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• Dress.

Designer/Maker: Roberta de Camerino (Italy); Worn by: Wiska Listwan

Date: 1965-1969

Medium: Nylon jersey

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studio job in paper: tear fold rip crease cut - black dog publishing (2009)

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Julieta Szönyi in "Felix și Otilia" (dir. Iulian Mihu - 1972).

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vogue italia august 2000

“series 6: outer limits”

anouck lepere, talytha pugliesi, anastasia khozissova, raquel zimmermann & raica oliveira by steven meisel

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1882 Red Maternity dress

This high-style maternity dress, worn for public outings, clearly indicates that not all pregnant women were confined to the home. It also reflects the prevalent fashion for historicism. No one raided the previous centuries for inspiration more often than fashionable dressmakers of the nineteenth century. This maternity dress reflects design elements of the tea gown, such as Watteau box pleats, which Scottish costume historian Naomi Tarrant refers to as "the single most conscious adaptation of eighteenth-century dress." There is a polonaise-like bustle and drapery that was used quite liberally in the 1880s. Also, note the Elizabethan-inspired piccadill tabs at the cuff. This dress is a prime example of the deep, rich colors typical of the period.

Photos and description from MET

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viktor + rolf - artimo foundation (1999) 

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Vogue Japan May 2007 ‘’ Superbowl ‘’

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Vlada Roslyakova at Rick Owens SS10

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Cat Meow Machine, 1963. | This mechanical cat meowing device from Japan can meow ten times a minute, with the eyes lighting up each time. The idea was to use the machine for scaring rats and mice.

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Marie Eve Nadeau & Mariacarla Boscono Vogue Italia (April 2003)  ph. Deborah Turbeville 

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ab. 1942 Dark blue afternoon dress with ruffles and peplum by Robert Piguet (Paris)

regenerated cellulose, dark blue, satin weave, crepe de chine

(Kunstgewerbemuseum Berlin)

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The Decorator: Gloria Vanderbilt & Salvador Dali at the Surrealist Ball, 1941.

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Chair, 1855, India.

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Medical school, Newcastle, 1897

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Roj Friberg (Swedish, 1934-2016), Fasad [Facade], 1971. Pencil on paper, 87 x 123 cm.