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red-the-dragon-writes · 25 days

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How Do I Make My Fictional Gypsies Not Racist?

(Or, "You can't, sorry, but…")

You want to include some Gypsies in your fantasy setting. Or, you need someone for your main characters to meet, who is an outsider in the eyes of the locals, but who already lives here. Or you need a culture in conflict with your settled people, or who have just arrived out of nowhere. Or, you just like the idea of campfires in the forest and voices raised in song. And you’re about to step straight into a muckpile of cliches and, accidentally, write something racist.

(In this, I am mostly using Gypsy as an endonym of Romany people, who are a subset of the Romani people, alongside Roma, Sinti, Gitano, Romanisael, Kale, etc, but also in the theory of "Gypsying" as proposed by Lex and Percy H, where Romani people are treated with a particular mix of orientalism, criminalisation, racialisation, and othering, that creates "The Gypsy" out of both nomadic peoples as a whole and people with Romani heritage and racialised physical features, languages, and cultural markers)

Enough of my friends play TTRPGs or write fantasy stories that this question comes up a lot - They mention Dungeons and Dragons’ Curse Of Strahd, World Of Darkness’s Gypsies, World Of Darkness’s Ravnos, World of Darkness’s Silent Striders… And they roll their eyes and say “These are all terrible! But how can I do it, you know, without it being racist?”

And their eyes are big and sad and ever so hopeful that I will tell them the secret of how to take the Roma of the real world and place them in a fictional one, whilst both appealing to gorjer stereotypes of Gypsies and not adding to the weight of stereotyping that already crushes us. So, disappointingly, there is no secret.

Gypsies, like every other real-world culture, exist as we do today because of interactions with cultures and geography around us: The living waggon, probably the archetypal thing which gorjer writers want to include in their portrayals of nomads, is a relatively modern invention - Most likely French, and adopted from French Showmen by Romanies, who brought it to Britain. So already, that’s a tradition that only spans a small amount of the time that Gypsies have existed, and only a small number of the full breadth of Romani ways of living. But the reasons that the waggon is what it is are based on the real world - The wheels are tall and iron-rimmed, because although you expect to travel on cobbled, tarmac, or packed-earth roads and for comparatively short distances, it wasn’t rare to have to ford a river in Britain in the late nineteenth century, on country roads. They were drawn by a single horse, and the shape of that horse was determined by a mixture of local breeds - Welsh cobs, fell ponies, various draft breeds - as well as by the aesthetic tastes of the breeders. The stove inside is on the left, so that as you move down a British road, the chimney sticks up into the part where there will be the least overhanging branches, to reduce the chance of hitting it.

So taking a fictional setting that looks like (for example) thirteenth century China (with dragons), and placing a nineteenth century Romanichal family in it will inevitably result in some racist assumptions being made, as the answer to “Why does this culture do this?” becomes “They just do it because I want them to” rather than having a consistent internal logic.

Some stereotypes will always follow nomads - They appear in different forms in different cultures, but they always arise from the settled people's same fears: That the nomads don't share their values, and are fundamentally strangers. Common ones are that we have a secret language to fool outsiders with, that we steal children and disguise them as our own, that our sexual morals are shocking (This one has flipped in the last half century - From the Gypsy Lore Society's talk of the lascivious Romni seductress who will lie with a strange man for a night after a 'gypsy wedding', to today's frenzied talk of 'grabbing' and sexually-conservative early marriages to ensure virginity), that we are supernatural in some way, and that we are more like animals than humans. These are tropes where if you want to address them, you will have to address them as libels - there is no way to casually write a baby-stealing, magical succubus nomad without it backfiring onto real life Roma. (The kind of person who has the skills to write these tropes well, is not the kind of person who is reading this guide.)

It’s too easy to say a list of prescriptive “Do nots”, which might stop you from making the most common pitfalls, but which can end up with your nomads being slightly flat as you dance around the topics that you’re trying to avoid, rather than being a rich culture that feels real in your world.

So, here are some questions to ask, to create your nomadic people, so that they will have a distinctive culture of their own that may (or may not) look anything like real-world Romani people: These aren't the only questions, but they're good starting points to think about before you make anything concrete, and they will hopefully inspire you to ask MORE questions.

First - Why are they nomadic? Nobody moves just to feel the wind in their hair and see a new horizon every morning, no matter what the inspirational poster says. Are they transhumant herders who pay a small rent to graze their flock on the local lord’s land? Are they following migratory herds across common land, being moved on by the cycle of the seasons and the movement of their animals? Are they seasonal workers who follow man-made cycles of labour: Harvests, fairs, religious festivals? Are they refugees fleeing a recent conflict, who will pass through this area and never return? Are they on a regular pilgrimage? Do they travel within the same area predictably, or is their movement governed by something that is hard to predict? How do they see their own movements - Do they think of themselves as being pushed along by some external force, or as choosing to travel? Will they work for and with outsiders, either as employees or as partners, or do they aim to be fully self-sufficient? What other jobs do they do - Their whole society won’t all be involved in one industry, what do their children, elderly, disabled people do with their time, and is it “work”?

If they are totally isolationist - How do they produce the things which need a complex supply chain or large facilities to make? How do they view artefacts from outsiders which come into their possession - Things which have been made with technology that they can’t produce for themselves? (This doesn’t need to be anything about quality of goods, only about complexity - A violin can be made by one artisan working with hand tools, wood, gut and shellac, but an accordion needs presses to make reeds, metal lathes to make screws, complex organic chemistry to make celluloid lacquer, vulcanised rubber, and a thousand other components)

How do they feel about outsiders? How do they buy and sell to outsiders? If it’s seen as taboo, do they do it anyway? Do they speak the same language as the nearby settled people (With what kind of fluency, or bilingualism, or dialect)? Do they intermarry, and how is that viewed when it happens? What stories does this culture tell about why they are a separate people to the nearby settled people? Are those stories true? Do they have a notional “homeland” and do they intend to go there? If so, is it a real place?

What gorjers think of as classic "Gipsy music" is a product of our real-world situation. Guitar from Spain, accordions from the Soviet Union (Which needed modern machining and factories to produce and make accessible to people who weren't rich- and which were in turn encouraged by Soviet authorities preferring the standardised and modern accordion to the folk traditions of the indigenous peoples within the bloc), brass from Western classical traditions, via Balkan folk music, influences from klezmer and jazz and bhangra and polka and our own music traditions (And we influence them too). What are your people's musical influences? Do they make their own instruments or buy them from settled people? How many musical traditions do they have, and what are they all for (Weddings, funerals, storytelling, campfire songs, entertainment...)? Do they have professional musicians, and if so, how do those musicians earn money? Are instrument makers professionals, or do they use improvised and easy-to-make instruments like willow whistles, spoons, washtubs, etc? (Of course the answer can be "A bit of both")

If you're thinking about jobs - How do they work? Are they employed by settled people (How do they feel about them?) Are they self employed but providing services/goods to the settled people? Are they mostly avoidant of settled people other than to buy things that they can't produce themselves? Are they totally isolationist? Is their work mostly subsistence, or do they create a surplus to sell to outsiders? How do they interact with other workers nearby? Who works, and how- Are there 'family businesses', apprentices, children with part time work? Is it considered 'a job' or just part of their way of life? How do they educate their children, and is that considered 'work'? How old are children when they are considered adult, and what markers confer adulthood? What is considered a rite of passage?

When they travel, how do they do it? Do they share ownership of beasts of burden, or each individually have "their horse"? Do families stick together or try to spread out? How does a child begin to live apart from their family, or start their own family? Are their dwellings something that they take with them, or do they find places to stay or build temporary shelter with disposable material? Who shares a dwelling and why? What do they do for privacy, and what do they think privacy is for?

If you're thinking about food - Do they hunt? Herd? Forage? Buy or trade from settled people? Do they travel between places where they've sown crops or managed wildstock in previous years, so that when they arrive there is food already seeded in the landscape? How do they feel about buying food from settled people, and is that common? If it's frowned upon - How much do people do it anyway? How do they preserve food for winter? How much food do they carry with them, compared to how much they plan to buy or forage at their destinations? How is food shared- Communal stores, personal ownership?

Why are they a "separate people" to the settled people? What is their creation myth? Why do they believe that they are nomadic and the other people are settled, and is it correct? Do they look different? Are there legal restrictions on them settling? Are there legal restrictions on them intermixing? Are there cultural reasons why they are a separate people? Where did those reasons come from? How long have they been travelling? How long do they think they've been travelling? Where did they come from? Do they travel mostly within one area and return to the same sites predictably, or are they going to move on again soon and never come back?

And then within that - What about the members of their society who are "unusual" in some way: How does their society treat disabled people? (are they considered disabled, do they have that distinction and how is it applied?) How does their society treat LGBT+ people? What happens to someone who doesn't get married and has no children? What happens to someone who 'leaves'? What happens to young widows and widowers? What happens if someone just 'can't fit in'? What happens to someone who is adopted or married in? What happens to people who are mixed race, and in a fantasy setting to people who are mixed species? What is taboo to them and what will they find shocking if they leave? What is society's attitude to 'difference' of various kinds?

Basically, if you build your nomads from the ground-up, rather than starting from the idea of "I want Gypsies/Buryats/Berbers/Minceiri but with the numbers filed off and not offensive" you can end up with a rich, unique nomadic culture who make sense in your world and don't end up making a rod for the back of real-world cultures.

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red-the-dragon-writes · 2 months

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Ref Recs for Whump Writers

Violence: A Writer’s Guide: This is not about writing technique. It is an introduction to the world of violence. To the parts that people don’t understand. The parts that books and movies get wrong. Not just the mechanics, but how people who live in a violent world think and feel about what they do and what they see done.

Hurting Your Characters: HURTING YOUR CHARACTERS discusses the immediate effect of trauma on the body, its physiologic response, including the types of nerve fibers and the sensations they convey, and how injuries feel to the character. This book also presents a simplified overview of the expected recovery times for the injuries discussed in young, otherwise healthy individuals.

Body Trauma: A writer’s guide to wounds and injuries. Body Trauma explains what happens to body organs and bones maimed by accident or intent and the small window of opportunity for emergency treatment. Research what happens in a hospital operating room and the personnel who initiate treatment. Use these facts to bring added realism to your stories and novels.

10 B.S. Medical Tropes that Need to Die TODAY…and What to Do Instead: Written by a paramedic and writer with a decade of experience, 10 BS Medical Tropes covers exactly that: clichéd and inaccurate tropes that not only ruin books, they have the potential to hurt real people in the real world.

Maim Your Characters: How Injuries Work in Fiction: Increase Realism. Raise the Stakes. Tell Better Stories. Maim Your Characters is the definitive guide to using wounds and injuries to their greatest effect in your story. Learn not only the six critical parts of an injury plot, but more importantly, how to make sure that the injury you’re inflicting matters.

Blood on the Page: This handy resource is a must-have guide for writers whose characters live on the edge of danger. If you like easy-to-follow tools, expert opinions from someone with firsthand knowledge, and you don’t mind a bit of fictional bodily harm, then you’ll love Samantha Keel’s invaluable handbook

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red-the-dragon-writes · 2 months

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overthinking my worldbuilding? Me? never!

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red-the-dragon-writes · 2 months

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"You're pretty sensitive, aren't you?"

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red-the-dragon-writes · 4 months

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#voted depends - i like Some characters and i want to see Some of them take on a bigger role in the narrative #but i usually dont want them to like. change their mind on torturing people. or decide it's bad now. i just want them to sign up for the #'good guys'/protagonists' side and start killing people for them #you know. like. idk like rex #or if netflix punisher was told through the eyes of that one guy mr punisher kidnaps and locks up in his weird bunker before being like Hey #work for me #also i like my wagie whumpers too much #i want wagie!whumper to recieve a job offer mid-torture session and go Hm. Yeah you know what? They're not paying me that much #Alright let me go get the keys and let you out. When do you want me to start? Ill sing like a bird

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red-the-dragon-writes · 8 months

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This is Transformers fanfic only really in the vaguest sense.

“Are you sure we need a virgin for this?” Hayden asked.

“What do you mean, am I sure?” the Grand High Vizier of the Dark Mages Association (to be, anyway) said. His name was Vince. Soon he’d be known all over the world, at least if this summoning worked. “Come on, are you stupid? Every fucking demon sacrifice ever asks for a virgin sacrifice, obviously it actually needs a virgin.”

“I mean yeah, but I read somewhere that-”

“Oh, you read somewhere,” Vince started.

“I read somewhere, don’t fucking cut me off, I read somewhere that ‘virgin’ used to just mean a young woman historically and not, like, someone who’d never had sex, and it’ll be a lot easier to find some random chick than it will be to make sure they never screwed around ever in their life, you know?”

“Hayden. Hays. Listen.”

“I’m serious.”

“You’re a fucking moron.”

“Pushing your fucking luck, Vince. You need me for this. Are you sure.”

“Yeah, I’m fucking sure,” Vince snapped. “And before you ask, yes we need an actual goat, too, if you bring me a fucking sheep I am going to flip my shit.”

“You’ll take what I fucking give you unless you want to do all the procuring your own self,” Hayden said. “Face it, you came to me because you can’t do it and I can. If you got an issue with me handling things the way you asked me to, then fuck it, I can kill you just as easily as whatever girl you want me to get for you. You’ll speak to me with respect or not at all.

“Jesus christ,” Vince said. “God, get a thicker skin.”

Hayden rolled his eyes. “Okay. What the fuck ever. Know there’s a line and if you cross it I’ll end you. I’ll get you a virgin. How old does she have to be?”

“What?” Vince said.

“How old do you want your fucking virgin,” Hayden repeated. “A kid will be easier than an adult. Do you care.”

“No, I don’t give a shit,” Vince said, waving a hand. “Whatever makes it work. Just get out of here, we only have six more hours before the window is up.”

“Vortex, you have got to be kidding me,” Swindle said. “This is so fucking stupid. I’m not doing it.”

“Come on, Swin, you’re the only spirit I know who has even a snowball’s chance in hell of making it work!”

“Absolutely not. You’re not a fucking demon. No one would think you were a fucking demon.”

“Please. Please, seriously. I swear it’ll work.”

“You’re a regular storm elemental, Tex, the fact that they can read means they’re gonna know your signature is totally off,” Swindle insisted. “Onslaught’s gonna kill us if we get caught for this one, we don’t need any more sanctions.”

“We’re not going to get sanctioned,” Vortex insisted. “I just need you to give me sound effects, okay? Trust me.”

Swindle groaned, flashing multicolor into the Aether. “What’s in it for me, anyway?”

“The juiciest parts of their souls and all the best cuts of the meat, what else?” Vortex said. “You’re the black-market hookup here, I don’t know what to do with all that. I just want to have some fun.”

“I’m not a demon either,” Swindle pointed out, as though Vortex didn’t know he’d been spending ages with that one body-hopper Lockdown reading off his playbook and undercutting his business at all turns. There was no way he didn’t know how to snatch an already-partitioned soul. And Vortex could partition anyone. He was an interrogator. It was practically his job.

“What if I got Blast Off in on it? He’s got the void cold, if he were there it really would feel like a demon had shown up.”

“He’s not gonna be a part of it, are you kidding? Are you stupid?”

“He owes me a favor,” Vortex said..

“Uh,” Swindle said. “Look, Tex, I really think this is a bad idea, but I can turn a nice profit on two live human souls… and everyone’s always asking about blood and vitality and spare hope and all that. You get Blast Off in on it, and I’ll see what I can do.”

#wip thread #transformers #i have about 2.5k words of this for about 1.5 hours worth of work

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red-the-dragon-writes · 8 months

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red-the-dragon-writes · 9 months

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Hook ranting to Drag Strip about how Motormaster is a dangerous idiot who doesn't have a brain and that's the only reason he would ever put his dick in someone's eyeball and he's angling to get Motormaster kicked out of a command position over this while Drag Strip half-heartedly is like but. hook this was my idea and also everyone does this what do you mean this is beyond the pale

#red rambles

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red-the-dragon-writes · 9 months

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hey everyone, the writing's going great

#red rambles

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red-the-dragon-writes · 9 months

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Things to Include in Writeblr Intro Posts

I wanted to make this list because whenever I create a new story, I always scour tumblr and other people's posts for inspiration for what to include in my own posts. I always end up forgetting what I found and liked so here's everything compiled.

You don't have to include everything within this list for your own posts, this was just a general summary of everything I saw. The bolded items are things I strongly think you should include, but again it's up to you and your preference.

Below the lists, I've also included character development resources and writing advice. Hope you enjoy! Everything is beneath the cut.

─── wip

title

genre

audience / rating

pov

setting / location

plot summary / premise

aesthetic / vibe / tropes

content warning / tw / disclaimer

progress / wordcount

short character introductions

tags & taglist

moodboard & aesthetic banners

playlist

quote / excerpt

─── character

name

nickname / alias

pronouns

role in story

bio / summary / description

dob

sexuality

ethnicity

mbti

occupation

appearance

height

hair

eye

build / physique

notable features

clothing style

tag for your oc

aesthetic / vibe / tropes

traits / quirks

quote

fun facts / headcanons

hobbies / skills

likes

dislikes

moodboard & aesthetic banners

playlist

─── other resources

here's some links to posts and other resources to help with your story and character development. i believe that most (if not all) of the tumblrs below are writing blogs in some form.

writing

how to write convincing dialogue by @projecttreehouse

writing romantic subplots

how to write romantic love by @novlr

how to write summaries thread

writing advice

how to pick which pov to write in by @aethersea

how to level up descriptions by @writingwithfolklore

character development

blorbo character sheet by @bitegore

character quirks list by Reedsy

character hobbies list

list of talents and skills

how to develop characters by @referenceforwriters

how to write unique character voices by @novlr

fleshing out character relationships by @liv-is

questions to make your character unique by @lyralit

picrew database to create oc visuals by @needlekind

how to make charming characters by @novlr

other masterlist posts on tumblr

blogs to follow to flesh out ocs by @overwatchocweek

useful websites for writers by @nakajimeow

websites for writers by @2soulscollide

#oh cool #insanely funny to see my character sheet on this too. that was fully for squeeing during ask games i had no idea people were using that for #describing their ocs LMAO

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red-the-dragon-writes · 9 months

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Last Line Challenge

Rules: in a new post, show the last line you wrote (or drew) and tag as many people as there are words (or however many you like).

I was tagged by @saengak ! This is not exactly the last line, I'm just gonna post the whole thing bc it's an epistolary excerpt kinda thing and I had as much fun with the formatting as the content lol.

===

REVIEW: BANDOMEER MINERAL RESOURCE SURVEY

Report Summary 39757 received 30.12.7901 C.R.C, Coruscant Galactic City University Press

System ID: MR-348-2874z ‘Meer’ System Status: Sovereign Tectonic Typing: VII (senescent) Atmospheric Typing: Type-I (oxy-nitro) Biotic Typing: VIII-E (significant environmental degradation)

SUMMARY Bandomeer is a terrestrial planet orbiting third in a system of eight around the main-sequence F-type star MR-348-2874z, code ‘Meer’, within the Meerian Sector of the Outer Rim New Territories. The planet lies within Standard Habitable Zone Alpha of its star. Sovereignty is held by the indigenous Meerian species, though was subject to historical economic exploitation by the Mandalorian Empire between 4233—6560 CRC and remains partially controlled by offworld interests through the current day.

Crustal geochemistry is bimodal, with a ratio of nearly 1:1 mafic oceanic to felsic continental crust. Bandomeer has been assigned tectonic typing VII (senescent), representing terminal stages to complete cessation of mobile-lid tectonics.

+++

This report was commissioned by Offworld Mining Corporation as a review of the available literature and survey data concerning current mineral resources on Bandomeer. It is not intended and should not be taken as a recommendation for any specific exploratory action. The authors received standard industry funding for this work, and are otherwise unaffiliated with OMC.

===

tagging @severeannoyance, @bitegore... anyone else who follows me that writes or draws or anything??? idk how many of you there are skjhdfjsh

#this is so neat man

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red-the-dragon-writes · 9 months

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Last Line Challenge

Rules: in a new post, show the last line you wrote (or drew) and tag as many people as there are words (or however many you like).

I was tagged by @plokoonsdisapprovingeyebrows :D I was out of the house and worte something like 2k words just on the drive out and back. I actually deliberately stopped writing this right here to make sure that I didn't have to share gore because I saw the notification before I had wifi I could use with my computer LOL

Motormaster nodded, and then ran a deep vent-cycle. If Drag Strip didn't know any better, he'd think it looked like nerves, but Motormaster hadn't been programmed to feel that one, as far as Drag Strip was aware, so instead he was just standing around being really weird. "You're sure this is… good? This is what you want?"

i am NOT tagging 57 people, so i'm just gonna tap @honestlyvan, @megatronismegagone, @biioshocker, @severeannoyance, @quetzalpapalotl, and @renthony :3 feel free to ignore this if you're not feeling it

#tag game

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red-the-dragon-writes · 9 months

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Extremely nitpicky but I hate white wedding gowns in fantasy, especially when they make absolutely no sense in the setting. No, that culture in the far north that prioritizes function over form and mostly wears heavy furs would not have the means, ability, or desire to make a sleeveless ivory silk gown with a semi-sweetheart neckline. Please be sensible about this and use your creativity instead of just slapping a Kleinfeld wedding gown into a medieval fantasy setting.

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red-the-dragon-writes · 10 months

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BEKKATHYST 10th Business Anniversary Giveaway!

~This giveaway is in no way affiliated with Tumblr.~

Please read thoroughly before entering!

Hello lovely Tumblr folk! It’s that time again- I have a giveaway for you all. This one is extra special because my business/shop turned 10 years old earlier this year! 💜

We have an online store that could use your support!

You can also find us on Instagram.

About us: My business is a small, family-run establishment that I started here on tumblr in 2013. I’ve been lucky enough to grow to the point where this supports me, my partner, and our daughter. In the US we also had a brick-and-mortar shop in which I employed my mom and a few of my siblings. However, we closed it to be able to move to Austria, my home country! 💜 I strived to put compassion and ethics above all else in my business, and I hope that shines through. We have a website but also run many fun sales directly here on Tumblr!

One of our long-term customers graciously asked to sponsor this giveaway, so I'd like to give a huge thank you to @classicintp !! Also thank you to everyone who voted on which crystal should be featured in the giveaway. Opal won in a landslide!

This giveaway will have two winners.

What the first winner receives:

The two amazing specimens of opal shown above! The darker piece is a boulder opal from Australia with a hole drilled through it (so it can be worn as a necklace) and the lighter piece is a massive rough chunk of welo opal from Ethiopia. The retail value of both of these opals is approximately $650.

What the second winner receives:

A $50 gift card that can be used for our online store or tumblr sales!

Rules:

You must be 16 or older. (If under 18 you MUST have parent’s permission)

You can be from anywhere in the world! I am shipping from Austria.

Shipping is entirely free, I will cover it. But if you live in a country that charges import tax on gifts, you are responsible for it. If it gets sent back to me, you will need to pay shipping to have it sent again.

You must be following me, so you can get updates if anything about the giveaway changes.

Please check out our online shop!

Reblog this post to enter. Likes count as additional entries. No giveaway or spam blogs. If you reblog on a side blog, let me know in the tags what the name of your blog is that you’re following me with.

Please don’t spam people with reblogs- limit 2 reblogs per blog per day.

At the end, each entry will be assigned a number and the winner will be chosen by a random number generator.

The giveaway ends Tuesday, August 1st, 2023.

The winners will be messaged and must respond with their full name and address within 24 hours, or a new winner will be chosen.

Please respect me and my rules, and have fun!

#bitegore is my main

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red-the-dragon-writes · 10 months

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BEKKATHYST 10th Business Anniversary Giveaway!

~This giveaway is in no way affiliated with Tumblr.~

Please read thoroughly before entering!

Hello lovely Tumblr folk! It’s that time again- I have a giveaway for you all. This one is extra special because my business/shop turned 10 years old earlier this year! 💜

We have an online store that could use your support!

You can also find us on Instagram.

This giveaway will have two winners.

What the first winner receives:

What the second winner receives:

A $50 gift card that can be used for our online store or tumblr sales!

Rules:

You must be 16 or older. (If under 18 you MUST have parent’s permission)

You can be from anywhere in the world! I am shipping from Austria.

You must be following me, so you can get updates if anything about the giveaway changes.

Please check out our online shop!

Please don’t spam people with reblogs- limit 2 reblogs per blog per day.

At the end, each entry will be assigned a number and the winner will be chosen by a random number generator.

The giveaway ends Tuesday, August 1st, 2023.

The winners will be messaged and must respond with their full name and address within 24 hours, or a new winner will be chosen.

Please respect me and my rules, and have fun!

#sorry for off topic posting. i REALLY want to win this.#my main is Bitegore :D

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