I was wondering if you could recommend some critical essays about Virginia Woolf (about her writing in general or analysis of specific books). Thanks in advance and of course feel free to ignore this if it's too much trouble
oooh, love another reason to procrastinate!
okay i know you said essays, but i'm going to start with books (many of which contain essays!):
[these first ones are a bit outdated (to say the least), but i think it's also important to have a sense of the history of woolf criticism (if you're doing a deep dive)]
nancy topping bazin's virginia woolf and androgynous vision
elizabeth abel's virginia woolf and the fictions of psychoanalysis
virginia woolf's mrs. dalloway, ed. harold bloom
ellen tremper's "who lived at alfoxton?"
rachel bowlby's virginia woolf: feminist destinations
jane marcus's virginia woolf and the languages of patriarchy
and some more recent(-ish) stuff (in no particular order):
from virginia woolf: writing the world, ed. pamela l. caughie and diana swanson:
joyce e. kelley's "stretching our antennae': converging worlds of the seen and the unseen in 'kew gardens'"
elsa hƶgberg's "virginia woolf's object-oriented ecology"
elisa kay sparks's "'whose woods these are': virginia woolf and the primeval forests of the mind"
gillian beer's virginia woolf: the common ground
jane goldman's the cambridge introduction to virginia woolf
naomi black's virginia woolf as feminist
trespassing boundaries: virginia woolf's short fiction, ed. kathryn n. benzel and ruth hoberman
emily blair's virginia woolf and the nineteenth-century domestic novel
palgrave advances in virginia woolf studies, ed. anna snaith
anna snaith's virginia woolf: public and private negotiations
and then some of my favorites:
judith allen's virginia woolf and the politics of language (esp. the chapter "interrogating 'wildness'")
bonnie kime scott's in the hollow of the wave: virginia woolf and modernist uses of nature
christina alt's virginia woolf and the study of nature
savina stevanato's visuality and spatiality in virginia woolf's fiction
justyna kostkowska's ecocriticism and women writers: environmentalist poetics of virginia woolf, jeanette winterson, and ali smith
virginia woolf and the natural world, ed. kristin czarneck and carrie rohman
nuala hancock's charleston and monk's house: the intimate house museums of virginia woolf and vanessa bell
lisbeth larson's walking virginia woolf's london: an investigation in literary geography
suzana zink's virginia woolf's rooms and spaces of modernity
maxwell bennett's virginia woolf and neuropsychiatry
reina van der wiel's literary aesthetics of trauma: virginia woolf and jeanette winterson
patricia moran's virgnia woolf, jean rhys, and the aesthetics of trauma
okay and for articles/essays/chapters:
stefanie heine's "forces of unworking in virginia woolf's 'time passes'" in textual cultures. vol. 12, no. 1 (spring 2019)
allison hild's "community/communication in woolf's 'the waves': the language of motion" in the journal of narrative technique. vol. 24, no. 1 (winter, 1994)
johanna x. k. garvey's "difference and continuity: the voices of mrs. dalloway" in college english. vol. 53, no. 1 (jan., 1991)
roberta rubenstein's "'i meant nothing by the lighthouse': virginia woolf's poetics of negation" in journal of modern literature. vol. 31, no. 4 (summer, 2008)
jack stewart's "a 'need of distance and blue': space, color, and creativity in to the lighthouse" in twentieth century literature. vol. 46, no. 1 (spring, 2000)
john lurz's "the binding of the waves" in the death of the book: modernist novels and the time of reading
christie purifoy's "melancholic patriotism and the waves" in twentieth century literature. vol. 56, no. 1 (spring 2010)
elicia clement's "transforming musical sounds into words: narrative method in virginia woolf's the waves" in narrative. vol. 13, no. 2 (may, 2005)
nuala hancock's "virginia woolf and gardens" in the edinburgh companion to virginia woolf and the arts
ewa pÅonowska ziarek's "woolf's aesthetics of potentiality" in feminist aesthetics and the politics of modernism
sam wiseman's "all boundaries are lost: travel, fragmentation and interconnection in virginia woolf" in the reimagining of place in english modernism
from virginia woolf and her female contemporaries:
jeffrey brown's "'a verbal life on the lips of the living': virginia woolf, ellen terry, and the victorian contemporary"
elisa kay spark's "twists of the lily: floral ambivalence in the work of virginia woolf and georgia oākeeffe"
patrizia a. muscogiuri's "reconfiguring the mermaid: H.D., virginia woolf, and the radical ethics of writing as marine practice"
kimberly engdahl coates's "mad women: dance, female sexuality, and surveillance in the work of virginia woolf and emily holmes coleman"
emily rials's "the weight of 'formal obstructions' and punctuation in mrs. dalloway and pointed roofs"
susan david bernstein's "reading woolf's roomscapes" in roomscape: women writers in the british museum from george eliot to virginia woolf
and these are so recent that i haven't even browsed yet, but i'm looking forward to them:
merve emre's the annotated mrs. dalloway
the oxford handbook of virgina woolf, ed. anne e. fernald
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Tip: to keep track of sources, make a document of citations for EVERY SOURCE you come across that could be relevant and where to find it as you find them
Ex.
It's okay to here use a citation generator if you think you'll remember to double check them. And see how there's a ILL Requested thing? (Interlibrary loan) as soon as I get it and download it I instead wrote "downloaded" or "printed." Keeping it as linked until you think you can use it works too, and you can always change it.
Then, I note this on the pages themselves but it may even be better to do it right in the document-- always include in text citations as you write, and then when you do, note the first time youve used that source. Like I said, I did it on the source itself, but to do it here I'd just use an asterisk at the beginning
Like that.
Then to make your work cited page, just copy and paste the citations you actually used, double check that you have everything, and you've got your sources.
Doing this along the way can definitely help to keep track of where your sources are and if you've used them in the paper (you can also check to see if you've used it yet so you know if you've listed all the names and can now et-al them)
(Ps. If you don't know how to hyperlink in Google docs:)
Hyperlinking:
Highlight word
Right/double click, go to the link option
Paste your link & hit apply!
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šchoo choo, another supertip for language learners: IT IS OKAY to learn two languages consecutively, altogether even, especially languages that have significant similarities (East Asian languages, romance languages, etc.)
DO NOT cower when someone discourages you that it is impossible to do so. If you have the courage and the will, do it.
š«
but just, how to learn the languages BEST?
1. Pick a foundation.
If you're to learn multiple languages from the same family, start off studying one language first up until the A2 level, at least. This function as your foundation to further pave the road for other languages. In my case, I choose Korean as my device to approach Japanese (and Mandarin). The reason? Korean has the easiest writing system compared to the other two, this way I could get into the nitty gritty of the language faster. I occasionally familiarize myself with Hanja which is basically the adopted Mandarin character, which relates to Japanese Kanji.
2. Make use of the notes
While studying, I'm sure everyone has the book where you jot down the lessons (grammar, vocabs, expressions, etc.). When approaching the second language, don't let the first language notes go to waste. GO OVER them again, but this time, think about the counterpart in the second language. No English translating, no no, but try to find the equivalent/translation in your second language. If you like challenges, this is a good one for you.
š«
Oftentimes, when we learn double/multiple languages, the first/preceding language will be inevitably forgotten. And forgetting, is one painful moment in language learning. You can try this tips to avoid it. Worry not, there will be some interconnected relations between the languages, by the time you find it, you'll be superhappy.
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thank you so much for making this i- it changed my life in an instant <3
been compiling some links to fiction that are free to read online and easy to access - yeah itās mostly short stories bc thatās what people are more happy to publish for free online as far as i can tell but there is SO MUCH good stuff out there!!Ā
some authorsā website bibliographiesĀ
LOTS of short story fiction publications/online sites.Ā a mix of well- known/established authors and emerging authors on a lot of them!!
& links to other recommendations articles & also some personal recsĀ (yes, thereās only two lol, i will. add to it later.)Ā
link to the google docĀ š
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