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dramavixen · 2 months

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Love and Redemption: A Fantasy Epic About How Prejudice Destroys Worlds, and How Love Pieces Them Back Together

**major spoilers for: Love and Redemption

After wrapping up a watch-through of Mysterious Lotus Casebook, my mom had the brilliant idea that we should rewatch the work that launched Cheng Yi to fame (or at the very least solidified him as the man to hire if you need someone to spit blood): Love and Redemption.

I’m certain she only found this idea appealing because she doesn’t remember a TV show after it’s over. Credits rolling? Aight, time for the woman to clear up space on her brain’s memory drive. Meanwhile, my life flashed before my eyes as I recalled the anguish that’s synonymous with the show’s plot. But you know how things go when your mom wants something. If she says you're sitting through 44 hours of emotional torture with her, then you plant yourself on that couch until it’s over.

Ironically, Love and Redemption fares even better on rewatch. Though other xianxias have come close to its place in my heart, I’m now concerned that my palette won’t be so easily satiated again. It’s got your conventional reincarnation, warring realms, and a star-crossed romance while throwing curveball after curveball to shatter your expectations. Complex characters, too? An endgame villain who will haunt you in your sleep? You can’t ask for more.

Just because you didn’t ask, doesn’t mean that the show won’t deliver something extra. I like to think that nothing reflects a society’s unsightly reality like a well-done fantasy, and this one hits closer to home the more time that passes. A thinly veiled commentary on human flaws and how difficult it is to be a good person, Love and Redemption is a drama for the ages.

This is going to get lengthy, so to prepare you, here’s how I’m divvying up this piece:

Part I: All of Them Are Classist

Part II: All of Them Are Sexist

Part III: All of Them Are Racist

Part IV: Love Wins All

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Part I: All of Them Are Classist

It’s not my intention to disgust anyone right out of the gate, but we need to talk about Wu Tong. Do you hear what I hear? Yes, it’s the distant echo of Wu Tong’s nefarious laughter, resounding between the walls of my skull.

Quite simply, Wu Tong is the worst. (Or at least he would be, if it weren’t for that other fellow named Bai Lin. That dude will get a glaring spotlight later in this essay, trust me.) But it’s not for no reason.

Coming from a background of poverty, Wu Tong spends most of his young life trying to prove himself to upper class cultivators who don’t have any interest in who he is, only in what he has to offer them. He earns his place in his sect through relentless hard work. He utilizes unsportsmanlike methods in his attempts to win the battle tournament in opening episodes. It's not just a competition to him—he's directly told that if he gets anything other than first place, he can forget about keeping his place in his sect.

When he and the protagonists first meet, his prideful personality results from his inferiority complex. There’s no doubt that he’s a powerful cultivator, but the issue is how he finds that to be his only real value. He doesn't bother to be likable, because what's the point in doing that? Being likable doesn't fill an empty stomach. But the more he disrespects others in an effort to make himself appear important, the more others look down on him, and the more he overcompensates by fighting back even more. It’s a vicious cycle—one that never ends because no one involved wants to take the first step back.

Knowing what type of person he becomes, it’s hard to pity him in any capacity. However, it would still be unfair to ignore how others mistreat him before he even turns into a true enemy.

One scene that sticks out to me happens early on, where Wu Tong nearly injures Xuanji during a 1v1 battle against Minyan. The protagonist crew insists on getting payback. Okay, I’m with it. You can’t let such reckless violence slide. I guess they’ll get their revenge in a later stage of the tournament by beating him into the ground?

Nah. That would be too reasonable. What they actually opt for is tricking him to fall into a trap by putting up a “have you seen my lost snake?” poster with a financial reward, knowing that he’ll be fooled because…he’s poor.

Sifeng: I asked around. Wu Tong was born to a family of lower status. He lives frugally. The reason he trains so hard is because he hopes to become someone powerful one day. […] Now he needs the money urgently to buy medicine and recuperate his inner strength before his next battle. Minyan: When you put it that way, doesn’t that mean he has no choice but to come for the ten night pearls?

Sifeng…oh no. Not you too.

The way Wu Tong behaves doesn’t warrant anyone being amicable toward him. I, too, have a nonexistent tolerance for obnoxious, violent egoists. But if later episodes are any evidence, this scene foreshadows that two wrongs won’t make a right. If they want to teach him a lesson, they shouldn’t stoop so low as to take advantage of his poverty. His family background is the one thing about him that isn’t his fault, yet it’s the one thing they choose to use against him. That’s what I call “going too far.”

Now that he's been hit where it hurts, Wu Tong feels justified in going too far himself. In a fit of desperation and contempt prompted by his master abandoning him, he stabs Xuanji. Not great. Things get extremely not great when you remember that Xuanji is the daughter of a sect leader. That quickly transforms Wu Tong’s attempted murder/almost manslaughter into the evilest act known to mankind. All five sects turn against him to hunt him down and kill him. I’m no law or philosophy expert, but I’m pretty sure the punishment for almost manslaughter is not the death penalty.

The five sects can treat him as their prey because he doesn’t have a support system to counter them. If he were the son of another sect leader, the thought of killing him would never even have entered their minds. Targeting him so relentlessly has less to do with justice and more to do with exerting power over a lower-class young man who hurt someone infinitely more “important” than him.

That imbalance between crime and punishment is what pushes Wu Tong over the edge. He goes on the run for several years before officially succumbing to the call of evil, after which he becomes truly irredeemable. Still, you’re occasionally reminded of his struggle—is he destined to be a villain? Or is throwing aside his remaining morality just his best chance at survival?

Do you have any idea how I survived these past several years, when you were all trying to kill me? What did I do back then that was so unforgivable? Did your sister die? Was it warranted for all five sects to team up against me, an average disciple? Was it warranted to back me into a corner over and over again, to force me to claw out of hell? Open your eyes and look at me! These past four years, I’ve already died countless times. Every time, I clawed my way back out of hell. Five hundred taels? You want to take my life with a measly five hundred taels? Don’t look down on me. Touch here. I have a fake leg. That’s what your five sects have left me with. What’s that look of yours? Guilt? Pity? I’m not telling you this for you to pity me. I, Wu Tong, survived this far because I must have my revenge.

Something my mom likes to say is if you find yourself going against someone—but especially a dangerous person—you must leave a path for their survival. It’s less for their sake than it is for yours. Should you eliminate all their options, they’ll have no choice but to bite. And they’ll make sure it hurts like hell.

As an impetuous teenager, Wu Tong is in the wrong. He needs to be taught that his actions are unacceptable. But that can’t be accomplished by putting a bounty on his head and demanding that he be murdered. That’s how you turn a scoundrel into a monster.

Minyan, Wu Tong’s foil, similarly doesn’t come from an optimal background. An orphan, he was taken in by the Shaoyang Sect without the obvious pressure that Wu Tong suffers. Even so, he can’t escape the innate inequality that seems to exist between him and his fellow disciples. It especially affects him because he’s in love with Linglong, Xuanji’s sister but more importantly…also the daughter of the sect leader! Poor guy.

When I was little, kids in the village would surround me every day and call me a bastard child with no parents. I could only pretend that I didn’t hear them. Because if I took it to heart, they would only ridicule me more. We can’t shut the mouths of people who want to slander us. But we can choose not to listen.

He may think that he’s past it, but later episodes see Minyan being manipulated using that exact insecurity. It’s easy to impersonate his master and nudge him to become a “spy” in the enemy base because he’s compelled to prove himself worthy of the sect and worthy of Linglong. Fake Sect Leader Chu Lei tells him:

When I first met you, you were only eight years old. You were homeless on the streets, starving and shivering. Still, you clung to your family dagger and refused to pawn it. In that moment, I knew that you were a child with an iron will. That’s why I’m here to find you today.

I can agree that Minyan is really stupid to immediately believe that his master, a guy well-known for pretending to do important things more than he actually does them, would tell him to do something as reckless as invade enemy territory. However, he also heeds the impostor’s instructions because realistically, his master asking him to prove himself is something that could happen. Any good disciple would naturally want to repay their masters for their favor, let alone a disciple who would otherwise have nowhere else to go.

The contrast between Minyan and Wu Tong shoves itself in your face as you watch, primarily through their respective relationships with Linglong (well, one of them has a relationship. The other is a creep. Can you guess who’s who?). Without family backing, the two men both struggle to find their place in the world, but they’re complete opposites purely because of their upbringing. Thankfully for Minyan, he found a family amongst people who don’t treat him as “another,” even if he may think of himself as such.

Wu Tong isn’t so fortunate. You can say it’s his own doing, a result of his terrible personality, but he certainly wasn’t born like that. And now someone will pay for it.

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Part II: All of Them Are Sexist

As a caveat, I’ll mention that the main cast really could have used a woman who isn’t some combination of foolish, lovestruck, and/or loud. But I’m willing to overlook it just this once because the writers excel in highlighting both the ladies' flaws and how we as an audience exaggerate those flaws through our own preconceptions.

Working backwards in terms of plot importance, we can start with Xiao Yinhua. Sifeng’s snake familiar in a human form, Xiao Yinhua is like most female leads from the turn of the millennium in that her only real strength is throwing temper tantrums. She’s also like most second female leads from the turn of the millennium in that she constantly prefers using underhanded tactics and harming others to achieve her goals—in other words, a snake. Oh. I guess that makes sense.

Her affections toward Sifeng cloud her already nonexistent judgment and prompt her to make some of the worst decisions made by anyone, ever. At first, I thought I was being unfair toward her because of my own internalized misogyny. But no. I can say with absolute confidence that I would abhor this character no matter what gender or creature or object she may be. She has no redeeming qualities aside from teaching us that someone foolish, lovestruck, and loud is doomed to self-sabotage. From that perspective, she’s still a valuable character to have because now we know that before we act, we should think: would Xiao Yinhua do that thing? If she would, do not do that thing.

If Xiao Yinhua were willing to grow up, she could become more similar to Zi Hu. Zi Hu almost acts as a parallel to Sifeng—hopelessly in love with someone who doesn’t return the affection for a literal thousand years. Also, both are very pretty. Ahem.

Zi Hu’s thousand years’ worth of experience gives her the skills to back up her unrelenting feelings for Wu Zhiqi. She’s a rarity in that her driving force is a man—a motivation that's typically a reputation ruiner for female characters—but you find her lovable instead of thinking that she lacks self-respect. The key is that her love isn’t blind and rash like Xiao Yinhua’s. Zi Hu has a plan to save Wu Zhiqi from his prison and she carries it out with intention. In other words, it’s okay to focus on love, but only if you can take responsibility for your feelings.

Ting Nu: Why go so far? When did Wu Zhiqi ever tell you that he loved you? Your affections are merely one-sided. Zi Hu: When did he tell me he didn’t love me? Look, once I rescue him, he’ll have to be with me to thank me.

Because Zi Hu is a literal fox, people suspect her both for being a demon and for being the demon notorious for seducing men to consume their souls. The latter is quickly debunked and becomes less of an issue than her just being a plain demon. I nonetheless find it hilarious how everyone balks when she shows them her harem of men gleefully living in her backyard. Yep, she’s a cunning vixen. You can just keep wishing you could join that harem.

Zi Hu: You're trying to shoo me away. You think I’ll storm out because of your petty tricks? You’re underestimating me. I’ve already decided, starting today, I’m going to follow you everywhere. Even if you don’t want me to, I’m going to cling to you. This old spirit isn’t going to let those thousand years of waiting be in vain. Wherever you go, I’m going with. If you dare sneak peeks at other pretty women, I’ll dig out your monkey eyes. All in all, if I’m around, no pretty woman can enter your vision. As if you could bear to leave me behind if I hang around for another thousand years!

Xiao Yinhua and Zi Hu aren’t overly victimized based on their gender within the show itself. For the better too, because whoever dares to do so would probably end up dead by a fox's claws and a snake's teeth. These two characters' existences test your innate view of female characters instead. What is it that matters to you in a female character? What standards do you hold against them?

(**Content warning for the below segment until the next purple break: brief mentions of sexual assault and suicide.)

And that's where we come to Linglong. Linglong is a loudmouthed spoiled brat. She's overbearing, and while she wants to protect Xuanji, her method of doing it is by crying crocodile tears and throwing temper tantrums in front of their father. No wonder she and Xiao Yinhua clash—two childish people who both have a compulsion to win arguments? Forget it.

A bulk of the drama sees Linglong’s primordial spirit being taken and held captive by Wu Tong. Wu Tong puts half of her primordial spirit into the body of a flower demon, whom he also forces to take on Linglong’s physical appearance. No other reason, he just wants to have his way with someone who looks and acts like Linglong, the person who jeered at him all those years ago. By the time the real Linglong recovers her primordial spirit, Wu Tong has done enough damage that she’s haunted by nightmares and memories of someone who assaulted her when she couldn't even fight back.

The lead-up to this arc is incredibly disturbing and takes root in the very first episode. On my first watch-through, I thought their relationship would take a classic enemies-to-lovers path. The directors and writers pull you in this direction with no subtlety, showing a smitten Wu Tong when he first lays eyes on Linglong. They then keep the scam going by having him act out in awful ways as he attempts to gain her attention. That’s right, it’s the brainwashing girls receive when they’re on the playground: “he pulls your hair because he likes you."

During their first meeting, Linglong is surrounded by a halo filter from Wu Tong’s perspective. Knowing what he’ll later do to her makes the seeming innocuousness of this scene revolting, but it's necessary. It's the first of many steps to prove that someone’s “affections” can’t be used as an excuse for harming whomever’s on the receiving end of them.

Linglong can be an extremely annoying person. Her outspokenness and difficult temper shape her into an unlikable character, which then ensures that by the time Wu Tong captures her, the audience almost instinctively wants to say that it’s her fault. We all know the talk track: “he liked her, so why couldn’t she just have been nicer to him? She asked for it by being mean to him.”

When Linglong first offends Wu Tong, it isn’t for no reason: she’s angry because he endangers her sister’s life over and over again. Admittedly, she goes overboard in her retaliation against him. So what? Linglong being mean to Wu Tong and Wu Tong later targeting her are indeed connected events, but the former doesn't justify the latter. If we say that the five sects hunting Wu Tong down isn’t a fair punishment, then isn’t it also unfair for him to turn the tables on her in such a way?

Essentially, Linglong isn’t the “ideal” victim. That’s what makes her arc all the more heartbreaking. To this day, society wants to find any excuses for the assailant. Any mistake, any flaw of the victim's will be used against her. As humans, maybe it’s instinct for us to hope that bad things only happen to bad people, and victim-blaming is our twisted way of making that an impossible reality.

Overcome with depression and trauma, Linglong is unable to come to terms with what Wu Tong did to her. Men gossip about her and her “relationship” with the enemy, sometimes harassing her straight to her face. Wu Tong himself finds great delight in taunting her about her “sharing his bed,” not only relishing the memories but also enjoying how much it torments her.

Linglong: It was my fault that I was captured by Wu Tong, wasn’t it? [...] Everyone thinks so. I didn’t want to be captured by Wu Tong. But after Wu Tong said all those things, everyone thinks so. Minyan: Linglong, why care about what everyone else thinks? Just pretend that you didn’t hear any of it. Linglong: But I did hear them. Why do I need to pretend I didn’t? It’s something that actually happened, so why do I need to play dumb and trick myself into thinking it didn’t? Are you going to be like them too, and mock me?

All the accusations brainwash her into thinking everything is her fault. To Wu Tong and all the people judging her, she’s nothing but a pawn to be used for their own entertainment. And once she and Minyan leave the protection of the sect, everyone finds her an easy target to push around. Hoping that her death will mean freedom for both herself and her loved ones, she attempts to drown herself before being yanked back to life and reality by Minyan.

Linglong’s struggle is many women’s worst nightmare. It’s also a diligent representation of PTSD, something that I normally wouldn’t expect from a xianxia drama. Even after she's rescued and everyone tells her that her suffering is over, it never feels over for her. At night, Lingling is awoken by harrowing dreams of Wu Tong returning to kidnap her once again:

Nightmare!Wu Tong: You’ll always belong to me. You can’t escape.

The conclusion to her arc being Wu Tong’s death and his literal letting go of her may be quite idealistic. But I prefer to think that giving Linglong her happy ending is the writers’ way of trying to assuage our fears, of showing us that there will always be another sunrise regardless of what happens.

(**Content warning end.)

Linglong becomes the drama’s strongest woman-centric plot, and I really love that the writers did it with a character whose personality isn't the most appealing. She's the imperfect woman we can find in every corner of the world, a representation of women overall instead of the minority who are considered "deserving" of justice.

Next to her, Xuanji also gets a short end of the stick. She's constantly being pushed to marry Hao Chen. Every excuse in the book is used against her: they're a fated couple, he's the only one that can take care of her, doesn't she agree that this is a part of her duty? No matter how logically she objects to it, no one really cares what she thinks. If she objects, she’s being headstrong, and that’s the end of it. (More on Xuanji to come in Part IV of this essay.)

And aside from Bai Lin’s more obvious transgressions (we're getting to those), what really irked me is just how twisted he makes the God of War’s rebellion appear in others’ eyes. The logic turns quickly from “Bai Lin must have done something wrong” into “the God of War must have been in love with Bai Lin and grew resentful that he rejected her.” I guess it’s very believable that the God of War would want to destroy the entire universe because some guy wouldn’t date her? That’s right, you can be the most accomplished woman in your field and someone will still want to attribute everything you do to being motivated by romance.

Naturally, the next question is—why is Bai Lin such a weirdo? Why does he insist on turning his friend Luohou Jidu, a man, into a woman when creating the God of War? Hmm. I smell a waft of homophobia...

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Part III: All of Them Are Racist

And except for a small minority, I really mean "all of them" this time. Humans and celestial beings are racist toward demons. Demons are racist back toward humans and celestial beings. If you asked both sides who started it, they'd point at the other without hesitation. "They started it. By existing."

I don’t even know where to start with this topic. Part of me believes this entire section of analysis could be extraneous—do I really need to do a deep dive when you could just click a random timestamp of a random episode and have a 50% chance of finding a character saying something incredibly racist? No case studies necessary. The drama is the case study.

Obviously, while I may say that all the different races are racist toward one another, some are notably more egregious in their discrimination than others. The five sects, being in power, are the worst offenders. Every other second, someone is reminding another that they need to wipe out demons. Just the utterance of the word “demon” makes them froth at the mouth. In their possession, they have treasure troves of weapons and magical devices whose collective main purpose is to identify and kill demons. Perhaps you know someone in real life who thinks that hating something is a personality trait—that’s the five sects in a nutshell.

Zi Hu and Ting Nu are continuously snubbed for not being human even after they’ve long proven that they’re more help than harm. Ting Nu is a doctor, but even saving Hao Chen doesn’t make them think of him as anything but a demon who is evil in his very bones. Demons can do everything right, but the high and mighty humans are too pure and innocent to associate with them…aside from killing and torturing them, of course.

Highlighted Exhibit A: Sifeng almost being tortured and whipped to death based on the mere suspicion that he’s a demon. The fact that he is one doesn’t matter. His assailants operate on the doctrine that they’d rather kill an innocent person than let a demon roam free. Every action to rid the world of a demon is a virtuous one. It's a reenactment of the Monty Python witch trial but they're being completely serious.

Highlighted Exhibit B: the other sects band together to wipe out Lize Palace without solid confirmation as to whether they’re all demons. They’re operating on the same principle as in Exhibit A, so at least you can praise them for being consistent.

Highlighted Exhibit C: before Sifeng is revealed to be a pretty bird, Xuanji’s repeated defense of him consists of "Sifeng isn’t a demon." The main purpose of these lines is to instill further fear into Sifeng and give him more reason to keep lying to her, all while Xuanji's trust in him deepens. But is it also some of her lingering innate judgment seeping through? A subconscious understanding that her family and sect will never accept a demon as her boyfriend? Well, joke’s on them because he’s one hot bird.

So how are you supposed to survive as a demon? Lize Palace results from the humans’ desire to eradicate an entire race of demons. Just as Wu Tong is driven only by revenge, the demons of Lize Palace just need to survive for long enough to one day remove their masks and live as themselves. Humans’ endless thirst for blood does nothing but fuel demons’ fire of rebellion and keep the wheel of tragedy turning.

As for the “bad guys” of Tianxu Hall? At least when they commit the same acts of evil as the other five sects, they’re willing to admit that being evil isn’t beyond them.

Yuan Lang is an extremely successful villain for this very reason. All of us love Yuan Lang, so much that we start grinning whenever he comes on-screen with his fan and sarcastic mouth. So much that when it's revealed he's been consuming people's souls, all my mom had to say about it was: “Oh. That's mean of him.”

He plots and he lies and he murders, but he doesn’t put up a facade of holding himself to a lofty moral standard. It’s also quite telling that while Yuan Lang machinates behind the scenes, 90% of his time is spent standing by and calling others out on their bullshit. Everyone around him creates their own downfall. He just happens to benefit from their stupidity.

Man with a fan and a plan. I like.

Even so, Yuan Lang isn’t invulnerable to emotion. One of my absolute favorite scenes is where Di Lang sacrifices himself so Yuan Lang can make a getaway. It’s the only instance of Yuan Lang being subject to the pain of caring about someone else. Those short moments contrast so starkly against the sects’ inhumanity that suddenly, a revolution doesn’t seem all that bad.

Behind the bulky mask, his despair is apparent. Man. This actor’s come a long way since his F4—I mean, H4 days. If you've never watched Let's Go Watch Meteor Shower Together, don't.

Finally, we arrive on the topic of Bai Lin. Oh, boy. I still haven’t watched Blood of Youth because seeing the actor’s face triggers my fight-or-flight response. And it’s been years.

Bai Lin, the one racist to rule them all. The guy must have a handbook on “How to Be Racist” or something—how else could the contempt that spews from his mouth, the spark of repugnance in his eyes, and the brazen obstinacy in his opinions be so immaculate?

The entire drama consists of setting the stage for the full reveal of Bai Lin turning Luohou Jidu into a weapon of war to be used against his own people. By the time all the pieces fall into place, you’ve already witnessed the tragedy created by discriminatory practices between mortals. You've seen how Sifeng is targeted and Xuanji forced to move her hand against him. You've seen how the sects use their power to harm instead of help. You've seen how demons plot their revenge for centuries. Once Bai Lin is confirmed to be the genesis of all that, there’s nothing left for you to feel but utter revulsion.

Bai Lin: Celestial beings and demons cannot coexist. How could my Heavenly Realm possibly hold a marriage with the Devil Tribe? Luohou Jidu: Celestial beings and demons cannot coexist...Then why do you drink with me today? Why are you friends with me? Bai Lin: Naturally, Brother Jidu, you’re different from other demons and devils. Out of all the demons and devils in this world, Brother Jidu is my only friend.

Can’t believe he even pulls the "you’re one of the good ones" card.

Bai Lin, practitioner of unethical tactics: his ultimate decision to trick and use Luohou Jidu results from racism-induced paranoia. He simply can’t believe that his friend will remain his friend, not unless he becomes "one of us." He thinks the God of War should appreciate that he's given her power and invested his time and energy in her tenth reincarnation, going so far as fool her into thinking that they loved each other once upon a time. Once Xuanji shows herself capable of independent thought, he doesn’t hesitate in turning against her and manipulating her to destroy her own self. He eventually sacrifices the entire world for the Heavenly Realm's survival. After all, what's the value of an entire planet's human and demon population in the face of his power?

He's the representation of what happens when those in power, those who have the best chance of righting wrongs and preventing more from happening, decide to perpetuate the problem. At the same time, he presents the predicament that those we rely on to give us justice are also victims of their own emotions and fears.

I venture to say that Bai Lin is the best-written antagonist in modern xianxia. He’s ruthless but has a moral compass, albeit one that only points in one direction—toward himself. His hubris aside, you have to admit that he genuinely believes he's acting for the greater good. The ends justify the means because he thinks he’s bettering the world.

Bai Lin makes awful decisions that involve genocide and cruelty because he operates on a strict utilitarian philosophy. "I do what I think will bring the best results, even if it means sacrificing something huge in the process." He’s the most dangerous character and the person we should also fear in real life because he’ll stop at nothing to create his definition of a paradise.

It would be easy to dismiss him as simply being a bad person. However, this show draws from reality in that every person exists in a gray area between good and bad. You can lean one way or the other, but you don’t fall completely into either. And that’s the foundation of the show's conflicts. Everyone's so busy trying to define what’s right and wrong that they’ve lost sight of basic compassion.

When he’s finally faced with the consequences of his actions, Bai Lin is driven to despair. He feels true remorse over what he’s done, but only because he’s fortunate enough to actually witness how the thousand-year conflict wouldn't have existed without him. We as people aren’t so lucky—those “what if”s will forever remain in the shrouded realm of impossibility.

Heavenly Emperor: You always thought that evil had sparked in the hearts of the God of War and Luohou Jidu. But the one in whom evil truly sparked was you. All things and happenings in this world are originally empty. From emptiness comes meaning. Yin and yang reverse; they support and restrain one another. The Heavenly Realm was originally empty. The Asura, too, was empty. If all is empty, then how could the Heavenly Realm be superior; and the Mortal Realm, Demon Realm, and Devil Realm be inferior? Your excessive concern for the safety of the Heavenly Realm prompted evil to take root in your heart, unable to be undone.

Seeing him in such despair almost makes me feel bad for him. Maybe I do have too much sympathy.

At this point, it's already too late to repair the damage he's caused, a realization that causes him further anguish. He rids himself of his divinity to show his remorse and accepts death. But he's already caused so much pain to everyone else. Who can put back together the world that he's destroyed?

---

Part IV: Love Wins All

(We love IU for her perfect song that also gave me the best possible final section title.)

As I seek to be conscious of my own biases, I once wondered: why is it that shaking my head at a female character for being dedicated to a man comes so naturally to me, but I can’t be more gleeful to see Sifeng put his heart out on a platter for Xuanji? Perhaps I’m also sexist. Perhaps I have double standards.

Then I thought about it some more and realized everyone loves Sifeng because he’s so blatantly unrealistic that you’re immediately able to sink yourself into his fictional beauty. He transcends gender norms because there is no person of any gender who would go to the extent that he does for Xuanji, nor is there anyone who could remain as levelheaded when faced with some of the most shameless people known to mankind. Forget all the people flying on swords and uttering magic spells. The biggest absurdity in Love and Redemption is its male lead. Yes, I'm a skeptic. But we're so lucky to have him.

Sifeng grew up in a bizarrely backwards environment where—instead of girls needing to cover up to not attract men’s attention—all men need to protect themselves by wearing masks and not associating with the opposite sex. Brainwashed for years to believe that Lize Palace is the only safe space for golden fire birds like himself, he keeps cautious around people while still harboring a subconscious longing for their warmth.

In my entire life, I never knew what a "friend" is. I finally understand now, the meaning of "fervent friendship."

Sifeng is established as the loyal lover extremely quickly. He's whipped—figuratively and literally—for Xuanji, his sheltered childhood leaving him defenseless against her unintentionally flirtatious mannerisms. He teaches her about her lost senses without judgment, nurtures limitless patience with her and others by proxy, and isn't afraid to question the status quo.

We love Sifeng for his wisdom and levelheadedness. He sees things for what they are and is commonly the voice of empathy and reason within a world of selfishness. The entire show is Sifeng going, "I might as well do it myself" in every situation because no one else cares, is capable enough, or both. He's the guy in group projects who quietly does everything and doesn't even get mad that you're the most useless team member ever. What a saint.

In the xianxia universe, he's distinct husband material (which isn’t saying much since the bar there is so low that you'd need to dig yourself a grave to reach it—which is also great because then you already have a place to go once your xianxia spouse gets you killed. I digress). His loyalty to not only others, but also who he is and what he wants, leaves him able to counter the complacency with hatred and evil permeating the world around him.

With his endless empathy, he's able to understand Luohou Jidu. While Sifeng's earliest motivation in facing the greatest devil is only to save Xuanji, he later views Luohou Jidu as an individual with his own sufferings. He's the only one to truly view Luohou Jidu as himself, not someone to eliminate, not just an extension of Xuanji. To Sifeng, everyone deserves a chance to be heard before a verdict is passed over them.

Not to mention, these two’s interactions are absolutely hilarious. I wish I could've seen the extensive conversations that must’ve went on in the censorship agency over them.

Fellas, is it gay to clasp a guy’s hands within your own and stare deeply into his eyes while reminiscing about your loving relationship if he’s technically got a woman captive in his brain?

But perhaps what shines the brightest about Sifeng is how he suffers. He's so pretty when he suffers. Wait. That's not my point.

When his Lovers’ Curse triggers for the first time, Xiao Yinhua speaks the gospel that a lot of the audience probably has in mind: "you did so much for her, you were so good to her, but she doesn’t love you back." And it sounds kind of right? But also kind of not? Then Sifeng opens his mouth and you think, "oh, crap, I've been brainwashed by misogyny yet again."

She never asked me to like her. If someone wants to kill another just because she doesn’t reciprocate their feelings, then that person will never be loved. They also don’t deserve to love another.

Again and again, Sifeng puts himself in harm's way to keep loving Xuanji. Sure, he wants her to love him back, but that's secondary to his desire to be honest with his own feelings.

With the bright beacon of light that is Sifeng’s blinding love, I feel most viewers overlook Xuanji’s capabilities as a female lead. Her comparative passiveness in the relationship makes it seem as if she doesn’t love him enough. I attribute this to the same reason as our previous conclusions, that female characters in romance dramas have a harder time garnering the audience’s approval than their male counterparts. Are we innately more judgmental toward women, or is the standard for men still so low that we’re already impressed when a guy surpasses the bare minimum? Probably both.

It's easy to forget that Xuanji is the one who's nice to Sifeng first. When they first meet, Xuanji literally falls into his arms. Then he just…drops her. (And they say chivalry is dead.) But Xuanji doesn’t care.

The rules of his sect push Sifeng into being a bit of a porcupine in his demeanor. He puts up a wall against everyone, but especially Xuanji. After all, as an innocent boy, Sifeng needs to protect himself from evil women. Or something.

Xuanji is the one who can't take the hint tries to befriend him and tears down his wall with the gentle, graceful nature of a sledgehammer. She insists that she'll retrieve his lost mask because she knows it's important to him. When she discovers that Sifeng is punished over it, Xuanji is the one to point out how unfair it is. Her straightforwardness and sense of principle are the reason Sifeng begins to open up at all.

Xuanji: I’m the one who took off his mask. If you want to hit someone, hit me. [...] Not to mention, he almost died trying to get his mask back. So I'd like to ask you, Palace Leader, is Sifeng's life more important, or is that mask more important?

She knows no fear, so she doesn't consider emotionless rules to be worth anything if they cause pain for the people she cares about. In many ways, Xuanji is the one who teaches Sifeng to stand up for what he believes in.

That Xuanji lacks her six senses makes her the least susceptible to the prejudicial habits of her surroundings. She accepts what they believe, that demons are bad, but only because that's all she knows. Whereas most of her peers are content remaining in their ignorance, this supposedly heartless gal is curious about the world. She can easily abandon her preconceptions in favor of what she witnesses the world to be.

It takes constant practice and tests for Xuanji to completely shed her old beliefs. The introduction of Zi Hu marks the beginning of her growth. Xuanji, concerned and angry that Zi Hu is holding her friends captive, fully intends on killing the fox until Ting Nu reasons with her:

Ting Nu: Zi Hu isn’t a malicious demon. You shouldn’t threaten her life. Xuanji: But she kidnapped my friends. How can I spare her? [...] No. She did bad things, so I have to kill her. Ting Nu: [...] Zi Hu has never actually harmed anybody. She’s simply misguided by her anxieties. You should spare her life. […] If you discover that she’s actually committing malicious acts, you could kill her then, no?

If it were Minyan or Linglong in her position, you could bet that they'd ignore Ting Nu. For one, he's a merman, so of course he'd protect another demon. To Xuanji's credit, she really does give Zi Hu—and Ting Nu—the benefit of the doubt. Does she have to? No. But she does anyway.

If Sifeng’s love comes naturally, then Xuanji’s comes through determination. Who's to say that one is inherently better than the other? It takes ten lifetimes for her to understand a semblance of love. She wants dearly to understand what it means to "like" someone, even though she's already the least unafraid to show how much she cares about others.

After she successfully grows the heart light for Sifeng, I don't think anyone is more excited than Xuanji herself. Look how proud she is. Obviously, she's happy she can use it to protect him, but I imagine that she also views it as the clearest proof that she’s as human as anybody else and as capable of loving as anyone else. Sifeng may be stunned when the heart light disappears, but Xuanji falls despondent—she really wants Sifeng to be someone important to her.

People sometimes struggle to see past Xuanji’s initial naivety. They're especially harsh toward her for not seeing what Sifeng has sacrificed for her until it’s almost too late. It's true, the drama primarily favors Sifeng's perspective, so it's easy to only see what he’s done and ignore Xuanji’s efforts.

In spite of warnings from Sifeng himself to not do so, Xuanji emerges to save him from the third lash of the demon whip. You go, girl.

Love isn’t a competition. But for the sake of the discussion, let's say proof is needed that Xuanji’s effort in the relationship matches Sifeng’s. In that case, the important part is looking at what they sacrifice in a relative scope instead of an absolute one.

The things that Sifeng sacrifices are astronomical. He climbs a tower blustering with an eternal blizzard and puts on the Lovers' Curse mask. He stands right in the middle of the conflict between humans and demons even though there’s no way humans will spare him. He gets stabbed…a lot. But everything he does is a result of his own will and careful calculations—they’re all things he knows he can take responsibility for.

Sifeng's major flaw is that he's a massive liar. He's not right to lie, but he's also right to be scared about what would happen if he doesn't. As a demon, he knows what happens to anyone who isn't distinctly human. That's why he conceals his identity from Xuanji.

Then, once he discovers that Xuanji is also the reincarnation of the Star of Mosha, his fear is ignited again for her sake. Xuanji has almost always been defined by what she is, not who. She's berated for being useless when she doesn’t have her six senses. The moment she’s revealed to have the God of War's power, suddenly everyone finds her more than useful. If she's publicly revealed to be the Star of Mosha, then she'd be killed without question, and the person that is “Xuanji” will also cease to exist. Just as he doesn’t want Xuanji to view him and as anything other than himself, Sifeng doesn't want anyone else to view Xuanji as anyone other than herself. That's also why out of everyone, the one person he must keep the Star of Mosha secret from is Xuanji herself.

When Sifeng's lies begin to unfold, Xuanji is left to handle the mess he's inadvertently created. Suddenly discovering that he's a demon and also protective of the demon that possibly murdered her mother, Xuanji is torn. Her wavering faith in him isn't because of his identity, but because he lied to her.

Zi Hu: Do you dislike it that much, that [Sifeng] is a demon? Xuanji: Should I not? Zi Hu: Well, you healed my wounds. And you’re friends with me and Ting Nu, a merman. As for little Sifeng, he’s not a malicious demon who harms people. I don’t think he was aware of what went on with Tianxu Hall and Lize Palace. Xuanji: That’s different! He shouldn’t have lied to me. He’s the person I trust the most. But he even kept from me who he is. Then, all the things he told me and did with me in the past…what part of it all was real and what was fake? Zi Hu: What’s real and what’s fake? Can’t you just drag him over here and ask him? If he’s a scumbag, just kill him. But if there’s any misunderstandings, the two of you should clear them up. Resolve them and see what solutions there are. When two people are together, the scariest thing is misunderstanding one another for no reason. If you lose each other, that might be the end, forever. You’d regret that.

And then she eventually does try to kill him. Good going, Zi Hu.

Xuanji's main conflict in the latter half of the drama is that she wants to find a solution that satisfies everyone, an impossible dilemma. Everyone starts pressuring her to lead the charge against the demons. It's her duty as the God of War, isn't it? Oh, but if she doesn't want to, it's because she's in love with the enemy. But she can't be in love with the enemy. She's the God of War, after all.

That’s the duplicitous world that Xuanji lives in. Yet, without knowing why he's been dishonest or what else he could be lying about, she still chooses to believe in Sifeng—even if it means being treated as a traitor herself and being further guilt-tripped. She's bound to her duty, family, and the expectations that come along with that. Going against them in any capacity is a challenge to her entire livelihood and the moral standards imposed on her. If you take that into account, suddenly the things that she risks don’t pale in comparison what Sifeng does for her.

As an omniscient audience, it's easy for us to say that she doesn't do enough, that she should know better. It's an interesting thought experiment to wonder what else she could do in such a situation. Her boyfriend lies to her. She believes he has a reason, believes in him when he tells her to trust him. She defends him repeatedly to people who don't even care to listen unless it's to interrupt and call her crazy. She lies to her father that she'll devote herself to killing demons like Sifeng so they'll stop calling her crazy and threatening her. Then, when she goes to rescue Sifeng from Mingxia Cave, he's suddenly getting passive-aggressive with her: “oh, what does the mighty God of War need from a lowly demon like me that she deigns to talk to me?” Bro…if I were her, I might just ditch him in a fit of rage. That's how you want to play? Have fun turning into frozen poultry in this cave, then.

Obviously, more is going on behind the scenes that Xuanji is completely unaware of. Sifeng almost dies from her fire magic that Hao Chen stole. The broken hairpin. And okay, I'll admit that her saying that she'll kill him while he's eavesdropping outside is not a great look. But come on, Sifeng. Where have your critical thinking skills gone? If you can lie, don’t you think Xuanji can too? And after all that, she still instinctively shields him from her father’s sword.

Sifeng. In this case, I do have to criticize you in a serious manner. Do you have any idea how hard it was for Xuanji to finally try to get herself stabbed for you, only for you to go “no, me” and get stabbed again? Do you have a sword-magnet in your chest?

Then Sifeng tells her that he’s never loved her and was only using her because he’s Luohou Jidu, the world's biggest villain. And she still can't bear to hurt him. When Xuanji discovers that Hao Chen has tricked her into using a so-called “Purifying Vase” to doom Sifeng to a painful death, she's furious:

Xuanji: For my own good? You want me to practice the Method of Love, but you also want me to be heartless. I can’t be so contradictory. Hao Chen: I told you to practice the Method of Love through feelings between you and me, not for you to continuously absorb yourself in your fixation on Sifeng! Xuanji, don’t forget. Our marriage is one determined by the heavens. It’s destiny. Xuanji: The heavens determine nothing. If they do, then why did they make Sifeng and I meet in our past nine lives? What a joke of the heavens. Hao Chen: So, you’d rather resign yourself to your doomed fate with that demon than stay properly by my side? Xuanji: Fate isn’t split into a virtuous or doomed one. I hate myself for loving Sifeng before, and we won’t ever be together again. But since I already gave him my love, I won’t take it back.

But of course, Hao Chen has more tricks up his Mary Poppins sleeves. He pulls out all the stops and uses his last breath to manipulate her into stabbing Sifeng. Oh my god. Look at all these trust issues, just making themselves readily available.

Her stabbing him is, how do you say, very bad. But let’s be honest, she’s seen him survive worse. I don't have a nifty conclusion is here, but basically, she subconsciously knows he'll get over it (physically, at least).

Of course, Sifeng is heartbroken. It's intensified by the tragic fate of his father. His father’s goal was always to protect Sifeng from the dangers posed by the racist five sects, led primarily by fabricated memories that his lover Hao Feng was driven to suicide by her own family. When Yuan Lang reveals the truth, that Hao Feng's fear of demons trumped her love for her husband, it’s intense foreshadowing of Sifeng and Xuanji’s relationship. Maybe Xuanji isn't like Hao Feng and she can cross the rift between humans and demons, meeting Sifeng in the middle. But finally, she still retreats, away from him. Her betrayal, now the tenth in all their lifetimes, leads Sifeng to leave behind some of the most truthful but hurtful words for Xuanji to deal with:

I finally understand why my fate turned out as it did in all my past nine lives. From beginning to end, you have always been a heartless person.

It’s not fair to ask Sifeng to keep considering Xuanji’s feelings under the brunt of her violent wrath. But just as she has no idea what he’s been doing to protect her, he has no idea what she’s been doing to protect him. Zi Hu is right again: nothing poses a greater danger to a couple than misunderstandings. And racism.

The ultimate resolution only occurs once Xuanji recovers the memories of their past lives. Congratulations, Sifeng. After a millennium of pining, your love has finally touched the heart of your beloved. Indeed, it might take a long time getting there, but love will find a way.

I love the short scenes that show the God of War and Xi Xuan's quiet but gentle relationship. Xi Xuan is the only one who cares that the God of War wants her own identity, then gives her a moment in which she doesn't have to wear her armor, just as Sifeng does everything in his power to let Xuanji be "Xuanji." Through all their lives, Sifeng is the one who recognizes her for who she is and wants to make her happy, even if she doesn't have a heart.

Activate: Xuanji, shameless mode. After Xuanji tracks down Sifeng in his solitude, they return to their days as teenagers. Xuanji acts like a fool in front of him, demanding his attention, and Sifeng only wants to get her the hell out of his house. It's not only a reminder of the times when things were a lot simpler, but also of how far they've come.

She intends on marrying Sifeng. Even if her father doesn't approve, she no longer cares. There's not enough time left in the world to hesitate about the people you love to satiate someone who can't be satisfied. Just as Sifeng upends his whole life for her, she's willing to do the same.

And as Sifeng is dying, Xuanji makes the ultimate decision to become the Star of Mosha. This isn't a reckless move done just to save him. Rather, her faith in Sifeng has strengthened into steel after all they've been through. Even if the world ends, she knows that a little bird with unshakable resolve will come get her. For two people who have spent most of their time as a pair of parallel lines, never to coincide, this is their point of intersection—a challenge that they'll face together, even if they're apart.

Sifeng: Xuanji, stop! I'd rather die than watch you become a devil for me! Xuanji: Sifeng, I can't consider all that now. I have to save you! Whether I be the Star of Mosha or the God of War, I don't care. I just need you to be okay. Sifeng. If I become Luohou Jidu, you absolutely can't forget me. Remember to bring me back! I cry during this scene. Then I immediately start laughing at Sifeng's gobsmacked expression once Luohou Jidu shows up. It just reads "but...my girlfriend..."

And Xuanji's right. Sifeng is the solution. No one else can save Luohou Jidu, the God of War, and the world by extension. Luohou Jidu's pain results from being betrayed purely because of his identity as a devil, but Sifeng becomes the confidante that Bai Lin pretended to be. The God of War's pain comes from having no self-identity, but Xi Xuan gives her the ability to seek one and accompanies her for a thousand years to help her find it. The suffering that Bai Lin set into motion would lead to a ceaseless cycle of revenge and a destruction of the world’s good due to its sins, but Sifeng alone convinces Luohou Jidu and the God of War that there's something in life worth keeping. But you have to fight for it, and persistently, because good things only come to those who are willing to chase after them.

Xuanji to Bai Lin: I won’t mess with someone else’s life so simply due to my own matters, even if that person is someone as despicable as you. Sifeng once said that using hate to obtain vengeance is an endless cycle. In this life, I already have something that matters more to me than that. I have no space to keep my hatred.

I know it can sound cheesy to say that the best revenge is living a happy life. But Love and Redemption can convert even the most insistent of cynics—me, for example. People will practice evil whether or not there’s a reason for it and whether or not those consequences will ripple out into a tsunami that will engulf the world. Only true, honest love can hope to settle the uneasy sea. It’s why Zi Hu gives Wu Zhiqi something to live for other than war. It’s why Linglong and Minyan have a reason to persist alongside one another. It's why Luohou Jidu gives his heart and life to Sifeng. It’s why Sifeng is able to save Xuanji. It's why the three realms are blessed with the chance to keep finding a reason to persist.

Sifeng and Xuanji’s story is a journey of overcoming all odds; of learning to love someone unconditionally not because it’s easy, but because you want to; of letting that love grow into a ray of hope in the world. Yes, if we let it, love wins all.

Sifeng: Your heart has become one of flesh and blood. It couldn’t bear to destroy the three realms. Because…it’s a heart that I held and warmed in my hands, bit by bit.