I watched James Somerton's final video, and all I got was this 6 page document
As soon as I learned his final unreleased video was on Revolutionary Girl Utena, I knew I had to hate watch it. I didn't know that I'd spend the following 4 hours making a comprehensive doc on everything I hated about it. But here we are.
The TLDR (is this too long to be a TLDR?)
The intro section, as well as Part 2, are directly plagiarized from wikipedia. The rest is unclear.
He makes a “haha this show is so weird right guys” joke 10 different times
He reads Anthy as so emotionally stunted she literally has to be taught how to think for herself, and believes that being the rose bride makes her feel good
He says that his reading is ‘vastly different” from the rest of the community, before boldly stating that this is because he sees it as a “deeply allegorical and symbolic story”
He sees the sexual abuse as “not to be taken literally”
Insists that the show be separated into parts that are strictly literal and strictly allegorical for the entirety of parts 3 and 4, before making the contradictory move of analyzing characters as allegories during part 5
The only characters that get dedicated sections are Akio and Dios, who he doesn’t believe are the same person.
He says Dios gets his powers by “deflowering women”
He calls Akio, known child predator, a chaotic bisexual
Uses 14 year old SA survivor Anthy’s passive personality to make a joke about her being a bottom
His final point is that Utena was the real prince all along
There are no citations
Anyway, full version for people who hate themselves under the cut. With time codes, because I cite my sources.
Part 1: Intro
This entire section is almost exclusively quoted from the Wikipedia article for Revolutionary Girl Utena. Words have been changed, but the order at which certain topics come up is not. Highlights include:
0:56 In his introduction of Be-Papas, lists the founding members in literally the exact same order as Wikipedia.
1:40-2:00 His list of Be-Papas previous works is lifted entirely from wikipedia, only with the words changed. This leads to a strange moment at 1:52 where he claims Be-papas ‘lent their talents to’ Neon Genesis Evangelion, a show which started production at least a year before Be-papas was founded. On the wikipedia article for Utena, this is instead referring to the previous work of Shinya Hasegawa and Yōji Enokido
4:23 he uses a quote by Yūichirō Oguro describing the production as a “tug of war”. He seems to have lifted this in its entirety from Wikipedia, as he does not cite the actual source it is from (the box set companion book, btw)
As for James Somerton originals, at 0:44 he claims that out of all magical girl series,”none to my knowledge have been more discussed and dissected than the 1997 series Revolutionary Girl Utena” He will go back on this at 5:05, where he states that “Sailor Moon takes the lion’s share of discussion” in regard to influential magical girl anime
Part 2: Part 1
(At least I know I’m not funny, unlike James Somerton)
Speaking of which. Here is every single time he makes a “wow this show is sooooo weird you guys” joke: 6:00, 8:50, 10:40, 10:58, 13:46, 17:07, 24:16, 30:34, 41:19, 48:01
Here’s every time the punchline to the joke is the existence of Nanami, a character who he otherwise completely disregards: 10:56, 12:05, 16:22, 42:40
6:16 Claims that the “Apocalypse saga” and “Akio Ohtori saga’ are two names for the same several episodes, depending on the release. This is untrue. Instead, different releases either only have the Apocalypse saga, or split the episodes into an Akio Ohtori saga and then the Apocalypse saga.
7:58 Claims Utena intervening on Anthy’s behalf begins the first duel. While this happens in the movie, Touga intervenes in the scene he uses clips from (like literally right after the shot he uses in the video). Utena only gets drawn into the duels when Wakaba’s love note to Saionji is posted. Youtuber Noralities’ Utena video also gets this wrong, which makes me wonder if this was copied.
9:09 Claims Akio’s “End of the World” moniker is actually more closely translated to “Apocalypse”. In reality, the translation moves away from a more apocalyptic reading, with 世界の果て (Sekai no hate) apparently translating closer to “the furthest reach of a known world” or “edge of the world”. (Love the implications of this translation, but I digress)
9:10 As can be assumed from the previous point, this means I can’t find any sources that point to them not using the title “apocalypse” for religious reasons
10:10 Uses Anthy’s extreme passivity under her Rose bride persona to make a top/bottom joke. I’m gonna repeat this in case you’re just skimming. He uses a trait that likely stems from years of abuse, (possibly exaggerated by the persona Anthy uses to manipulate people), and uses it to call her a bottom.
He also just doesn’t seem to understand how the whole point of Utena constantly telling Anthy that she's just a normal girl who should make more friends is framed as Utena imposing her will on Anthy, just as much as the previous Engaged have done.
11:54 Apologies in advance for my most “um, actually!” point yet, but technically his statement that Anthy stops being host to the Sword of Dios is wrong. Akio literally pulls a sword out of her chest in the final duel. It's a more evil-looking sword of Dios, granted.
13:02 !!! CANTARELLA SCENE ALERT !!! He interprets it as them fighting over Akio?? Which like. I will allow people to have their own interpretations of vague and symbolic scenes. I will. I swear. This is not technically incorrect. It just makes me want to eat my own intestines.
14:44 Bad Anthy take #1: He states Anthy “is emotionally stunted to the point where she needs people to make decisions for her because she does not know how to think for herself” This ignores several moments of Anthy clearly making her own choices throughout the show, including the suicide attempt Somerton mentions about a minute prior. This also strips Anthy of what little agency she has throughout the story, usually exerted through messing with Utena or Nanami. (The fact that she repeatedly makes choices that contribute to her own abuse is, in my opinion, one of the most interesting parts of her character, and it's a shame that Summerton’s ‘reading’ of the story completely disregards that)
Additionally, he once again reads Utena ‘urging Anthy to think for herself” in the first arc as an unambiguously good move, and not as something critiqued in the show.
14:52 Summerton reads the Swords of hatred as symbolizing men’s hatred specifically. Again, I’m trying not to completely disregard differing interpretations to a show like Utena, but this feels very simplistic, especially considering the harm we see aimed towards Anthy by other women
16:42 Here he claims that his reading of the story seems to be “vastly different” from the bulk of Utena discourse. What is this reading? That the show shouldn’t be read literally. Or, in his words, “[we can interpret] Revolutionary Girl Utena as a deeply allegorical and symbolic story about the struggles of coming of age amidst widespread institutional corruption in a high school and which describes a passive culture of inaction in regard to brazen instances of domestic exploitation in which there is not only a question about the caporeality of the events transpiring but also which events can be taken for granted and which events are meant to signify abstract sociological institutions.” The idea that he believes this is in any way a new reading of the material honestly baffles me.
Part 3: Part 2
17:48 through 18:50 differently quotes the Wikipedia article for postmodernism. He even makes a joke at 17:55 about Wikipedia. Please kill me.
The first three themes he lists at 19:11 are just the three main themes listed on the Revolutionary Girl Utena Wikipedia page. What was that about a “vastly different” reading, James?
You’re gonna have to take my word for it, but this section is so short because it's just him talking about the various ways the story can’t be taken literally. He does, ironically, call this a hot take.
Part 4: Part 3
Here’s where the reading falls apart folks
At 23:15, he states that some things in Utena are allegorically coded, while others are to be taken literally. This is true. However, he seems to take this to mean that some parts of the show are Strictly Literal, while others are Strictly Allegorical for things going on in the Literal World.
This is apparently why he prefers the Anime to the Movie, where there basically is no separation between the Literal and Allegorical
This take is bizarre to me for several reasons, but here is my favorite. At several points, he mentions how Revolutionary Girl Utena is a work of Magical Realism. Magical Realism is literally defined by its blending of the “literal” and “allegorical”, the mix of fantastical elements in a mundane, realistic setting. This idea of the impossibility of a blurred line, that Utena must either have lore where the magic is all real and means nothing, or dedicated allegory segments quarantined from the rest of the story, is contrary to the very idea of Magical Realism.
I can’t help but wonder if Somerton took his mentions of Magical realism from a previous work, due to how little it is consistent with his final argument. Either way, this section suggests a great lack of creativity in his analysis, a shame for such a creative work.
24:36: Shiori slander, for those who care
After this he gets really worked up about people assuming symbolism in everything, even when the author ‘doesn’t make it clear something is symbolic’. He shuts down a reading of a shot in the Lord of the Rings. Miley Cyrus is there? Very The Curtains Were Blue of him.
28:22 Claims that Wakaba is the key to telling where the Strictly Literal segments end and the Strictly Allegorical segments begin. He states that, under this lens, deeply personal moments of character suffering such as all of the sexual abuse and Anthy’s suicide attempt (which he literally cites) should be read as symbolic and be “approached with uncertainty rather than confusion”. (28:24-29:13)
This also somewhat falls apart when you consider Wakaba is the jeep in the movie's car chase
And then he rants about people not liking his Attack on Titan video for a bit. Since its potential symbolism also doesn't follow hard enough rules to be symbolism. Once again, the separation of “fact vs allegory” I haven’t watched AOT, so that's all I’ll say.
Part 5: Part 4
Thank god this part is short. Much like Dios’ on-screen presence.
32:55 Makes the extremely bold claim that Dios is not Akio. As in, never even became Akio. because Dios is Strictly Allegorical.
Just to be a pedant, this is pretty explicitly disproven in the show
Confusingly, both earlier and later he will address these two as the same character.
33:04 he also explains the root of Akio’s name in a tone that suggests this is supplemental information and not like. Literally something he explains out loud in the show?
Part 6: Part 5
This section is nearly entirely about Akio Ohtori. I would like to note that him and Dios are the only characters with dedicated segments.
38:30 The part where he states that Dios gets his powers from deflowering women.
38:46 Claims, once again, that Akio’s abuse of Anthy “may not be literal”.
38:59 “the instance of exploitation here is used because assault has deep roots as indicating that akio's gender is the source of his imbalance” THE ASSAULT IS ABOUT AKIO NOW???
39:45 Bad Anthy take #2: “Anthy’s conformity to the Rose bride is based around the fact that she feels good being subservient because this is the only thing in her life that has ever brought her any kind of positive reward”. This is a direct quote. Anyway, I can’t think of any instances in the show where Anthy’s subservience gives her a positive reward, except maybe when she’s intentionally using it to manipulate others. As for her feeling good being the rose bride. She tries to commit suicide. Dude.
Side tangent, but isn’t this exactly what Akio says during the final 2 episodes? That Anthy enjoys being a witch? Is the main villain, who consistently says things during that very episode that are blatantly false, our source of information for this take? I guess so, since this is the dedicated Akio section.
At 40:20 he decides to introduce the concept of Anthy, Akio, and Utena as stand-ins for wider concepts, which is antithetical to his approach in analysis beforehand
Part 7: Part 6
42:40 he finally acknowledges that he’s been spending too much time talking about Akio, and literally no time on characters like Nanami
46:10 states that Utena’s exclusive motivation “is to protect Anthy from the predatorial intentions of the other dualists”, which disregards the fact, which she states herself, that she was largely participating in the duels and protecting Anthy to feel like a prince
48:04 The part where he says that Akio has ‘chaotic Bi vibes’ in regards to him sleeping with Touga, who is 17 and implied to be a long-term victim
Part 8: Part 7
54:01: His concluding point is that Utena was the real prince all along.
In true Somerton fashion, the video then ends over a scrolling wall of patrons, with not a single citation in sight.
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Chapter 40 of human Bill Cipher, in spite of his fondest hopes, still being stuck in the Mystery Shack:
As much as Gideon wants out of the evil magic game, the survival of his father's used car dealership rides on Gideon's help.
And, relatedly, Bill's started receiving psychic car commercials.
1981
Ford had been in his study for what felt like forever, staring at the pile of papers and numbers on his desk, trying to stop the figures from shifting and swimming before his eyes; when something from behind him lit up the dim room with golden light and he a heard a familiar voice behind his shoulder—
"Heeey, Stanford! You've been having a lot of dreams about tax forms lately, what gives?"
Ford was startled out of his thoughts. He turned around, smiling in relief. "Oh, Bill! Hello." Apparently he was dreaming. Thank goodness. It explained why he couldn't seem to get these forms to make sense. "How long have you been watching me?"
"About twenty years."
"What?"
"About twenty minutes," Bill said. "I wasn't going to bug you tonight, but usually your dreams are a little more adventurous! You're starting to worry me, kid." He disintegrated the tax forms with a gesture and floated down to sit on Ford's desk, like a razor-thin glowing paperweight. It was strange to see him cross his legs. "What's on your subconscious?"
Ford hadn't thought his Muse cared that much about his day-to-day human troubles. It was comforting to know someone was worrying about him—someone so far beyond human potential that maybe Ford didn't have to worry he'd be disappointed to learn Ford was struggling a little. "It's my grant money," he sighed. "I feel like my research into Gravity Falls is nowhere near completion, but that money will only last for so long. It won't be long before I'll need to ask for more funding, and I'll have a hard time convincing anyone if I don't have anything to show for it, but I don't want to share incomplete research..."
"Ah, money. The second-worst curse human society's ever inflicted on itself."
"What's the worst one?"
"Marriage."
Ford barked a laugh. It wasn't even that funny a joke; it was just such unexpectedly human cynicism for such an otherworldly entity. It sounded like a joke Ford's dad would make.
"Well, money. What to do..." Bill drummed his fingers on Ford's desk, gazing off into the distance as he thought. Ford realized that, at some point while he was distracted, most of his study had vanished, leaving his desk and chair sitting precariously atop a faint gridded plane in the starry blue void where he usually met Bill. Finally, Bill said, "Have you considered buying gold?"
He hadn't. "Will it help?"
"Sure it will! Eventually!"
"In time to help pay my mortgage?"
"Hmm." Bill thought a moment longer, then snapped his fingers. "Got an idea." He floated off of Ford's desk to eye level, strange sigils appearing in white-blue light around him. "Do you happen to know where the people who decide your funding live?"
"Er... the general area." It had to be near the Backupsmore campus, didn't it?
"Then I might be able to help you!" The symbols solidified around Bill. "I know a little spell to help persuade people. It'll let you plant ideas in their dreams—give 'em a little subliminal nudge. It could make some bigwigs come around on the importance of the research you're doing out here."
A fascinating concept. Ford studied the sigils greedily. He didn't recognize them, but they looked fairly simple. "You're not... talking about mind control?"
"Nah, that's not in my wheelhouse. It'll just let you... talk to them! Like I talk to you! I'm not controlling you, am I?" His eye curved up in a facsimile of a smile. "But you'll find most people have a harder time ignoring you when you're talking to them inside their own heads. What they do with that when they wake up is up to them. Just think of it as a way to schedule an interview where you'll have their undivided attention."
Ford pressed his lips together as he thought; then shook his head. "Thank you, Bill, but no. I wouldn't feel right earning money that way. I'd rather know they were impressed by the scientific and historical value of my work—and if I use magic, I'll never know for sure if they really thought my work measured up."
Bill laughed. "That's what I like about you, Stanford! You really shoot for the stars—and you've got the work ethic to get there! You don't want the fame and fortune unless you earn it!"
Ford was momentarily taken aback. It was rare that his muse openly complimented him; on most nights he dealt with Ford with a sort of cool, detached fondness, something a little too distant to be real affection. When he did voice his approval, it was like the sun coming out after a month of cloud cover. There were nights, when Ford was really feeling his isolation in these woods and he'd half convinced himself all his years of research had been a waste of time, when he was half willing to chase that sunshine to the ends of the earth.
"You'll do whatever it takes to finish your research, won't you?" Bill asked.
Ford gave Bill an awkward, self-conscious smile. "Of course I will. How could I not?"
"Hey, not everyone has your ambition! Most people take the easy way to the top. Cheating, copying, riding on greater men's coattails... Some guys earn the dough to buy their gold, others just want to dig for someone else's." Bill spread his hands in a shrug. "Well, it was an idea." The sigils started to fade.
Ford raised a hand. "Hold on. I don't want to use it, but... do you think I could learn that spell anyway?" He smiled hopefully. "For research?"
"For fun?"
"For fun."
Bill laughed. "I was waiting for you to ask!" The sigils reappeared, and next to them appeared an incantation. "All right, I'll walk you through it. Pay attention, I don't think you've got enough time to go over it twice this REM cycle."
Ford nodded, focusing fully on Bill, determined to remember the spell well enough to record it in Journal 2 when he woke up.
####
Spring, 2013
Tentatively, Bud Gleeful said, "Son... now, I know you lost that spooky grimoire of yours. But... don't you have anything left that might help out the dealership?"
Gideon growled in irritation. "I told you, father! Everything I knew was in Journal 2! It's gone! Anyway, I'm just trying to be a normal kid now. I don't want to get mixed up in any more magic. I'm through with it."
"I understand," Bud said, nodding. "And I think that's mighty admirable of you, turning over a new leaf like that. Shows real maturity." He hesitated, wringing his hands together. He pre-emptively winced and said, "But it's just that... business hasn't exactly been booming, ever since your little tenure as Bill's sheriff. And you know I love the fellas you made friends with in the penitentiary, they're all such... colorful characters; but having them hang around does make folks a little wary to drive into the parking lot..."
Volume doubling, Gideon snapped, "Are you saying it's my fault?!"
"No, son, no. You know I'd never." Bud knelt down, and—cautiously, like he was trying to pet a feral cat—put a hand on Gideon's shoulder. "But, well... business is slumping, that's all. We'll be fine as long as we live within our means, don't you worry about that—but our means might not cover luxuries like those fancy suits and fine new boots you like so much, you understand."
Gideon lowered his gaze, tugging self-consciously on the sleeve of his favorite suit jacket. It was already just a little too short to be fashionable; he probably didn't have long until he outgrew it completely.
"Your mother and I are doing all we can," Bud said. "If there's anything you can do... well, you don't have to, of course. But—it'd be a mighty big help."
Gideon grit his teeth, glaring at his feet. (How long until he outgrew all his shoes? He had a growth spurt coming "any day now," he'd been told. The prospect didn't excite him.) He balled his hands into fists; and then muttered, "There... might be one spell I remember... the sigils were pretty simple..."
####
June 2013
Bill could see it in his mind's eye: if he kept pushing and pushing eventually there'd be no more room in two dimensional space for his mother to fill, and then she'd be forced to bend UP, up into the third dimension, all that open free space. Then she'd see the dark, she'd see the far points of light—
"STOP!" His mother howled in pain. He kept pushing. She was out of room. She didn't bend up. He shoved—and she splintered. Bone snapping, cartilage tearing, he could see inside her thin body as things broke and ruptured. He didn't know what to do.
And for several long, long seconds—he couldn't remember what was happening. The world seemed to bend wrong, and he couldn't remember.
At least, he couldn't have remembered a few weeks ago. He hadn't wanted to. But he'd been studying a book on lucid dreaming since then; and the first things it taught was how to remember more of his dreams. And now, he recalled exactly what happened next when he pushed his mother and she splintered and ruptured:
He pushed harder.
Her skin fractured and peeled off, strand after strand. It filled the spaces between his fingertips, wrapped up his arms. He could shut his eye but he still saw it through his eyelid, still felt it tickling at the corners of his mouth.
"You want me to tell everyone the third dimension's full of dead shapes?! Huh?!" All he could see was blood and bone and peeling skin. "Then why don't you go find them for me!" He let out an angry, hysterical, broken laugh.
Her hand grabbed weakly at his.
He let go and jolted back, gasping—and almost retched. What had he done? He hadn't meant to. But he'd kept pushing—but it was too late by then. It was too late by then, wasn't it?
"What have you done?"
Bill whirled around to face— "Dad?"
The green trapezoid looked as sick as Bill felt, eye darting in horror across the crumpled line in the corner. He couldn't even see most of it from where he was—his eye didn't work like Bill's, he couldn't look through the mess of skin to the gore beneath.
"It was an accident," Bill whispered. (He'd kept pushing.) "It really was, I promise."
His father tore his eye from the corpse to Bill's face. "What are we going to tell your followers?"
Bill looked past his father. Through a wall so thin Bill almost couldn't see it, hundreds upon hundreds of shapes were settled, waiting—to see him. He was sure: somehow, somehow, they could see him too. They knew what he'd done. His life was over.
A thunderous voice boomed, "Whooee, what a fix! Boy, you look like you could use a getaway car, couldn't you?"
Bill blinked. He blinked again. He looked up-but-not-north.
A human in a pink Hawaiian shirt, standing on top of the universe, looked down at him.
Bill said, "What."
"Here, let me just—getcha right—" The human plunged his hand through the second dimension, scooped beneath Bill, and popped him right up off the surface of the universe. "Now, if you'll pardon my saying so, you look like you could use a little help getting somewhere far, far away from here!"
Bill stared at him. "What."
"And I've got just the thing to help you!" the human declared. "Aren't you feeling stuck? Trapped? Just can't take your obligations anymore? Miserable you can't hit the road and see all of—well—" he gestured vaguely out at the flat surface of the universe stretching into the distance "—whatever this is? Then you need to visit your buddy Bud Gleeful—(that's me)—at Gleeful's Auto Sales, the finest used car dealership in Roadkill County! We'll get you a set of wheels that'll carry you on the cross-country police-evading tour of your dreams!" He dropped his voice and murmured to Bill from behind his hand, "Warranty expires at the state line."
"What." Bill looked down at the universe—and was disappointed but not surprised to see he wasn't a triangle anymore, but a human. He looked at Bud again. "Are you advertising to me. Is this an advertisement. Am I getting advertised to in my sleep."
"And if you sign before you leave, we'll throw in a free air freshener," Bud added.
Bill stared at him in horrified amazement. "I am going to kill you," he said. "And then I'm going to wake up and kill you in real life."
"Ah, well. That's a right shame."
####
Bill shot straight up with a roar of rage. "Oh, when I get my hands on...!"
"Whoa. Bad dream?"
Bill whirled around with a murderous glare. Dipper's spirit, ghastly and pale, was hovering in the middle of the attic. Bill snapped, "You're a bad dream!" He scrambled after the spirit.
"Whoa! Hey!" Dipper tried to swoop away from Bill toward the stairs.
Bill caught him by the back of the neck. "You are going back in your bo—bed, you're getting in, and you're not getting back out."
"Ow, let go!" Dipper squirmed in Bill's grip, kicking his feet in the air. "I was just going to turn off the TV! I heard it playing an advertisement, I think that's what put me in... you know." He gestured at himself. "The sleepwalking dream."
Bill hesitated in front of the kids' door. "What advertisement?"
"I don't know, it was too far away to tell. But I know it was an advertisement, it sounded... advertise-y."
"Hmm." Bill considered that. And then he flung Dipper's soul through the door.
"HEY!"
"I'll turn off the TV," Bill said. "Go back to sleep!"
Ugh. Everything ached, his stomach was trying to turn itself inside out in an attempt to escape and go forage for food independently, and the world held a vindictive grudge against Bill personally. He trudged downstairs, muttering crabbily to himself.
He wasn't surprised to discover the TV was off.
####
"I'm conducting a survey," Bill said. "Did you hear any advertisements from the TV last night? Maybe have any dreams that might have been influenced by hearing an ad?"
"Uh..." Soos slowed at the bottom of the stairs as he thought. "Nope. Slept like a baby all night."
"Interesting." He waved at Melody to try to catch her attention. "Hey, how about you?"
"Nope!" Already dressed for work, she hurried from the stairs to the living room without even glancing Bill's way. She tended not to linger when he was nearby. He told himself he was flattered.
"Dude," Soos said, "What happened to your arm?"
Bill looked down. On the underside of his forearm were two thick lines set at an angle, burned so dark brown they were nearly black. "Leaned on the stove after someone used the burner. Oops."
"Do you need...?"
"Don't worry about it, it's already healing." Bill rolled down his hoodie's sleeves as he leaned into the kitchen, "How 'bout you, Stan? Hear any phantom ads last night?"
"Nuh-uh. But I sleep with my hearing aids out," Stan said. "The only things loud and grating enough to wake me are a car horn or your voice."
"Ha!" Bill looked from Stan's side of the table to Ford's—and Ford wasn't facing him, but he was glancing from the corner of his eye toward Bill's arms.
Bill turned away without asking anything. No point. Obviously, Ford had been too far underground to have picked up anything. Bill told himself Ford was seething at getting the cold shoulder.
"What're we talking about?" Mabel asked, coming downstairs with Dipper close behind.
Bill looked at her—and then let his gaze sweep past her with the same cold disinterest he'd favored Ford with. He brushed past her to head upstairs. "Hey, somnambulist." He shoved Dipper's hat down over his eyes as he passed. "TV was off. No one else heard anything. You dreamed your stupid ad."
"Hey." Dipper pulled his hat back up. "Jerk."
Mabel called, "Bill?"
He ignored her and kept walking.
####
"What was that all about?"
Bill was curled up in the attic window seat, flipping covetously through an issue of Gold Chains For Old Men; at the sound of Mabel's irritated voice, he merely said, "Oh, hello." He turned another page. "Here to try to make a fool of me some more?"
She planted her hands on her hips. "Bill, what are you talking about?"
"Tell me about those 'Mysteries' of yours. Did you plan your story any deeper than that? Were you going to arrange for me to catch you with a cloak and dagger just to make me wonder?"
Mabel paused. "Oh." She laughed weakly.
"So how many people were in on it, huh? Was it just you and Stanford, or did you have the whole house laughing at me behind my back?"
"It—it was just us two." She leaned on the wall by Bill's feet. "Um, so... are you actually mad?"
He shot her a venomous look, then lifted his magazine so he couldn't see her any more.
"Come on!" She poked his knee. "It was a harmless prank! And you lie to everyone all the time."
"No I don't."
"You're so sensitive."
"I am not," Bill said indignantly. "I'm proud. I have pride. And lately pride's about the only thing I have going for me. And I didn't think a friend would try to undermine it."
Mabel heaved a sigh. "Okay, all right. Sorry."
Bill lowered his magazine to peer at her skeptically. "Are you really?"
"Well, yeah." She leaned against the window seat. "It was just a joke, I don't wanna hurt your feelings."
He stared her down a moment longer, assessing her sincerity. And then he sat up and pulled her into a hug.
She squawked in surprise, but returned the embrace. "Bill! What—?"
"You're sweet, you know that, star girl?" He gave her one last squeeze and let her go. "When you aren't trying to make me look dumb. But you don't rub salt in the wounds, that's what matters."
"Pfff. I kinda think you'd try to kill me if I did."
"Mmyeah, I might." He wouldn't. Only person in this entire dull rotten world who was willing to apologize for wronging him. He wasn't giving her up easily. "Hey—did you happen to hear any commercials last night? Maybe have any dreams that might've been caused by one?"
"Nope! I had a dream about cats fighting a war against an octopus."
"Oh, that one. Did the octopus win or did the lions show up in time?"
Mabel paused. "It's always creepy when you do that. But the octopus won this time."
"Aww. That poor picturesque beach town."
"I tried to get between the octopus and the town when the cats failed."
"Did you stop it?"
Mabel shrugged. "Dunno. I woke up before it reached me."
"Too bad! But hey—you've been making big progress with your lucid dreaming. You'll get it next time!" No salesmen offering cars as war chariots for the cats, though. It was almost a pity. Bill would've liked to hear about Bud getting eaten by a giant octopus.
"So I guess Dipper was the only one who thought he heard a commercial."
Dipper and Bill. "Guess so."
####
The large, empty floor room, down the main hallway at the far end of the house, was among the few places Bill was allowed to go. Except when the humans had some big event like a dance or a museum exhibit planned, there was nothing in it but a flat old sofa, a fireplace he couldn't turn on, and Soos's electric piano taunting him. In spite of its relative isolation from the rest of the household, Bill rarely had reason to visit it.
But when he wanted space to pace and think, there was no better room.
Last night's advertisement was magic, no doubt. And he suspected he knew the exact spell. The Mystery Shack was way on the outskirts of Gravity Falls; probably nobody else here was affected because they were just out of range of the signal. The only reason Dipper had nearly picked it up was because he didn't have his thick skull in the way when his spirit was out of his body.
But Bill's psychic abilities had been heavily suppressed since he was put in this body. How was he channeling the signal so much more clearly than anyone else?
He thoughtfully ran his tongue over his new golden tooth. "Hmm."
####
Bud entered the Gleeful house flipping through a pile of mail. "Junk, junk, bills, junk... Here's your subscription, honeybunch." He held out an issue of Nervous Wrecks Weekly magazine. His wife paused her cycle of polishing the front window to stiffly take it.
"Junk, coupons... Gideon! You've got a fan letter!" He checked for a stamp indicating the tiny envelope had passed through a state correctional facility. "And it isn't even from the prison, isn't that nice!"
"Coming!" Gideon ran out of his room, snatched the letter from Bud's hand with a little grunt, ran back to his room giggling, and slammed the door.
Bud chuckled. "Joy, sweetie, you remember when that boy got so much fanmail he used to throw it out? These days he's excited for every single letter." The corners of his mouth turned down. "Suppose it's good for him, learning to appreciate the little things."
"Mhm." She looked down at the roses outside the window. She'd need to trim those soon. "I suppose it is."
In his room, Gideon studied the odd envelope. It was tiny—barely large enough for the address and the stamp, no return address—and when he turned it over he discovered lines of text printed on the paper. The flap was tucked carefully into a fold in the envelope that held it tight.
As he pulled out the flap, he realized that the envelope wasn't held together with glue; it was some sort of cleverly-folded origami craft that began to unfold in his hands as he pulled out the flap. The letter was written on the inside of the envelope. "Why—what a delightful little creation!" He sat at his dressing table to focus on unfolding the letter, careful not to damage it so he could re-fold it later.
Once he'd smoothed it out, he could see that the paper was carefully torn from a book. The outside of the envelope was made from the last page of a chapter, with only a few lines of text at the top of the page and the rest left conveniently blank. It talked about telling the difference between waking and dreaming.
He turned the page over to read the letter.
GIDEON–
IT'S ADORABLE THAT YOU'RE USING A DREAM COUNTERFEITING SPELL FOR CAPITALISM! I BET YOUR PARENTS ARE PROUD! HOWEVER, MY FILLINGS ARE PICKING UP AUTO DEALERSHIP ADS ALL NIGHT. IT'S REALLY ANNOYING. CUT IT OUT.
In place of a signature, there was a triangle with an eye.
Gideon's blood ran cold.
He read the letter again, then studied the words themselves. He didn't recognize the tall, thin, crooked handwriting. He flipped over the envelope. No return address. He noticed for the first time that the letter wasn't addressed to "Gideon". It said "STAR BOY". Fan mail. Right.
The postmark was from Gravity Falls.
"It can't be Bill," Gideon muttered to himself. "Bill's dead. It's got to be some prankster with a twisted sense of humor..."
But then, how could some prankster know he was doing dream magic? Did anyone else even know that Bill had called him "Star Boy"?
No. It had to be a prankster. If Bill were alive, he'd be doing much worse than sending letters and complaining about fillings.
He crumpled up the letter and threw it away. His father's business needed Gideon to do whatever he could to help. Gideon's own financial future depended on it. He wasn't about to let some prankster stop him.
####
There was a rumble of several motorcycles and a revving car engine outside the Gleeful house, disturbing the late evening still. Gideon came in the front door wearing a little backpack, waving behind himself as he came in. "Thanks for the ride, Ghost-Eyes! Good talk today! I'll see y'all this weekend for brunch!" He shut the door as the engines receded into the distance.
"Welcome home, son," Bud said from the couch. "How were the ex-convicts this week?"
"Oh, great, just great. Graybeard's daughter is gonna let him meet his grandson and Spiderwebs got a new job."
"Oh, that's wonderful to hear. I know you were real concerned for Spiderwebs."
"I shouldn't have worried! He got work at an alpaca ranch on the other side of town, did you know there's an alpaca ranch 'round here?"
"Can't say I did!"
"I think it's a good fit for him. Being out in nature calms him down."
An uneasy silence fell over the room as they waited a polite amount of time to change the topic. In the kitchen, Joy cleaned the same dish for the third time.
Bud cleared his throat. "Well, uh—you know, it's been a couple of days since we've run a 'nighttime ad.' Do you think it's a good time to...?"
Gideon squeezed his backpack's straps. He could still see that spindly text reading "STAR BOY". "Do you think? I don't want to put 'em too close together, folks might notice..."
Bud grimaced. "It can't hurt. It's been almost two weeks since I sold a car."
Gideon scowled. But he nodded. "Yeah, all right. I'll go set up."
"You know how much your mother and I appreciate it," Bud said. "I'll go heat up dinner."
Gideon went to his room, tossed his backpack on his bed, rolled out the tarp on which he'd drawn the circle and sigils in permanent marker, and set up the candlesticks and candles around the perimeter. His father called him to dinner; they watched an evening talk show; and after a little more dawdling, they figured it was late enough that most folks would be asleep, and went to Gideon's room to get to work.
As Bud awkwardly lowered himself to sit in the circle and Gideon lit the candles, Gideon asked, "Father, do you ever... remember who you talk to? I mean, whose dreams you're in?"
Bud considered that, pursing his lips. "No, can't say I do. It's a bit like I'm dreaming myself," he said. "And it's sort of a jumble of a few hundred dreams, too. Like I'm visiting the whole town at once. All I can recall is a blur!"
Gideon frowned. "I see."
"You sure you don't want to be sitting in the circle this time?" Bud asked. "I'd bet if folks saw you in their dreams telling them to buy a car, why, they'd just rush right down."
These days, Gideon wasn't so sure. Sourly, he said, "I don't want to get involved." He'd gotten enough of starring in his father's car commercials when he was younger. He'd thought he'd escaped that completely when he picked up the telepathy act; he didn't relish the thought of using telepathy to star in another car commercial.
"All right, suit yourself. Just keep it in mind." Bud got as comfortable as he could on the floor and shut his eyes.
Gideon took a deep breath and began chanting: "Dreamers, hear me, from far far away; tonight you'll dream of what I say; dreamers, hear me, from far far away; tonight you'll dream of what I say; dreamers, hear me, from far far away..."
The flames flickered and turned bright blue. A purplish shimmery light surrounded Bud; and as Gideon kept chanting, the light expanded to the edge of the circle and beyond, creeping across the floor, over the bed—
A shrill wail filled the room. They both started, losing their concentration. The wail persisted several seconds before it resolved into a eardrum-bursting roar of words: "HI I'M SCOUT YOUNGER AND I'M IN A PICKLE SO YOU CAN DRIVE FOR A NICKEL! I'VE GOT SO MANY CARS I DON'T KNOW WHERE TO PUT 'EM! SO WE'RE GIVING THEM AWAY FOR FIVE CENTS, THAT'S RIGHT FIVE CENTS! SCOUT YOUNGER, I'M A DEALER BY THE PEOPLE FOR THE PEOPLE—"
"Dagnabbit," Bud shouted, "that's the man undermining my no-barter-for-a-quarter deal and getting all my business! He's halfway to Portland—but darn it, his commercials are so catchy!"
"—THAT'S YOUNGER PATRIOT CARS, ON THE NORTH SIDE OF INTERSTATE—" The commercial was cut off with a clap of thunder that made them both jump again.
And before the dying rumbles of the thunder had fully faded, a second voice spoke—a high-pitched, furious shriek that Gideon hadn't heard in nearly a year but instantly recognized: "SEE HOW YOU LIKE GETTING USED CAR ADS SHOVED DOWN YOUR THROAT IN THE MIDDLE OF THE NIGHT, YOU LITTLE TWERP. THIS IS MY FINAL WARNING!"
There was another crack of thunder; and then nothing.
Nothing but a faint, muffled, mechanical whir coming from Gideon's bed.
Slowly, Bud said, "Is that...?"
Gideon looked under his bed; then on top, tugging over his backpack and unzipping it; and he pulled out a still-running cassette tape player. A complicated sigil was painted on top of the player and stretched over the play button, glowing shimmery purple as though it had absorbed the magic from Gideon's spell.
Bud took the tape player, stopped it, rewound a bit, turned down the volume dial, and hit play: "—your throat in the middle of the night, you little—"
He stopped the tape. He and Gideon looked at each other.
Bud said, "Don't tell your mother."
####
"Third lap!" Dipper crowed as his car zoomed over the line on the digital racetrack. "You'd better catch up fast!"
"Aw, c'mon," Mabel groaned. She tilted her body along with her game controller as she steered her car around a tricky curve, as though that would help her go a little faster. "No fair, I'd be winning if you didn't throw a goose at me—"
"Pff, shut up, you always use the goose."
Bill was sitting cross-legged on the floor, watching the fish tank—as far as either Dipper or Mabel could tell, having a staring contest with the axolotl—but without breaking eye contact with the tank, he leaned over to elbow Dipper's knee. "Hey kid. Go left."
"What? No, shut up." Dipper tried to kick Bill's arm away.
"Go left. Trust me, it's a hidden shortcut."
"No! You're not even watching."
"I'm psychic. Go left."
"No." Dipper jerked his car to the right. It drove off the track and landed in quicksand. "Aw, man—"
"YES!" Mabel sailed past him. A fanfare played as she crossed the finish line. "The winner! Woo-woooo!"
Bill beamed as Dipper glared at the side of his face.
Somebody knocked on the door—and kept knocking, frantically hammering for attention. Dipper and Mabel looked over.
Bill glanced over, rolled his eyes, said, "You don't want to answer that," and looked back at the fish tank.
Dipper glared at him again, stood, and went to answer the door, Mabel close behind. "Hel— Gideon?"
"Told you," Bill muttered.
Gideon was sweating, panting, and wild-eyed with panic. "Mabel! Dipper!" He paused to give Mabel a sweet smile. "Hi Mabel~♡" And straight back to panic. "We've got a problem! I know y'all don't want me 'round here, but—but this is an emergency!"
Dipper glanced at Mabel. She sighed, but reluctantly stepped back to let Gideon in. "All right. What is it?"
"I know I sound insane, but—but you have to trust me," Gideon said. "I don't know how, and I don't know why, but Bill Cipher's back! I'm sure it's Bill, it can't be anyone else, he... he knows things only somebody with his powers could know!" He paced anxiously in front of the twins, "He's been sending me threatening mail and harassing me and—and I don't know what he's up to, but we've got to find him and stop him! You've gotta help me!" He grabbed Dipper's arms. "I think he might be trying to kill my family!"
Dipper and Mabel turned to glare at Bill.
He was determinedly studying the fish tank.
"Hey, Goldie," Dipper snapped.
Bill glanced over with an expression of mild interest. "Hm?"
"Gideon here says that Bill's been harassing him," Dipper said. "What do you think about that."
"Oh wow," Bill said, extremely unconvincingly. "That's so crazy. I can't even believe it."
Gideon's anxious gaze darted past Dipper and Mabel. "Who's...?" He thought he remembered seeing that stranger around Wendy.
Dipper stepped between their line of sight. "Thanks, Gideon. We'll handle this... problem."
The stranger got to his feet and sauntered to the entryway. "Hey Gideon. Just out of curiosity, what were y—"
Mabel cut in, "Bye, Gideon!" She tried to push him toward the door. "We'll see you later!"
The stranger leaned over Gideon, planting a hand on the doorframe. "—what were you doing that got on Bill's nerves so much, I wonder—"
"Shhh!" Mabel tried to push Bill away.
Had Gideon not heard the voice so recently, he might not have noticed anything odd about the stranger in front of him. But as it was, a chill instantly ran up his spine. He slowly looked up. The menacing smile was unfamiliar, but the eye... something was wrong with that eye. The longer he stared into it, the more he could see the cruel, mad, golden inhumanity.
Gideon squealed in terror and bolted out the door.
Dipper squeezed his eyes shut and groaned. "Seriously?"
Mabel chased after him. "Gideon! Gideon wait!" She caught up with him rounding in front of the gift shop and had to tackle him into the dirt.
"Get offa me! You're working for him, you traitor—"
"Gideon, listen! We're not working for him, he's our prisoner!"
"Oh." Gideon stopped struggling. "Well, that's a different kettle of corn, isn't it."
Mabel sighed in relief. She backed off Gideon, but had to hold his ankle to make sure he wouldn't bolt again. "Okay, look. We don't know how, but Bill's stuck in a human body, and he's got no powers."
"How do y'all know he isn't faking it?"
"Because he tried to kill us and we beat him up." She winced. "We've... kind of beat him up a lot."
Gideon nodded. "O... okay."
"But you can't tell anybody," Mabel said. "If there's an angry mob or something and he gets executed, the real Bill might hatch from his body like an egg and he'll take over the town again!"
Gideon shuddered. He could almost still feel ache in his legs and the blisters on his feet under the adorable sparkly pink shoes.
"So he's fine here with us. We've got everything under control, he's not dangerous like this—" Mabel turned around to shout, "—and HE SHOULDN'T BE SENDING THREATENING LETTERS, BILL."
Bill's voice drifted from around the corner of the house: "YOU CAN'T PROVE ANYTHING!"
Dipper said, "What did Gideon do to warrant that, anyway?"
Bill glowered into the distance. "He knows what he did."
"Okay, I-I won't tell anyone. I promise." Pitifully, Gideon asked, "Can I go home now?"
"Yeah, you can go home now." Mabel let him go. He got up and ran as fast as his little legs would carry him.
####
They reconvened in the living room. Dipper and Mabel stood in front of Bill, glaring. Bill sat on the sofa, smiling innocently.
"Bill," Mabel said. "You should be ashamed of yourself."
"Oh, yeah?" Lots of people thought he should be ashamed of himself, but not many had the guts to say so.
"Bullying Gideon like that!"
"I have an excuse," Bill said. "I've been crabby this week. Body made me crabby. Some kind of human neurotransmitter imbalance. I didn't sign up to have neurotransmitters, it's completely out of my hands."
"That's not an excuse," Dipper said.
"Plus, you're an entire adult thing!" Mabel said. "You're picking on a little kid! He's like, eleven!"
"So? There's not a lot of difference between eleven and a hundred eleven when you're a million million years old."
"Then maybe you're too old to bully anybody."
Bill blinked in mild surprise. "Huh."
Dipper said, "Plus, you're gonna blow your cover and get everyone in trouble!"
Bill shrugged. "He can't prove anything! Anyone could have sent a letter pretending to be me."
Mabel asked, "How did you send a letter, anyway?"
####
"Hey, Soos," Mabel yelled, "Can you send a letter for me?"
"Sure thing, hambone! Just stick it on the pile in the kitchen."
Mabel licked a stamp, haphazardly slapped it on the envelope to her parents, tossed it on the other mail, and ran back upstairs.
Bill crept into the kitchen, peeled the stamp off Mabel's envelope before it dried, stuck it on his tiny origami letter, and stuffed them both into the middle of the mail pile. "Sorry, kid," he muttered. "You'll just have to resend this one."
####
"I have my ways," Bill said.
"And how did you 'harass' Gideon?" Dipper asked. "What could you possibly do from in here to harass him?"
####
Bill sat on the sofa in the floor room with Mabel's boombox radio on the floor, a cassette tape player/recorder he'd salvaged from the museum held up to the speaker with his thumb hovering over the record button, his other hand hovering over the key with the thunder sound effect on Soos's keyboard, an air horn between his knees, and a nearly-dead marker he'd fished out of Mabel's trash and revitalized with rubbing alcohol waiting next to him for drawing a magic-activated sigil. He glared at the boombox as the local radio station played an advertisement for air conditioning installation. "Come on," he muttered at the boombox. "Play the stupid car commercial."
The next ad started. "Bargain alert, bargain alert! I've got more used cars than I know what to do with! Hi, I'm Scout—"
"Yes," Bill hissed. He hit the record button, squeezed the air horn between his knees, held the tape recorder up to the boombox until the end of the commercial, kicked the boombox's power button, quickly held the tape recorder up to the piano, and triumphantly hit the key that produced the sound of a flushing toilet.
"NO!" He kicked the electric piano's leg, flung the tape recorder to the other end of the sofa, and flopped face down on the cushions. After permitting himself a moment of grief at the injustice of it all, he dragged over the tape recorder, stopped it, rewound it back to the start, hit the lightning key several times to make sure he had it, and then set up again to wait for the next time the car commercial played.
####
"Hey Wendy, could you get this door for me?"
Wendy gave Bill a puzzled look. "That's the wrong hallway. Rainbow Club's down that one." She pointed at the door across the room.
"I know, I'm just looking for the restroom! I need to dooo... girl hygiene things?"
Wendy looked at the tape player-shaped lump under Bill's shirt, looked at his face, and raised her brow.
"Okay, okay. I'm gonna prank Lil Gideon."
Wendy opened the door, leaned through, and opened a second door to a coat closet. "Good luck. We're all counting on you."
Bill saluted her, and rummaged through the leather biker jackets in search of Gideon's little backpack.
####
"You've got no idea what kind of dark powers I still have at my disposal," Bill boasted, leaning back and lacing his hands behind his head.
Dipper turned to Mabel. "Yeah, he's got nothing. He probably bribed a tourist to call Gideon's house or something."
Bill scowled, but didn't dignify Dipper with a response. "Anyway, the game's over now that Gideon knows where I am. I won't do it again."
Dipper scoffed. "Yeah, sure. Why should we trust you?"
"Because," Bill said calmly, "if I do it again, you'll have to tell your uncles, and I'll be in serious trouble. So I won't... and therefore, you won't. Right?"
Dipper frowned, but looked at Mabel. Mabel was considering Bill with her hands on her hips. She prompted, "Aaand...?"
It took Bill a moment to figure out what she was aiming for. "And I've realized I was mean and I'm very remorseful for my hurtful actions."
Mabel pointed at him. "That's what I wanna hear!" She looked at Dipper. "I think we can let him off with a warning."
Dipper shook his head in resignation.
Mabel said, "But you're not stopping there, Bill."
"How's that?"
"Come on, man, think!" She poked her finger against her temple. "You know the answer! We just watched this episode yesterday!"
"Episode?" Dipper asked.
"I've been using Color Critters to teach him social skills."
Bill said, "I have social skills, all you're doing is showing me what'll be on the test."
"That's how learning works, dummy! I wanna hear you regurgitate that textbook answer!"
Bill opened his mouth, stuck out his tongue, and pantomimed sticking his finger down his throat and gagging; but then he said, with a blatantly artificial chipper tone, "'If we hurt our friends, we should try to find a way to make it up to them and make sure it can't happen again.'"
"That's right! 98 points! I'm taking two off for attitude."
"So how do you expect me to make it up to him? I can't exactly un-send him a letter. Unless you're gonna loan me that time tape—"
"Stop asking for the time tape," Dipper said, "it'll never happen."
Bill shrugged. "Then what do you suggest."
"Figure it out yourself," Mabel said. "You're the one who's gotta make it up to Gideon, not us."
Bill rolled his eye. "Is this part of the terms to buy your silence?"
"Yeah, it is."
"All right, fine." Bill sighed and stood up. "Give me a bit to brainstorm. I'll be upstairs." He meandered out of the room.
Mabel called after him, "You better not think you're wiggling out of this!"
"Relax! I won't disappoint you, Shooting Star. Promise."
Once he was out of earshot, Dipper turned to Mabel. "How do you expect him to make it up to Gideon?"
"He should say 'sorry.'"
Dipper nodded. Okay, sure, that sounded reasonable. "How long do you think it'll take for him to think of apologizing?"
"I'd give it a couple of hours."
####
(If you recognize the dealership being parodied, we now share a warrior's bond. Anyway hope y'all enjoyed, I've been looking forward to introducing Gideon for a long time! As always, I'd love to hear y'all's thoughts and comments on the chapter!)
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Rings in Rio
Marcelo’s POV:
Under the scorching sun of Rio de Janeiro, I found myself captivated by the pulsating energy of the city. My husband Valentin and I had been dreaming of this vacation for months, longing to escape Brasilia and just hang out by the beach.
As we walked along the ocean, the gentle breeze carried the scent of salt and sunscreen. I held Valentin's hand tight, savoring the warmth of his touch against my skin. I couldn't help but feel thankful to be sharing this moment with someone as amazing as him.
You see, I came out later in life – about a decade ago – when I was in my 40s. It hadn't been an easy journey. But meeting Valentin changed everything. We first crossed paths about five years ago – he was a vibrant 27-year-old then. I still remember the day we met like it was yesterday. I was attending a gallery opening, feeling out of place among the younger crowd, when our eyes met across the room.
Valentin approached me with a smile that lit up his face, his confidence and charm drawing me in immediately. We struck up a conversation that flowed effortlessly, as if we had known each other for years. He was unlike anyone I had ever met – bold, unapologetically himself, and utterly captivating. And from that moment on, we were inseparable.
I'll never forget the day he proposed to me, his eyes shining with excitement as he got down on one knee against the backdrop of a rushing river.
His confidence was magnetic, a trait I wished I possessed. We exchanged vows two years ago, surrounded by friends and family who celebrated our love with us.
But despite the happiness we shared, there were moments when envy crept in. Seeing Valentin so carefree and liberated reminded me of the youth I never had, the years spent hiding my true self from the world. But even in those moments of insecurity, Valentin's love was a constant source of comfort.
As we walked along the beach, we stumbled upon a run down ring kiosk. Intrigued by the display of colorful trinkets, Valentin tugged at my hand excitedly.
"Look at how cool these are, babe," he said, his eyes lighting up. I couldn't help but chuckle at his enthusiasm.
"Ah, you have a nice eye," the shopkeeper remarked, his gaze lingering on the rings in Valentin's outstretched hand. "These ones are actually quite special – they're enchanted."
Valentin's eyes sparkled with excitement as he turned to me. "Did you hear that, Marcelo? Enchanted rings! How cool is that?"
I raised an eyebrow skeptically, exchanging a glance with Valentin. "Enchanted, huh? What kind of enchantment?" I asked.
The shopkeeper chuckled softly, his eyes twinkling with mischief. "Well, you see, these rings have the power to grant the wearer's deepest desires," he explained, his voice low and mysterious. "They can bring love, luck, and even transformation."
Valentin's grin widened, his fingers tracing the intricate patterns etched into the surface of the rings. "That sounds incredible," he said, his voice barely above a whisper. "What do you think, Marcelo? Should we get a pair?"
And as I watched him try on one of the rings, the metal glinting in the sunlight, I couldn't help but think about how hot they looked on him.
I hesitated for a moment, but as I looked into Valentin's eyes, I felt a surge of warmth wash over me. "Why not?" I said with a smile, reaching out to take his hand. "It could be fun."
After paying for the rings, the shopkeeper handed us a small book which he said explained the rings’ power.
---
Later that night, back in the comfort of our hotel room, we eagerly opened the small book the shopkeeper had given us. Its weathered pages revealed ancient symbols and cryptic instructions, which seemed more like a page out of a fantasy novel than anything grounded in reality.
"It says here that if we trade the rings – which we've been wearing all day – it will swap us into the other's body," Valentin exclaimed, his eyes alight with excitement as he scanned the text.
I couldn't help but arch an eyebrow skeptically. The idea seemed far-fetched, to say the least. But the thought of slipping into Valentin's skin, of experiencing life from his perspective, was undeniably enticing.
"Wait, we should totally try this, babe," he urged, his enthusiasm infectious.
I hesitated, unsure of what to make of it all. "I don't know, Valentin," I replied, trying to downplay my own excitement. "It's probably just some silly myth."
But Valentin was undeterred. With a confident smirk, he reached for the rings, his fingers brushing against mine. As we exchanged them, a strange sensation washed over me, like a surge of electricity pulsing through my veins.
Before I could react, I felt myself being pulled, as if my very soul was being forced out of my body and into his. The world spun around me, colors swirling into a dizzying blur, until finally, everything came to a halt.
As I blinked away the disorientation, I found myself staring at my old body – now inhabited by Valentin's spirit. My heart fluttered with a mixture of excitement and trepidation, unsure of what this newfound experience would bring.
But amidst the confusion, there was something else stirring within me – a primal, raw desire that I couldn't ignore. Seeing my old body through Valentin's eyes, I couldn't help but feel a surge of attraction towards it. The familiar contours and features that I had grown accustomed to suddenly seemed incredibly alluring.
Valentin, on the other hand, wasted no time in admiring his new form. He approached the mirror with a confident stride, his movements fluid and graceful. As he stood before the mirror, I watched him subtly flex his muscles, the faint ripple of strength beneath his skin, and run his fingers along his jawline, his touch gentle yet possessive.
With a nod towards the door, he turned to me. "Well Valentin, what do you say we go hit the town?" he suggested, his eyes twinkling with anticipation.
---
Valentin’s POV:
As Marcelo and I strolled along the sun-drenched beaches of Rio, his hand tightly clasped in mine, I was overcome with gratitude for the man by my side. Marcelo wasn't just my husband; he was my anchor, my sanctuary amidst life's tumultuous waves.
We first met five years ago, an encounter that forever changed my life for the better. Marcelo's presence was like a beacon of warmth and wisdom. Despite the age gap between us, he welcomed me into his heart with a kindness and understanding I had never felt before.
Marcelo often complained about his age, lamenting the passing years and the toll they took on his body. But to me, he was perfect. With his salt-and-pepper hair and chiseled features, he had a timeless charm that I found irresistible. Marcelo took impeccable care of his body, maintaining a level of fitness and vitality that men half his age would envy.
However, while Marcelo exuded a quiet strength and maturity that commanded respect, beneath the surface lay a well of insecurities and doubts. There were moments when his gaze lingered on younger men, a wistful longing flickering in his eyes. When that happened, all I wanted to do was infuse him with the confidence and self-assurance he truly deserved.
That's why when we stumbled upon the rings, I was so happy. The prospect of swapping bodies with Marcelo, even temporarily, could give him the chance to see himself like I saw him – strong, resilient, and sexy as hell.
Exchanging the rings, I couldn't suppress a thrill of excitement. Marcelo's body certainly didn't disappoint; his rugged features and well-defined muscles radiated an undeniable magnetism that was impossible to ignore. I couldn't help but admire the way my new face looked in the mirror, the sharp contours and strong jawline making even Marcelo in my body flustered.
---
We made the decision to remain swapped for the duration of our vacation, and I must admit, I was thoroughly enjoying the experience.
The change in people’s perception was undeniable. While I had always been accustomed to the occasional flirtatious glance and admiring looks when I inhabited my former body – I'll admit, I was quite the catch – the response now was on a whole other level.
Hotel concierges greeted me with deference and respect, always calling me sir. And waitstaff at restaurants fell over themselves to attend to my every need, no doubt aware that I was the one who would be footing the bill.
The intimacy we shared that week was also nothing short of extraordinary. Marcelo's enthusiasm and skill in the bedroom were unmatched, and he was an expert in pleasuring his former body, leaving me breathless and craving more.
He had always been a power bottom, and even in my former body, he wanted to keep it that way. Railing my former body, I was consumed by arousal, the sensation of my cock buried deep within him sending waves of pleasure radiating through every fiber of my being.
But it wasn't just the physical pleasure that fueled my desire; it was the profound sense of control and dominance that I felt, commanding Marcelo's massive body with an authority that bordered on exhilarating.
---
Two nights before our departure, with the gentle glow of moonlight casting a soft sheen over our hotel room, I found myself poring over the pages of the book once more. My fingers traced the intricate patterns etched into the pages, searching for answers, for a solution.
And then, there it was – nestled within the text like a hidden gem waiting to be discovered:
"After transformation, should one be without the rings during the climax of sexual intercourse, the transformation shall be forever sealed."
I glanced over at Marcelo, sleeping peacefully beside me, his features softened in the gentle glow of moonlight. He looked so content, so at peace in my body, unaware of the decision that weighed heavily on my mind. And yet, as I gazed upon him, a sense of clarity washed over me. I reached out and gently brushed a lock of hair from his forehead, before leaning over and kissing it, saying “I love you”.
As I put the book down, a surge of determination swept through me. This was it – my chance to make our swap permanent.
---
Marcelo’s POV:
Laying in bed on our last night in Rio, the cool breeze from the open windows danced across my skin, carrying with it the scent of the sea. I couldn't help but feel a twinge of sadness at the thought of leaving this vibrant city behind. But at the same time, I couldn't deny that I had enjoyed every moment of our vacation, relishing the opportunity to experience life from Valentin's perspective.
Being in Valentin's body had been nothing short of exhilarating. I felt a newfound sense of youthfulness coursing through my veins, an energy and vitality that I hadn't experienced in years. And the sex – well, let's just say it was beyond amazing. Valentin knew exactly how to work my body, his confidence and expertise leaving me breathless and wanting more.
But amidst the excitement and the pleasure, a question that had been gnawing at the back of my mind. A few days ago, I stumbled upon a passage in the book that would seal me in this body forever. I hadn't told Valentin about it, but the temptation to make our swap permanent was undeniable. It wasn’t fair, but the thought of returning to my old body – to the limitations and insecurities that came with it – filled me with dread.
---
Fiddling with the ring between my fingers, I carefully placed it in the bedside drawer. Just then, the bathroom door swung open, and Valentin emerged, the soft glow of the bedside lamp casting a warm halo around him. His eyes sparkled with mischief as he padded towards the bed, a playful grin tugging at the corners of his lips.
"Hey there, handsome," he purred, his voice sending a shiver down my spine. As he slipped under the covers beside me, I couldn't help but marvel at the effortless charm and confidence that radiated from him. I smiled in response, my heart fluttering at the sight of him.
Pressing me down onto the bed and entwining his fingers with mine, Valentin’s strength and dominance overwhelmed me. With each thrust, I lost myself in the raw intensity of our connection. But amidst the haze of pleasure, a realization dawned upon me – Valentin wasn't wearing his ring either.
The revelation sent a jolt of electricity coursing through my veins. Could it be possible he wanted this too? Valentin's lips found their way to my neck, planting tender kisses along my skin. "I love this body so much," he murmured against my skin, his breath warm against my neck. "I don't think I can ever go back."
My heart swelled with a mixture of love and desire, knowing that he cherished my body as much as I cherished his. Smiling softly, I ran my bare hands down his back. "I took off the ring too, babe," I whispered. "I want your body now and forever."
A playful smirk tugged at the corners of his lips as he met my gaze, a mischievous glint dancing in his eyes. Without a word, he quickened the pace, driving us both to the brink of ecstasy once more.
As the intensity of our passion peaked, I surrendered myself fully to the moment, losing myself in the raw, unbridled pleasure. With a primal roar, he released his load into me, our souls locking in our new bodies.
Basking in the afterglow, I felt a profound sense of fulfillment wash over me. With Valentin's strong hand tracing lazy patterns across my bare chest, I couldn't help but smile, knowing that this, right here, was all I could have ever asked for.
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