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setaripendragon · 13 days
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Surprise! I'm still working on this!
This chapter got rewritten several times before I was happy with it, and I probably haven't edited it as much as I should have because of that. Oops. Oh, well. Enjoy~
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setaripendragon · 20 days
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Do you have some combo of or way to eat food that might make people bothered? Personally I love ranch dressing on red sauce pasta like lasagna and spaghetti.
*Asks are sent for fun, no pressure to answer within a certain amount of time or at all.*
Apples in ketchup!
Idk why, but everyone who's ever seen me dip a slice of apple in ketchup has given me a look like I'm doing something profane XD
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setaripendragon · 20 days
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💖 [Heart] What is your favorite moment in this WIP?
Omg, I don't know if I could pick only one! XD
I mean, pretty much any scene where Meira and Dean get to have a heart-to-heart is an insta-fave for me. I actually particularly like the bit in Six Impossible Things (Book 2, Chapter 5) where Meira gets to reminisce about the 'holidays' each of her dads took her on. But the convo in The Stars Move Still (Book 4, Chapter 1) where she yells about John is also special.
The bit in Iron In Our Veins (Book 2, Chapter 8) where Meira nearly punches John over the Impala's honour had me cackling. Actually, putting Meira and John in the same room was ridiculously fun, and I'm honestly sad I didn't get to do it more. (-stuffs an AU spin-off where John lives under the carpet and starts whistling-)
The entirety of Put The Stars To Shame (Book 1, Chapter 11) gets reread a lot, because I adore Layla and I loved getting to torture Meira and write Dean being soft with her and getting to show off some of Meira's heavenly wrath.
And, you know, speaking of torturing Meira, the scene in It's In The Blood (Book 3, Chapter 3) where Dean says 'if it's supernatural we kill it, end of story' to Meira's face was so much fun to write.
-clears throat-
Um... out of what I've been writing this last week that hasn't been published, I've gotta say it's 100% Meira getting to chat with Special Agent Victor Henriksen on the phone:
“You’re a hard woman to track down,” Victor says finally, voice cold. “Where are your accomplices?” “Right behind you.” “Nice try, Winchester,” Victor retorts without missing a beat. Meira wrinkles her nose at nothing. He didn’t even look, did he? Spoilsport. “Ask stupid questions, get stupid answers,” she replies sweetly.
BUT! If you're asking for my very favourite it's-my-baby moment, the moment I've imagined over and over again when I'm trying to sleep and in the shower and while doing the dishes and on my daily walk?
Gabe's Big Entrance.
I am frothing-at-the-mouth vibrating-out-of-the-visible-spectrum chewing-on-the-furniture excited about finally, finally getting to that scene. You know, eventually. (Some time this year? -prays to any and every god of inspiration I can think of- Please?)
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setaripendragon · 21 days
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A persons fanfic tells you a lot about them, i , a fanfic writer, realize in terror
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setaripendragon · 21 days
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Random WIP Ask Game
💯 [100] How many words does your WIP currently have? How many words do you hope it'll have when it's done?
⌛️ [Hourglass] How long have you been working on this WIP?
📚 [Books] Is this WIP part of a series or standalone?
🎀 [Bow] How many named characters are in this WIP? How many do get a POV?
💖 [Heart] What is your favorite moment in this WIP?
🎶 [Notes] Do you have any other WIP related things, like moodboards, character portraits, playlists or similar?
📖 [Open Book] What form do you want this WIP to take when it's done? Posted, printed, published, etc?
🐀 [Rat] Name three reasons why this WIP is great at being insert genre here. (You can send a genre, or let the recipient pick one.)
🐁[Mouse] Name three reasons why this WIP is horrible at being insert genre here. (You can send a genre, or let the recipient pick one.)
🔎 [Magnifier] Is there a phrase/word you know you use too often? Will you change it in editing?
🍖 [Meat] How many fictional people were harmed in the making of this WIP?
🌈 [Rainbow] If at the beginning of your WIP the characters knew about the end, would they kill you to stop you from writing it?
‍🎨 [Palette] If your WIP was a color, which color would it be?
🍩 [Donut] What's the weirdest thing someone eats in your WIP? What's the best thing?
🔒 [Lock] Would you let your family, friends, or other people you know in real life read your WIP?
🖋️ [Pen] Describe your WIP in a single, terrible sentence.
❌ [Cross] What would your WIP get cancelled on Twitter for?
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setaripendragon · 22 days
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Reblog if you write fic and people can inbox you random-ass questions about your stories, itemized number lists be damned.
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setaripendragon · 22 days
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Reblog if you are a fanfiction author and would like your readers to put one of your fic titles in your ask + questions about it
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setaripendragon · 28 days
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What is a favorite fandom headcanon for you? You can totally answer for multiple fandoms if you'd like.
*Asks are sent for fun, no pressure to answer within a certain amount of time or at all.*
Harry Potter: Everyone in Harry Potter is trans.
One Piece: Crocodile is trans and Luffy's mother.
Charmed: Coop is Cole reborn.
MCU: Darcy Lewis and Peter Parker are Tony Stark's oops-babies.
Supernatural: Gabriel went to Purgatory when he died.
ATLA: The Yuyan used to be Air Nomads.
Hobbit: One third of Thorin's Company are actually lady dwarves.
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setaripendragon · 1 month
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Back in February I learned a new thing. Apparently not everyone can taste and smell fluids they are given through an IV. She also said it was more common for people to not be able to. If you've had an IV could you smell/taste it?
Do you think your current blorbo (or one of your book characters) can? How do you think they would react to it the first time?
*Asks are sent for fun, no pressure to answer within a certain amount of time or at all.*
This is news to me, so I'm pretty sure I'm not one of the people who can XD
On the other hand, I'm pretty sure Sanji absolutely could, given he already has heightened senses (at least, that's common fanon these days, I haven't actually caught up to canon, so I can't say for sure if it's canon. Either way, it's definitely a headcanon of mine now, so thanks XD).
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setaripendragon · 1 month
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Who is your OC that is the most fleshed out? Anything you care to share about them? What is a small detail about them that you rarely think about?
*Asks are sent for fun, no pressure to answer within a certain amount of time or at all.*
Ooh, um... That's probably Meira Winchester, my Dean/Cas/Gabe baby who's the star of a (currently) four book series over on Ao3 XD
She's the only one of my Next Gen OCs that not only has a family, childhood trauma, and general personality traits, but also relatively well fleshed-out friends, hobbies, a favourite weapon, and a college degree. (Although, by that standard, my flame-retardant SmoAce baby would come in a pretty close second, but since I'm currently reworking her entire backstory, I'm not sure she really counts right now... I'm working on it XD)
Um... Most of what I want to share about her is already in the fic I'm writing, tbh XD Honestly, the thing I haven't talked about much yet that I really want to is her friends; Azura, Jack, and Lucy. Only Azura's been mentioned in the fic so far, but the four of them have become my babies, and I love their dynamic together so much (they all of them think they're the Only Sane Man, and they're all fucking wrong XD)
But, uhh... I suppose I think it's really interesting that Meira is... at least the third (possibly fourth or fifth) in a line of my OCs who are recklessly confident social butterfly daddy's girl eldest daughters who've been condemned for something out of their control and who end up in a queer-platonic polycule with their main friend group. I'm honestly not sure what that says about me as a writer or as a person, but it's gotta say something XD
(There's Meira Winchester, of course, Gol D. Morgana and Altaria Lokdon, and then also possibly Phoenix Halliwell and Jennifer Strange... and Wei Feihao probably counts once she recovers from the childhood trauma... possibly a few others who aren't really well fleshed out enough to count, but... I can feel them taking shape that way and laughing at myself for being so damn predictable XD)
The detail that I keep forgetting and then have to remind myself of is that Meira went to college and got a degree in anthropology. It honestly wasn't a planned part of her backstory, it just came up as I was writing and I realised she would have gone to college, given the opportunity, and she would have loved it. And she would have wanted to study people, but things like sociology and psychology and such really didn't feel right, so in the end I settled on anthropology.
It keeps slipping my mind all the time, and then I'm like 'oh yeah that happened' and, honestly? I think that's probably how Meira would be about it, too, so XD
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setaripendragon · 1 month
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When writing how do you add the title? Is it title first, story ideas second, title somewhere in the middle of the story or title only after the whole story? Do you use placeholder titles; if so descriptive or more funny/nonsense? Or perhaps straight to a finalized title?
Oh, title is almost always last for me. It tends to go sort of like this:
Idea!
Write the first scene or three
Oh, shit, I need to save the doc, what do I call it?
DescriptiveFileName.doc
Write enough of the fic that it's worth posting
Oh, shit, it needs a title!
Frantic googling of poetry, song lyrics, inspirational quotes, etc.
Frantic rereading of what I've writen to look for themes
Frantic ctrl+Fing for iconic lines or good moments for a title drop
Make a notepad with a couple of ideas
Ask a friend which one works best
Post With a Proper Title
I think I've maybe had one or two ideas that have come along with a title from the very beginning. All Other Wives is one, because it was the line in the source material that spawned the idea, so it just clicked right into place.
I pretty much always go with descriptive file names because I've got so many WIPs on the go at once that I really, really need to be able to know which fic it is at a glance ^^" It tends to be 'ShipNameTrope' or 'CharacterDoesAThing' style placeholders, like my current One Piece WIPs are called things like 'StrawhatsTimetravel' and 'SanAcePreg' and 'RougeLives' and so on.
(Some fics even go to publication with their 'descriptive title' like The Blacksmith's Daughters because it sounded good enough that I couldn't be bothered to freak out over finding a better one ^^")
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setaripendragon · 1 month
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Do you have any favorite fic tags or premises that make you immediately open a fic?
That often depends on my mood and fandom, I think?
I'll admit I'm a sucker for a good soulmates or time-travel fic, and anything tagged with polyamory tends to get my attention?
...The '[character]'s A+ parenting' tag is a good way to get my attention, actually? As long as I agree that that character is a shit parent, anyway XD
And apparently, my most bookmarked additional tag on Ao3 is 'Canon Divergence', so there's that =P I definitely prefer stories that tell a new story, over ones that are, like 'bonus scenes' or 'retelling from another PoV'? Even with time-travel, I like ones that actually make changes and deal with the consequences of that, so... yeah.
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setaripendragon · 1 month
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Since I've seen many posts about people missing how common asks used to be, I have been trying to send to more asks to engage more. I really don't want to bother anyone though so I'd love to know if you enjoy receiving asks and if so what kind of asks. Detailed? Vague? Work? Fandom? Movies? Books? Childhood? Gardening? Thoughts? OTPs? OCs? I'm sure there are way more categories, I'm not limiting you to these listed options. Perhaps if it's an easier question what types of asks do you not like?
Oh!
I love asks about my writing, of course, and my fandoms. My ships and OCs and blorbos and all that.
I suppose I'm not a huge fan of asks about real life? Not that I mind them, exactly, but I'm here on tumblr to escape that cesspit, y'know?
But that's only a minor thing. I've been known to answer hate mail with informative essays, so... ask away XD
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setaripendragon · 2 months
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🧭An alternative title to your/ one of your WIP(s)?
Oh, hmm...
I wish I had some funny answers for this one, but...
"Riding on Storm Winds" was almost called "Fearless Flight" but I'd already had an Icarus reference in the previous book, so I scrapped that idea.
Oh, "I Want to be Free" almost had a title from 'Hell's Coming With Me' by Poor Man's Poison. "It is Well with My Soul" maybe, or "You Hear Me Ring that Bell". (Still considering those for if I ever write enough to throw it up on Ao3, tbh, but I also have ideas for a pantheon!AU that those might work for... -shrugs-)
...One of my scraps for my GoT Self-Insert is called "The Lion, the Wolf, and the Transmigrator" (I am probably not going to call it that if I ever write enough to publish it, but I thought it was funny at the time.)
Ah! There's one that actually feels like a genuine Alternate Title! "404 Battalion Not Found" is also called "The Lost Legion" in some of my notes.
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setaripendragon · 2 months
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An ask game for writers to procrastinate working on you WIP(s)
I am also procrastinating actually writing. If you��ve multiple works in progress you can give a different answer every time!
🦈Tell us the name of your/ one of your WIP(s)
🍄Decriscribe your wip/one of your wips in the format of “___ + ___ =___”  
🌍What tags or warnings will your / one of your wip(s) need if you intend to share it?
🧭An alternative title to your/ one of your WIP(s)?
⚠️Which wip your most likely to finish or update next?
💾What is your document of your wip/ a wip called? (not the stories actual title but what you’ve saved it as)
🖍Post Any sentence from your wip
♻️A scrapped idea for your current WIP
🤔What’s a story you’d love to write but haven’t even started yet?
🤡How many Wips are you actively working on?
🛠Is there a scene or anything in the WIP you are struggling with right now?
❤️Not a question, just a second kudos to send.
Enjoy!
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setaripendragon · 2 months
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I Want To Be Free - Chapter 0
This AU came to me nearly ten years ago. It didn't have a plot, just a vague idea of 'horror-esque One Piece' smashing into my other favourite fandom; Supernatural. So I put it away. Then OPLA came along and drop-kicked me back into the One Piece fandom a decade later, and suddenly, the ideas for how this AU would actually go started pouring in. Idk how far I'm going to get with this, I'm still pretty stuck on a lot of 'but what would the other Straw Hats actually be' (which, if you have any ideas, drop a comment/some tags/an ask/whatever!), but I've got rough notes for another couple of chapters, I think? Also, yes, I did play around a lot with the names to make them more real-world-y -waves creative liscence- I did it because it's fun, and gives me cool opportunities to play with worldbuilding, and I felt like it.
Prologue - Seven Years Ago
It’s early, but Didi is used to rising with the sun. Early to bed, early to rise, as they say! Besides, getting up early means no one, not even her husband, sees her without her face on, and she can make herself presentable in peace.
Face on, hair done, but still in her dressing gown, she leaves the en suite and heads downstairs to get breakfast started. Always good to remind the help that you’re watching, after all, else they might run off with the silver. As she passes the nursery, noises catch her attention, and she pauses, listening intently.
Voices. That’s voices. Plural. And while she wouldn’t put it past that useless boy to start talking to himself, since he’s never missed a moment to shame their family, Stacy is still a bit too young to be talking back!
Didi flings the door open, panic and outrage fighting a war in her breast. Outrage wins when she spots that little demon hanging half in the window on the opposite side of the room. He’s already tainted her first son with his filthy common ways, so to see him so close to the ornate crib holding her second precious child is infuriating.
Thankfully, he still seems focused on Sabino, standing like an idiot in the middle of the room, entirely undignified in an appalling mismatch of pyjamas and street clothes and formal attire, his mouth gaping open at her entrance. Hopeless boy! Useless! After all they’ve done for him, all the effort they’ve put into straightening out his life, and he doesn’t even have the decency to send this demon-child running before he put his grubby little hands all over Didi’s windowsill?!
“You-!” she shrieks furiously, waking poor Stacy and setting him to wailing in alarm. How dare that awful boy distress her poor sweet baby so?! Sabino snaps his mouth shut at last, but only to replace it with the most ugly glower.
This! This is all that little demon’s influence. And he’s just hanging there, watching her without so much as a hint of deference for his betters. It puts a tremble in Didi’s hands that she tells herself is entirely rage. “Get out! Get out of my house! I’m calling the police!”
“No.”
The sun is rising over the neighbour’s roof behind the boy. It sets his face in shadow, save for an odd cat-like gleam of white for the briefest of seconds where his eyes should be. Didi jerks backwards, hits the wall, and realises what just happened. “HOW DARE YOU?!”
“I’m not leaving without Sabo. You can’t keep him,” the filthy little creature insists.
Didi laughs, sharp and mocking and furious. What a stupid little boy, trying to insist the world be the way he wants it to be, throwing this ridiculous little tantrum because someone took his favourite toy away. “Of course we can,” she sneers, lifting her chin. She can’t believe she let a little trick of the light unnerve her! “Didn’t you learn your lesson last time? He’s ours. Our son, our blood. He belongs to us, whether the ungrateful little brat likes it or not!”
“No, I don’t!”
Sabino glares up at her, hands balled into fists. Didi’s hand is in the air before the intent fully crosses her mind, fury driving her past rational thought, but before the slap can connect, the boy in the window shifts.
Sunlight spears her eyes, bright white and blinding. She redirects with a cry, flinging her arm across her face as she recoils, eyes screwed shut against the sudden assault.
An acrid scent hits her nose. She blinks rapidly, trying to see past the gleaming spots of white-yellow-orange that are drifting across her vision. What is that? It reminds her a little of that time she left her hair curler plugged in and it melted a divot into her hairdryer.
She sucks in a horrified gasp, and promptly chokes on the smoke as she recoils. The doorknob jams painfully into her hip, but that’s fine! That means she knows where it is!
She spins and grabs for it, but the stupid thing won’t turn, her hands too sweaty to get proper traction on the shiny metal. She told Sabinus they ought to have gotten handles instead of knobs!
Something thuds across the room, and Didi whirls back around to see the window is shut, the demon boy gone, and Sabino along with him. Stacy is still crying, but there’s a wall of flame licking across the carpet between them, and she can’t reach him. The spots are fading, finally, but that’s no use when the room is quickly filling with black, acrid smoke.
Pain sears up the side of her leg, and she jerks away from the fire, only to realise it’s coming with her; the hem of her dressing-gown already alight. Flames lick eagerly up the velvet and silk, eating through to her skin in seconds.
Didi screams.
-
“Hey, boys. Think I got something for you.”
Sam sits up a little straighter in the passenger seat of the Impala, which gets Dean’s attention. He pauses his off-beat drumming on the steering wheel as he glances over, thank god. He even turns the music down, which is surprisingly considerate of him. “Yeah? What you got, Ash?”
“A fire in a nursery,” Ash deadpans.
“What? Where?!”
“East coast. Up near Boston. I’ll text you the address.”
“Alright,” Sam agrees, then lowers the phone to mouth ‘Boston’ at Dean, who nods, and takes the next turning eastward. “When did it happen?”
“Last night. Saw it in the news this morning,” Ash explains. “Checked my scanner, and sure enough, weather’s going haywire out there. There was supposed to be a storm rolling in, but instead they’re getting a nice little localised heatwave.”
Sam frowns thoughtfully. After all this time, he has everything his dad recorded about Yellow-Eyes’ patterns memorised, and that… “Doesn’t Yellow-Eyes cause storms, rather than stopping them?”
That gets Dean’s attention, but Sam is too busy thinking and listening to Ash to respond to his increasingly intense, irritated looks and gestures. “Yeah. Well, and wild fluctuations in temperature, so this could just be the opening salvo. Who knows, man?”
Dean gives up trying to get his attention, and simply floors the gas pedal. Sam shoots him a grateful look, to which Dean responds by flipping him off. Jerk. “Any survivors?”
“The dad and the kid. Mother and older brother both died in the fire.”
“Yikes.” Sam grimaces. “Well, thanks, Ash. We’ll get right on it,” he says, subdued, and Ash hangs up without so much as a goodbye. A moment later, Sam’s phone chimes with an incoming text. He rattles it off to Dean, along with the rest of the information Ash had relayed. By the end, Dean looked grim.
“Shit, this is the first time we’ve had a kid get caught in the crossfire of one of these.”
“Yeah…”
“Well, we’ll be there in a couple of hours.”
-
“This place is giving me hives,” Dean mutters under his breath as they’re shown through a gilded foyer into a lavish receiving room, where a portly man in a stuffy suit with the saddest little moustache Dean has ever seen in his life is standing stiff-backed in front of a huge bay window, bandage-wrapped hands clasped behind his back like he thinks he’s the tragic hero in a period drama.
Sam hisses at him and steps on his foot, to which Dean only rolls his eyes. He lets Sam spin the spiel about being FBI, wanting his side of the story, take his time, in his own words, blah blah blah, while Dean lets his eyes wander the room.
This house is fucking pristine. You wouldn’t know from looking at it that there’d been a fire here last night. Hell, you wouldn’t know there were supposed to be two kids under the age of sixteen here, either. There are delicate porcelain and glass figurines out on display, there’s no sign of anything that might possibly be mistaken for a toy, not a single thing out of place or wrinkled or messy at all. Hell, the carpet’s white.
“As I told your colleagues earlier today,” the man sniffs disdainfully at them, only half turned towards them in a display that makes Dean’s hackles rise instinctively. “I don’t know what happened.”
“Anything you can tell us,” Sam says patiently.
“I’ve already been over this! Can’t you people do your jobs without needing your hands held through the entire process? Get the report from the last lot of you incompetent louts, rather than harassing a grieving widower!”
“We’re from a different department,” Sam says, patiently. “We have to conduct our own investigation from the ground up, I’m afraid. If you could please answer the question, we’ll do our best to get out of your hair as soon as possible.”
The man huffs, blustery and impatient. “I woke up to my wife screaming, and our son crying. The nanny was already at the nursery when I got there, but the door was stuck. The doorknob was hot enough to burn me when I tried it.” He lifts one hand in demonstration. “Someone pulled me away – I’m not certain who – when smoke began to fill the hallway. Then the fire brigade arrived.”
“You couldn’t get into the room at all?” Dean asks, frowning a little.
“No,” the man snaps impatiently. “Like I said, the door was jammed. The fire department had to break it down to get inside. It’s going to cost a fortune to replace. It was solid mahogany.”
It takes everything Dean has not to say ‘your wife and son are dead and you’re worried about the cost of the damn door?’
“And when they did, your wife, was she still alive at the time, or…?”
“How am I supposed to know? I wasn’t standing around gawking like some common pleb. They informed me that my son was alive and being taken to hospital, so I assume not, or they would have mentioned it.”
Dean makes a mental note to get the reports from the fire brigade, since apparently Mr Saddest Moustache over there was too busy having a bracing cup of tea to give a shit about his wife or sons. “Your son. Was that-” Sam glances down at his dorky little notebook like he actually needs to check. Maybe he does; the names in this family are whack. “Stacy or, uh, Sabino?”
Who the hell calls their son Stacy?
“Stacy, of course,” the man huffs.
Of course?
“Do you know if Sabino was-”
“I already said I don’t!” the man snaps.
Sam plasters an entirely fake smile across his face. “Of course. Alright, well, I’m sorry for taking up your time, Mr Outlook, we’ll just-”
“The third,” the man interrupts, bristling.
“…Excuse me?”
“I am Sabinus Stacy Godefroy Outlook the Third, and I’ll thank you to remember it!”
Dean barely manages to choke back a laugh and turn it into a small coughing fit. He has to turn away, so he doesn’t see whatever expression Sam is making, but he can hear the straining of his composure in his voice when he says, “Alright, Mr Outlook the Third, we just need to have a quick look at the scene, and then we’ll be out of your hair.”
Mr Sabinus Stacy Godefroy Outlook the Third sniffs at them. “Have the housekeeper show you up, I can’t bear to look at that room anymore,” he declares in tragic tones. Dean wonders if it’s the charred remains of his family that bother him, or the cost of replacing his fancy carpet.
-
The nursery is… Well, there definitely was a fire, but beyond the charring, it looks nothing like Sam’s expecting it to. For a start, the room’s still in tact. The ceiling is soot-stained and spotted with patches where the paint has obviously been singed, but it’s very clearly not the origin point. No, that’s on floor. There’s a small, lopsided hole in the wood under the melted remnants of the carpet, with edges that look like they’ve been seared, right in the middle of the burnt area.
If it weren’t for the pattern of said area, Sam might have wondered if there was anything supernatural about this fire at all. Except the fire very conspicuously did not spread into the area around the crib. Everything else is scorched black, melted or charred or some ugly combination of both, but there’s a wobbly semi-circle around the baby’s crib, and everything within it is untouched, if lightly speckled with soot.
Perhaps the fire was natural, but something wanted that baby to survive.
That something equally clearly didn’t care about the other occupant of the room. The child’s bed tucked into the corner next to the door is… well, it’s honestly hard to tell it was a bed. It’s a mangled lump of charred wood and melted plastic. Dean crouches down next to it and pokes at it with a pen he must have stolen from somewhere else in the house, because no way does he have anything that fancy just hanging about in his pocket.
He uses the pen to shift a stubborn little scrap of fabric that breaks apart into tinier pieces at the prodding, and frowns deeply. “Was the other kid in bed when the fire started?” he asks as he rises from his crouch.
“I would assume so,” the housekeeper says indifferently.
“I have it here that the eldest son – Sabino – he was thirteen?” Sam checks.
“That’s correct.”
Sam looks at the housekeeper, then down at the bed that could at most be four feet in length, and then back up at the housekeeper again with an expectant expression. “And this was his bed?” he presses.
“Yes,” the housekeeper says stiffly, chin kicking up, her level stare turning into something a little closer to a glare. Like she’s daring Sam to keep pressing the point.
“Exactly how tall was he, again?” Sam asks, meeting the woman stare for stare.
“I don’t see how that is at all relevant to catching the monster that killed Master Sabino,” the housekeeper retorts.
“You sure they did?” Dean interjects, making the both of them jump and turn to stare at him. Dean raises an eyebrow at the housekeeper.
“I beg your pardon?”
“I don’t see any variation in the burn pattern, no smearing, no evidence of a struggle… And believe me, lady, when someone’s on fire, they don’t sit still about it.” Dean states grimly. Sam takes another, closer look, and sure enough, there aren’t even marks that would indicate where they body had been, and there should be.
“Perhaps he was already unconscious from the smoke,” the housekeeper says coldly.
“Uh-huh.” Dean says, heavy with scepticism. “Sure.”
-
Silence swells to fill the Impala once Sam and Dean slam their respective doors shut. Dean doesn’t know about Sam, but he needs a moment to process all the gold-plated shit they’d uncovered in that ugly fucking house. “That,” he says after a moment, “is one fucked up family.”
Sam blows out a harsh breath. “Yeah.”
“Was I the only one getting the vibes that Mr Sabinus Stacy Godefroy Outlook the Third,” Dean recites in the most pompous voice he can manage and Sam snorts a laugh without much feeling behind it, “wanted his kid to be dead?”
“I can’t tell if I think they’re covering up the fact that he isn’t, or if they’re covering up the fact that he is, it just wasn’t the fire that killed him,” Sam replies, darkly amused.
“What do you mean, covering up the fact that he isn’t? Why would they cover that up?” Dean asks, startled. He’s already pretty solidly convinced that Mr Saddest Moustache, or perhaps the late Mrs Saddest Moustache, offed the kid themself and is using the fire as a way to explain his death.
“Come on, Dean,” Sam says impatiently. When Dean doesn’t react with miraculous new understanding, he rolls his eyes. “You can’t argue that this-” He waves his hand towards the house. “-doesn’t quite fit Yellow-Eyes’ MO.”
“Fire in the nursery, dead mom, six-month old baby…”
“Except the fire didn’t start on the ceiling. There was someone else apparently in the room the whole time and it was only as the mum came in that the fire started? And the crib was untouched. If I remember your stories right, Dad had to grab me out of my crib because it was on fire just like everything else!”
“Okay, so what’s your point?”
“So what if Yellow-Eyes wasn’t the one to start the fire?” Sam asks.
Dean blinks. Stares out of the windshield as that idea slots into place. “You think this Sabo kid started the fire?” he checks, a little dubious.
“You saw how everyone in that house was acting, same as I did. You saw that bed, too. Who makes a thirteen year old sleep in a nursery with a literal baby, in a bed meant for a four year old?” Sam demands.
Turning that over in his mind, Dean starts the car and sets off for a less skin-crawling part of town. “You think the kid set his own mom on fire and then, what, ran away?”
“Well, yeah. Maybe… maybe not on purpose,” Sam hedges quietly. “If he’s… got some ability to control fire, then it would explain why it didn’t touch the baby, wouldn’t it? If it went out of control because he was scared or- or angry, but he managed to keep it away from his brother? And it would explain why no one wants to admit to it. That’s one image-conscious household, and ‘tragically dead’ is a much better look than ‘child arsonist reacting to abuse’.”
Dean has to give him that one.
-
“So get this,” Sam say, and ignores Dean’s groan as he peels his eyes open from where he fell asleep still mostly dressed with several stolen copies of police reports splayed across his chest. “This isn’t the first time around here that there’s been a weird fire followed by a heatwave in which a kid went missing,” he declares, and slaps his compiled research down on Dean’s chest.
Grumbling, Dean squints down and opens the file. On top there is a print-out of a newspaper article that reads ‘Freak Heatwave Starts Fire in Junkyard’ and is dated around three years ago. “Anyone die?” Dean asks as he leafs through the rest of it.
“Yes, as a matter of fact,” Sam says smugly. Then he falters as the reality of the answer dawns on him. “Quite a lot of people, actually. At least one of them was a suspected child trafficker, and several of the others were noted in the investigation as having ‘close ties’ to this James Blue person.”
“So more dead shitheads. Any conspicuous survivals?”
“Well, as far as I can tell, which isn’t certain because whoever did the investigation clearly didn’t care, the Junkyard was a safe haven for the homeless, but there’s no mention of any of them getting caught in the fire,” Sam explains, pulling a face. “There’s no John Does, and all the bodies have residences listed.”
“Not ironclad,” Dean mutters, but he’s clearly not expecting more. Sam pulls a face at him anyway. “What about this guy?” he asks, flicking a finger at the hospital report Sam had stuffed in at the back.
“That’s the weird thing,” Sam says.
Dean’s waking up properly now, and Sam can see the minute he actually reads the hospital report. “What the fuck? Dude loses an arm and just… fucks off outta the hospital the next day?”
“And then he drops off the radar. I can’t find any records of this guy, before or after. He just… poof.” Sam snaps his fingers. “He gave a statement saying he was in the Junkyard to look for the kid of a friend of his – that’s how he lost the arm, apparently, something fell on him and he took it rather than let it hit the kid – but that kid is marked down as having died in the fire. I checked the morgue reports.”
“No kid-sized bodies?”
“No kid-sized bodies.”
Dean stares at the file Sam put together, face screwing up in consternation. “And no sign of Armless here anywhere near the Outlook Estate,” he mutters, putting on a voice as he names the house. Sam doesn’t want to admit he finds Dean’s stubborn insistence in mocking the airs that family’s giving itself at every opportunity funny, but he really does.
“No sign of him anywhere. Check the end of his statement,” Sam adds, jerking his chin towards the file.
Dean glances up, then goes back to reading. He frowns. “What about it?”
“The bit about the kid,” Sam sighs.
Slowly, Dean’s frown turns from baffled to more serious. “He was really damn sure the kid was alive and okay when the paramedics turned up, wasn’t he?” he says slowly, looking up at Sam. Sam nods. “But everything else says he was among the dead,” Dean adds.
“And the one dissenting voice disappears the very next day,” Sam concludes.
Dean groans and drops the file into his lap to scrub his hands over his face. “So we’ve got a firestarter who hates child abusers but spares the homeless and kidnaps children but leaves the baby, and a mysterious badass who disappears after drawing attention to all this… Is this all starting to feel a bit… Neverland to you?”
“What, like some sort of fae spirit collecting lost and abused children and murdering people on the way out with its prize?” Sam asks.
“Well, yeah,” Dean agrees ruefully. “I can’t think of anything else that fits this mess,” he complains, whapping the file with the back of his hand. “Stealing children could be a Lamia, even killing men on the way out, but that doesn’t explain the mom.”
“And Lamias don’t like fire,” Sam adds.
Dean nods distractedly. “What do we know besides demons that can start fires like this?” he asks, baffled.
“Uh… witches?” Sam guesses. “Or… maybe psychics.”
“What, you mean like you?” Dean asks sharply.
Sam nods. “You said it yourself, Dean. The one thing we know can start fires is Yellow-Eyes, and… look at what Max did. It’s not too farfetched to think that if someone got fire powers, they might go all vigilante about it.”
“Except this is three years ago,” Dean reminds him, gesturing to the file. “Your whole Shining shtick didn’t start until last year, remember?”
“Oh, I remember,” Sam snaps, a little bitter at the reminder.
Dean gives him the hairy eyeball, but doesn’t press the point, to Sam’s relief. “Alright, I suppose we better go see if we can find anything left at the Junkyard, and then maybe try and shake some more information out of this first kid’s family. I thought I saw something about a grandfather in there…” Dean muses as he shoves the mess of paperwork aside and gets up with a spine-cracking stretch before heading for the bathroom.
“Yeah, but he’s actual FBI. I’m thinking we don’t want to go poking that dragon,” Sam calls ruefully through the door Dean left open. Dean grunts through his toothpaste. “We’d have more luck with the foster sister, I think.”
“Oh, yeah?”
“Yeah. Patricia Makino. She owns a bar down by the docks.”
-
“Welcome to Party’s Bar! Can I get you two anything?”
The woman behind the bar looks like she could have stepped right out of Dean’s favourite magazine, if with considerably more clothes on. Pretty, dark haired, Asian, and somehow managing to look like she just stepped out of an idyllic ranch in the middle of nowhere. She even has a cute patterned kerchief tied over her hair. “Two beers and the name of the pretty lady serving them to us?” Dean asks with his most charming grin.
“Don’t you know it’s not polite to ask for someone’s name without offering your own first?” the woman fires back, unimpressed and gently chiding, even as she goes to pour them a couple of beers.
“I’m Sam, the idiot’s my brother Dean,” Sam offers.
“Makino,” she replies. So this is the woman they’re looking for. Probably. When Dean saw the name of the bar, he’d assumed she preferred to go by Patty, but apparently not.
“Nice to meet you,” Sam says politely. Dean toasts the woman with his beer to echo the sentiment, and Sam rolls his eyes and gives Makino a commiserating look. “Brothers, am I right?” he asks, long-suffering.
Makino huffs a laugh. “They are a handful.”
“Spoken like an older sibling,” Dean says knowingly. “Don’t let this one fool you, he’s got pretty manners, but he’s really a troublemaker.”
“Oh, I know one like that, too,” she agrees, smiling more warmly. “He’s always forgetting that I’m the one who taught him those manners, so I can see right through them.”
Sam snorts, grinning with easy amusement. “Well, that wouldn’t work for Dean. He’d have to have manners before he could teach them to anyone else.”
“Hey,” Dean protests, pointing accusingly at Sam. “I raised you best as I knew how, gave you the clothes off my back and the food from my plate, and this is how you thank me? By dissing me in front of a pretty lady?”
Makino laughs when Sam splutters indignantly. Excellent. She’s relaxing into their easy banter, which should make it easier to get some answers out of her. “Little brothers are naturally skilled at cock-blocking, I’ve found,” she tells him.
“And here I thought that was just Sam,” Dean grouses, to another indignant yelp. “Your little brother is just as good at picking exactly the wrong moment, then?”
“Oh, yes. Entirely by accident, of course, but still…” She sighs dramatically, but there’s a fond, wistful smile on her face that suggests she’s not as mad about it as she’s pretending to be. “It didn’t help that he thought my date was just the coolest person ever and always wanted all of his attention for himself.”
Dean snorts. “Sounds like he’s quite a bit younger than you, huh? I don’t think Sam ever thought any of my dates were cool.”
“Yeah, but that’s because you have bad taste, not because of my age,” Sam mutters.
“More than ten years,” Makino confirms as though she couldn’t hear him, though her smirk tells a different story. That matches up to what Dean knows about her and the first missing kid from the files. It’s also not the reaction of a woman who’s beloved younger brother died three years ago.
They can’t seem to get her to talk about that, though. She’s quite happy to tell story after story about her little brother in between serving the other customers that wander through at irregular intervals, but it’s as though he’s just in the back room and could be scampering out to cause more trouble at any moment. She makes absolutely no mention of the junkyard fire, the armless man, or the kid’s disappearance.
Dean eventually gets frustrated enough to bring up – in the sparsest detail he can manage – saving his own little brother from a fire when they were younger. Makino barely reacts, but she does react. There’s the tiniest little flinch at the mention of the fire.
“Sorry,” Dean says, feigning a grimace. “Bit grim, isn’t it? I guess that fire that’s been in the news lately stirred up old memories.”
“Ah, yes. The Outlook place,” Makino agrees. “Tragic, that.”
She doesn’t actually sound very sincere. “You knew them?” Sam asks curiously.
“Oh, not personally,” Makino says, a little too quickly. “People like them are a dime a dozen around here- Well, not around here,” she laughs, waving a hand around at the bar, and Dean has to admit, this is definitely the sort of place that Sabinus Stacy Godefroy Outlook the Third would turn his pointy little nose up at. “But there’s a lot of old blood over in High Town that like to give themselves airs.”
“Rich people,” Dean mutters in disgust, and Makino grimaces in agreement.
“Whether or not the lady deserved it, I can’t believe the kid was all that bad,” Sam interjects, giving Dean a faintly chiding look.
At that, Makino sobers. “No,” she says softly, and then shakes herself. “Although, you’d be surprised how absolutely awful some of those kids can be. When your parents can just buy your way out of any sort of trouble you make so that the consequences never touch you,I suppose it’s easy to start thinking the harm you do doesn’t matter.”
“That sounds personal,” Dean says.
Makino gives him a dry look. “When you’ve seen your little brother put in life-threatening danger multiple times because of those stuck-up pricks, you tend to hold a grudge.”
“Life-threatening danger?” Sam asks, all alarmed concern and puppy-eyes. “What happened?”
“Which time?” Makino asks pointedly.
“That Sabino kid wasn’t one of them, though, was he?” Dean asks instead of trying to get her to elaborate. They might be able to talk her around to the junkyard fire, but he can’t think of a reason to bring it up without seeming suspiciously well informed or suspiciously invested in someone else’s misfortune.
“No,” Makino relents with a sigh. “No, Sabo was a good kid. Always so generous despite what his parents tried to teach him. He deserves- sorry, deserved better than the Outlooks.”
Dean does his very best not to react to that, but there’s a whole world of implications in the fact that victim number two knew victim number one’s older sister. “You knew him?” Sam prompts curiously, and then tacks on a hasty, “I’m sorry for your loss.”
“I did. He was friends with my brother.”
Dean catches Sam’s eye at that. “It doesn’t worry you?” Dean asks, throwing subtlety out the window. She’s obviously hiding something, given her complete non-reactions to the very striking parallels, and they’re not going to get it out of her by dancing around the issue. Makino cocks her head at him inquiringly. “That both Luffy and Sabino disappeared the exact same way?”
It’s a mistake. Dean can see that the moment the words leave his mouth. Makino’s body language closes off entirely. “I don’t recall mentioning my little brother’s name,” she tells him coldly.
“We’re looking into the disappearances,” Sam hastens to explain. “Like Dean said, something similar happened to me when I was a kid, so we thought it might be the same- same person that-”
“That’s very noble of you,” Makino says, entirely insincere. “But I don’t like talking about those events. I think it’d be best if you left now.”
Dean raises an eyebrow. “You don’t want the monster that stole your brother to be stopped? Even after it stole another child just two days ago?” he asks judgementally.
“Hey! My daughter asked you to leave!”
Dean jumps back with a curse as a walking stick smacks down against the edge of the bar mere inches away from where his hand was resting. The guy wielding it raises it in the air again and waves it at him aggressively, apparently undaunted by the fact that Dean has a good foot on him and is at least sixty years younger.
“Mr Wu, you’ll dent the bar…” Makino complains fondly.
“Out! Get out!” Mr Wu gripes, wagging his stick at them, and then devolving into what Dean can only assume is a vitriolic blue streak. He can’t be sure because it’s entirely in Chinese. He backs up, as does Sam, and they end up being driven right out of the door by the old man and having the door slammed in their faces.
“So, the foster family definitely knows what’s going on,” Sam concludes.
“Definitely.”
“…Stake-out?”
“Stake-out.”
“Ugh.”
-
An entire week of surveillance and everything they can dig up about the family reveals absolutely nothing. Wu Paiji is, by all accounts, a pillar of the community. A grouchy old stickler, according to basically everyone that knows him, who runs the local community centre and has been fostering children for the last fifty years.
Patricia Makino was fostered at age seven, and five years later, gained a little brother when a baby was abandoned on the community centre’s front steps. She started working at what was then The Old Dog straight out of high school, and was left it when the previous owner passed only a couple of years later. Absolutely no one they speak to in the area has a single bad word to say about her.
In fact, several of them immediately turn hostile the moment they realise Sam and Dean are the ones that got kicked out of Party’s Bar. It ends in a couple of fights that only make their reputation around there worse. One woman, with a cloud of aggressively frizzy red hair and a build like she bench-presses trucks for a living, very nearly breaks Dean’s skull when she takes a swipe at him with an honest-to-god metal pipe.
When they get arrested for stalking and informed that Ms. Makino has agreed not to file for a restraining order if they get the hell out of town, they reluctantly go. Every other trail they tried to chase has gone cold. Neither the Outlooks nor Luffy’s foster family will speak to them. None of the official records have anything helpful to say. They don’t even have a clue what kind of creature could have done this.
It sticks in Sam’s craw, leaving the job unfinished, but there’s a hunt out in Ohio, and he knows that’s where they’re needed more. He does make a note to keep an eye on any fires that happen in that area, though. Just in case.
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setaripendragon · 2 months
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This is such a good point, but there's a little semantic niggle that's bugging me in the phrase "a good story is one where every scene is absolutely necessary for the plot." Because while I agree with everything OP says, I also agree with that sentence.
A good story is one where every scene is essential to the plot. The best stories I've ever encountered are the ones woven so tightly that if you pluck that thread it fucking sings. Where if you take out any one scene, the rest collapses like a tower of cards.
However, there is this horrid trend in commercial media where there's never any downtime. There's a disasterous lack of attention paid to the less... shall we say 'phsycial' arcs in a plot. There's no space for the characters to really process what's happening to them, which is actually really damaging to the whole concept of character growth.
But that's the thing. Character growth (positive or negative) is essential to your plot, as said above. You characters are the driving actors that power your plot, and if it doesn't shape them in turn, it very quickly becomes a stagnant, repetetive mess.
So... in a solid, well-woven story, every scene should be essential to your plot. If you're telling a story about princesses in towers slaying dragons, a scene that's suddenly showing some shepherd in another kingdom getting kidnapped by aliens is going to be jarringly out of place (and make your readers expect it to tie back in later, which, if you don't give it to them, they're going to feel betrayed).
But 'essential to the plot' doesn't (or shouldn't) preclude moments of downtime, moments of rest; scenes where the emotional arc of the story progresses, even if the physical/actionable arc doesn't. Anything that progresses the story, that gives more depth and/or changes things like characters' emotional states, your setting, the relationship dynamics absolutely aren't filler. They're necessary.
Every scene in your story should have a purpose. Even if that purpose isn't a rigidly defined step closer to the end goal. Your story doesn't have to be linear, it doesn't have to be a straight line from go to the finish line. You can wander into the woods because you saw a cool mushroom if you want! And now we know you're the sort of character who's easily distracted by shiny things; that's important to the plot!
Some of the best storytelling I've ever seen has taken this, and gone balls to the wall about it. Each scene doesn't just have one purpose, it has multiple. Which means you can get glorious moments of battle scenes that have incredible emotional depth where each move is an ode to that character's internal philosophy (and how it's breaking and/or solidifying), or moments of rest or introspection where nothing particularly dramatic happens, and yet the emotional shift the characters experience is pivotal to the main plot, and without it, the story would end very differently, simply because of the emotional and/or relationship arcs that change or strengthen.
Perhaps a better way to phrase it isn't 'every scene has to be absolutely necessary to the plot' but to remember to ask yourself 'how does this scene serve my story?'
i'm convinced that "a good story is one where every scene is absolutely necessary for the plot" is something hollywood execs and/or publishing corporations pushed on writers to make movies, shows, books etc that are both cheaper to produce and easier to sell: you don't need to spare the budget for "unnecessary" scenes, and you can get audiences in and out quickly with little barrier to entry. it's the kind of maxim that results in a very specific kind of plot structure that happens to sell well and is very uniform and digestible. and like, the "fast food" kind of fiction absolutely has its place and can be great, but it's extremely limiting to have corporate forms be accepted as The Objectively Good Way to structure a narrative
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