stainedglassthreads

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Poll for writers and artists

Whether you write fanfic or original works or paint/draw, be it fan art or original work or whatever else - I have to know, because I have a feeling this is going to be very decisive:

Please reblog for sample size!

#wait i voted wrong on the last one i didn't see WITHOUT using ai #anyways. #someone stole my fucking novel fed it through an ai and put it up on amazon kindle once #didn't even bother changing names and important terminology. used ai-generated nimona fanart for a cover #i skin alive the next person who fucking does that

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i think if you're participating in a fandom yet vehemently hate the source material it's probably time to move on to another fandom instead of wasting your time constantly criticizing the source material and/or those who genuinely enjoy it

#may i also suggest: slowly work it into something just purely original #go crazy with it

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bail funds for pro-palestine activists

a15 bail and legal defense fund (supporting community members criminalized in the us for solidarity with palestine)

university of texas at austin students bail fund venmo @ psc_atx (livestream)

columbia students bail fund venmo @ bcabolitioncollective

the palestine legal defense fund supports acitvists across the united states

palestine legal defence also supplies free legal support for activists

the national bail fund network may update with local bail fund efforts as events continue to unfold

this list is updated as of 24 april 10pm EST. i'll try to update as i find further bail funds and legal supports: if you know of other funds or if information shared here is incorrect, please reblog with updated info (+ a timestamp) so people can give and access support.

palestine will be free, solidarity forever 🍉 🇵🇸

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i think it is important to recognize the ways in which your favorite thing sucks. i think it keeps u normal

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something that's easy to miss when we talk about problematic tropes about marginalized characters is that a LOT of them are fundamentally really just side effects of the fact that the story is so rarely ABOUT those characters. women get shoved in refrigerators to motivate male characters because the writer never cared about the woman as a character in her own right in the first place, just about her effect on the man, and this is just where it's becoming really obvious. characters of color get to be wise mentors or quirky sidekicks because the writer liked the idea of a diverse cast in theory but wasn't willing to write a non-white lead and those are the good-guy roles that are left. if you want to do better the answer is usually not to go down a checklist of problematic tropes and make sure you're not doing any of them, it's to treat marginalized characters as fully realized people with agency and narrative focus in the first place, and if you're doing that right a lot of this will follow naturally.

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(tags from @ferronickel ) #huh. thats super interesting#i'd never thought about that#ralsei kinda coaches us on block puzzle basics early on right?#(in case we hadnt ever seen them before)#but rouxls definitely doesnt#thats really cooland subtle actually#i cant remember does someone explain the rules of the house puzzle/minigame thing with rouxls in the acid tunnel part of ch 2?#it'd be interesting if it were ralsei again#it'll be really cool if future chapters keep this up I think youre right that rouxls could become a really intimidating boss in that case

I went to check Deltarune playthroughs to see if that was the case. So what appears to happen is:

-Partway through the Acid Tunnel, to proceed further you have to do a few variations on the mini-house puzzles, mostly activating switches by changing their colors so you can get the swan boat unstuck. No one specifically explains how to do this, but it's close enough to earlier switch- and mouse-puzzles that it's easy to figure out alone.

-Upon first enountering Rouxls' house-puzzle, Ralsei wonders 'can we change the colors of these houses, too?' So he doesn't specifically give you directions, but he does intuit a pretty big clue about what the goal of the game is. Rouxls appears right after this, and doesn't acknowledge what Ralsei said.

-When the battle begins properly, the Act-descriptions explain how to move and select houses, but neither Ralsei nor Rouxls says anything diagetic about it I don't think.

Referenced using this video, first House Color Puzzle happens around 19:17, Rouxls encounter begins around 26:00.)

So...he really might not realize that all his puzzles are things the Fun Gang have encountered before, in-universe even... If he just set up shop in the first area of a new Dark World, he'd increase in difficulty by a lot...

(Edit, shortly after the battle begins Rouxls DOES explicitly say 'whoever takes the most houses wins,' but that remains all he says diagetically.)

I just realised something about Rouxls Kaard that's... kinda blown my mind a little.

It always struck me as so odd, how confident he was that we wouldn't be able to beat his "puzzles" in Chapter 1. You know, the ones where you push a block one or two spaces onto a switch. He seems so sure that he has thwarted the Fun Gang, and is genuinely flabbergasted when it's solved in a matter of seconds. The whole thing's set up like a joke - haha, look at how stupid this poser looks, thinking he's outsmarted us with such a basic puzzle we've seen thousands of times before. Honestly, I didn't give it much thought afterwards, aside from the odd titter.

But then I learned about the concept of the Magic Circle - the contract entered into by a game and its player(s) that binds them to follow the rules of that game in order to participate, and ultimately win or lose. For this to work, a set of rules need to be agreed upon beforehand, whether that's by the game telling you what they are, the players coming up with their own, or memorising them through repetition and familiarity.

Now, us gamers have seen block-pushing puzzles like these hundreds, if not thousands of times before, so we already know what the premise of RK's puzzle is - push the block onto the switch. We don't even have to think about it for more than one second before we've fully understood the terms of the "game" we've engaged with him, and trounce it with minimal effort.

So guess what we also don't think about? The fact that Rouxls Kaard does not ever explain what the puzzle actually IS, much less what the rules of the puzzle are. And this is why he seems so damn smug about his "Ultimate" puzzles - because he assumes that we don't know what those rules are, and so will flounder around at a complete loss, and at his complete mercy.

(he also doesn't account for trial-and-error, apparently...?)

Now, this establishes something terrifying - Rouxls is under absolutely NO obligation to tell the participants of his puzzles what the rules of those puzzles actually are. And that's fine when you're dealing with something as rudimentary and ubiquitous as a block-pushing puzzle, but scale up the complexity even slightly and this self-aggrandising Duke of Puzzles could very well become an absolute menace. Which makes me a little concerned about his appearances in future chapters.

And if he ends up becoming a secret boss... then God help us all.

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On related note, a few years ago, the Entomological Society of America officially discontinued the use of "gypsy moth" and "gyspy ant" as common names for Lymantria dispar and Aphaenogaster araneoides. L. Dispar is now known as the "spongy moth," so named for the appearance of their eggs, but I don't think a new common name has caught on for the ant species yet.

These changes we brought about, in large part, by the advocacy of Romani people in academia. You might not think that bug names are a very serious issue, but I believe that language matters. These species became known as "gypsies" because their attributes were likened to certain stereotypes and negative perceptions of actual Roma, so the continued use of those names reaffirmed those negative associations in the public consciousness. Slurs and pejoratives can never be truly decontexualized.

In my mind, one of the biggest obstacles that Romani people face when we are trying to advocate for ourselves is a lack of recognition as a marginalized group that deserves the necessary consideration. Even for seemingly trivial matters, like bugs or comic book characters, the way that people talk about us-- and talk down to us, when we get involved-- is telling. So, I always think that changes like this are a win, because it means that people are willing to learn and grant us the dignity we deserve. And there's nothing wrong with wanting to effect change in your own field, even arts and science.

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I just realised something about Rouxls Kaard that's... kinda blown my mind a little.

It always struck me as so odd, how confident he was that we wouldn't be able to beat his "puzzles" in Chapter 1. You know, the ones where you push a block one or two spaces onto a switch. He seems so sure that he has thwarted the Fun Gang, and is genuinely flabbergasted when it's solved in a matter of seconds. The whole thing's set up like a joke - haha, look at how stupid this poser looks, thinking he's outsmarted us with such a basic puzzle we've seen thousands of times before. Honestly, I didn't give it much thought afterwards, aside from the odd titter.

But then I learned about the concept of the Magic Circle - the contract entered into by a game and its player(s) that binds them to follow the rules of that game in order to participate, and ultimately win or lose. For this to work, a set of rules need to be agreed upon beforehand, whether that's by the game telling you what they are, the players coming up with their own, or memorising them through repetition and familiarity.

Now, us gamers have seen block-pushing puzzles like these hundreds, if not thousands of times before, so we already know what the premise of RK's puzzle is - push the block onto the switch. We don't even have to think about it for more than one second before we've fully understood the terms of the "game" we've engaged with him, and trounce it with minimal effort.

So guess what we also don't think about? The fact that Rouxls Kaard does not ever explain what the puzzle actually IS, much less what the rules of the puzzle are. And this is why he seems so damn smug about his "Ultimate" puzzles - because he assumes that we don't know what those rules are, and so will flounder around at a complete loss, and at his complete mercy.

(he also doesn't account for trial-and-error, apparently...?)

Now, this establishes something terrifying - Rouxls is under absolutely NO obligation to tell the participants of his puzzles what the rules of those puzzles actually are. And that's fine when you're dealing with something as rudimentary and ubiquitous as a block-pushing puzzle, but scale up the complexity even slightly and this self-aggrandising Duke of Puzzles could very well become an absolute menace. Which makes me a little concerned about his appearances in future chapters.

And if he ends up becoming a secret boss... then God help us all.

#i wonder if part of the reason he so badly tries to be someone’s underling #is because he thinks he’s the edgiest and most subversive darkner around #a rules card that doesn’t explain the rules to you #now i wonder if he started doing this before king became obsessed with rebelling against the lightners or after? #roulxs is very interesting. honestly the papyrus of dr with how mysterious yet overlooked he is

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Two ongoing digital games bundles are offering more than 200 tabletop RPGs (among video games, soundtracks, books and other goodies) in order to raise money in support of the Palestine Children’s Relief Funds. The Palestinian Relief Bundle is being hosted on Itch.io, while the separate TTRPGs for Palestine Charity Bundle is taking place on Tiltify. For $8, the Palestinian Relief Bundle is offering nearly 400 total items, 103 of which are tabletop RPG systems, supplements and adventures. Mapmaking game Ex Novo is joined by the paranormal gunslinging satire FIST: Ultra Edition, along with Takuma Okada’s celebrated solo journaling game Alone on a Journey. Weird and dirty iconoclast game about money, the mind and everything else, Greed by Gormenghast is also on this list and is well worth a look. And if you’d rather keep it cosy and introspective, Cassi Mothwin’s Clean Spirit will get the whole group taking care of their domestic homes. The TTRPGs for Palestine Charity Bundle focuses solely on analogue games, providing nearly 200 tabletop games for $15. A full spreadsheet of the included titles can be viewed here and includes Nevyn Holme’s Gun&Slinger, where one player embodies an occult cowboy while the second plays their sentient, magical gun. Wendi Yu’s Here, There, Be Monsters! approaches monster hunting media from the other side of the camera with a decidedly queer lens and unapologetic politics. Makapatag’s Gubat Banwa is a lush and dynamic collision of wuxia media, fiercely romantic and tragic melodrama all set against the backdrop and folklore of The Philippines.

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Hey everyone, please consider buying the 2024 itch.io Palestinian Relief Bundle- it's 373 games, game-making assets, tabletop roleplaying games, zines, and comics for a minimum of just 8 USD! They have a goal of 100,000 USD, and as of the time I'm writing this post, they have 8 more days to reach it.

Link will be in the reblog!

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The flip side of the post-World War II cries of “Never again” was an unspoken “Never before.” The insistence on lifting the Holocaust out of history, the failure to recognize these patterns, and the refusal to see where the Nazis fit inside the arc of colonial genocides have all come at a high cost. The countries that defeated Hitler did not have to confront the uncomfortable fact that Hitler had taken pointers and inspiration on race-making and on human containment from them, leaving their innocence not only undisturbed but also significantly strengthened by what was indeed a righteous victory.

Naomi Klein, Doppelganger

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Reblog so everyone can hear what they need.

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literally going insane over the fact that so many companies refuse to send rejection emails like it’s disgraceful tbh. you put so much time and effort into putting together an application and they can’t even be bothered tell you via some measly automated message that you didn’t get the job. you’re expected to just infer

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just a reminder to COMPLETELY boycott Eurovision this year; Azerbaijan and Israel, despite committing genocide, are STILL allowed to compete & have NOT been banned. by refusing to ban both countries, Eurovision is profiting off of the genocide of Palestinians and Armenians.

do not listen to the artists. do not pirate or stream the artists' music, and this applies to ALL the artists who are competing and performing this year. do not listen to the songs on ANY platform, do not give them ANY attention.

write to your broadcasters and tell them you REFUSE to watch the channels until they recognise the Armenian and Palestinian genocides & that you find it disgusting how they are allowing Eurovision despite Azerbaijan and Israel's entries.

do NOT give eurovision OR the competing artists ANYTHING but silence.

boycott ALL of eurovision.

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Psychosis and schizo spec experiences are messy, and complicated, and often don't fit the societal narratives.

Many psychotic people have experiences that look like symtoms of other disorders, and strict categorization and separation between symptoms and disorders often don't take schizospec and psychotic people's experiences into account.

Schizophrenia, as an example, is commonly classified as a neurodevelopmental illness, and comes with a range of experiences of neurodivergency that do not neatly fit into any one box/neurotype, yet can be both very disabling and very profound. Similarly, most schizospec people are prone to dissociation, and there's an overlap between plural people and psychotic communities.

For this reason and others, I'm not a fan of separatism in the neurodivergent community, which too often targets psychotics, by focusing on proving that this or that group is not "crazy" like "those people".

Occasionally this takes on some insidious forms within the different communities, where "deviant experiences" of odd symtoms that don't align neatly with the narrative of the associated disorder, are dismissed as fake, problematic, harmful - occasionally as ableist in and of themselves. This narrative is actively harmful to psychotic people.

I'm not a fan of arguments that hinge on the notion that large numbers of people are lying or mistaken about their lived experience, and sincerely, as someone who has read an unreasonable amount of research throughout my studies, psychological science is interesting, and useful, but it is never exact, and it is full of biases, blind spots and bullshit science hidden behind statistics and overreaching conclusions. Pointing out bad research is not "anti science", it is in fact pro science. I am a scientist.

I consciously reject the notion that the diagnostic manuals are anything more than a semi competent attempt at making a comprehensive classification of symptoms. This doesn't mean that these constructs aren't hugely influential, or that they don't describe real symtoms, but it is important for Mad and Neurodivergent activism to move beyond this reductive understanding of mental diversity.

So while I'm happy to provide info on the definitions of various disorders etc, because it has real world applications, I am more interested in what we all have in common, and in finding solidarity across diagnostic borders.

In the end, my solidarity is with the weird kids. The quiet ones, the fucked up ones, the ones who don't feel like they belong or fit anywhere. With symtoms and experiences and diagnoses like an ill-fitting set of clothes.

I want to fight the stigma, but I don't want to fight it by assimilation. It is not our job to be "normal" or "easy to understand and categorize".

I want radical inclusiveness, and I want it now. I want the judgement of harmless odd behaviours to stop, I want the mental health communities to stop fighting each other and throwing each other under the bus in the name of being palatable.

We don't have to be palatable to be worthy. We don't have to fit into a neat little box to be taken seriously. We are all deserving of non-judgemental love and support.

Our goal should not be to be neurotypical, it should be to live happy and fulfilling lives within the circumstances we were dealt.

Us psychotic weirdos need better options than to be monsters, or to be invisible.

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important ! In recent years especially this year I’ve noticed a lot that the internet language picked up so many Islamic phrases and, from a muslim perspective, it makes the internet a little more welcoming. the thing is, a lot of the time with Islamic phrases you have to be careful about when and where to say them they hold their own weight and demand their own respect so here is a list explaining each phrase and some notes about it.

In sha allah

It means “ If God wills “. Muslims say it because we’re unaware of what future holds it’s actually blasphemous to claim to know the future, so saying so means “ If it’s the will of god it will happen if not it won’t “ and you’d say it about future events. side note, it’s also a polite way of saying No. for example, someone asks you to do something and you say in sha allah. Technically you’re not saying yes or no, and if it’s not in god’s will it won’t happen.

Ma sha allah

It means “ this is what god intended “ and it’s a compliment. Saying so is like saying WOW! But it’s also kind of a prayer of protection? If I see someone with pretty hair I should say “ Ma sha allah your hair is very pretty “ the ma sha allah protects the person from the evil eye. By saying that I’m also saying I’m not jealous I’m genuinely enamored and I don’t wish any harm to go to it.

Astagfurullah

it means “ to god I repent “ or “ from god I seek forgiveness” it’s usually used when you make a mistake but people also use it when they see something bad or when they want to avoid saying something bad. Like once my card refused to work and I’d say that so I won’t say any curse words and to calm down my anger

wallah/wallahi

okay this one is important. This one shouldn’t be used so lightly. It means “ by god’s name “ and it’s basically swearing in Allah’s name. You are only supposed to say it if you genuinely mean what you’re saying. It’s such a heavy word that I only say it very rarely and if you say it and don’t follow up on what you said you have to fast for three days as repentance.

One more note is that with the name of Allah you should also be careful it’s not supposed to be written on papers that’ll get stepped on or lightly used in art because it also has its own weight it’s regarded heavily. Like even in home decorations it should be elevated and not overshadowed. If I have to throw away a paper I have to sit down and color over the name of Allah or burn the papers so it won’t get thrown in trash.

another note is that those phrases aren’t Muslim exclusive. Some Arab non-Muslims use them as well. This is only my explanation from a Muslim perspective.

Another another note is this is what I can remember at the moment but if you have additions or enquiries let me know

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Alright, to ao3's soon to be arriving Wattpad Refugees, a basic guide to general user culture:

1.) Unlike Wattpads vote system that let's you like each chapter, the ao3 equivalent kudos only allows one per work. Everyone is generally quietly annoyed about this. To engage with each chapter, you're heavily encouraged to comment. Trust me, it makes people's day.

2.) Ao3 has no algorithm. By default it's latest updated work first. You can find things to your taste through searches, filters and tags.

3.) 'No archive warnings apply' and 'user has chosen not to use archive warnings' mean two very different things. No archives warnings means the work is free from any content that could require a warning tag (character death, graphic depictions of violence, non-con, etc). User has chosen not to use archive warnings means it could contain any of the warning content, be it hasn't been explicitly tagged. Treat it like an allergen. No archive warnings apply is allergen free. User has chosen not to use archive warnings, may contain traces or whole chunks of the allergen. If you're likely to have a bad reaction, maybe don't take the risk.

4.) Speaking of warnings, ao3 has very few restrictions on the type of work that's allowed. Whatever your personal thoughts or feelings on that are, thats how the site is. You're likely to run across some dark subject matters and a lot of people are uncomfortable with reading that. You're well within your rights not like these works and have your opinion on whether they should be allowed, but harassing the authors of such works (or any works) is more likely to come back on you than them. Ao3 operates on a strong policy of 'don't like, don't read'. Use the tagging system to your full advantage to only engage with the kind of works you want to see.

We look forward to welcoming you all and seeing the fantastic works you create. Happy writing!