The Crunch
The Candidacy Campaign Caravan has struck town
a full nine moons ahead of its natural term,
broaching sewer mains into Student’s Lunch-Milk,
into their Lunch-Milk Reserves –
Following incorrect emergency instructions,
I skirted the most heavily-advertised zones
only to find myself skreeking in pain as
the lurid yellow bile sloshed everyone’s ankles -
but my protests brought only sad sneers of surprise to see,
to see I had failed to inflate my Official Pontoon Shoes
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runaway
Lost among the nymphs of Halicarnassus
jet black pupils, viking hair and toenails
rimed with salt from panic splashing through
the harbor-fingers, chased by mad ecstatics
rising from the thundering late-day nimbus,
a chilling gusty chaos in the fairground’s
pebbled bloody downslope –
The same bright sunburnt face comes reeling out of
manzanita dust devils, beating out sparks, arms flailing
wildly to flag a truck ride in the smoke,
knocking bleeding bare-kneed on the doorstep
headlong red-eyed into the suffocating cab
gabbling wildly in dialects from three continents
get down, down the hill –
In warscapes bent and drilled into rat mazes
where only breathing matters and it’s only
good for running just keep running, twist and dodge
the bright hair’s burnt off keep on making for
the clear air don’t hear see just with side vision
stay on the bounce and if slowed up crash through it
but don’t fall down –
That same half-grown strong scarecrow cut and running
(can’t be refugee for lack of refuge)
I’ve seen her now in three successive nightmares
by miracle un-maimed, time after time,
but nothing in those eyes but grabbing frantic
motion and cracked reflections of a world
with the brake lines cut
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“This summer is so much sadder than the other one.”
- Ada
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Elephant Times
Elephant foot, tromp, tromp,
knows not how to step but only stomp.
How many delicate details squirm
down in the brown mud with the trodden worm.
When the soul gets shaken and rattled enough,
the body can only strike out rough.
Blundering cross a landscape dim,
favoring one corkscrewed limb.
I once imagined the best I’d seen
lived in the tiny spaces between.
Could never make out what they was,
just a quick glimpse and a soothing buzz.
But usage, distraction, and elephant time
wore down the edges of real-world rhyme.
No matter, the New York Times just said
it's a century since poetry’s been dead.
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fantasy
Tired hours are spent on rummaging through
my poor soiled stock of memories.
But if I could bear one touch of your hand,
we’d turn aside down golden ways.
If you could follow me round this bend,
I’d reveal for you the uprising of
clear springs that glitter in early light
that give all living things their love.
Were you to sing me one slight song
we’d find a clearing among the trees
where in the whispering of the boughs
we’d fall in wonder on our knees.
If you could flip one shiny coin
to me in the mystic blue of dawn,
we’d climb a hill all veined with silver
and come up where sunrise is born.
Were you to run and I give chase
we’d splash through rushing rapid streams,
stirring up storms of fishes and birds
to swirl round us like crazy dreams.
If you laughed in my sweating face,
the echoing cavern rocks beyond
would ring like bells with your high sweet voice
and build cathedral clouds of sound.
Were we to creep among the grass
where secret mysteries lurk and spring,
we’d know as only the two of us could
the inner fabric of each small thing.
And if we jumped from the highest cliff,
you’d find we would so easily soar
with the willfulness of the current winds
you’d chose never to walk no more.
And if then with the setting sun
I had to watch you leave me there,
my tired memories would weigh no longer
dispersed in the vast encircling air.
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Newsprint
It used to come off on your fingers,
but now it shoves spikes in your head.
The measured opinion of all editorials
Is that we’d be better off dead.
You tried to suck up to the working class,
but they know you’re not their kind of folk;
for fun they poke holes in your noggin with hammers,
and then act as if it’s a joke.
The more they spin round at the ballot box,
the deeper we get in a hole;
the world has decided the monsters are here,
so it’s rock bottom cheap for their soul.
Just watching your neighbors destroy themselves
was supposed to have gone out with the Flood –
but these maggots with hammers and zip ties
will settle for nothing but blood.
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Fragile links
You have to give a password first, if you expect
to give close secrets and be getting in return.
A kind of pledge that you have something real to spend.
Look for this gift down where you store your own mistrust,
where creaky suits of armor guard embarrassments
and shame - the fragile things that really weigh you down.
When I review my smallish stock of mine-to-give,
facetious misery seems the closest thing to hand.
But if I think of trimming that with glitter, so
to turn it into something more spectacular –
get this, I swear you haven’t heard it more than once -
I’m guessing that your gloom will fail to be impressed.
We lived on top of one another, miles apart.
The pain to you was chutes and ladders, mine looked more
like Esperanto Scrabble. How can telescopes
see into each the other when their coordinates
don’t match up even slightly? Two deaf mountaineers
on a midnight cliffside, each with half a rope.
And if we now bump heads together under cover,
how would it be if our realities, jam-packed
against each other in the middle night, might then
turn out to be half-real, disguises and maneuvers…
Like our early rounds, the sly duets in which
the winning or the losing felt the very same.
So much for what experience tells us not to do.
We’ll trail off, like before. We’ll roll on separate rails.
Of course, there is the other, senseless way to go:
say screw it all, butt noses, and then actually try
to look each other in the brain. And if we reach
critical mass, and blast free of our minds, amen.
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Frowns
I am the kind of person who brings out
in others some dependable misgivings.
They’re frowned upon – my habits, tastes, loose living;
the general take on me is full of doubt.
I’ve let my earthly corpus go to pot.
My manners don’t impress an alley cat.
I don’t smile much; the reason behind that,
two teeth are absent simply due to rot.
The funny thing about that – when you frown,
it don’t expose the frowner’s faults a bit.
I often use my face for disapproval;
cause when I take the time to look around,
I think a lot of people look like shit,
regardless if their teeth have had removals.
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lubricious
glistening
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multiple moons
(To set the scene, you are outside the towns.)
This one same moon discharges light below
in countless tones depending on the eyes -
bone marquetry, the dispossessed princess;
a vixen’s breath, the grey fox sharp with lust;
the sunrise, dying soldiers in the mud;
a sneaking path, the murderer for hire;
a sickly pallor, priest of little faith;
a failing torchlight, gatherer of grubs;
a lying ladder, boy caught in a dream;
a ghostly lantern, miner’s widow poor;
a false complexion, lover who’s a fool;
a wink of mocking, old man lost at sea.
She takes her palette from the scene abroad,
since everything’s reflection of all else.
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A LOUD IAMBIC STREETCORNER AT NIGHT
Loose-lipped and loopy liquids mix into
a goddam Brooklyn streetcorner at night
the laughers drift away from Farrell’s first
and clog up in the nooks and sidewalk bumps
in range of the dismally stage-lit Park
It's hard to tell what’s funny just by listening
except they’re doing it right under your window
but you can hear these far-ranging discussions
that need to be hashed out right now at volume
till some sloshy old synthesis is reached
The last act is machines rattling to life
of which some are the private local carters
but then right in the belly of the night
the buzz saw sharp thrombosis of the engine
the hogchopper that lives just down the block.
It's like they’d do anything but go home
Like their place is the final square, you lose
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nobody home
Fat fingers across the sun
meddle in and out my window
these pudgy digits wave, mocking
is there anyone in there anymore
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Moonlight Sonnet
The aura of our most exquisite song,
the vision where love holds its bated breath,
the dimness which so often guides us wrong,
the pallor that resembles most a death;
That mystic air, it rules our highest dreams -
the casting of the moon’s bright candle round,
and in the spell wrought by its limpid gleams
our nearest hopes may founder, swirl and drown.
I’ve lingered underneath your sovereign sway
while sunk in music, poems, or surmise;
and found myself after the break of day
that much more sure in love, that much less wise.
Oh lustrous semblance pouring from the sky,
is there no moon on which we can rely?
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Poem muttered around a $10 Hoyo de Monterrey
The two of me don’t see eye to eye
possibly coz there’s each t’other
side of the head.
times I think they shoot white vs black
except all the targets are shades of
bland or beige
Is it just a woman/man gap in me that phony enormity
but then am I stuck with an ersatz freak totem
stead of a man
The concepts don’t settle anything the symbols
stumble maybe if I could get this stinking
paci outa my mouth
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Money Changes Everything
Except Character Defects
(and the population count of intestinal fauna)
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a rare invaluable life
intricately parallel
in which everyday events are
somehow the stuff of dreams
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Unsaid Sonnet
So there’s no chance of new things from our head,
of having missed one something since the Fall;
since all the things that can have all been said -
except the things which make no sense at all?
What if this moment is a starting flag,
not muteness but the final verbal craze?
To string all things together with no gag,
a rule-less, shameless bursting end of days?
The species’ last tremendous raging shout,
each pore, each stoma yawning gaping wide -
the final word that is what it’s about,
the last roundup where streams of time collide.
If unsense outstrips sense, can it be bad?
Just deal with it, people, or else go mad.
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