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One of the most touching things about the film is how you deal with memory in a love story.

It’s a bit the same dynamic: that a love that is lived is a love that’s received. That’s why often in love stories, it’s necessary that relationships end so that we can bring them with us and not leave them in the theater. In the end, the frozen image of a couple walking towards the horizon doesn’t leave us with much. So, it’s the idea that what has been lived can be looked at and can nourish our future loves. I really believe in that, in memory as a dynamic.

- Painting Love: Céline Sciamma Reveals Her Philosophy of Love in Portrait of a Lady on Fire

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The beauty of October

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Santiago de Hoyos

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Shirako  -  https://rakoshirako.tumblr.com  -  https://linktr.ee/rakoshirako  -  https://www.instagram.com/rakoshirako  -  https://note.mu/rakoshirako  -  https://twitter.com/rakoshirako  -  https://www.behance.net/rakoshirako

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Night Lights  -    Jennifer Diehl

American,b.1982

Oil on canvas, 24 x 20

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Shiba ,Nezu

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Scandinavian apartment

THENORDROOM.COM - INSTAGRAM - PINTEREST - FACEBOOK

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Snowy Victorian Houses

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"poet's choice"

portrait de la jeune fille en feu (2019) dir. céline sciamma