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rosethehat · 1 month
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hello mike!
i don’t know if you already answered this, or if there even is an exact answer to my question. but why does rose wear a hat? i’ve always wondered exactly why she wears it
I'd love to hit you back with some wild cerebral metaphorical jazz hands, but she wears the hat because she just really likes it. A lot.
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rosethehat · 1 month
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hey mike, i was wondering what some of your favourite props are that you have in your "nerd room"
I've got a pretty sizable collection of props at this point, though I'm a little wary about putting them up on the internet. But of course some of my favorite things are pieces from my own productions over the years. I wasn't smart enough to keep things for most of my career, and I've actually spent a fair amount of time clawing some of those things back and buying or trading from private collectors.
Here are some of the pieces I am comfortable showing, and I hope they bring you joy!
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rosethehat · 1 month
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rosethehat · 2 months
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Doctor Sleep (2019)
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rosethehat · 2 months
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Hi Mike!
Not sure if you've discussed this before: when you were making Doctor Sleep, was it difficult recreating scenes from the original Shining movie? In terms of sets, casting etc - because I thought it was crazy impressive how well everyone involved pulled it off and the attention to detail it must have required!
Keep up the awesome work!! (please) and have a great day :D
Hi there, I did put up a long post about DOCTOR SLEEP a while back. Here you go!
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rosethehat · 2 months
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Mike Flanagan shares a photo of himself and Alex Essoe on the set of Doctor Sleep. In the photo, he is poking his head through the bathroom door while Alex, as Wendy Torrance, screams with a knife in her hand. The caption reads, "Heeeeeerrreee's a throwback #DoctorSleep"
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rosethehat · 2 months
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Is there any one thing that you've written/directed that scares you more than anything else you've created? Or perhaps something you've created that you thought was so scary it shouldn't be made public and you cut it?
The scene that scared me the most in my career was the baseball boy sequence of DOCTOR SLEEP. I knew the story needed the scene, it was an essential moment, and I was following the blueprint that Stephen King had laid out in the novel, but still... I'd thought we could sidestep a lot of the trauma by filming around the actual violence. I figured keeping all of it off screen and only focusing on a closeup of Jacob's face would help soften the impact, but Jacob delivered such a realistic and heartbreaking performance that the scene felt even more brutal than I'd thought it would be. (I always try to mention here - Jacob was absolutely fine. He had prepared the performance with his father in the weeks leading up to the shoot, and he hopped up off the ground after the first take with a big grin on his face. He knew he'd leveled all of us, he high-fived his dad and sauntered over to the craft service table while we stood there speechless and with tears in our eyes.) That scene affected all of us very deeply, and it remains the scariest thing I've ever filmed. I cut it back several times in the edit, and even that didn't do anything to dull the impact. When I showed the film to Stephen King, he said "I love the movie... but that baseball boy scene is a bit much though" and I didn't know what to say besides "... you wrote it!" I'm glad it's in the movie, and it is an essential part of that story - but man, that is tough to watch. My wife still hasn't seen all of it. During early test screenings, she'd leave the room before it started playing. I find myself looking away from it, even to this day.
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rosethehat · 3 months
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y'all i can't believe in 2 days, doctor sleep movie will be turning 5 years old... where has the time gone!
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rosethehat · 3 months
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He deserved better
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rosethehat · 3 months
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Is there any one thing that you've written/directed that scares you more than anything else you've created? Or perhaps something you've created that you thought was so scary it shouldn't be made public and you cut it?
The scene that scared me the most in my career was the baseball boy sequence of DOCTOR SLEEP. I knew the story needed the scene, it was an essential moment, and I was following the blueprint that Stephen King had laid out in the novel, but still... I'd thought we could sidestep a lot of the trauma by filming around the actual violence. I figured keeping all of it off screen and only focusing on a closeup of Jacob's face would help soften the impact, but Jacob delivered such a realistic and heartbreaking performance that the scene felt even more brutal than I'd thought it would be. (I always try to mention here - Jacob was absolutely fine. He had prepared the performance with his father in the weeks leading up to the shoot, and he hopped up off the ground after the first take with a big grin on his face. He knew he'd leveled all of us, he high-fived his dad and sauntered over to the craft service table while we stood there speechless and with tears in our eyes.) That scene affected all of us very deeply, and it remains the scariest thing I've ever filmed. I cut it back several times in the edit, and even that didn't do anything to dull the impact. When I showed the film to Stephen King, he said "I love the movie... but that baseball boy scene is a bit much though" and I didn't know what to say besides "... you wrote it!" I'm glad it's in the movie, and it is an essential part of that story - but man, that is tough to watch. My wife still hasn't seen all of it. During early test screenings, she'd leave the room before it started playing. I find myself looking away from it, even to this day.
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rosethehat · 3 months
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Every Film I Watch In 2023:
259. Doctor Sleep (2019)
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rosethehat · 4 months
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Well, hi there.
Rebecca Ferguson as Rose the Hat DOCTOR SLEEP (2019) - dir. Mike Flanagan
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rosethehat · 4 months
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DOCTOR SLEEP (2019) dir. Mike Flanagan
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rosethehat · 4 months
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"When we called him and said, ‘Hey, do you want to play this part?’ he was real excited about it, and he was like, ‘Oh yeah, I'm gonna… I have a great idea. This is going to be really scary.’ And I was like, ‘Okay, sure.’ And we all showed up full of swagger. It was like, yeah, ‘We're just gonna roll. We're gonna have somebody down there flicking the blood, because we want a little bit of splash on his chin.’ Not what you guys saw. That was a little more than we thought would happen. And Rebecca, who’s pretty fearless, was full of attitude. And when she met Jacob – he had been doing another movie, so we never rehearsed with him. I would talk to his father and he's like, ‘We're rehearsing ourselves. And it's really good. It's really good. It's really upsetting.’
He's the sweetest, most charming kid you'll ever meet. Rebecca was even, ‘Oh, get ready, Jacob! We're going to mess you up! Oh, True Knot, we're coming to get him.’ That whole group of actors, they're the bad guys. They get to strut around on set in cool costumes and say cool stuff. So they showed up to it just cocky. We started with Jacob. When we rehearsed, we didn't put any emotion into it. I was like, ‘Jacob, don't scream. We're just going to walk through it mechanically, so you don't get traumatized. We'll save it.’ … We started on him. We started on his frontal and his profile, which were running simultaneously. He's like, ‘No, I got this.’ I was like, ‘Do you want to do a dry run? You want to do anything with it?’ He said, ‘Nope, I'm good.’ And we all went to the monitor.
Rebecca gets all into character and everybody's ready. And [Jacob’s] dad leans over to me and he's like, ‘You have no idea what you're in for.’ He was kind of smirking. And I was like, ‘Okay, like, we know this is going to be a disturbing scene. It's gonna be fine, though.’ He's just smirking. He knows what's coming. We don't know. And, the general idea was, stuff's always worse in the movie than it is on the set. Like on set, the stuff tends to be fun and silly. And Jacob just lets loose. And it's what you see in the movie. He's just screaming and begging, and he’s ad-libbing, you know? He's just throwing in, ‘Please.’ And Rebecca can't get her lines out. He's just screaming over, and he's crying. And Rebecca comes in like, ‘Uh, yeah, this, this is, this is going to hurt, because fear purifies steam.’ And then she starts crying. And we’re in the van. At the time we had all the monitors in this ride, we're all in there, just staring at it, horrified. We get through to the end of the take. I’m too shocked to call cut. He's just dead. He died, and we’re all just staring at it. And I looked over to [producer] Trevor Macy and I was like, ‘What have we done?’
And Jacob's dad is just grinning. So Jacob hops up off the ground. Just, popped. There’s blood all over him. Half the crew is gone. Like, they have abandoned their posts. So during the shot, grips and electricians and stuff were like, ‘Nope.’ And they just walked away. … Jacob hopped up and his dad kind of smirked at him and they, I'll never forget it. He hopped up, walked past his dad, and they high five. His dad just put his hands up to high five, Jacob walked over to crafty to eat candy, but we were all like crying and fucked up.
[On the day he turned 12, Jacob Tremblay had to act out everyone’s worst fear: dying.] We brought out a birthday cake after [the scene]. This is all true. We had a cake that was made in the shape of the baseball jersey with the number 19. It was red velvet cake. So when you cut it up, it was red inside. And we brought that out and sang to him. It was before we saw what he was going to do, and we were all feeling really just, ‘It’s just another day.’ But then we saw what he did, and we all felt awful. We brought it out. We had cake. We sang. He's covered with blood. There are hilarious pictures of him and he’s just [with a thumbs up] with the cake and the blood. And then he just laughed and said good night. You know, ‘That was so fun everybody, bye!’ And he left and the cast recovered.
[Ewan McGregor and Cliff Curtis didn’t share a scene with Jacob Tremblay, so they weren’t on set for the murder. They showed up after, genuinely curious how things had gone.] We're all still shaking [when they show up]. Rebecca Ferguson just doesn't want to talk about it. And Ewan’s like, ‘How’d it go with the kid?’ And she’s like, ‘I don’t even want to talk about it.’ She did all of her stuff – all the shots of her when she talks to him, when he's like, ‘Is this going to hurt?’ And she's like, ‘Yessss!’ And like all the roaring in his face and stuff… he was gone. We did that after Jacob left set. She couldn't look him in the eye and do that" - Mike Flanagan on how Basball Boy scene was filmed (ReelBlend podcast)
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rosethehat · 5 months
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Rebecca Ferguson as Rose the Hat in Doctor Sleep
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rosethehat · 5 months
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Horrorween Day 28 / 31: Doctor Sleep (2019) dir. Mike Flanagan: "You can put things from the Overlook away in boxes, but not memories. They are the real ghosts. You take them with you."
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rosethehat · 5 months
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November is usually my Shining month, and so I want to bring forward again something I have been repeating for a long time now but that I don't see being picked up a lot by people. A detail that is well-hidden inside the Doctor Sleep movie, but that makes the piece even more infinitely appreciable and shows it was made by true Shining fans.
And this detail is... the ghosts of the Overlook Hotel.
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Now, when this bunch appeared during the final scene some familiar faces could be spotted. Grady of course, the Injured Guest from the "Great party, isn't it?" scene, the Twins, and of course the Woman of Room 217 -sorry, 237. But there are other faces there - seemingly random people in fancy outfit just for the sake of it. People were confused as to who these people were...
But all you have to do is look at the end credits. And you have a big surprise.
The familiar faces are confirmed to be the ghosts we always thought we were, or to correspond to famous ghosts of the original novel. The twins are confirmed as Grady's two daughters, while the woman in the white dress (not on the picture above but you can her in the scene) is Mrs. Grady. Meaning we have the whole Grady family as ghosts. The woman of room 237 is confirmed to be indeed Mrs. Massey, just like in the book ; as for the Injured Guest (only referred to as "injured guest" in the original scripts of The Shining), the sequel decided to make him Horace Derwent. Meaning he likely can switch between a young/attractive and older/more gruesome form, just like Massey's ghost, since in the original movie Derwent was clearly seen though not named in the scene with the man wearing a dog-bear-like costume (the script confirms it is supposed to be a dog costume though).
Alright, but what of the others? Now this is where things get interesting! The bald man to the right of Grady? That's Vito the Chopper. Yes, the Vito the Chopper from the novel by King, the mafia boss who got his head blown off in the Presidential Suite - as for the two men near him, they are his two bodyguards, Victor T. Boorman and Roger Macassi. Also from the book. These three characters are actually an Easter egg for those who read the book (and we know from the original treatment of Kubrick's movie that the criminal paradise-era of the Overlook and the murders at the Presidential Suite were originally supposed to play a big role in the cinema version of the story too).
But things get even better with the last ghost of the group. He doesn't appear in the picture above either, like Mrs. Grady, but you can notice him during the scene, a large man right behind Mrs. Grady when the ghosts first appear (he is played by Marc Farley). And the ghost's name, as revealed in the credits is... James Parris.
Now, fans of the novel might wonder "Wait... Who's that? I don't recall reading about him". And indeed, you did not! At least if you just read the regular version of the novel! James Parris is however a true character of the Shining, a true victim of the Overlook Hotel, a character written about and invented by Stephen King... But he is part of the deleted prologue of the novel, "Before the Play". You know this prologue that was not part of the published novel but was released in various TV magazines several times, and then finally re-added to the main novel in the collector Cemetery Dance edition of "The Shining"? You must have heard of it - even before the Cemetery Dance release the prologue was going around the Internet, published on small fan websites and discreet literature blogs...
And James Parris was, according to the first part of this prologue (detailling the building and creation of the Overlook... and its first victims) the second owner of the Overlook Hotel. A man that was touched by the same obsession and madness for the hotel that had overtaken Watson's grandfather (the actual builder and first owner of the Hotel), and, if I recall well, ended up dying of a heart attack on the hotel's garden-grounds (near the topiary beasts if I recall well, but I am not too sure, I haven't read the prologue in a while).
So all of that to say - not only did they bother placing an Easter Egg for the fans of King who had read the original book ; but they also placed an Easter Egg for those that knew of or had read the Before the Play prologue, which most regular fans of the novel never even heard about! If this isn't commitment to researching your source material, I don't know what is!
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