or did XX years ago, or if anyone had experienced what I have. I’d also like to know if what I’m doing still separates myself from the others - if those types of -blrs still even exist. ********************** At this point, Ω+ stays here for posterity’s sake and becomes a curiosity for anyone who accidentally discovers it. I only hope future visitors get what I’ve done and how I’ve done it differently than the other music -blrs found here, or anywhere. To everyone who have followed us back, liked our entries, reblogged, supported, or even messaged us to see what happened to us, I appreciate it all. As we always say, we hope you took something with you.
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Ω+: December 2013-December 2023.
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omegaplus · 4 months
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# 4,600
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Finds for 2023.
Balvanera: “Wait”
Pictureplane: “Sungazer”
Male Tears: “Hit Me”
La Croix Et La Banniere: “Borderline”
KLF, The: “America: What Time Is Love?”
Nuovo Testamento: “Michelle Michelle”
Devil & The Universe: “The Great God Pan Is Dead”
Pixel Grip: “Dancing On Your Grave”
Saigon Blue Rain: “The Mort”
Portion Control: “The Great Divide”
NNHMN: “Vampire”
Viviankrist: “Crystal Cave”
Buzz Kill: “Fascination”
Holygram: “Still There” (Box & The Twins’ ‘Dreamed’ RMX)
Comfort Cure: “Fight”
Lana Del Rabies: “Everytime”
Supernova 1006: “Your Mess”
Riki: “Hot City”
Ash Code: “Dry Your Eyes”
Glaring: “Paralyzed”
Filmmaker: “Codified Process”
Panther Modern: “Creep”
All Your Sisters: “Pressures Of Faith”
Balvanera: “Medium”
Nuovo Testamento: “Electricity”
Male Tears: “Adult Film”
Pictureplane: "Black Chardonnay” (f. Wicca Phase Springs Eternal)
La Croix Et La Banniere: “Sorcellerie”
Smithereens, The: “Drowning In My Own Tears”
Brutus: “What Have We Done”
Television: “Marquee Moon”
Depeche Mode: “Ghosts Again”
Iggy Pop: “Home”
Badfinger: “Day After Day”
David Geddes: “Run Joey Run”
Stranglers, The: IV
Duran Duran: “Save A Prayer”
King Gizzard & The Wizard Lizard: “Head On / Pill" 
Juan MacLean, The: "The Future Will Come”
Caution: “Hand That Looks Like Mine”
Kamikaze Palm Tree: “Predicament”
Devil Wears Prada, The: “Watchtower”
Kaputt: “Highlight!”
Carlos Giustini: “Manifestazioni”
Enola: “Does Anyone Else”
Kontravoid: “So It Seems” (Fractions RMX)
Trace Amount: “SCN INST”
Varg: “Anti Everything”
Visceral Anatomy: “Lipswitch”
Walking Icons, The: “Shadow Of The Saints”
Jabee & Conductor Williams & Boldy James: “Indulgence”
Mamalarky: “Green Earth”
Meow Meow Fuzzyface: “Frena”
Slifft: “The Real Unseen”
Special Interest: Foul
Grocer: “Calling Out”
JFK: “Feel The Weight”
Smith N’ Hack: “Space Warrior”
Devo: “Devo Corporate Anthem”
Ron Morelli: “Ron’s Torture”
Ikon: “A Moment In Time”
Snowy Red: “The Long Run”
Pictureplane: “Joyrider”
Borzoi: “Passing”
Cheekface: “Pledge Drive”
Elucid: “Betamax”
Spiritual Cramp: “Earth To Mike”
Danny’s Favorites: “Hold On Me”
Television Personalities: “Where’s Bill Grundy Now?”
Griselda: “John Woo Flick”
David Ruffin: “I Get Excited”
Letting Up Despite Great Faults: “She Spins”
My Idea: “Cry MFer
Sasami: “Say It”
Deeper: “Only A Shadow”
Devo: “Smart Patrol” (demo)
New Fast Automatic Daffodils: "Fishes Eyes"
Melty: "Laughing Skull"
Mathemagic: "Breaststroke"
Idiot Pilot: "Open Register"
Gorilla Aktiv: "Tuna Rampage"
Glaring: "Paralyzed"
Derek Pope: "Seat Back"
Kauf: "Pacify"
Chemical Brothers: "No Reason"
Wise Blood: Odds & Ends: 2010-2019
Incendiary: Change The Way You Think About Pain
Racetraitor: "Curse"
Knocked Loose: "Deep In The Willow / Everything Is Quiet Now"
Indecision: To Live And Die In New York City
Agoraphobic Nosebleed: “Not A Daughter”
Godflesh: "Landlord"
Chat Pile: “grimace_smoking_weed.jpg”
Melissa: II
Tears Of Joy: self-titled
Cheekface: “If I Catch On Fire Please Put Me Out”
Transy Warhol: "Deadname"
Grocer: "Calling Out"
Yfory: self-titled
M(h)aol: “Therapy”
Es: Fantasy
Sweeping Promises: Good Living Is Coming For You
Chris Carter: "Outreach"
Sigur Ros: "Svefn-G-Englar"
Blonde Redhead: "Melody Experiment"
Tan Cologne: "Visitation"
Sextile: "Crash"
Madeline Goldstein: Other World
Thou: "Kerosene"
Greg Electric: "Goliath"
Nuovo Testamento: "Heartbeat"
Balvanera: Delusion/Desire
LCD Soundsystem: American Dream
KEN Mode: Void
SDH: Fake Is Real
Sword II: "DRM"
Las Eras: Volumen 1
Revolting Cocks: "Let's Get Physical" (banned)
Replacements, The: "Unsatisfied"
Cult, The: "Rain"
Smith 'N Hack: "Falling Stars"
Nick Klein: "Christian Rock Concert"
Inclination: "Unaltered Perspective"
Spirit Of The Beehive: "Tapeworm"
Orphx: "In The Presence"
Nick Klein: "A Bundle And Some Speakers"
Augustus Muller: "Making Love"
Hallows: "I Am Destroyed"
Ron Morelli: "Gunsmoke"
Spirit Of The Beehive: "Natural Devotion 2"
LCD Soundsystem: "Someone Great"
Orphx: "Man Of Sorrows"
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omegaplus · 4 months
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#4,599
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Omega Radio for December 30, 2023; #364.
Split System: "Bullet"
JJ & The A's: "Head In A Vat"
Borzoi: "Frac Daddy"
Ditz: "Riverstone"
Glaas: "Crossfire"
Chat Pile: "Cut"
FACS: "Slogan"
Sycomore: "Sulphur"
Mandy, Indiana: "Drag [Crashed]" + "Pinking Shears"
Facet: "Automatic"
Godcaster: "Diamond's Shining Face"
Slift: "Unseen" (INT)
Gumm: "Free"
Drain: "Watch You Burn"
Gel: "Attainable"
Out Sick!: "Out Sick!"
Power Alone: "Out For Themselves"
Tears Of Joy: "Bastard"
Hope Conspiracy, The: "A Struggle For Power" + "Nail In The Coffin"
Year Of The Knife: "Return The Agony" + "Heaven Denied"
Jesus Piece: "Silver Lining" + "Stolen Life"
Knocked Loose: "Deep In The Willow / Everything Is Quiet Now"
Kollaps\e: "Anaemia"
Full Of Hell & Nothing: "Rose-Tinted…" or "Forever…" or "When…"
Godflesh: "Nero"
Second best-of broadcast; final show of 2023.
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omegaplus · 4 months
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# 4,598
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Omega Radio for December 16, 2023; #363.
Tan Cologne: “Visitation” (orphan single)
Blonde Redhead: “Melody Experiment” (Sit Down For Dinner)
Population II: “Beau Bapteme” (Electrons Libres Du Quebec)
Mary Onettes, The: “Forever Before Love” (orphan single)
Nossiennes: “Mazurka” (Fresh Water Objects)
Softie: “Don’t Look Down” (orphan single)
Holy Wave & Estrella Del Sol: “Happier” (Five Of Cups)
Glare: “Void In Blue” (Into You / Void In Blue)
Ringing: “Spiralbound” (Is It Light Out Where You Are?)
Bloody Knives: “Deeper” (Drowning In Light)
Edsel Axle: “Variable Happiness” (Variable Happiness)
Es: “Emergency” + “Unreal” (Fantasy)
Yfory: “Chwaer Pwy” + “Baled Y Dolmen” (self-titled)
M(h)aol: “No One Ever Talks To Us” (Attachment Styles)
Greg Electric: “Goliath” + “The Deal” (It’s Been)
Cel Ray: “Clorox Wipes” + “Piss Park” (self-titled, Piss Park)
Body Type: “Miss The World” (Expired Candy)
Sweeping Promises: “Throw Of The Dice” (Good Living…)
Deady: “Eat Sleep” (self-titled)
En Attendent Ana: “Same Old Story” (Principia)
Transy Warhol: “Deadname” (Control)
Squid: “Swing (In A Dream)” (O Monolith)
Grocer: “Smooth Operator” (Scatter Plot)
Blessed: “Felt” (orphan single)
Rong: “Coincidence” (Rong / Cost Ov Living split)
Sword II: “DRM” + “First Rule Of The Bug” (Spirit World Tour)
First of two best-of shows.
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omegaplus · 4 months
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# 4,550
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Omega Radio for December 2, 2023; #363.
Velvet Underground, The: “Candy Says”
John Cale: “Barracuda”
Young Gods, The: “Skinflowers”
Love & Rockets: “Waiting For The Flood”
Cows: “Mr. Cancelled”
Blonde Redhead: “I Don’t Want U”
XTC: “Dear God”
Beta Band: “Dry The Rain”
Black Rebel Motorcycle Club: “Love Burns”
Notwist, The: “Neon Golden”
TV On The Radio: “Staring At The Sun”
Graham Coxon: “Life It Sucks”
First Year 12 broadcast; marquee artists and standards contributed by Omega followers.
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omegaplus · 5 months
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# 4,520
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Autumn 2023 Mixtape.
Blonde Redhead: "Melody Experiment"
Tan Cologne: "Visitation"
Sextile: "Crash"
Madeline Goldstein: Other World
Thou: "Kerosene"
Greg Electric: "Goliath"
Nuovo Testamento: "Heartbeat"
Balvanera: Delusion/Desire
LCD Soundsystem: American Dream
KEN Mode: Void
SDH: Fake Is Real
Sword II: "DRM"
Las Eras: Volumen 1
Revolting Cocks: "Let's Get Physical" (banned)
Replacements, The: "Unsatisfied"
Cult, The: "Rain"
Smith 'N Hack: "Falling Stars"
Nick Klein: "Christian Rock Concert"
Inclination: "Unaltered Perspective"
Spirit Of The Beehive: "Tapeworm"
Orphx: "In The Presence"
Nick Klein: "A Bundle And Some Speakers"
Augustus Muller: "Making Love"
Hallows: "I Am Destroyed"
Ron Morelli: "Gunsmoke"
Spirit Of The Beehive: "Natural Devotion 2"
LCD Soundsystem: "Someone Great"
Orphx: "Man Of Sorrows"
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omegaplus · 5 months
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# 4,519
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Omega Radio for November 4, 2023; #362.
Psychic Graveyard & John Dwyer: “Is There A Hotline?”
John Maus: “The Peace That Earth Cannot Give”
Bozoru Bear: “I Have Memories Of What Used To Be Here”
Sword II: “DRM” + “First Rule Of The Bug”
Maxshh: Maple Leaf Etc.
Spirit Of The Beehive: “Tapeworm” + “Natural Devotion 2”
Blonde Redhead: “Melody Experiment”
Caroline Polachek: “Billions”
Tan Cologne: “Visitation”
Abbreviated 'second chance' show, and final Year 11 broadcast.
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omegaplus · 6 months
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# 4,509
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Omega Radio for October 21, 2023; #361.
Population II: "Beau Bapteme"
Borzoi: "Bonus Army"
Split System: "On The Street"
Honey Radar: "Rainbird / English Costume"
Corker: "Sour Candy"
JJ & The A's: "Head In A Vat"
D. Sablu: "Live" For Tour
King Gizzard & The Lizard Wizard: "Gila Monster"
FACS: "Slogan"
Glaas: "Cruel Heart, Cold Summer"
Heavy Lungs: "All Gas No Breaks"
Porcelain: "C.O.A."
Neckbolt: "Sort Of"
Motorbike: "Throttle"
Blessed: "Felt"
Jus B: "No Gaze Inside Out"
Divide & Dissolve: "Indignation"
Death Index: "Patto Con Dio"
Facet: "Automatic"
S.M.I.L.E.: Lobotomy"
Kal Marks: "Fuck That Guy"
KEN Mode: "These Wires"
Ditz: "Riverstone"
Vangas: "Still"
Mr. Phylzzz: "I Took A Selfie At The Protest So Now I'm A Good Person"
Deluxe noise rock, psych-, and garage edition.
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omegaplus · 6 months
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# 4,508
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Omega Radio for October 7, 2023; #360.
Amora: “Dollar Store Christ”
Death Pill: “Die For Vietnam”
Hingada: “Intrasteller”
Demand: “Kishi”
Burning Strong: “Rising Tide” + “Extinct”
Despair: “One Thousand Cries”
Drug Free Crew: “Cycle Of Depression”
Inflicter: “Not Enough”
Drain: “Watch You Burn”
Inclination: “No Exit”
Defiant Path: “Weather The Storm”
Discourage: “Echo Chamber”
Buggin’: “Not Yours”
Wolfblitzer: “Juarez”
Jukai: “Deceiver” + “Faith”
Burn It Down: “Every Man’s Got A Devil”
Contention: “Antithesis”
Human Form: “Unhinged”
Killer, The: “The King Is Dead”
Billy: “See You Never”
Diced: “Blank Stare”
Si Dios Quiere: “Por Sangre Y Tierra”
Fires & Floods: “The Siege Of Philadelphia”
Educate: “Boost It!”
Fight On Sight: “Buried Alive” + “Suffering”
Out Sick!: “Big Busine$$”
Reaching Out: “Impaired”
Caged: “Forever Enemy” Power Alone: Nothingness e.p.
Deluxe hardcore and straight-edge edition.
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omegaplus · 6 months
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# 4,507
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October 30, 2018.
Something inside me was nagging me to go to Manhattan. A few days later, I find myself on the Deer Park platform for a good half-an-hour before the westbound Penn Station train arrives. Six PM. Upper 40’s. The deep prismatic remnants of the fallen twilight sun sit on the horizon west on the tracks. Clear skies, no clouds. Stars in the sky and the moon’s already gone. It’s rare I’d take a train this late to the Five Boroughs and it’s not to see family, doctors, or for a band. I was curious to see how well my kit took night shots and take it from there.
I felt like I didn’t finish the job properly the last time I was there. By “job”, I meant the August photography session at The American Radiator Building, The Freedom Tower and Times Square. I always wanted to aim and fire at those two locales and that day’s doctor appointment made it possible. That was right after I entered a new sordid era. Ever since the Brooklyn goth girl tore my heart out I’d have a new perspective on what could’ve been and what I’ll be missing completely.
The brass ring I was told of was never there to begin with. Someone else had it all along. I was still poisoned with the effects of being led on, lied to, and deceived in the worst possible way. I would never feel or see the same way about city aspirations again. Yet, no matter how many razor-thin-tipped arrows are pierced deep in your body, you still fight on.
I don’t even remember what I thought of on the ride west to Penn Station. I was too busy numbing myself with the night’s playlist. I look out the window to my right as Impalers’ “High Wired” was as going fast as the motion blur itself. 65 minutes later, the train slows down as it enters Penn Station. Ron Morelli’s “Golden Oldies” came on when the line slowed down to darkness and crawled by the obscure rarely-seen corridors. The line slows to a complete stop. The doors open and it starts.
I board off, head up the steps to and through Penn Station, and take the 1/2/3 to 42nd St. For the first time since one New Year’s Eve, I’m in the heart of Times Square at night. The Electric Behemoth. I set up my tripod in-between the streaming traffic while being aware of my surroundings. I aim high and shoot with all the settings and adjustments possible, even wildly playing around with the f-stop and leave the sizzling effects for interpretation. After an hour the kit’s display would tell me a story: I’d find out that no matter how I balance my settings I’d never have the right amount of color or sharpness. Too dim, too fuzzy, too bright. Not enough detail. The color’s are off. It seems you could only achieve what your camera allows you to. On towards Tribeca.
I take the 1/2/3 Express line all the way down to a few blocks short of the Freedom Tower. It’s a different scene from when I was there the last time. Not the pleasant blank-blue skies of a baked early-August afternoon, but the quiet pitch-black streets of the end of October where the silence begs for your attention. A few bars open on Church St. where a scant few people stand on the sidewalk conversing with associates or on their phones closing their deals. I line the camera down south and shoot darkness. The numerous specks of overheads and streetlamps illuminate stationary as the traffic lights instantly switch from red to green. The negative space help separate the dynamic range between darkness and colored lights as I play around with the zoom, firing the kit while it adjusts its focus to capture the bokeh effect.
I walk straight to the Hudson River Greenway. Only 3,500-4,000 feet of water separates me from Jersey City. 1,500 to One World Trade Center / Freedom Tower. Total isolation. A younger couple walking amongst themselves from the piers…and no one else to be found. All I could do was aim and fire at Jersey City with as many combinations of settings as possible. The empty office buildings are fully awake with their bright lights and lucid signs as they stood tall and away in the distance as no one else besides myself are around. After all I could, I turned it south towards the Freedom Tower and shoot as much as the batteries allowed it. I successfully managed to avoid the incoming traffic of cyclists because I paid attention and looked where I was going. Not so much for one oblivious muppet who walked first and looked later. He walked right in front of a oncoming bicyclist and they almost collided. “C’mon. Seriously?” barked the cyclist who verbally flashed some sense into the oblivious dullard. Now back to the 1/2/3 express line up north to head home.
I got off one stop short north of Penn Station, the Times Square / 42nd St. Stop where I ended getting up at 40th St. And 8th Av. I walked around Lord knows what streets. I didn’t plan it but somehow I walked past the Port Authority. And somewhat of a pleasant surprise to break negative thought if even for five minutes: a “post no bills” message stenciled on a random red door. Below it: another stencil of Bill Murray. Genius.
I walk through the Manhattan maze the night before Halloween. All five boroughs are gearing up for the whimsical festivities. The city streets are tidy and quiet with barely anyone walking through the minimal light and activity but it’s still all there. I’m right where I want to be. Always - except I walk solo. It would’ve been great to have someone join this unique experience with me. No reason why it shouldn’t but there always is. Instead, someone took me for a ride and left me head-fucked and demystified. She’s right here yet so far away and I can’t get to her. All I could think of on the walk towards back to Penn Station is another could-have scenario once again made possible by immature people and their foolish games. What’s worse? It’s her holiday tomorrow. I know in my mind she’ll be having lots of fun however she gets it. I won’t.
Another night in the record books. About 200 shots taken against the blinding million dollar lights, the pressing cold winds and the serene city silence. The 11:15PM line back to Deer Park is here. It usually takes about 10 minutes of standstill before the train finally takes off. It’s no surprise that Council Estate Electronics’ “60 Megawatts” grinds in my ears as I sit still in the front car sitting forwards and that alone is all doldrums; just waiting for train to take off. Then it morphs into Ron Morelli’s still-unsettling, suspenseful “Narco FRQ” as the line slow-rolls out of Penn Station in tune with the subtle clacking of the train’s wheels on the track. Another 65 minutes to go as I keep my quotient up and my era open, stupified as to what’s in store for me.
Plaque Marks: “Anxiety Driven Nervous Worship”
Council Estate Electronics: Urals
Erica Eso: “Vaccination Free”
AceMo: Black Populous
Arctic Flowers: Weaver
Pop Group, The: “(Amnesty Report II)”
Impalers: “Filth Binge”
Boy Harsher: “Motion”
Fellony: “Politics Of Verticality”
Sky Ferreira: “Voices Carry”
Heem Stogied X EyeDee X Tha God Fahim: “Drive By”
Gnarcissists: “We All Just Wanna’”
clipping.: “Something They Don't Know” (Bad Zu RMX)
Jeremiah J ft. Knxwledge: “Almost”
War On Drugs, The: “Up All Night”
Radon: “A Fist Full Of Potash”
Palm: “Ostrich Vacation”
Impalers: “High Wired”
Caroline K: “Chearth”
Echo Beds: Why Bother Stacking The Chairs On A Sinking Ship”
Blueprint: “Five Years Ago”
Beths, The: “Great No One”
FACS: “Primary” (demo)
Death In June: “Little Black Angel”
Philippe Hallais: “Hero / Fall / Angela”
Fire Engines: “(We Don't Need This) Fascist Groove Thang”
Dilly Dally: “Doom”
Serge Gainsbourgh: “Je T'aime Moi Non Plus”
wosX: “Armageddon”
Young Fathers: “Lord”
Further Reductions: “Central System”
Street Sects: “And I Grew Into Ribbons”
Frankie Cosmos: “Outside With The Hotties”
Badlands: “Heavy Sighs”
Ron Morelli: Disappearer
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omegaplus · 6 months
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# 4,499
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October 7, 2022.
I’m on the way in breaking my record for the most visits to New York City in a single year. Three of these visits were to see Boy Harsher and Cold Waves’ X in Brooklyn, and Sacred Bones’ 15th anniversary label showcase out in Queens (Maspeth). Three more of these were visits to record stores: twice at Academy and once at Captured Tracks. Well, this is visit #7: a routine visit to the city doctor. This time in East Manhattan overlooking the East River.
And, it’d be one of the quickest. Penn Station to the ‘Q’ line and a few steps  to 74th St. The stay was no more than 75 minutes before I bolted out and headed back to the ‘Q’ for Penn Station. For some reason, I didn’t feel like staying. I knew it was going to bite me later on. Not only was I dissatisfied in having work the next day, but my anxiety didn’t want to have any of today.
Henry Mancini: “Pure Pussy”
JPEGMAFIA: “Keltec!”
Totally Unicorn: “33”
Mess: “F.T.W.”
Paper Dollhouse: “Unicorn”
Team Dresch:” #1 Chance Pirate TV”
Android: “Not By Faith But By Sight”
Pile: “Mr. Employer”
Tape-Beatles, The: “Listen To The Radio”
Oneida: “Beat Me To The Punch”
Cults: “Poodles Dancing”
Curse Mackey: “Submerge”
Boris: “Uzume”
JPEGMAFIA: “Rough 7”
BRNDA: “Year Of The Hot Dog By Burger Gang”
Carlo Giustini: “Manifestazioni”
Foetus: “I Am Surrounded By Incompetence”
Jaune Orange: “Cocaine Piss”
Steve Hartlett: “Overwhelmed”
Vandal Moon: “Young. Deadly. Beautiful.”
Acumen Nation: “Gun Lover”
Palm: "Feathers"
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omegaplus · 7 months
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Omega Radio for September 23, 2023; #359.
All Hands Make Light: “We Live On A Fucking Planet…”
Beach House: “Irene”
Holy Wave: “Five Of Cups”
Keep: “YHB” + “My Love”
Mary Onettes, The: “Forever Before Love”
Ovef Ow: “Psycho Crush”
Babygirl: “Sore Eyes”
Momma: “Bang Bang”
Edsel Axle: “Variable Happiness” (INT)
Ringing: “Spiralbound”
Narrow Head: “Uncover”
cursetheknife: “Low” + “Filter”
Glare: “Void In Blue”
Frayle: “Head Down”
Softie: “Don’t Look Down”
Bleary Eyed: “Upset”
Bloody Knives: “Deeper”
Deluxe shoegaze, dream-pop, alternative, and jangle.
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omegaplus · 7 months
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# 4,490
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Omega Radio for September 9, 2023; #358.
Husker Du: “Gravity”
Replacements: “Unsatisfied”
Scratch Acid: “Owner’s Lament”
Cult, The: “Rain”
Love And Rockets: “Ball Of Confusion”
Jesus And Mary Chain, The: “April Skies”
Big Audio Dynamite: “Just Play Music”
R.E.M.: “Stand”
Smithereens, The: “Drown In My Own Tears”
XTC: “King For A Day”
Flaming Lips: “Shine On Sweet Jesus (Jesus Song No. 5)”
New Fast Automatic Daffodils: “Fishes Eyes”
Pulp: “Countdown”
Frank Black: “Hang On To Your Ego”
Suede: “Still Life”
Elastica: “Waking Up”
Guided By Voices: “Jane Of The Waking Universe”
Death Cab for Cutie: “Information Travels Faster”
Radiohead: “How To Disappear Completely”
Interpol: “Take You On A Cruise”
Sneaker Pimps: “The Chauffeur”
IAMX: “Sailor”
Fischerspooner: “The 15th”
Cansei De Ser Sexy: “Bezzi”
LCD Soundsystem: “Someone Great”
Cut Copy: “Cold Youth”
Small Black: “Bad Lover”
Juan MacLean, The: “Tonight”
Minks: “Ophelia”
Yeasayer: “O.N.E.”
Neon Indian: “Should’ve Taken Acid With You”
Hot Chip: “Flutes”
Franz Ferdinand: “Stand On The Horizon” (Todd Terje RMX)
Prince Rama: “Bahia”
Caribou: “Silver”
Classixx: “A Mountain With No Ending”
Toro Y Moi: “A Girl Like You”
Washed Out: “Olivia”
Brian Jonestown Massacre: “Pish”
Mark Lanegan: “Flatlands”
Pixies: “All I Think About Now”
Beach House: “Drunk In L.A.”
Nothing: “Eaten By Worms”
Porcupine Tree: “Chimera’s Wreck”
Florence & The Machine: “What Kind Of Man”
Shannon & The Clams: “King Of The Sea”
King Gizzard: “Head On / Pill”
Double-deluxe updated rainbow marquee broadcast; majority of contributions from one valuable listener.
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omegaplus · 7 months
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# 4,488
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September 15 & 16, 2022.
Cold Waves X. It was a four-month wait from purchase to admission. I owed it to myself to go because goddamn it I’m a fucking industrialist. How should I even miss an opportunity to go to Brooklyn’s Warsaw and be around my type of people that are almost non-existent on Long Island? Plus, Paul Barker, Chris Connelly, and Front 242 would be there. It would be the third and final show of the year I’d attend, capping off a amazing run that started with Boy Harsher in April and continued with Sacred Bones 15th Anniversary (May).
Never had I traveled to New York City on back-to-back days. But the money spent on tickets and round-trip train fare was doubly worth it. I was met with two almost-perfect days of blue skies, white clouds, and nice leveled temperatures. Two days of driving westward on the Long Island Expressway, down Sagtikos Parkway, through Southern State to Rt. 231, and heading south to Rt. 27A to the Babylon stop to Penn Station with alphabet and number lines back and forth to boot, followed by breezy night drives down 27A and Sunrise Highway / Rt. 27 at 3AM. A sense of perfect pitch-black quiet and normalcy waited at the end as a response to two days of unforgettable acts.
No journey to Brooklyn and back wasn’t without being drenched in heavy sweat traversing through subway lines, race-walking on the broken concrete, and standing in one spot for five hours. I’d meet an older gentleman in his Seventies who, like me on Friday’s half, wore a Killing Joke shirt. His debut album to my “Turn To Red”. I’d meet some pretty interesting characters at the stations including a Tommy Conte look-a-like smootching his boyfriend, an Asian girl in a purple dress who’s thigh was bloodied and bandaged, hot wicked pale leatherettes, and a boyfriend who boarded the ‘E’ line with his girlfriend who was literally covered with deep red hickeys from neck to chest.
It was an event incomparable to the Sacred Bones’ showcase before it, or the ten-hour endurance test that was Hospital Productions’ 20th Anniversary. A double-headed victory, nonetheless. And I have the tracklist to prove it:
Male Tears: “Dealer”
Bedbug: “Songs About Ghosts”
Gauche: “Cycles”
Smash Your Enemies: “Faithless”
Courtney Love (indie): “Stripmine”
Axe Rash: “Bury Your Way Out”
Curse Mackey: “After You, Destruction”
Ducks Ltd.: “Sheets Of Grey”
Gauche: “Boom Hazard”
Nick Klein: “A Bundle And Some Speakers”
JPEGMAFIA: “The 27 Club”
Beirut: “So Slowly”
Dead Leaf Echo: “Milk.blue.kisses (Foil In Motion)”
Marine Girls: “On My Mind”
Katy & Nick: “Dinner Line”
Pom Pom Squad: “Popular”
Thanks For Coming: “Hard Drive”
Male Tears: “2AM”
Traps PS: “Prim Dancer”
7 Year Bitch: “You Smell Lonely”
Mediaslaves: “%”
Restraining Order: “Upper Class Bum”
Revolting Cocks: “Get Down” (EXT)
Old Iron: “Planetisimal”
Courtney Love: “My Last Night”
Television Personalities: “Happy Families”
Soda Lilies: “At Night” (demo)
Paper Dollhouse: “Emeralds”
Marbled Eye: “New Crease”
Male Tears: “Hit Me”
Silent Servant: “Slasher”
Siouxsie & The Banshees: “Party’s Fall”
Katy & Nick: “Sailor”
Kaputt: “Accordion”
Guerilla Toss: “Famously Alive”
Television Personalities: Posing At The Roundhouse”
Totally Unicorn: “Dead Before A Live Audience”
Infinity Land: “Small Town Ritual Abuse”
DJ Muggs & Riggs: “Heads On The Wall”
Acumen Nation: “Gun Lover”
Mess: “F.T.W.”
JPEGMAFIA: “What’s Crackin”
Michael Berdan: “Combat Shock (Sentimental About the Taste of Gun Oil)"
Breakfast Muff: "Crocodile"
Mr. Elevator: "I Am The Moon"
Belk: "Question Of Stress"
Fight Amp: "Ex Everything"
Spike Hellis: "Rook"
Baby Strange: "Midnight"
Smirk: "Irrelevant Man"
Vandal Moon: "Young. Deadly. Beautiful"
Exek: "ID'ed"
Akitsa: "Vers La Victoire"
Happy Meals / Free Love: "May You Be The Mother"
Sunrot: "21%"
Vandal Moon: "Queen Of The Night"
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omegaplus · 7 months
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# 4,481
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Top 10 Of September 2023.
Great news for most of you: @rivetgoth has summoned me to choose ten of my favorite listens of September ‘23. Expanding the time span to thirty days meant holding out until the end of the month just to be sure. Picking out only ten was easy to do, and whether you like me or not, you’re gonna’ have to deal with it.
Your winners are:
#1: Replacements, The: "Unsatisfied"
#2: Cult, The: "Rain"
#3: Chemical Brothers: "No Reason"
This group of three is what happens when you’re following a mutual who’s super-obsessed about music. @tewz is an open book with plenty of audio and music video posts for the taking, plus a couple of Spotify playlists to rifle through. (Stay for the cat videos, too.) She’s my go-to and because of her, I had easy assembly of one of my recent radio broadcasts.
A fellow dee-jay asked me to fill-in for him not long ago. Now I had a double-broadcast (four hours) to set up. I had enough reserves from her to pull it off, so The Replacements’ “Unsatisfied” and The Cult “Rain” made the cut. Chemical Brothers: "No Reason" reminded me why they retained a feverish fan base to begin with, going all the way back to their “Setting Sun” days. Dare I say it reminded me of Daft Punk? Really, I thank her for everything music-wise she’s given me, ever.
#4: Crime Of Passing: "Off My Shoulder"
I love everything about this track. Unmistakably reminds me of Diat and the rest of the record follows with goth rock, post-punk / d.i.y, and coldwave. As a whole, Crime Of Passing displays a great style, aesthetic, seriousness, and urgency; all coming together and consistent as a gloomy yet smoking-hot nine-track album.
#5: Yfory: "Chwaer Pwy?"
#6: M(h)aol: “Therapy”
#7: Es: "Emergency"
I did an all post-punk / d.i.y. broadcast last month. One portion of the show had me group together female-fronted bands from Europe. That block started with Germany’s Maraudeur, continued on with Scotland’s Breakfast Muff, and then these three. Anyone paying attention knows that Europe (and especially the UK) is giving every other city scene a run for their money.
Also from Germany, Yfory struck me with their album cover (If anyone can identify that typeset, do let me know), their fluid Welsh lyrics which is new to me, and their great craftsmanship; hence "Chwaer Pwy?". I went with “Therapy” from feminist band M(h)aol because it sounds so rough. It’s the Irish equivalent of Guerilla Toss’ “Eraser Stargazer Forever” which sweeps the floor of everything. (If you really want to set yourself on fire, listen to “Period Sex”. Wow.) And, I got excited for new sounds from England’s Es. I played their opener “Emergency” at least 20 times and I still haven’t figured them out. That’s a good thing. Fortunately, the hopeful sounds of “Emergency” follows towards Less Of Everything and far away from Object Relations, and that’s from Flora Watters on keyboards, who is that special ingredient that makes Es. Their uniqueness pushes them near the very top of post-punk / d.i.y.
#8: Mamalarky: “Green Earth”
No way! What is this?! As if Palm’s Dog Milk and Mr. Elevator got a room, fucked, and made this. And I don’t know why I’m also equating Todd Rungren’s “Hello It’s Me”, maybe Peter Max, and other late-Sixties / early-Seventies standards in the mix, but this sounds amazing. It has that lo-fi, drowsy, malfunctioning feel with a wondrous charm to it. It’s really beautiful.
Now get this: “Green Earth” is on the environmentally- conscious The Eleventh Hour: Songs for Climate Justice compilation (and later Pocket Fantasy: B-Sides), and then you can clearly hear vocalist Livvy Bennett breathe in and inhale before singing each verse. Get it? Any song that can transport you to a new, undiscovered world is a unanimous winner in my book.
#9: Blonde Redhead: “Melody Experiment”
#10: Tan Cologne: "Visitation"
To describe these in one word: inexplicable. They can be a soundtrack to a future world that could very well be possible, but in the same measure possibly not. These would fit right in with the annual ‘second chance’ broadcasts I do to end the year. ‘Second chance’, meaning, songs I enjoy but simply don’t fit into a specific category, so they have one all of their own. Think Erasers’ “Easy To See”, Mega Bog’s “Maybe You Died”, New Chance’s “Real Time”, Lily’s “New Fries”, and Il Quadro Di Trosi’s “Sfere Di Qi”.
“Melody Experiment” from Blonde Redhead sounds unreal to me. I still don’t believe it even exists. If it does, it’s the definition of ‘slick’. Sonically, it has wavelengths of “Corrections” from Phil Western and a breath similar to Pixel Grip’s Rita Lukea. Don’t ask me why I came up with that. To each, everyone’s own. Tan Cologne’s new single had to be influenced by Nancy Sinatra & Lee Hazelwood “Sand“; the all-encompassing heat during the pending sundown on a blazing-hot Summer day. These final two picks I’ve already heard at least thirty times, and I plan on hearing them thirty more.
Good news: I tag no one. As always, play at your own risk.
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omegaplus · 8 months
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Summer 2023 Mixtape.
New Fast Automatic Daffodils: "Fishes Eyes"
Melty: "Laughing Skull"
Mathemagic: "Breaststroke"
Idiot Pilot: "Open Register"
Gorilla Aktiv: "Tuna Rampage"
Glaring: "Paralyzed"
Derek Pope: "Seat Back"
Kauf: "Pacify"
Chemical Brothers: "No Reason"
Wise Blood: Odds & Ends: 2010-2019
Incendiary: Change The Way You Think About Pain
Racetraitor: "Curse"
Knocked Loose: "Deep In The Willow / Everything Is Quiet Now"
Indecision: To Live And Die In New York City
Agoraphobic Nosebleed: “Not A Daughter”
Godflesh: "Landlord"
Chat Pile: “grimace_smoking_weed.jpg”
Melissa: II
Tears Of Joy: self-titled
Cheekface: “If I Catch On Fire Please Put Me Out”
Transy Warhol: "Deadname"
Grocer: "Calling Out"
Yfory: self-titled
M(h)aol: “Therapy”
Es: Fantasy
Sweeping Promises: Good Living Is Coming For You
Chris Carter: "Outreach"
Sigur Ros: "Svefn-G-Englar"
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omegaplus · 8 months
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# 4,479
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Omega Radio for August 26, 2023; #357.
Augustin Fievet: Lens Flare For The Dead Astronaut"
Blackdown: "Crackle Blues"
Andy Stott: "Violence"
Bandshell: "Bison Down"
Varg: "Anti Everything"
Carlo Giustini: "Manifestazioni"
Skin Teeth: "Tapestries (Rugged)"
Christoph De Babalon: "I Trusted You"
Grove: "Ring A Roses"
The Idealist: "Courage Dub (For Stanislav Deev)"
Helm: "Olympic Mess" (N1L RMX)
Epoch: "No Dread"
Mono/Poly: "Transit To The Golden Planet"
Nevermen: "Mr. Mistake" (Boards Of Canada RMX)
Paper Dollhouse: "Swans"
Free Love: "All The Same To Me" + "I Become"
The Bug: "Sickness"
Viviankrist: "Tear"
Ron Morelli: "Subway Shootout"
Ulver: "Of Wolves And Vibrancy"
Nazar "Arms Deal"
R Beny: "The Stars Are Veiled"
Deluxe electronics, drone, ambient, and techno.
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