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#*by allie: coraline
dailyflicks · 6 days
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CORALINE (2009) dir. Henry Selick
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iwillfightgodandwin · 4 months
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Neil Gaiman and Taika Waititi are out here doing all the work™ for queers right now and that's beautiful
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i feel like it's so so important for kids to have that one episode of that show that should be age appropriate that is really oddly fucking terrifying and traumatizes them for the rest of their lives
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outhereinacrater · 7 months
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Happy October! I made this “menu” for a coworker who needed some cheering up this month, I wanted to share it to the void for anyone else who’d like to try some of these October themed suggestions!
“I’m so glad I live in a world where there are Octobers.” — Anne of Green Gables
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officermaddie23 · 15 days
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All I have to do is stop telling my frog ally to play nice
Coraline: And you Samuel Joesph I don’t even have to fight you all I have to do is stop telling my frog ally to play nice especially since I found out he can now turn into a spitting cobra
Samuel: *gulps knowing that despite a spitting cobra’s size they are the apex predator on food chain because of the fact that they spit their venom from long distances and that their venom is very potent and deadly*
Nanl: *laughs evilly as he turns into a spitting cobra*
@mellowwolflady it’s all fun and games until Mr Nanl decides to stop playing Mr nice guy lol
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miwtual · 7 months
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angel changing her theme to her halloween theme got me wanting to change mine
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subukunojess · 2 years
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And Now, My Reaction to the Ever-Growing List of “Tumblr Sexypersons” According to the Wiki
Allied Mastercomputer (A.M.- I Have No Mouth and I Must Scream)
I just got assigned to this story for my first semester of my Master’s. I was just curious of the fan art or discussions about it here... and I first get humanizations of the antagonist. We’re off to a great start.
Dan Backslide (The Dover Boys Cartoon/Meme)
It’s a cartoon and an entire meme. WHY ARE YOU FINDING THE FUNNY VILLAIN HOT???
Dire Crowley (Twisted Wonderland)
No, no, no. At best, he’s a flawed character with potential and depending on the AU a flawed dad. At canon, HE’S A SHADY LAZY GOOD FOR NOTHING MAGE WHO IS REVOKED OF HIS TUMBLR SEXYMAN PRIVILEGES! GOOD DAY, SIR! How can you tell that I’ve salty from playing the game? lol
P.S. Consider Professor Crewel *gets shot*
Hades (Kid Icarus: Uprising)
You chose the dark vorelord from this game and not the Disney version? *gets shot again*
Hawk Moth (Miraculous Ladybug)
I fell out of the ML fandom when season 4 hit, but this man is also revoked of his privileges! You were walking on thin ice and you had potential and something tells me you did something, so you DO NOT DESERVE THE TITLE, SIR!
Jon Arbuckle (Garfield)
... No comment. 
Pearl (But Only In A Tuxedo) (Steven Universe)
Why this specifically?
The Other Mother (Coraline)
SHE IS SCARY! WHY IS SHE IN THIS ROLE?!
Sam (Sam and Max)
Wow, it’s official. Nice touch. 
Ursula (The Little Mermaid)
It’s what she deserves and earned. Yes, Queen. R.I.P. Pat Carroll. Legend.
Oogie Boogie (Nightmare Before Christmas)
*spittakes* WAIT WHAT?! He’s finally a Tumblr Sexyman? AFTER ALL THESE YEARS?!! It really is a lucky year for Oogie!
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Coraline
Synopsis: Y/n’s childhood and history with her parents has always stayed a secret, and she likes it that way. Until a journalist reveals the truth, and everything seems to come crashing down at once.
young female driver reader x 2023 F1 grid
A/N: a few things for this fic: reader will be 20 years old, had driven for alpha tauri since the beginning of 2022, the 2022 is the same as the 2023 grid, and please look at the trigger warning below.
Trigger Warning: This fic contains abusive parents, talks of eating disorders, neglecting a kid, verbally abusing a kid, signs of depression, and a lot of hurtful comments in general. This fic is not meant to idolize or romanticize having abusive parents or depression. If anyone finds anything particularly disturbing with this fic, do not hesitate to let me know and I will fix it.
tagged: @treehouse-mouse
2023 was supposed to be a good season for Alpha Tauri. The cars looked good, your driver pairing was solid, and the hopes were high for your junior Red Bull team. You could only laugh at the naivety of it now.
Most of the season was exceptional; you and Yuki Tsunoda brought in points almost every weekend, your team was seventh in the constructors championship, and overall, you were having a great time traveling around the world.
This was your second year in Formula 1, and now that you weren’t a rookie anymore, you could have more fun now that you knew what you were doing.
Some people just don’t like others being happy, though.
With less than 10 races left, you walked into the paddock for the Monza Grand Prix Thursday afternoon feeling optimistic. This was the second race after the summer break, and Alpha Tauri was expected to do well in Italy.
Your press officer, Ally, greeted you in your garage, and after saying hello to Yuki, you followed her out of the garage and into the media pen for a press conference.
You walk in to see Lewis, Carlos, Lando, and Fernando and talked quietly with them as the press in front of you get settled. “Everybody ready? All right, first question please” One of the directors asks, as a journalists speaks up.
“Lewis, you’ve witnessed the infamous ‘Monza Curse’ multiple times in your career, do you think the theory is true and will it strike again this year?”
“Um, no” Lewis chuckles. “I don’t believe in the curse, but it would be nice to see someone new finish first today, and if a curse is what it’s going to take, then yeah, why not”
The five of you laugh, not noticing the second journalist beginning to speak. “Y/n, what do you have to say about the recent article published regarding your past with your family?”
You instantly stop laughing, hoping you misheard the man.
“Sorry?”
There’s no way
“The article? That was recently published concerning your past with your parents, what do you have to say about it?” The journalist stared at you curiously while your mind blanked for an answer.
You had no idea what article he was talking about, but if it concerned your past with your ‘family’, you knew it wasn’t anything that should be published.
Suddenly there’s movement in the midst of the media pen, and your press officer emerges from the crowd. “Y/n, come with me” She pauses, seeing one of the directors nearing out of the corner of her eye.
“It’s urgent, I need her” You’d take any excuse to get away from the current situation, so after exchanging a look with Lewis, you follow the woman into the paddock towards your garage.
Once you were both in the safety of your drivers room, you turned on her. “What article is he talking about? What’s going on?” You said, voice heavy with concern.
Ally hesitated, looking uncomfortable, before answering. “This morning, an article published a story talking about you and your parents, and the-um, harsh history you have with them” She hands you her phone, said article already open.
“I think it’s better if you read it yourself” The bold letters blink up at you, clear and sullen.
“F1 DRIVERS UNCOVERED: THE REAL REASON WE DON’T SEE Y/N L/N’S PARENTS”
Your heart falls to your stomach and your hands start to shake as your eyes skim over the words of the most invading and overwhelming article you’ve ever read in your life. Whoever wrote this, wrote it in hopes of exposing every secret of your past, and further tangles the truth of an already over-complicated background.
The real reason your parents are never around you is a reason you hate talking about.
You first realized it when you were around ten years old, the way your parents never looked happy around each other, and always tense around other parents. The way they never said ‘I love you’ or kissed each other goodbye. It confused you, as these were the things you always saw your friend’s parents do, but you were too young to understand at the time, so you mainly ignored it.
It wasn’t until one night when you were eleven that you heard an argument erupting from your kitchen, one about money and divorces and you. The shouting continued for ages, until you heard one statement, loud and clear.
“Think about this, she’s getting good in those karting competitions of hers, and according to other parents she could go really far in this thing and get money from sponsorships and mentors. So let’s just give it a little time, make sure she gets better and gets paid, and the money will go to us and eventually she’ll leave to Formula- whatever and we won’t have to worry about her”
You put your pillow over your head, turned around, and went to sleep sobbing that night.
From then on, there was no ‘I love you’s’ or kisses goodbye even to you, and eventually, no happiness in your house. The ‘other parents’ were right, the older you got, the farther you looked to go in racing. Just before you turned 13, the three of you moved to a city in England so you could pursue karting further, and that’s when it all got worse.
You competed in countless competitions, and every race you won, the more criticism you got from your mom and dad. The second you stepped off the 1st place podium, your parents were waiting to comment on your driving and the techniques you should’ve used to win.
They never let you focus on anything but karting, letting you go nowhere but the track and to school, and made sure you were always looking for ways to get better. They ruthlessly compared you to kids in other series that were performing better than you, and countered every compliment someone gave you with a complaint.
All of this seemed like a dream compared to the treatment you got when you lost. Whether it be second, or tenth, every race you didn’t come first in was a loss, and your parents simply didn’t accept this.
When you lost, they’d make you practice on track for twice as long, no matter the weather, and berated you the second you started to complain. They limited your diet after your losses, claiming you needed to be lighter if you wanted the kart to go faster.
Your mother and father gave you this relentless attention with anything regarding racing, but the moment the topic drifted, you were neglected. There were no family dinners or movie nights, if you wanted something, you were going to have to buy it with your own money, and if you wanted to go somewhere, you needed to walk or find a ride because they refused to drive you anywhere if it wasn’t for a race.
There was no other family to go to even when things go impossibly rougher; you had no other relatives in the UK, and you couldn’t exactly ask your friends if you could live with them.
So you endured these conditions, all the way through the F4 British Championship, F3 and F2. You turned 18 while you were in Formula 2, and the second you did, you took the little money you had, and rented an apartment in South England, where you’ve been living ever since.
Your parents constantly contacted you in whatever ways they could, but you very quickly made sure they didn’t know where you lived and were never given paddock passes again. No one knows any of this anyway; when people ask where your parents are or when they’d get to meet them, you just shrug and say, “they couldn’t make it”
You haven’t seen your parents in person since you were 17, and you’ve done everything in your power to keep it like that.
Though with a few thousand words and 4 hours, one nosy journalist has managed to unravel all your work and growth and release it into the world.
You’re broken out of your stunned silence when Ally puts a hand on your shoulder. “I’ve set up a meeting with Alpha Tauri and Red Bull’s PR managers so we could figure out what we should do next to keep the press off your back, okay? The meeting’s in fifteen meetings, so I’ll leave you for a while”
Ally takes her phone back and exits the room to leave you standing still in the middle of it, astonished and speechless.
The meeting goes as well as you expected it to go. You shared as much as the truth as you saw fit, and came up with a statement to post with the rest of the PR managers. You were confirmed to go back to the media pen to finish interviews an hour later, and while no one asked you about the article, you could tell it was the unanswered question they all wanted to raise.
You are able to avoid most of the press of the remaining of the Italian weekend, and stuck to answering race-related questions only, your safest and only option, Ally told you later. You finished the Grand Prix P10, and flew home still sullen.
You spent the two weeks in between Monza and Japan in your apartment, regretfully thinking about all those years you had to spend under your parent’s treatment, and trying to forget them with simulator work.
You arrive in Suzuka, quiet and unsmiling, and try to ignore the shouting of the press that greets you on your way into the paddock. Ally guides you away as two new voices greet you.
“Hey Y/n, how are you?” Lewis asks, pulling you into a side hug and stepping into place beside you.
“Are you okay? You seem off” Charles says concerned, meeting you in a handshake.
“I’m fine, my flight just got in late last night so I’m tired, that’s all” You half smiled in response, hoping it was believable enough.
“Sure?” Lewis presses father. “Yeah, I’m okay” You nod.
“Okay, well, we’re still going into the city after media today?” Lewis asks. “Of course, I’ll meet you guys at my hotel after” You assure as you near the Alpha Tauri garage.
“See you then, and try to sleep a bit, yes?” Charles says before the two men walk off together.
Your friendship with the two drivers started because of the Spanish and British Grand Prix’s, the two races that gave you your two highest race finishes, and ended with two of your closest friends. Spain was a great race for both you and Lewis, yourself in P4, him in P2, and after non-stop talking in the paddock, you flew back to the UK together, effectively starting the friendship existing today.
You’d been friendly with Charles previously, but after his P9 finish in Silverstone and your P5 finish, he realized in a conversation before an interview that you were undeniably good at cheering people up, and you guys have been close since.
You’ve talked with them since Monza, of course, but not about the article. They want to talk to you about it, you can tell, but Charles and Lewis aren’t the type of people to just come right out and ask if you’re feeling okay about your history with your abusive parents being exposed to the world.
They also don’t want to pressure you into talking about something you clearly don’t want to talk about, so if all they can do is help distract you from the media, they’re going to.
Your night out with the Mercedes and Ferrari drivers does distract you; Lewis leads you and Charles to different shops and restaurants all over Suzuka, talking and laughing the entire time. You take a few photos along the way, and you go back to your hotel still smiling.
You kept your good mood until qualifying on Saturday, and are brought back into the reality of racing when you only manage P11. It’s technically not bad of a result for your car, but P9 or P8 would’ve been better right now, because all you can think about is what your parents would’ve said if you finished P11.
They’re paying you millions of dollars to race for them and the best you can do is eleventh?
You think you deserve to be here?
They are hundreds of other drivers that would do so much better than you
You are nothing compared to the other drivers
You’re lucky if you keep you seat next season, I know I wouldn’t let a P11 driver on my team
You go quiet at the thought, and get through post-race media stoic. You leave with your trainer as soon as you can, avoiding Lewis and Charles’s eyes on your way out. You have a week before you have to leave for Qatar, and spend a countless amount of hours on your simulator, hoping this time it’ll make a difference.
You flew into Lusail not knowing what to expect other than hot weather, and unfortunately you were right. You felt the heat as soon as you got in your car for FP1 on Friday and was already dreading the rest of the weekend.
You qualify P11 for both the race and the sprint, and end up in P12 for the two. You felt terrible after Sunday’s race, both physically and mentally, and you’re already berating yourself for your performance by the time you get weighed.
Charles and Lewis are in your post-race press conference group, and you can see them exchange a look after every cold and detached answer you give. You only stop to talk to your friends for a few minutes afterwards before you excuse yourself to go cool down, and leave minutes later with the defense of needing rest.
You fly back to the UK with Lewis, and you’re glad the two of you are asleep for most of the trip so Lewis won’t ask you to talk about why you’ve been so quiet.
The 10 days you have until you fly out to Austin are spent mostly on your phone, looking at all the comments people have been making about you since the article came out, saying how you probably deserved the treatment that you got, and how Alpha Tauri needs a more “stable” driver if they want to advance in the championship.
You don’t do much except exercise and train on the sim in those days, finding neither the desire or energy to do anything else.
Even though everyone is happy to be in Texas that week, you can’t find the energy to truly smile once that weekend. Charles and Lewis are practically stuck to your side, and even though you can tell they’re dying to ask you to talk about it, they only ask a few times if you wanted to tell them something, and when you denied, and simply offered companionship through silence.
It’s another sprint race, and you only pull off P12 and 13 for qualifying and the shootout, and drop a place by the end of both races.
You feel more frustrated with yourself than ever; you don’t understand why you can’t work with the car like you once used to, and you can’t even figure out how to again. You were doing so well until that fucking article came out, and all the sudden you don’t know how to drive.
The worst part about it is that every race, more and more people are realizing how you’ve been under-performing, and how people are starting to question your ability to drive for the junior Red Bull team.
You aren’t stupid, you know how things work at Red Bull, so you know that if you don’t pick your pace up soon, you could end up without a seat for the 2024 season.
This thought alone starts to destroy you, and soon you can’t even deny how burnt out you are. You pick up on the forced habit of not eating much, and making yourself to do nothing but train and look for ways to be better.
You spend the days before Mexico with data analysts and strategists, looking for any and every way to go faster. You dedicate too much time looking at successful F2 drivers, hearing Liam Lawson’s name come up too much for comfort, thinking about how Dennis Hauger had been looking fast in F2.
It’s a terribly unhealthy time killer, one that makes you look sick and go quiet. Charles and Lewis aren’t the only ones exchanging concerned looks now; multiple other drivers on the grid, friends with you or not, notice the change in your behavior and quickly grow worried when they hear Yuki’s description of you.
The drivers aren’t stupid either, they all know about the article that was published in September, and most of them would be lying if they said they hadn’t looked at it in curiosity. They’d also be lying if they saw their eyes didn’t widen in concern or eyebrows didn’t furrow with worry when they read how terrible your parents treated you.
The grid saw how the comments got nastier and nastier under your lessening social media posts every day, and even asked your PR officer multiple times to make sure she was managing your accounts and making sure you didn’t see what people had to say about your background or yourself.
They saw how you got quieter every race, how you stopped hanging out with Yuki and Charles and Lewis, no matter how many times they offered. They saw the rumors of you and your 2024 seat, how apparently Helmut Marko was paying close attention to you and the clauses in your contract.
They asked a lot, if you wanted to talk or if they could help in any way. It was always the same response; a weary smile, a small shake of the head, the words,“No, I’m fine, just tired” and an excuse that you were needed in your garage or media pen.
So they try to help in more discreet ways; when Yuki is asked about your position on Alpha Tauri or your future with Red Bull, he calmly assures that you are working hard with the team, and is doing everything possible to understand the car.
Charles, Lewis, and a few other drivers make a routine of coming to your driver’s room, most of the time just to sit with you as you look at data, or talk with you when you’re feeling up to it.
Mexico goes somehow worse than Texas, and you finish with your lowest result in F1 yet, P15. You try to be as approachable as possible in post-race media, but your sullen face gives you away.
You leave with Ally and your trainer to catch your flight to Brazil mere hours after you passed the checkered flag, and spend most of your time in Sau Paulo alone in your hotel room, replaying every hurtful comment either your mother and father or fans have said about you, and debating whether or not it was true.
You walk into the Brazilian paddock Thursday morning more grateful than you thought possible that this was the third-to-last race of your season.
And according to over twenty media sources, your third-to last race of F1.
After a public statement made by Marko talking about how Red Bull was “considering your future with their junior team” every journalist in the F1 community has decided that it means this was your last season in F1.
And honestly, you couldn’t find it in yourself to care. Whether you raced in 2024 or not, you just wanted to go home and avoid the press for three months.
It was another sprint weekend, and another terrible qualifying and shootout. You placed 15th in both sessions and kept your place in the sprint, and spent a quiet Saturday evening in your hotel.
You could feel almost every journalists eye’s turn to you as soon as you walked into the paddock on Sunday. You arrived early that afternoon to get some extra data-stuff done, only now realizing that it gave the growing group of reporters behind you more time to ask you questions.
“Y/n! Can you tell us about your future in F1?”
“Will you have a seat next year?
“Y/n, what does Helmut Marko think about your decrease in performance?”
“Does your past with your parents have anything to do with your recent race results?”
You try to keep your face emotionless as you make your way into the Alpha Tauri garage and to your drivers room. You prepare for the race with your personal trainer and look over the arranged strategies for Sau Paulo while you wait for the go-ahead to get in your car.
Due to all the crashed-out cars, you ended the race in P12 in front of Oscar Piastri and Daniel Ricciardo. Statistically speaking, it was one of your better 2023 races, but everyone knows if it wasn’t for all the DNF’s, you’d finish in the bottom five.
You know that everyone knows this because just before you walked into the media pen after your race debrief, you saw Christian Horner and Marko speaking to your team principle, and after Yuki’s P9 finish today, it didn’t take you even a second to understand who they were talking about with disappointed faces and multiple shakes of the head.
Sure, this could mean nothing. This could just be a conversation between the three people that control the top team and it’s junior team. But you also like to think you’re a bit smarter than that.
You walked deeper into the crowded area before the three could see you, and walked to the first open journalist you saw, in hopes of leaving early.
“Y/n, hi! Not too bad of a race for you today, I guess?” The man asked, pointing his microphone towards you
“Yeah, not too bad. The car felt pretty okay and there was a bit of pace, but not enough to overtake or anything, clearly” You reply.
“Can we expect more race pace from you in Las and Vegas and Abu Dhabi?”
“I mean, it’s a bit too early to tell, but we’ll hope and see what comes out out of the practices” The man nods before looking down at his notebook.
“And your seat for Alpha Tauri next year, we know you’re apart of the confirmed driver lineup for 2024 but Helmut Marko states that there are attainable clauses in your contract, what do you think about that?”
You’re caught off guard by the question, but right when you’re about to respond, the man continues.
“Surely, Alpha Tauri isn’t really considering keeping you for next season, are they?”
You’re standing in front of the man speechless now, your brain barely comprehending what’s being spoken.
“Because I know the last thing a team wants is an incapable driver that is too emotionally effected by her “traumatic” childhood to race,” the volume of his voice starts to increase, and other drivers are starting to focus on your one-sided conversation.
“I mean, c’mon, no one even believes that even happened to you, and if it did, your parents were probably right for doing it-”
Your hands are shaking, eyes are wide with shock, body suddenly freezing, and you don’t even think you’re breathing. All you can do is listen as this man goes on and on about how you’re a shitty driver and deserved how your parents treated you.
You’re only broken out of your trance when an arm clad in red wraps around your shoulders and pulls you through the paddock. You’re not even aware of the yelling from a certain Mercedes drivers gets quieter and quieter as you’re brought into your driver’s room.
You’re being sat on a couch, and suddenly Charles Leclerc’s face is right in front of you, hands on your shoulders and eyes filled with concerned. “Y/n? Y/n, look at me, please, Y/n-” Your eyes dart to him and in an instant, everything from the past five minutes comes rushing through your head, and you can’t stop the tears that start to fall down your face.
“Oh, Y/n” The Ferrari driver moves to comfort you, but stops as you begin to cover your face and move away.
“No, Y/n, it’s okay, please, let me help you, Y/n” Charles wraps his arms around you in a hug as your body begins to shake with uncontrollable sobs.
“I can’t- I can’t do this anymore, Charles” You say in between breaths.
“I have to quit or something, I can’t keep doing this Charles, I can’t” You let your head fall on his shoulder, as the man tries to calm you down.
Charles’ heart is breaking as he comforts his friend; he remembers loving his first few years in Formula 1, how everything was so new and exciting to him, he could never not want to race, not then and not now. But to hear one of his closest friends breakdown because of how much she hates being there, makes the man’s heart shatter.
The door abruptly opens, and for a moment, all you can hear is the low angry cursing of Lewis Hamilton, until he sees you and Charles, and his face immediately softens.
“Love, I’m so sorry. That guy is a complete arsehole, don’t listen to him” The British man says as he takes a seat beside you and wraps an arm around your shoulders.
“I don’t know what to do anymore, I feel so stuck in this place where everyone is always talking about what happened and I don’t know how much longer I can go through it” You say, your voice breaking off with another sob.
Charles hushes you once more, exchanging a worried look with Lewis as you pull away from him again. “I’m sorry, I know I should be doing better and everything but I just can’t-” You say, voice shaky through the tears.
“Don’t for one second be sorry that you’re not competitive right now. Y/n, thousands of people are talking about the one thing that hurt you the most, and I understand why you feel this way, just please, love, for your own good, let us help you. I promise it will make you feel better” Lewis assures, grabbing your hand.
So for the first time, you do. For over an hour, you tell Charles and Lewis everything that happened when you were younger, and how the article has made you feel since then. They listen quietly, nodding once in a while to let you know they understand, and gave you a hug when you stopped talking.
“Do you feel better now?” Lewis asks.
“Yeah, not entirely, but better”
“Good, that’s all I wanted to hear,”
“Are you ready to go home now? There’s a plane waiting for us, if you want”
“Definitely. I need to go home” You say as Charles helps pack up all your things and Lewis makes sure there’s a car waiting for you two outside. As you’re all walking through the nearly-empty paddock, Charles turns to you.
“I have to go back to my garage, but please Y/n, if you ever need to talk, call me? I want to help you, I don’t want to see you like this again” The Monegasque brings you into a hug.
“I know, Charles, I will” You promise.
“Okay, I’ll see you before Vegas, yes? Feel better!” He calls as he moves backwards and further into the paddock.
“You promise?”
Lewis asks you hours later in the front of the airport in England, just about to get into separate cars.
“Yes, Lewis, I’ll call when I need” You say to the older man in a hug.
“Alright, text me when you’ve made it home and make sure you get some rest. Don’t be too hard on yourself either, you don’t give yourself enough credit for everything you do” You smile at him.
“Okay, I’ll see you before Vegas?”
“See you before Vegas!” He shouts from his already-closed car door.
When you do see the two next, they make sure you’ve made an appointment with a therapist and are setting up a meeting with your PR manager to put together a statement in regards to your well-being the past two months.
Charles and Lewis make sure the media inside the paddock is severely monitored and checked before being allowed near the drivers, and help you fall back into healthier habits.
These changes don’t happen overnight, and they don’t take affect overnight, but you do use the winter off season to make sure these changes are helpful and working.
The three month break is utilized to mentally and physically prepare yorself in time for your 2024 seat at Alpha Tauri that was re-confirmed after your P8 finishes in Las Vegas and Abu Dhabi.
The media still knows everything, and you haven’t completely forgotten your childhood, you never will, but dealing with it still gets easier.
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fireflysummers · 9 months
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Final Thoughts on GO S2
I'm probably gonna pull back on discussing S2, at least publicly, after this. I did actually like a lot of the season, but it's triggering some of my religious trauma and also the fandom is already stressing me out. So here, let's have some final thoughts.
First and foremost: I am not a Gaiman simp. I've read a decent amount of his work: comics, short stories, essays, and novels. Aside from Good Omens, I've liked Coraline and The Graveyard Book the best by far, whereas American Gods just. Did Not Connect with me, even though it's should have, given the stuff I tend to enjoy.
However. Regardless of whether I like a given work (or even like how he adapted it, a la parts of The Sandman TV series), he is a veteran writer who has proven that he does, actually, know how to write a story with consistent characters.
Beyond that, I do actually believe that he's trying to do right by Pratchett, and loves and respects the story and characters they created together. He's generally shown up as an ally to a variety of social causes, and directly and respectfully responds to fans on Tumblr. While no saint, I feel that there is cause to give the benefit of the doubt that things will resolve satisfyingly in S3, and that there is Intention about some of the things in S2.
This, of course, does not absolve it of being "bad," but even here I think we need to articulate better the different types of "bad" that people are reacting to. There seems to roughly be three camps here: 1) People who thought it was "bad" because of how it ended, with the breakup and a lot of unresolved plot threads; 2) People who thought it was "bad" because it struggled on a technical level with its set, lighting, directorial choices, editing, etc; 3) People who thought it was "bad" because they felt the characterization was significantly off and that the internal logic of the series had been violated.
With regards to Point One, the only solution is to Wait and See. Judgement should be reserved until the story is properly finished--easier said than done, especially considering the current media landscape, and the number of series or franchises that fail to live up to their promises.
Point Two isn't something I understand well enough to contribute meaningfully, except that I suspect the pandemic affected this aspect the most and am willing to give it a bit more mercy. That aside, I for the most part I don't find it bad so much as not as good as S1. Except for the parts with epilepsy warnings, surely there could've been a better way to do that.
Point Three... that's the stumbling block for me, and I find it interesting that most of the folks who struggle with this point in particular are long time fans of the book.
I trust that instinct.
There are two different directions to go from here. The first is the assumption that these problems are a result of ego, carelessness, or lack of skill from the showrunners/writers/director. It's cynical but not unjustified. The second is the belief that the breaks in lore or characterization were intentional, building towards a much grander conspiracy. Of course, even in this case I don't think it forgives the lack of signposting that would indicate that this is a choice rather than an accident. It just makes it feel clumsy and poorly constructed, a major risk on a show that hasn't had its third season confirmed.*
However, regardless, it still feels salvageable. I've enjoyed reading a lot of meta on all this, and I've pulled some things from others (particularly That Theory by @ariaste), but I don't really want to put forth a single, defined theory myself. Instead, here's some questions I've got, why those questions are important (to me, at least). Actual theorizing comes after, and anybody who snidely mentions Sherlock in the comments or tags is going to get auto-blocked. Like seriously, I'm aware that some stuff is a stretch, but it's fun??? To theorize????? And I'm here for me and my peace of mind rather than trying to argue a point.
*I have some suspicions here, particularly with Gaiman stating that the decision from Amazon would come much faster than The Sandman's second season (which was four months). I don't know enough though to say if that's actually significant.
Questions
Who the fuck is telling this story?
This is the most important piece, in my opinion. There's this assumption when reading books (or research papers, newspapers, etc...) that the narrator who is writing the words is a non-presence, Neutral and objective. That's not the case, and an important part of literature critique is figuring out who the narrator is, and what their goals are. Oftentimes, the narrator and the author are the same person, but with Pratchett's work, particularly on Good Omens and Discworld, the Narrator was its own unique character.
This is why people struggle adapting Discworld to live action--that medium requires a Reason for having a Narrator, and especially in the age of method acting that's often considered immersion-breaking. Good Omens worked so well because they not only kept the Narrator, but they made Her God.
This added some really interesting new dimensions, such as the scene where Crowley speaks to God about his fall and the destruction of humanity. He doesn't receive an answer, but we're watching from God's perspective, so we as the audience know that She's listening.
Another advantage of making God the Narrator is that it justifies all the goofy little asides we get into the lives of minor characters (i.e. Leslie the Mailman), without losing focus. It helps the world feel like it’s full of people, rather than characters and plot contrivances, and the theme that individual people and their choices are important. The Narrator is such a central character of Good Omens that without it, the story struggles to stay focused.
It also highlights a key difference in the writing styles of the two authors. Pratchett’s work tends to introduce four or five totally unique plot threads that feel completely disjointed until the last act (if not even later), when it turns into a Chekhov’s Firing Squad. Plot twists around secret identities and backstabbing and schemes are relatively rare, as the omniscient Narrator doesn’t lie about the intentions of people or their actions.
Gaiman’s writing is typically not like that, to my knowledge. He buries characters in misdirection and hints, and you never know the true identity or motives until all the chips are down. It’s a perfectly valid way to approach storytelling, but it makes it jarring to see it in S2. The lack of a Narrator is a huge reason why S2 doesn’t feel like Good Omens to some folks.
My gut feeling is that the decision to shift from the original Narrator was highly intentional. It helps to obscure the thoughts and intentions of people, and it also muddles the insights that we’re supposed to take away. (I would have loved hearing God monologue about what’s going on in Jim’s head. I think it’d do a lot to make him seem less.... obnoxiously stupid.)
More than that, it brings up a reasonable potential plot point of: Where did God go? Why isn’t She present in the story? Even in her early appearance in the Job flashback, she doesn’t sound like the narrator for last season. After the first part of her speech (which Gabriel later quotes), her tone turns casual and condescending, which might line up with her being a bit of an asshole, it doesn’t line up with the whole “dealer of a mysterious card game who is always smiling”).
Also, I don’t think it’s safe to assume that nobody is telling the story either. Just because they’re not making their presence known doesn’t mean they aren’t there, and in a story like Good Omens, that’s concerning.
Wait, where's Satan?
Another person I saw while scrolling the tags pointed out that Satan is nowhere to be seen this season. He's really only mentioned in reference to a bet God made in Job, but then Crowley is the one on the ground causing mischief. There's no Hail Satan among demons (like Hastur and Ligur did at the start of S1).
That's might be because the writers didn't want us to think it was important (a la Hastur), but that feels off. Given that Satan speaks directly through the radio to Crowley in S1, complimenting him on his work, it's safe to say that he was at least aware of and involved in the goings-on in Hell. The fact that he wasn't even an worry for Beelzebub in abandoning their post? Feels weird.
(Also if you know where that post is, I'll happy credit + link)
What is Maggie?
Look, I love cute lesbians in love as much as the next queer, but I don't like Maggie. I don’t think she’s a person. Contextually, she’s a plot device, but I agree with That Essay that she might be an actual Plot Device.
Her characterization is simple and relatively shallow—a bit of an airhead, ray of sunshine that’s supposed to remind you of Aziraphale. When she describes her past to Nina, it’s almost robotic (also, her story implies it was Mr. Fell who first rented to her ancestor, not Mr. Fell’s great-grandfather like Nina implied). Her emotions are over-dramatic and seem to be turned on and off at random (scenes with her crying to Aziraphale about her woes had my “manipulator” senses going off for some reason).
When asked about a song, she not only IDs the song, its singer, and its year, but how and on what it was distributed. (Honestly thought this would’ve been something interesting, because she’s been pretty ditzy so far, it’d be interesting if she had like... an insane memory for music history.) And then she’s the one that sets Aziraphale on his little investigation by giving him the transformed records, while also planting the seed about her love troubles with Nina. Later, her advice to Crowley is... not awful, but feels insincere and a bit too forward, given her own self-proclaimed lack of relationship experience.
I don’t know what she is (a demon, hastur with amnesia in disguise, a literal plot device inserted by the current storyteller, etc...), but there’s something not right with her.
(Also the joke of “who listens to records anymore, it’s so old fashioned” just doesn’t land, lots of people buy records, and I’m saying this as somebody who has worked at a record store before.)
What's going on with Aziraphale?
There’s something Off about Aziraphale, and it’s not his choices at the end of the season. That makes total sense if you read him as somebody with severe religious trauma getting dragged back into the abusive system because other people need him and he’s been promised the ability to change things.
But I do think something is happening to his memory. Nearly all the flashbacks are from Aziraphale’s point of view and retelling, which means that they’re less reliable than God’s version of events in the previous season. Many of them don’t make logistical sense (post-church scene in 1941), depict Crowley as meaner or more sinister than we know he is, or frame events... weirdly. The scene with him trying food for the first time feels Really Bad, especially when the series has previously established that he’s a) prim and proper and b) his interest in food is one of the beautiful things that connect him to humanity, not some kind of gluttonous sin. Also he turns down alcohol.
Their meet-cute at the  start of the universe also doesn’t line up with their reactions to each other in Eden, or the fact that knowing each other Before has never come up or been hinted at anywhere ever. I don’t know what’s causing this to happen, only that Aziraphale repeatedly looks pensive when coming out of flashbacks, and Crowley is never there afterwards to corroborate said memories.
His actions also seem pretty inconsistent with what we know of him—i.e. I refuse to believe he would ever mistreat his books, even if they’re just old encyclopedias. Also, he feels a bit too...forceful in trying to get Nina and Maggie to fall in love? I mean, he didn’t exert that much direct influence on even Warlock, when he was actively hoping that the boy would turn out angelic rather than neutral.
I don’t think this removes his agency in that last decision, so much as explains how he was in such a vulnerable place at all. He still needs to apologize and fix things, because he messed up, and even if he hadn’t he still seriously hurt Crowley.
What's going on with Crowley?
There’s something Off about Crowley. The most obvious thing, of course, is his memories. At multiple points in the present day, characters state that they remember him or have met him before, only to be met with confusion. This is especially concerning given that he has a nigh photographic memory for faces (something mentioned in the book when he immediately IDs Mary Loquacious, 11 years after a 30 second conversation).
Overall, he seems to be better known by other supernatural entities this season, in ways that often tie him back to his angelic identity (i.e. saying they fought together in the war, Aziraphale stating he knew the angel he used to be, etc...). This doesn’t feel right, because S1 we see that Hell is largely apathetic towards his schemes, and definitely does not defer to him at any point in any capacity.
Then there’s the issue of his power level. It’s always been speculated that Crowley was a powerful angel prior to falling, when he mentions in S1 his involvement with star making, his seemingly unique ability to freeze time, and creating a pocket universe for Adam before the confrontation with Satan. He also has a tendency of breathing life into inanimate objects, like his plants or car. He also has the regular demonic skillset: miracles that can adjust physical appearance; the ability to change inanimate objects (like paintball guns into real guns); the ability to manifest clothing and similar items; and summon hellfire to his fingertips. This, plus the way he monologues to God with a degree of familiarity rather than reverence seems to indicate that he was Somebody Powerful and Important Before.
But in S2, his skills are significantly expanded upon. The miracle he and Aziraphale summon sets off alarms in heaven and hell, and it’s powerful enough to mask Gabriel from the Archangels. He summons a miniature sun to rain fire on Job, which is way bigger and flashier than anything we’ve seen him summon in S1. (If he needs fire, he alters the course of a dropping bomb, without creating one himself.)
Yet he’s able to cloak his presence so well he goes wholly unnoticed in heaven, or in front of heavenly agents on earth (i.e. the Job flashback). Muriel can’t clock him as a demon, or even as another supernatural being, despite their auras usually being pretty significant, such Aziraphale immediately sensing the archangels when they arrive.  He’s able to interfere with files that Muriel claimed required clearance (although I feel like that might just be a snark about Obeying Without Thinking? I would really need a Narrator to know.)
I might be misremembering, but I don’t think we’ve seen angels or demons transmogrify living beings before either. In the book, Crowley brings Aziraphale’s dove back to life after the failed magic show, and occasionally sinks ducks, but he doesn’t alter them? Not even Adam demonstrates that skill in S1. But he has no trouble turning Job’s children into lizards, however temporarily. Boy that would’ve been convenient during the flood. Or when the guard stopped then from getting to the air strip.
I might be misremembering, but I don’t think we’ve seen angels or demons transmogrify living beings before either. In the book, Crowley brings Aziraphale’s dove back to life after the failed magic show, and occasionally sinks ducks, but he doesn’t alter them? Not even Adam demonstrates that skill in S1. But he has no trouble turning Job’s children into lizards, however temporarily. Boy that would’ve been convenient during the flood. Or when the guard stopped then from getting to the air strip.
I don’t have any real issues with his characterization in the present day parts of S2, but there’s something weird happening with Crowley.
Where's all the people?
I really like a lot of the new characters, but how were there only like, 2.5 new humans named in the present day? Flashbacks don’t count bc the humans are all dead and can’t affect the story.
As much as I like Nina, she and Maggie don’t drive the story beyond being an occasional and awkwardly inserted plot contrivance? Both are actively robbed of their agency at several points, forced into situations that they could not have avoided or escaped. I’m not really sure what growth they’re expected to experience other than deciding not to date each other after everything. I literally can’t tell you anything about Nina other than that she remembers her regular’s orders, runs a coffee shop, and has a textbook abusive partner we never see. The only meaningful interactions they have are between those two, or in conversation with Aziraphale and Crowley.
Compare that to S1, where Anathema gets hit by Aziraphale and Crowley, but her primary relationships are with Newt, Adam, and Agnes Nutter (I think that counts as a relationship). We know that she’s got a wealthy family back in Puerto Rico, and that she was literally raised to save the world, and that she isn’t happy under all that pressure. Newt on the other hand is connected to not just Anathema, but Shadwell and Madame Tracy. He never even directly interacts with Aziraphale and Crowley. We know about his hobbies, his struggle to hold down a job, and his almost supernatural ability to destroy any electronics he touches. I don’t necessarily like how their relationship came together, but they were both very, very well fleshed out characters with unique backstories and goals. They weren’t just... waiting around to give Aziraphale and Crowley a new questline.
And while there’s no requirement to include a large cast of human characters that are exerting influence over the story, the lack of it is another aspect that makes this season feel not like Good Omens.
Also, it's just. Really weird to me that the events of S1 aren't really referenced at all? Like, Adam isn't mentioned, nor is Warlock. I don't expect them to keep track of the humans they met on the airfield for 20 minutes, but none of it is ever specifically referenced as far as I can tell, beyond Crowley threatening Gabriel. Like, I get that it's been a few years, but the pair caused a big enough disturbance that you'd expect some kind of ripples in their supernatural communities.
Promised by the Narrative (Obvious Chekhov's guns that I will be legitimately upset over if they do not go off)
A sincere apology from Aziraphale to Crowley that doesn't come with the expectation that Crowley will come back to him, but because he deserves an apology, even if the choices Aziraphale made were done with good intentions. Aziraphale does not expect forgiveness, and is shocked when Crowley grants it without hesitation.
A clear declaration of love from Aziraphale, which can't be rationalized away by either of them.
An "I'm Sorry" dance between Aziraphale and Crowley, but with greater sincerity and gravity. The most important piece is that they end up dancing together, which signifies a mutual apology and dedication to come together.
Since kissing is on the table, I expect an actual joyful, mutual kiss between these two assholes.
A shared cottage in South Downs.
Predictions/Theories (just some fun thoughts I've had)
When Adam declared that Satan was not his father, he didn't make himself not the antichrist, but accidentally crowned his human dad the King of Hell. Nobody knows this, because Adam doesn't have a good measure for "normal" supernatural situations, and Mr. Young because he's so "normal" that he explains away all the magical bullshit that's started going down.
When Adam declared that Satan was not his father, he erased Satan altogether. However, this left a vacuum in both power and reality. The defection of both Gabriel and Beelzebub only widens that crack. In an attempt to Fix things, reality is warping the story. Crowley has become leagues more powerful between S1 and S2, as the narrative is trying to force him into the role of his previous boss. Aziraphale is unknowingly being pulled into a similar version on the Other Side, perhaps to replace Gabriel or perhaps to replace God herself, who has been fairly absent in all this. The alterations to their memories or past have come about to keep the narrative running smoothly.
When the Metatron asks Nina whether anybody has ever asked for death, he was actually referring to Death, the sole remaining rider of the apocalypse.
If Maggie is indeed a Plot Device, it would be a fascinating exploration of Free Will to see her become aware of this (cue existential crisis), and then fall in love with Nina on her own terms, rather than because she was written that way.
Hastur will be back. Somehow.
The reason why S2 focuses so much on the supernatural characters is because S3 will be about how the events in S1 have changed the political landscape of heaven and hell. Angels are questioning their roles, demons are yearning for something more. It's scaring upper administration, and then the two most reliable folks in employment run away to alpha centauri. Recruiting Aziraphale and getting him back in line prevents him from becoming a martyr, control the range of his influence. The series reasserts its theme of choice and agency by highlighting that Aziraphale and Crowley aren't that special, they've just had the chance to live and grow, and that the others have free will too, if they want it.
The reason why they wanted to separate Aziraphale and Crowley, is not to get Aziraphale on his own, but to get Crowley on his own. He literally stopped time and made a pocket universe in front of Satan last season. He's powerful and dangerous and somebody wants to see that reigned in.
Wishlist (stuff I desperately want to see)
Crowley getting an audience with God and an opportunity to ask his questions, only to refuse to do so because he's found his own Answers and he no longer needs hers
Aziraphale and Crowley growing more into their book incarnations. Aziraphale becomes confident in his sense of morality, which he developed the hard way through millennia on earth besides humanity. He slowly learns what it means to be loved, unconditionally, but also is better at asserting and maintaining his boundaries. Crowley, still anxious and unwinding, works through his fear of abandonment, providing him opportunities to be kind and gentle and nurturing--all traits that he's aggressively hid since being a demon.
Hand holding. I know that Gaiman was referring to Ineffable Bureaucracy, but I still feel like we'd benefit from meaningful hand holding, especially since that got cut from the adaptation of the book.
Shifted focus away from the supernatural shenanigans, and back onto the humans that actually drive the story.
Cameos from S1 characters (if not a more substantial appearance).
The Four Other Riders of the Apocalypse.
Cursed Thoughts (why I shouldn't be allowed a social platform)
Ineffable Bureaucracy turns up in season 3 because Beelzebub got Gabriel pregnant somehow.
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lostkidmustnotdie · 3 months
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What each lotr character would have for a pet in my professional opinion (idea inspired by @mushroomates)
Gimli: giant fucking great dane or pittbull or some crazy fuck ass dog that he would get home and tackle to say hello
Merry: dog from expensive breeder. White fur crusty eyes. Fugly. He insists its cute. Probably named cupcake. Could also work for Sam. But also i could see merry absolutely hating that type of dog and just having a very normal cat.
Pippin: some sort of beagle mayhaps. Howls so fucking loud every second of the day. Entire shire hates it. He does not understand it does not need as much food as a hobbit and is very confused when it will not eat its 6th meal of the day
Gandalf: perhaps some sort of small bird or alternatively a snowy or gray owl
Sam: sweetest cutest puppy ever. Perhaps some sort of doodle or lab. Medium to small size. Dog is dumb as a rock but is a sweatheart. Or also could have the dog i described for Merry.
Frodo: a big fluffy wavy haired white cat. It does nothing. Frodo sits and reads and drink tea and the cat stares blankly, pondering.
Borimir: TWO OPTIONS. Feral ally cat who he insists hes not attatched to but in actuality considers it his child (think of wybee from coraline). OR. A daschaund that has some horrifically un-dog-like name like Jedediah or Kevin and talks to it like a human.
Aragorn: over-intelligent cat that scratches him on the daily. They understand each other. He knows what the cat’s meows mean like a language. Absolutely no baby talk will occur, the idea is unfathomable. That cat knows what he is.
Legolas: pet rock. Googly eyes included. Alternatively a very small bird like the one from secret life of pets or perhaps a caterpillar
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duckiemimi · 7 months
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Have ur thoughts changed at all now that you've seen the official translation?
my thoughts about the chapter? i still think it’s a shit chapter 😭 it’s out-of-character and i find it borderline disrespectful to fit so much incongruity into a scene that’s supposed to appeal to audience’s heartstrings.
“hey, let’s make gojo say he was lonely the whole entire time and that he wanted to make sukuna, of all people, understand him and that all he wanted was a good fight, nevermind his possessed protégé and students and allies, BUT let’s write it in a scene where he meets all his well-missed, well-loved dead friends and slip in some vague satosugu moment so people will gloss over everything he says because hey! at least they’re reunited!” like???
i’m hoping this gets addressed later on. maybe that afterlife/death-dream scene is supposed to feel uncanny and off-putting even if it presents itself as a warm, fulfilling scene. you know, like coraline? a scene that gives you a false sense of comfort? i doubt it’s one of those, though.
my thoughts about jjk? no, because even if the recent chapters don’t align with what jjk was like before, it doesn’t erase the fact that great arcs like hidden inventory and shibuya still exist :’)
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raayllum · 5 months
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what fae like qualities do you believe aaravos has?
I don't know enough about the fae to say definitively (I've read some works depicting fae, such as The Faerie Queene by Edmund Spenser from the 1500s, A Midsummer Night's Dream by Shakespeare, some other folklore myths) but I try to stay away from sources that are too Christianized for stuff that's more Pagan / northern and western Europe and the 1500s has plenty already.
When in doubt I'm loosely using wikipedia / old class notes for reference but if there's a site or source I think is cool and helpful I'll note it down below.
There is some that are generally common knowledge, such as:
Fae being mischevious tricksters with very particular phrasing. They don't tend to often be outright malevolent as a motivation, but often do harm to humans anyway either due to ignorance or blue-orange morality.
Blue-orange morality (for those who don't want to watch a video) is basically when a creature or being does not have a morality that operates that we would define it (on a spectrum of ethical right or wrong actions per consequence or intention). A good example is the spirits from ATLA (not LOK) or One-One from Infinity Train. He's a helpful little robot guy and he loves his friends, but he is ultimately bound and operates within the Train's rules. It's not that he can't deter from the Train's rules without distress or that he doesn't want to, it's that deterring from the Train's rules just doesn't compute to him as even a thing to do. He's operating on his own unique level and it's what turns him from a S1 ally to a S2 antagonist (but not villain).
There tends to be an emphasis on names, deals, and exchanges, i.e. if a Fae says "Can you give me your name?" and you tell them it, they own it and you by extension now, stuff like that. Also have a tendency to give humans they like, or humans who do nice things for them, gifts (whether it's actually a beneficial gift is sometimes debatable).
The Fae often lure humans away from the Ordinary Realm into the Faerie Realm, where time and magic work differently. Sometimes this means being whisked away, or unknowingly stepping through fairy rings. This can include both the Seelie and the UnSeelie Court (Scottish folklore).
Examples of the Fae in popular culture include Spirited Away (don't eat the food!), changeling myths (faerie leaving their babies in place of your own, nowadays seen as a connection to old stories of Autistic individuals), arguably Coraline (film and book), will-o-the-wisps, and other figures in Welsh, Cornish, and broad European folklore, etc.
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Variants / similarities include huldufolk (Icelandic and Faroese folklore), sirens (Greek), kelpies (Scottish), etc. Over time Christian (bc of course) associations have also been applied as both demoted angels and tempting devils, but that sort of works given one of Aaravos' most prominent comparisons is Lucifer, and Prometheus, who were as crafty and clever as they come.
Basically:
Aaravos emphasis (or lack thereof) regarding his name and the general mystery surrounding it — "My name would mean nothing to you" even in the face of Viren's demands
We see the emphasis on phrasing given that it's been stated by the crew that Aaravos never lies, but we know he purposefully obscures and omits information
Entering into deals and exchanges with humans, giving them gifts and promises (Ziard's staff, Viren's rule for himself and Viren's life for Claudia)
Him seducing Viren yes I said it / everything with Sir Sparklepuff tbh
Fae can also sometimes set trials to pass or tasks for people to fulfil, similar-ish to Aaravos giving Viren a little fetch quest for them to communicate / "Those who fail tests of love are simple animals."
We don't know what Aaravos actually wants, exactly, or why, but given the indifference of the other Startouch elves to humanity's plights (and the fact they've let Aaravos wreak havoc and have never stepped in to stop him) it's a far bet their long, illustrious lives have given them a decidedly warped morality, and that Aaravos is pretty indifferent to other people's immense suffering at this point, too
His mirror realm being its own sort of faerie realm that he can bring Viren in and out of
Aaravos having multiple names and monikers — the Fallen Star, the Midnight Star, one of the Great Ones — much the way the Fae folk have many — the Good Neighbours, the Fair Folk, the Kind Ones, the Wee Folk, the Others (citation).
This isn't as much of a thing but all the nature motifs surrounding Aaravos (Elarion as a flower, the nature-esque patterns on the box that held the Key and that match the key, the flower and vine emulations on his mirror).
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iceflwers · 18 hours
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𝓪𝓵𝓵𝓲𝓼𝓸𝓷 “𝓪𝓵𝓵𝔂” 𝓽𝓪𝓷𝓪𝓴𝓪 !
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˚✧ ₊˚ʚ THE BASICS !
— ❥ FULL NAME: Allison Marilyn Tanaka.
— ❥ NICKNAMES: Ally (most commonly used), Al, A, Princess of Darkness, Tattoo Girl (by Matthew Knies for a while), Naka, sweetheart, honey.
— ❥ DATE OF BIRTH: October 30th, 1998 (Scorpio).
— ❥ BIRTHPLACE: Toronto, Ontario, Canada.
— ❥ CURRENT RESIDENCE: Toronto, Ontario, Canada.
— ❥ SPOKEN LANGUAGES: English, French (not fluently), Japanese (not fluently).
— ❥ ORIENTATION: Panromantic, pansexual.
— ❥ GENDER IDENTITY: Cisgender female (she/her pronouns).
— ❥ OCCUPATION: Tattoo artist.
— ❥ FACECLAIM: Lyrica Okano.
˚✧ ₊˚ʚ PERSONALITY !
— ❥ HOGWARTS HOUSE: Slytherin (ambitious, cunning, determined).
— ❥ MYERS-BRIGGS TYPE: ISFJ - The Defender (observant, reliable, humble).
— ❥ ENNEAGRAM TYPE: Type Four - The Individualist (reserved, honest, self-aware).
— ❥ MORAL ALIGNMENT: Chaotic Good.
— ❥ LOVE LANGUAGES: Acts of service for both giving and receiving.
— ❥ SKILLS: Tattoo artistry, sketching, makeup, hair styling, calligraphy, jewelry-making, dancing, painting, deadpan snarking.
— ❥ LIKES: Romance novels (secretly), drawing to relax, getting her eye makeup right on the first try, when a tattoo turns out exactly like she wanted, punk music, when people give her a wide berth on the street because of her appearance, spending time with her family, laying in someone’s lap and letting them play with her hair.
— ❥ DISLIKES: Fake people, people being rude for no reason, people saying she’ll only be pretty “if she stops wearing so much black,” being scolded for things she feels justified in, her makeup or hair getting messed up, people who use religion as an excuse to be assholes, coffee, pigeons.
— ❥ FEARS/PHOBIAS: Complete darkness, getting trapped in an elevator, getting hit in the face, being left by the people she cares about.
˚✧ ₊˚ʚ RELATIONSHIPS !
— ❥ FAMILY: Hina Tanaka (mother), David Tanaka (father), Audrey Tanaka (younger sister).
— ❥ FRIENDS: Cameron Findlay, Jason Brightford, Lily Walters, Matthew Knies, Pontus Holmberg, Fraser Minten, Connor Dewar.
— ❥ ACQUAINTANCES: Remainder of the Toronto Maple Leafs roster, Trevor Zegras, Quinn Hughes, Jason Robertson.
— ❥ ROMANTIC INTERESTS: Kira Holloway (first crush), Ariana Cole (former crush), Grace Darcy (first girlfriend), Hayden Donnell (first boyfriend), Jason Brightford (ex-partner), Ayman Hadid (ex-girlfriend), Joseph Woll (current romantic interest).
˚✧ ₊˚ʚ FUN FACTS !
— ❥ Both Ally’s middle name, Marilyn, and her older sister’s name, Audrey, come from classic movie actresses - Marilyn Monroe and Audrey Hepburn, because their mother is a big lover of black-and-white movies.
— ❥ Ally has been in love with romance novels ever since she was eleven and read an old copy of The Princess Bride that she borrowed from her sister. She’s never been exactly good at sharing her love of them with people, but actually falling in love herself has been enough to open her up about it a little bit more.
— ❥ Despite the stereotype of tattoo artists being covered in ink, Ally only has two tattoos of her own: a pair of deer antlers with flowers curling around them on her ribs, and some small bats flying through a starry sky on her left shoulder. She wants some more in the future, but she also wants any future tattoos to be based on designs she’s drawn herself, and she has yet to pick any that she really wants on her body.
— ❥ In addition to her reading of romance novels, Ally is a huge Neil Gaiman fan, and has read almost all of his books and watched all the movie and TV adaptations of his works. Some of her favorites include the Sandman graphic novels and show, Good Omens, Coraline, and The Graveyard Book.
— ❥ Even though everyone who looks at her generally expects her to love black coffee, Ally actually doesn’t like coffee at all - she’s a big tea drinker, especially a nice cup of Oolong first thing in the morning.
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tagging @lovings4turn, @hiya-itsamber, & @theopenlocker !
─┈ ♡ copyright © 2024: you do not have permission to copy, translate, or repost my works, nor to use my oc ideas or plots.
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clownsgobeepbeep · 3 months
Text
List of OCs
Just a long reminder for myself
D'Vitt Family
Pepper the Clown/Roger D'Vitt
Jelly the Clown/MECOR/Coraline D'Vitt
Cosmos the Clown/Stellar D'Vitt
Ula the Tiny Clown/Lily D'Vitt Mendax
Dante the Firebreathing Clown/Dante D/Vitt
Robyn and Rayden the Clown(s)/Robyn and Rayden D'Vitt
Jeff and Bubble/Neil and Veronica D'Vitt
Aster the Clown/Vincent D'Vitt
Lydia D'Vitt
Stripes the Clown/Grandpa Stripes/ He does have a human name but I have decided to keep it hidden, now everybody will literally call him 'Stripes'
Caroline Wickes D'Vitt/Mam Carol
Velvet/Auntie Velvet/Roxanne (Bellerose) D'Vitt
Uncle Lucky/Perry D'Vitt
Tennant Family
Cuckoo the Ringleader/"LOGIUM"/Harley Tennant
LOGIUM/Harvey Tennant
Boggs Family
Ace the Clown/Abraham Boggs
Missy the Spider Clown
Cantarella the Mime/Cantarella Boggs
Arabella the Mime/Arabella Boggs
Evie the Clown
Sage/Olsson Family
Schrader the Clown/Schrader Sage
Walter the Clown/Walter Sage
Archer Sage
Sherry Olsson
Hilton Family
Ferry the Sweet Clown/Leota Hilton
Many deceased...might just have to give her a relative after all these years
Mendax Family
James Mendax
Ryder/Ryder Mendax -> Garden Bud
D'Vitt/Blackwood Kids
Phoebe the Moth Clown
Orion and Hunter
Carina
Boggs/Hilton Kids
Ally
Bingo
Carney
Sage/D'Vitt/Etoile Kids
Basil the Slasher Clown
Rowan the Deer Clown
Fantastic Flora
Willow ---
Frankie
Dahlia
Elders
TRITUNA
SIONIS/Zeta
RISUS
DECLA
CONLLIUM
NALIA
TREMA/The Astute One
LOGIUM(Listed in Tennant Family)
MECOR
CUNDOLILI
Others
Trevor
Riskey Rudy
Colette
Sonny the Stooge
Debby
I'm sure I'm forgetting some but whatever this was already a lot ^^'
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antisociallilbrat · 11 months
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I saw that person ask you which Losers would survive Coraline and I also saw that you like the hunger games so now I gotta ask which Loser do you think would survive the hunger games?
I'm more excited to answer this ask then I should be, thank you anon. This makes me miss my Hunger Games Stenbrough Au may it rest in peace </3
Answering this question is a little different than the Coraline one because there's many factors that go into actually winning the games. And anon I'm assuming that you meant them competing different years bc if they competed the same year uh....anyways I randomized which Loser came from which district with the wheel to make it fair. Not that the district they come from has a direct effect if they win or lose but does factor into it. Anywho you know the drill:
Ben: He's coming from district four and this works greatly in his favor. He's a naturally athletic guy and looking at tributes like Finnick and considering that district four is a career district...my man is buff. Not that he would volunteer though- he's not a career. That said he's naturally good natured (Peeta anyone?) and would draw in sponsors. But he's also Ben...I don't think he has it him to kill people so ruthlessly even on the stake of his survival. So no, Ben does not survive his games.
Richie: He got district two and I was almost tempted to respin it but nope, we're being fair here. (In my fic he was a victor from D2 🤨 the wheel knows) Out of fanfic though I'm on the fence if he would actually survive. Rich has the showmanship so he would have sponsors eating out of the palm of his hands but he's no brute. I don't think he'd be one even coming from district two. I don't see him being an ally guy. If I really think about I have to say yes he would survive his games if not at least get very far. His strategy would be just to avoid people and he's smart enough to aware of his surroundings and if need be he will kill. But if a brute came after him he could be overpowered so if that was the case he'd die but I'm sticking with yes.
Bev: Oh...she got district six. I had to google it and the first thing that popped up was 'they are at a disadvantage because they have no experience with weapons or tools'. Bev is still smart though and I can see stealth being her biggest advantage but I'm sorry, being from district six she doesn't have a chance so no she doesn't win. Maybe if she was from a career district and could pull a Clove?
Mike: Hell yeah he got district seven. Look, him and Ben are kinda similar right here- both athletic and being from districts with physically demanding occupations (seven is lumber) so Mike is kind of a tank. Mike also has that sweet demeanor that would win over some sponsors- even being from an outlier district. Where he differs from Ben is I think Mike would kill for the sake of getting home. He's also Mike so the guilt would almost kill him but I think he would do it so I'm saying yes he would survive his games.
Bill: Unlike Richie, Bill did not end up the same district he had in my fic, the wheel spun him to district ten. So not a career but a good natured farmer's boy? One who's familiar with the slaughterhouse? Who's also fit because his district also has a physically demanding occupation? Look it's not bc he's my favorite Loser but I do have to say yes he would win his games unless he had to kill someone aged like twelve or thirteen, someone who reminded him of Georgie. He'd be screwed then.
Eddie: He got district one- my bb is a career! ...okay I don't see him being a career but I can see him volunteering to get away from Sonya. It's her worst fear and it would be the ultimate- and most risky- way to get out from under her control. I think sponsors would like his fiery nature and despite not being a career, he's quick and smart. I have to say yes he would win his games or at least get to the end.
Stan: I spun for him but it didn't really matter which district he got- it was three. Look I love Stanley, he's my boy, my blorbo, but he would not win the games. I don't have to elaborate much on why. Sorry Stan, you survived Coraline but not the games. I will say that I feel like he would keep his pride up until the very end. It was all he had left :(
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weirdgirlshowdown · 1 year
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In my mind these characters are not taking this competition seriously and most of them are spending this first voting week making friends (or allies in the case of those like Mandy who don’t do “friends”) and whoever gets left behind in the first round will be cheering for whoever they went up against in future rounds. Part of this is just their personalities (Webby could become friends with anyone) but also part of this is just how many of these brackets I could see being besties.
Kuki and Goo would totally talk Rainbow Monkeys and Imaginary Friends together. Webby and Dot would just be having cartoon logic antics. Maya and Coraline would go out for burgers and discuss weird worlds and spirits. Gaz and Mandy would discuss alien invasion strategies. Matilda and Lisa being weird book girls. Mabel and Lilo enjoying talking Space and all their adventures.
Heck, I know you said you just put them together because similar names, but I can see Giulia and Ghoulia bonding over fish-people friends (Plus, Ghoulia is definitely more of a quiet type that enjoys spending time with high-energy mile-a-minute personalities like Giulia). And last but certainly not least (the duo that got me on this rant), Wednesday and Lydia would bond over all things creepy and kooky (I’ve actually seen them as a fairly popular ship).
Basically, while I don’t know enough about all of them to know for sure, the ones that I do know both halves of, you did so well at trying to make it a fair fight/similar dynamics that I think if this was like an actual event in an arena instead of just a bunch of polls on Tumblr, you would’ve set up cross-dimensional best friends forever.
I know you’ve been getting a lot of flack for them being too uneven or “How am I supposed to choose?” so I thought I’d let you know that I think you did a great job at creating some interesting match-ups, and I hope fans can get along as well as I imagine the characters would, no matter who wins ;)
aw lol thanks! this is all really cute ^^ and i'm glad people like the matchups even if it makes some upset at having to choose eheh
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