if i had a nickel for every time i watched something that used a performance of Tosca (the opera) as the backdrop for a scene which progresses the plot, i’d have two nickels, which isn’t a lot but it’s weird that it happened twice
(peaky blinders s1e2 and james bond quantum of solace)
also they used the exact same scene/music from Tosca act 2 lmfao
I am simultaneously deliriously in love with the ending of Loki season 2 and absolutely loathe it
On one hand…Shakespearean tragedy at its finest, essentially circling back to Loki’s original Thor 2011 character arc by reversing it, and Loki has literally ascended to godhood. In the end, Loki’s ultimate selfless sacrifice was to sit upon the highest throne in the multiverse, and that to me is tragically ironically beautiful
On the other hand…Loki being alone makes me want to burn Marvel studios to the ground and do other unspeakable things
"Oscar winner Eddie Redmayne reprises his Olivier-winning performance as the Emcee alongside Gayle Rankin as the Toast of Mayfair, Sally Bowles. Broadway pre-sale access at kitKat.club". Video trailer
I keep thinking about Mobius noticing Loki acting different. About how he was the ONLY one who noticed, and he wasn't calm and collected about it. He grabbed hold of Loki's suit and didn't let go, because touch is how they communicate seriousness. He said what the SHIT are you doing Loki? What the shit are you going to do? This is *not* how you normally act and you're scaring me.
what's the most annoying ooc behavior you've read in a hannigram fic?
I'll go first: post season 3 will behaving like s1 will: conflicted, high moral standards, only kills "bad" people, has no sense of style. like excuse me did you actually watch s3? that whore is all stylish and shit by the end of it, out of his mind and probably whistled while helping H cook Bedelia's leg.
pls, post s3 will is the cuntiest, brattiest, most refined murder slut to ever exist.
I'll absolutely do a more in depth and cohesive look through this song but I adore I, Carrion and I need to talk about it.
The way Hozier manages to convey the feeling of wonder and freedom and newness of Icarus taking to the skies. The tragedy of Icarus' beloved being his own undoing? The way Icarus so easily accepts his end, as if he can die happily having now known the love he's never before had? The desperation in the way Icarus prays that should he fall, he is still able to cling to his love til the very end?
And God this bridge? The way Icarus acknowledges that he isn't and never could be apart of the world he's known to love. Allow the ground to find its brutal way to me? You expect me to be normal after hearing that?
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