skeptiquewrites

[skeptiquewrites]

#drarry #hp fan art

[skeptiquewrites]

Just Like Heaven

Draco Malfoy/Harry Potter || E || 6.1k

Summary:

Harry appears in London once or twice a year with a slow smile and no apologies. Draco hates Harry's hold on him and how easily they fall into bed, but he's helpless to resist. Only, this time, Harry shows Draco everything...and asks for so much more. Or, when your intermittent hookup winds up promising you forever. And he means it: forever.

There's also: powerful Harry, helpless to resist Draco, a little bit of smut, and a journey into the unknowable known.

Many, many thanks to @nv-md for excellent the beta! This fic started at a toxic hookup story but Harry pulled an uno reverse and whoops, there's something else at play. I had (still have) no idea how to properly explain it and when I sent it to Ali with the vague request to, 'um let me know if it works like...at all', she enthusiastically came along for the strange journey, provided amazing feedback, and assured me that it did work, even if neither of use really knew what happened. Sometimes stories do that *shrugs* and you just have to take Ali's advice and follow the muse.

Read on Ao3

#gorg #drarry fic rec

[skeptiquewrites]

Why Draco can't move on.

It's not because Potter's famous. Beloved. In the papers every damn day.

It's because there are pieces of Potter everywhere. In the faces of men Draco sees all around London, men with skin carved from tiger's eye, men with strong jawlines, men with holly green eyes that pierce Draco's heart.

50 words for the @drarrymicrofic prompt "Pieces"

#love it maester #the longing! #drarry ficlet recs

[skeptiquewrites]

It stands to reason that Harry’s holding groceries when he runs into Draco Malfoy for the first time in twenty years.

Well— doesn’t run into, exactly. No, more like peers through a shop window like a right barmy bastard, bits of overspilling lettuce brushing his arm and passers-by on Diagon shooting him strange looks.

Of course Malfoy has to look up from the till— because, yes, Draco Malfoy is a shopkeeper on Diagon Alley apparently— and see him goggling. So, of course, Harry has to step inside, as though he meant to make a stop at— right, yeah, Narcissus Needlework Studio— all along, holding brown paper packages of vegetables.

Malfoy’s frowning when Harry makes his way over to the till.

“I don’t want any trouble,” he says. “I’ve registered the shop, everything’s perfectly within regulation—“

“Trouble?” Harry blinks. “Oh, no. I’m not an Auror. Anymore.”

“I know that,” Malfoy says unhappily. “The whole Wizarding World all over Europe knows that. Only you’ve never left well enough alone, have you, Potter?”

Harry’s forty next month. He’s lived twenty years seeing hide nor hair of Draco Malfoy, and he’s never gone looking. Well, except for that one time when he was twenty one and went to the Manor as a trainee Auror for a— well, it was a routine check, really. And that other time when he was twenty five and thought he saw a man at a club who looked just like Malfoy from the back and was convinced for four months Malfoy was back in London and must be up to something if no one knew about it. And that time when he was thirty two— and, oh, alright, Harry hasn’t ever left well enough alone, not when it comes to Malfoy, at least.

This time, though, Harry really didn’t go looking. And it’s definitely Malfoy.

“I just wanted some— thread,” Harry says. A needlework studio should have some of that, shouldn’t it?

“Thread,” says Malfoy. He looks down, deliberately, at Harry’s lettuce.

“For Molly,” Harry says. “As a, um, birthday present. New shop on Diagon, thought I’d pop by. Seemed the place, you know. Didn’t know it was yours.”

Molly’s birthday, Malfoy doesn’t need to know, is in December. It’s June.

Malfoy continues to stare at him, until Harry’s unsure whether to get indignant about it all or turn tail and flee.

“Well,” says Malfoy before he can make a choice. “Embroidery yarn for you, then, Potter. Come along.”

-

“I’ll see you again, I assume,” Malfoy says at the end of what transpires to be a surprisingly smooth purchase.

Harry nods.

He only realises after he leaves that there’s no reason for him to come back. He’s seen it for himself— what Draco Malfoy’s up to these days. Nothing nefarious or suspicious, just yarn and needles and tapestries on Diagon.

Except, well, he’s committed now, hasn’t he? And Harry Potter’s a man of his word. He said yes, when Malfoy asked— Malfoy asked!— so he’ll be back.

And really, if he has to invent Hermione’s sudden new and passionate interest in needlework— well. That’s between Harry and his lettuce.

written for @drarrymicrofic’s prompt “sewing”. i just personally think harry james potter could be seventy five and still rapidly become obsessed with draco malfoy at any given moment.

#perfect #drarry ficlet recs

[skeptiquewrites]

HP Bodice Ripper Fest 2022 drarry recs

Here are some of my favorite fics from @hp-bodiceripper 2022. Listed in alphabetical order.

Good Boy by @lqtraintracks [15k]

This is a love story between a trans lad and his werewolf boyfriend. It’s about loving someone in their very furry entirety. It’s about being your true self and loving that self. It’s about getting absolutely railed.

Yours Truly by @skeptiquewrites [14k]

Every single one of Harry’s exes has gone on to marry the next person they date, and with the upcoming nuptials of numbers six and seven to each other, Harry’s feeling exhausted by it all. It doesn’t really matter if he lets people assume Draco Malfoy is his boyfriend for a moment of peace. In any case, Draco’s been away for five years and there’s no way he would find out, right?

I hope you enjoy these stories as much as I did!

#🥺🥺🥺 #thanks bridenore! #it means a lot #rec of my fic #nice things

[skeptiquewrites]

Malfoy was laughing then as he stepped closer, his hands coming up to cup Harry’s face. “You’re a bit of a mess, aren’t you?” Harry tried to turn his face away, but slender fingers held him in place, the pad of Malfoy’s thumb running along his cheek and catching on the start of stubble. “Mostly when you’re around,” Harry admitted softly, focused on the thudding pulse at Malfoy’s throat, the way the skin shifted around it, the freckle there under his ear.

Quote from Heart to Hearth by @jtimu, a beautiful fic with fantastic worldbuilding, competent Draco, and smitten Harry (Drarry, E, 6.8k)

#YES #quick quotes recs #drarry fic rec

[skeptiquewrites]

What parts of canon do you find the most frustrating/that you are dissatisfied with/wished that was handled better/explored more? Mine is the inconsistency of Voldemort as a character. How he is described as being perhaps the most talented student that Hogwarts has ever seen and so powerful and intelligent but regularly made such dumb decisions e.g. in the final battle where he still uses Avada Kedavra despite seeing it not work before. I like the explanation that Horcruxes rotted his brain

thank you very much for the ask, @sarafina-sincerity!

the parts of canon which i find the least satisfying all have the same thing in common: their morality is individualist.

the harry potter series has - at its core - a really profound and very black-and-white belief that good and evil not only exist but are rooted in the individual. and while i understand why this is the case - the later books in the series are governed by the genre conventions of folkloric epic and, especially, of christian folkloric epic, which means that the whole seven-book narrative arc ending in a battle between christ and satan after which all is well is only to be expected - i don't like it.

so here we are... ten things i hate about canon, for fanfic writers to win my heart by interrogating in their work...

i hate the series' insistence that everything is fine once voldemort is dead

the middle books in the series - especially goblet of fire - do a really interesting job at hinting at the endemic rot in the ministry of magic, and the ways that the state and its enforcers perpetuated harm during the first war that was indistinct from that perpetuated by the death eaters - above all the use of internment without trial for suspected death eaters [which is a reference to something the british state actually did in the 1970s!].

they show how widespread blood-supremacy and magic-supremacy is, even among people who don't openly support voldemort; how the wizarding population is kept deliberately ignorant by what appears to be state-controlled media; and how no serious efforts have been made to eradicated the conditions which enabled voldemort to attain such power.

this is then forgotten completely in deathly hallows, where the fact that almost the entire civil service keeps working for a government which is committing genocide is hand-waved away with "oh, people are scared", and both the epilogue and jkr's post-series writing take the view that kingsley manages, as minister, to preside over a government which easily sheds all its old prejudices and starts working properly.

i don't like this! i think it's just much more interesting for corruption to be impossible to fully eradicate from the government, for blood-supremacy to have long-standing causes which actually take a lot of very hard work to untangled [especially the fact that the wizarding world not appearing to have a welfare state means that those whose lives are poor or unstable are prime targets for radicalisation], and for kingsley to have the same capacity for leaning on the prophet and worrying about his polling numbers as any other politician...

i hate that the series changes how the death eaters are written between half-blood prince and deathly hallows

connected to this shift from the series hinting at the broader issues in the wizarding world to a flat battle between good and evil is that the death eaters, their aims, and their modus operandi are written very different between half-blood prince and deathly hallows. in the former, the death eaters can be situated very easily as anti-state sectarian terrorists who have all sorts of complex analogies within british history and politics. in the latter, they're just caricatures of pure evil - which is why the death eaters introduced from the latter stages of half-blood prince onwards, especially the carrows, are considerably less interesting as characters than those, such as lucius malfoy, barty crouch jr. and bellatrix lestrange, who are introduced earlier.

it's also why the voldemort of deathly hallows feels so uninteresting. i don't like the fanon that the horcruxes render him insane at all - when he's shown outside of the epic battle between good and evil in that book, he's shown to be as lucid and cunning as always - but he ends up having to flop because his only purpose in the overarching narrative is to be killed. in the earlier books, in which he's a paramilitary kingpin poisoning and corrupting a society which was designed to exclude him because of the fact of his birth in revenge for its treatment of him, rather than satan and hitler's lovechild, he is so much more interesting.

i hate the series' belief that slavery is fine

obviously, one of the biggest examples of state malevolence in the series is that wizards own slaves. like many readers, i loathe that the house elf plotline ends up being reduced from its potential for radicalism in chamber of secrets - in which dobby mentions whisper-networks of elves who decry their treatment at wizards' hands - to what we see from goblet of fire onwards - in which elves love being enslaved and think that any attempts to free them from their subjugation is cruel.

i also hate that elves' freedom is then hand-waved away as part of the general race towards "all was well" with the implication that hermione found it easy to undo what appears to be centuries of state-sanctioned oppression without any pushback at all.

the house elf plotline is one of the clearest distillations of the series' individualistic morality. harry abhors the treatment of dobby at the malfoys' hands entirely and only because he doesn't like the malfoys. he abhors voldemort's treatment of kreacher, but sees absolutely no issue with sirius' because he likes sirius - and he clearly sees no issue at all with his own legal mastery of kreacher, seeing as, literally minutes after the end of a war in which the good guys fought for the rights of muggles and muggleborns to be seen as fully human... he is considering ordering his slave to make him a sandwich.

i hate that the series doesn't show the realities of resistance

the reason i think the whole "why does voldemort keep using avada kedavra, isn't he supposed to be clever?" question arises is because the series is incredibly resistant to the idea that the good guys must have to kill as well, which makes it look like it's only the death eaters using it while the order use lots of clever magic that the stupid terrorists are too thick to think of.

this is idiotic - not only because the killing curse is canonically flawless unless the thing you're blasting is your own horcrux and so the order would use it for efficiency's sake alone, but because the reality of being a resistance fighter is that, even if you're on the "right" side, you are going to have kill people or they will kill you.

lupin is completely right in deathly hallows that harry is breathtakingly naive to avoid shooting to kill and that - without the protection of genre conventions allowing him to be preternaturally merciful - his resistance to killing is going to result in him being destroyed by the enemy. it is inconceivable that the rest of the order don't using the killing curse - and the question of what this does to their souls [is it murder if you believe yourself to be justified in your actions?] and their senses of self post-war is so interesting to think about - and i wish we were shown this in the text.

especially because molly absolutely blasted bellatrix with it.

but i also hate that the series thinks that violence is fine when the good guys do it

this is primarily another example of the black-and-white "this is fine because harry's good" theme which runs through the series, which we see in things like harry using sectumsempra on draco malfoy in half-blood prince or the cruciatus curse on amycus carrow in deathly hallows. harry's overarching response to committing attempted murder is to sulk that the incredibly minor punishment he receives is reducing the time he could spend hitting on ginny, and his response to torturing amycus is "lol. lmao."

the series thinks - again and again - that cruelty and violence are completely fine when the person they are perpetuated against "deserves" it, and it does not bang.

and that the series allows the good guys more complexity in characterisation

the role played by the house system in the story - and, above all, the fact that our heroes are all connected to one particular house with straightforwardly admirable associated characteristics - means that the villains receive less opportunity to also have positive traits intermingled with their negative ones - and, therefore, complex and interesting personalities.

i also dislike that when non-gryffindor characters - especially slytherins - do reveal themselves to be brave and loyal etc., instead of recognising that this is because bravery can be multi-faceted the series suggests that they should be recategorised as "belonging" to a "good" house.

or, in other words, me and dumbledore's "i think we sort too soon" line in deathly hallows are enemies for life.

i hate that the series blames merope gaunt for dying

and - of course - the main way a villain isn't allowed as much complexity as a hero is that the series never examines the impact of voldemort's childhood on his adult self. while we see hints throughout canon of just how profoundly affected he is by his institutionalised childhood and the weight of his grief over his parents [his mother especially] - such as him learning as a baby never to cry for attention because it's futile - this is hand-waved away throughout the series by dumbledore-as-the-voice-of-god as irrelevant. the eleven-year-old tom riddle is straightforwardly evil, that he grows up in an orphanage is used as nothing more than narrative colour to underline how creepy he is, and dumbledore's spectacular mishandling of their relationship is viewed by the series as undeniably correct right up to the very last moment [when harry imitates dumbledore by - and we should call it what it is - deadnaming voldemort in their final confrontation].

but the most egregious thing that dumbledore does when discussing the course voldemort's life takes is blame merope gaunt for her own death in childbirth, by implying that witches are immune to one of the most common causes of death throughout human history if they just try hard enough and then saying that a nineteen-year-old girl whose life appears to have been nothing more than unrelenting abuse and misery [perpetuated both against her and by her] lacked the moral fibre to try hard enough.

and this infuriates me.

i hate how the series treats female characters who don't fit its narrow spectrum of "correct" womanhood

merope is but one victim of the series' general issues with treating women who aren't its heroes - all of whom are exactly feminine and beautiful and clever and talented enough that we know they're good people, but not any of these things in an extreme which could make them vapid or arrogant or defiant of social norms or so on.

the series takes a very low view of women who exist outside of narrow boxes - whether they are interested in a hyper-feminine aesthetic [lavender brown, rita skeeter] or a more masculine one [marge dursley]; conform to stereotypes about being bitchy, flighty, or vapid [pansy parkinson, romilda vane] or refuse to adhere to social expectations to be polite, meek, and demure [fleur delacour]; are unmarried, are not inherently maternal, and/or are cruel to children [bellatrix lestrange; petunia dursley; dolores umbridge]; are unrestrained emotionally [cho chang; moaning myrtle] and so on. and i don't like it.

and i also hate that - connected to this - the series uses physical appearance - especially weight - as a shorthand for [female] characters we're supposed to dislike.

what it says on the tin, really - if the series doesn't like a character, especially if the character is a woman, you can almost guarantee that they will either be fat or be unusually thin.

and finally...

i hate that the series prioritises one form of love - love as suffering and as sacrifice - over all others

part of the series' march towards the epic two-person showdown between good and evil is that harry is made to endure trial after trial - including his death for the salvation of mankind - in the name of love. obviously this is because he becomes, by the end of deathly hallows an allegory for christ, but it also fits into the series' view - articulated most frequently by dumbledore - that love, suffering, and sacrifice are all synonyms.

the acts of love the series foregrounds - snape's willingness to endure anything because of his love for lily; sirius' willingness to rot in azkaban and caves and grimmauld place because of his love for james and harry; harry giving up a love that's like "someone else's life" with ginny so he can go die - are all sacrificial, and the series generally takes a dull view of love that is fluffy, silly, carnal, selfish, soothing, transformational and so on. lavender and bellatrix's open adoration of their lovers is mocked; dumbledore's sexual desire for grindelwald is punished by his sister's death; tonks and lupin's uncomplicated happiness in the birth of their son is not to last.

but happy endings and silly jokes and forehead kisses are love too. and the hill i will die on is that they have even more potential to bring about the salvation of the world than constant suffering and abiding.

#hp meta #very interesting #an excellent take

[skeptiquewrites]

author reclist: wolfpants

over the last few months, i've been devouring @wolfpants' works. ever since reading pages of you in two days, their rendering of harry, draco and a vast array of incredibly compelling side characters have irrevocably hooked me.

wolf is an author in enthralling motion. their fics often feature places, temporalities and contexts far removed from where canon holds & leaves us, while simultaneously being tenderly familiar, like coming home. wolf's sense of & grasp over setting leaves me breathless and dumbstruck. their different spatialities inform & infuse character in admirable ways, at various levels of craft, enjoyment and inspiration. this fandom knows and loves the draco and harry they give us, but we delight in discovering new dimensions & aspects of these characters. it's always done brilliantly believably, especially in the framework of the worlds they construct— a breath of fresh air in a forest where the trees still know your name.

wolf's works also demonstrate, sometimes explicitly, sometimes implicitly, a really significant political sensibility. most of their fics are set against backdrops tight with political tension bleeding into the characters' circumstances and interpersonal dynamics. whether through a spectrality haunting the narrative or the crucial central diegetic thread, wolf's works are layered, interrogating and collapsing delineations among private, public and political, between history and contemporaneity and between narrative and commentary.

in the interests of length & theme of this list, i've specifically selected some fics that, for me, showcase wolf's mastery & playfulness with setting, understood as deviations in place, time and universe. the broader recommendation is, of course, to check out everything wolf has ever written!

nightcall (E, 1k) ft. a long distance phone call

On a top secret Unspeakable misson, Harry calls Draco from a remote phone booth on the Isle of Skye.

a stunning portrait of desire, longing and familiarity that uses distance as a device to intensify every element. it's unbelievable how much character & context 1k words of (mostly) smut can pack in. the slivers of backstory demand your investment, inform the dynamic in crucial ways and set up some delicious stakes and tension. and some absolutely fantastic dirty talk. see also: @getawayfox's gorgeous art for this fic!

long haul (E, 8.6k) ft. plane rides, mile high club, nyc

The last person Harry expects to run into on a long haul flight to New York City is Draco Malfoy.

the way wolf writes movement— between places, between people— strokes its way up your spine, warms you, walks with you. draco and harry, buoyed in the air, let preconceived notions fall away, to be replaced by startlingly rapid and exquisite intimacy. the liminal settings, specifically, allow mature, open-minded, desirous characterisation & some of the most glorious, soft, tender sex to fall into like a warm bed.

look for me in the sun (M, 8.7k) ft. americana, roadtrip/on-the-run vibes

Harry and Draco are on the run in America after a mysterious string of werewolf-like attacks in the Muggle community causes the Ministry to impose new and harsh anti-werewolf legislation.

atmospheric writing dialled up to eleven, like the smell of ozone in the air before a thunderstorm. the sense of limbo— transience, out of place and time, the complication of home— that afflicts the circumstances of draco & harry here is heart-wrenching. a taut rumination on otherness in a variety of ways, rendered through some of the most tense and subtle writing i've encountered.

under giant mountains (E, 33.7k) ft. norwegian dragon reserves & rampant escapist tendencies

Harry doesn't know where he's going. Everyone else has their life paths figured out; he doesn't even know where his map is. Who'd have thought Draco Malfoy bathing in a Norwegian forest would be the guidepost Harry needed?

opens with harry, stuck in the same place for far too long, and draco, avoiding fixity like the plague. this fic looks at both stagnation and escapism as iterations of each other & treats them with the gentlest empathy. the norwegian dragon reserve setting, whose visuality wolf's writing captures beautifully, becomes the canvas to explore both. desire, here, was simultaneously so evident from the outset and took its time to build— longing tinged every interaction & payoff, in the form of a sequence of some of the most emotionally fraught sex scenes i've ever read, was that much sweeter.

romp and circumstance (E, 35k) ft. a historical au set in the 1800s, regency era england

Since the war, Harry Potter has gone from Saviour to Scoundrel—not that he’s complaining. With a schedule full of gorgeous men, alcohol, and late nights, why would he want to change? Enter Draco Malfoy: beautiful, sharp, and completely untouchable. When Draco comes to Harry with a proposition to help him attract an engagement, Harry’s up for it—after all, how hard can it be not falling for his former nemesis? Very hard, apparently.

the very first wolf fic i read, in a brief little fandom interlude back in 2022. i remember thinking, then, what an author, i'm really missing out these days. one of my favourite post-war harry characterisations— raucous, promiscuous, messy and at heart, a hopeless romantic. also one of my favourite draco characterisations— pristine, a little uptight, cool and distant and untouchable, except what he really wants is to be unbuttoned, messed up. the transforming sentiments of their relationship were so compelling, the build of harry's feelings was perfectly achey and tender and this draco was a complex, nuanced, frightfully sexy version that i just couldn't turn away from.

pages of you (E, 101k) ft. a 1980s non-magical au

Summer, 1980. Harry is floating between university and becoming a Real Certified Adult. He's not ready. He really isn't. In a desperate attempt to have the Best Last Summer ever, he takes a casual job at his godfather's bookshop in London, starts an illicit pen pal affair with a wordy posh boy that he's catching feelings for, all while dealing with the son of Sirius's business rival, one Draco Malfoy, insufferable know-it-all extraordinaire.

gosh, what a fic. sensitive and sprawling, this work brings the spatialities of london, sirius and remus' queer comfort of a bookshop and harry's room at the residence halls to pulsing, colourful, splendid life. i can still close my eyes and imagine the spaces this fic occurs in, how important they are to the push and pull, ups and downs of the dynamic between harry and draco. a coming-of-age/sexual awakening & exploration story, summer romance and queer political fiction rolled into one, this is a fic that's hard to summarise and easy to obsess over. perfect characterisations, writing that burrows into your soul and a plot that unfolds with the slow and steady depth of gentle lake.

and lastly, a fic that's on my tbr:

terrible people (E, 52.7k) ft. cruises, beach holidays and more of @getawayfox's masterpieces

What happens when Harry and Draco end up on the same Muggle gay cruise? They certainly didn't plan for it to happen (but their friends might have). They're stuck with each other for a week, they might as well make the most of it, right?

in conclusion: vivid, descriptive, immersive storytelling from an author who understands the intricacies of different narrative elements and leverages them masterfully. can't wait to read the works i haven't, and for everything wolf writes in the future!

#in this house #we love wolf #drarry fic rec

[skeptiquewrites]

This meme wouldn't leave me alone.

#LOL #hp fan art

[skeptiquewrites]

i think as a writer, the older you get and the more you read, the more you realize there are very few actual truly bad ideas. which is a relief. but! the other thing you learn is that stories live and die on the execution and ha ha. lemme tell you. unfortunately. there are lots and lots of bad ways to execute an otherwise fine idea

#exactly.

[skeptiquewrites]

“Are you,” Harry said, and swallowed, “are you fucking with me?”

Draco let out a shivering breath. “No,” he said, and added quickly and worried, “but since we’re being so communicative tonight and given your -- insane and thrilling honesty policy, I thought I should tell you that I’m still not very good at, um, monitoring my emotions or managing anything half-hearted with respect to you, so if you keep this up I’m probably going to fall in love with you, which will be very awkward for everyone involved.”

“Er,” Harry said. “Well. Wouldn’t mind.”

“Oh,” Draco said.

—Nice Things, by Aideomai

Love this fic so much. It’s like a warm hug.

#perpetual fave #drarry fic rec

[skeptiquewrites]

Fic rec:

After a nearly 10 year absence from writing H/D – Faithwood is back. I was lucky to be her beta on this monster and it's amazing. If you loved her writing before, you're going to be thrilled. If you aren't familiar with her – you're in for a treat. It's 10 chapters and she's posting one every week (or sooner if she can). Go…read…leave her love for coming back!!

Title: Beholden Author: faithwood Pairing: Draco/Harry Rating: Expicit Length: about 100k when she's done posting Genre/Content: Hurt/Comfort, Romance, 8th Year, enemies to friends to lovers, injured Harry Warnings: none Summary: Draco Malfoy might not be a killer, but it turns out he's an effective painkiller. If stopping pain was all Draco's touch did, things might not be so complicated, but either way Harry can't afford to be choosy. Beholden

#the way i am so hyped for this #drarry wip #in this house we love WIPs

[skeptiquewrites]

jegulus death drarry birth

#i want to go to here #the light! the LIGHT! #drarry #hp fan art

[skeptiquewrites]

Nightswimming by @sweet-s0rr0w

#!!!!!!!!!!!!!!!!!!!!!!!!! #is right #drarry #hp fan art

[skeptiquewrites]

Bound: What We Pretend We Can't See by gyzym

One of my auction winners for Fandom Trumps Hate requested this fic for their book. This is not their copy - this is one I made rather quickly because I had that familiar gotta-make-something compulsion. Their typeset will have more thought put into it, not just done in an afternoon to get it printed.

I also won't trim the bottom margin twice on the winner's copy. Oops.

#fanbinding #ficbinding #what a beaut #feral for that cover

[skeptiquewrites]

What are the latest fav Drarry fics that you’ve been lovin’?

i am delighted to share these recs:

spins madly on How We Throw Our Shadows Down Six Christmases Late Bloomers A Ghost in the Garden Boats, but Not the Ocean Can't Afford to Fall The Hogwarts Book of Carols Aural Gratification At the Doorway, On the Stair The Loathly Worm I Will Follow You into the Dark Between Myth and Man The Four Doors Oh, Sinnerman Winner Takes it All Nothing Gold Can Stay Former Things Come to Mind

And I'm going to plug the WIP I am currently following by the ever brilliant @mallstars with gorgeous art by @itsphantasmagoria :

Follies of an Ornamental Hermit

Happy reading anon!

#ooooo some of my faves and new ones to read #thank you for the rec of winner #drarry fic rec #rec of my fic #nice things

[skeptiquewrites]

writing patterns

Rules: List the first line of your last 10 (posted) fics and see if there's a pattern! Thank you for the tag @citrusses :)

I'm one shy of 10 published fics, but let's give it a go!

I seem to like a short first sentence, yeah? I kept this to first sentences only, and avoided putting the next sentence that explains a bit more in here. So, that's interesting! I actually think the short ones are better than the longer openers.

Also I like to catch people mid-stare, cool, cool.

where all the veins meet (E)

It was all Dean's fault, really.

2. Just Like Heaven (E)

Draco can feel him before he speaks.

3. The Boys of Summer (E)

Draco shrugs off his coat, hair staticky, and kicks the door shut behind him.

4. Touch Your Lips Just So I Know (E)

Harry stares at the snow falling outside the window as the fire burns low and the shadows grow long.

5. Heart to Break (M)

Draco's skin prickled, and he knew.

6. Never Miss a Day Again (T)

Draco sidled up—he actually sidled, there was no other word for it—and leaned on the counter next to Harry, who was making margaritas at Hermione and Ron’s taco Tuesday.

7. All These Things and More (M)

Harry pulled at the collar of his dress robes.

8. Back From the Raging Blue (M)

Draco stared at the ceiling.

9. The Greenhouse (M)

Draco stares at the fanged geranium growling on his worktable. 

Everyone else has already done this so I'm tagging to be like...hey. hi, hello I did this as well, can we continue to chat here. @arminaa8 @nv-md @tackytigerfic @skeptiquewrites @tackytigerfic @academicdisasterfic @lqtraintracks

#i know i have to become a completionist because #to read #fic rec #drarry fic rec