smallsaltysquid

[smallsaltysquid]

@ straight people:

Honestly what the fuck

[smallsaltysquid]

i don't know man, i just wish that we could [suddenly realising i'm coming dangerously close to expressing a real and earnest thought instead of filtering everything through several layers of intangible running bits] blow up the entire world. or something.

[smallsaltysquid]

thinking about this message from me mam that she sent me back when i was in uni. it literally is just a pinprick in the tapestry of life!!

[smallsaltysquid]

#pikmin

[smallsaltysquid]

do you remember him

[smallsaltysquid]

babygirl you look like an absolute angel tonight (there is a streetlight behind you and i have astigmatism)

[smallsaltysquid]

(to the tune of working on the railroad) iiive been working on the railrooad

[smallsaltysquid]

#gregg araki #fashion #yay this post

[smallsaltysquid]

tradgedy enjoyers when you look into the eyes of your worst enemy and can only see yourself

[smallsaltysquid]

I don’t care about it at all (I have carried its weight around like a rock on my chest since the very day it happened)

[smallsaltysquid]

[smallsaltysquid]

[smallsaltysquid]

Traitor's Requiem key animation illustrations by Takeshi Morita

#jojo's bizarre adventure #art

[smallsaltysquid]

Tumblr Code.

If I ever see any of you in public, the code is horrifying weapon attack

[smallsaltysquid]

its so brave that you have such a 2012-coded url in this 2024 world

would you call a bear brave for standing in a new construction suburb or would you recognize the unfamiliar world they built around him

[smallsaltysquid]

it is so jarring and weird when a fantasy book is like “ok let’s go around the circle and have each character talk about which lgbt umbrella category they identify with” like ok your fantasy world doesn’t have to be feudal europe but can it not be 2023 twitter please

[smallsaltysquid]

In her song Rainbow Dress, Taylor Swift describes the position of her purported "straight sex" in relationship to what Gayle Rubin terms the charmed circle of sexuality, wherein any sexual behavior outside an accepted range can only be immoral. When it comes to the vectors of heterosexual versus homosexual and vanilla versus kinky, her "just normal sex, nothing too weird" with a "regular hunk with a beard" is positioned inside this charmed circle. Yet the most glaring exception is that her sex is public--at the gay pride parade, no less. The hunk she desires has no name, no specific relation to her, and she makes no pretense of monogamous attachment. Her apparently ironic participation at the gay pride parade draws from Michael Warner's anti-identitarian critiques of tendencies that elevate sexual orientation above other maligned sexual practices and detach queerness from sex altogether. Swift's sexuality is clearly informed by queer perspectives: the erotic fixation on ball sweat evokes gay sadomasochist "pig" subcultures, and her claim that she hates her own vagina invites a multiplicity of pleasure possibilities that do not involve direct genital stimulation. The push and pull in her lyrics between straight nomenclature and queer imagery builds upon Eve Sedgwick's critiques of heterosexual-homosexual binarism in Epistemology of the Closet, and attuned listeners know that the question of queerness "hidden inside" cannot follow such an either-or formulation.