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comradekatara · 3 months

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Any fun Aang facts/ headcanons/ thoughts?

i don’t know if this is exactly fun but i think a lot about aang coping the first couple years after the end of the war. like i think on a spectrum of “the war is over and im so happy!!” to “suddenly thrust into a leadership position that is uniquely isolating and horrible,” aang perhaps isn’t struggling as much as the new firelord, but it’s a close thing.

i think katara would be the one who is happiest out of all of the gaang, since the war being over relieves this huge weight off her shoulders and she also gets to do the fulfilling work of rebuilding her tribe and finally being able to live up the potential she’s always imagined for herself, being able to preserve and pass on her heritage to a hopeful new generation. (that isn’t to say that she isn’t traveling the world with aang, trying to mitigate the damage caused by the war, but she would go back home as soon as possible. she needs to see gran gran!!!) there’s a sense of pride and satisfaction and joy to her role in this world that cannot be denied.

suki is in a similar position, where as the leader of the kyoshi warriors, her reunion with her sisters and their return to kyoshi island would be triumphant and joyous, and she gets to participate in the process of teaching a new generation of warriors, passing on her traditions and using her skillset to help people elsewhere. but then there’s also the lingering, nagging memory of being alone in a maximum security prison, and that trauma isn’t something one just gets over…

i see toph, more than anyone, spending the most time with zuko in the fire nation. she understands what it’s like to be alone, and she’d rather be with her family than her biological parents. i think she does visit them, but it doesn’t go well. toph may be incredibly sharp and mature for her age, but she is still just a kid, and the fact that her father will continue to reject her his entire life is a great wound, as much as she could flippantly deny it. but zuko understands what that’s like more than anyone, so being able to help him helps her through her own pain. even if zuko is a dick about it (although i think she stubbornly forces him to acknowledge her pain at some point instead of just outright dismissing her like he did on ember island), it’s a symbiotic relationship in its own way. i mean, he could definitely use a human lie detector.

sokka is like all over the place. i don’t know man he’s too complicated to sum up in one little paragraph. but yeah let’s just say the war ending doesn’t automatically Heal him and Solve his copious Issues. because it does solve some things but it also causes other problems. new problems even. but i already sort of talk about that here so let’s just move that for now.

and then of course zuko being crowned boy king of racist nation is like… not great. it works for thematic/symbolic/narrative reasons, of course, but realistically. it's a struggle! so, like i said, i think toph would stick by his side, and i think aang spends a lot of time in fire nation as well, and sokka as much as possible (NOT because he loves zuko, but because he thinks zuko is very stupid and he’s the world’s biggest control freak so if he doesn’t micromanage everything he’ll feel like it’s his fault if anything goes wrong). but iroh is…. not there. his best friend katara (i said what i said) is in the south pole or traveling the world or anywhere but Here. azula is. broken?? the world?? is broken?? and he (famously a fuck-up) is supposed to fix it???? poor kid.

anyway. this is all preamble to contextualize what can only be described as The Worst Puberty Anyone’s Ever Had. okay here’s a bonus fun headcanon: aang is born in october! i say this because he’s the most libra to ever do it (i don’t know shit about astrology but i do know that). so for the entire run of the show (from winter to summer) he is twelve years old. i don’t know if you’ve been around any twelve year old boys recently (not to brag, but i have), but they are Going Through It. and that’s the average twelve year old, not even including the shocking temporal displacement and being the sole survivor of a genocide and shouldering the burden of the whole fucking world and knowing that an entire country full of people want you dead.

the fact that aang maintains his childlike wonder and sweetness for the most part means that it’s going to hit him like a truck once the war ends and he finally has a chance to focus on himself. we see the early stages of puberty affecting him in terms of how he behaves around katara, the change between his book one kiddie crush and his book three confusion and intensity. but it’s more than just burgeoning sexuality. he wakes up, is informed that he’s been stuck in an iceberg for a century, that everyone he ever knew with the exception of appa and bumi are dead due to a genocide, and that it’s his responsibility to end the war. and the rest of the show is him trying to step into that duty and finally becoming the kind of person the world needs him to be. and now… it’s over.

on one hand, there’s that overwhelming sense of relief. he did it. he successfully prevented yet another genocide, stopped the war, and did it all without compromising his values. his new friends (his new family) are all alive and safe and now can rebuild the world together. they can rest and have fun and be kids. and that’s what aang is celebrating in the finale when he looks at all of them and smiles, when he hugs katara in acknowledgement of how far they’ve come. aang is incredibly strong and resilient, and it’s a strength that comes from a place of genuine love and understanding. he was taught good values as a kid, values that have guided him through the most unimaginable of tragedies. but he’s not perfect. no one is.

no one can prevent the oncoming swirl of hormones and trauma and second-guessing that is about to hit aang once it finally occurs to him that the purpose he has been fighting for ever since his entire life changed is now over, basically, and he has to figure out what it means to be alive outside of one sole, defining goal. as anne carson said in red doc>, “to live past the end of your myth is a perilous thing.” as jp sartre said in la nausée, “i outlive myself” (specifically, anny says it to roquentin). what is aang doing if not ouliving himself? had he lived a normal lifespan that hadn’t been disrupted by a spiritually imposed stasis, he probably would’ve been dead by now (long dead, if we can assume that his death in lok is by natural causes). and his myth, his grand destiny of stopping the war and once more carving out a space for his people in this brave new world? well, he did it. accomplished it with flying colors. now it’s over. now he is a perilous thing.

as i alluded to before, i think the only person who can really truly empathize with aang’s situation is sokka. sokka, too, has survived beyond any point he imagined. he has built his entire identity around being a shield, and now that the war is over, his ability to protect others from immediate threats and sacrifice himself for a cause has been ripped away from him. he now has to forge an identity beyond reducing himself to a soldier, in a fundamentally unfamiliar world. sokka was shaped by war, and yet he lived past it, past the end of his myth. aang’s world is now also unfamiliar, not solely because the war is over, but because the war is over and yet he is still alone. he did it, he saved the day, and yet what is his reward? he saved a lot of people, but none of his people. he can never go home again.

aang and sokka’s role as foils is something i want to write about more because i do find it truly fascinating, but in these terms i think we can also read their psychological states postwar as a sort of reciprocal dynamic. i’ve spoken in the past about how in a postwar reconstruction landscape, sokka would do a lot of the administrative work that aang cannot. not only because aang is literally twelve, but because aang cannot focus all his attention on this world when he is also its only real tether to the past. so sokka would make room for aang to focus on being the last airbender by sort of taking on the mantle of pseudo-avatar. solely in the most bureaucratic sense of the title, of course, but that would be the role that sustains and (somewhat) fulfills him after the war. and i think aang would be grateful for that, but he’d also be somewhat resentful?? not of sokka (aang is too emotionally mature for that, plus he respects sokka too much), but he’d definitely resent himself. think about how guilty and shameful he feels whenever he feels like he’s let the world down due to factors beyond his control. and so the fact that sokka is doing so much of what aang himself should be doing because he’s too busy being defined by his status as a genocide survivor… well, it might make him angry. he might lash out. and we’ve seen him frustrated, volatile, and emotionally confused. it’s not pretty.

i know that we all only want the best for aang and want him to be happy and thriving after the war because he’s such a perfect kid who deserves the world, but realistically, i do think there would be a period where he’s kind of hard to be around. not only because that’s just something that happens to all adorable baby boys once they turn thirteen (i, for one, learned this lesson extremely painfully), but because he’s dealing with a lot and the only person who even remotely understands what he’s going through is also the most emotionally repressed guy he knows.

throughout atla, he never allows himself a moment to just stop and feel, because the depth of his grief is actually scary and incredibly difficult to confront. but i think if he did ever allow himself to feel, he might never stop. he might, in fact, spend a month or so curled up in blankets in bed eating nothing but bean curd puffs and shutting out everyone but momo. i actually think that’s more realistic than him immediately entering a perfect relationship with katara and being highschool sweethearts and popping out three kids. and frankly, i think going through that kind of depression now that he no longer has any pressing responsibilities also happens to be something he’s earned. he’s been pushing down his grief, ignoring it, distracting himself from it, this whole time. it’s time he finally lets himself feel.

on a happier note, i like thinking about aang and suki getting closer after the war (or even being close offscreen during the show, like on ember island). i like to think that suki can act as a sort of cool big sister figure to aang, who has suffered just enough that she can empathize with his pain, but isn’t too close to the situation (like fellow genocide survivors katara and sokka, or genocide perperators’ direct descendants, like zuko) that she can still discuss it with him without bringing her own baggage into the fore. she’s very good at giving direct, no-bullshit advice in a nonetheless kind and compassionate way, and she’s also very good at joking around and knowing how to let loose and have fun in a way aang appreciates. she also really admires and highly values the role of the avatar in the world, and she also admires and cherishes aang as a person, so i think she could give him that kind of measured encouragement that aang really needs to hear.

obviously katara has done this for aang a lot in the past, and i’m not saying she wouldn’t also continue to be a shoulder for aang to lean on, because no matter how much he may try to push her away, she will always be there for him, but i think suki also sort of provides a necessary detachment where he isn’t bogged down by any romantic feelings for her and she isn’t bogged down by her own all too similar trauma the way katara is. suki has people to help her work through her own trauma (sokka, her sisters, etc.) so aang doesn’t need to reciprocate. she’s just happy to be there for her surrogate baby bro who needs her. she’ll serve the avatar in any way she can, whether by becoming a kyoshi warrior, by sacrificing herself to free his bison, or by just chilling with him in bed while he rants about his impossible situation and cries on her shoulder.

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skitskatdacat63 · 3 months

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Tradition vs Modernity vs Comradery

+ context & lore:

In the first drawing, Fernando is wearing a capote de paseo, which is what bullfighters wear before the match begins, as seen below:

In the second, Seb is shouting the very familiar "Olé" which is shouted by the crowd to praise the matador. He's a little brat, so of course he's yelling it for himself, but he did get many 💐

The third(which was a random sketch I had that I didn't think I'd finish tonight, so ignore if its messy) has very important context to me. Before going to the final act and killing the bull, matadors dedicate their montera(hat)(and symbolically: their kill) to a a specific person in the audience(or just the public as a whole.) Seb and Fernando are finally in the same color! Seb is bowing!!! And Fernando is honoring Seb!!!! Also ignore that I drew Seb's post-retirement hair. Though, maybe this drawing is supposed to represent Fernando making a dedication to his now-gone rival 😔(Seb: stop telling people im dead!)

Now, some more lore :D

So I talked about this in my last matador post but I'll expand more. I think it's very funny to characterize Fernando in this au as this fun-hating traditionalist. Because you have to understand; he's only this way when it comes to Seb. Because you absolutely KNOW he was doing silly, unserious shit back when he was younger. But absolutely god forbid Seb do anything silly.

It's very ironic because there literally is a part in the third act of a bull fight where it's basically encouraged to be a bit silly. This is a tad morbid, but basically right before they deliver the killing blow, some show their mastery over the bull by doing some superfluous action(ex. kissing the bull, kneeling in front of the bull.) There's some guy who literally would lean on the bull and mime taking a call. But anyways, Seb would def do this. I've not been able to draw it exactly how I want, but he would bend down and do his little bull horn symbol and mime charging at the bull. (Fernando, trying to make up reasons to hate Seb: oh my god, look at this blatant disrespect, look how he is disrespecting the bull, I cannot believe how rude this boy is!)

Also there's something to be said about how the matador shows mastery over the bull by kissing it or bowing to it...and Seb is technically the bull in this au and Fernando is the matador. There's just this unfortunate level of weird power inbalance that still lingers even though their rivalry is over and can't be affected anymore. There was no succinct answer about who truly was better because Seb was forced out of it. So there's always gonna be this level of "is he just pitying me? Is he just mocking me? Is he just patronizing me?" on Seb's part whenever Fernando praises him or makes dedications to him. And Fernando's always going to be haunted by the fact that there's no answer to who is truly better because he'll never know if Seb had reached his full potential or not. Anyways, they also have nasty sex while wearing their costumes and do weird bull/matador roleplay :)

#god do not ask me at what time i am writing this post #its genuinely so bad and terrible 😭#i meant to only draw the first two but remembered i had the sketch of the third one #and thought hey might as well finish it!! at a uhhhhh already late hour #BUT HEY I DREW THEM ALL AND I LIKEY SO :)#third one is a bit messy tho cause im still not 100% on what i want their 'aston' era clothes to look like #but good enough for [undisclosed hour] so yes hello please take more matador au :)#was just pondering drawing more chibis bcs ive made more aus since those chibi sets i drew #and now have these so :) yayyy matadorsssss :D #but anyways the joke of this post is that whole modernity vs tradition meme so hope that makes sense :)#its super late and my brain is lacking comprehensive thought so i hope this all makes sense #catie.art.#f1 #formula 1 #sebastian vettel #fernando alonso #vettonso #matador au

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