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sm00ke-rings · 3 years

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I am so excited. A color by STICKER🤩

#creative #colorful

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sm00ke-rings · 3 years

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Alayna Danner - https://www.pixiv.net/en/users/17806282 - https://twitter.com/windrune - https://www.facebook.com/alaynadanner - https://www.artstation.com/alayna - https://www.deviantart.com/alayna/gallery/all - https://www.instagram.com/alaynadanner

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sm00ke-rings · 3 years

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tiredmaid / instagram

ps: this is an edit created by me, not a real anime/manga.

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sm00ke-rings · 3 years

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It's taking so long, but this is the next work in progress 🎨 Using acrylic and wet media paper

#original art #acrylpainting #work in process

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sm00ke-rings · 3 years

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Some of my old artwork😎✏

#my artwrok #pencil #drawing

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sm00ke-rings · 3 years

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Does anybody else's kitten do this? Coco will "nummy" my bathrobe for as long as I let her. Turn on the sound, you'll hear the sucky noise😂

#kittens #my kitty #cat things

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sm00ke-rings · 3 years

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Does anybody else's kitten do this? I call it "nummying". She will suck on my bathrobe for as long as I allow while purring. Turn the sound on, you can hear the sucking noise😂

#kittens #my kitty #cat things

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sm00ke-rings · 3 years

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sm00ke-rings · 3 years

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Some of my recent art. I'm really trying to practice more to start a real, professional portfolio.

Feedback and advice would be much appreciated 🎶

#my artwrok #painting #pens and pencils

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sm00ke-rings · 3 years

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Already posted/talked about how excited I’ve been for the release of this newly-published book (Decolonizing “Prehistory”: Deep Time and Indigenous Knowledges in North America – 2021). But here are a few other cool-looking newly-published books (with publisher’s descriptions) from the same publisher, the University of Arizona Press.

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From the publisher’s description: “Decolonizing “Prehistory” combines a critical investigation of the documentation of the American deep past with perspectives from Indigenous traditional knowledges and attention to ongoing systems of intellectual colonialism. Bringing together experts from American studies, archaeology, anthropology, legal studies, history, and literary studies, this interdisciplinary volume offers essential information about the complexity and ambivalence of colonial encounters […] and their impact on American scientific d!scourse. […] Constructions of America’s ancient past – or the invention of American “prehistory” – occur in national and international political frameworks, which are characterized by struggles over racial and ethnic identities, access to resources and environmental stewardship, the commodification of culture for touristic purposes, and the exploitation of Indigenous knowledges and histories by industries ranging from education to film and fashion. The past’s ongoing appeal reveals the relevance of these narratives to current-day concerns about individual and collective identities and pursuits of sovereignty and self-determination, as well as to questions of the origin – and destiny – of humanity. Decolonizing “Prehistory” critically examines and challenges the paradoxical role that modern scholarship plays in adding legitimacy to, but also delegitimizing, contemporary colonialist practices.”

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The Dine Reader: An Anthology of Navajo Literature – 2021.

This wide-ranging anthology brings together writers who offer perspectives that span generations and perspectives on life and Diné history. The collected works display a rich variety of and creativity in themes: home and history; contemporary concerns about identity, historical trauma, and loss of language; and economic and environmental inequalities. The Diné Reader developed as a way to demonstrate both the power of Diné literary artistry and the persistence of the Navajo people. The volume opens with a foreword by poet Sherwin Bitsui, who offers insight into the importance of writing to the Navajo people. The editors then introduce the volume by detailing the literary history of the Diné people, establishing the context for the tremendous diversity of the works that follow, which includes free verse, sestinas, limericks, haiku, prose poems, creative nonfiction, mixed genres, and oral traditions reshaped into the written word. This volume combines an array of literature with illuminating interviews, biographies, and photographs of the featured Diné writers and artists.

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Moral Ecology of a Forest: The Nature Industry and Maya Post-Conservation – Jose E. Martinez-Reyes, 2021

Forests are alive, filled with rich, biologically complex life forms and the interrelationships of multiple species and materials. Vulnerable to a host of changing conditions in this global era, forests are in peril as never before. New markets in carbon and environmental services attract speculators. In the name of conservation, such speculators attempt to undermine local land control in these desirable areas. Moral Ecology of a Forest provides an […] account of conservation politics, particularly the conflict between Western conservation and Mayan ontological ecology. The difficult interactions of the Maya of central Quintana Roo, Mexico, for example, or the Mayan communities of the Sain Ka’an Biosphere, demonstrate the clashing interests with Western biodiversity conservation initiatives. The conflicts within the forest of Quintana Roo represent the outcome of nature in this global era, where the forces of land grabbing, conservation promotion and organizations, and capitalism vie for control of forests and land. […] The Maya Forest of Quintana Roo is a historically disputed place in which these three questions come together.”

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Food Plants of the Sonoran Desert – Wendy C. Hodgson, 2015

“The seemingly inhospitable Sonoran Desert has provided sustenance to indigenous peoples for centuries. Although it is to all appearances a land bereft of useful plants, fully one-fifth of the desert’s flora are edible. This volume presents information on nearly 540 edible plants used by people of more than fifty traditional cultures of the Sonoran Desert and peripheral areas. […] Food Plants of the Sonoran Desert includes not only plants such as gourds and legumes but also unexpected food sources such as palms, lilies, and cattails, all of which provided nutrition to desert peoples. […]

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Moveable Gardens: Itineraries and Sanctuaries of Memory – 2021

“Moveable Gardens explores how biodiversity and food can counter the alienation caused by displacement. By offering in-depth studies on a variety of regions, this volume carefully considers various forms of sanctuary making within communities, and seeks to address how carrying seeds, plants, and other traveling companions is an ongoing response to the grave conditions of displacement […]. The destruction of homelands, fragmentation of habitats, and post-capitalist conditions of modernity are countered by thoughtful remembrance of tradition and the migration of seeds, which are embodied in gardening, cooking, and community building. Moveable Gardens highlights itineraries and sanctuaries in an era of massive dislocation, addressing concerns about finding comforting and familiar refuges in the Anthropocene. […]”

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La Raza Cosmetica: Beauty, Identity, and Settler Colonialism in Postrevolutionary Mexico – Natasha Varner, 2020

“In the decades following the Mexican Revolution, nation builders, artists, and intellectuals manufactured ideologies that continue to give shape to popular understandings of indigeneity and mestizaje today. Postrevolutionary identity tropes emerged as part of broader efforts to reunify the nation and solve pressing social concerns, including what was posited in the racist rhetoric of the time as the “Indian problem.” Through a complex alchemy of appropriation and erasure, indigeneity was idealized as a relic of the past while mestizaje was positioned as the race of the future. This period of identity formation coincided with a boom in technology that introduced a sudden proliferation of images on the streets and in homes: there were more photographs in newspapers, movie houses cropped up across the country, and printing houses mass-produced calendar art and postcards. La Raza Cosmética traces postrevolutionary identity ideals and debates as they were dispersed to the greater public through emerging visual culture. […]”

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No Species Is an Island: Bats, Cacti, and Secrets of the Sonoran Desert – Theodore H. Fleming, 2017

“In the darkness of the star-studded desert, bats and moths feed on the nectar of night-blooming cactus flowers. By day, birds and bees do the same, taking to blooms for their sweet sustenance. In return these special creatures pollinate the equally intriguing plants in an ecological circle of sustainability. The Sonoran Desert is the most biologically diverse desert in the world. Four species of columnar cacti, including the iconic saguaro and organ pipe, are among its most conspicuous plants. No Species Is an Island describes Theodore H. Fleming’s eleven-year study of the pollination biology of these species at a site he named Tortilla Flats in Sonora […]. Among the novel findings are one of the world’s rarest plant-breeding systems in a giant cactus; the ability of the organ pipe cactus to produce fruit with another species’ pollen; the highly specialized moth-cactus pollination system of the senita cactus; and the amazing lifestyle of the lesser long-nosed bat, the major nocturnal pollinator of three of these species. […]”

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Whale Snow: Inupiat, Climate Change, and Multispecies Resilience in Arctic Alaska – Chie Sakakibara, 2020

“Whale Snow explores how everyday the relatedness of the Iñupiat of Arctic Alaska and the bowhead whale forms and transforms “the human” through their encounters with modernity. Whale Snow shows how the people live in the world that intersects with other beings, how these connections came into being, and, most importantly, how such intimate and intense relations help humans survive the social challenges incurred by climate change […].”

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sm00ke-rings · 3 years

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MY GRANDPA WANTED TO BE AN ARTIST

BUT HE HAD 7 KIDS AND A WIFE TO FEED SO HE ENDED UP OWNING A GROCERY STORE AFTER SERVING IN WW2

TODAY MY DAD WAS CLEANING THE HOUSE AND FOUND SOME PENCIL DRAWINGS THAT MY GRANDPA DID AND ASKED IF I WANTED TO HAVE THEM AND I