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#*music from the circus starts to play*
johntorrington · 4 months
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memorable club experience for me was when the dj was pretty good but kept trying to hype up the crowd by saying it was really going to “turn up at 11:45” and then it hit 11:45 and the music got exponentially worse
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homunculus-argument · 4 months
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Character idea that I had at some point: A dance teacher who had to give up his own highly promising career as a performer after an injury, and now makes his living giving lessons to children. He comes off as stern, serious, and frighteningly strict, and even some of the parents have a hard time believing that the kids genuinely like him and enjoy the lessons. Which, to be fair, are frightening to watch with no context of what this is about.
The children go through their practices with downright eerie, automation-like, coordinated synchrony, with stern and focused looks on their faces, while the teacher circles them, observing and correcting, brandishing his cane like a weapon and every once in a while dramatically lamenting about how "you little vermin can't do anything right", and occasionally the music stops and the only sounds coming from the studio are of kids running and screaming while their teacher bellows about teaching them a lesson.
This, however, is all just method. He started the first lesson with the children by proposing a game: How about they play flea circus, where he is the cruel evil ringmaster and they are all his poor suffering little fleas. One of the girls starts crying, protesting that she doesn't want to be a flea. Well, how about mice? Mice are cute. The children accept these terms, and ever since they've spent dance lessons playing Evil Circus.
For reasons beyond adult comprehension, children of a certain age really love playing pretend in a setting where everything is Dark And Horrible And The Worst, and Evil Mouse Circus is exactly that. And whenever he picks up that the kids are starting to get too genuinely nervous or agitated, that's when he goes "that's it I'm going to beat all of you" which is their cue to take a break to run around screaming, while he chases them. He won't catch them and isn't even trying to, the kids just need to let the nervous energy out.
It looks horrible to an outside observer, but the kids are having an excellent time playing circus mice.
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shotmrmiller · 1 month
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simon isn't a man you take home. he's for the literal streets. dresses like he's homeless because all that matters is that his throwing knives and handguns are pristine. the only reason his home is spotless is because he doesn't live in it, it's all for show. his pantry has only salt and mouse traps, his fridge a long expired bottle of ketchup and something that if anyone ate, they'd gain superpowers.
he's got a crazy look in his eye, and who can blame him after all that shit he's been through? gut-wrenching betrayal, unimaginable torture, then buried alive shoulder to shoulder with his ol rotting buddy, ol decaying pal? he joined the military a butcher's apprentice, and now he's an echo of what simon riley used to be, a fading silhouette that wanders the corridors in base. a ghost.
he has to play music whenever he's not at work just to keep the screaming voices in his head at bay, and it has to be loud enough to drown out the incessant high-pitched ringing in his ears. a cacophony of noise that wears his thin string of patience into in-existence.
he's a killer, he's a man who's donned his skull mask for so long that he's forgotten the face underneath.
you don't bring a man like him home. and when you eventually did, even your parents had agreed.
he looks one clown short of a circus.
he hovers over you like a ghost. (ha)
possessive, obsessive, paranoid.
he'll kill you if you try to leave him.
simon heard everything, not like they had tried to keep their voice down. it hadn't really mattered to him, empty words pelting knotted flesh only a sharpened knife could cut through. but you hadn't taken any of it.
his little hero, coming to his defense. it'd been the first time- in a long time- that his icy cold, tiny heart skipped a beat.
simon's always been his own savior. he saved himself from the shit life he had with his family by joining the army. he'd clawed his way out of his own grave, freshly turned soil stuck under his fingernails for weeks. he'd gone after the head of roba, in the name of vengeance. even now, he's a part of the justice league, the task force 141.
unsung heroes.
and here you were, standing in your parent's kitchen, all bared teeth and scalding temper- over him.
simon's so aroused that when he rises from where he's seated, he sways on his feet. there's no stopping him from briskly walking over to you and hoisting you up and over his shoulder, heading for the door.
there's no stopping him from throwing you into the backseat, and climbing in after.
you weakly try to stop him with stammered words, just wanting to know what the fuck he's doing but when simon starts to impatiently undo the button of your jeans, his confined manhood pushing up underneath you, it clicks.
you don't want him to stop when the calloused pad of his thumb rubs your slippery clit with expertise, thick fingers curling inside your swollen cunt.
you definitely don't want him to stop when his cock slides through your slick folds, his hand wrapped around his thick base. his tip pushes inside, mild discomfort already flaring. gravity then does the work, slowly sinking you onto him until his thighs are flush against your arse. the sweet, decadent burn of him splitting you in half sparking your nerve endings alight, from the waist to your knees.
you beg him not to stop when he fucks you in earnest; desire, sticky and wet, dampening the coarse trimmed hair of his cock. the air inside the truck muggy, heavy and thick with sex. he places his hand under your navel, right when he knows he is, and grunts when he gently presses down. the noises coming from you and your sodden pussy are obscene, lewd, downright vulgar and he wonders if you'd let him record it- to replace the banal music he usually listens to.
your breath hitches beautifully, and simon makes sure to watch how you let go of his shoulder to weave that hand downward to take yourself over the edge.
"impatient little pet, can't even wait f'me to get ya there, eh?" the low chuckle he lets out is cut short at the feeling of your slick walls fluttering around him, making him groan. he keeps his sharp gaze on you when your body tenses, back arching as you jerk fast, little circles over your pearl. he plants his feet and begins to thrust upward, your weight nothing to his strength and-
how beautiful you look in the pleasure he brings you.
it's cliche, truly, that he comes when you do, but he couldn't care less in this instance. your cunt squeezes him like a silken fist, a tight vice that milks his cock almost painfully so. his grip around your waist is bruising, but it only adds to the sensation- the delightful bite of pain prolonging your pleasure.
the base of his spine tingles from his climax, and his breathing is ragged. alive. your hands skim the wide breadth of his chest, as if brushing off the dirt he'd once been buried under.
his little hero.
you took him home, so now he takes you to his.
(...don't look in the kitchen, pet.)
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rad-batson · 11 months
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The Batkids and The Arts (Feral Edition)
They’re all musical theatre nerds. Every single one of them. Bruce, Alfred, Dick, Cass, Jason, Steph, Tim, Duke, Damian. They go see Broadway shows together then don’t stop talking about it for like a week. It is the one bonding activity they will never pass up.
Jason and Steph once entered a ballroom dancing competition and won after some pompous rich kids insulted their moves during a gala. Since then, they’ve entered a competition every month or so just for fun. (And for the prize money :P)
Tim is an avid believer that Culinary Art is one of The Arts. (Can he cook? Absolutely not. It was Bernard that convinced him, but he stands by it.)
Duke talks through every single movie he watches. He always promises to be quiet at the beginning, but then he gets too excited and whispers commentary to the people around him. This habit has since bled into the entire family. They are no longer welcome at the local AMC.
Every single one of them is pretentious about something.
Dick is pretentious about any and all performance arts featured at the circus. Once, someone made a joke about going to “Clown School” and Dick screamed at them about how not even their pinky would have the privilege of being admitted into clown school.
Jason is pretentious about classic literature. They can no longer tell if his jokes and references to Shakespeare and Jane Austen are correct or if he’s just fucking with them.
Cass gets pretentious about martial arts being a performance art. She is also pretentious about ballet being a martial art. She could kill a man in fifth position without losing her balance, and that’s a fucking fact.
Stephanie is very good at acting pretentious about the arts. She absorbs everything she’s learned from the rest of the bat family’s interests then pretends to be pretentious about it to mock them while sneaking in just enough correct information so no one can call her out on it. (Her true interest is graphic design.)
Tim has no professional experience with photography, but he will be pretentious about it like he knows everything. (Bruce: Tim, why is there a filter on this evidence photo you took? Tim: I thought it looked nicer that way. Really makes the blood splatter pop.)
Duke isn’t exactly pretentious about writing, but he will lay down his life for the Oxford comma. (Bruce didn’t use it until Duke called the punctuation in his mission reports “insulting.” He now uses it.)
Damian is pretentious about studio art. If he ever hears his family or friends say, “I don’t get it,” at an art museum, he will make them look at it for five minutes as he explains in painstaking detail what’s so revolutionary about it.
The kids decided to take an improv class together once for their undercover work while Bruce and Alfred were out of town. It was so fun that they still play improv games when they’re bored.
Cass is secretly a metalhead.
Whenever one of the younger kids needs to write an English paper, they will just walk up to Jason, riddle off a dumb opinion about the book or poem they had to read, and record whatever Jason ends up lecturing them about. The most recent incident resulted in an award-winning paper about how the theory that William Shakespeare never wrote his own work is deeply rooted in classism.
Damian always has paint under his nails. It just never comes out.
Dick has personally taught everyone in the family how to do The Perfect Backflip. They all get a little ceremony once they’ve mastered it. There is cake.
Whenever Cass is standing around with nothing to do, she’ll practice her foot positions for ballet. The others always notice and follow her lead.
Jason: dramatically recites a poem in the living room Steph: starts beatboxing
Steph is always the first to find typos or continuity errors in a book, play, or movie. She doesn’t intend to; it’s just second nature to her. (She is now Duke’s official proofreader.)
Duke: So how’d you like the movie? Damian: I really loved the mise-en-scène, especially during the breakfast scene and that one shot near the end with the warehouse doors. Duke: *nods thoughtfully* Everyone Else Leaving the Theater: wtf is a meez on sen?
When Duke is finished writing something and wants to share it with his family, he’ll give it to Jason and Cass first.
Jason and Duke have frequent passionate arguments discussions about who is the best poet. Never bring up Dickinson, Poe, Shakespeare, Hughes, Plath, Wilde, Kipling, Sappho, or Angelou in their vicinity unless you want to start it up again.
Damian is surprisingly good at acting. Too good.
Dick knows your music taste before you do. He has a carefully curated playlist for every single family member, every possible combination of family members, and every possible mood at the ready.
They can and will correct anyone who mistakes Gothic architecture for Victorian or Gothic Revival and vice versa. (It’s really a Gotham thing.)
Tim: How dare you call The Grand Budapest Hotel the best prison break movie when it’s clearly The Shawshank Redemption! Jason: Well, as someone who’s BEEN TO PRISON, I think I should know! Dick: It’s clearly Chicken Run! You’re all just Chicken-ist. Duke: But what about Midnight Express?! That one’s so good! Steph: Has anyone mentioned Toy Story 3 yet? No? Damian, watching from the sidelines: I liked Escape from Alcatraz. Cass: Same.
There are several art pieces in the manor that have been positioned directly over top of bullet holes and other suspicious damages.
Damian and Duke made an animated short film once for the Gotham Film Festival. Dick and Cass were their models for the concept art. Tim did historical research. Jason helped Duke edit the storyboard, and Steph was the continuity supervisor. It was about a British super spy working for MI6 that saved the world in the late 70’s. It was titled Agent A.
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dont-tell-them-i-died · 6 months
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random goofy lil tadc headcannons 🔥🔥🔥
Kinger once completely forgot how to speak English for a whole day and didn't realize. He was speaking Spanish. Kinger doesn't even speak Spanish.
Every few months Caine makes little changes to everyone's outfits just for fun. They have no say in this.
Once in a while they all gather in Jax's room for movie night. They only use Jax's room because he has the biggest bed (because of how ridiculously tall he is). Jax never gets to pick the movie, despite it being his tv.
Sometimes ragatha thinks that she forgot to drink water for today, then remembers that they don't actually need water.
Jax used to be best friends with another rabbit that resided within the circus, but once they abstracted, he decided that nothing in the circus was worth his time anymore, and just sorta gave up on being nice to people and participating in Caine's adventures.
Caine once tried incorporating digital pets into the circus to make everyone happier, but they glitched out and started trying to attack everyone. That's how ragatha lost an eye.
Jax blasts music from his room louder than anyone thought was humanly possible, and it's never the kind of music anyone would expect him to listen to. Imagine Gangle's surprise when she walked past Jax's room in the morning hearing David Bowie music playing so loud it could rupture a non-digital person's eardrums.
Sometimes when Zooble is bored they'll just rearrange their body parts like a real life Mx. Potato Head.
Gangle and Pomni bond over their shared love of cats.
Every Friday night, Gangle, Pomni, and Ragatha hang out and eat popcorn and watch romcoms for a girl's night. They were going to invite Zooble, but ultimately decided against it since Zooble isn't technically a girl, they're a Zooble.
They're all at least a little bit gay.
Ok that's it. Tadc fans come get your juice.
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fob4ever · 5 months
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i was at a bookstore yesterday that had a copy of the kerrang: living loud book that featured the FOB watergun fight article i've never seen transcribed anywhere so i made a transcript of it for archival purposes. enjoy! from kerrang, may 2005.
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For a man staring down the barrel of a loaded gun while wearing just underpants, Fall Out Boy bassist Peter Wentz looks remarkably chipper. Especially when you consider the person about to unload in his face is guitarist and vocalist Patrick Stump, grinning madly despite the fact that fellow six-stringer Joe Trohman has a pistol to his temple. He in turn is firmly in the firing line of drummer Andy Hurley, cackling loudly with his finger hovering over the trigger.
Passers-by stop and stare, waiting for the inevitable, messy climax of this "Reservoir Dogs" scenario. The tension mounts, onlookers brace themselves, the band get ready to open fire. Suddenly it happens.
"Argh!" screams Wentz as several litres of icy water soak him. "That's fucking cold!"
No, Fall Out Boy aren't about to blow each other away, They're having a water fight for K!'s benefit in a car park at the Chicago stop on travelling punk circus Warped Tour, where they're knocking out their "softcore" wares ("We're basically a hardcore band that couldn't cut it as a hardcore band," laughs Wentz) on the main stage alongside big hitters like The Offspring, Avenged Sevenfold and My Chemical Romance. The Windy City is more than just another stop for them; Chicago is Fall Out Boy's hometown, the place where they formed out of the ashes of their old hardcore bands, and where they still live with their parents- who are here for today's show - during the few weeks of the year they're not on tour.
It all started for Fall Out Boy here in 2001 when the members wanted a break from playing in their various bands. Long time friends Wentz and Hurley got together with hardcore associate Joe Trohman to do something a bit less heavy. Following a conversation about avant-metallers Neurosis in a bookstore, Trohman introduced Stump to the rest of the band. When their other bands folded, they took on Fall Out Boy full time.
"We wanted to do things before we were ready," chuckles Peter Wentz fondly of the early days of DIY tours for the benefit of the one or two people who would show up. "We'd plan two-week tours, just to see the world. Nobody would book us, so we had to do it all on our own."
"A lot of bands have scenes to go into and surround themselves with those people," says Stump. "We had no scene, so we would just play anywhere, with whoever."
FOB have come a long way from their humble roots. Right now they're America's fastest rising band. Radio smash 'Sugar, We're Goin' Down' has placed them squarely in the mainstream, having spent three weeks as the Number One song on MTV's 'TRL', a prime-time show usually devoted to pop acts like Maroon 5 and Ashlee Simpson. So dizzying their Stateside assent has been, they had to cancel their recent European tour in order to play the MTV Music Video Awards, where they are also nominated for 'Sugar...'. Thankfully, FOB haven't let the screaming adoration turn them into big-headed twats.
"A piece of shit with legs on it could walk onto 'TRL' and people would still go crazy," laughs Wentz. "That stuff just goes straight by me. With the fast turnover in the music industry, how can anyone have an ego"
Andy Hurley chips in. "You can be today's main stage and tomorrow's trash."
That's to find out tomorrow, though. Today among the madness of trying to plan anything on the Warped Tour - stage times are decided daily by lottery - Fall Out Boy have to try and find time for hanging out with family and friends.
"Three weeks on Warped is like three months on a normal tour," says Peter Wentz.
"Home becomes like Atlantis on tour, you wonder if it actually exists after a while," adds Patrick Stump.
Now FOB are big stars, a lot of old 'friends' have been coming out of the woodwork. Joe Trohman and Peter Wentz have polarised views on those who didn't give a toss back in the day suddenly becoming your pal once you've made it.
"The way I look at it is if someone's a dick to you and you don't know them, so what?" says Trohman. "Just care about who did support you, keep those important people close, not the people who five years ago called you a loser."
"I work the opposite way!" Wentz counters, before adding darkly, "The people I think about most are enemies. My brain works on revenge!"
Though a tight knit group of close friends, Peter Wentz is clearly Fall Out Boy's spokesman. He does most of the talking during the interview and writes the lyrics, and seems like the most driven one of the lot. As well as doing Fall Out Boy, Wentz has also written a book with tattoo artist Joe Tesaure, 'The Boy With The Thorn In His Side'. It's a dark, twisted tale that could have come straight from the brain of Tim Burton.
"I've always been into Roahl Dahl and people like that, and I was friends with a tattoo artist at the time and we came up with this idea to do a book together," he explains. "It wasn't something I felt fitted in with what Fall Out Boy is, I hate when bands do something that's not 'them'. The book is what it is, and Fall Out Boy is what we are."
Despite all thise talk of nightmares and revenge, FOB are upbeat individuals, enjoying their newfound success, while refusing to allow success to go to their heads. They'll tell you they don't like the shallowness of groupies or industry parties, and that the trappings of rock stardom hold no appeal.
"I don't feel like I deserve it," says Wentz in closing. "It's not like, 'this amount of time and this amount of shows = this kind of bus'. I appreciate what we've got. We've toured in a tiny van and it was cool, but now we're having new adventures living like this. I don't feel we deserve it more than any other bands do."
He surveys the sumptuosly appointed tour bus for a moment before chuckling heartily.
"Actually, that's a lie, we totally deserve it more than anyone else! Ha ha!"
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parrythisucasual · 6 months
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What About Me? Ch. 1
___HERES THE STORY SO FAR!!! NOT BETA READ SORRYYYYY___
PAIRING- JAX X READER (ROMANTIC)
Something is wrong. This isn't right. You were just lying in bed, starting a new VR game. Where are you now? There’s… music playing. Chipper, happy music. And every single color is like your mom’s phone screen- full-on brightness. You blink a few times, staring around. There’s a group of people… But they aren't people, exactly. They seem more like children's toys.
You're suddenly feeling very, very overwhelmed. You can feel your body shaking as panic punches you hard in the gut. You’re going to scream, you're going to have a breakdown, you're going to- 
“Where am I?” Oh. Well, that wasn’t so bad. Until the motley group turns and looks at you. The fear only rises as a doll woman steps closer to you “Another one? But Pomni just got here last week…” You blink, utterly dumbfounded. She spoke to you. You can understand her.
“Who are you?” a second question makes its way past your lips, your mind searching desperately for some kind of clarity. “This one’s taking it pretty well. Unless you count the crying.” another voice piped up as a purple rabbit sauntered over, stopping right next to you, “at least they aren't screaming like someone did when she got here.” 
“Jax!” the doll snapped at the rabbit, “I’m sorry about him, he’s just a bully. I’m Ragatha.” she gently placed an arm over your shoulder, causing a small bit of relief to flood through you. Something grounding. “I know this is really scary and off-putting, but I promise you’ll be okay.”
“Except you can never leave.” Jax’s smile widened. Your heart dropped rather suddenly “N-never leave?” you asked, looking from Jax to Ragatha. “Afraid not, my dear!” a third voice, a rather loud one, came to your attention. You turned to see who this could be and almost jumped out of your skin.
A set of teeth with bulging eyes staring at you, hovering a few feet in the air, “Welcome to the Amazing Digital Circus! I’m your ringmaster, Caine!” he greeted enthusiastically, spreading his arms in a display of showmanship. You think you’ve had enough.
Reaching to your face, you try to pull the headset off. But… it's not there. It’s just your face. But it doesn't feel like your face. It feels like a soft silicone rubber, almost like the Gumby toy you’d had as a kid. “It’s not there!” you yelp, now simply holding your own head.
“It’s okay, I promise you’re okay,” Ragatha gently reached over and took your hands from your head, “Just take a breath, okay?” You nodded, taking a deep breath and relaxing a bit, “Why isn’t it here?”
“Who knows? You’re stuck either way, why bother thinkin’ about it?” Jax walked past you, shrugging. You can already feel a twinge of anger at this… man? Rabbit? You’re clearly terrified and he can’t bother being kind for one second? 
Oddly, that anger only serves to calm you more. You ignore him and turn back to Ragatha, “Okay. I’m stuck here… in the circus… we can’t leave. You’re Ragatha. That's Jax. That’s Caine,” you list your knowledge, nodding with each statement. A small smile spread across her face, “Exactly.”
Nodding, you glance to the other circus members “What about… them?” you ask. Ragatha points to each member “This is Zooble, that’s Gangle, there’s Pomni,” she gestures to a pile of pillows, “Kinger is in there.” You made a mental note of each, making sure to introduce yourself later.
“Ya know, it's kind of refreshing not having to deal with some crybaby freakin’ out on us,” Jax mused, waving a finger in your general direction. The anger twinged once more, and before you could stop it, a realtor shot from your lips, “It would be refreshing if you shut your mouth. Nobody wants to hear your opinion.”
Shock spread across his face momentarily, then he frowned “I don’t care what anybody wants to hear or not. I say whatever I want to.” Ragathe interrupted suddenly, “OKAY! Let’s not fight… Um, what did you say you wanted us to call you?”
“I didn’t say. I’m- uh… My name…” you couldn’t remember. Terror gripped your chest once more. You could see Jax smiling, and that only worsened it. They knew you wouldn’t know. You pressed the anger back. No fighting.
“Um… just… just call me (Y/N),” you spoke quickly, taking the name off the top of your head. With a nod, Ragatha smiled, “Alright. Well, welcome to the circus, (Y/N).” You couslnt help but return the grin. She was too kind, making you feel so welcome. 
“Why don’t I show you your bedroom, then?” she offered, “if you’d like me to?” “Sure,” you accepted, following her away from the group. You couldn’t help but notice Jax staring at you as you left. Something about his face made you feel off. You couldn't place it, maybe he was angry? But it didn’t feel like he was. Oh well. You could deal with that later. For now, you focused on getting to your room, getting settled, and simply taking in your situation. After all… you were here to stay, weren’t you?
______HOPE YOU ENJOY!!!! ANY IDEAS?? SUGGESTIONS??? COMMENT!!! WANT TO CHAT??? DM!!!!___________
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yandere-daydreams · 10 months
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tw - fem!reader, implied kidnapping, implied stalking.
“I used to be the best dancer in Snezhnaya.”
You hum, playing thoughtful while she guides you through a loose turn and savoring the way the skirt of your dress fans out behind you. The music is slower than you prefer, made more for conversation than exhibition, but you’ve never taken much of an interest in gossip, nor can you stand discussions on the circus that is Fontaine’s political sphere. This, the performance of it all, is all you really care about. Well, that and a chance to sample champagne fit for an archon, of course. “Used to be?”
“I was recently usurped. A tragic turn of events, I know, but it was well-deserved.” Her gloved hand falls from your side to your lower back. It’s too low to offer any real support, clearly a choice made for aesthetics over practicality, but you don’t protest. You can hold yourself up, even if your feet won’t thank you for your independence in the morning. “By a foreigner, no less – some court gem so lovely and so elegant, even the Tsaritsa couldn’t help but stare. I didn’t stand a chance.”
“That’s not exactly a description I’d expect from an envy-stricken rival.”
“I’m not jealous. I couldn’t be.” She takes an unexpected step forward and you take one back, nearly colliding with another pair too caught up with each other to mind anyone else. You purse your lips. Arlecchino – that was what she said when you asked for the name of the strange, monochromatic woman who’d spent the better half of the evening scaring your other potential partners away. A diplomat from Snezhnaya, if memory served. Hopefully, for the sake of her nation, she’s better at the negotiation table than in the ballroom. “I was the one foolish enough to bring her home with me.” There’s a slight pause, a wistful sigh, as if she’s recalling something dear to her. “We only knew each other for a few days – just a few nights, really. I could hardly bring myself to speak to her, but she was the one to approach me, in the end.”
A quick turn that became into an abrupt twirl, a tug in a direction that went against the flow of the dance floor. This time, you fail to suppress your reaction, a slight frown coming to rest across your lips as Arlecchino flashes a broad grin, nearly hauling you to a less populated corner of the dance floor. “You must be quite the hopeless romantic.”
Your voice is flat, cold, but if she notices your sudden change in demeanor, she doesn’t seem to mind, doesn’t deem the insult worth leaving you alone and partnerless in the middle of the dance (no matter how much you’re starting to wish she would). Rather, she only pulls you closer, until your chest is flush against hers, her mouth close enough to your ear for her voice to resonate in a way that makes you want to run. “More possessive than romantic, unfortunately.” Her grin is heavy in her tone. “I’ve just always preferred to keep the things I find beautiful close by.”
That’s enough. You try to wrench your hands out of hers, to shove her away from you, your reputation be damned, but her hold is iron-clad around yours, her posture unfaltering. In one smooth motion, she sweeps your legs from underneath you, leaving you falling into a deep, full-body dip – her strength the only thing separating you from the floor. You open your mouth, ready to scream, but there’s a tight pinch somewhere in your lower back, the feeling of something very small and very sharp being pushed underneath your skin, and your voice catches in your throat, your vision blurring as your body stiffens and your joints lock into place. You do what you can to stay upright, to stay conscious, but it’s a futile pursuit, punctuated by a soft laugh, a pair of smiling lips pressed gingerly against yours. “You’ll like it, in the Tsaritsa’s court,” she says, the words just barely above a whisper.
“I know how to keep my precious gems polished.”
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Appendix D: Some Pig/One More Final
The first three posts in this series are here.
Undertale was a slightly postmodern children's fantasy movie produced by Jim Henson's Creature Shop in the '80s. Noah Hathaway played the protagonist, Frisk, who went on a long quest to escape from a magical prison inside Mt. Ebott; Frisk's father had thrown them into the mountain, known to be full of monsters, in an attempt to kill them. However, it's suggested that as a human, Frisk is inherently more of a protagonist than a monster can be, and has a vague sort of magical power over them. Toriel's death, which Frisk accidentally causes early in the movie, is commonly listed as a Peak Sad Childhood Moment.
George Orwell wrote The Writing In The Web, a political fable about a cult started by a well-meaning spider. E. B. White wrote Snowball's Farm, a whimsical children's tale about a farm whose animals decide to take over.
Infamously, Emmanuel Goldstein's monologue fills dozens of pages, takes at least three hours to read aloud, and brings the plot of Ayn Rand's 1984 to a screeching halt.
Short story collections and anthologies often keep the same title, author, and spirit, it's just the stories that are swapped out. For example, classic episodes of Rod Serling's The Twilight Zone include A Wonderful Life, The Secret Life Of Walter Mitty, Miracle On 34th Street, and The Sixth Sense. 1983's The Twilight Zone Movie includes segments based on classic episodes Eternal Sunshine of the Spotless Mind (directed by John Landis and given anti-war themes), Cocoon, The Poltergeist, and In Search of the Twelve Monkeys (the original starred a young William Shatner). Candle Cove is an episode of Black Mirror.
League of Extraordinary Gentlemen was a 1999 Ben Stiller comedy about a team of low-rent superheroes who theme themselves after public domain characters because they cannot afford licensing fees. The film was well-reviewed, but a box office bomb. It was actually the first film to use Smash Mouth's One Week - the One Week music video is actually cross promotion with League of Extraordinary Gentlemen - and it would remain the film most associated with the song until Dreamworks' Happily N'Ever After hit theaters two years later.
The Amazing Digital Circus was a virtual pet game and toy line that struck when the iron was hot on that niche, before being bought out by Hasbro and rebooted a few times in different forms and mediums. Lauren Faust created a long-running television cartoon of it that was a huge smash hit with fandom culture despite the show's clearly very young target audience. The property's canon is all very light kiddie fare; the scariest thing about The Amazing Digital Circus is that for a brief and touchy stretch of time in the early 2000s, it was owned by the Peoples Temple, which was seriously considering turning it into a recruiting platform.
Your cringe unpublished works that you gave up on were almost certainly swapped around with other people's cringe unpublished works that they gave up on. There's lots of upwards and downwards mobility to the scramble, but not usually that much. Exceptions are very rare - like a beggar suddenly being made king, or a god being reincarnated into an ant - but they do occasionally happen. For example, what you know as the land of Oz exists only in the head of a young Milwaukee stoner, who suddenly came up with the idea for an epic graphic novel one day in the 2010s while sitting on the bus, and spent a couple of years absolutely convinced she would eventually make it. (She cannot draw.) Conversely, L. Frank Baum's children's fantasy series, Enormia, which has been adapted and reimagined many times, most notably as audiences' introduction to color film, exists in your world only as a different Milwaukee stoner's overly elaborate backstory for his jerkoff sessions. This kind of thing is much more the exception than the rule, and even such exceptions are almost always much smaller in scope - an obscure stillborn project getting swapped around with an obscure out-of-print novel, or an obscure direct-to-video z-movie.
The True Detectives forum and its many schismatic spinoffs, all of which are devoted to discussing mystery fiction, host literally thousands of Wind fanfics. Many of the writers - perhaps most of them - have never actually read Wind, just other fanfiction of it; next to none of the fics are worth reading. Most Wind fics reuse the original protagonist, Rorschach, but treat him as a generically relatable blank slate. The most common fic format by far is the "altdunnit", a form of what-if scenario in which the mystery that sets off Wind's plot is different in some way.
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Rorschach is held by a substantial portion of the fandom to be an egg (a trans woman who has not realized it yet). Wildbow has never endorsed this interpretation, and it doesn't seem to be much on his radar. In recent years, the trans Rorschach portion of the fandom has grown; they don't tend to look especially kindly on Warn, much of which Wildbow wrote as a response to fans (like those on the True Detectives forum) he felt had been too inclined to take Rorschach's side in Wind. Flame wars over Warn's content were constant throughout its serial publication, and made it easily the rockiest experience of Wildbow's writing career.
Some noteworthy and relevant podcasts include Jonathan Sims' The Dresden Files, the Ranged Touch Network's Scott Pilgrim Made The World, Doof Media's Winding Down (later Warning Down), and the McElroy family's The Adventure Zone (an actual play podcast which has currently had three major campaigns, two anthology series, and various one-shots). Film Reroll is still an actual play podcast that runs the basic setups of movies (and occasionally other media) as short tabletop campaigns; occasionally, their version of a movie will be much closer to ours than it is to the version of the movie in their own universe.
Xenobuddy was an early childhood public access show, originally created for the BBC in the late 1990s but later aired internationally. The title character is a small alien puppet who lives on a futuristic spaceship staffed by children (who speak a vague conlang akin to a dollar store Esperanto). At the end of every episode, it gets lost and is found, usually by (harmlessly) bursting out of one of the children. It was very popular with its target audience and much loathed by parents. Edgy ironic fanart depicting the titular Xenobuddy as some kind of dangerous parasite abounds.
Static is a supernatural slasher franchise created by Wes Craven, with the first film, also simply titled Static, released in 1984. The movies concern a group of gibbering neotenous ogre-fae who wake up in the modern day after a long sleep, incorporate televisions into their bodies, and start eating people by sucking them into hellish pocket dimensions. The Screen-Guts collectively are probably in the top five antagonists most people think of when they think of slasher horror.
Toby Fox's ROSEQUARTZ is especially known for its meta take on video game morality systems. The game has a mission-based structure; throughout it, the player is encouraged to take on a pacifist playstyle, championed by the player character's late mother, the title character. However, the Crystal Gems give the player enough autonomy that you are entirely able to take a much more violent tack; doing so has a rippling effect on the game's writing in countless immersively-integrated ways. If the player goes out of their way to be as murderous as possible - the so-called "genocide route" - the differences from the main route grow much more extreme, and rather than gaining allies, you start to lose them, as the Crystal Gems realize what you're doing and one by one turn against you. If you manage to shatter Garnet - it's the hardest and most iconic fight in the game, Megalovania is playing, her Future Vision gets used for all it's worth - then you use your knife to slash at the cosmos, erasing Earth, Homeworld, and everything else. This, Toby Fox is saying, is apparently all you want out of a video game - another toy to break.
Warner Bros still did Space Jam with Michael Jordan and the Looney Tunes, it's just that the Looney Tunes in question were Mickey Mouse and friends. They also still did a second one with LeBron James, which was, by God, somehow worse. They put Ms. Frizzle in it.
Walt Disney made his squeaky clean reputation on the back of adaptations of things like Rudyard Kipling's adventure novel The Call of Cthulhu, P. L. Travers' Thomas the Tank Engine, and Erich Kästner's feel-good coming-of-age kidnapping tale about the power of perseverance, Lolita, originally done with Hayley Mills and later remade with Lindsay Lohan.
Nabokov's extremely controversial literary classic that has defined the idea of the unreliable narrator is Father's Trap, from the perspective of a man who plots to obtain custody of both of his daughters for nefarious purposes. Most publishers ignored Nabokov's instructions not to depict the twins, Lisa and Lottie, on the cover. Stanley Kubrick and Adrian Lyne have directed mediocre film adaptations, and songwriting team Lerner and Loewe did a musical that was a legendary flop.
The Japanese fashion movement is Gothic Pollyanna, after an otherwise-forgotten series of penny dreadfuls about a cute, cheery, rules-minded young girl who is, despite appearances, an insane criminal. Minor character Bonesaw in Alan Moore's Worm Turns also clearly hearkens back to the Pollyanna stock character.
The DEA was a prime-time soap opera about the ongoing "war on drugs"; it ran for eleven seasons from 1982 to 1993. Its plot focused on federal agents working at the Drug Enforcement Administration office in Albuquerque, New Mexico, and especially partners Hank Schrader and Steve Gomez and their families. It is mostly remembered today for its downer ending (in which the treachery of late-show villain Walter White, or "Heisenberg", gets the leads killed, and he escapes from justice), and for its far-more-acclaimed spinoff series Better Call Saul, which also ran for eleven seasons from 1993 to 2004, functioning as a prequel, midquel, and sequel to The DEA.
Between The DEA and Better Call Saul, Kelsey Grammer played crooked lawyer Saul Goodman for twenty consecutive years of primetime TV, first as featured comic relief and later as a leading man. (He also guest-starred on the mostly-forgotten Mall Cop, establishing that it, too, was set in the world of The DEA and Better Call Saul.) Better Call Saul won more than a dozen Primetime Emmys. Peri Gilpin received several of these for her performance as Kim Wexler.
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St. Elsewhere was a film written and directed by M. Night Shyamalan in the late 1990s; it was highly acclaimed and successful, and established Shyamalan in the public eye as a skilled auteur with an affinity for twist endings. The film's final scene reveals that its main setting, St. Eligius Hospital, exists entirely within the imagination of an autistic boy, Tommy Westphall, as he gazes into a snowglobe. The so-called "Tommy Westphall Universe Hypothesis", which posits that this same twist applies to most of fiction due to a network of crossovers, was invented by a Saturday Night Live sketch shortly postdating the film's release, in which an amnesiac Charles McGill (from Better Call Saul) wakes up in St. Eligius, attended to by a cast of characters who are more concerned with their own nonexistence.
After rising to prominence as a writer, storyboarder, and composer for Pendleton Ward's Science Time (where she established the Summer/Jessica relationship that would come to define later seasons), Rebecca Sugar got to make her own cartoon, Henry Ichor. Set in a recently post-apocalyptic but strangely cheerful world, Henry Ichor concerns a young teenage boy who is conscripted as a mech pilot due to his rare and innate ability to link to the powerful Evangelion mecha. (His preferred Evangelion is eventually revealed to be a form of his late mother, the reason he can do this in the first place.) Henry turns out to be a vital asset in protecting humanity from the monstrous "Angels" that frequently threaten it, and is surprisingly emotionally mature for his age. However, the adults around him (especially his father, Gennady) frequently push him too far, especially considering his generally noncombative and pacifistic nature. There is much interpersonal drama and much singing about it, with a very vocally trained cast. After several seasons of slow buildup, the show was forced to suddenly rush to its ending in only a few (infamous) episodes after an arc where Henry had a romance with an Angel in male human form. Henry Ichor The Movie and an ensuing miniseries, End Of Henry Ichor, helped bring the show to a more thematically satisfying conclusion.
Although he has played a creative or consultant role in many animated projects, Alex Hirsch is best known for the one he was actually the showrunner for, Disney Channel's smash hit Sunnydale. Focusing on a small California town constantly plagued by supernatural threats, Sunnydale generally followed a simple monster-of-the-week format, but kept audiences on the hook with teases at a deeper underlying mystery. The show almost didn't get a season two, as Hirsch found working with Disney very tiring, but he was eventually persuaded; season two ran through the rest of Hirsch's ideas at a faster pace, and concluded the show with the leads graduating from Sunnydale High.
For a brief historical moment, Daron Nefcy's show, Ender vs. the Space Bug Army, looked like it would become the successor to Sunnydale, keeping Disney Television Animation prestigious after Sunnydale ended. However, though Ender drew in a big crowd, and lasted almost twice as long as Sunnydale, it was not ultimately as well-received. EvtSBA is a children's space opera, wearing its Starship Troopers (Joss Whedon) inspiration on its sleeve, but also clearly copying some (superficial) notes from Philip Pullman. Set in a future where mankind has come into violent conflict with bug-like aliens, the show follows unbearably smug boy supergenius Ender as he is sent to military school to prepare for interstellar warfare. The show has an extremely cutesy and hyperactive tone; typical filler episodes include the one (generally taken as meta about fandom drama) in which Ender's siblings' futuristic internet arguments prove instrumental to the survival of the human race. Later seasons get a bit more serious, but focus heavily on shipping. The show is infamous for its ending, in which Ender, for his final exam, destroys the Formics' home planet and releases a psychic signal that eradicates the Formic race. Although the show explicitly notes that this includes many individual Formics who we have previously known as sympathetic characters, it is nonetheless played as a happy ending in which a hostile colonial power is defeated. Ender has ended the war; he has beaten the Space Bug Army.
"Meugh-Neigh. 'Meugh' like the cat, 'neigh' like the horse." "Does it mean something?" "No answer; none at all."
Orson Scott Card is an extremely prolific author of speculative fiction. Although it isn't as close to his heart as the Steel Gear series, in which he got to flex his military sci-fi muscles and allegorically retell stories from his faith, he is undoubtedly best known for Ishtar's Curse. Initially a short story and later expanded into a full novel, the plot concerns young Princess Ishtar, or Star, heir to the heathen fairy kingdom of Meugh-Neigh. (In later novels, she changes her name to Bethlehem Diaz, or Beth.) Spoiled and destructive but magically talented, Star is sent to twentieth century Earth so she can develop the wits and the strength of character to be a viable wartime leader for her people - or at least so she can be kept out of the way. After several years of personal growth and magical misadventures with companions she met on Earth, a more grounded Star devises a spell to erase the magic that makes up the bodies of most of her throne's enemies. This plan works, and merges Meugh-Neigh into the Earth as a small and ordinary European country. However, though her subjects are eager to celebrate her for this, Star is devastated when she realizes that she has killed trillions of innocent spirits, and, seeking to atone, she takes on the title of Speaker for the Dead (also the title of the book's first sequel). Although it's frequently ranked highly in lists of fantasy novels of the twentieth century, Ishtar's Curse has received some harsh criticism, with the standard line being that Star is an idealized fantasy of a repentant Hitler figure, and that the text presents excessive justifications for her actions. The story has also been called a reactionary response to Wilde's The Little Mermaid. After more than twenty years, a film adaptation of Ishtar's Curse was released in 2009, starring Dakota Fanning, to mixed reviews. The box office took a further hit due to a boycott campaign, after Card's views on homosexuality (and, relatedly, his membership in the LDS Church) became widely known. In the end, it lost the studio a lot of money.
Hideaki Anno is best known for the classic smash hit anime he made for Studio Gainax, Einstein Goliath Nestorian, a psychologically intense deconstruction of martial arts shonen like Yoshiyuki Tomino's Dragon Ball. Einstein Goliath Nestorian concerns a mystery man known only as Saitama, who finds that he has become dissatisfied with life and alienated from the world after only three years of training have enabled him to easily surpass any physical challenge. The original series is known for its sudden, surreal, and clearly budget-driven ending, although this was quickly alleviated with a similarly surreal but more definitive finale movie. Although many Western anime fans often think of Einstein Goliath Nestorian as pretentious and ultra niche, it was actually a huge mainstream hit in Japan, with a colossal franchise of adaptations, merch, and spinoffs (notably including a series of Retrain films, which began as extremely close shot-for-shot remakes of the original series but wound up spiraling into a very different updated timeline).
Previously most noteworthy for his 2003 visual novel Oreimo, Gen Urobuchi was tapped by Shaft for their extremely successful and acclaimed anime Ohayou Hana!, hailed as a deceptively dark deconstruction of the teen idol genre. The plot concerns a girl, Saionji Mayuri, who leads a double life, being of little note at school, out of costume, but spending much of her time as #1 idol Hana. Her mental stability begins to deteriorate as she realizes that the adults in her life - especially her father, himself a former idol - have groomed her to serve as a drugged and hypnotized propaganda mouthpiece for a shadowy conspiracy. She winds up in the worst of both worlds as her ensuing breakdown, and her handlers' response to it, destroys both of her lives and brings ruin to those she cares about. In addition to the popularity of the actual anime, many of its songs became decontextualized J-Pop hits. The idol anime genre would then receive a glut of edgy lesser imitators, like Love Live: School Idol Project, Cheetah Girls, and magical girl fusion Symphogear. Although the original Ohayou Hana! was a self-contained twelve-episode story, it received a sequel movie shortly thereafter, Ohayou Hana! Rebel!, which ended on a cliffhanger that has still not been resolved over a decade later. The upcoming Ohayou Hana! MK Ultra! is expected to get things back on track. An abridged series originating on 4chan, focusing on cropped screencaps from Ohayou Hana!, called the title character "Miss Ohio", producing the memetic tagline "being Ohio is suffering".
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Zack Snyder first came up with the idea for Madoka around 2000, a long time before he'd actually get to make it; he put the project on hold in 2006 to make his adaptation of Worm Turns. He developed the idea with his wife Deborah and a cowriter, Steve Shibuya. Inspired by the Disney Princess phenomenon, as well as Naoko Takeuchi's Pretty Cure (one of the few anime that had already become a hit in the States), Snyder wanted to tell a coherent story about fights between magical girls who could make anything happen, who could make any fantastical world or visual appear. In Snyder's film, we follow Madoka Kaname, a teenager attending a Catholic school in Los Angeles. Madoka and her friends are approached by a strange young woman who goes only by "Mommy", and her animal companion (a CGI-ed up squirrel-cat thing), QB. They offer to make the teens into "magical girls", granting them one wish each in exchange for a life devoted to spiritual warfare. (Another mysterious new girl, Lilly, urges them not to take the deal in the strongest possible terms.) This turns out to be a scam; QB is pitting the magical girls against one another for his own reasons, and in the end, every magical girl and her wish gets corrupted. Despite much of the film's plot being a horrific bloodbath - the MPAA demanded a lot of cuts to get it down to a PG-13 rating - there is a happy ending; Madoka finally makes her own wish and uses it to topple QB's whole system. Madoka isn't often discussed nowadays but it was a major discourse bomb when it came out in 2010, alternately being called misogynistic Orientalist trash and a subversive feminist masterpiece. Snyder, for his part, often notes that QB is intended as an allegory for exploitative forces within the entertainment industry that treat young women as disposable resources with an expiration date; this is already clear to anyone who's watched the film, which is not exactly subtle in its symbolism. He also explains that the film sexualizes the girls in an effort to shame the audience, to get people to understand that they are objectifying the characters in the same way that QB does. The soundtrack's got a really cool ethereal cover of Nine Inch Nails' King Nothing on it, which is probably the most remembered part of the film today.
Selena Gomez became a star by playing Violet Parr on Disney Channel's superhero sitcom The Incredibles. While the show was initially a very throwaway villain-of-the-week affair whose leads had to keep their powers hidden from the public and their caped escapades secret from the government for self-explanatory comes-with-the-genre reasons, it would eventually unfold that the show was set in something of an X-Men-style dystopia where superheroism had been outlawed and supers oppressed by the government as a potential societal fifth column.
Brad Bird directed one of Pixar's most celebrated films, Wizards of Waverly Place; it was Pixar's first film with a predominantly human cast. Disney was hungry for a fantasy property after losing a bidding war for the Luz Noceda rights. It had strong populist anti-eugenic themes, with an elaborate wizarding hierarchy of antagonists who seek to remove the Russo family's magic as part of an effort to curb wizard overpopulation. The sequel came more than a decade later, and wasn't nearly as good.
In addition to Worm Turns, Alan Moore is notable for the heavily metafictional comic Pagemaster, about a boy, Richard, who finds a magical library that contains all stories that have ever been or could ever be told; he becomes lost and imperiled in assorted pieces of historically noteworthy literature (initially ones in the public domain, though later volumes would start using legally safe serial-numbers-filed-off versions of modern stories). The 2003 film, in which Sean Connery played the librarian in one of his last film roles, is widely regarded as a terrible, deeply-toned-down adaptation that didn't grasp the tone or themes of the original story at all; it only covered the first half of the first volume, in which Richard meets "genre spirits" who wish to sort all stories into rigid categories. In a later volume, Pagemaster Millennium, an aged Richard Tyler, who has since taken on the mantle of librarian himself, meets a teenage girl, heavily implied to be Luz Noceda, who has also become lost in the library. She has become corrupted by an eldritch book, or "Necronomicon", written by "the Wrong Author", heavily implied to be the devil (and/or Hugo Astley, an Aleister Crowley caricature from W. Somerset Maugham's The Winged Bull). Flushed with demonic power and enraged by what she's become, a monstrous Luz tears through the library in a blaze of hellfire, seeking to destroy all of literature and the world. It is only through the intervention of the Fat Controller - heavily implied to be God - that Luz is defeated; he mercifully erases her by hitting her with a train, and laments what she became.
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johntorrington · 10 months
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the current collection not counting ebooks. i’m unwell
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weepingalaxy · 8 months
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the deltarune x welcome home crossover au... finally..... has some refs
ill give some super basic descriptions under the cut <3 but LOOK AT THEM AUGH
howdy pillar is a caterpillar monster (obviously) and an employee at 'sans grocery store, however he may as well be the owner with how he's maintaining it. he's fully expecting to become the owner one day. climbing the corporate ladder n all that! sans however is too lazy to make anything official.
poppy is a bird monster (also obviously) who works at the diner! she likes to bake as a hobby and is very good at it, but is far too anxious to start any business of her own. she likes to simply exist... make cookies for her friends.
sally is a lollipop/candy monster, sweet as sugar, who works as the school play teacher! despite her smaller size, she's loud and boisterous, and honestly would prefer to break into the bigger theatrical space - but for now, she'll have to prove herself by making her own plays and directing musicals for the school!
julie is a satyr monster who does a bit of everything at hometown - it isn't unusual to see her picking up oddjobs in every profession in the small town or even starting up her own activities for fun! it's never a dull day when julie gets up to something to bring the town together, whether it's festivals (just Big Parties Outdoors) or food stands!
frank is a vampire bat monster who lives with his husband eddie in their shared home-turned-post office. he works at the library part-time as a librarian, though his passion lies in bug collecting and teaching those curious about bugs as an entomologist. he's often dragged into julie's shenanigans to make sure her plans are reasonable and don't include her spending her life savings on colourful chalk.
eddie is a scarecrow monster who lives with his husband frank in their shared home-turned-post office. he doesn't have any employees working for him (aside from julie occasionally deciding to. help??? but who knows how useful that help is) so he does everything on his own as hometown's solitary mailman. he overworks himself quite a bit, and it doesn't help his memory problems makes it hard to keep track of all the mail, but he's dedicated to his job fully.
wally is a human! he is very normal and trustworthy. :) and definitely not opening up fountains to bring a certain entity into the real world, of course not.
barnaby is a canine monster and a self-proclaimed one-dog circus who performs for money. he at first simply visited hometown as a traveller, but found a new home there and has been living there ever since. he's often compared to sans due to the both of them having laid back dispositions and a knack for puns, however barnaby doesn't see it. they're obviously nothing alike, come on now.
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azaliyas · 1 year
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summary : after studying the guitar since you were a kid, you were now ready to start a band and let your music be known to the big public. thanks to an online announcement you posted, you found him as your bandmate.
word count : [ to be added later ]
genre : modern au, fluff.
cw / tw : mentions of drinking.
characters : 6reeze boys.
note : had to change the order because of the way i keep my posts in order, sorry for the inconvenience ^^;
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aether — the keyboardist
if you had to describe aether in one word, it would have been "puppy", always so cheerful and easy-going. it was easy to befriend him after you guys met for the first time for a trial rehearsal and see if you two could work well together. his friendly and kind personality had you, too, smile brightly at him. and that pulled his heartstrings in a way he had never experienced before.
his slender fingers, you were sure of that, were blessed with a talent and a discipline you have seen in such a few people it was more unique than rare. the keyboard really came to life whenever he played, each note an arrow going straight to your fans' hearts. he had this natural charm that draw people to him to watch closer, and staying to have more.
aether was kind with everyone, but with you, he was such a gentleman, always ready to come to your aid even outside your music business. he was your dearest friend, the person you held in high regard, and the same was for him. he couldn't help the fondness in his voice when talking about you, be it with his friends or fans he met in the streets, a special kindness enveloped your name every time it left his lips.
of course, fans were quick to catch up on it and start spreading the "y/n x aether" agenda, heart-shaped eyes looking at every little interaction between you and the blonde guy, be it off stage or, more often, on stage, when his golden eyes were glued on your form, following you around, his voice soft and tender while singing his parts.
ah, but it was such a shame you didn't notice any of this. how wonderful would it have been, dating you, call you his significant other, his lover, the one he oh so tenderly loved and cherished... but that had to wait. he had to make you aware of his feelings in a less direct way first in order to see if you too felt the same way as him. but until then, he was happy even with just holding you close to his chest after another night of successful concerts, sleeping soundly on his lap.
just wait a little longer for him, will you?
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heizou — the dj
you weren't exactly a fan of electronic music or whatever kind they played in nightclubs and similar places, but after meeting heizou, you had a change of heart.
the maroon-haired guy was like a tornado, strong and passionate and unstoppable when his mind was set on something. and that something was forming a duo with you and have your music climbing the charts. he surely was ambitious, but you didn't mind, he got the spirits and that was what was important to you.
with heizou's influence your music grew artistically and in terms of listeners on the major streaming platforms, thanks to his fame as an already well-known dj and a few semi-important collabs he had. from covers to mix-ups to original music, your virtual library grew exponentially. you two featured in many playlists, sometimes even those ai-generated, or the most mainstream ones along with much more famous artists. and you were the center of it.
heizou did whatever was in his power to have you in the spotlight, always talking so fondly of you fans couldn't help it but start shipping you two. and how could they not, when every single damn occasion was as good for him to mention your name.
but you were pretty dense, weren't you? thinking it was just for advertising purposes, his shameless flirting for you, but if he did that only with you, then why weren't you catching on his attempts?
a shame, truly, because you two looked so good together, have it in real life or in the numerous pics of you guys circulating on the internet. but fret not, heizou was confident you would eventually fall for him one day, he could have you in his arms even in a romantic sense, and not only literally, like right now, while he was carrying you in your bedroom after he found you asleep on the couch of your shared apartment.
working late into the night wasn't for you, you know?
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kazuha — the bassist
the first time you met kazuha, the impression he left you was quite strong despite his calm, comforting aura. maybe it was right because of that aura of his, such an opposite to his on-stage self, wild and crazy, a side of him only during concerts you were able to see. his fingers were rough on the bass chords, plucking them with harsh strength to keep up with the exciting and fast music you composed together, going so far he had to wear bandages to avoid hurting his fingers.
off-stage, on the other hand, kazuha usually kept to himself, notebook and pen by his side, writing poetry and lyrics. having him around you was like walking on the clouds, feeling so warm and comfortable. and he felt the same with you, so of course your relationship bloomed outside of music, becoming friends.
the white-haired boy was such a softie he had you cooing over him like most of your fans, although they did so both for him and for the romantic relationship they thought you guys were in. and no one could blame them to think so, with how kazuha seemed to have eyes for you only, or with how he was glued to your hip when on stage, foreheads pressed together while playing, lips inches away with only a microphone stopping him from kissing you — the crowd surely wouldn't have complained.
kazuha didn't hide the bluntness of his feelings, but he never explicitly said he was in love with you either. it was in the loving embrace you were always welcomed in, the gentle touches of his fingers littering on your skin, in the quiet voice whispering sweet nothings in your ear while asleep, hoping to give you pleasant dreams.
one day, kazuha told himself, he would have been able to tell you such words while you were awake, not sleeping clinging to his side, hands around his waist and one of his was in your soft hair.
one day, his muse shall know the truth.
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venti — the singer
although venti wasn't exactly your usual rock singer, he quickly adapted to your style, but so you did to his. this perfect molding brought you two leaning towards a kind of rock music with classical and ballad influences, creating quite the sub-genre per se. and your growing fans seemed to particularly appreciate such fresh and new stuff.
over the years venti grew quite fond of you and viceversa, so much you two became each other's closest friend. your chemistry was something you didn't get to experience every day, and whoever got to know you and him knew that at first glance.
he was a playful and flirty friend, bringing that same behaviour on stage, knowing way too well it had your fans swooning over him — or maybe on you two, since this flirty behaviour of his was mostly directed at you. arm snaking around you, or cheeks pressed together, or foreheads resting on each other, the boy always managed to have contact with you while his sweet voice echoed in the hall along your guitar. touchy, but you didn't mind, that was his persona after all.
or wasn't it?
off stage venti was calmer, but still always seeking your companionship, almost as if you were his cuddly teddy bear. what you didn't know was that it was his way to have you close, to push away those who tried to flirt with you, to satiate the love he had for you.
yes, venti loved you, dearly, deeply, but most of all quietly. he knew you saw him as a friend only, a dear one, but a friend nonetheless. this knowledge had his heart ache, but he was resolute in not letting you know about his feelings, ever. otherwise, he feared he wouldn't have been able to hold you like this, your head in the crook of his neck and his arms around your waist as you slept, ever again.
you were everything, he couldn't possibly let you go.
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wanderer — the drummer
kunikuzushi, known as "scaramouche" (from his previous membership in another band) or "wanderer" (adopted for his solo career), wasn't actually the bandmate you would normally expect. sure, he was one hella good of a drummer and his previous fame helped yours skyrocketing, but except for this he wasn't particularly inclined in dealing with you outside music business.
of course, you weren't expecting to become best friend with the indigo-haired boy, but at least a relationship of close acquaintances was the least, in your opinion. you thought that his "bad boy" persona was just a facade for the fans, but his coldness toward you sometimes had you second guessing.
all of this changed whenever you two were inside the studio or, more often, on the stage. there, kunikuzushi seemed to turn into a totally different person. his deep and raw voice would draw your attention to him, eyes locked together singing at the top of your lungs, music blasting all around you.
what you didn't know, however, was that kuni held such contrasting behaviours toward you for a single, simple, yet stupid reason: he was in love with you. a deep, warming love that swelled in the depths of his heart, away from your knowledge.
loving you inspired him to write those tooth-rooting kind of songs you seemed to like, but they were too obvious regarding your persona to be sang in front of a crowd. he poured his heart in those lyrics, they were personal, for him only — no, not even you.
all the years he spent wearing that stupid "bad boy" mask convinced him he was, indeed, not good enough for a serious relationship so, how could he enter one with you?it was better to leave you alone, but your figure sleeping soundly by his side after another night of concerts, snuggling against him for warmth in that cool night, was giving him a hard time doing so.
you were such a temptation.
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xiao — the guitarist
when posting that announcement for a band member, surely you didn't think you'd meet "alatus", a guitarist with a well-known reputation on the underground scene.
xiao was a guy around your age, not particularly expressive but with an impressive knack for music. all of his emotions and feelings were poured into the lyrics he wrote for your band. yours to write was the melody for his words.
this partnership of yours was quite fruitful as, even with you two leaning more onto the underground scene, the virality of your music earned you guys quite the fame even on the mainstream side. and not only because of the excellent and expressive music you and xiao produced.
many of your fans actually shipped you guys really hard because, according to them, the chemistry between you and xiao was one of a kind, more unique than rare. whenever there was a short video of you two back to back, playing the shit out of your guitars, heads leaning on each other's shoulder as the music took over you, your fans would be squirming in place, giggling and kicking their feet.
you, on the other hand, didn't quite understand their excitement. sure, over the years you and xiao spent together had become friends and got to know each other pretty well, not only to find a chemistry to be able to work together, but also because you really enjoyed having the black-and-teal-haired boy by your side. you considered xiao a dear friend, too dense to notice his eyes softening whenever they were on you.
how could you not notice his eyes sparkling when smiling for you, those tiny but genuine smiles only you could pull out of him? or his thoughtfulness about you even outside work, well behind the care a normal friend would have for you?
he sighed to himself, thinking that, one day, he will confess to you and have you two being a couple even outside the band. but for now he was happy like this, your head resting on his lap, knocked out cold after your usual post-show drinks.
what a lightweight you were.
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© azaliyas 2023 do not copy repost translate or feed to ai
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writingoddess1125 · 5 months
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Deal with the Devil
This is honestly just a Comedy no idea what this is 🤣
GNReader x AU Demon Buggy
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Art Belongs to Vamos_MK on Twitter!
If you like Click Here <-
"You Fucking Asshole!" (Y/N) screamed, Tossing their phone across the room as you stood there.
Your Rotten Bastard of a Boyfriend- Best to say Ex now!
You'd done everything for him.. wrote his resume, got him job interviews, washed his crusty underwear!
He had wrecked your apartment, drained your saving all for what? The hope of God damn magic!
Yes Fucking magic-
He was a pinterest board having Half ass 'Witch' that claimed he was of a Witch blood line.
Maybe it was that Witch bloodline that lead him to stick his dick in some random as twink at the Bar!
"Fuck You!" You screamed in the air, sobbing as you rushed to your liquor cabinet- It wasn't like you had much but you grabbed the quarter bottle of vodka and the rum. It would do-
Playing terrible break up music you drank away your sorrows- Sobbing hysterically into your carpeted livingroom floor as you finished the vodka, You tossing the empty bottle across the room causing it to shatter.
Stumbling up, you waddle to the kitchen- in state deciding a cup was finally smart-
In you drunken stooper you grabbed a 711 cup from the counter wanting to pour more booze in it- but pausing when you saw it. Your EX's book of shadows- Aka a Dollar Tree Notebook were he stashed his stupid spells and random pages he pirated from the internet. Picking it up and getting ready to throw it in the trash with the rest of your EX's shit when you finally sober up-
But opened it randomly seeing a folded up peice of paper tucked I to the sides. Rolling your eyes you open it and see a well worn page, however it wasn't ancient by any means- the witches.com emblem in the corner cluing you in to that. But in big bold letters on the top said 'SUMMON A DEMON TO DO YOUR BIDDING!' Easy how to guide.
Fuck it- What did you have to lose! Your drunken hazy mind reasoned. Flicking the Dollar Tree book to an random page and tossing it down on the coffee table-
Looking through you saw the ingredients needed. Food, A liquid, lighter, a Vessel and DNA. Chuckling at the rather basic guide you plopped down and poured off a quarter of your bottle of Rum in the 711 cup-
"We recommend 'moon water'- Welp you're getting Captian Morgan-" You laugh as you pour more of the rum into your mouth, hissing at its burn as you look at the next instructions.
"Alright food- We recommend a herb or item you have a dee- fuck that" You grumble looking around and seeing some leftovers from the corner store. Taking the stale hotdog that had been on your table far too long.
"Fuck it- A hotdog will do" You said with a cackle as you shoved it into the cup without care.
"Now play music to set your intent-" You read, Laughing at the weirdness of this all.
"Music huh! Then we shall play the song of my God damn love life!"
With a crying laugh, you opening up your music app and playing what felt appropriate- Circus Music.
"Now last add DNA- May it be hair, Blood, nails. Ha! Yeah right. Got your DNA right here-" You say and spit into the 711 cup like a redneck spitting chew.
(DONT DO THIS AT HOME) after this you look at the instructions- 'Light the alcohol on fire and focus on your intentions' Pulling a lighter out you set the alcohol ablaze and sat there letting the circus music and smell of burning plastic and hotdogs fill your senses.
'I want to get fucked up and beat up a fucking loser!-' Was the only thing you thought before starting to feel yourself starting to black out. Not noticing the flames beginning to burn a bright blue as the shadows of the room wirled around you and took a solid mass.
Soon a shadowy figure eclipsed your form as a the smell of candy apples filled the room.
"HOW ARE YOU SUMMON THE GREAT AND MIGHTY BUGGY THE CLOWN DE-...." He stopped during his monolog and stared at his summoner- passed out on the couch infront of the coffee table while holding the now out lighter used to summon him and a half burned plastic cup, slouched over in a clearly drunken stooper and groaning loudly from discomfort. Waving his hand it detached and tossed the dirty cup into the sink noting the piles of moldy dishes that stopped the fire- Buggy glanced around now, noticing the dirty apartment and disgusting everything of the place.
He cringed at the sight- Looking to you and shaking your shoulder to catch your attention.
"Oi- You. Please tell me you aren't the fucker who summoned me-" He begged, watching you roll your head around confused stating up at the man before you. He wore what looked like a pirate get up- with a bright cherry nose and bright blue hair that reminded you of the sea-
You opened your mouth, prepared to tell this dude to get out of your house- Before that oh so familiar feeling hit you and you puked all over his pants and shoes in a aray of alcohol and chips.
The man giving a short scream at this as he stood there petrified.
"I'm sorry-" You managed before passing out. Leaving the clown standing there with a look of total disgust on his face as he stared at the fresh vomit all over him.
"YOUVE GOT TO BE FUCKING KIDDING ME!"
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compactstreamer · 2 years
Text
(source)
Transcript below the cut:
Roscoe: You could say Jerma985 is something of a performance artist. He creates huge, elaborate, surreal productions complete with cast and crew, and it's all streaming live for hundreds of thousands on viewers on Twitch. NPR's Alex Cheng takes us inside Jerma's latest big show, a baseball game between clowns and magicians, to ask how—and more importantly—why?
[clip of Sportscaster continues in background: Welcome to Carshield Field, where we have Jerma Baseball Association action for you!]
Cheng: At a baseball stadium in suburban St. Louis...
[Sportscaster: ...a big-time match-up between the California Circus and the Maryland Magicians...]
Cheng: ...a team of clowns in full face makeup and baseball uniforms runs out onto the field. Those clowns played a four-hour game of baseball in real time against the Magicians in the opposing dugout, and tens of thousands of viewers tuned into the live-stream on Twitch. There were breathtaking acrobatic displays...
[Sportscaster: Actually we've got three outfielders unicycling currently!]
Cheng: ... and even the umpire himself stepped up to the plate.
[Sportscaster: The umpire is about to enter this game for California?!]
Cheng: That umpire was the mastermind behind the whole show, Jeremy Elbertson, better known as the streamer Jerma985.
Jerma: I'm just, y'know, calling balls and strikes and doing all these wacky things. I'm just, in my mind I'm going "I hope this is funny. I hope this is funny. I hope this is funny."
Cheng: To create this high-production fantasy world, Jerma had to hire real baseball players, real circus performers, and actors from across the country who wanted to play make-believe. He gave his cast an outline of the baseball game, along with pages and pages of gags he'd come up with, but he let them make decisions on the fly.
Jerma: It's like a live comedy improv show.
Cheng: And Jerma says the real key is his relationship with his streaming audience on Twitch.
Jerma: I'm coming up with a scenario that I think is a fun time for everybody. That's all I care about.
Cheng: Cecilia D'Anastasio covers the video game industry for Bloomberg. She says these big, performance-arty shows are unusual for Twitch.
D'Anastasio: What Twitch's bread and butter is, is a streamer going about their life quite casually and playing video games and just chatting with their fanbases.
Cheng: So why does Jerma do these shows on Twitch, instead of making a movie or a TV show? Well, for one, the liveness of the platform creates a unique sense of unreality, and of course, money is always a consideration.
Jerma: Movies are expensive. Way more expensive than trying to get a bunch of people together to do a show on Twitch for a few hours.
Cheng: Jerma studied communications and video production in college. Then, about a decade ago, he started messing around on YouTube.
[clip of Jerma continues in background: Hello Ladies and Gentlemen! Welcome to episode one of Jermacraft!]
Cheng: Several years later, he switched his focus to Twitch. He mostly streamed normal gaming stuff, which he still does plenty of, but he also tried a couple of small, outside-the-box experiments, like hooking himself up to a lie detector to answer questions from viewers, or...
Jerma: I hired a fake family to come be my family at a family dinner.
Cheng: Jerma built a team of collaborators, some from his tight-knit viewer community, and together they started staging bigger and bigger events. Things hit a high point in August of 2021 with the Jerma985 Dollhouse Stream.
[Jerma Dollhouse theme music plays in background]
Cheng: Imagine a live-action version of the video game The Sims, on a sound stage, with a big cast and crew, and starring, of course, Jerma.
Jerma: The nature of that whole show was "I'm a person in a house, you get to decide what I get to do."
Cheng: Over three days of streams, Jerma's viewers made him simulate eating, sleeping. They even made him fight a bear.
[clip of Jerma in the dollhouse: You wanna do what?!?]
Cheng: Or at least, a guy in a bear costume.
[clip continues with Jerma yelling, bear grunting, and audience applause]
Cheng: The show was a smash hit. The third day of the Dollhouse peaked at over 100,000 concurrent viewers. That's a lot for Twitch. Cecilia D'Anastasio at Bloomberg says popular streamers can make good money on the platform.
D'Anastasio: Subscriptions, donations from fans, advertising, sponsorship deals.
Cheng: But Jerma's big shows are way more expensive than sitting in a gamer chair playing Elden Ring. They may not be on the scale of a movie, but Jerma says some of his productions can cost hundreds of thousands of dollars, so he has to find big-money sponsors for his events.
Jerma: It can be a real challenge trying to convince a team of marketing people, "Hey so there's this idea, it's gonna cost a lot of money, and it's gonna be really fun, don't you think?"
Cheng: And some big sponsors are seeing the potential. Jerma says the shows are paying for themselves. For the Dollhouse stream, Coinbase chipped in, and Jerma found new sponsors for the baseball stream. Here's D'Anastasio again.
D'Anastasio: It's not that the streaming space is maturing, it's that it has matured.
Cheng: But even if Jerma's big shows are making money now, he knows there are no guarantees in the world of live-streaming.
Jerma: Nobody really knows how long this is gonna last. Does this evolve and become even larger than it is now, or does it go bust at some point?
[clip of Sportscasters continues in background: And oh my goodness, everyone clearing the dugout!--oh, clearing the bench--the Maryland Magicians... oh my goodness, this is bad!]
Cheng: Why fight for a vision that's so hard to explain and even harder to realize? Like making clowns brawl with magicians on a baseball diamond.
[Sportscasters: Oh boy--utter chaos!--This is just an all-out brawl, the mascots are stripping down...]
Jerma: Why not? It sounds like fun, and it seems like something that could make a lot of people happy, so I'm gonna do it.
Cheng: Alex Cheng, NPR News.
[instrumental outro music plays]
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lillythecoolest · 6 months
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Maybe a platonic Jax x Reader where Jax and Reader used to be siblings (I'd imagine Jax was the older sibling, but you can make a part where hes the little sibling instead if ya want) before the whole circus ordeal/getting stuck in the digital world thing happened—but neither of them exactly remember being siblings due to memory shenanigans. But their subconscious does kind of remember the other being their sibling.
THIS IS SO SMART WTF
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Platonic Jax x Past Sibling reader!
Warnings: None
•You and Jax arrived at the circus at the same time, as you two were past siblings!
•Even though you two sometimes got in each others way, you loved eachother! But when you entered the circus, you were worried sick about him!
•But Jax was comforting in a rude, prankster, uncivil way. All of those being attributes of your older brother…
•Your brother that always used to tease you, and play embarrassing music when picking you up from school.
•You two still fight a lot, but you get along much better than Jax does with anyone else.
•But of course you’re also more aggressive with him, not afraid to call him a name or two or knock some sense into him
•Defends you on all fronts, even if he calls you out for the same things
•After a while you start to think, could he be my brother? You both entered at the same time, and he acted an awful lot like him…
Thanks anon! I don’t have any siblings so hopefully this is accurate!❤️
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seat-safety-switch · 6 months
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Not everyone in my family is an an aggressive anti-capitalist. My folks, for instance, really wanted to be circus folks, and there's nothing quite so free-market as an enterprise that collected and entrapped particularly freakish children for the purposes of public display. I digress: this particular story is about my cousin, Ralph Safety-Switch.
He's a bit of a black swan of the family. Rather than basic proficiency in machines, mathematics, or manslaughter, he chose something somewhat more artistic: music. When I was in college, he was touring around the country with some kind of greaseball country band, which would later become famous for having dodged cannibals when their tour bus broke down. What was wrong with that tour bus, you (and I) ask? Dead battery. They could have push started it. I never let him live it down.
Anyway, after his exotic life of live performance, he settled into a somewhat more corporate role. Have you ever wondered where all those little jingles on commercials come from? Guys like him is where. Another thing he did was songs for toys: all the sorts of little plastic gewgaws that toddlers bash into each other with extreme violence play music, and that music has to get made somewhere. It's a very lucrative industry, and they pay their bills on time. Sometimes you get really lucky, though, and it's here that Ralph's ship truly came in.
Because of a unique cut-out in contract law, you have to negotiate the royalties for work up front. For whatever reason, the counterparty lawyer was snoozing and sent Ralph the wrong version of the contract. What this meant was that my cousin made small, but nonetheless real, royalties on each unit of the My Little Shitter® training potty that was sold in North America. He took me out on his yacht to celebrate. The yacht, friends, that a billion children pooping built.
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