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DEATHBOUND will be a character-focused fanzine following Shinjiro Aragaki and his story through the events of Persona 3.
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OH WAIT i asked u before abt using ur ryomina artworks in my edit but i wanna clarify if i can use that art (“dont repost” makes me think maybe u dont want this art to be used)? sorry to bother u again !!
yeah if i give permission about using it and reposting it it usually means for all pieces that aren't commissioned work! so yes feel free to ^^ and dont worry i appreciate being respectful about it 😭💕
Have you ever considered posting speedpaints//do you have a tag for them?? I would 10000% love to see your process in any given piece 🥺,,
i do SOMETIMES, heavy emphasis on that, turn on timelapses for my pieces, but i havent posted any of them here and i regularly forget to turn it on.
For recording proper speed paints, i did used to do that like agessss ago but the editing and cutting process was always too much of a hassle, but i cant deny you can def gleam more from a speedpaint than just a timelapse TwT
here's one of the swing cuz luckily i did remember to turn on timelapse for that one specifically :D
i spent like 20 mins formating an art ask about my rendering process trying to actually put effort into it and i hit post and it fucking vanished. no art tut post now unfortunately !!!!!!!!!!!!!!!!!!
have u ever talked anywhere about your coloring or composition processes? u are honestly one of my favorite artists and i would love to hear any insight on how you make pieces 💓
wahh thank you TTT !!! I did sorta give a very simplistic answer here but it was more of my simpler sketchy style so lemme redo that, ill try to be consise and make this understandable ?? its a bit hard cuz it honest to god depends on what Kind of piece im even drawing, cuz for some i go the whole length of doing lineart flats and all that, others i just just fuck around untill it looks right?
i do usually start with a rough sketch or colour draft, especially with more compley pieces this helps with figuring out the feel, honestly i should spend more time drafting properly, figuring out poses and such but im so lazy i just go w the first thing that looks good
then just lines over the colour draft, fixing lots of anatomy and proportion stuff, and depending on how i wanna do the colours ill either keep the colour layers or merge them together and have the edited colours as the base colour (this might not even make sense help)
see this piece at the time gave me an insane ammount of trouble with lighting and colours, so after trying to render i ended up merging everything together....which i dont USUALLY do but the rendering is pretty similar except usually i have colours be seperated by layer,
ANYWAYS sadly i dont have a process on how it got from flats to this specific render for this piece...but i still followed my initial drafts/plans with vibe and colours and just painted over it, its why i make it after all!
but honestly a lot of times its just very simple colours and just trying to mainting good contrast and values !!!! and THEN fucking around with colours and rextures, for other pieces i kinda just paint as i go? i have this timelapse of my justice piece that may be a bit more help!
it includes the initial colour draft, the cleanup/lining process, flats, rendering, and all that so its probs the most accurate timelapse of my morecomplex work processes, with stuff that doesnt include heavier backgrounds, which is a whole OTHER topic honestly
im sorry if i cant explain it more cohesively, i genuinely barely know what im doing most times and go by muscle memory and stuff i Know but cant. Explain? like i know how light and folds work since i observed and studied them but i cannot put it into words at all )--)0
my brushes also contribute a lot to how i render and colour, depending on what i use, you can find the swatches for them here !
i spent like 20 mins formating an art ask about my rendering process trying to actually put effort into it and i hit post and it fucking vanished. no art tut post now unfortunately !!!!!!!!!!!!!!!!!!