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Re-designing Wonder Woman

Various writers/artists talk through redesigning Wonder Woman

CBR News: Diana's new costume was revealed in "Wonder Woman" #41. In her own words, it was finally time for her to leave the 'girl behind' and embrace then woman that she's become. What can you tell us about the new design and why it represents Diana as a god, a queen and a warrior for justice?

Meredith Finch: One of things Dave and I discussed was that the initial costume that she wore was the one that she put on when she left Themyscira and went into the world of men. At that time, she wasn't part of the Justice League. She was just herself. I wanted the costume to be more in line with what other members of the Justice League are wearing. I also wanted it to be in line with the fact that she is a queen now. If you look at the costume that Hippolyta wore -- traditionally, queens tend to put on much more ceremonial costumes. And, she's also a warrior, so I wanted to be a really strong, solid costume. It hints at the Amazon culture but also fits in the modern world.

When making a major decision, like changing an iconic costume, how much credence lies with fandom and those that have loved the costume since the days of the Linda Carter TV series and the George Perez miniseries and what serves your story and new readers of the title?

If you look at the sketch designs that Dave did (published in "Wonder Woman" #41) for the new costume, first and foremost, they are all intended to be reflective of the character. And when you find something that works, it's like a title for a book: It just works. Dave did quite a few costume designs, and once he did the one that we landed on, it worked instantly for both of us. Getting approval from DC Editorial was fairly easy, because looking at it, the costume just has a synergy with the character. It's strong and reflective of who Diana is, and is still very recognizable as a Wonder Woman costume.

Does the costume have any special properties, or is Diana powerful enough that she does not need any extra protection?

The nice thing is that because it's a new suit, if we decide that we want to add something to it, we'll be able to do that. But looking at who she is right now, she's not just Wonder Woman and an Amazon princess -- she's Wonder Woman and the God of War. As a god, she really is invincible. The suit is much more a reflection of who she is than an addition to who she is. But to be fair, it was designed by Hephaestus, so I am sure there is something special in there because he does love her. https://www.cbr.com/finch-on-signifi...ys-redemption/

“She’s been locked into pretty much the exact same outfit since her debut in 1941,” Mr. Straczynski wrote. “If you’re going to make a statement about bringing Wonder Woman into the 21st century, you need to be bold and you need to make it visual. I wanted to toughen her up, and give her a modern sensibility.”

He added, “What woman only wears only one outfit for 60-plus years?”

Given Wonder Woman’s pre-eminence as a female character in the largely male superhero pantheon, her looks have always been a matter of more than casual interest, to both fanboys and feminists. In a 2006 interview about her work on the series, the novelist Jodi Picoult said: “One of the first things I did was ask if we could give her breast-reduction surgery, because as a woman, I know you wouldn’t fight crime in a bustier. But I was somehow shot down by DC.” The new costume was designed by the artist Jim Lee, who in February was named co-publisher of DC, alongside Dan DiDio. Given the assignment, “my first reaction was, ‘Oh my gosh,’ ” Mr. Lee said in an interview. But he welcomed the challenge: “When these characters become so branded that you can’t change things, they become ossified.”

The new look — with an understated “W” insignia, a midnight blue jacket and a flinty fusion of black tights and boots — is darker than the famed swimsuit-style outfit, and aims to be contemporary, functional and, as Tim Gunn of “Project Runway” might say, less costumey.

Given the hope that the character will one day have her own international film franchise (a feature has long been gestating at Warner Entertainment, DC’s parent company), one test of the design was to imagine how it would look standing next to, say, Batman’s politically neutral ensemble. “The original costume was the American flag brought to life,” Mr. Lee said. “This one is a little more universal.”

Mr. Lee has drawn his share of sexy superheroines (the X-Men’s Rogue among them), some in skimpy costume, and knows what many fans will ask: “Why am I covering up her legs?” Ultimately, he wanted her to look strong “without screaming, ‘I’m a superhero.’ ”

The arrival of Issue 600 is a bit of comic-book sleight of hand, or, as DC calls it, a return to historical numbering. Wonder Woman’s first self-titled series, which begin in 1942, ended with No. 329. The character was then overhauled, her previous continuity erased, and she starred in Volume 2 as a heroine new to the world. That incarnation lasted 226 issues. Another new direction spurred a third volume (and, to collectors who care about such things, another Issue No. 1) that ran for 44 issues. Do the math, and what would have been Issue No. 45 is now Volume 1, No. 600.

The new costume will almost certainly be better received than the curveball thrown Wonder Woman in 1968, when she lost her powers, dressed mod and practiced martial arts. It took the attention of no less than Gloria Steinem to protest the change, and to help get the Amazon back into her star-spangled duds. Ms. Steinem went on to use Wonder Woman, resplendent in red, white and blue, on the cover of the first issue of Ms. magazine in 1972. A cover line proclaimed, “Wonder Woman for President.”

That’s the kind of attention Mr. Straczynski thinks she deserves: “Wonder Woman is a strong, dynamic, vibrant character who should be selling in the top 20, and I’m going to do all I can to get her there.” http://www.nytimes.com/2010/06/30/bo...S8G9WNUsmwNo5Q

I got to design the Wonder Woman costume for our Earth Two series, with just some small tweaks by Jim Lee. It’s my version of her battle armor as apposed to a classic variant. It was the most appropriate direction considering the context.

Truthfully, I like the middle ground between pure fantasy and practicality. I want to know how a costume works, what all the parts are for, where did it come from, what it’s made of. I want there to be a practical nature but for that to not limit the design. https://sciencefiction.com/2012/03/1...-nicola-scott/

IGN: I'm glad you brought up the costume. Both you and Nicola are obviously drawing Diana at very different points in her life. Can you talk about the process of redesigning her look and what influences you drew from?

Sharp: Yeah, there's the basic one from the New 52. There's elements of that. There's also elements from the film version. With the one I'm doing, Greg was like, "Do you like the film costume?", and I said I really liked it. So let's just do that. That's settled. I was very happy to adapt that look for what I was doing with the costume. Nic's has slight variations. I talked about this with Greg. She'll wear different outfits. For instance, the cape is ceremonial. It's not always going to be there. We're of the belief that these characters live in a real universe. Obviously it's a fictional universe, but they wouldn't continue to wear the same clothes all the time. It's just ridiculous to assume that they would. So there are variations, and that's fine with me.

Scott: In the Year One story, I had asked if we could take the film costume and make it just a little more comic book-y and a little brighter and shinier. This is her first outing wearing a Wonder Woman costume. It's freshly minted. The breastplate has just come out of the forge and it's just been dyed. It's fresh. It's her first adventure off the island.

Sharp: Whereas mine is all tattered and beaten up and scuffed.

Scott: And probably has pieces replaced. It's a more mature outfit, where mine is meant to make her look a little more optimistic. https://www.ign.com/articles/2016/05...s-diana-prince

MFT: Did you design the costume? How did you approach the task of a Victorian-era Wonder Woman design?

PW: Yes, I based it on a Victorian/Western showgirl. I looked at the original costume, hence the eagle, but stylized it to give it a more turn-of-the-century feel. I looked at Art Nouveau artists like Alphonse Mucha especially and some of the Pre-Raphealite painters like Holman Hunt, Millais, and the more stylistic Dante Gabriel Rosetti and also Victorian painters Alma Tadema and John William Waterhouse. It was important for me to understand Victorian scruples as much as their idealization of beauty. https://fanbasepress.com/press/featu...oman-amazonia/

]JF: From my perspective I’m really inspired by the designs that these film-makers are coming up with in these movies. A lot of the times I sit there and I look at these designs and go, “These are great! Why aren’t we thinking about these designs in comics? How come we didn’t think of that first?” I have to say, it’s really cool to see that Ben Affleck’s Batman costume looks like it does in the comics. It’s taking its cue from the comics, you know? So I made a joke on Twitter that I’d been drawing Ben Affleck’s Batman for the last three years. I draw this guy with a giant chin in a Batman suit.

We came up with our Wonder Woman design, and a lot of people would think that our Wonder Woman design is based off of the movie Wonder Woman, but actually it’s based off of an old drawing I did five years ago that Geoff found and really liked. So we used that as a costume. Then it just so happened that, “Oh, Cool! There’s a Wonder Woman costume that kind of goes in that same direction!” I think with the comics, visually, we want these characters to look as classic as possible. The more classic you make your characters look, the longer life your book has. It can transcend time. It’s not stuck in a time period where it’s, “Well, remember when they did that?” It’s these characters are in their classic looks.

We really talked about that because we want this book to be as big as possible. We want it to be as timeless as possible, and we want fans to come to our Justice League to see the characters in their classic designs, and just dive into the story and go from there. We want to deliver the best visual and story book that we possibly can. We want you to feel like you’re getting your money’s worth with these books, every single month. That’s our goal. http://www.multiversitycomics.com/in...war-interview/

Wonder Woman isn’t wearing her traditional costume but pants. Tell me a bit about how you came up with the look? Which do you prefer? Are these Amazon pants or off the shelf pants?

“You know what Lois like to see when she gets home? Pants. Pants on everyone.” As for these pants, they're store-bought. Or maybe “borrowed.” We’ll get to a more traditional look (or an amalgam of the various “traditional” takes) later in the arc. I had one idea for that one. Jorge took it, and ran with it and gave it his own twist, and it looks GREAT. As for her “vigilante” look when we meet her, we were going for something a little more urban combat-y. Pockets. Knives. Hair up. Some of her Agent Diana Prince look, mixed in with a bit of her (in hindsight, unjustly) lamented “Odyssey" look. Of course, we’d be remiss to not have her bracelets/gauntlets. She can’t NOT have those. Therein lies madness. https://dcwomenkickingass.tumblr.com...der-woman-once

Themyscira is just the start of Paquette’s visual re-imagining. “My first thought when Wonder Woman with Grant was mentioned was ‘I don’t want her to be dressed as an American flag.’ Not because an American flag is wrong but it made no sense. She’s coming from such a rich, wonderful culture with so much iconography (Greek culture), so why does she not use that, and why would she dress up as a flag? She’s not Captain America. But at the same time, I understood that this kind of iconic colour/texture is something that’s recognizable, so in that aspect it does have value. If I could reach the same design with a few differences, but make it so it’s not coming from the flag, it’s coming from a natural extension of her culture, I could live with this. The retro-engineering of her costume into something that makes sense is already embedded into the story.” He details some of the changes he has in mind. “The animal associated to Aphrodite is a dove so instead of an eagle on [Wonder Woman’s] breastplate, it will be more of a dove. It’s not the American eagle, it’s the Aphrodite dove. Stuff that creates [the letter] W is by accident, so it’s not like she already has a letter of the alphabet on her [costume]. In the end I’ve created a structure so it feels inevitable for Wonder Woman to look the way she does.” https://thatshelf.com/interview-yanick-paquette-on-wonder-woman/

#wonder woman #diana prince #diana of themiscyra #diana of themyscira #dc #dc comics #dc rebirth #superfriends #superhero #smallville #amazon #justice league #earth 2

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primal-slayer · 2 months

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Charmed drama Mega-Post

Mid 2000: Per Jason Priestley

Shannen talks Charmed and the joy she gets from working with Holly/Alyssa:

2001:

2.6.01 - Wanda at E!Online reports that there is definitely something a-brewin' regarding the rumors about Alyssa Milano leaving the show. A source close to the set has told her that there is some not-so-charming tension between Alyssa and her onscreen sibs. Apparently it's stemming from jealousy over better storylines and Shannen's more expensive wardrobe, which is full of Chloe and Versace and has created a few budget problems. Link

2.28.01 - E! Online's Wanda reports that things are getting really ugly on the set of "Charmed." Doherty acts like a primadonna all the time, demanding the best clothes and to be in the middle of all the publicity shots, and Milano is sick of it and threatening to leave. Meanwhile, Combs has managed to pretty much stay out of it.

5.10.01 - This week's Soap Opera Weekly interviews Executive Producer Brad Kern in an effort to confirm the rumors behind Alyssa's said departure from the series in her on-the-set battles with co-star Shannen Doherty. "Nothing I've been told from the people that I work for indicates whatsoever that anybody's leaving the show," Kern says of the rumor that Milano wants off and that her character will be killed. "Alyssa and Shannen are professionals. Are they best friends? No. Do they have to be? No. Do they work well together? Yeah. They're sisters in character only. They come in and do their job well. That's all that matters to us."

TVGO: After all the rumors about why you leftCharmed— including backstage feuding with covenmateAlyssa Milano— would you like to take this chance to clarify things for the record? Doherty: You know, I don't really want to be given the opportunity to clear the record. I have absolutely nothing to say. Details magazine will be out in August — that's probably the most honest interview that you'll ever read with me. I picked one magazine to tell the true story in and... if somebody wants to read it, then great. My opinion is, it really doesn't matter. I moved on, they moved on and who cares? You know, everything gets so blown out of proportion by the press that after awhile, you just gotta bury your head in the sand and go, 'I'm done talkin' about it.' TVGO: Any parting advice for your replacement, Rose McGowan? Doherty: [grinning mischievously] No, I think Rose will do a fine job, actually. I think Rose can hold her own and she's very sexy and beautiful — and I think it's actually going to make for a very interesting show, to be honest with you. I wish them all the luck.

"I think my passion for my work was too overwhelming," says Doherty of the fur-fly that became the Charmed set. Doherty claims the issue was one colleague's work ethic. "I mean, what do we do?" she continues. "Say a few lines, sit in our trailers, and get paid a fortune. That's really rough. And yet there was a person there that bitched about her job, day in, day out." According to Doherty, a "mediator" was brought in to diffuse all the poisonous estrogen. To this diplomat she said, "Are you supposed to be my shrink? Because I've already got one." Exchanges like these apparently so riled Milano, Doherty says, that the comely newcomer announced that she would not return to the show if Doherty stayed on. Doherty insists that she was the more politic star; to settle things, she took the matter up with the serge suits at Paramount, threatening to quit unless "changes" were made, though she says she wanted Milano to stay. "I would never wish another actor out of a job," she adds. "I think it's terrible karma." (Milano's reps did not return phone calls.) Six months later, at the end of the season, came a frilly pink slip. Though Doherty claims that she actually wanted to leave the show, she remains bitter that she's yet to hear from Spelling and that no one sat down with her to explain what happened. "You know what?" she says. "The lack of appreciation he's showing for me as a human being and as an actor is overwhelming." (Spelling's office issued a terse "No comment.") Others believe Doherty has her charms. "I worked with her for three years," says Charmed witch No.3, Holly Marie Combs. "I don't think she's difficult at all."

But trouble was undeniably brewing between Doherty and Milano by the time production started on the third season last summer. The fawning quotes to the press had stopped, as had the costars' time together away from the set. As Milano puts it, "I wasn't going to call [Shannen] on the weekend to go hand out." Rumors quickly swirled that Doherty was resentful of Milano's growing popularity, which had translated into several endorsement deals, including one with MCI. But those close to the situation claim it was more complicated than that. "There were no angels," Combs says. "We all had our bad days. We all [got] stressed out."

That's hardly surprising, says executive producer Kern. "People on a TV set work together 12 to 14 hours a day, five days a week. Rarely have I seen cast members stay, or even become, best friends." Adding to the friction, says Combs, was the stars' growing frustration with the show's direction. "We were in [a] rut, where we felt like we were doing the same episodes over and over again," she says. Doherty, in particular, "wanted to make the show bigger and better and stretch her boundaries," says Combs, who has been friends with the actress for eight years, and still speaks frequently with her. "I'd see her in the morning and she'd be like, 'OK, how are we going to fix this scene?' She was really dedicated and she didn't have a lot of patience for anyone [she felt] wasn't."

Whatever broke the spell, "we definitely didn't get along," admits Milano. "Shannen and I are very different people, and I think it's almost like a roommate. If you spend that much time with someone and there are differences anyway, you're not always going to get along.

Both Milano and Combs deny tabloid reports that Doherty would only speak to them when the cameras were rolling. But Milano acknowledges that she and her former costar could get downright witchy: "There were times when I'd come in and say 'Good morning, Shannen,' and she didn't say anything to me. And there wer times when she'd come in and say 'Good morning, Ayssa,' and I wouldn't say anything to her."

"The problems we had weren't things some big company mediator could fix," Combs adds quietly. "They needed to be fixed between us [by] going into [each other's] trailers and saying, 'All right, I don't like it when you do this.' Or 'I didn't like it when you said this.'"

That apparently never happened. Doherty has contended that Milano eventually got fed up and issued producers an ultimatum--either Doherty walked or she would--but Milano insists that isn't truel "I never even thought about doing that," she says. "I couldn't sleep knowing I backed out of something I'd committed to."

Doherty's eventual dismissal, then, came as a surprise. And the form Combs says it took--a phone call to Doherty's lawyer after the embattled actress had flown to Winnipeg, Canada, to start shooting Another Day, USA's upcoming Francis Ford Coppola TV-movie--still clearly angers her. "How do you go from directing the season finale to being [given] a pink slip over the phone, when [you're] in another country, at eight at night?" Combs says. "it was really a tacky way to go about it.

While no one's officially saying why doherty was ultimately cut loose, a series insider says, "It eventually became clear that [either Doherty or Milano] had to go." And Doherty may have been the safer choice, according to Stacey Lynn Koerner, an industry analyst with Initiative Media: "Alyssa is just as popular, if no more so, than Shannen. And when Shannen left 90210, the series did just fine."

While answering questions at the TCA press gathering in Los Angeles, a number of WB's own addressed what happened this last year on CHARMED regarding Shannen Doherty's exit. The network's Jordan Levin spoke of the matter, saying, "We knew last year that there were some decisions that probably had to be made in the best interest of Aaron Spelling and his company, our company and Shannen. And everybody came to the decision that they felt was mutually beneficial for all parties involved." When asked if the season finale was geared crafted in order to set up the entrance of a replacement for Doherty, Levin says, "We had an idea that we wanted to give ourselves some flexibility." More specifically regarding the addition of Rose McGowan to the cast, Levin adds, "There's a history within the mythology that there could be another sister because of the Lighter. We're still sort of hammering that out, and we haven't heard the full pitch yet and how that's going to work. But we're looking to bring in someone who could provide some conflict within the group and someone who could bring a younger audience into the show. We feel like Rose does that for us."

”I think it’s hard when you put…[long pause]…two very different people together. I’m very laid-back and passive. I have my Buddha,” Milano says, gesturing to a small shrine at the back of her trailer. ”I come in here and meditate. [Shannen’s] got a lot of energy, she’s very headstrong, she wants to get the job done…. I think it’s unfortunate that she left, and that she needed to bad-mouth everyone involved and the audience,” continues Milano, alluding to the former 90210 star’s recent dismissal of Charmed as ”a show for 12-year-olds.” (Doherty declined to comment for this story.) ”She sounds really angry. I just hope I didn’t contribute to that anger.”Shannen’s not the only one who’s miffed. ”It was done very poorly, in my opinion,” says Holly Marie Combs (Piper) of the producers’ postseason decision to allow Doherty to leave the coven. ”We should have had an opportunity to have her character, Prue, make a graceful exit and have our story writers properly plan for that.” Instead, writers were compelled to turn last season’s standard-issue cliff-hanger — Prue and Piper get thrown through a wall by a cranky demon — into a makeshift tragic send-off. ”Now,” adds Combs, ”we’re scrambling to explain why I live and she doesn’t.”

That stuff's hard to wash out. You're even more famous for those MCI commercials. Oh, yeah. Little kids only know me from those spots. They don't know from Who's the Boss? and aren't allowed to watch Charmed. It's a great night job, especially if Charmed doesn't last. Speaking of which... Shannen Doherty? You know, if you remember the way Shannen left Beverly Hills, 90210, it's almost exactly the way it happened on Charmed. She left for personal reasons, then it started coming out that she didn;t get along with the other cast members. It seemed she was so angry and upset over leaving another hit show that she had to lash out at me. Suddenly it's my fault. I think she did the right thing by leaving, but once she left she attacked many people—not only me, our audience, too, and almost everyone on the show. She lost credibility. She was like a bad roommate. There was a lot of tension on the set. I have a fear of confrontation, and she can be aggressive, so I was afraid of her. Shannen doesn't hate you—she hates herself. I haven't been able to figure it out, and I might die not knowing. And that's OK. OK. You and Shannen Doherty in a celebrity death match: Who wins? Sarah Michelle Gellar. 2021:

While Milano said she's still so very proud of Charmed, she didn't always have the easiest time on set, especially when it came to her co-star, Beverly Hills, 90210 alum Shannen Doherty. After years of tension between the two during the show's eight seasons, Milano said she and Doherty are now "cordial." "I would say we are cordial," she shared. "You know, I could take responsibility for a lot of our tension that we had. I think a lot of our struggle came from feeling that I was in competition rather than it being that sisterhood that the show was so much about. And I have some guilt about my part in that." While the 48-year-old actress admitted that she still has some guilt for her part in their feud, their decades-old spat didn't stop her from reaching out to Doherty when she was first diagnosed with breast cancer in 2015. 2022/2023: Shannen speaks: https://www.youtube.com/watch?v=bHisM0QLPEw&t=85s&ab_channel=Let%27sBeClearwithShannenDohertyPods

So it was interesting that when I had a problem after this all transpired and I wanted to discuss leaving the show and all my reasons why they put me in a room with Jonathan Levin, which I don't know that I had seen since we went to network, and you had told me about your background with him, which is varied and interesting, and he obviously has a very fond spot, shall we say, for you, And I don't know why they chose him to do this meeting, but I can tell you that during the meeting where I said this is not the show I signed on to do, I hear that you're looking for other people. And it's not about the list of names. It's about this was not a show that I wanted to do without Shannon. She didn't want to do it without me. Therefore I don't want to do it without her, and that should be fairly clear. And he hadars in his eyes already because he could see I was getting upset. As you can hear me getting upset, And I said, why would you hire her again just to fire her? And he said, we didn't mean to, And he said, but we've been backed into this corner. He said, you know, we're basically in a position where it's one or the other. We were told that it's her me and Alyssa has threatened to sue us for a hostile workplace environment, which because she went to the therapist or the mediator or the corporate mediator, whatever the heck his title is, she built a case for herself where she was documenting every time she felt uncomfortable on set and for whatever reason, whereas you and I refused to speak to him. So that's where the deck was stacked There was no either even like harsh words exchanged. It was all behind the scenes, it was all in the trailer. It was nothing that anybody or any of our guest stars ever noticed or noted. And you know, there's not a director that would not work with you. Again, there's not any one of our crew members that did not have a great time working with you. So by today's standards, it wouldn't fucking fly, right, And I don't think being laid as a teenager on a set called nine O two one zero would fly for being fired either. Like it's just it's just doesn't make any sense anymore. There are people that actually behave badly and get away with it, and there are men that you know, abuse people, throw things, screaming fits and get away with it. Alyssa/Holly Speak:

Guest stars speak throughout the years:

Michael Bailey Smith aka Belthazor/Shax/Grimlock I did 14 episodes on “Charmed” and had a great time. Whenever I showed up to the set as Belthazor, Alyssa Milano would always give me a kiss on the cheek and say, “You’re not scary.” Holly was really nice too, really down to earth. And I know the rumors about Shannen Doherty, but for me, she was always nice and very professional. I would always see her doing extra work off the set with the stunt people just to make sure her fight scenes looked good. I remember one time when we were preparing for a scene, she got a box of roses from someone. When she opened them, they were dead roses. People can be so cruel. https://www.facebook.com/photo.php?fbid=10157836541399125&set=a.404883944124&type=3&theater

Brian Krause (leo)“ I can just tell you that she was the hardest working person on the set. Yes, she could be terse and abrupt, but she wasn’t always wrong, I’ll tell you that.”“She had everybody’s back, she was part of the family, she was the family. And when she left, we all wondered how the show was gonna last, and it’s honestly a miracle that we did and kudos to Holly and Alyssa and Rose [McGowan] that we did, they kept it together. But I have nothing but love for Shannen Doherty.”“Most of those comments come from guys, men in power with money who don’t like to be told what to do by a woman, especially a strong opinionated woman,” he said, adding: “She wasn’t always right, but she stood her ground.”https://www.pedestrian.tv/entertainment/brian-krause-interview/

James L Conway (producer)"Shannen was nice to almost everyday, she had script problems, always nice to the cast, she was the HEART AND SOUL OF CHARMED" That really says it all doesn't it? She viewed Charmed as her baby.Source: Charmed blu ray special feature

Christine Rose (Claire)"It was all with Shannen, and I thought she was absolutely darling. I had worked with her years before on Life Goes on. That was about a boy with a Down’s syndrome, and I was guest-starring as the boy’s teacher. Shannen was on that episode, too, and I was setting them up to be married, for what that might be like. I was new to L.A. then because I’d mostly been on the stage, and I was relatively new to being on camera. And I remember thinking, «This girl is a pro”. So I was aware of how good Shannen was, and she was very nice when I did Charmed. I enjoyed working with her, Holly Marie Combs, I had played her biological mother on Picket Fences. We didn’t get to work together on Charmed, but it was fun just getting to see her again. Otherwise my experience was pretty straightforward.

Actually, one other thing I remember was being at a table and another guest star was having a hard time. In between takes Shannen said something very encouraging and nurturing to her, and I thought she was very nice. So those are my memories, as sparse as they are"Source Unknown via: https://thecharmedcafe.proboards.com/thread/11658/guest-stars-working-shannen-doherty

TW King (andy) I think some of it is rumor, but a lot of it is based on truth because she was young when success hit her. The great thing about Shannen is that she is a total professional and is always prepared, and she expects everyone around her to be at the same level - and I like to think I am the same way, so I respect the way she is around the set. We get things done, things rapidly and according to the script, so I certainly can't complain.Source Unknown via: https://thecharmedcafe.proboards.com/thread/11658/guest-stars-working-shannen-doherty

Scott Steiner (Wrestling W/Demons demon) Steiner is asked about appearing on the TV show "Charmed" while working in WCW. He said that while explaining to Shannen Doherty's stunt double that he would have to put his hand in her crotch to perform a press slam, Shannen came up to him and said that she would do that and when Steiner told her that he would have to put his hand in her crotch, Shannen told him that is why she asked. Steiner says that she was cool and gets a lot of bad press.https://www.rspwfaq.net/2014/05/rf-video-shoot-interview-with-scott.html

Armin Shimerman (The Wizard) "I hated the ladies on "Bewitched"...um...uh..."Charmed!" "Charmed!" And there's a reason they were cast as witches. I...of all the shows I've ever worked, that was by far the ugliest." https://www.youtube.com/watch?v=_zl24cHSS-w (8:10)

Danielle Harris (Aviva) First AC guy was talking to me - Shannen kept walking by, she wasn't very nice to me anyway but she kept getting mad. Wasn't sure what was going on. Wasn't a fun experience. A lot of fighting between the girls. If I pick Shannen, Holly would be mean. If I picked Holly, Shannen would be mean. Alyssa kept telling me what to do as if I didn't know anything. The AC was using me to get back at Shannen. He had been her boyfriend for 1.5 years. Thats why I was getting stink eye.

Scout Compton (Thistle the fairy) I did 7 or 8 episodes and it was interesting. I wasnt on (when Rose was on NOTE: She was only on 1 episode with Shannen. The rest with Rose)The women were always fighting in the makeup trailer.

https://talkscarytome.podbean.com/e/talk-scary-to-me-e9/ (22:00)

Geoffrey Blake (Four horseman) Alyssa was very welcoming. Most of them were except one that wasnt so nice**. (Shannen was largely absent this episode)** https://podcasts.apple.com/be/podcast/geoffrey-blake-podcast-apocalypse-not-part-2/id1573860155?i=1000526963557

Elisabeth Hernois ( Brooke in the season 3 episode "Magic Hour"):

The dynamic on set was “interesting,” she said, as she “hadn’t really ever witnessed anything like that on a set — where people really aren’t hiding not liking each other.”

“Definitely as a young person, I sensed the tension on the set,” Harnois, 44, said, noting that her overall experience was “actually really good” as she shouted out Alyssa Milano, who she said “was a sweetheart to me.”

“She really took me under her wing, and a lot of my stuff was with her too, so that was helpful,” she recalled.

Shannen Doherty and Holly Marie Combs, who made up the other ⅔ of the sister witches who led the show, “were nice to me but not as effusively kind as Alyssa was,” Harnois said.

“And they were always off in their own space and [Alyssa] would sit all the way on the other side of the set by herself," she continued. “There was a major divide on that set, even back then, and I don’t think that was that long into the show.” https://people.com/charmed-guest-star-recalls-major-divide-on-set-shannen-doherty-alyssa-milano-8604809

#Charmed #Charmed season 1 #charmed season 2 #charmed season 3 #Shannen Doherty #alyssa milano #holly marie combs #prue halliwell #piper halliwell #phoebe halliwell #celebrity feuds #thewb

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