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Mark West at a83

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Jeremy Deller

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Hito Steyerl

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Village of Masset, Haida Gwaii

#totem pole

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#benfrost #aircraftcarrier #music

#Vimeo

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Tsarskiy Kurhan, Crimea, Ukraine

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#LA #graffiti #abandoned #condo #tower

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Left X and IG, going back to old school TMBLR

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Andrea Branzi, 1969, Research for “No-Stop City” theoretical project of a diffuse metropolitan system

#utopia #no-stop-city #andrea branzi #archizoom

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Gareth Damian Martin, Postcards from The Continuous City, 2018

#gareth damian martin #video game design #architecture

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Wang Zigeng, Manufacturing Human

at Shenzhen Bi-City Biennale 2019

#wang zigeng #shenzhen biennale 2019

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MORITZ VON OSWALD: AKKLAMATION / ANTENES / BRITTON POWELL

live at ISSUE PROJECT ROOM on Sat 1/18/2020

#moritz von oswald #issue project room

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This is one of the really interesting methods used by scientists to discover the information shared in Skunk Bear’s new video:

The level of carbon-14 in the atmosphere will soon be indistinguishable from pre-1940s levels, so this method won’t work for much longer.

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[ ] LAKE SHORE DRIVE APARTMENT_MIES VAN DER ROHE_1948_CHICAGO

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JG (v2)

Graphics demo by Arthur Rakhteenko features interactive 3D scene which is rendered using Impressionist painterly strokes as particles (in the video below, the effect appears three minutes into it):

The “painted” effect wasn’t planned. Originally I only had an idea to render a natural scenery of a certain kind, and I wasn’t ready to spend a whole lot of time on it. It became clear to me, a “realistic” approach won’t work, resulting in either very mediocre visuals (due to engine limitations and the complexity of real-time vegetation modeling), or a whole year of trying to catch up with Crysis. So it wasn’t the way.

What I really wanted is to preserve the atmosphere, the feeling, avoiding ruining it with technical limitations.

A demo for PC can be downloaded here

More background on how this was technically done can be found here

[H/T: @fluate]