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well, you should be THE TORTURED POETS DEPARTMENT (2024)
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Rebecca Ferguson Says "Silo" Season 2 Is Even Better Than Season 1
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REBECCA FERGUSON photographed by JUANKR for Esquire Mexico (2024) - outtake
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Rebecca Ferguson | The Late Late Show with James Corden | 2019
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Graham Yost, Rebecca Ferguson, Common and Tim Robbins discuss 'Silo'
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REBECCA FERGUSON -2024 Deadline Contenders Television event in LA | April 14, 2024
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“I should have married you”
cleopatra - the lumineers//dune (2021)
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✨✨ Behind the scenes of ‘Dune: Part Two’ ✨✨
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Dune: Part Two (2024) dir. Denis Villeneuve
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this is the way it had to be, leto, she thought. " a time of love and a time of grief. " she rested her hand on her abdomen, awareness focused on the embryo there. i have the atreides daughter I was ordered to produce, but the reverend mother was wrong: a daughter wouldn't have saved my leto. this child is only life reaching for the future in the midst of death.
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Rebecca Ferguson photographed | BAFTA’s television awards | London, England | 2023
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REBECCA FERGUSON - "20 questions on Deadline podcast" (2024)
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Rebecca Ferguson joins the show to discuss 'Silo,' becoming besties with Tom Cruise, and her crush on Leo DiCaprio.
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It’s my happy place. My goodness, it’s hard to explain how much I love the crew and the people of ‘Silo,’” declares Rebecca Ferguson about starring in the popular sci-fi drama “Silo,” hot on the heels of her high-profile work in “Dune Part 2” and the latest in the “Mission Impossible” film series. For our recent webchat she adds, “It’s the first time where I find myself calling Apple going, ‘hey, uh, what are the numbers? What are we looking at? How’s it going? Because I want to be called back,” she smiles. “I want to shoot another season. I want to go back into that world again. So, I really care that people love it and I’m really invested in it. I’m invested in the people that I’m invested in, more than just myself. I’m invested in the whole show.” The sci-fi drama contemplates big existential ideas about power, class and truth through a retro-futuristic industrial sci-fi lens, with audiences inevitably drawing parallels to current events. “What we’re deciphering is 10 episodes of a TV show with character building and worlds and philosophy and human psychological behavior. But it’s very much a part of our world as well; with Big Brother and being constant controlled,” Ferguson says. “What would happen if all of us right now grabbed our stuff, a couple of cows, a couple of animals, and just ran into a silo? Where would we be in 200 years? We won’t have evolved in that sense. We’re recycling, we’re reusing. It’s like going back in time, you know, taking away all of our religion. There’s no God, there’s nothing. There is only a book. And then you erase our history. It’s so thought provokingly gorgeous. I love it,” she says. “I see Juliette as one of those little plants in cement that breaks through, like you can’t stop nature. See, the curiosity of a person will always conquer over restrictions.”
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It’s sad she wanted out. I think it’s more the writers to blame given the exit that was given for a complex character leaving me feeling bad taste. Then again Dune is slapping so I’m okay with that
I'm glad she is sharing her reasons for not wanting to continue with the franchise and she herself is sad that it ended. It's perfectly understandible, she was co-lead in Rogue Nation, she had less screen time in Fallout but still on par with Henry Cavill and from what she is saying (and she said it somewhere before) that there was not much offered for her to do when they brought to her the idea for mi7. She is in demand actress and didn't want to miss on other oppotunities for a part that was getting significantly reduced from film to film and these films take years of your life to film. The first Dune filmed for only 4 months, RN and Fallout were filming for about 9 months each (taking these as examples because there were no Covid or strikes interruptions). There are several factors for her decision and they are all valid. And like you said she has many exciting projects currently in cinemas/on streaming and upcoming.
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You say so much with Jessica’s costuming. In the first film, her look is immaculate and baroque. This film begins with her in rags, but she finds another path to being dressed and treated like royalty. And she gets a lot of tattoos on her face. Why did she get so many more face tattoos than the outgoing reverend mother?
She’s trying to play on the symbolism that was put in the prophecy. She’s supposed to be the mother of the Messiah, so I wanted to bring the idea that she was like the pope of the reverend mothers on Arrakis. There’s some kind of madness in writing elements of the prophecies on her face. Frankly, I think when you drink the worm poison, it affects your sanity — and the same with Paul. I like the idea that we feel she’s going too far.
Jessica is already pregnant when the first movie ends, and she’s still pregnant at the end of this film. Which means you had to condense this massive story into less than nine months because her body is a time clock.
The idea was to compress the book so that Paul will feel the pressure to get the Fremens’ trust, to start gearing up — but not to succeed, not to have the time to create a real war. Time is against him.
Because in the book, this takes years. Long enough for Jessica to give birth to a very unnerving daughter, Alia. We glimpse Alia as an adult — she’s played by Anya Taylor-Joy — but you skipped over seeing her murder people as a toddler. Was it hard to decide no “murder toddler”?
I think pregnant women look tremendously powerful. To use that power was very exciting. And usually when you see a pregnant woman onscreen, she’s always giving birth. To avoid that moment, to stay in the state of being pregnant, I thought was very Frank Herbert-like. I was going away from the killer toddler, but I thought that was more fresh and original. Honestly, it’s one of the things that I’m proudest of in the adaptation.
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Rebecca Ferguson as Lady Jessica
DUNE: PART TWO (2024) - dir. Denis Villeneuve
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