I love "i would kill for you" ship dynamics but what about "i would stop killing" ship dynamic??
I would lay down my sword for you. I would change my nature and go against everything i've known. I would resist the easy way out of solving my problems. I would give up the adrenaline of battle to stay by your side and make tea instead. I'm not sure I know who I am without a weapon in my hand because I've had to fight for so long but for you I'm willing to try and figure this out.
It must be hard. To put down your weapon that's protected you for so long. It's allowed you to stay alive it's kept you from getting hurt--physically and mentally. Because you've never had to worry about a real relationship if you think you'll be dead at the next battle. And you feel naked without it and it feels like you're ripping off an extension of yourself. Are you even whole without it? Are you worthy of being loved if you can't prove it by risking your life? And yet they've found someone who's asking them for something much harder than dying in battle on their behalf. They've found someone who wants them to live. And that's much more terrifying.
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ngl one of the most useful things i’ve internalized from doing art online is never tell people what to criticize. don’t preemptively apologize for things or point out where you think you fumbled, it’s just priming people to notice minor issues that might not actually matter and hit you where you’re sensitive and throw you off your game. don’t tell people your weak points. if it’s a genuine problem they’ll point it out
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No bc you’re telling me “Anthony leaves smosh and has to work though and overcome his issues relating to smosh that stem a lot from that beautiful thing (smosh) that was supposed to be just him and Ian ended up turning into something he didn’t recognize which made him feel a lot of resentment because he felt like something had been taken from him once the company that took over bastardized him and Ian’s creation so he decided to leave but not before suggesting that Ian leave with him but Ian doesn’t want to let go of smosh *bc it’s their thing and he doesn’t want to lose that* so he wants to collab but Anthony cuts all contact bc it’s all too painful for him which makes Ian sad to the point he listens to *their song* and sends Anthony a message about it trying to cope with what perceives is the end of their relationship (in addition to him becoming bitter bc he feels abandoned by Anthony) meanwhile Anthony is experiencing the same worries because he feels like he’s lost his childhood best friend and worries they’ve grown apart too much with how strained their relationship became during smosh and they both feel like the relationship is unable to be saved and repaired and that chapter is done for good until they end up reconnecting because of Ian’s friend which leads to them hanging out and suddenly because of their individual growth that’s occurred in that time span Anthony realizes the magic is still there and it’s like it never left and so one day at a party Ian asks Anthony about buying smosh back when he’s already been contemplating it and starts going on a 30 minute tangent about his plans for smosh and so they decide to buy smosh back and return to making videos together and drop the news on their fans with no warning and Anthony interviews Ian on his channel in his longest interview yet and Anthony tears up multiple times and they seem so at ease around each other and it closes with Ian saying “If we burn it to the ground, I’m happy to do that with you” as they softly look at each other and get ready to take on this journey together” is real life and NOT a fanfiction? Because that sounds exactly like fanfiction to me
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Hey adults: Why do you like being an adult? What do you like about your life?
A couple weeks ago I told the kids at my work that "Being an adult is pretty nice, actually," and they looked shocked, laughed incredulously, and told me I was the first person they'd ever heard say that
So clearly we adults need to talk about this way more often
The past few years have been hard for a lot of people, me included. Covid sucked. I lost three relatives and three pets in one year. Right after lockdown ended, I got badly injured, and ended up housebound for six months and (much more) disabled for two years, and that sucked too.
And you know what? Literally all of that was easier and better than being a teenager.
I like being an adult. I like my life. Even when it's hard, it's mine, and I am building to the best of my ability the a life that I want to live.
I talked about a lot of why being an adult is something worth looking forward to in my last post, so right now I'll simply say this:
I love actually knowing who I am now. I love that I learned and am learning what I want and need. I love that I have independence and autonomy and don't get treated like a kid. I love the fact that I'm the one who gets to decide want I want to do and what I need.
I also love that I'm learning to sew. I love that I've had pet rats, and next will have a pet cat. I love that I got top surgery. I love the way I've decorated my room. I love traveling to visit and crash and even just hang out and do work with my friends, when I can.
I love that I started reading good news every day, and that I actually have hope for the future, and that I started this blog and have been able to help give so many other people hope, too.
So, here's a call to action for my fellow adults: comment or reply or tag what you like about being an adult. What you love about your life.
Let's give some kids some reasons for hope.
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I rag on Maes Hughes for being chill with genocide but to be *entirely* fair upon a reread, it's not like he's loving it, he's just not particularly haunted by it either. Roy rants about how this is a betrayal of how he joined the military to protect people (mistake number one, dude, seriously) and Maes calls him naive. His reason for fighting is to stay alive. While Roy talks about his dreams of a better future, Maes refers to letters from his girlfriend as his brighter future. He's willing to support Roy's ambitions because Roy's his friend, but he thinks they're childish.
The impression I get is that Hughes has decided he can tolerate atrocities as long as he stays alive and can go home to his loving family, so he leans into that loving family really hard. That's his reward. That's what makes it worth it. Which adds a layer to Envy killing him while disguised as his wife. You can't hold those things separate. If you're a collaborator propping up an awful regime, your family (and you) will still eventually become its victims. The rot at the heart of the nation is wearing your loved one's face.
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I love how ominous such basic names like "The Organization" or "The Institute" or "The Initiative" or "The Facility" or etc. are when placed in like a shady sci-fi context, like there's no reason for them to sound that suspicious, but without elaboration, it's like here is a place where they are doing things™ and I am like ooohh, because the blank state, the refusal to give you any more detail makes you think they're hiding something on purpose and leaves the darkest corner of the imagination left to fill in the rest.
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ive been replaying ace attorney and jfa is good i just. miss edgeworth so much this is so hard for me you wouldnt understand
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more of xu da's internet activity, placed thoughtfully (to me) in the reincarnated band au, featuring the most beautiful woman alive, one bug person crouched on the rooftop of the recording studio while ouyang is being Fussy downstairs, and the rarest creature ever to be caught on film: grumpy bitch ass smiling. permission to imagine esen, chin to chest, flopped on the couch, staring at ouyang's photo, ablaze with jealousy at all of his interactions with xu da, while wbx rubs at his temples in preparation for yet another oblivious, nonsensical sibling conversation.
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