#& skew your perception of what is really kind

[chuuyascumsock]

Well This Is Just Slut-tastic || Minors DNI

Summary: Hey guys, here’s the sexless virgin back again to write about something they have no clue about but acts like she does.

Tags: Female! Chuuya Nakahara/Reader, Afab reader, LESBIANS LESBIANS LESBIANS, Gay As Hell Sex, I’ve Never Had Sex, Help What Is Sex, Power Imbalance (You’re Her Subordinate), Petnames (Baby, Doll, Princess, Pretty Girl, etc.), Thigh Riding, Cunnilingus (momentarily tbh), Sucking Titties Because I Love Titties IRL, Uhhhh And A Side Of Scissoring, Classic Lesbian W.

Chuuya wasn’t used to being invited to out-of-work events by her co-workers. She couldn’t count how many times she’s seen the same uncomfortable look that’s crossed people’s faces when she walked by or even happened to be in their presence. Like they were scared of her. Being one of the executives came with its title which skewed every individual’s image every time it was brought to light about how much power she held. And it got lonely.

Until you showed up.

“Do you wanna come over for a girl’s night and sleepover at my place?”

At first, Chuuya had thought of you to be obnoxious with your kind compliments and gentle eyes– thinking of it to be a complete facade– much like how Dazai wears a mask to keep others from getting too close. But as you were placed under her as her subordinate by Mori, she came to see that there were no hidden motives or facade. You were the most genuine person she had ever come across. She’d be lying if your compliments didn’t stick with her and leave her blushing with her heart pounding in her chest. Especially when you told her how pretty you thought she looked.

“We can watch The Girl and Her Dog,” You add, watching the taken aback look on Chuuya’s face diminish into a spark of excitement in her eyes.

“Really?”

You nod, jutting your bottom lip out slightly, “So can you? Pleeease, Chuuya?”

Chuuya always wondered how you managed to get away with calling her by her first name so casually like you had known each other for years. It’s not like she did much about it anyways— a small part of her enjoyed the way her name rolled off your tongue. It felt… Intimate. Something she didn’t experience much with any of her other co-workers.

“Fine,” She sighs in defeat. Though it seems unprofessional to do things like this with her subordinate— what’s the harm?

-ˋˏ✄┈┈┈┈┈┈

Fuck, did you have to keep it so cold in your apartment?

From the moment Chuuya stepped into your home, she’s been shivering nonstop. When asked about why it was so cold, you just tilted your head with an innocent smile, “Is it? I haven’t noticed.” How could you not feel it? Being in a tight tank top and skimpy shorts— you must’ve been lying.

If it wasn’t for Chuuya’s thick long-sleeved shirt, it was safe to say that her hard nippes would’ve made an appearance through a thinner fabric, just like your siff peaks through the tank top her eyes linger on. But she keeps her mouth shut, refusing to complain or comment about the temperature any longer after you’ve been so kind to her by offering a blanket (it didn’t help much).

You're as perceptive as ever though.

You watch her body tremble under the blanket occasionally— her eyes glued to the TV as she attempts to keep her mind off the cold. “If you want, we can cuddle. I don’t have anymore backup blankets,” You giggle.

Chuuya nearly immediately accepts, but then hesitates with a mixed expression on her face, “Isn’t that weird?”

“Why would it be weird? It’s only weird if you make it weird,” You turn your head back to face the TV.

She sits there, contemplating for a good minute before slowly shuffling over next to you until your shoulders pressed against one another. “Just don’t tell anyone about this,” Chuuya huffs, leaning into your surprisingly warm body. It takes everything in her to not react when you shift your body to wrap your arms around one of hers and hug her arm into your plush tits. A vivid blush crosses her face, fortunately barely visible due to the darkness engulfing the room.

“I won’t.”

Chuuya feels your eyes linger on her stiff posture before you relax against her body and rest your head on her shoulder. She’s stopped shivering, but at the cost of thinking about how your cute, perky nipples would feel with her lips wrapped around them.

It doesn’t get any better as the night continues and you tell her that you won’t stand for her sleeping on your uncomfortable couch.

You roll over to face Chuuya in your bed— eyes blurring in the dark for a few moments before you get a clear outline of her face. “Are you alright, Chuuya?” Your voice is soft, as well as your touch, your hand reaching to tuck a piece of her bangs away from her eyes.

Chuuya shivers at how your fingertips ghost over her skin, “I’m fine, why?” The subtle tremble in her voice betrays her reassurance, her thighs shifting under the covers to rub together from your electric touch and the cold.

Your eyes flicker over her face before you near her, your noses a few inches away, “Are you sure? You’re shivering again— we can always cuddle like earlier, I don’t mind.”

Or you could turn the AC down.

Groaning, Chuuya gives in once more to your warmth and sinks into your arms when you pull her close. “Can’t you turn the AC down?” She speaks her mind, only to be shut down quickly.

“Sorry, don’t know where it is, so I can’t change it,” What a lousy excuse and a lie, but Chuuya doesn’t comment or point it out— too distracted by the way her chest presses against yours.

Suddenly, there’s no space between either of you and everything begins to feel all too hot and sensitive.

With such little personal space, it wasn’t much of a surprise that Chuuya’s mind began to wander. Thoughts of what would happen if the distance between your lips closed and she could have her way with you evaded her, only adding to the heat.

“For someone who says she’s cold, you feel very warm right now, Chuuya,” You point out with a small smile, yet don’t make any attempts to move away.

Chuuya shivers when you shift just barely, your breasts sliding against hers as you adjust your position. With your noses now touching, she’s sure that she isn’t just imagining things. “Shut up…” She whispers.

Your eyes bore into her and she feels like she could just melt under your gaze. “You know, I meant what I said every time I said you looked absolutely beautiful and any guy would be lucky to have you,” You murmur softly.

Chuuya feels her heart skip a beat, but at the same time— a small bit of irritation nips at Chuuya when you mention her being with men. Was it not obvious enough that she wasn’t interested in them? “I don’t like men.”

“Oh…” To anyone else, it would’ve sounded like you were surprised, yet Chuuya could tell that it was something else, “Am I making you uncomfortable?”

There’s a small huff from Chuuya, “No, but I am annoyed that you still refuse to make a move even after telling you I don’t have an interest in men.”

“I was just trying to be cordial,” You respond quietly.

“I think we crossed that line hours ago,” She mutters before closing the gap between the both of you to press her lips against yours.

It’s firm and straight to the point, it almost feels like she’s still trying to be professional, even when she’s kissing. And it makes you giggle against her lips.

She pulls away with a quiet growl, “What’re you giggling at?”

“It’s just that your kisses fit you.”

“What’s wrong with the way I kiss?” Her brows furrow.

You move your arms away from around her waist before cupping her cheeks, “Nothing, I just thought it was cute. You don’t have to be so stiff, though.”

“Whatever,” She grumbles before you pull her into another kiss, this time much softer as she relaxes.

Chuuya’s hand falls to grab at your hip, pulling you closer to hook one of your legs over her own hip. You shiver as she rubs her hand along the expansion of your outer thigh, teeth nipping at your bottom lip.

When you part your lips, she’s eager to angle her head and deepen the kiss, her tongue invading your mouth as she moves her hand from your thigh to your ass. Her hand squeezes the fat of your ass momentarily, earning a muffled moan against her mouth and your hips jerking into her thigh between your legs.

Chuuya’s lips part from yours and she pants out, her warm breath hovering over your lips, “Have I ever told you that I think you’re fucking hot?” When you shake your head in a small ‘no’, she grips her fingers further into your fat to grind your clothed crotch over her thigh again. “Well you are— n’you make me so fuckin’ wet, baby.” She groans, moving to entangle her tongue with yours again.

The kiss grows sloppy and wet as your lips smack together loudly, a sheen of spit coating both of your lips, her hands not giving away at forcing your hips down against her muscled thigh. You begin to grind down on her thigh, small noises escaping the back of your throat as you feel the pressure rub against your clit through your clothes. “You have no idea how long I’ve wanted to do this,” You heave out when pulling away from the messy kiss.

“Yeah? You want me?” She moves her kisses along your jaw and down your throat. She’s given a quick nod from you in return which makes her grin, “I want you too, pretty girl.” Her teeth sink into the skin of your neck softly before she sucks at the spot, leaving a noticeable hickey above the base of your neck.

“Please… Wanna see you,” You plead, tugging at her long sleeved shirt, wanting it off.

Chuuya obliges and fumbles to take it off with how close the two of you are. She tosses her shirt away somewhere in your room and it, revealing her small, pert tits.

“They’re so pretty,” You mumble, hands trailing to run overly flatly against her chest.

“H-Hey, I can’t be the only one taking stuff off,” She shudders at your touch, her own hands coming to tug at your tank top to pull it off. Both topless and bare, you shiver, noticing just how cold your apartment really was, “Told you it was fuckin’ cold.” Her hands grab at your ass to pull you up further, her face now level with your breasts.

Your lips part into a moan when she takes one of your nipples into her mouth, rolling the hard bud between her tongue and teeth. “F-Fuck— yeah— well I was fine with it before cause it got you close to me,” One of your hands come up to thread into her soft locks as she sucks at your nipple. She takes the other nipple between two of her fingers to rub and play with as she hums against your skin.

“So you made it cold just so you could be close with me, hm? God, you just get cuter and cuter, baby,” Her words vibrate against your skin before she pulls away from your nipple with a quiet ‘pop’ and moves to the other one to suck on.

“A-Ah, Chuuya, that hurts,” You whine as she roughly pinches your nipples between her teeth and fingers.

“Yeah, well you don’t get to complain after I froze my ass off f’you instead of going home like I would’ve usually done,” She moves away from your chest to litter your sternum with love bites.

A pout settles over your lips as you tug at her hair, “I wanna have fun with you too, s’not fair that you get to do whatever.”

She puffs her cheeks out slightly, “You’re so impatient, you know that? Bet you’re wet,” She continues to kiss and nip at your skin, a hand reaching down to snap the waistband of your shorts against your hip.

“You’re one to talk— I bet you’re soaking,” You want to reach down to her own shorts, but she has you positioned in a way you can’t reach them, “This isn’t fair.”

“Really? I disagree,” She grins, maneuvering the both of you until you’re lying on your back and she’s hovering over you. Her hands quickly come to tug at the waistband of your shorts and underwear, pulling them off with ease as you lift your hips to help her. “Fuck, spread those legs for me, doll— wanna see that cute pussy of yours.”

It’s embarrassing, but you can’t help but open your legs at her demand to reveal your wet folds glistening with arousal. Her stare burns into your skin, making you squirm under her, “No more— I want to feel you, Chuu.”

Chuuya waves you off as she huffs through her nose, hands holding your thighs apart as she lowers her face down, “After I get a taste— then you can have me all you want, princess. But I need this,” She insists, tongue lolling out to lick a strip up through your puffy folds to collect your taste on her tongue. “You taste so good, y’know that, baby?” She buries her face back between your thighs to press wet kisses against your sopping pussy, uncaring of how messy they were.

Your thighs clamp around her head, fingers threading tightly into her hair as you needily rut your hips against her mouth, “Mm, feels good— but I really want you, Chuu. Please? A-Ah… Wanna feel your pussy on mine.” You whine.

Chuuya groans against you, the vibrations against your clit making you shiver and buck your hips against her before she sits up, “Fine, but next time, you better let me have a proper taste.”

“Promise, okay? But please— just need you s’bad,” You watch her with an impatient stare as she strips herself of her shorts and underwear, leaving her bare for you to see.

“Love how needy you are f’me, baby,” She sighs out as she fits herself between your legs, one of hers straddling over one of your legs to rest by your hip and the other resting near your ass. She grabs the latter leg and holds your leg against her chest for stability and leverage.

You can’t see much from the angle you’re at, but you can feel how wet she is when she lowers her pussy to come flush with you. And it makes you shudder feeling her slick leak from her soft pussy onto yours. “Oh my god…” Your head falls back onto the pillow when she moves her hand hand between the both of you to spread your sticky folds apart for her slippery cunt to slide across yours until her clit bumps yours.

“Fuck, I can feel you throbbing against me,” Chuuya gasps, pressing down against you harder. “Can’t believe you’re getting off on rubbing pussies with your superior, naughty girl,” She growls out, hand tightening around your leg.

You reach a hand out to fondle one of her perky tits as you try your best to rut your hips back against hers in rhythm, “Can’t help it, you’re s’pretty, Chuu.”

Chuuya moans, her chest arching into your hand as she grinds harder against your pussy, the arousal between you both creating a lewd schlicking noise with each time she moves her hips. “I think you’re pretty too, baby. The prettiest— fuck— the prettiest girl I’ve ever seen.”

Your soft groans and moans fall into desperate whimpers as your hand plays with her sensitive nipples and her grinding turns into bucking her hips roughly against yours erratically. “M’gonna come— Chuu, your pussy feels so good.”

“Yeah? Wanna feel you come all over my pussy, pretty,” She hunches over to smash her lips against yours, her hips animalistically rutting along with you— desperate to feel your nubby clit rub against hers again.

Jolts of pleasure shoot down your spine as the new angle of her hips and her tongue violating your mouth sends you over the edge. Your toes curl and thighs quake as your lips tremble against hers in the hazy kiss, your cum leaking from your clenching hole to join the slick between your legs.

Chuuya isn’t far behind as her hips falter and slow to long and tedious movements to ride out her own orgasm. You both pant against each other with open-mouths, pulling away just enough to look at the mess between the both of you.

Both of your pussies glisten with cum, threads of arousal connecting each other before Chuuya pulls away completely. “God, you’re so good,” She whispers as she places a soft kiss to your lips before you both untangle your limbs from one another to lie down and cuddle under the covers.

You bury your face into the crook of her neck, “Do you think I should turn the AC off?”

“Yeah— I wasn’t going to say anything, but I’m still really fucking cold.”

#chuuya x reader #chuuya nakahara x reader #chuuya smut #bsd x reader #bsd smut #bungou stray dogs x reader #devious dambi smuts

[carlyraejepsans]

I really respect your dedication to these characters and the fine nuances in writing them with pinpoint accuracy but lord it must be really really hard to find any amount of fanfics by people who feel the same and don't unintentionally do something kinda ooc once that makes you stop reading a story. With short comics and art and whatever you have to go out of your way to mischaracterize characters since there's not a ton of internal substance, they're just kissing or telling a line of dialogue, but with fic it's so descriptive and so much more thought on how a character's inner workings carry on, and I feel a lot of people have fun writing fanfiction in a way that does not result in 100% accurate characterizations because that would take so much continual, constant effort and very thorough character analysis skills and applications to get right pretty much all of the time. I'm not sure what I'm trying to say beyond it must be tough for you specifically to find stories that don't annoy you- or perhaps that is not accurate! I don't read much fic so I don't know, it just seems like it'd be exhausting from an outside perspective

BAHAHAHA the eternal struggle of the Hater. I'm kind of obsessed with how you described it here. You're mostly correct! And kind of missing a crucial detail at the same time.

It's true, it is extremely difficult to find fanfiction that agrees with me--especially for a fandom like Undertale with 1) a very young audience and 2) a very heavily character-centric form of storytelling, which inevitably results in nuanced personalities that are hard to grasp without full context (which means analyzing the canon... a lot!)

There's two very important things you should note though!! Undertale is a HUGE fandom. As hard as finding really accurate fics might be, they ARE out there, and when i find them I'm so invested in their accuracy and analysis that I enjoy them 10000 times more than someone who just... doesn't think about this stuff. It's about quality over quantity.

The other thing is: being this ""picky"" and analysis focused doesn't actually stop me from reading fanfiction. Just lately I've been going through the entire fandom tag on ao3 in reverse alphabetical order and trying out anything that doesn't immediately put me off via tags/summary. Is there a lot of stuff that reads ooc or that I just plain don't like? like, a LOT of it? absolutely. But at the end of the day, that ALSO becomes an exercise in analysis. Why did this portrayal come off as ooc? Was the character voice accurate to canon? If not, what made them differ? Was it the way the character acted, rather? Is this the author's bias or exaggeration? Why do I feel like it would be at odds with the person they are in canon? Would they ever be driven to behave like this? What would push them? Was that accurately justified in this fic? and so on.

it's true that engaging with fandom on the regular can heavily skew your perception of the original, but i feel that engaging with fanon and habitually returning to the canon as a point of reference, as contrast, as fact checking, is one of the best ways to truly understand both the characters and the fan communities that they gathered around them. overall, it's good fun!! well worth the occasional cursed content, and even then it gives me something to inflict psychic damage on my friends with.

#answered asks

[funnier-as-a-system]

Hiii. Not sure if this even counts as a question to be fair, nor is this a funny suggestion, but like.

For my final project in college I'm kind of making a game concept about plurality (as a system host myself) and uhm long story short I guess.

I made two characters-alters, one of which is female and the other is male, and the teacher who curates my project was like (super paraphrased) "I'm getting some romantic connotations here and I think we shouldn't show people that you can literally date yourself, cuz that seems super unhealthy" and he then backed down a bit and was like "well it's not really normal so maybe think about that some more".

And so like. The concept I'm making is based on the complicated relationship between me and my co-host. I am heavily basing the characters on me and that co-host, I am heavily using the issues we had in our relationship, to hopefully be able to show people who are new to plurality that you shouldn't treat your alters the way me and my co-host treated each other before, because THAT is what was unhealthy.

All of which is to say, right now I am married to that co-host and I'm very happy about that, but my teacher's words quite hurt me. Like I literally don't even understand what could be so unhealthy about in-system dating. How rare even is that? Is my perception of in-system dating just that skewed, since nearly all our alters are in a relationship with each other? Most importantly, am I faki-

(Also, by saying that, the teacher inadvertently recommended me to make it a gay ship. Lol? I wish I could make one of the characters an enby like me and avoid the issue entirely, but I can't) (My husband The Co-Host said that the teacher is just rude)

There's nothing inherently unhealthy about intrasystem dating. I've found most people who claim it's "unhealthy" actually mean "I find it weird and I can't distinguish between my personal discomfort and something that's actually bad." – a frustrating argument, but one we're familiar with, and one that should largely be ignored unless you're looking to engage in an educational discussion with someone who holds this view. Others claim it is unhealthy because it "encourages division/dissociation between headmates", but this is largely based on the idea that headmates having any sort of personal identity or self-identification gets in the way of achieving final fusion, which has its own flaws as an argument, including final fusion not being the goal or healthiest option for all systems, as well as ignoring that [harmful] dissociation may increase if a headmate does not have any sort of personal identity to distinguish themselves from the rest of their system with. In short, the arguments against intrasystem dating tend to boil down to "I think this is bad for you because it doesn't fit into what I think people should do", which only shows one's own close-mindedness.

Since plurality is an unfamiliar concept to most people, they don't have the experience necessary to distinguish between genuine red flags and something niche that just takes time to get used to the idea of. Intrasystem dating is niche, but it's no more inherently unhealthy than other kinds of niche dating, like t4t partnerships. The same argument has been used against polyamorous relationships for being similarly uncommon and going against what people expect of relationships (particularly romantic ones), but those are not inherently unhealthy either; it goes to show that people will reuse the same arguments against any kind of relationship they do not approve of, rather than taking a step back and considering for themselves if a particular relationship dynamic is inherently unhealthy. While intrasystem dating can be unhealthy, it is not inherently so just due to the relationship dynamic.

When backing down, your teacher said intrasystem dating is "not really normal", and that truly is the crux of this argument. People do not like that which does not fall neatly into their understandings of "normal", and think anything that isn't normal is automatically bad. This is untrue. I would say to hold strong to your original vision for your project, not just for yourself/ves, but because refusing to fall in line and pretend to be "normal" is how we achieve progress. Even if your teacher doesn't change his mind, your work may introduce the concept to someone else, making it less unfamiliar (more familiar) and more normal to them, leading to more people understanding and accepting not just systems in general, but intrasystem dating specifically.

Speaking of, to answer your question, while intrasystem dating is uncommon, I don't believe it's especially rare – I could name several of our headmates right now who are in a polyamorous partnership with each other, as well as a handful of other couples. We've known many other systems who have had some or all headmates dating each other. It's not the most common topic to talk about in the community, but it is certainly a topic frequent enough to be brought up from time to time.

Your teacher was rude and incorrect. I have sympathy for the hurt you feel because of his pluralphobic words, and I hope you're able to feel better about this incident soon. Remember, staying true to yourself will almost always feel better than hiding who you are for the comfort of others, so if you feel safe enough to go for it, push onward and continue your work with all its authenticity and intrasystem dating included. I wish you luck in your game development and your final project!

#thanks for the ask! #pluralphobia #intrasys sweethearts

[svsss-fanon-exposed]

I really appreciate your continued emphasis on people being free to enjoy canon and fanon as they want while providing accurate canon information! All the asks and PSAs you've shared on that recently reminded me of a fic where sj actually WAS innocent, even wrt abuse. They had to make an a/n how it was their spin deviant from canon so it'd be great if they could stop getting nasty messages pls. I just think we should all foster a nicer fandom environment, so I love what you're doing~!

Yeah, I personally might be a book-canon purist, but I can certainly recognize that not everyone feels the same way-- and at the end of the day, it is fiction, what people want to do with canon and fanon is up to them and really has little to do with them as a person. I hold authorial intent in really high regard, but no need to bully those who don't, and who want to rearrange things.

Of course, for something like you mention, I would advise using some kind of tag to indicate that it's off-script. Especially since SJ's abuse of LBH is an integral part of the story the novel is telling, changing things like that changes the entire tone of things.

If a fic where the characters are intentionally OOC gets popular, then people will inevitably start going to that fic's portrayal and mixing that up with canon details (this is, probably, why there is so much apologism and denial of SJ's canonical abuse of LBH in this fandom, though it certainly wouldn't be the specific fic you're referencing alone and is probably a combination of many different factors). I personally don't like portrayals like this, but if a writer is changing it for their story, then who am I to judge or harrass them over it? The only issue comes when it spills over into the wider fandom perception, and you have people swearing left and right that SJ had nothing to do with the fake manual (he did) or didn't actually mean to abuse LBH or want him dead (he also did, and this can't just be contriubted to unreliable narrator since it comes from his own perspective in the extras). So I think an a/n at the beginning is a good idea in situations like these. If writers don't want to spoil things, just simply tag that the character is OOC compared to canon-- no need to go into specifics, and readers will know going in that the portrayal isn't meant to be a take on canon or aligning with it.

No one knows how popular their fic will become, after all, and if it gets into the wider fandom space without proper context, things like "Shen Jiu was just treating LBH normally for the time period, he wasn't abusive, LBH was just a self-obsessed person trying to demonize him" become mainstream, widely held beliefs.

Of course, this is what my blog is for, hopefully rerouting some of those ideas, pointing back to the sources where the divergence happened, so that people can see that while they may enjoy this canon-divergent depiction, that they shouldn't bring it into canon-based analysis. I think sourcing fanon is very important for this reason-- better than just saying "you're wrong" is being able to say "this is where the idea came from."

At the end of the day, a deliberately off-script, ooc portrayal should be tagged as such and AO3 provides those tags for a reason. There's nothing inherently wrong with writing characters OOC to change a story. People can write what they want! It's the writer's job to make relevant information known, and the reader's job to filter it out and just not read things they don't like. I'm so particular that I put down probably 80 percent of fics I read before I even get through the first few chapters. That's just me though! I'm a canon snob! Other people have no issues and that's fine.

As long as things aren't skewing into abuse apologism in regards to the canon-universe, there's literally no reason I can't just ignore things I don't like, and there's no reason other people can't do the same with things they don't like.

Anyway, don't harrass artists and writers in the fandom. If you feel it absolutely necessary to leave a comment in regards to an OOC character portrayal, don't be mean about it, just say something like "<Character Name> seems to be a bit OOC here, is this intentional?" but even then, it's really not necessary to come into someone else's space like that. Make your own posts, write your own fics.

There is no reason to assume malice when there are other explanations. This is hard with topics like abuse apologism, but people also need to remember that this is fiction. SJ was abusive in canon, but he's still not a real person, and if someone wants to write a version of him where he's not abusive, then that portrayal can easily be treated as a version from an alternate universe where things were different. This is not the same as saying a person in real life isn't abusive, because in this case, it's not apologism-- it's literally a different universe where the rules of the original canon don't apply. In fictional and fandom spaces, it's a lot easier and better off to just give people the benefit of the doubt.

As long as you're not claiming that his canon behavior wasn't abusive (since that's about behaviors now, and not just a fictional story), it literally doesn't matter what people write in fanfic.

Authors, tag your fics with everything you'd like your readers to be aware of, because when a reader opens up a fic they're probably expecting the characters to follow canon unless stated otherwise.

Readers, read the portrayals and stories you like. Don't read the ones you don't. If something isn't tagged correctly, and you find out you don't like it after reading, just close the fic and stop reading.

No one should ever be harassing anyone else over fandom for any reason.

#answered #psa #if it's going to be a discussion on character analysis #then people can have civil debates while providing sources #it's possible to argue without it being harassment or bullying #no need to attack people there either #but definitely no reason to just not read a fic you don't like #you know what i'll put this one in the tags #svsss #shen jiu

[home-of-renn]

Ya'll wanna know what I love? COMPLICATED RELATIONSHIPS!

That Danny and Jazz have a very close relationship due to their parent's neglect. Jazz is pretty much the true parental figure in Danny's life and for the most part, always has been. Jazz's nagging and constant involvement in pretty much all aspects of Danny's life increases after his accident, which Danny doesn't really seem to notice cause he's got too much shit on his plate after waking up half dead. (But also cause Jazz has always been nearby and reliable - which does wonders to soothe his Obsession, so he honestly doesn't take much notice of her mother-henning).

BUT, this does end up influencing his relationship with Dani.

Even though she's the only surviving clone, she's still extremely unstable and could pretty much dissolve into goo at any moment without warning. This makes Danny's Obsession freak out and go on high alert any time he's near her. Not to mention that Dani - despite being technically the same age - is viewed as being much younger by Danny (and pretty much everyone else as well) due to how inexperienced she is and the fact that she is literally only a couple weeks/months/years old.

So all this stress about Dani's messed-up situation and the fact that there is literally nothing Danny can do to fix it (since she wasn't really meant to exist in the first place), combined with the way Jazz treats Danny, kinda skews his perception of what a sibling relationship is actually meant to look like. Tucker and Sam don't have siblings and no one else in Amity is willing to even go near the Fenton kids without so much as a ten-meter pole, let alone comment on the obvious lack of parenting going on in that family.

So, from any outside perspective, Danny's relationship with Dani is bordering on being parental/paternal. Which freaks Danny the fuck out when he finally realises why Dani gets so cranky and snappish about his overbearing tendencies (she's never experienced any form of parental affection in her very short life). Sam and Tucker never bothered mentioning anything cause they know it's probably just Danny satisfying his ghostly urges, and they also know that both Danny and Jazz have always lacked personal boundaries - that and the fact that honestly, nothing about their family is even close to being normal, including the way each member treats one another. Not to mention, when you're dealing with the kind of spooky shit they deal with on a daily basis, it's better to be in each other's pockets than too far away when something goes wrong.

But then one of them accidentally lets slip that Danny's attitude towards Dani is very much abnormal and Danny feels like he's been dunked in cold water. Cause Dani was made using Danny's own DNA, and there aren't any hard or fast rules on how you should view your totally impossible clone.

Danny's been struggling with controlling his Obsession after the crushing realisation that he had one - just one more thing that chipped away at his already contestable humanity. He knows he's overprotective and he knows that Sam, Tucker and Jazz don't mention how smothered they sometimes feel. And then he realises he's been doing it to Dani without even realising it, and once the realisation hits he's faced with a second realisation - which is that his Obsession doesn't know how to properly categorise Dani. Cause he has absolutely no desire to display any kind of fatherly affection towards her, let alone view her as a potential daughter figure (also wouldn't that make Vlad the other parent? That thought alone makes his stomach churn).

It's an embarrassing, humiliating tension he's felt since the day he met her. A twisted thing he sometimes thinks about in the dark of his room when he's trying to fall asleep. It feels guilty and shameful and something that's too close to grief. He's never even mentioned it to Tucker or Sam, and as soon as the thought pops up he dismisses it and keeps his mouth shut. He hasn't even finished school yet.

Danny doesn't want to think about his future. He doesn't even want to entertain the idea of him one day having a family of his own. But Dani never fails to make him think about it (all the things he could no longer have).

Danny's feelings towards Dani will always be familial. When they'd first met and found out what their connection was he had subconsciously drawn that line in the sand and then shoved it into a box before abandoning it in some distant corner of his mind.

Maybe, just maybe, if Danny was older he would have viewed her as a daughter.

But he won't. He's already too close to her. One day she's going to dissolve and Danny will be left inconsolable. The small still-human part of him realises that - even if the ghost in him refuses to acknowledge it.

Sometimes he feels like his Obsession has already taken away so many of his choices. Limiting his decisions and swaying his judgement. He's not entirely sure where it begins and where it ends and it makes him wonder, just how much of a different person would he be without it? Would he even be the same at all?

The moment all these realisations bloomed in his head was the day he fought with himself and convinced himself to take a step back.

So, he watches Dani from afar.

She seems happier now that she has more freedom to do what she wants without anyone looming over her shoulder. She doesn't understand how he feels - she doesn't have an Obsession. She lives her life flitting from one whim to the next.

But now she visits more, no longer staying away from Amity for as long as she can without risking Phantom coming after her.

He hadn't realised she was staying away.

Now Dani is the one who seeks him out. She wants to spend lazy days floating above the clouds basking in the sunlight. She pesters him to try every item on the Nasty Burger menu and begs him to ditch his homework to go watch a midnight screening of some tacky old horror movie from the 80s. She even convinces him to teach her the names of all the constellations as they recline on a grassy patch behind the Amity observatory (even if there wasn't much convincing involved at all).

He indulges each and every one of her childish desires. Because every time he turns his head to tell her no, all he can see are bright blue eyes dripping into a toxic green puddle. It never fails to make him bite his tongue and nod his head.

They continue the rest of their relationship with Danny keeping a close eye on that line in the sand.

He adores Dani - loves her even - and it's a feeling that grows the more time they spend together. She will always be special to him, and whatever that special thing is, it's something that doesn't need to be defined. She will always be someone important - someone who he loves the same way he loves Jazz (he makes sure of it).

-------- BUT THERE'S MORE

Not only does this anxiety-inducing realisation change the way he interacts with Dani (he no longer actively seeks her out all the time) but it also opens his eyes to the role Jazz has played in his life.

He realises that all the jokes and complaints about Jazz acting more like his mum rather than his sister aren't far from the truth. He slowly comes to terms with the fact that Jazz had a heavy hand in raising him and still continues to watch over him. It changes the way he treats her and it leaves him with a lot of guilt.

Somewhere down the line Jazz ends up realising that Danny now understands that part of their relationship, the part that Jazz had tried to hide from him - something she did to cast her parents in a better light so that Danny could have some semblance of a normal, happy family while having to grow up being a Fenton.

It hits her while her parents are still tinkering in their basement and Danny's just slipped out the window in the middle of the night to go fight a ghost. He'd seen the light under her door and let her know that he was heading out - something he'd only started doing recently. He'd stood awkwardly in the doorway and wished her goodnight before slipping intangible and disappearing from sight.

It made her realise - like switching on a lightbulb.

She'd buried herself under the covers and gone to sleep that night with swollen eyes and her library-loaned textbook dotted with salty tears.

Danny didn't comment on her puffy face the next morning and she didn't question the bruise that was blooming on the back of his neck - just handed him an ice pack and continued scrambling the eggs.

Neither of them talks about it.

~~~~

Just Danny having a complicated, anxious relationship with his clone - who has zero idea what her pseudo brother is actually feeling.

If yall haven't realised, I'm a sucker for complicated relationships

And if I'm being honest, the way Dani and Danny are depicted as twins/cousins and the two of them just readily going along with it has always been a little boring and one-note for me. I feel like having a clone - especially one that you feel a little responsible for - would open up a gigantic can of worms in regard to how you treat them and how you should feel about them. Throw Danny's ghostly Obsession into the mix you have a perfectly complicated situation.

(also I actually quite like the trans!danny headcanon - especially in regards to explaining how Dani turned out female. But in regards to this ^^^^^^^ I kinda like having Danny being cis cause it implies that Vald not only stole Danny's DNA but also mixed it with someone else's. Cause genetically speaking, it would be physically impossible for them to be clones if one has an entirely different chromosome. Which just adds another whole level of fcked up to this whole mess and just Vlad in general. Cause Danny - or at the very least, Jazz - is definitely aware that Danny's "clone" shouldn't be female and somebody realises this but can't bring themselves to speak up. Cause god forbid all of them are too young for this and too traumatised and would rather just brush that little tidbit to the side and under the rug, just so they can all move on)

(also it would leave Danny wondering who makes up the other 50% of Dani's DNA and honestly Vlad is so messed up that he could have just found a way and used his own and that would make Dani the closest thing to Dan and I don't think Danny would ever be able to face that)

#dp #danny phantom #home of renn #friends that share trauma together stay wilfully ignorant together #danny fenton #dani phantom #dani #jazz fenton #tucker foley #sam manson #phandom #ghostly obsessions #Obsessions #ghost core #my headcanons #the fentons #the fenton's a+ parenting #maddie fenton #jack fenton #dp dani #hc #dp ficlet #drabble #angst #complicated relationships #ignorance is bliss #dribble drabble #elle phantom #dp clones

[inf1nyxw0rlds]

reposting my infinite is not weak essay because i got anxious and deleted the last one <3 i've been meaning to do this for months, but i'm not exactly the most functional person and i don't often put myself out there. in the process of rewriting it, i also altered the wording and added a few things, as you might notice if you've seen it before; and if you haven't, then welcome to whatever it is i'm doing here!

this is written with all my love, all my frustration, fueled by years worth of listening to a cycle of minsinformation that left permanent damage in the form of skewed perceptions – based in a false claim and the jokes that came with it – and a hesistance on sega's part to even address him save for a few tossed crumbs over the span of the last half a decade. originally i had an elaborate metaphor here, but there was no need for it and i'll cut right to the chase; there has always been good in infinite's character – but not everyone cares to look for it.

it's been six years since the release of sonic forces. which is insane! it's wild to me! as somebody who's been here since before the game even released, i've seen it all. to commemorate the occassion, when i wrote this originally, i thought that i would talk further about infinite's reception; in particular, the Weak thing. i've discussed it before in brief, and you can read that one here; this time though, i'm going to get more into dissecting the actual problem, and debunking arguments that supposedly prove infinite to be objectively weak and pathetic... when canonically, that isn't the case. i'd actually argue the opposite, but at the very least he isn't lacking strength – his skills are average at worst.

the first reason that i see, the one we're all plenty familiar with and the one i brought up previously, is that infinite is weak because he lost to shadow. once. that's it. do i really have to explain why this is stupid? yeah, he did lose, one time. even against a normal opponent, one defeat in comparison to what we can assume, based on his title, many victories, isn't much of an indicator toward being weak. shadow is also the ultimate lifeform, in case anyone has forgotten that detail, and bear in mind that infinite knows shadow to have just slaughtered his entire team – do you really think he would be at his best in that state?

there's also a fuckton of context clues implying that infinite had issues prior to this encounter, specifically inferiority issues. shadow literally told him, after having wiped his whole team out, to never show his pathetic face again. the face with the, you know. the big scar. the blind eye. (shoutout to the person who pointed this out in the tags in the "first part" of this, by the way! based for that)

this argument is so full of holes that it just drives me kind of bonkers how it can be used to claim infinite is weak and stupid. do i think that the scene is without flaw? of course not. if you want to say that the way they handled his breakdown wasn't the greatest, you can, you have every right to your opinion. but that's just it. we're talking about something else. i get it, the "i am not weak" was a memeable line, but it doesn't actually make him weak. people that reduce his reaction to "just" hating shadow because he got his ass beat, people who call it a "temper tantrum", i ... the context is right there. it was never "just" because shadow beat him up. would people say this about anyone else that shadow happens to beat up? that they're irrefutably weak? no. that's stupid. obviously. so why infinite? because it wasn't a strong enough spectacle. let me illustrate this more with another example;

another reason people say that infinite is weak is because sonic didn't need to go super in order to beat him. and... again, this one, too, falls apart pretty easily. sonic has beaten other characters without going super, and this includes shadow. the difference is the when, the how, the context. it's not that infinite is weak, but it was a weak final boss fight. do you get what i mean?

forces, in general, suffered a lot with this problem. it wasn't a problem that was exclusive to infinite. unfortunately, as the new character, he got the most heat. there was a huge amount of hype for him, so when the spectacle fell short, people were pissed. and i get it. but then that issue became, "infinite bad". that issue became "infinite's weak". it has never been that, though. this is why i personally hate weak jokes – because they're rooted in non-issue and misinfo.

a point i saw made once was that the characterisation of sonic and the rest of the cast are part of what made infinite's character hard to take seriously, and i'd agree! infinite actually fits the setting quite well; he has a mysterious, serious presence. he's harsh, he's edgy, but it's cheesy enough that it works in the typical style of the sonic franchise. the problem is, when the other characters aren't taking things seriously, it throws the whole thing off. we're being told this is a hard-hitting, high stakes plot, but how can we see it that way, when they're all just cracking jokes?

as a side-tangent of sorts, you know what's real funny? infinite's backstory, the one thing people use more than anything else to declare his obvious weakness, quite likely wasn't originally going to exist anyway, and he was instead going to be made by eggman. i say "quite likely" as, as i've stated, i don't like misinformation, and sega will probably never confirm this one-hundred percent, but this is something fans – myself included – have discussed a few times.

first, there's the odd dialogue and enviroment in stage 29. tails states outright, as you go through the fortress, where containment/test tubes line the walls in countless numbers, "so this is where eggman built infinite". the tubes do, in fact, appear to have low-res bodies inside them. this is also something they detailed in an early version of the script. infinite's remark on sonic's "data" also fits in with this idea of him being some form of android. prior to release, there was also a cryptic message that, when decoded, referred to infinite as "the fated son of daedalus"; in other words, icarus, who flew too close to the sun; his father being an inventor! that's really dope foreshadowing.

you can argue that tails and amy's commentary is speculation rather than solid fact and that they're mistaken, it's a possibility i definitely consider here, but given how rushed the dlc and prequel comics feel, the fact that there was a statement that big changes were made late into development... yeah. i'll buy it. i often find myself wondering what people would think of infinite had this been his story, whether they would view him differently. also, speaking of the dlc being rushed, there are actually unused lines for episode shadow implying that you would have fought the jackal squad; they were likely just unable to implement it in time. it's a shame, as it would have added to that spectacle factor i mentioned. but hey, gotta push for that holiday release!

what i find really interesting is that you can look at his character through either lense: the former mercenary turned war criminal, or the creation of our ol' doctor, and he still reads well! his behaviour makes sense in whichever context you choose to apply; what he thought he had to become, versus what he was made to be. it's cool and it makes me a bit insane. a lot of people criticise infinite for his one-dimensionality, but in my opinion, like... it's the point. he's meant to feel hollow. because he's masking; or because he wasn't made for feelings, but rather for destruction.

something that seems ironic is that many people attempt to "fix" him by... putting him into a box and inflating a single trait into his entire character and calling it "better writing". now, here's the disclaimer, okay: i'm all for people having fun and being proud of their work! i don't think that we should police what others can create. this is just about the phenomenon of watering a character down or changing them to fit ships and narratives rather than those characters being what shape the direction the story and their relationships take, things like that; which... i mean, i'm not a cop, you can still do these things even if i don't like them! i'm not saying it isn't allowed, but i think that you're kind of missing the point.

he never needed fixing. his story needed refinement. that's different. it's more about exploring what we've been given, looking below the surface; infinite is not just an evil, ruthless tyrant that deserves death nor a traumatised sadboy to be made good by the power of love and friendship – not to me. his trauma and anger are both part of him, and you cannot – or rather shouldn't – reduce him to one thing or another. it does him a major disservice, i think. there are good things there, things you can dissect, you just have to be willing to look.

in choosing to ignore what made him who he is, disregarding the loss of his squad and blatant insecurity unless it's funny, you're purposely looking at him through a faulty lense. bad writing doesn't mean that the intent isn't there. context is so important, and you can't analyse him or critique him with worth unless these things are acknowledged. it's like if you were eating a cake, avoiding the frosting and complaining it's not sweet enough. the frosting is there, not even being withheld from you. it has always been there. you decided not to eat it. sorry i'm making weird analogies again but hopefully this makes sense.

this has gotten long, wow. the point i want to highlight, overall, is that infinite is not nearly as awful as people make him out to be. it was never about his strength, it was about the limits and shortcomings of the narrative, a problem not exclusive to him yet one that has been pinned on him for so many years. i don't want it to sound like i'm saying he is immune to criticism, or that forces is, even though i've criticised forces during the creation of this post (and don't think that i think forces is terrible, either! it's my favourite game and i have lots of things i like about it as well! i've just been drawing attention to these parts to better explain what i want to convey lol); but i do hate how the wrong thing is being criticised.

this issue has been watered down into "infinite weak" when it's way more broad, way more complex than that, and i cannot stand it. it seems like such a trivial matter, like, oh, fandom is being mean about my favourite guy, but it did actual damage and forever altered people's perception of him. i am pissed about it! i'm mad! i don't care if you don't like infinite (because i can just block you as we will not get along!) but... it's about why people don't like him. they don't have to justify it, they can continue hating him, but it always bothered me that the reason is so often not a real problem. yeah.

okay, i think that's it. thank you for taking the time to read this, and if you made it this far, you're gay

#transmission #infinite tag #infinite the jackal #long post

[darkdarkstucky]

Enchanted, S. Rogers and C. Kent.

Summary: In a world where Omega's were scant and decent alpha's even more so, you think you're one in a million to be in a relationship with Alpha's who not only take care of your every whims and need, but also love and respect you unconditionally. However, your marital bliss of two years is interrupted by the concept of ‘true mates’.

Pairings: Steve Rogers x Reader x Clark Kent, Soft!Dark Clark x Reader, Soft!Dark Steve x Reader.

Warnings: A/B/O Dynamics, Sexual Themes, Polyandry, M/F/M, Angst, Mentions of violence, Alpha x Omega, Ruts and Heats, Threesomes, Oral (F and M recieving), Eventual Soft!dark themes, Manipulation, Breeding Kink, DDLG themes, Graphic depictions of violence, Dark Themes.

A/N; Back with another WIP. Whoopdeedoo✨🫶 this was a lil fun something i wrote to overcome a really bad slump🥹 anyways!! say hi if you're here frens!! UNEDITED READ AT YOUR OWN RISK!!

“Clark? Honey?” You call out to your husband who, seemed lost to the rest of the world as his eyes sought the words to whatever paperwork he was reading. Noting down the uncanny disarray of his home office, the strange feeling of unrest settled in the pit of your stomach once more.

There were piles of papers scattered aimlessly on his mahoganny desk, his recieving chairs were skewed at an angle you knew he'd find unsettling, and his coat aswell as a few trinkets were laying waste on the carpet altogether.

It was unlike Clark to let himself spiral into a such a state of disorder. If you knew anything, about your endearing husband; he had a severe case of OCD. Everything must have their own place, every nook and cranny accounted for and it reflected on his everyday life. His tailor made suits were always neatly pressed, his tie the perfect knot, his appearance was always put together and smart in fashion. There was nothing that could be flawed about Clark Kent; he was composed, as he was equally accomplished in his everyday life

But for the past few days, perhaps weeks now, you've noticed the nuances and shift in his demeanor. It was present in gaze, the way he spoke to you; as if he was evasive, guilty almost, but you didn't want to venture into that kind of thinking because your heart had hurt too much at the thought of one of your mates betraying you in such manner.

Clark and Steve would never hurt you in any way. The fact in itself was cemented into your very soul, because all throughout your three years of togetherness— two in marriage, they've bonded you to them in any way they could. Through the marks. Through paper. And most importantly; with their love and devotion.

For as long as you could remember, they have tirelessly and endlessly wooed you. There was not a single day that passed that you never felt special, what with their promise to court you and love you forever. And you've never doubted your husband, and you won't start to. Not when they have never given you any reason to.

“Honey?” You knocked on his door in order to get his attention, that seemingly effective, as he raised his head to look towards you.

“Sweetheart?” Clark was startled he failed to hear you or sense your presence, until you were all he could pay attention to. Your scent, the most beautiful fusion of pumpkin and vanilla, calmed his racing thoughts. His eyes raked over your form in a slow descent, admiration clear in his eyes, but his brows furrowed perceptively at your lack of footwear. “The floor is cold, come here.” He beckons with a slight reprimand to his tone.

Slowly, you walked towards him, rubbing your eyes to rid of any residual sleep. Within arms length, he pulled you down to his lap, arms instinctively wrapping around your smaller frame and pulling you to his chest. Nuzzling into his neck, you let out a satisfied chirp as you were flooded with the enticing scent of your alpha.

“I woke up and you were gone,” You murmur against his neck, voice tinged with sadness. Perhaps you had been spoiled with too much affection that you had become increasingly reliant on their presence— Now, due to the nature of their work and constant travelling, both Clark and Steve had made it so, one or the other if not both should always be with you. This notion was followed to a T which satisfied all parties involved, so you were quite sensitive when it wasn't.

“I know, i'm sorry sweetheart.” Clark coaxed you gently, his voice no louder than a whisper that tickled your ears. “I had a few paperworks that i final review before i sign on it,”

“Can i stay with you?” You bit your lower lip anxiously and stared at him through your lashes. “I'll behave. I just really missed you.” your voice was soft and pliant as you pleaded.

Clark felt the lump in his throat again. The feelings he was repressing all coming down in a defeaning crash onto him. He was confronted with the fact of his neglect towards you with the days past. Clark knows that you may be growing suspicious, and for good reason, yet not one he was strong enough to admit yet. He wanted to say it. To blurt it out, but to admit it out loud would shatter all of his formerly built pretense. Instead, he hugged you tighter, hopefully translating all his love and affection towards it.

“I love you so much, tesoro.” He utters with conviction, “More than my own life.” you felt his head dip, and your foreheads touch. You were suddenly awashed with various emotions, and you swallowed down the questions you wanted to ask.

Although the confession was abrupt, it didn't stop you from echoing the sentiment. “I love you more.” you whisper. “more than my own life.” you repeated.

His grip on you tightened, if possible. As if he was holding onto you for dear life, to which you tried to ease him with gentle touches and tender caress all over his body. You pressed butterfly kisses all over the side of his face, whispering words of assurance to your husband.

“Everything will be alright, my love.”

Clark desperately wanted it to be true.

•••

The next morning, you woke up alone. There was no sign of Clark, as you approached the first floor after showering and getting dressed. Only the staff were present bustling around to do their respective duties.

“When did Clark leave?” You asked the housekeeper.

“At around five, ma'am.” She answers, and you thanked her before heading towards the dining.

As you sat, you were immediately served with breakfast, but you lacked the appetite to even pick up your spoon. Just thinking about your husband's strange behavior had your mind in a talispin, listing out possibilities of what you could have done; was it something you had done? were they disappointed with you? what if they had finally had it with your inability to—

“Hey, doll face!” Natasha barged into the room, successfully interrupting your thoughts. “Mind if i have breakfast with you? Bucky's gone and i'm too lazy to cook for myself.” Before you could answer, she plopped down to a seat and was served with cutlery much like you were.

Her morning visits were as frequent as could be which is why the staff were always quick. More often than not, anyways, it was Natasha you had breakfast with, due to her living close by and her husband Bucky being Steve's bestfriend and work associate. Needless to say, Natasha frequented your estate, and you were as closest to a friend as you could be.

“Hey, doll face.” She tilts her head, “Call me a bitch, but i think you look evidently upset over something.”

“I'm fine, nat. And please, lay off with the crude vocabulary at such an early day.” you reply amusedly, trying to play it off.

“It's okay, i'm insured.” She whips out a few dollar bills and left it at the table, the action was almost like a second nature to her seeing as she was a regular patron at the curse jar. “But you, my dear, seem awfully upset over something. What is it? What is a problem, that your overbearing husbands can't fix? You know you just blink wrong and Rogers and Kent would break the bones of some unassuming bastard.” She wiggles her eyebrows inriguingly.

You couldn't help but shake your head, contemplating for a moment wether you should tell another soul; a close one to both you and your husband about what your sneaking suspicion.

What if she thought you were just paranoid? Or laugh in your face? Or instead—

“Hey,” Nat calls out to you softly. “You don't have to tell me, immedieately. Or at all. But i'm here, and available if you feel like sharing.” she assures you, sincerity dripping from her tone while you visibly deflate.

“It's gonna sound stupid.” you sigh. “b-but.. but i think they're hiding something.”

“who?” the confusion was geniune.

“Steve and Clark.” you utter once you find your voice again, reaching for the glass of water once you felt your mouth go dry at finally saying it out loud.

“Why do you think so?” she asks carefully.

“Maybe i'm sensitive..” trailing off you looked down at your lap, “but i, i just feel it, nat. The way they speak to me, neither of them can barely maintain proper eye contact for more than a minute. They're very brief, almost cryptic when they talk. They're always out, and we barely see eachother— it terrifies me.” blinking away the tears, you look up.

“Oh darling,” She hushes, pulling you into a hug while you choked on a sob.

“I'm so scared Nat.” you whimper, tucking your chin into her shoulder. “'m so scared i'm gonna lose my alphas.”

“I know for certain that's never going to happen, dollface.” natasha says earnestly, while you let the tears flow.

#steve rogers x reader #steve x reader #soft!dark steve rogers #soft!dark steve rogers x reader #alpha!steve rogers x reader #alpha!steve rogers #steve x you #steve rogers x you #steve rogers x y/n #steve rogers fanfiction #steve rogers x female reader #clark kent x reader #clark kent x female reader #clark kent x y/n #clark kent x you #soft!dark clark kent #soft!dark clark kent x reader #alpha!clark kent #clark kent fanfiction #alpha!clark kent x reader #alpha!steve x reader #alpha!clark x reader #alpha!steve rogers x omega reader #alpha!clark kent x omega reader

[strqyr]

Yang: You're right. I don't know you. I only know the Raven dad told me about. She was troubled, and complicated, but she fought for what she believed in, whether it was her team or her tribe! Did you kill her too?

Cinder: You know, I've heard so many stories about you, Raven. They say you're a cunning leader, that you're strong, that you're clever. It's a shame that they're wrong.

they're. the same: "here's what i've been told about you -> i don't think it fits."

yang is told about raven by tai (one of raven's old teammates). (she's also told some by qrow, but that lines up more with qrow's conversation about summer with ruby in V7) (tho yang being saved by raven while she was unconscious and qrow giving her raven's message how she shouldn't expect that kindness again -> what happened at the beacon tower for cinder to possibly be out of the way when qrow came to retrieve ruby; did summer get cinder, thus potentially saving unconscious ruby if cinder had come to first?)

anyway.

cinder's "they" is more vague, but if that "they" includes summer (another one of raven's old teammates), then they'd be even more same, but what really fascinates me is how yang's focus is on family—for raven, team strq and the branwen tribe—while cinder's is on leadership—

Qrow: You should come back, Raven. The only way we'd beat her is by working together. All of us. Raven: You're the one who left. The tribe raised us, and you turned your back on them. Qrow: They were killers and thieves. Raven: They were your family. Qrow: You have a very skewed perception of that word. Raven: I lead our people now. And as leader, I will do everything in my power to ensure our survival.

two concepts that are present in raven and qrow's conversation in V4. notably, raven thinks that it's qrow who left, that the tribe is their family, and once qrow insults raven's perception of the word "family", she makes it clear she leads their people now (their family), and that she will do everything in her power to ensure their survival.

you shouldn't turn your back on your family; a leader should do everything to ensure the survival of their people. "one's family" and "one's people" are the same, in a way, to raven. team strq and the tribe.

summer was the leader of team strq. whatever happened on the night of her mission, it left enough of a mark that raven thinks summer failed fundamentally at being a leader, me thinks.

which, looping back to cinder's focus on leadership, if she has heard those stories from summer, then the fact that summer would talk about raven in this manner as well is intriguing. the implication that the two had their differences re: leadership (and how that relates to family, perhaps)... their issues are rooted deep to the day team strq was formed, isn't it.

#rwby #side note: poor cinder #her life is already a tragic mess #and now she's also narratively connected to the Greatest Mess of All Time

[aaronofithaca05]

Hi! Aaron here, if you don´t know me I´m a just a silly guy here on tumblr.🖐

But I have seen so many posts that Odysseus is a womanizer, incel or whatever; usually is from people that had a tenuous understanding of The Odyssey and when talked to are so kind and really interested in that. Nobody is born with knowledge of everything and I respect that (I don´t know everything either)

And I usually reply with long posts so nothing I say is forgotten, but what get´s me on my nerves is after having a civilized and kind conversation with the op´s the next comment usually is something like: yeah Odysseus SUCKS!! or Odysseus is a pos (regarding his fidelity and love to Penelope), skipping over the fact that:

First, I try to talk about the Homeric version (canon) not other retellings (Madelleine Miller´s Circe comes up so many times, I´m not saying I hate her book, I have a love-hate relation with that book for other reasons)

Second, op said they were wronged or had a skewed perception of the matter and changes the post (usually) and alter the tags to say sorry or something.

Third, I´m usually not the only one who shares information regarding the topic, there´s so much people more knowledgeable than me in that matter and mythology in general (YOU HAVE MY UPMOST RESPECT AND PLEASE IF I´M WRONG CORRECT ME!!)

And so many people become upset when other says, read the reblogs and see, they become offended and so on.....

What I´m try to say please let the poor man alone, he had enough of that. He is a pos, but not in that matter, he´s a pathological liar, there´s no denying that.

But if you need proof that Odysseus was forced into sleeping with Circe and Calypso, here it is:

Circe´s case

I apologize before hand as my book is in Spanish and because of that has a tendency of calling Odysseus Ulises (Spanish translation of the latin Ulixes)

translation:

...and I hugged her knees, supplicant and the goddess heard my voice.

And with winged words I said:

-Oh Circe! keep up the promise you have to send me to my home, as my soul compels me, and my comrades pound my cherished heart sobbing around me when I´m not with you.

That´s how i spoke and the noble goddess answered my act

-Divine son of Laertes, cunning Odysseus, stay no more in palace against your will...

The knee hugging was the utmost vulnerable action an Homeric character could do, Priam hugged Achilles knees imploring Achilles to let him have the body of Hector (his son), it is shown when a character is in such poor situation, they´re begging for mercy, not casually.

This is a snippet of the end of Chant VIII, in this chant he narrates everything of what happened in Aiaia (Circe´s island) There are more fragments where is reiterated that his there against his will and is not happy there.

Calypso´s case

This so heart-breaking T T

V Chant

“Said so the powerfull Argophontes (Hermes), he rosed, and the venerable nymph (Calypso) after hearing Zeus’s orders went where the magnificent Odysseus was.

She found him in the shore, with never ending tears that never dried as his sweet life was being consumed by grief, longing for the Returning (Nostoi), as the nymph wasn’t kind to him. Although at night he slept with her in the concave cave, with whom (Calypso) she longed; the day was spent alone, crying and sitting at the shore, his heart ravaged in tears, screams and pains, contemplating the untameable sea with bitter cries.”

And this is his answer after Calypso says he is going to be freed

Said so, the pacient and divine Odysseus, shacking, answered with these winged words.

-Surely you have another thought, nymph, different of my part when you send to cross the sea on a raft the immense waters of the sea, terrible and scary, that even the symmetrical boats helped by Zeus´s breath would crossed those scathed. I will not go to the raft, as you wish, if you don´t vow to the gods that you are not plotting my demise before hand.

#this is the last time I wrote a post about this #it´s so draining

[ghxstlly]

Feanger when things get rough

As we all well know, relationships are not always sunshine and rainbows. Couples won't always get along, and can go through periods of awkwardness or anger that can make a romantic courtship really rocky at times. Fear and Anger are not exempt from this.

In my opinion, fostering a ship can be a surprisingly rewarding creative endeavor when you delve into the more negative aspects of a pairing— things they argue and fight about and have to make up over. Don't get me wrong, their happiness and chemistry is the #1 thing that makes a ship so fun to play with. But thinking what makes it tick is an undervalued way to really flesh your ship out in the theatre of your mind.

That said, what do I think makes Feanger tick?

Ramblings under the cut

Anger is a person who has a lot of judgemental thoughts and opinions about others— that's just the way he is. It's one of the pillars of his character, and causes him to be blunt/short with others. It isn't that he's necessarily trying to be malicious or hurtful, it's moreso that what he thinks is right and what he thinks others ought to do or be is often at the forefront of his mind when interacting with his colleagues.

And while a lot of that stuff is not expressed, his temper can cause some of these opinions to burst out in a way that is usually tactless and/or hurtful.

Anger is also not a person who apologizes. Seldom does he feel he's in the wrong after doing or saying something, it's part of his bluntness and sometimes harsh ways of going about things.

Combine these two negative traits, and you can end up with arguments or fights where potentially hurtful things are said but not apologized for, because although Anger wouldn't normally say them out loud, oftentimes he still believes them to be true. Again, it isn't a matter of him being abusive or intentionally malicious, he's just overly opinionated/judgemental.

Fear is not necessarily a person who can easily handle that kind of scrutiny. Although words of that sort sting him about just as much as they'd sting anyone, no more no less, it's the self doubt and stress that manifests as a result that gets to him. Insults and jabs he can handle fine, in fact he's just as capable of saying things in the heat of the moment that have the potential to be hurtful, but afterwards, while they "cool down," anxious thoughts form that maybe Anger doesn't like him as much as he thought he did, and a wide gap forms between them where he and Anger seldom speak or interact.

It's an uncomfortable, mutual "shunning" that occurs, wherein Fear grapples with the anxiety that they may never be close again while Anger gradually becomes remorseful but is either too hesitant or too proud to act on it.

The longest I would imagine this going on for is a full week and a half, the shortest, maybe four days. During that time, starting out in a mutually upset state, they "cool down" over time and slowly come back together until some semblace of an apology occurs. While this is usually implicit, that is to say, the apology is made without ever actually saying the words, Fear will sometimes find something to explicitly apologize for, mostly for his own reassurance as arguments/fights with Anger tend to take a toll on his self-image and perception of his role in their relationship.

Now, I know all that sounds rough, but something I'd like to make sure is said is that while Anger almost always means the hurtful things he says during moments of high stress (even if the wording is a little skewed from the actual opinion), he is equally honest with his reassurances and praise (even if he sometimes has a difficult time expressing them), which is a fact Fear is aware of and trusts.

Ultimately the relationship between Fear and Anger stands on the pillars of mutual respect and trust. They are aware of one another's weakness and where their own strengths compliment the other's, which helps them understand one another and strengthen their bond.

And although they have moments where their big personalities clash in less-than-pretty explosions of nasty emotions, they always manage to get through it. :) 💜❤

#they speak #inside out #inside out fear #inside out anger #feanger #inside out feanger

[20th-century-bitch]

House of Leaves: The Perception Theory

People apparently liked my last post, so this is another House of Leaves Theory I posted on reddit

Do you know when you first enter a new place, like maybe a new video game or a town you’ve never been to before, and you are in awe of the sheer massiveness of the place. And then over time, as you become more familiar with it, it shrinks down to a manageable size? All of that happened just within your head.

Hi everyone. Some in my last post suggested I write about some of the explanations I have for the “docility problem,” or “why does the house start out dormant and become more aggressive over time?” This is something that I’ve been brewing in my head for a while: The Perception Theory.

The Perception Theory states that the house is a sort of distorted mirror. Anything the inhabitants believe about the house is reflected and becomes true. This is not only about conscious perception but memory as well. Like I pointed out in the opening, new places feel larger. To the Navidsons, the house was a place to be conquered and controlled even before the supernatural events begin. They believed the house was larger, so it became larger - the first hallway. When first moving into a new house, it’s normal to discover new areas and rooms that you didn’t find or forgot about until after a while of living there. The family wasn’t consciously aware of every facet of the house - and were away during this time - and this created a “hole” that the house filled with a pitch black hallway.

It is to be noted that this “perception” element only affects humans. Hillary and Malory (if you forgot, I don’t blame you, but they were the family cat and dog) were completely unaffected by the house, and the motion activated cameras were not triggered by the first Hallway appearing. It’s something innate within us that causes this effect. Curiosity, imagination, higher order thinking, possibly.

This becomes the basis for a snowball effect. Now that the Navidsons’ perceptions of the house were skewed by this new discovery, the whole house grew by 5/16”, then there was the bookcase event, and then the echo chapters. As humans, we can use echo as a way to gauge how large a space is. When the Navidsons first hear an echo within their house, again, the perception is altered. Larger and larger the home grows… that’s until the second Hallway manifests. Again, it is a freezing cold area with absolutely no discernible features. An uncanny mix of a familiar hallway with something extremely alien and empty.

It reminds me of 2001: A Space Odyssey. Some have pointed out that the rooms at the end of the film that Dave resides in are as if an alien with a superficial knowledge of humans tried to build a “zoo” for them. It’s familiar, it’s human, but everything is in the wrong place. The lights are on the floor and all the furniture placement seems off. Rooms are mirrored and even time is warped. In House of Leaves, the labyrinth is like an entity tried to extrude a house without knowing what makes a house… a house. The inhabitants’ perceptions made it larger, but because they didn’t know what they would find so it manifests as nothing, void, the bare minimum.

It should be noted that there are two kinds of “furniture” within the house, doors and banisters. That significance is unknown to me.

The Perception Theory also explains why the exploration team’s supply cashes are destroyed. Halloway brings a gun, anticipating a monster or some kind of enemy within the halls. This causes scratch marks to appear on the neon signs and caches. They were destroyed because the team expected to find them destroyed. The buttons on their shirts disappear not because they were arbitrarily consumed, but because they were not being kept track of. u/kingshaux pointed out something else that was interesting:

Notice how the House only really starts acting like Holloway’s enemy as soon as he starts seeing/treating it like one, almost as if it’s offended/defensive, like a person.

The house reflected Holloway’s hostility onto himself, becoming aggressive towards him but also (attempting to) protect Wax and Jed in the door shutting scene. Holloway expected to be attacked and killed by a monster, but the real monster was him, being reflected back by the house. The teamed exploration occurred at the same time the place outside the hallways started to be referred to with terms aligning with a war. Bases, fronts, attacks, SOS, outposts… the inhabitants’ intentions went from exploration to war. After they find Holloway’s suicide tape, the house tries to consume everyone like it did Holloway. It’s now an enemy in their minds.

The spiral staircase scenes are a major point of the Perception Theory. First of all, it appears that they go down forever, so they go down for a very very long distance. It takes the team days to reach the bottom. But now they they’ve confirmed that there is, in fact, a bottom to it, it takes Navidson 5 minutes to walk down it. Because the perception that it was bottomless changed, the distance changed as well.

So why does the distance stretch so far when Navy tries to leave? Not only does it stretch to an absurdly large size, it’s also a metaphorical distance, as he becomes more and more distant from Karen and his family. Because his connection to the outside is waning. He is mentally consumed by the house at this point, ignoring his wife’s wishes to enter inside (even though it was to save the team, Navidson wanted to go back anyway) the Hallways. But Navidson’s determination wins, as he climbs to bridge that distance even if it might be in vain. He makes it back to Tom. He makes it back to Karen.

This leaves some questions. If Karen’s perception of the house was so fearful, how does she save Navidson in the end? If we assume the colonials weren’t expecting to find anything in the area, why did they find stairs? How did it consume Karen’s Feng Shui and/or did she forget about it? Where does the cat go? Why can the house only manifest doors and hallways?

I get that that’s kind of a lot of loose ends but I didn’t want to make this post too long. Thanks for reading and tell me your ideas.

#house of leaves #houseofleaves #house of leaves theory

[apollos-olives]

antizionist jew here. i saw an answered ask of yours while looking through palestine tag, and wanted to share something in good faith, because it's a misconception about us that a lot of people are having right now.

so... antisemitism as a word was created to mean hatred against jews. i know it has the suffix semite, but its etymology is already pretty shoddy because an 1800's-era german guy that was into eugenics created it. when creating this word, he relied on the concept of hebrew as a semitic language and judaism having been born in the levant. he did this to turn the old word judenhass (which signified a more "medieval" and religion based hatred) into a concept which defined jews as an inferior race in the modern day, for modern day sensibilities. in general, the whole idea of semites as a race (rather than semitism referring solely to languages) leads back to eugenics. this is why the term is obsolete.

https://www.jewishvirtuallibrary.org/anti-semitism-or-antisemitism

yes, most antizionism is not antisemitism. but every so often it can be, whether that be due to a white supremacist co-opting the movement or a leftist genuinely having unexamined antisemitic biases. and when that happens, arguing about the etymology of antisemitim as a word will only serve to shut down antizionist jews who are rightfully concerned, rather than the people who are actually propagating hate.

and allowing rhetoric like that in the movement plays right into the hands of christian zionist and white supremacist jerks, the kind that want to abuse the exact trauma-driven jewish fear that they helped to create, this idea that "nowhere is safe," in order to purify their own countries of us, turn a profit and keep the war machine fed with colonized bodies, ultimately leading to the erasure of the palestinian people and their own "perfect" imperial outpost. they don't actually care about either of us. but we have to be caring about how we talk to each other.

please take this as an opportunity to learn. not calling you out but calling you in, as they say. thanks for reading this.

oh this was very informative to me, thank you! i haven't been really big on the argument that "palestinians are semite" (because yes it does have flaws), though occasionally i mention it because a lot of people's perception of "antisemitism" is skewed. there's a whole thing with how zionists use the "antisemitism" argument to call out "fake" antisemitism, and that not a lot of people are aware of what REAL antisemitism is because of how much zionists skewed the definition of what antisemitism is. this makes it more dangerous for actual jews who face antisemitism in real life, because the type of antisemitism that they are facing is different and much more real than the type of "antisemitism" that zionists claim they're facing.

i think that when we talk about how "palestinians are semite" in the argument against "antisemitism", we're specifically attacking that fake, skewed perception of what zionists consider "antisemitism" and not the real forms of antisemitism against jews that actually happen in the world. because of this wrong perception of what "antisemitism" actually is, it makes the life of semites and jews much more difficult.

sorry if this was hard to understand, i hope you get what i mean though. but thank you for telling me more!!

#that link you cited is a pro-israeli organization i think so i'm kinda wary of it #but i did take a look and i'm sure you know much MUCH more about real antisemitism in the world #rather than the “fake” antisemitism that zionists claim is happening #if you have anything to expand on that then please let me know! #palestine #free palestine

[rose-tea-and-strawberries]

Trey: *Trying to explain Riddle is that way because of his mom*

Me: Give me a minute as I pull up my ‘Trauma Doesn’t Excuse Sh*t Behavior’ PowerPoint.

Say it with me, everyone: an explanation is not an excuse 😊

You know, the other day I was watching one of Ryan George's Pitch Meetings and when Producer Guy asked Writer Guy how the audience would root for the villain of the franchise and the response was "he's handsome" which basically explains most people's reactions to fictional men.

Prepare for incoming rant that has little to do with the ask

This probably might come as a shock because one of the main appeal of twst would be the whole villainous aspect/Disney Villain fanbase but I don't really like villains that much, at least, not romantically. Like don't get me wrong, I think that they're incredible characters and it would be so fun to sit down with one and have a conversation with one. Villain songs are so fun (I was literally singing ‘This Day Aria’ to myself the other day I haven’t heard that song in like a decade) and you can tell that that characters like Scar or Hades or Shere Khan or Jafar or Maleficent are having so much fun being deliciously evil and even the more serious, complex ones like Loki or Frollo are fun to pick apart so yeah I understand the hype. I just always rooted for the heroes and I guess heroic characters have always been more my type.

My mother absolutely loves Erik Destler and is forever salty that Christine chose Raoul (despite my many many attempts at arguing why Raoulstine is the superior couple - smol primary school me could not understand why my mum liked the chandelier dropper and was deeply concerned), my best friend has been in love with Heathcliffe since we were eleven, and my little sister has literally told me that her type of fictional men are the toxic red flags (not exactly word for word but she did explain why she likes bad boys over good boys when I was complaining about how my type (wholesome soft boys) always get sidelined for the arrogant, snarky bad boys - we're also very diametrically opposed on our views of friends to lovers (my s++ tier all time favourite and her loathing) vs enemies to lovers (I can't really stand it - Pride and Prejudice is the only exception - and that's literally all she consumes) so that might also be a reason).

Like, I understand the appeal of a Byronic hero (Mr Darcy has far too much power) - a closed off, broody man that hates everything but you? And will burn down the world to keep you warm? I can respect that there are people who dig that. But their not really for me.

The mild bout of insanity thirteen year old me had where I spent two months attracted to Edward Rochester is an outlier and should not have been counted (though that was during my wattpad phase so...)

But I can admit that I have yet to shake off my feelings for Dr Henry Jekyll, Victor Frankenstein and Dorian Gray (though to be fair, Mr Gabriel John Utterson the lawyer and cinnamon roll artist boy Basil Hallward do own my heart). And yes, Jeremy Jordan did make me question my morality as he did make my feelings for Light Yagami be too positive to be sane for a brief moment (Touta Matsuda is still my man, don't worry). But apart from them, literally all of my faves are what you'd call your traditional, morally upright heroes.

Basically what I'm saying is that my perception might be skewed because I've never had the whole 'villains are cooler' mindset when it came to stories. Yes, I love the villains as characters but I always liked their heroic foils more (goodness is just so attractive to me). You get lots of amazing heroic protagonists that have horribly tragic backstories and they're the ones I always fall for because the idea of being a kind sweetheart despite the world being anything but is just *chef's kiss* that's a kind of strength that's so swoon-worthy.

I guess that's why it's harder for me to look past the characters' actions in twst is because, well, they chose to do everything they did. They made a conscious choice to be terrible, despite understanding the consequences. Riddle may have been brainwashed into becoming a tyrant by his mother but he still admitted that he knew he was being horrible - he understands the concept of morality, of good and bad, and he willingly and deliberately did everything he did.

I suppose this text post I found on Pinterest would explain my point better:

#twisted wonderland #twst #asks

[swifty-fox]

Hey babes I don’t know where else to drop this but it’s been knawing at me for the past day, how Gale is so dealer by Lana del ray coded it’s insane. How it’s kinda the perspective of his relationship with his father, as seen here

“Give you all my money, give you all my money, give you all my money

I don’t wanna live

I don’t wanna give you nothing

Cause you never give me nothing back

Why can’t you be good for something

Not one shirt off your back”

and how it could be somewhat interpreted to be his and Buckys relationship in Young!Vets AU with Bucky struggling with his addictions, but it’s so hard for Gale to not see his own father in Bucky, seeing the spiral he’s falling down.

“Please don’t try my father either

He ain’t been home in years

I know I’m no spirit seeker

I can’t sleep through the tears

I get lost in the ether”

And in how the weight of buckys drinking has been tearing him apart, wanting to help his lover but it’s just as much of a struggle for him cause he’s been on the receiving end of an alcoholic, the trauma that was inflicted on him because of his fathers drinking.

But that’s just my two cents sorry for rambling 😭😭

please always come ramble I love hearing y'alls thoughts!!!

tagging @bcolfanfic because Young Vets!

We have talked a lot actually about during his intervention and the months around it how Gale REALLY starts questioning how he ended up in this situation despite everything he told himself. I think at one point I had Gale say something like

"If I wanted to marry my father I could have gone to any bar in town." which is pretty harsh but not necessarily untrue. While John isn't violent like Gale's father those sort of childhood scars don't go away.

But also to some degree you also become kind of numb, or your perception of what alcoholism is becomes very skewed towards the extreme when you grow up like that. You only see one kind of alcoholism as REAL alcoholism and I could absolutely see Gale hiding behind that for a long time. It's not a real issue because John would never hit him.

It could def take an outside perspective in some ways, Curt or Cros or Demarco maybe to really say "Gale this is a problem, this isn't a safe environment for you and you deserve to get out if he doesn't change" To validate those fears that Gale doesn't want to address, that he wants to reason away.

It's something I address heavily in my fic, Kingdom for a Kiss, Gale convincing himself John isn't his father but also frequently triggered by him and his habits around alcohol. It's a delicate balancing act of logic and understanding.

this song is about alcoholism and i feel it fits John very well. This whole album tbh as it deals with alcoholism and addiction

#I hate Lana but i do see the vision here #sources: uhhhhhhhhh my family #do be getting the alcoholism bug #swiftytalks #young vets au #almost need two hands to count the number of addicts in my family lmao

[balanceoflightanddark]

It's been implied by the fandom that Iroh can't be fire lord because of the other two nations' hatred and distrust for him given his brutal reputation as the dragon of the west.

It would make more sense and more consistent if Iroh explained that instead of assuming his own nation would turn on him for usurping the throne because that's exactly what Zuko did and it mostly turned out okay for him.

I think this is true on some level. While we never see anybody from the other Nations not trust Iroh, I could still see some people getting a little antsy about the guy who torched Ba Sing Se being crowned Fire Lord. Like there's no guarantee he's not gonna try to vie for Fire Nation supremacy just because he helped end the War. I don't even think he'd be well-liked by his own people since his retreat after Lu Ten's death basically spelled the end of his own military career.

That being said, by that logic Zuko would have his own problems being seen as a benevolent ruler since he did help overthrow Ba Sing Se, attacked Kyoshi Village, and raided Sokka and Katara's village. Sure it's small potatoes to what Iroh pulled, but it's not something anybody else is gonna overlook. I mean the Gaang threw what he did back in his face during his initial attempts to join. Who's to say the rest of the world isn't going to let him live that kind of stuff down? It'll be an uphill battle for the guy in terms of foreign relations.

Admittedly, you do bring up a good point about nobody really caring that Zuko was essentially a usurper. It would be telling that people just got used to this sort of power struggle with the Royal Family...which STILL isn't gonna be a good look for Zuko if his own people's first perception of the guy is that he did the exact same thing his father pulled with his sibling.

I'll be honest...the places where they left Zuko and Iroh at the end of the series don't exactly rub me the wrong way. I'm still not convinced that Zuko's finished his redemption arc and that sentiment hasn't really gone away with how the comics have handled him. And Iroh should NOT be able to retire into the city he burned to the ground. I guess the finale just left me with a colored perception of the two that I'm not sure I'm going to be able to shake off so easily. Your theory is good, obviously. And I think it makes more sense than Iroh assuming the populace would turn on him considering he pushed Zuko into fighting Azula in what was a power grab (even if it was justified). It's just when a retired war general who's guilty of starving the populace in a grueling 600 day siege gets to live in the city who suffered at his hand, the narrative just clashes with your idea.

Which I don't think means you're in the wrong here. It's just the narrative is that skewed.

#atla #atla meta #iroh #general iroh #zuko #fire lord zuko #iroh critical #...i guess if you want to go that route #more a narrative gripe than a character gripe #anon asked #anon answered

[dr3amofagame]

i 100% agree with what theminecraftbox had to add about c!quackity. i might be biased because he's my blorbo, but i think it's way more interesting to have sexual violence be the one line he REFUSES to cross in the prison. almost like it's a way to protect himself from his own corruption.

a;ljsfkdaslf i'm not too sure that's what kat was saying tbh

(more discussion of noncon under the cut)

i think in terms of c!dreamity, right, i think that the probability probably swings towards c!quackity not doing anything physically of a sexual nature--i think comments and threats are pretty damn likely, tbh, but i can see a separation made for him between the violent nature of what he's doing and, well, sex, for a variety of reasons. because he's a romantic at heart and wants aspects of his relationships/love life kept separate from the bloody depths of pandora, because of his own perceptions of propriety and social norms, what have you. that being said, i think it's fair to make an argument in the opposite direction--what's undeniable, as kat has mentioned, is that there is a degree of restraint regarding matters of a sexual nature w/ respect to the prison, in that if anything of that nature exists he is very obviously much less unapologetic about them compared to how he is around violence and torture in general in the context of pandora (like, there's just very little that's unsubtle about hitting someone with an axe), but the existence of restraint to some degree compared to the much more overt nature of the rest of the torture definitely doesn't in itself prevent torture with sexual elements from existing in totality. just bc he's not walking out of the prison covered in another type of bodily fluids doesnt mean that the frustration and desperation of trying to get the book for another bloody day, with noncon sitting between them as an elephant in the room from day one, combined with the obvious social connotations with power and sex and masculinity and what it means to make someone your bitch, couldn't have all boiled over. ykwim?

again, to stress: if we're talking purely in canon, my opinions tend to skew towards the lack of anything physically happening of a sexual nature during the prison arc torture visits. but the fact of the matter, to me, is that it could have existed and that we wouldn't, like, know. the torture has a curtain drawn over it for a reason; we are kind of meant to wonder what "2 1/2 months of continuous daily torture" is really supposed to mean. i think that the prison arc absolutely has the space for it to include stuff like, violent sexual assault.

which is kinda where i have...different feelings about manberg c!schlackity, tbh. the contexts are so different that this comparison is kinda hard to make, but while the sexual harassment and the abuse in c!quackity's relationship with c!schlatt is obvious and undeniable, i think the manberg arc as presented does provide constraints, to a certain effect, on c!schlackity's relationship? it's important to note that c!schlatt was perceived as a bumbling fool before he was elected, and that's literally part of why c!quackity even made a coalition with him in the first place. it certainly wasn't for ideological reasons, considering his wanting to make a coalition with pog2020 literal minutes before--this guy thought schlatt was his best ticket at beating pog2020, and schlatt was also someone that came off as drunk all the time and completely idiotic. again, i've not rewatched in awhile, but i don't really think c!schlackity was marked by this feeling of c!quackity feeling Trapped By Fear in manberg as much as he grew increasingly disillusioned with the relationship--the greatest evidence of fear as a motivating factor imo would have to happen post-red festival, but that's also a point where c!quackity's frustrations towards schlatt and manberg as a whole were boiling over and i don't really remember much of him using the red festival as evidence that c!schlatt was someone he was afraid to fuck with. as kat mentioned earlier, the physical abuse in c!schlackity was obvious and undeniable, but when it happened it was also the motivating factor for c!quackity to murder c!schlatt and run.

obviously, the sexual elements in c!schlackity are Far more pronounced than anything for c!dreamity, and if we're talking the presence of dubcon in general i feel like c!schlackity definitely has plenty of room for it, even if all you take into account is how c!schlatt was drunk 90% of the time. and w/ the context of how part of the deal for the coalition was framed as c!quackity's use of sex to get himself the position of VP and the ... not nonexistent presence of his lying and manipulating c!schlatt for the sake of power, bc their relationship in manberg really was predicated on power and c!quackity's pursuit of it specifically, there's a lot of ways that i think a sexual relationship for c!schlackity can fall that's far more ambiguous and two-sided than what i've often seen in terms of c!schlackity portrayals. but along that same line, when c!quackity's reaction to physical violence was so pronounced and made a point of, in some manners i feel like portrayals of inescapable sexual abuse and violent sexual assault re: c!schlackity don't really feel in line with what i remember of their relationship in canon; i just don't really feel like manberg as a context provides the same room for it, especially in comparison to pandora's vault, which was kind of the point i was trying to make in answering that anon. that's just me tho .

#tw rape #tw dubcon #tw noncon #my asks !! #dsmp hot takes #c!dreamity #c!schlackity #like in terms of dubiously consensual sex in several permutations i really do think in c!schlackity it's almost like a given #and sex in general is an obvious part of c!schlackity in a way that's not at all true of c!dreamity #but the relationships in question and the contexts of said relationships also provide different limits #which is where i'm kinda at w/ the two #limits not in terms of 'what would the characters do' #but more like. 'what conceivably could have happened and still have canon play out in the same way' #hopefully that makes sense ?