YOU CAGED ME AND THEN YOU CALLED ME CRAZY / I AM WHAT I AM CAUSE YOU TRAINED ME
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SHE A BARBIE BITCH WITH HER BARBIE CLIQUE I KEEP DRAGGIN HER SO SHE BALD A BIT
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“I can understand why Wright would feel upset about the article, but – and I say this as a gay woman – I take umbrage with the idea that it is upsetting to see a public person’s sexuality being discussed in 2024. I mean, come on now: celebrities have their sexuality discussed all the time. Newsflash: talking about a celebrity dating someone of the opposite sex is discussing a public person’s sexuality.
It is unfortunate, I think, that Wright’s criticism accidentally plays into homophobic ideas that only queer people have sexualities while heterosexual love lives are just the default. And quite a lot of the outrage over the Times piece, I should note, does seem to be tinged with homophobia. Certainly all the outraged op-eds in the likes of the New York Post seem disgusted with the very idea that anyone might suspect Swift to be gay. “What’s so wrong about her being a straight white woman who makes great music?” an irate Post article demanded.
I’m not entirely sure what Marks set out to achieve with her piece (which, again, was ill-advised), but I do think she has achieved something. She has shown us that the entertainment industry is perfectly fine with its biggest stars flirting with LGBTQ+ imagery. It’s fine with its biggest stars draping themselves in rainbow flags and making statements about allyship. Dare to suggest that those stars might actually be gay, though, and you’ll see quite a lot of old-fashioned homophobia coming out.”
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When you hold me, I see the end of a movie
Everyone thinks that we're crazy and maybe we are
I hate the middle, let's skip to the part when you kiss me
That Part by Lauren Spencer Smith
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@lgbtqcreators creator bingo: free choice
Favourite new music discoveries of 2023: Lauren Spencer-Smith
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