Tumgik
#*HE NEVER DOES THAT* SO. U KNOW ITS FUCKED
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i love you, i love you (kill me in the morning) ; suguru geto
synopsis; everyone has a weakness. some are harder to get rid of. (or, alternatively; suguru geto befriends a non-sorcerer as a child.)
word count; 10.0k
contents; suguru geto/reader (not explicitly romantic but the subtext is there), gn!reader, geto-typical angst, childhood friends to [redacted], mild gore, suguru geto’s defection but with added angst, twisted depictions of love, depictions of stalking, depictions of death/murder, general bloodlust (geto wants to kill u soo bad but also not really), unresolved yearning, hurt/no comfort, curse user geto is his own warning tbh
a/n; ok so. this is kind of a mess. just my own take on geto’s childhood and defection + how i think he’d deal with a non-sorcerer reader after defecting……. so it turned out kinda. Dark. it’s entirely sfw to be clear!!! just sorta twisted. in conclusion i love my cult leader wife who wants me dead <3 (pls listen to ’kill me’ by indigo de souza it is SO geto)
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suguru geto meets you in the afterglow of sunset, by a dusty summer creek.
it’s his special place, hidden in the outskirts of your tiny town; a place where the water glimmers with silver-hued fish, and all the biggest cicadas reside, singing softly and waiting to be caught.
a place where he can be himself. alone, with no one to curse him.
— except, this time, he isn’t alone.
your crying face is the first thing he sees. big, wet tears, cascading down your scrunched-up face, accompanied by little sniffles as you sit there. curled up into a ball, knees against your heaving chest.
the next thing he sees is the bruise on your leg. a scrape on your knee, gritty and a little bloody, but it’s not so awful. he can tell that it hurts, though — you bite your lip to stop yourself from trembling, like you’re trying to be brave. but you look pained. 
and it sends a tremor running through his very soul.
suguru was born with a bleeding heart, an empathy unusually developed for his age. always pushing him forward, coaxing him into taking action; this nagging desire to protect, to nurture. born with an inability to avert his gaze from the suffering of others.
so when the two of you lock eyes, he manages a smile. warm and soothing, even though deep down he’s alarmed. but he masks it, slathers over it with something kind, something comforting — and he can tell that it works, from the way your teary eyes seem to soften in the buttery hue of the afternoon glow.
you’re crying. and suguru finds himself wanting to wipe those tears away, more than anything. you look small, and you’re in pain.
(protect the weak, urges some voice in the back of his mind. insatiable. protect those who can’t protect themselves.)
he asks for your name, all while cleaning your wound. the wince that slips from your lips when the cold water of the creek licks at your knee makes his heart clench.
but you tell him. you tell him your name, as the sun sets in the horizon, and he tells you his. 
suguru. a sweet kid who sees you fall and patches you up. a cool kid who teases you a little for being so clumsy. who holds your hand tightly in his own, to make sure you won’t fall again.
the sun melts away beyond the cluster of trees that surround you, its burning glow breaking through the gaps between the branches and dyeing the summer creek a deep red. illuminating your blurry silhouettes, as you walk back home. hand in hand.
and that’s how it begins.
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the two of you grow closer, in the same way flowers who share a stem learn to lean on each other, grow in the same direction, a mess of mingled roots. a natural connection, blooming out of nothing more than a sweet coincidence — that kind of blissful, innocent childhood friendship. the kind you never have to question.
you learn very quickly that suguru isn’t like the rest. that when compared to all the other kids you know, he’s mature, almost mystical, like he knows something they don’t.
you learn that there’s a gentleness to him, one he could never fully hide. one that shines through when he looks at you, when you play and laugh to fill the silence of the hills overlooking the small town you both live in.
you also learn that he can see ghosts.
curses, you’ll both come to learn, but that’s later. for a child in a remote town, isolated and alone, the familiarity of the ghost stories that adults tell you is the only kind of comfort suguru has to cling to. something lighthearted, to explain the predicament that haunts him — the flickers of black in his vision, that lingering taste of charcoal on his tongue.
suguru is different, you realize, different from the rest. and you eventually learn, from him, that you are far from alone in that belief.
in the town you both had the misfortune of being born into, suguru is the black sheep. his parents think there’s something wrong with him. the other kids think there’s something wrong with him. he isn’t right in the head, they whisper, he sees things that aren’t there.
(it’s a debilitating isolation that never truly leaves him.)
so suguru learns to stay silent, learns to keep his pretty little mouth shut, learns to lie. it’s easier that way. easier to survive, in the remoteness of your tiny town, with all the adults who scorn him and look at him like he doesn’t belong anywhere at all.
and suguru learns to be content, in that solitude. that heaven-granted isolation. a lone white chrysanthemum, in a sea of red and lavender; blossoming alone.
but then suguru meets you.
and, contrary to everyone else, you don’t think there’s anything wrong with him. when you tell him that he’s different from the rest, you mean it in the best possible way. you say it with starlight in your eyes, gleeful, giddy. like he’s special, not broken. like you’re also tired of those other kids, those sneering adults, the silence of a town so isolated it could crush a child’s heart.
like you have something in common. like you’re the same.
and you stay by his side. throughout the most difficult years of his early life, when he’s still growing accustomed to the duty he’ll have to bear for the rest of his life, you’re there. every single day. to smile at him, to speak to him like you’re both just normal kids — even though suguru is well aware that he’s anything but normal.
(when he’s with you, he feels like it, though. feels like he’s just a normal boy, like there isn’t something glued down wrong inside his brain. something twisted, something that needs to be plucked out.)
suguru finds comfort in you. in your presence, in the notes you pass him when classes get boring, in the way you cling to his sleeve while exploring the woods during recess. in the way you grin so brightly after managing to catch a firefly in the darkness of the summer night, all proud and toothy, a childlike innocence he wishes he still had.
you’re sweet, and understanding, and suguru thinks you might be the coolest person he knows. you’re his friend, his very best friend, his one and only.
and when he tells you what’s wrong with him — when he tells you what he can see — you ask him something that will forever rest in his subconscious. a flicker of precious, fleeting, genuine acceptance, one he won’t ever feel again. not until he meets a certain boy with blue eyes, but that comes later.
(a memory he’ll return to, over and over again. even after all the evil in the world has already descended upon him like a crackling hurricane.)
what do they look like?
there is no judgement in your voice, in the way the question slips from your lips. no mocking laughter, no silent rejection or whisper of crazy, evil, wrong. there’s only you, the way you’ve always been, curious and understanding and wise beyond your years.
suguru decides, right then and there, that he’ll protect you forever. no matter what.
you can’t see curses. you aren’t like him, in that regard, and he learns that quickly. and as suguru grows up, grows a little taller, a little wiser, he is glad that it’s true. he’s glad, because he already knows what kind of road lies ahead of him.
he already knows what kind of world you both live in, how unforgiving it can be. how many people die every day, every second, because of monsters only a select few can even see. he already knows that curses aren’t the eccentric, silly ghosts you were hoping for when you were kids — but pure, unadulterated evil.
(he already knows what they taste like.)
and suguru takes careful measures, day by day, to keep you away from it. as much as he can without lying outright. you’re curious, by nature, almost fascinated by curses and sorcery and everything you do not understand. an endearing trait, though it exasperates him to no end.
someone like you has no business sticking their nose into that kind of cruelty, he thinks, that kind of bloodshed.
and you’ve always been clumsy, a little scatterbrained. enough to make him worry instinctively when you’re out of his sight. like when you tripped and scraped your knee, by that tiny summer creek, all because you wanted to catch a dragonfly.
so he tries his best to keep you away from it, all of it, away from a darkness he knows would swallow you whole. away from the small, weak curses that sometimes litter the woods or the schoolyard; away from his cursed technique, the disgust of a power he never once asked for. 
(he never lets you see him swallow those things, never lets you witness the way he throws them right back up again before it happens so many times that he grows used to the disgust. you’re sharp, though, and he can’t hide the grimace that always lingers on his features.
you don’t ask — you only give him a packet of gum, to chew away the taste with, and suguru thinks to himself that he’ll love you forever.)
time passes by, slowly but surely, and the two of you stick together.
and as he grows into his teenage years, so much weight already resting on his tiny shoulders, suguru has already developed some sense of it all. of his ability, of the world of sorcerers. he’s already spoken to people like him, has already been made well aware of his potential. 
he’s already been given a choice, a choice that was never really a choice at all, but he decides that it doesn’t matter.
suguru decides to become a sorcerer. to train his abilities, to hone his skills. to eventually move away, from the stifling silence of that town, the silence that was only ever filled by you.
and suguru thinks to himself that he’s doing this for you. that in doing this, in being this, he’ll fulfill his promise to protect you.
(forever. no matter what. he echoes the words in his mind like a prayer.)
suguru wants to protect those who cannot protect themselves. those who are weak, those who are alone, people he has the power to help.
but more than anything, above all else, suguru wants to protect you. 
you are the most precious thing in his life. and if he can turn the world a little brighter for you, just a little bit kinder, then isn’t that enough? isn’t there enough meaning in that to give him the strength he needs?
there is. suguru decides that there is.
so when he tells you about his plans, under a pleasant, ephemeral starry sky, he does so with conviction. he knows that you will understand, because he knows you. you’re his best friend.
and he’s right. you do understand. you’re proud of him, and he’s your best friend, too.
i’ll support you, no matter what. 
the instantaneous answer makes suguru smile. not the kind of smile he plasters on to appease the adults around him, nor the smile he wears when he needs to lie convincingly. a full, genuine smile, that reaches his eyes and blossoms like a flower in the light of the moon; a warm, gentle smile, one you’ll always, always associate with him. 
(forever and ever. no matter what.)
and when suguru eventually has to leave, for a high school he’ll spend the next few years of his life living at, he carries that conviction with him. his choice is steadfast, unyielding, inevitable. the only one that matters.
the whistling of the wind breaches his ears, as you both stand on the platform and wait for his train to arrive. a spring breeze caresses your skin, and suguru’s bangs flutter in the wind. sunlight scatters across the train tracks and seagulls cry out in the distance, and the acute sensation of a parting lies heavy in the air.
it’s embarrassing. it’s childish. suguru wants to claim that he isn’t a child, anymore; that he wouldn’t give in to hesitation, at the sight of your meek expression. that he wouldn’t cry, at the thought of moving away from his best friend.
but the slight puffiness under his eyes is evidence enough. evidence of the tears he shed last night, when the reality of the situation finally dawned on him. 
suguru doesn’t want to part from you. he’s nervous, too — leaving you alone in that town, all by yourself, with no one around to protect you properly.
it's stupid. because deep down, he knows that you’ll escape too. that you’ll come after him, no matter how long it takes, that'll you'll both end up in tokyo. that you'll end up together, despite his duty as a sorcerer — eating soft serve ice cream cones, playing shooting games at the arcade, strolling around the big city aimlessly. doing all those things you always talked about doing.
because the two of you will always, always find your way back to each other. just like how he found you with that bruise on your leg, all those years ago, a fated encounter as natural as the glow of sunset. two lone dragonflies, who always meet somewhere in the middle of a dusty summer creek.
still, suguru can’t help but feel sad. a little lost. he can only hope you don’t notice the soft frown on his face, the faint redness of his eyes. 
(then again, when have you ever not noticed something he was trying to hide?)
there's no need to worry about it, suguru knows. he’s never had to worry about you judging him, looking down on him. never you.
and when his gaze falls on your face, after the train he’s supposed to board screeches to a halt behind him, your own tears are enough to make him realize how silly he’s being.
he laughs, from the bottom of his stomach, when you tackle him into a hug and tell him with teary eyes that you’ll come visit. he squeezes you especially tight, in a boyish fashion he can never quite hide from you, and murmurs into your ear that he’ll be waiting.
he asks you not to forget him. you laugh through your tears, and tell him that you never could.
before he has to let go and step into the train, you tell him that you love him, and his grin blooms with honeyed affection. he ruffles your hair, always gentle, always teasing, always the same suguru.
he tells you that he loves you, too.
— then he’s gone.
(you’ll forever regret not convincing him to stay.)
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the two of you stay in contact, all throughout his first year. texting, calling — making sure neither of you get the chance to forget the other. suguru tells you about his life, his missions, his classmates, leaving out all the gritty details. and you listen; attentive, curious.
at one point, you even visit him. his friends tease him relentlessly, but all he does is roll his eyes and flick their foreheads, biting back a smile. that makes you laugh, and he’s relieved that the sound hasn’t changed in the slightest.
and suguru stays the same, throughout that one first year. he is steadfast, unyielding, decisive. he has a conviction he’ll never let go of, and people he's vowed to protect. people he needs to protect. 
(non-sorcerers, is what he tells satoru, and he means it. but suguru chooses to omit the fact that he specifically wants to protect one single non-sorcerer, above all else.)
and suguru is happy, with his choice. thoroughly and wholly. the road ahead of him will be long, full of obstacles and thorns, but he always knew that would be the case. and he knows that it’ll hurt, that it’ll be tough, but he also knows that this is what he sincerely wants to do. what he was meant to do. the only choice worth making.
suguru is content. suguru will not falter.
— then, his second year descends upon him.
riko amanai dies. toji fushiguro dies.
satoru gojo becomes the strongest sorcerer of the modern era.
(and suguru geto is left behind.)
it is a slow, sinking realization. one whole year to lose sight of his goal, lose sight of the conviction he held onto so tightly. one whole year to feel it slip through the gaps between his fingers, helpless to stop its course. everything grows muddled, molding, rotting before he has a chance to root it out — and all he can do is wait, as it festers like bile in the bottom of his gut.
suguru geto falters.
(he doesn’t quite know who he is, anymore.)
words he’s swallowed down like curses all his life keep flooding his subconscious, building up inside the back of his throat, spinning and spinning and spinning inside his brain until he feels sick enough to throw up. evil. crazy. protection. responsibility.
duty, duty, duty —
(what does that word even mean?)
suguru doesn’t remember. he can’t recall what made him step onto that train with such conviction, how he was able to smile so assuredly. how he was able to laugh, from the very bottom of his gut, as if it was the easiest thing in the world. he just can't remember.
who is he doing this for? what meaning lies in all this pain? 
suguru keeps watching, hoping for an answer that’ll save him just enough. waiting and watching. he’s always just watching, isn’t he? never changing anything. always too late, too weak, too fucking useless to stop even a single person from dying. 
he watches helplessly as a little girl gets shot in the head, for the crime of having been born different, for the sake of simple currency. watches helplessly as satoru carries her lifeless body in his arms, across a room full of people so vile that some deep, rotten, intrinsic part of suguru just wants to —
but there would be no meaning to it.
(does there really need to be one?)
suguru honestly doesn’t know, anymore.
riko dies.
(curses spring up like flies. he devours and devours.)
then haibara dies, too. 
(in the distance, he thinks he hears the sound of clapping.)
sorcerers. non-sorcerers. curses.
the words begin to rot inside his mouth, like wilted flowers, syrupy sweet and nauseating. crumbling on his tongue, numbing his senses until it’s all he can taste. a mouthful of honey, sticking to the walls of his throat, too sweet to stomach.
this is wrong, he thinks. everything is all wrong.
everything is wrong and i don’t know how to fix it.
— and then there’s you.
during your third year, both of you are busier than usual, but still find the time to talk when you can. the normalcy of your little stories is a comfort, to suguru — but also makes him burn with something he fears may be close to envy.
you tell him about your new school, your new town, your new beginning; bright and dazzling. one that suits you just fine.
the two of you are different, he realizes, all at once. some part of him always knew. you were born to be happy, kept away from the bloodshed, hands unsullied by the deep red that always dries beneath his fingernails. there was never a place for you in the world of curses. and he’s glad, that it’s true, he always has been, but —
(resentment festers in his gut. he can’t tell how long it’s been there, and he’s afraid to know the answer.)
these days, suguru takes a little longer to answer your texts. his voice comes out sounding a little more fatigued when he’s speaking to you through the phone, and he doesn’t talk as much as he used to. your voice soothes him, though, he thinks. just a tiny bit. but it’s enough.
(he’s doing this for you, too. he can’t forget that.)
and when you come to visit him, during his third year, suguru is surprised. surprised to see you, standing outside of his dorm, bags full of his favorite snacks in hand. smiling.
you look the same as always.
(he’s the only one who’s changed.)
it’s a pleasant surprise, though, despite everything. he really did miss you. in his life, your presence alone has been nothing but a comfort, for as long as he can remember. even now, when everything feels so blurry and uncertain, you appear to him as a flicker of starlight; shining through the darkness that’s been plaguing him for the past year.
so he tries to smile, tries to sound the same as always, but he knows you don’t buy it. you know because you know him, despite everything.
suguru wonders what you would think of him, if you could hear the thoughts he’s been having these past few weeks. he wonders what he looks like, reflected in your eyes. he wonders how much he’s changed since you last saw him.
(he hasn’t felt like himself in months.)
your presence is like a balm, to his soul, but it also seeks to hurt him further. because you’re still the same. still so understanding and wise and patient. you can tell that he’s fading, and he can tell that you can tell. but he doesn’t want to tell you why. he refuses to open up to you, because what would that accomplish? how could you possibly understand?
how could you understand his hatred, his resentment, towards the very people he’s supposed to protect? he told you that, himself. he decided to protect them, on his own accord. that’s his duty — steadfast, unyielding, inevitable. that’s all it was ever meant to be.
protect the weak. protect the ugly. protect everyone except his comrades, until all of them lie dead in a pile of maggots and tangly limbs and buzzing flies.
a bitter, heavy kind of vomit settles inside his chest, his throat. and somewhere deep inside suguru’s mind, in the very bottom of a drawer he vowed never to open, the image of non-sorcerers shifts, distorts, flickers on and off under the light.
protect those monkeys until his very last breath.
(what a fucking joke.)
you couldn’t understand. he doesn’t want you to. he promised himself that he would keep you away from that kind of darkness, no matter what, and —
and you’re the only good thing he has left.
not only that — you’re a non-sorcerer, too. and suguru knows what that means. if what his brain is telling him is true, if that’s really how it is, then you are no exception. then you’re just like the rest, something lesser, nothing but a —
(he thinks he might throw up.)
suguru does not tell you anything. despite everything, despite your pleading expression, despite the heavy bile at the bottom of his gut. he does not tell you what is truly wrong. he does not open up to you. 
and that is suguru’s first act of betrayal, to you. before he even betrays the jujutsu world.
(it is perhaps the only betrayal he’ll ever feel any kind of remorse over.)
you try, though. persistent in your affection. he loathes how little you’ve changed, how brightly you still shine when reflected in his eyes. you sit right next to him, under a pleasant, ephemeral starry sky, stars blurred by the light pollution, and tell him what you always have.
i’ll support you, no matter what. 
suddenly, all he can hear is the whooshing of the sea. as if he's been pulled underwater, a heavy weight tugging at his limbs, lungs gasping for air that doesn't exist. pure static, in his ears, a sharp crack of something. like a rib, or a train of thought. all he can taste is saltwater.
the dam begins to break. it cracks at the edges, like two giddy children poking a stick into a puddle layered with ice, giggling at their scattered reflections. memories resurfacing, images flashing in his subconscious. suguru looks at you like he’s lost. something inside of him breaks, disintegrates into a pile of despair. 
because you don’t understand what you’re telling him. you don’t understand what he thinks about doing, sometimes, when the nights are especially long and the school is especially empty and the taste of curses lies especially thick on his tongue.
you don’t understand. you never will. 
but you’re smiling at him, so very gentle. so accepting, so all-encompassing of everything that’s good, everything worth cherishing. just like always. 
suguru recalls your teary face; when you scraped your knee, when he left that town behind. he recalls all the ways you’ve soothed him, saved him, in all the years you’ve known him.
i’ll definitely come visit. i love you.
i’ll support you, no matter what.
what do they look like?
— suguru falters. these days, that’s all he ever seems to do.
how could he hate non-sorcerers, when you’re among them? how could he hate a world that has you in it?
(he can’t, he can’t, he can’t. he can’t hate you. not you.)
the words that spill so very easily from your lips break him. he can’t tell if you’ve mended the damage, or only worsened it. he can’t tell where the jagged hole inside his chest ends and begins. he can only tell that it’s extending, extending, extending.
suguru wants to fall apart. he wants to fall apart, for only you to see, because you’ve always been the only one who could ever understand. the only one who wouldn’t turn your eyes away from him, even back then. the only, only one. the only other white chrysanthemum.
he wants so desperately to be honest with you, to let every dark thought he’s ever had flow out from his lips. for you to hear, for you to scorn or to accept at your leisure, doom him or bless him, a bleeding dog at your feet. to get rid of the tangled mess of thoughts inside his muddled mind — to just let go of everything, even if it’s only for a minute or two. just a second would be fine.
suguru wants to drag you down with him. drag you down into the depths, into the abyss, to share the weight of his suffering. so that you can be together, just like you always have; through thick and thin. always and forever.
but he doesn’t.
(and what a betrayal that is.)
suguru keeps his pretty little mouth shut, and he gives you a smile. a smile that doesn’t reach his eyes, the kind he always wears when he needs to lie convincingly.
he could tell you so many things. could ruin you completely, take you down with him. hand in hand, staining your unsullied skin with the blood on his own. into the gaping maw.
but at the end of the day, he chooses not to.
suguru chooses your peace of mind over his, just like he always has, and feeds you a vague half-truth. not quite a lie, but something that ignores the underlying question of your statement, a silent plea for sincerity. something deep and true, but almost sorrowful.
i know, he says.
i know you will.
the moment does not save him. but suguru does feel just a little more hopeful, a little less like he’s slowly rotting from the inside out. a little less like he’s completely and utterly alone, isolated in his agony.
you are the same as always. and what a relief that is. 
(for you, he can wade through the hell for just a little longer.)
when it’s time to say your goodbyes, suguru can tell you aren’t satisfied. that you wish you could do more. but he also knows that you won’t push it, because you’ve always respected him in a way no one else ever cares enough to do. 
before you leave, you tell him that you love him. in a quiet voice, a whisper, as if trying to squeeze some sincerity from his chest — a last-ditch attempt at reaching him. he squeezes your hand, instead, and doesn’t say it back.
suguru just smiles, flimsy, a smile that doesn’t reach his eyes.
you look like you want to say something, but you don’t.
and he watches you go, with forlorn eyes, until the dot that is you gets too small to distinguish from the darkness of the night. until he can almost delude himself into thinking that you’ve turned into a star. he watches you go as if trying to burn the sight into his memory, as if this is the last time he’ll ever see you.
(the curse of i love you rots in his mouth, unspoken, unvoiced.)
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two weeks later, suguru stands in front of a cage, covered in blood.
the girls in front of him, skinny, frail, crying — beaten and exhausted — look at him like he’s a god. him, pale, smiling, with blood staining his white uniform, bathed in moonlight —
like some kind of angel of death.
suguru soaks up the metallic scent of the room, basks in that sickeningly sweet feeling of release. he soothes the girls, as best he can. he leads them away, careful not to let them see the bodies. 
(there isn’t much left of them, anyhow.)
suguru geto makes his choice. the only choice that matters. 
he will twist himself into a curse. he will devour his ideal, until it’s all that’s left of him. he will embody it, become it, through and through. it’s fine if he dies in the process, it’s fine if everyone dies — just as long as it means something.
that is the conviction he will carry with him. the decision to only ever see the line between ends and means, the bright light at the end of a never-ending tunnel.
the blood of an entire village is on his hands.
(a part of him wants to throw up. another grins with ecstasy. every part agrees that it was inevitable.)
their screams weren’t beautiful. they were aggravating, revolting, the wretched buzzing of bugs ringing like static in his ears. but it felt good. it felt just. something in his bones settling into its rightful place, a spark of affirmation.
and suguru doesn’t stop there. as if desperate for the cup to finally run over, to make sure that there truly is no going back, his feet take him to a place he always hoped he’d never have to see again.
when suguru returns to that stiflingly silent town, to kill his parents, you are no longer there.
it’s not a surprise. he knows you escaped, long ago, just like him — just like you always said you would. not quite to tokyo, to your grave disappointment, but you managed to find some other town to live in. bigger, better. the new beginning he always hoped you’d get.
suguru does not want to think of you. he doesn't want to remember your face, the sound of your laughter, the way your eyes shone in the light. he wants to erase every single trace of your existence from his memory, if only to protect you from the person he will soon become. or perhaps only to spare himself the heartache of it all.
but when he passes by that one summer creek, forgetting you becomes an impossibility. 
his eyes gaze at the silver-hued fish, sparkling beneath the moonlight, the big cicadas singing sadly under the shadows of the trees. he closes his eyes, and breathes in the solitude, and recalls a child with teary eyes.
suguru knows what school you go to. he knows what your town is called, what your street looks like.
and it is far, far away from the town he’s in. far from tokyo, too. 
— and suguru is relieved.
(it gives him an excuse not to hunt you down just yet.)
the sight of his childhood home stirs no fondness in his heart. it is empty, it is silent, it is the same as always. and now it doesn’t even have you in it, anymore.
so it doesn’t matter.
suguru moves on with conviction, with bloodstains scattered across his clothes, seeping into the fabric. the screams of his parents don’t mean anything — they blur together with old echoes of evil, crazy, wrong. 
(there is something wrong with that child.)
their blood sticks to the soles of his shoes and he is repulsed by their fragility. their blood stains his shirt and he is elated by the irony of it all. all he sees is a blur of red. 
the road before him becomes clear.
finally, there truly is no turning back. that one sliver of good still left in him, crushed beneath the heel of his boot. at last. homicide, patricide — the more he adds, the easier it’ll be. easier to distance himself, easier to convince himself that his choice matters. that the blood of mere animals is a small price to pay for the future he envisions.
that he is right. that he is just.
(self-affirmation. what a holy thing it is.)
there is still much left for him to do. so suguru leaves the town behind.
he leaves that tiny summer creek behind.
it is a premature death; a resignation of identity. he isn’t an adult, not yet, but he has long since stopped being a child. he stopped being a child the moment he saw a bullet go through the skull of an innocent girl, the moment he saw haibara’s ghostly pale skin. no sorcerers stay children for very long.
none of it matters, anymore.
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time passes with a speed that’s almost frightening. 
suguru disappears, almost entirely faded, leaving only geto in his wake. a new person, an entirely different human being — ten years of living in an echo chamber, ten years of forming his personality in the shape of something twisted.
(something almost divine.)
and geto is right. just. geto has conviction, and that’s all he needs. everything goes according to plan; geto has a goal, and a family to pursue that goal with, to pursue that goal for. everything finally feels just right. breathing feels a lot easier. living feels a lot easier. 
but everyone has a weakness.
and there is one thing, only one thing, that still acts as a thorn in his side. something that holds him back, a stain yet to be wiped away, a piece of gum stuck to the sole of his shoe. a tattered memory, clinging to his subconscious as if haunting him.
(i’ll support you, no matter what.)
if only you could see him now.
when geto left his old life behind, he did not contact you. he did not say goodbye. he threw away his phone, deleted every single thing that someone could use to locate him with, and left. he hasn’t heard from you in years, hasn’t spoken to you. 
but he has seen you.
geto knows where your town is. what your apartment looks like. he knows what university you go to, where your go-to café is located. 
so resisting the temptation eventually becomes impossible. 
he tries not to think of you, he really does. he tries to act like you are nothing, to him, because you aren’t. you are proof of weakness and a fragility that geto loathes, proof of his own foolishness, his young naivety. you are everything he hates and everything rotten and everything he’s vowed to cleanse from the earth.
but, despite that undeniable truth, geto cannot help but seek you out.
he tells himself that it means nothing. that he’s only doing it to make sure he knows where he’s got you, like a predator watching over their prey, preparing to lunge out of hiding when the moment is right. because geto knows that your death, at his hands, is inevitable. what you are is a weakness, a connection that lingers on his skin like a mold, one he still has to the creatures that disgust him so.
so it’s inevitable.
in reality, he should have killed you first. before his parents, before the village — he should have killed you, because that would have solidified his devotion in a way nothing else ever could. but he didn’t. 
geto likes to think of it as a symbol, of sorts. that he’ll save you for last. the same way children eat every last part of the cake, greedily, before gulping down the strawberry. every single non-sorcerer will be dead by the time he gets to you. you’ll be the one remaining obstacle, the one final stain to rinse away before his dream becomes reality, the one thing still standing between him and the divinity he seeks. 
it is an honour, geto thinks, an honour he would not bestow to anyone but you.
but until that time comes, all he can do is watch over you. silently, so you don’t notice. always from afar, sometimes through the eyes of the curses he’s bound to. just to make sure that you’re still alive. that you haven’t tripped over your shoelaces and gotten yourself into a car accident, or gulped down a mouthful of food too fast and choked to death, or anything similarly pathetic. he wouldn’t put it past you. really, he has no idea how you’ve survived this long without him.
weak, fragile, clumsy. soft enough to sink his teeth into. you are everything that geto hates. you are nothing, nothing at all.
(and you are the same as always, despite everything. what an aggravation that’s become.)
he watches you, anyway; like a god finding amusement in his creations, an omniscient overseer watching you stumble day to day. he watches as you live your life, as you talk to other people with that familiar smile on your face. it hasn’t changed in the slightest.
he watches you laugh, watches you grab a crêpe from a street vendor, watches you cry when you think nobody is there to see.
(the sight sends a tremor running through his soul, one he desperately wants to pretend not to feel.)
on melancholic summer days, when the sun paints the sky pink and golden, he watches you clutch onto his old sweater. one you always said you were going to return, but never did — never got the chance to. you used to tell him it was too comfortable not to steal. that it smelled like him, that it made you feel less lonely. geto so tenderly wishes he could have forgotten those words, by now.
but he watches you, in the solitude of your apartment, as you bury your face in the wool and inhale the fading tinge of his old cologne. then you cry and cry, like a child, until the moon rises in the sky; until you’re breathing softly, lulled to sleep by his scent.
(geto thinks to himself that you are a fool, to still miss him after all these years.)
it’s not an everyday occasion. most days, he does not think of you. there are many other monkeys to kill, many things to discuss. there’s money to be made, plans to be forged, wars to be brewed. geto is a busy man. a family man, no less.
but when boredom is all he can feel, he still finds himself seeking you out. just to make sure no one has gotten to you before him. just a god enjoying the struggles of a lesser being.
that’s all it is, geto tells himself. that’s all it’ll ever be, from now on.
no one needs to know if he spends the occasional morning checking up on you, curious if you did well on that exam you were studying for. no one needs to know if he absorbs the curses that sometimes cling to your fragile skin, gulping them down before they cause too much damage. no one needs to know if anyone who gives you a little too much trouble suddenly disappears off the face of the earth. 
no one needs to know if he reminisces, every once in a while, when the summer nostalgia is too much to bear. about your childhood, about that question you asked him — a million years ago, back when the center of his universe was a single summer creek. 
(no one needs to know if he finds comfort in your presence, even now.)
on days when the moon hangs low in the sky, and geto can’t choke back the longing in his chest, he sits by your bed and watches you sleep. a forlorn expression on his face, lips stuck in a tight line. it’s risky, careless, but he’s helpless to the temptation. 
most nights, you lie perfectly still. so still he can almost delude himself into thinking that it’s over, that you’ve passed on, that he won’t have to kill you after all. sometimes you twist and turn, mumble something unintelligible under your breath that he doesn’t catch.
he wonders what you dream about. he wonders if you ever have nightmares, if they’re ever about him. he wonders why he even cares at all.
geto resents you. resents you for existing, for smiling every day, for being a bridge between him and lesser creatures. he resents you, resents you, resents you.
(self-affirmation. what a holy thing, indeed.)
— he could kill you so easily. 
he wouldn’t even need a curse to do it. a flick of his pinkie would be more than enough. that’s how fragile you are; asleep, right in front of him, breathing softly while he watches you like how the fox watches the lamb.
(he could end all of this, right now, in the silence of the night. in your most vulnerable state.)
and yet, geto allows the opportunity to pass him by.
he can’t get too greedy. that’s what he tells himself, as he slips out of your window in the dead of night, leaving your sleeping figure behind him. it’s not the right time. he can let you sleep, for just a little while longer. the bags under your eyes have looked especially heavy, recently.
(he tries not to remember the sleepover you had as kids, when he stayed perfectly still as you dozed off on his shoulder. doing his best not to wake you, watching you fondly until the sun began to rise. back when all he wanted was to protect you.)
geto knows that you know he’s not dead. he knows because he’s almost certain that satoru spoke to you, back then, even if he probably didn’t let you in on any details. because he knows that you’re sharp, sharp enough to know that he’s alive.
and even if that were not the case, geto knows because he’s sent you gifts. letters. absentminded, almost taunting, cruel in their joviality — always anonymous, always mysterious and vague and impossible to trace back to him. but he knows that you know who they’re from.
a little dance, if you will. geto haunts you like a ghost. he never lets you see him, but he lets you know that he’s there, sometimes. just out of frame.
he can only hope it’ll eventually haunt you to death.
(if it ends up as a comfort to you, instead, then, well — it is what it is.)
all of it is a safety measure in disguise. a way to satisfy the yearning inside his chest, without coming too close. that doesn’t mean he never falters, though.
every once in a while, he feels strangely compelled to talk to you. to waltz into your home, in a lighthearted fashion, to soak up your shocked expression. to ask how you’ve been, casually, and watch you stammer, stumble over your words — he can imagine the face you’d make, the way the lilt of your voice would tremble. would you cry? he can’t help but wonder, sometimes.
yet he always resists the temptation. careful, cautious, with every move he makes. like a shadow. he deliberately leaves no traces of himself behind, no breadcrumbs for you to follow like the curious creature you are. geto lets you know that he’s there, but he doesn’t let you see him, because if he talks to you he knows that he’ll kill you. and he can’t have that, not just yet. 
eventually, he’ll do it. he’ll do it, and he’ll watch as your blood stains the silk of his robes like the inevitability it is. but not yet.
you’ll be the last one, the last one he’ll kill. the final proof of his devotion.
until then, he can have this. this sickeningly sweet scrutiny of your life, your life without him. the sound of your laughter, the reflection of untainted light in your iris.
(you are the same as always, and you are a weakness that geto is learning to live with.)
he can’t rest, won’t rest until it finally ends. until the curtain calls on your bloodied body, until he feels the cold skin of your palm against his lips.
only then will he finally know if it was all worth it. only then will he be free of this yearning. only then will he be able to say that the last remnants of suguru have been well and truly cleansed from his soul, that there is nothing left of the person he was.
only then will geto be able to call himself wholly divine. 
but until that time comes, he can do nothing but watch you. when the temptation begins to crawl under his skin again, when he needs to remind himself of what he’s fighting for. that one thing, at least, never once changed; suguru geto has always fought for you. for your protection, for your survival, for your demise.
for your happiness, in life or in death.
(geto hates you, loathes you, resents you for being what you are; but suguru will always, always love you. forever and ever. no matter what. 
and that will be their undoing.)
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suguru geto dies without saying goodbye to you. 
if there are any regrets to speak of, any at all, then maybe that’d be it. he never got to see that shock on your face, never got to hear you stammer in the way you always used to when you were nervous.
in the golden hue of sunset, the last of his resentment finally fades away. the curse known as geto disappears, and what remains is no more than a ghost — the ghost of suguru, the person he was, the person he never quite stopped being.
and when geto disappears, when the last of his resentment fades away, suguru finally allows himself to think of you. fully, without interruption, without unspilled blood festering beneath his tongue. just one single touch of sincerity, one last indulgence before it all ends. he thinks of you, you as a person, not you as a non-sorcerer. he gives your memory the respect it deserves. something worth cherishing.
he wonders what you’re doing, right now. he wonders if you studied enough for that exam next week, if you found a good gift for your friend’s birthday party. he wonders if you still miss him, even though he'll never be deserving of it.
satoru stands in front of him, genuine, sincere. and suguru thinks that he is a fool, just like you; to still have any kind of affection left for someone like him. after he left you both behind, that summer.
satoru doesn’t curse him. suguru wishes he would.
a soft bout of laughter falls from his lips, as the sun sets behind him, and he knows you would have found the sight breathtaking. you always did love sunsets, didn't you? the sun was setting when he found you with that bruise on your leg, he recalls — such a miniscule detail. he wonders why he remembers only now.
suguru chokes back his tears, still smiling. it’s a smile of love. a smile of regret. he thinks of satoru. 
at least curse me a little at the very end.
those should be his final words. he should avert his gaze, follow the script, tear his eyes away from the only other person besides you who ever truly knew him —
but he doesn’t. he can’t. suguru looks straight at him, at satoru, into his eyes, so blue they seem to gleam in the orange hue of the melting sun. sparkling like little galaxies, like the crinkling of soda pops, like crystallized summer skies. he looks beautiful, as beautiful as he always was.
(i wish i had told you, suguru thinks. i wish i had told you everything.)
in a voice so small he barely hears it, so tender that geto would’ve felt disgusted to his very core, suguru asks his best friend for one last favour. he’s not sure why, not sure why it matters —
but maybe, just this once, it’s fine if it’s meaningless.
satoru listens, intently. he looks at his best friend with eyes so soft it makes suguru want to laugh and cry and go back to a time when they were all happy. but they can’t, that choice was lost ten years ago — he threw it away. smothered it beneath his boot heel. there was never any going back, from the very beginning. 
satoru answers his plea. one final favour, one best friend to another. 
of course.
a shaky breath. he can’t tell who it came from.
of course i will.
suguru smiles. a full, genuine smile, that reaches his eyes and blossoms like a flower in the light of the sun. it’s the last time anyone will see it.
satoru clenches his jaw. he crouches down, and presses his fingers against his best friend’s battered body, right over his bleeding heart. he will never, ever forgive himself for what he's about to do.
(suguru already has.)
and the moment before the last flicker of light leaves his eyes, suguru chooses to think of you.
he thinks of your smile, the way your lips curled up at even the smallest things. he thinks of your curiosity, how it always lead him back to you. he thinks of what could have been.
he thinks of that question you asked him, all those years ago — how accepted it made him feel. that sensation of being understood. suguru thinks you saved his life, that day.
(he never got to thank you for it.)
you were his childhood friend. his nearest, dearest, oldest one. 
suguru doesn't believe the world he lives in is kind enough to allow him a second chance. and he doesn't think he really deserves one, either way.
but if there is a next life, if he’s lucky enough to be reborn —
then suguru hopes he’ll be born as a dragonfly, so he can find his way back to you.
he’ll meet you, again; in the afterglow of sunset, by that dusty, forgotten, tiny summer creek. framed by silver-hued fish and cicadas, and the silence of a town that glimmered while you were both in it.
he won’t be able to wipe your tears away, won’t be able to clean the bruise on your knee — but he can be with you. and maybe, in your next lives, that’ll be enough.
(what a lovely thought.)
suguru smiles, and lets a final breath of air course through his burning lungs.
— it tastes like summer.
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there is a silent understanding, between the two of you.
it’s been ten years since you last spoke to satoru gojo. it wasn’t a very pleasant conversation, and somehow, you doubt this will be an exception. an acute awareness lies heavy in the air — and deep down, some part of you knows what he’s about to tell you.
(as if it was an inevitability.)
gojo doesn’t smile. his voice has no masked amusement to it, no sense of joviality. if you strain your ears, you think it may even be wavering, slightly, so faint it’s hard to tell for sure. just that one low shiver of his lips, saying more than words ever could.
he doesn’t beat around the bush. and you see that for the kindness that it is, despite the ice cold chill that creeps into your veins when his words spill out into the air, a full body shiver traveling down your spine.
he tells you that suguru is dead, and you don’t flinch. you don’t even cry. that comes later.
in the moment, all you can do is nod, a little pitiful, teeth digging into the flesh of your bottom lip to stop it from wobbling. like you’re trying to be brave. 
truthfully, you had a feeling that was the case.
sometimes, it was as if you could feel him. just barely out of reach, a certain cologne lingering on your windowsill, a box of cookies you’ve liked since you were little delivered to your doorstep. a sudden feeling of being watched. a note wishing you luck on whatever exam or driver’s test or job interview you had the next day, accompanied by a silly smiley face so distinctly suguru it made you want to cry.
— how cruel of him.
but you couldn’t help but feel comforted by it, all the same. it made you feel like he was still with you, somehow, like he still cared. even though he disappeared from your life without saying anything. even though gojo told you explicitly all those years ago to stay away, if you ever saw him, as if he was suddenly dangerous —
but you could never be afraid of him. you don’t think you have it in you. 
to you, suguru will always just be the boy who helped you up when you scraped your knee, all those years ago. a sweet, cool kid, who held your hand firmly and gently wiped the blood off your skin.
(he’ll always be your nearest, dearest, oldest friend. even if you aren’t his.)
but lately, there’s been nothing. you haven't felt any traces of him at all, no lingering gazes boring into your back. so you knew. deep down, maybe you always kind of knew.
gojo looks at you with compassion, understanding. and without him having to say it, you know he loved suguru too. you know because his breathing is shaky, because his eyes look puffy from hours of crying; you know because grief is like a stench, thick and heavy, overwhelming, one that clings to your skin and haunts your very being. just like love.
and you can smell it on the both of you.
(you both loved the boy who died for his ideals, the man who was so moral it killed him.)
the news will sink in, later. you are sure that you will crumble, and you are sure that you will cry. you’re sure that the road ahead will be a long one, full of obstacles and thorns. but that’s fine. you’ll deal with it when the time comes. suguru was always a little mystical, a little too good to be true.
maybe you always sort of assumed things would end like this; that he’d walk ahead without you, with all his whispered secrets and gentle lies. 
(asshole.
he could have given you a call, at least. even just once.)
for now, all you can do is try to keep your trembling skin intact. and you assume that gojo will leave, now that you know, that this was all he came here for. just a messenger of death, coated in a grief so strong you doubt he’ll ever be rid of it.
but gojo doesn’t leave. 
he hands you something, instead.
a polaroid, you quickly realize. a photograph, of three kids — one with white hair, one with brown hair, and one with black hair. the black haired boy is trying hard not to smile, you can tell. the other two have got their arms around him, squeezing his body tightly with matching grins, throwing up peace signs. he looks at them with exasperation in his eyes, but you can tell that there’s a love there. you can tell, you know, because despite everything, you still know him.
a lump forms in your throat.
it’s not the original copy, is what gojo tells you, apologetic. you’re almost certain that he kept it for himself, and you don’t blame him. i’m sorry. but i wanted to… you know.
(he wanted to give you something to hold onto.)
the gesture is a little bit awkward, just a tad clumsy. but it’s a genuine concern, a sincere kindness. you aren’t really surprised that suguru spent his last moments with this man instead of you.
gojo continues to speak, and you continue to listen, attentive — hungry for anything to mend the hole in your heart. but your eyes never once stray from the photograph.
(suguru looks so, so happy.)
he tells you that suguru talked about you a lot, back then. and without him having to say it, you know what he really means is he loved you a lot. the words of consolation ring like static, in your ears. it hurts. the hole in your heart just keeps extending, extending, extending.
gojo notices. so he gets to the point, the final point, the only one that matters. this is his duty, too — granting suguru’s last request. the only one he ever asked of him in words.
(it’s the least he could do, for the man he loved so dearly, the one who left him behind in the shadow of summer.)
he tells you that there’s one more thing. that suguru asked him to tell you something, that it was the last thing he ever said. words that he wanted you to hear, more than anything.
gojo’s voice does not waver. it is not his place.
you listen. you listen as if it will bring him back. you listen as if it is the last thing you will ever do.
and gojo speaks.
the words mean everything, and also nothing at all. how very like him. they bounce off the walls of your apartment, spilling into the suffocating air, echoing inside your mind. cutting into your bloodstream, rooting themselves in a particularly soft spot deep within your ribcage, chrysanthemums blooming from your flesh. petals filling up your stomach until you can scarcely breathe.
the final words of your childhood friend. your nearest, dearest, oldest one; suguru geto, who you will always love, in the same way the sun loves the moon, as naturally as breathing.
the dam breaks. the sky shatters. the sob you choke on tastes salty, and gojo looks remorseful, his figure blurred by your tears. everything comes crashing down around you — an inevitability you were hoping to put off, in the same way suguru put off talking to you all those years.
and now, finally, he tells you his honest feelings. when it’s already far too late. how very, very like him.
(tell them i’m sorry. and that i hope their exam goes well.)
— honestly. what a fucking asshole.
not once did you ask for an apology. you never wanted one, never thought to even wish for it. you didn’t need one.
all you wanted was for him to come back to you. to find you, again, the way he always did.
tears cascade down your scrunched-up face, big and childlike, but no one’s there to wipe them away anymore. you cradle the photograph in your hands, savouring every single memory you have of him. all the love your heart can muster.
the tears never seem to end. they continue to run down your cheeks, until all you can smell is sea salt, until the sun has set in the horizon, until the moon has hanged itself in the sky. a silent comfort, but it’s not enough. it never will be.
a sniffle pushes past your lips, and you hear yourself laugh — bitter, raspy, gentle all the same. what a moron, you whisper, a soft lull of your tongue. didn’t he know?
(you forgave him long ago.)
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bonus 👀
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[<==PREV PAGES] [NEXT PAGE==>(not out yet.wait a year.or maybe more.imagine.]
saw alot of comments on prev pages; saying 'i HATE that mean teacher! im gonna FIGHT HIM!!' & i LOVE the energy!! it WOULD be nice. to have that catharsis. but the story of young tidestrider is Not one of catharsis. it is a story of being so small and so special and sucking so bad.
#jrwi fanart#jrwi show#jrwi riptide#gillion tidestrider#GONNA START FORMATTING MY COMICS BETTER. W THE PROPER 'PREV' 'NEXT' LINKS#REALLY DIDNT EXPECT TO CONTINUE THIS SERIES BUT AAAUUUHH MY BRRAAAIN MY BRAIN IS SO IDEASSS. I HAVE 3 OTHER PAGES SKETCHED OUT#NO PROMISES ILL FINISH EM ANY TIME SOON OR EVER. MY WHIMS ARE THEIR OWN BEAST AND I ONLY DRAW ON MY WHIMS#THAT BEING SAID IF U COMMISSIONED ME ILL GEEETT TO YOUUU IM SORRYYYY. ART IS AN EMOTIONAL RELEASE FOR ME N BABY I HAVE EMOTIONS.#ESPECIALLY ABOUT GILLION TIDESTRIDER CHAMPION OF THE UNDERSEA HERO OF THE DEEP.for the desc here i put smth that i typed up in the tags of#another thing i made. i gotta make a proper Baby Gillion tag or smth. eventually.. eventually...I LOVE DRAWIN THIS LIL BABY GUY..#i also LOVE depicting the teachers as just being so fuckin mean. ofc theres variation in that. just like in all things.like the teacher her#idk if itll be mentioned but the octo lady is named Ms Octburn.an octopus pun based off the name of an actual councilor i had#when i was in elementary school i got bullied alot but teachers never did anything. i hated adults and didnt trust them.#but this councilor o mine was so genuinely sweet. i remember spending alot of time w her. she doesnt work there anymore.#but that one school adult that actually earns ur trust and is there for you when they can be.its SO important for a child i think#i hope she knows how much she helped me.youll see in the next page that ms octburn isnt perfect either.but she tries. they all try.somehow.#ALL these comics are gonna be inspired by somesorta experience o mine in the school system. school is so fucked up u ever thing abt that#AND GILLIOOOOONNN IN THE MOST FUCKED UP LITTLE SCHOOL OF ALL. MAINTAINED BY A CULT. CENTERED AROUND HIM. OUR CHOSEN ONE#I IMAGINE ALOT BANKS ON HIS SUCCESS. THIS IS THE WORLD. THE WHOLE WORLD. THE PROPHECY IS GOING TO COME TRUE N UR TELLIN ME#THAT ITS THIS LITTLE IDIOT THATS GONNA BE SAVING US? WHAT IF HE FAILS. IF HE CANT GET THIS RIGHT THEN HE WILL FAIL AND WE WILL DIE#WE NEED TO TRAIN HIM. WE NEED HIM TO LEARN. AND TO SUCCEED. OR ELSE WE'RE DEAD. WE'RE ALL FUCKING DEAD. I IMAGINE THAT MUST BE STRESSFUL#in other news i hope ppl actually giggle when they read these. they ARE intended to be comical. dark humor or whatever. like its also sad#this is intended to be a sad comic series. but a funny one too. does that make sense? god i hope so.saw some1 say they had flashbacks-#-reading this. like YES!! THE INTENDED EFFECT!! YOU GET ME!! i love seeing ppl get upset on this lil baby boys behalf. i LOVE seeing ppl-#-wail n weep n cry in the comments. i LOOOVE seeing ppl RELATE to baby gillion. and i love letting u all know that this wont be a happycomi#gillion gets his happiness arc in the actual show. this series is one of unfortunate events. teehehehe. do u guys remember that show#i keep listening to the lil songs from A Series of Unfortunate Events for inspiration. GOOD STUFF!!#anyway uuhh uhh thats all i got in my brain. for now. feed me ur comments give me ur input i NNEEEEEDD THHEEEMMMM
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craycraybluejay · 3 months
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yeah yeah you hate me I'm an evil disgusting perverted manwhore we have each other blocked everywhere blah blah but I know you still jerk off to me and I know it makes you hate yourself a bit because you don't have the strength to accept the darker parts of your desire. but you can't help yourself and I take pleasure in the knowledge.
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mokutone · 1 year
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wooooooow naruto thanked him :) maybe naruto doesn't hate him. maybe.
maybe theyre even.
😳 friends
#my art#naruto#sai#sai yamanaka#naruto uzumaki#hbd sai#this is abt shippuden ep 197 or 198#this moment means a lot to me as a fan of sai bc its kind of the first time that naruto extends sai an olive branch or like.#even implies he likes having sai around#and it happens right after sai stopped the cloud nin from beating naruto 2 death 4 real#and then got really frustrated at naruto for continuing 2 protect sasuke despite how much sasuke was hurting naruto and sakura#and naruto told sai to shut up LMFAO#but like immediately after that despite sai insisting that sakura would be better at managing the wounds naruto has sai do it#and thanks him#and maybe naruto was just thinking about how mad sakura would get or something else#but u can tell it really meant a lot to sai...and the episodes after this he gets a little obsessed w/ making sure naruto is okay#u can tell the whole time hes thinking ''sasuke is a Fucking idiot. if naruto and sakura cared abt me half as much as they care about him-'#''-i would never betray them. i would never hurt them like that.'' hes like so jealous of sasuke#to be fair to sasuke. sai would have no way to comprehend the loss of the uchiha clan massacre or itachis torments but like#ough. these episodes r great for sai fans. hes trying his best and he Does Not Know What Hes Doing#this isnt intended as shippy (very little of my stuff is. as always) but just sai being Intense abt his first real friendship#i think he's obsessed with naruto because naruto is so...up front. he doesn't often give fake smiles#and when he does hes not doing it to be polite but to avoid hurting other people. i think sai is drawn to him like a moth to a flame
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puppyeared · 1 month
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Atla live action 😐
#thats my honest reaction 😐#to be fair ive only seen 20 minutes of the s1 finale bc my parents are watching it but. mmmmm kinda mid#like. the casting is definitely an improvement since the last time they tried a live action but it feels like the writing falls flat#or maybe im being harsh bc ive only heard negative criticism on it beforehand. but fr anytime u bring up the original its already#good and not just because its the original. so much fucking detail went into it to the point of someone noticing azula wielding mai's knive#to how well thought out irohs character is used as a way of uniting the cast especially as zukos foil#i heard that sokkas sexism was toned down and i have to agree that feels like a cheap move. like i get WHY they think it would be better#but its not about how that reflects on real world its about how it affects the story. sokka starts out as a misogynistic asshole because#it makes it that much more impactful when he changes. toning that down makes it flatter and makes his character development weak#and someone pointed out they didnt even make him wear the kyoshi warrior uniform and i know it feels like such a small detail but#come on man. they did that in the original because not only does it help him really walk in their shoes - wearing 'feminine' clothing and#makeup and having suki explain its significance but it also ties in with the shows theme of harmony and intersectionality#i was also disappointed when they had the fire sages explain how the water tribe draws power from the moon because in the original it was#IROH who explained it to aang and everyone else BECAUSE we as the audience is under the impression hes with the 'bad guys'#and it builds up to how he learned from the other nations which reconciles his past as a war general and his character overall#AND its an excellent starting point for the cast and audience to understand how the nations arent as closed off as you would think#plus you would think its only fire nation doing propaganda but they expanded on that with earth kingdom censorship and it WORKS#a lot of things in the live action also feel arbitrary like. they gave momo a near death experience for 5 minutes for no reason#im firmly on the stance of bringing back filler moments instead of putting major events right after each other so that u give your#audience a sense of time passing and to really absorb the story. but i think thats more like shock value than filler and yeah its a small#thing to gripe about but those things build up and its really annoying. the thing abt avatar filler moments is that however small#its at least meaningful. hell even the beach episode emphasizes how isolated zuko and his friends are as child soldiers#i also swore to never watch the first live action since it was that bad but i really liked the stylized tattoos they used for aang#anyway. those arejust my thoughts. im not gonna watch the rest because im a ride or die for the original aftr growing up and#rewatching it at least 20 times as a kid. but theres definitely room for improvement and i wish ppl wouldnt take it as 'better' just cuz#netflix is adapting it. i wouldve killed for them to just reanimate the entire avatar series and touch NOTHING ELSE no redub#no changes to the story. just reanimate the thing and leave the rest alone and youd make easy money just the same#ALSO its very jarring not hearing jack desena and dante basco voicing sokka and zuko cause their voices were the most recognizable to me#i get that its because its live action but im allowed to feel a little sad abt that. and uncle irohs accent was really soothing#yapping
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bylertruther · 1 year
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byler + santa clarita diet au where will is sheila and mike is joel. you nod and clap and agree because you know that it fucks severely and fits them perfectly, yes
summary for the uninitiated:
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#blood tw#mine#will is literally zombie boy n mike is Like That . liek. please ... . . it suits them so well they're already canonically halfway there#will Goes Thru Some Shit n comes back wrong aka he's actually zombie boy#mike is just like his canon s2 self. knows fuck-all abt what's going on with his monster bf but he tries his best bc one thing abt him is#he WILL support n defend not only will's gay rights ... but also his gay wrongs 🫶#they don the s2 tunnel outfits not to go into the tunnels obvi but bc they're making n packing will's 'lunches' for the week#hashtag meal planning bc mike breaks down 2 will one time n says if they're going to do this they're going to do it RIGHT gdi#sits down at his laptop later and scrolls through housewife pinterest for hours to get all the cleaning + meal planning tips#will says he's on a caveman diet or some other bullshit bc he can't eat people food anymore only raw meats#the party thinks its fucking Gröse n dustin doesn't buy it n el says eW wiLL [insert a grimace she 100% learned from mike here]#in the early days when they're still getting the hang of things or shit just goes fucky during um . well. them getting will some Lunch#they hit an artery or smth idk n get blood on mike's sweater and he whines abt it SO much and NEVER lets will forget tht it#was his FAVORITE sweater actually!!!! the things he does for love smh..... 🙄#clasps my hands 2gether. ok so which one of u is writing it then . teacher voice It's Okay I'll Wait .#DFBJHBDJHBFJDHJ#ideas
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time-is-restored · 11 months
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btw this might be me swinging a bat at a hornets nest but like. absolutely none of my disappointment from the tl finale comes from ship baiting or any relationships that didn’t happen (though to be clear, i think the tedbecca fake outs were meanspirited and served no narrative purpose - in noted contrast to the season's earlier jamiekeeley fakeouts, for example, which were explicitly there to demonstrate jamie's growth + maturity)
tedpendant is a really fun concept for me, and i LOVE the characterisation + thematic potential there!
but as someone who personally resonated with a lot of ted’s struggles, the idea that ted could leave richmond so… seamlessly, for lack of a better word, really doesn’t sit right with me. the thesis of the shows entire first season - assuming it can be said to have only one - was about how everyone needs the love and support of a community, whether that comes in the flavour of someone who hypes u tf up or someone who will relentlessly call u on ur shit (or, as happened quite frequently, both!).
rebecca, roy, jamie are the clearest examples as the characters with the most screentime: they were all deeply isolated and disconnected from the people around them, and that was making them miserable. the connections they made with the team, the vulnerability they finally allowed themselves to express (the ghost banishing ceremony comes to mind!), and them going on to want *more* out of their life are what made their arcs about *progression* rather than *regression*. without that clear theme of compassion + community inspiring positive growth in everyone who encounters it, there is, frankly, no season one.
my personal favourite scene from season one comes right after michelle walks away from ted, when they’ve agreed to get divorced. ted sits down on the bench looking gutted, and a little shell shocked - and beard sits down with him. hands him the drink, and they sit there together. silent, but together. to me, that scene is an implicit promise from the episode, to the audience: ‘it’ll be okay. it’s going to be hard, but ted isn’t alone, and his friends won’t leave him behind.’
it also makes it clear to the audience that ted isn’t the saintly-giver-of-grace who needs nothing in return, as one might assume on first brush, but rather that he’s Also struggling with his own shit (as is everyone, always, in real life!) and he has something he needs from the people around him too.
and looking at the text of s3, and the conclusion to his arc in the finale, i just don’t believe that he got it. he wasn’t just sad that he was leaving (which would be understandable!), he was completely closed off. unresponsive to the people around him reaching out, borderline confused as to why they were trying so hard!
(side note, while i completely respect the read of ted and trents last interaction being rather rude + ooc on ted’s part, i personally read a different motive into it. for me, it was more like… he didn’t understand where trents enthusiasm was coming from? like, he read that as trent being too invested in what other people think of him, and responded in a way that he hoped would emphasise that ted doesn’t *need* to laugh at everything trent wrote, bc trent Already Knows that he’s done something really cool and kickass, and he shouldn’t value anyone else’s reactions above that. basically, based on his demeanour in the episode, i genuinely don’t think it would’ve even occurred to him that trent was more invested in HIS reaction than he would’ve been with anyone else.)
again, looking purely at the text, the show had already established that ted has really strong depressive + avoidant tendencies, as well as panic attacks (largely triggered by his fear of not being ‘good enough’ in various roles, ie: a father). we saw one area he was able to calm HIMSELF abt these fears (worry for henry, which is a Hell of a choice considering the ending…), but in literally every other heightened moment, he had to rely on his support system to help him make the choices that he WANTED to make, rather than ones inspired by avoidance and fear (ie: confronting michelle abt jake, talking to his mum abt why she was visiting + his dads death).
and to be clear, this is a GOOD THING! we’re not supposed to go through life alone, no matter how bad OR well we’re doing. rebecca and keeleys friendship isn’t worth less for all the scenes where they’re both in good places. if anything, the opposite is true - it’s lovely that they both have someone who want to celebrate the achievements in their life!
and fuck it, we’re sure as hell not supposed to go through life with exactly one (1) person whom we expect to fulfill ALL of our emotional needs at all times either! like, im sure i don’t need to labour my point here, but tying everything to one (1) person in ur life doesn’t make u any less isolated than if u were going it completely alone, whether it’s a family member, a friend, or a partner. i won’t pretend to know the first thing abt what it’s like to be a parent, but i don’t think it’s unreasonable to say that no parent would be at their best if they had absolutely no support/camaraderie/general love provided to them from Anyone other than their child.
so when ted is SPECIFICALLY shown to be in a bad place, over and over again (did he come to terms w his fear to be close to henry overnight???????), and then removed from his community? of COURSE the audience is left feeling unsettled, and like the rug has been pulled out from under them. there was no time in this finale dedicated to how ted would still be in contact with anyone from richmond. no promises of visits, or phone calls - fuck, nothing about emails!! according to the text, we might as well assume this is a clean break (and the maybe-dream-sequence does Fuck All to assure us otherwise. if ted doesn’t go to beards wedding, what WOULD he go to????). and since the show has ALSO completely failed to give us even an IMPLICATION of who/what ted’s support system would be in kansas, there’s… a reasonable argument to be made that this is It for ted. that, after two seasons doing NOTHING but attesting otherwise, the audience is supposed to suddenly believe that ted can (and SHOULD!) pull himself up by his bootstraps, and cope entirely on his own.
that, to me, is a betrayal of the show’s premise. we were promised a show about how, no matter how dark things may get, none of the characters would be left to struggle alone. and then they ended the show with ted alone.
i don’t know. i guess if i had to give this post a tldr; if anyone has any gen fic/meta/Literally Anything in the pipeline, i would absolutely love to be tagged/directed towards it. i’ll be endeavouring to write something myself, as well, but it might take a while before i can return to my WIP, lol.
#this is the most measured version of this post i was capable of fghjskdjhgfdgjhsfd#the least measured one is just the aromantic flag with the ‘we are going to beat u to death’ meme overlaid#look ik this is hardly impartial wrt very small + insular communities like nuclear families#but its fucking impossible to go into media analysis and not bring Anything from ur real life in there w u#so im trying to forgive myself for being a little hashtag Vulnerable + Opinionated on main#in the spirit of what this show could’ve been lol#if not here then where etc etc#Ted lasso spoilers#Ted lasso meta#Ted lasso critical#also just to be clear here im being dead serious abt that last point#im spiritually doing the jamie run to demonstrate to u all how badly i want gen shit#please. p l e a s e .#okay wait last ramble here but. this is also why the lack of information we got on trent was so crushing to me#like ur telling me this man went through the incredibly painful + harrowing process of breaking out of his (comfortable! safe) shell +#cynical journalist persona. came out to someone VERY important in his life. and has done nothing but face the music wrt acknowleding#his past mistakes + endeavouring to be better and kinder. and we never get to know if he has ANY support through all that? at all?#is he dating? what's his family situation like? does he have full custody? any friends from work? any friends period?????#like i can should must and will die on the beard + roy + higgins + colins are trents best friends hill but#its like the premise of the show stopped mattering just in time for him to be left in a legitimately depressing limbo#like 'yes everyone needs love + support bc life is rlly hard. but we're tired of making a show abt that so This Is All Ur Getting#+ screw anyone's personal life that u didn't already see in s1. You Know Enough.'#anyway i love u all this is a very silly show and im gonna go play t.o.t.k for a few hours o/ <3
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taaalia · 11 months
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tori was fucking awesome but giving hermie/anthony/the literal joker a 4 is factually incorrect
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redysetdare · 7 months
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I'm sorry but lmk not being clear on what MK knows about monkey king is sooo frustrating. He's some how his biggest fan who knows so much until the story requires him to have never known anything and it's like... why did you set him up as a monkey king fan it then just decide "actually he doesn't know shit" bro grew up to adulthood hearing stories and somehow knows Jack shit about the guy he supposedly fanboys over.
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quietwingsinthesky · 1 month
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you ever just think about. “You are diseased, albeit a disease of our own making. No more.” you ever just. oh, they made him and they discarded him. it’s never going to be quiet again for him, and that’s just collateral. they let the sound rot through his whole life, his whole timeline. because that’s the kind of easy sacrifice you can make when you want to save yourself above everything else, one that doesn’t ask anything of you. you dig open a child’s mind and you bury your survival inside him and when he follows the noise back home, when he does exactly what you groomed him for, you call him ruined for it. that’s. you ever just think about that.
#it’s genuinely such a horrifying sixkening thing that they unveil. what was done to the master.#and it’s like. it’s so important that he is awful. he really is. but he still does not deserve to have had this done to him.#the drums are a tragedy that cannot. would not. be a punishment earned no matter how terrible he is.#they’re such a violation of his mind. isolating and constant and violent. and it drives me insane that this is just. in the show. okay cool#ill never be normal again.#they literally pulled his head open. during a ceremony that we. as far as i know. have to assume is not exactly voluntary. and is at the#best of times. already traumatic and horrifying. but they went into that moment and they put the drums in his head and they made him into#something repulsive to them. because they did that to him! in this thing alone the master had no agency and no way out and this thing that#was done *to* him is what makes him. to them. a broken thing now past its usefulness now that he’s done what they wanted him to.#sorry im rotating him in my head again and again. this is the thing that makes him ‘diseased’. it’s that they chose to do this to him. there#is nothing he could do to not be this. he was a child and there was nothing he could do to stop it from happening. he’s an adult and he’s#doing the impossible exactly like they shaped him to do and he can’t stop this from having happened to him. so he might as well follow the#drums. and then. and then rassilon calls him diseased. and im going to. lose it.#there was nothing he could have done…………..#everywhere else he has choices to make and he can burn the world and keep it as a toy and he can fuck with the doctor and he can do.#anything. anything he wants. but he can’t. there’s nothing he can do to make it stop. there’s nothing he can do to make it so this never#happened to him. and i am spinning in circles here do u see why he makes me insane.#and the doctor doesn’t even really fucking believe him that the drums are real until the master makes him listen……. oh im going to be ill.#doctor who#simm!master#the master
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boxwinebaddie · 1 month
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STAN HAS THAT K CHOKER RIGHT? DOES THAT MEAN KYLE HAS AN S NECKLACE? like he could totally stack his s necklace with his star of david one
aaaaaaaaa
you know i love a lil matchy-matchy moment~
and actually, i accumulated a lot of different asks actually, mostly, interestingly enough asking me about the same roundabout thing: if jersey wears rings, how he feels about jewelry, if he has any tattoos or other piercings, stuff of the like, etc.
but i never got around to answering those because i'm kind of a perfectionist and i get all worked up in my head about how i'm going to answer things because i want them to be perfect ( i keep trying to structure nsfw ask like it's a nine page research essay, smh ) buuut
basically, as we all know well, jersey is…Particular.
particularly abt himself and what is done to him/on him.
( okay, fair warning: the rest of this answer is very long and i just talk a lot about the former question about jersey/his attachments to material things and also physical-emotional things — people — you do not have to read all that...the short answer is yes, kyle does stack a stan 's' necklace with the star of david, i talk about it more at the end, but this intro part is a lot of exposition and information. so if your curiosity does not end there...perhaps i can further it below xx )
a lot of it ties into his ocd and this need to control every aspect of his life, not being able to put it in anyone elses hands but his own because he's scared of that improbability...that margin of error.
it keeps him up at night.
for that reason, even though he has a ton of health issues, diabetes, etc. he is extremely Defiant and Volatile in doctors offices. like, he will start throwing shit, rip ivs out of his arms, ask you to explain what you are giving him In Detail and will probably still refuse to take it.
tbh, the only reason he's taking any medication at all is because he really loves sheila and she is extremely worried about losing him </3
( jersey is a mommas boy, i said what i said! )
but he takes his own blood sugar, pricks his own fingers, runs all his own tests...he really does not trust anyone else w/ that kind of thing. which ties into piercings because he does...think that they're…lowkey, highkey *jersey vc* Hawt, i’m sorry; it's true.
i do think it's his...Thing.
the man really just wants a little hot topic emo boy accessory display for a boyfriend and he is right for that. cute, shiny, edgy. i respect it.
eye candy, arm candy, if you will?
( jersey is extremely partial to candy, ofc <3 )
and idk, maybe it's just a me thing, but to me, jerseykyle, specifically, is very conceptual and is intrigued by fashion and stuff, but because when he was overweight growing up, he was sort of just shoe-horned into all this oblong, ugly clothing, whatever would fit or they could afford. so he never really got to be able to wear things he wanted to, until about right now and it's been really liberating for him? idk? aaa
i love sleek, chic, dark academia, tired 1940s evil classics professor, thrift store couture jersey in his dollar store blazers and italian loafers. like my man is an off duty model, forreal. i am obsessed with him.
and actually he really Likes tattoos and piercings and dyed hair and thinks all the little rings are cool because you're like this living art form, this distinct individual, there's a uniqueness, a cool rebellion there he can’t create have within himself, so he combats/masks it as disgust and disinterest because he doesn't like to process his complicated feelings and also doesn't like forming attachments...especially...
...to things he's inexplicably Drawn to.
which is why, initially, upon even just bearing witness to raven of crimson dawn, kyle freaked out because he was like immediately Extremely Attracted to him because he checks all these little boxes in his brain, but his brain, of course, is corroded by mental illness and trauma, so he immediately projects extreme amounts of hostility in raven's direction because he is like you're all chaos and disorder, you're a mess, you throw caution to the wind, You’re Unpredictable.
when he’s actually obsessed w/ that capricious energy?
like he makes fun of stan for all his punk rock boy 'hood ornaments' and 'anarchical embellishments', but his heart starts racing every time stan winks at him and his little eyebrow piecing winks back, or he runs his tongue over that lip ring kyle got hyperfixated on, partially because it's pretty, which...rip, not even joking…
if stan comes out in the support rock, fuck a rockstar tank top, the tiny pants and sports that little lip ring chain thing that connects to the cuff on his ear...it does something seriously ( down ) bad to kyle's brain and stan is immediately getting Railed. soz if you were waiting for stan's autograph, hes gettin ky's all over his body. woops.
but!!! it's mostly bc stan had the courage and hedonism to put something through his lip and live with it. that he could get other piercings, get tattoos, let people handle him, put his life into someone else's hands, let them have control for a second, knowing they are executing the thing you want/need without you doing it...
it's literally All a control thing.
or rather, an inability to lose it.
because he's very particular, yeah, about what he likes and doesn't like, he won't wear any fabrics that itch or bother him, he won't buy something if the hem pisses him off, if he has to wear something he doesn't like, he will bitch and moan the entire day about it. and while it's good to have that level of self-assuredness, it's also kind of a self-preservation and self destructive coping mechanism for jerseykyle.
because he pushes everything out...
but doesn't let anything else in.
and a lot of that changes when raven/stan comes back into the picture, because when they were growing up, stan was this beautiful, glowing fixture of nonconformity, this pillar of strength that was twice as strong as he was, even though kyle was the fighter. because stan fought for self-acceptance and kyle fought for self-loathing.
and really...the reason why his ed developed in the first place was because gerald and society as a whole brainwashed him into hating himself and that people would only digest him if he was in small enough, beautiful, palatable enough pieces to eat so even though he acts out or throws punches: It’s All Within The Lines.
or the confines, rather.
of the person he thinks people want him to be.
but, idk, i'm talking too much. basically, gist is, kyle has a hard time handing over control to other people/being vulnerable and the final piece to that is...permanence.
a piercing...a tattoo...is Permanent.
i mean, sure, they close up and you can get them removed, but you are irreconcilably changed and altered. you are different now.
anddddd sigh, the jersey can't say i love you ask strikes again! because jersey can't say i love you because it's handing over control, because it's vulnerable because it's...permanent and he has extremely deep-seated commitment issues because of all of that.
which means he rarely, if ever, makes said commitments.
so when he Does...
it's a very special thing indeed.
because jersey has no tattoos or piercings on his body.
save for the sun/moon one he got on his ring finger for stan ( i can never decide if i want jersey to have the sun tattoo because he is the sun or if he has the moon one so he can wear rae around with him )
*** ( i also think it's possible he might get little hebrew things for his mom or idk, something very important later...i'll think about it more )
and...One ear piercing.
i was going to go at this in more comical and dramatic way in an old post, but basically, i think kenny/bebe/craig someone basically joked about there being reduced earring piercings at claire's and they should take kyle because he's the only one without pierced ears and jersey gets really defensive about it and everyone's like ooooh! kyle's scared to get his ears pierced, so the competitive and aggressive side of him that hates to lose briefly outweighs the neurotic side and is like "fuck you!!! let's go right now! i'm not scared of anything!"
and he gets there, stan's with him, and he is...freaking out in the little plastic chair with some eight year old girl next to him ecstatically getting her ears pierced for her birthday, bc he's going to have to let someone...do something to him/inflict something on him.
( which actually, i think, is what is really beautiful about j.k and r.s' relationship and dynamic, is that jersey teaches raven that you can't just let people do things you don't want them to do to you just because you feel like you should ft. his sexual trauma and stan teaches kyle that it is okay to let other people in, to do reckless things, to allow yourself to feel and enjoy simple pleasures w/o fear. ft. his ocd
lmao, is there a branch in my eye again? y is it Watering )
and ravenstan is like, mi amor, they are just your ears, you will be okay, i will hold your hand…
everything will be fine, i swear. :’) <3
and he gets hyped up, ready to go, the 16 y/o piercing his ears tells him she'll count to three and pierce on one.
...and she pierces on Three.
i'm not sure if it's bc she pressed too soon or because she thought that if she surprised him, it might make him less nervous, but it does not!!!! kyle FREAKS out!!!! his ocd goes haywire and basically has a nervous breakdown at freaking /claires/ bc she pierced his ear before she SAID she would and destroys the confidence that he built up to let himself be vulnerable.
it seems like a Silly thing...but i think it says a lot, yknow?
and though it was a serious blow to his ego, kyle only has...one ear pierced because he panicked and could not get the second one done. and it, to this day, is one of the only asymmetrical things abt him. which, i actually think is important to him coping w/ his ocd
( similar to how kyle, sorry slight nsfw, having stan have to ask for things if he wants them, helps him, in a seemingly innocuous way, build confidence in himself/not let things just 'happen' to him without his consent ) because having only one ear pierced means he has to deal with being lopsided and that, everyday the earth doesn't crash into the sun...means that he's okay.
also a cute thing about the one ear piercing is that i think kyle wears like this cute little gold sun dangly one that has a similar ambiance to the sun and moon glasses chain charms? it's his signature.
and other than showering, sleeping, etc. he only really ever takes it out when raven is going off somewhere far away :( and he switches it with a little stan silver earring ( idk kyle feels very gold jewelry bc of his orange hair and stan feels v silver bc of his blue eyes and stuff ) and stan sometimes takes kyle's with him on tour...AAAAA i'm sad
on the subject of rings, since someone else asked me, kyle does not wear rings even though he does like them/they're pretty because they're heavy, they clank against his pen when he's writing, the sound pisses him off...but he wears stan's lil silver emo boy rings when he's away and gaslit himself into liking the sound because the sound it makes against his pen reminds him of the sound it makes when stan is excitedly scribbling song lyrics and singing to him aaaaa IM :(
WHERE WAS I GOING WITH THIS AGAIN?
oh, yeah.
extreme mental illness.
so jersey never makes adjustments or accommodations for anyone, and when he does it's a big deal...but really...
it's because Stan is a big deal to him.
stan is EVERYTHING to him.
and kyle thinks it's cute that at every show and every concert, stan always wears the little spicy k charm on his emo boy choker ( and got the little even spicier inner thigh tattoo w kyle's name on it...anyways )
so, he starts wearing a little s around his neck for stan.
which, initially, i'm sure you're like...oh God.
jersey making an adjustment to his very specific cartoon character outfit alignment of things he wears every day, things he wears at home, things he wears specifically when going out depending on the environment...this sounds like a recipe for disaster. this is a big change for him. he's gonna spin out or short circuit his brain.
but...really? it feels as easy as Breathing.
because for one of the first times in his life, kyle got something that he didn't just get for him, w/ selfish intentions or bc he needs to be in control...he got it...
to make stan happy. :)
and it does make him very, Very happy, indeed.
which is really funny to me because jersey is super annoying and just starts wearing it and pretends like he doesn't know what's going on bc he's bad at ~gestures~. so stan comes home, sees it and immediately is like *big stan eyes* 'what are you wearing??'
and kyle is like, ‘oh, this? i've had it forever, it's was just in the back of the closet. why? is it wrinkled or—‘ and stan is like 'no, dummy. the NECKLACE' and kyle, playing dumb, trying to act nonchalant because he's kind of embarrassed abt having emotions is like 'oh, that. y'know. just something i'm trying out...' and stan is like
'kyle broflovski, are you wearing a necklace with my initial on it????' and kyle is like 'alright, woah there, mr. celebrity. but not eeeeverything is about you, okay? that s could stand for anything.'
and stan is like *genuine heart eyes wowza because kyle is being annoying but stan loves dumb annoying kyle that's why he wears his lil possessive emo boy k charm on his choker everywhere* 'okay, well the k on mine stands for kiss me or kiss me kyle or whatever you want just, come and kiss me please' kshdlkshd <333 eWW
anyways...they're Gay. they're in love. they having matching tattoos and earrings and wear eachother's intials around their neck. nbd.
but...in a very longwinded format, i hope this answers your question baby and hopefully some other questions you have abt jersey. i'm sorry that was a lot but i literally could talk about jersey forever, like he is so fascinating and bc he's our narrator and he's such an unreliable one, it's hard to understand how his brain works.
hope this helps. <3
uncle nina, keeper of the cryptid jersey whore-lore
#okay i am sorry#i know this barely answers your question#but i got a lot of similar questions#and i wanted to answer them in one big ask while i was feeling inspired so here is a bunch of jersey trauma lore#i hope it's fascinating i find it all super fascinating#because he presents like this perfectly in control orderly well maintained militant self-satisfying self gratified thing#but it's just a front for the fact that he's scared of change and is scared of not being in control or making mistakes#like he is put together but a breath away from falling apart#stan teaches him to sit down kyle teaches him to stand up#also sorry kyle having a fascination with edgy boy things and piercings and stuff in particular is kinda spicy to me#i luv him like he really is like that man is a satanic abomination and i want to do terrible horrible depraved things to him#like he really saw raven of crimson dawn and was like oy gevault i have never wanted to cut my lip open on anything#more than on that mans lip ring holy hell oh my god he is so shiny and ripped up and his makeup is so cool#he is a celebrity he has no original thought he doesnt think abt anything thats why he has all those tattoos and piercings#but also y do i want to trace my fingers down them every time i look at him he reveals himself more to me i want to learn more#kinsey scale gay 6 jerseykyle everyone but specifically for dramatic crybaby bisexual punk rock boys w/ piercings#which...i think is incredible bc i do not think people would expect that from kyle...but people also thinks he cannot feel#BUT HIM ADJUSTING HIS WELL REGIMENTED LIFE TO INCOPORATE STAN INTO IT I WANT TO SCREAM#HIM LEARNING TO LET OTHER PEOPLE DO STUFF FOR HIM AND BE OKAY WITH THEM HELPING HIM#I WANT TO START FUCKING SCREAMING I COULD TALK ABOUT THIS ALL DAY I LOVE JERSEYS CHAR DEV#ok final thot is he does sometimes do a gold jewelry ring moment or somethin if he's feeling like its important to the look#but they are very insignificant things for aesthetics easily taken off or removed...its the important stuff he has trouble w#and makes it all the more rewarding i think <3#ily jers#okay last last small thing as far as like getting little piercings and random fun tattoos goes i just think he doesnt want any#boring king ik minus the ocd and stuff he just likes all his stuff to be very a-line and crisp doesnt like massive statements#like my man Is the statement like he has beautiful luxiourous curly red hair and green eyes and his nose a modern art piece#its too busy for him its distracting and u know thats what u have a hot rockstar bf for so u can pretend 2 read ur book#but the plot of the book is tracing ur sbfs sexc hip tattoos and helping him decide what belly button ring hes gonna wear#you know!!! The Plot!!! which kyles eidetic mem comes back but he does get distracted looking at stan a lot help
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colecassiidy · 4 months
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Things to write abt later,,,
Relationship with Winter. Dealing with Exposure. Juxtaposition with Summer and Its Exposure.
His Mother, with some culling from the tags of previous posts.
Finish up explaining his first fucked up experience of stabbing a man in the face w a slaughtered beer bottle
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keithal · 6 months
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in the good supernatural that lives in my head amara is released from wherever chuck locked her away and she and dean aren't forced against their wills to be attracted to one another romantically. that said, they are still bonded together by the fact that they have that prisoner/savior relationship and shared the mark of cain. instead she looks at chuck who she realizes never loved her and then to dean, who loves his brother to a frankly concerning degree, and says "that's what i want." and so she replaces chuck with dean as her brother <3 this goes absolutely terribly
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perenlop · 1 year
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havent read tbc but i think its so funny how shadowsight seems to be popular to the people i follow just because “the narrative treats him like all the female characters do so hes an honorary girlie”
#and by ''how the narrative treats him'' they mean badly ofc bc apparently everything is blamed on him repeatedly#w no one realizing that he was manipulated and the narrative being retconned just to say hes actually a screwup who was never good#and everything genuinely is his fault bc why else would he listen to an evil cat in starclan#like. damn that really is something theyd do to a female protagonist#also the only ppl ive seen hating on him do it for boring and stupid reasons so im inclined to like him out of spite#bc ''he has an ILLEGAL name in this universe. hes a TIGERDOVE kid. hes a FANFICTION made REAL'' ok well hes the most interesting one. so.#not like anything he actually does in the narrative it seems. plus the other two protags sound boring as hell#''oh im sad i couldnt get w the boy i like. now i love another guy but its forbidden. oh and my leaders possessed ig.''#''SIGH i wish people didnt compare me to my cringe OUTSIDER dad. also i see ghosts and i hate this its cringe''#''also my sister is a legacy name after an important character from the previous arc but who cares''#and then shadowsight is like ''since i was an infant i had excruiciating seizures and visions. i threw myself into a river as a sacrifice#i am suicidal. i got manipulated by an evil man into possessing my great uncle. everyone outwardly wants me dead for it#everyone blames all of their problems on me and expects a lot from me. i got demoted for it. my only support is my close family#and even then they have to suffer the extreme guilt of not being able to help me with literally anything#also the antagonist wants my mom dead for my own existence. i have lost so much#i am literally blamed by god for everything thats happened to be despite being used by them since i was an infant and thats where my story e#ends''#like fuck. yeah he is an honorary girlie to me. i barely know u man but like i support u. cmere be my pet cat#echoed voice
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lokh · 1 year
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OUGHHH FINALLYYY STAGE 9 NAGO LETS GOOOOOO
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qeyond · 11 months
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Anyway, Happy Pride! Here's my BirthdayMassacre playlist.
#q music#birthdaymassacre#death note#the vibes for this is naomi being a polite lady house wife quiet and well kept for her FBI fiance. traditional gender role shit.#but then falling in love with a blood thirsty creature man and losing her SHIT!!! going NUTS!! getting a taste for BLOOD#theyre crazed together and B is head over heels for her. ADORES her. RESPECTS her. shes GORGEOUS shes STRONG shes AMAZING#she kicks his ass when he needs it and makes him control his shit. but also they go nuts together and murder and crimes and bite eachother:#she adores B she wants to study him she wants to keep him on a leash she wants to sloppy make out with him she wants to be#totally unravelled by him. he respects her for being who she is and she EATS IT UP. she feels free and adored for who SHE is#he feels adored by her for who HE is. he loves that she tames him. he loves that they are fucked up together.#theyre healthy theyre evil theyre awful theyre enabling each other in the worst ways but its a beautiful dance <3#also listen im never going to forgive ray penber for trying to push naomi into being a sweet little house wife#ITS NOT HER!!!!! maybe killing for fun isnt really her either but its more her than being kept under lock and key by some Dude#also i know all the things she said doesnt match the vibe but it was one of my first queer songs as a teen and it has as special a place#in my heart as beyond birthday does. AND birthdaymassacre is queer so :) <3#anyway please note any playlist i share is never complete. im always adding more music as i find it :) so stick around if u like <3#beyond birthday#naomi misora
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