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#*war flashbacks* the moment my big brother did this to me when we were kids i have not known peace
inkedberries · 2 years
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this is the only reason why i prefer big bro sukuna over them as twins. this kind of dynamic
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My complicated opinion on Keith Kogane
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Keith Kogane is definitely one of the more popular characters in the VLD fandom. People love brooding emo bad boys.
My feelings on Keith are... complicated. I definitely don’t hate him. I have a lot of problems with the character but I don’t think I could ever bring myself to actually hate him. Mainly because I kinda relate to him. We both have problems controlling our emotions, interacting with people, and making friends.
And we both have trouble believing there are people who truly have our best interests at heart and won’t abandon us because we’re a burden.
What I do hate is the way his character was written and the way it negatively impacted the characters around him.
There are definitely a lot of factors that contributed to VLD ending up the way it did. But to me, Keith and the writers insistence on pushing him to the forefront was the poison that killed the show.
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Ok, before we get into this whole rant I feel like I should talk about the things I do like about Keith.
I like the premise of Keith’s character. He’s half Galra and never really fit in on Earth. He didn’t act like the other “normal” kids so kids made fun of him and adults didn’t want to deal with him. So in order to protect himself from the pain of rejection he would put up a tough angry facade and push people away and reject them before they could reject him.
This is something that really resonates with me personally having grown up neurodivergent. It’s awful growing up in a world that isn’t made for people like you and not knowing how to interact with or connect with your peers. Especially when you don’t know why you’re like that.
You learn to avoid social interaction because it always ends up negative. You put up walls because you don’t feel like anybody understands you or what you’re going through.
I know the writers probably didn’t intend to code Keith as neurodivergent. They just wanted Keith to be a hothead with abandonment issues, but nonetheless, this interpretation means a lot to me.
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I also really like his relationship with Shiro. Keith is so used to being left behind and abandoned that when he meets someone like Shiro who’s patient and genuinely cares it’s new and strange. He’s so ready for Shiro to abandon him, even telling Shiro to send him back to the home, but Shiro refuses to leave him and tells Keith ethat he’s never going to give up on him.
It’s also interesting to see how their relationship develops over time. It’s clear Keith trusts Shiro, but you can tell that that fear of abandonment is still there deep down. In S2, Keith tells Shiro that he’s like a brother to him, and then in season 6, he takes the extra step and tells Shiro that he IS his brother and that he loves him. And for someone like Keith, telling their friend they love them is a big scary thing.
And also it’s just great to see a platonic “I love you,” especially between two guys. Don’t be afraid to tell your bros you love them!!!
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Now let’s talk about the stuff I didn’t like.
Keith doesn’t have much going for him in terms of personality. He’s just sorta brooding and serious all the time. He does make jokes occasionally but it’s rare. The writers were more focused on making him cool and badass rather than fun.
I always loved the idea of Keith as a cocky carefree asshole who doesn’t give a shit about rules/laws and is kinda rude/aggressive but has a heart of gold deep down and would do anything for the people he cares about. (Just like a cat.)
I would also make him more alien esc. In terms of design I like the idea of Keith having red eyes with narrow pupils and fangs. And also just small things like the way he walks and holds himself. He growls and bears his teeth when he’s angry, his hair puffs up when scared, he’s fast and agile, disappearing and reappearing without making much noise, small things.
Then you have his race and sexuality. I have no doubt in my mind that Keith was intended to be a straight white dude. A lot of people see him as gay and Asian but there’s no evidence for this in canon. Acxa was originally intended to be his love interest and his race was never mentioned in canon. His name isn’t even Kogane in canon. (And the race of the voice actor doesn’t equal the race of the character. If that was the case Shiro, Hunk, and Lance would be white.)
They should’ve totally made Keith Japanese like he was in the original. It would’ve been so easy! Just canonize Kogane as his last name and have the book say he’s half Japanese half Galra. They could’ve also done what they did with Shiro and keep his og GoLion name. Just have him be Akira Kogane. Definitely cooler than “Keith.”
And as for his sexuality, I definitely think they should’ve had Keith be gay. But well get to that Later...
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I also don’t like how they handled the whole Krolia thing. Not only was it crazy rushed, but it completely goes against the shows theme of found family.
Keith’s arc should’ve been about overcoming his abandonment issues and learning to accept the paladins as family. But instead they just get rid of the abandonment issues by just giving him his mom back.
I know a lot of people love Krolia but I don’t feel like she should’ve been introduced in anything other than flashbacks. Because Keith’s mom isn’t really that important. The show is about found family and friendship, not blood relation.
You can definitely have Keith learn about his mom and his family, but I feel like giving him his mom back was too much.
Personally, I always headcanoned that Kolivan was Keith’s grandfather or just a close friend of Krolia’s, and when Keith showed up at the Blade’s base Kolivan recognized the blade as his Krolia’s. Keith could learn about his mom through Kolivan telling him about her, how she was a great person and warrior who died fighting to make the universe a safer place for her son.
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Another thing I didn’t like was the whole Keith leaving the team for the Blades thing. I know why he did it, he felt like the team was gonna reject him, he wanted to be more useful, and wanted to learn about his family, but I feel like you could’ve touched on all that without having him abandon his team.
One of the biggest problems with the show is that they did a bad job at establishing the paladins as friends, they feel like coworkers more than anything, and I feel like Keith being absent for two seasons contributed to that.
And his absence is hardly addressed. The team forms Voltron perfectly without him and no one ever says they miss him. Keith doesn’t even seem like he missed them after being gone for two years.
And a lot of the weight was taken out of that Keith v Kuron fight by the fact that Keith and Kuron hardly interacted.
That whole thing amounted to four things, Keith meeting Krolia (which I don’t think should’ve happened), them finding the colony (which was a dumb plot I don’t think should’ve happened), Keith aging up two years (which was weird and unnecessary), and Keith meeting Kosmo (which is... complicated).
I don’t think this plot was necessary. Keith should’ve stayed with his team.
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Then you have his relationship with Lance. I know people are very sensitive about this topic. People have very strong opinions about whether or not Keith and Lance were intended to be romantically coded.
Personally, I do like Klance but I don’t believe they were romantically coded. I think if you want them to get together some things would have to go differently.
For example, the bonding moment. In canon, Lance tells Keith, “we make a good team.” I don’t see this as referring to him and Keith. I think he was talking about the whole team. If you want it to be about the two of them, I feel like it should be Lance telling Keith something like, “ya know, you’re not so bad after all,” and then Keith smiles and responds, “you’re not so bad yourself.”
Another example could be the scene where Lance comes to Keith with his insecurities. (Whether it’s as a leader or a friend.) This scene was weird in canon, Lance comes to Keith for advice and Keith basically tells him to just stop thinking about it.
I would prefer if Lance brought up to Keith how he doesn’t feel like he’s good enough or that he doesn’t have, “a thing,” and Keith is completely dumbfounded like, “what are you even talking about?” He goes on about all the good shit about Lance. Talks about how Blue chose him, how he’s a great shot, how he’s good at dealing with people, meanwhile Lance is standing there in shock as Keith says all these nice things about him.
Over all you would just have to develop their relationship more. More meaningful interactions. And if you want the relationship to be romantic you would have to establish that early on. Establish that one or both has romantic feelings for the other in like S1/S2 because if you wait too long it’s gonna feel forced/out of no where.
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And then... you have the Black Paladin arc... I’m gonna be real with y’all, this is the arc that killed the show for me, for a few reasons.
One, even ignoring the whole quintessence bond thing, it makes no sense for Keith to be the bp. He doesn’t fit the role. I adore Shiro but choosing Keith as his successor was a dumb move. I get that he saw potential in Keith but they’re are fighting a war, there’s no room for favoritism.
Shiro should’ve chosen Allura as his successor. Not only does she have actual leadership experience, but you would only have one paladin in a new Lion instead of three.
If a lifeguard breaks his leg and can’t work, he should choose an experienced swimmers to take his place, not his little bro that’s still in water wings in the hopes that it’ll teach him to swim.
Two, Keith being the bp doesn’t help his arc. Keith’s arc is about overcoming his abandonment issues and learning to be a team player, he doesn’t need to be the leader for that.
VLD should’ve been about the paladins growing into the best versions of themselves they could be. Their development shown by unlocking new abilities in their respective lions, new forms for their bayards, and new Voltron bayard power ups. They shouldn’t have to change lions and themselves.
Keith and Red have a strong bond and work great together. Keith and Red are both temperamental, unpredictable, and have issues with trust. Keith having to fight to get Red to trust and open up to him mirrors how others have to fight to earn Keith’s trust and get him to let down his walls.
It would’ve been interesting to see them grow together. Keith has no emotional connection with Black.
We never even get to see them bond. Keith just suddenly becomes the “perfect” bp/leader because he got over his mommy issues
Three, it’s a MASSIVE disservice to Shiro’s character. Shiro put all the work in earning his position as the bp, he literally fits fought Zarkon on the astral plane to earn her trust, yet Keith is the true bp? What?
It sucks. Sendak told Shiro that a monster like him could never be a paladin and the writers went and proved him right. Hell Shiro didn’t even get to kill Sendak, Keith got that too.
And don’t tell me, “but he got the Atlas!” REALLY!? A massive Deus ex machina that required absolutely no effort from him to acquire!? Filled with a bunch of rando background characters no one gives a shit about!? You’re totally right, that 100% makes up for it.
I could go on and on about how the treatment of Shiro in this show (and fandom) is blatantly ableist but that’s a rant for another time.
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It sucks. I want to like Keith! He had the potential to be an amazing character but the writers just kept on trying to turn him into something he wasn’t and it ruined him for me.
They kept trying to turn Keith into the main character and ignored that ALL the paladins are the main characters. It’s an ensemble cast! You don’t have to have everything come back to one guy.
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Hero.
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Pairing: Natasha x Fem!reader , Avengers x Platonic!reader
Words: 2364
Genre: Angst at first, Fluff ending.
Warning: Being dumped. I think I’m not cursing in this one. Lmk if there are any.
Note: Read as Natasha pov
Flashback...
Y/n and I are fighting. Wait. No, not fighting. More like screaming, at each other. For the first time in a long time. This is not a funny or jokingly screaming. This is a serious scream. Why?
   “Are you sure about this, Natasha?” Y/n turn around to look at me with her red teary eyes.
“Yes, and I have to leave before you love me.”
  “Well, I already fell for you, Natasha! Can you not see it?! Deny it how you want but you do feel the same. Trust me, I know!”
“I’m sorry that you did. I don’t want to mess or hurt you any further. ”
  She looks down for a moment before looking back at me, wiping her tears. “I don’t want your apology.” She sniff and force a smile while I just looking at her. “You have never hurt me, Natasha. Ever.”
I move closer to hold her hand “Y/n...”
  She tilt her head to look at me one last time “Goodbye, Natasha Romanoff.” And just like that. She walked out of the compound. She’s right. I do too have feeling for her but this is what the best for her and her own safety, or we’re just not destine together. Or, that’s what I thought.
Present...
The team and I are having breakfast like we’re usually did every other morning and of course Wanda have to ask about her other friend. “It has been almost two months I think since Y/n is here.” I just look down on my plate.
Tony interrupt “Yeah, where is she? I miss her coffee. She made the best coffee ever! Not gonna lie.” Clint kind of sense that we have something going on. “You can buy the whole Starbucks store Stark. Get over it.”
“Get over it?” Steve looks at Clint and Wanda ask again “Something happened?” Tony interrupt again “Yeah, there must be something. Y/n is always here. Except when she have field trips or camping with her students. We like her here, she’s happy when she’s here.” Steve try to stop him but God knows even Pepper can’t stop him. “Tony. Stark.” Tony continue “That doesn’t seem weird to you?”
I finally speak. “What Stark? Huh? I am asking the same question too! Where is she? I wish I have the answers for you guy. I’m sorry but I don’t!” They all been quiet for a minute until Tony open his mouth again. “Jeez. Did you guys broke up?” I look at him “Broke up? We’ve never together.” 
Steve smiles “I maybe old school but I don’t think I’m that fool.” Clint turns to talk while Wanda drinks her coffee. “You guys been doing all those things. Even blind people can see it.” “What things?” I ask and Steve answer “All the things that lovers do.” “Want me to specify it for you?” Tony ask and Wanda told him to stop. “I think she understand, Stark. Let her speak. Or not. It’s her choice. She’ll tell us when she’s ready or want to.” I’ll excuse myself “ Thank you, Wanda.”
Few hours later, I go to the kitchen and Wanda is there. Making lunch for everyone. “Oh, hi Nat.” I grab a glass and pour water in it “Making lunch for everyone?” Wanda chuckle while stirring whatever in that pot “Someone has to.” “Yeah.” I sip my water and just stare at my glass for a couple of minutes. Wanda breaks the silence. “Okay, I know I said that you will tell us what happened between you and Y/n when you’re ready or want but, I can’t take it. You’re killing me.” I look at her “I don’t think you know-“ She cuts me before I finish “Yeah I know that you know I don’t know what you don’t want me to know but your thoughts are too loud. You are battling with yourself. There’s war inside your head. I can’t fully control my power and I don’t mean to invade your privacy. So, can you help a sister?” I just stare at her, she turns off the stove and sit next to me. “If you don’t want to tell the boys, you can talk to me.”
My eyes still glued to my half empty glass “It was my fault. She walked away the last time we had a movie night together. I, we had a fight after that. Your best friend walked away and it is my fault.” I turn my head to face her, didn’t even notice I that I’m crying until a few drops fell down on my lap. “I’m sorry.” Wanda stay silent and I go on “You guys thought that we were an item but we aren’t. Well she wants to but I didn’t.”
 “You’re scared.” Wanda said.
I nod. “Yes.”
 “Of love?” she asks.
“Of losing her.” I said. “So I ran away. I make her cry. She’s being expose. Every time we go out either with me or any of you, she’s expose to danger and threats. I don’t have a clean past, Wanda. Someday, my past will corrupt me. Besides, our line of job makes me worrier. Enemies everywhere, they can take and harm her anytime.”
 “Does she know?” Wanda asks.
Shaking my head. “No. I didn’t say much that night. I said that I’m sorry, but she doesn’t want my apologized.”
  “You’re a jerk! No offence.”
“I deserved it.”  
 “Of course she doesn’t want your apology. She wants answer and you didn’t give her a damn reason to leave or stay. She’s upset. Trust me, that girl is willing to die for you, Nat!” I look at Wanda, she never raises her voice at anyone, except Sam, Tony and her late brother, Pietro. She continues. “I’m sorry. I didn’t mean to yell at you but she’s my best friend and you’re too, and my mentor so, I have to be the one to knock some sense to you.”
“What do you want me to do?”  I asked.
 “Stop being scare and push people out. I mean it’s almost two months and you just keep it to yourself. You are not alone, Nat. You can talk to me or us.”
I smile a little. “You already know did you?” “That’s why I asked you about her this morning. I’m sorry, I should have just talk to you personally.” Wanda said and brush her off. “You didn’t know the whole story. It’s okay, the boys are her friends too. Tony’s right. Her coffee is the best.” I look at Wanda and smile. “And your food is the best.” Wanda smiles big “Now, that’s the spirit! Don’t worry Agent Romanoff, we are going to get you your person back. Now, save your tears and let’s have lunch.” I nod. “I’ll get the plate.” Wanda nod and stand from her stool “And I’ll get the boys.” She moves two steps forward and yell “BOYS! LUNCH TIME….!!!!” I look at her weirdly “What? They know their ways.”
I park right in front of Y/n work place. She a kindergarten teacher. Wanda look at the kids outside and smiling really big. Turns out they are having Fun-Day today. “How do you know she’s here? What if she quit the job and move to another country?”
“Wanda, she’s your best friend. You should know her better. She loves those kids to quit her job. Plus, I tracked her phone. She’s here. Look.” I show her the tracking apps.
 “You knew her whereabouts THIS WHOLE TIME?!! And do nothing?”
“Of course I know. I love her. Should I buy her flowers?” I changed topic.
 “No.”
“Chocolate?”
 “No.”
“Teddy bears or animal stuff?”
 “No. No. And no. You know she’s not that kind of girl. Just present yourself, it already means the world to her. She’s your crush. You should know her better.” Wanda smirking. There she is! School over. Go! I’ll wait here.”
 When most of the kid already out of the school, I approach her at the gate where she’s busy waving at her students. When I’m about to say hi, some kids notice me behind Y/n and call their other friend. Y/n turn around to see where her students running to and sees me.
 “Jake, Caleb, where are you guys going? Your parents waiting over there. Katy, Mila, where are you-“ She stops and just standing there. I know she wants to run but she can’t leave her students unsupervised. Let alone with an Avenger.
I look straight at her eyes and smiles a little. “Hi. Y/n.” “Hi.” That’s all we’re manage to say because we’re busy gazing at each other until the students pulling my legs and hands.
 “You are an Avenger!”
“Yeah! The Black Widow!”   “Can I have a picture with you?”
 “I’m your fan!”     “Me too!”
“You, might want to say hi to your little fans.” Y/n said and I look down. “Wow, that’s a lot of them. Hi little person. Okay, they have a lot of questions too! No, I’m not here to kill somebody. No, not killing an alien too. Yes, I ate vegetables. No, I’m not kidnapping your headmaster. What’s up you guys with murdering and kidnapping?” I turn to see Wanda and luckily she sees you. “Wanda. I could really use your help right now!”
Y/n see the situation is getting heated, she helping me out a little. “Okay calm down guys. Ms. Romanoff will answer your questions one by one.” Right on time, Wanda’s arrive. “Did I see Agent Romanoff being attack? By children.” Y/n looks up at her. “Wanda?” Wanda smiles “Yes and I’m here to save my best friend relationship and my mentor’s butt from children attack.” Wanda looks at the children “Hiiiii.... Good evening children of kindergarten!”
 “Scarlet Witch!”   “Look, it’s Wanda Maximoff!”  “You’re so cool!”  “You can fly!”
“That was fast.” Y/n said looking at Wanda entertaining the children and catch their attention so I can talk to Y/n. “Yeah, she has ways with children.” “I know. I’m her best friend.” Ouch that’s cold.
I talk to her. Hopefully she’ll listen. “I want to talk with you.”
 “You’re talking. Actually, my work time has ended 10 minutes ago but if you wanna talk about donation or social safety talk about this school, you can come again tomorrow morning. I’ll let the headmaster know about your approach.”
“I’m not here for any of that.” I said.
 “You’re to join our today activity then? Fun-Day, students, teachers and parents doing some fun activities together once a year.  You’re kinda late for that you know.”
“Am I too late to say sorry?” I said and Y/n just quiet. “I made a mistake. I really am sorry.”
 “I told you, I don’t want your apologies. And you made it crystal clear that we don’t have anything to do with each other.”
“Give me a minute to explain. Please.” I move closer to her but she move a step back. “Y/n, please. Just a minute. I promise.” Y/n look at me; her eyes are about to drop tears. She’s looking at her watch and counting “60, 59, 58….”
“You are right. I do have a feeling for you Y/n. I’m a coward. I’m scared that one day I’m gonna lose you. My job and my past put you in so much risk. A risk that I’m so scare to put you in. You know the world can see us, in a way that’s different than who we are. Wanda knock some sense to me and for once I listened and I really regret of what am I doing.”
 “You creating space between us. You know that our hearts feel the same but you separated it.” Y/n said looking anywhere but me.
I step beside her. “I want you to be safe Y/n. I want to protect and won’t let anyone hurt you. But those will not happen if you are with me, you understand what I mean. You deserve someone’s better. I don’t deserve you. I don’t –“
  My word was cuts by Y/n “That’s the problem! You don’t think you deserve something so you ruin it. You think you don’t deserve to feel happy?! You think I don’t?! You think you’re fine to let go of something that you really want in your dear life?! Well, I don’t. I don’t think you deserve all that, Natasha. I think you deserve all the joy, all the happiness in your life. Yes, you have a broken past but, you should not have a broken future too, Natasha." Her tears dropping heavily now.
I take her hand; her face softens while looking at me. “Let me redeem my mistake. I’ve learn my mistake and regret it with the rest of my life is you didn’t let me. I want us back together. I’m sorry I didn’t say this sooner. I love you. You are the best miracle that ever happened to me.”
 “What’s make you so sure I want us to back again?” She asks. Her face shows that she wants it too but afraid that I let her go again.
“I’m not Iron Man, I’m not a God, I can’t take your hand and fly you wherever you want to go. I can’t read your mind like Wanda and tell you everything you wanna hear but I’ll be your hero. I can be everything you need and if you are the one for me, like gravity, I’m unstoppable. Now I believe in destiny, I maybe just an ordinary human without her soul but if you’re the one for me, I’ll be your hero. Like the one you tell Wanda.”
Y/n let out a soft laugh “Could you be the one?” I laugh with her “Yeah, I’ll be your hero. When it’s meant to be, I’ll be one. So, I’ll wait for you. Whenever you want, whenever you’re ready.” Her left hand cupping my cheek and her right hand hold my hand. “Your world is my world. Your fight is my fight. You make me happy. I know where I’ll be Natasha Romanoff.”
“The last time you call me by my full name, I was in trouble.” I wrap my arm around her.
 “You will always be in trouble. You already commit to it, Agent Romanoff.”
“I won’t waste it. I promise. I love you Y/F/N Y/L/N. Or Y/F/N Romanoff. I guess that sounds better right?”
 “Shut up and kiss me.”
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delyth88 · 3 years
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Loki series first reaction
So, yeah, spoilers.
*sits at her desk to type*
First things first, there was enough of the Loki I recognised to keep me engaged. I’m very relieved. Sure there were bits where I suddenly found myself fascinated with the set design for a moment, but overall there was enough Loki in there for me. 
Things I liked:
They way they showed the dawning realisation that the TVA was beyond Loki’s ability to beat. It needed to be convincing, and I think they did a good job of it. They showed him attempting to escape, they showed him running out of options. They showed him going from cocky and sure of himself to lost and afraid.  They never did this in Infinity War and that was one of the reason I had trouble accepting that scene. So I’m glad they bothered here. One of the benefits of TV over film I guess.
How disheartened he was to find those infinity stones stashed in the draw like used paperclips. I thought that was really well done. I think that was the moment that sold it to me as someone who knows Loki’s strengths that this might actually be beyond him.  
The scene where he’s alone and watches his future play out.  That they showed him caring for his mother, not just once with his initial reaction, but again, and deeply, when he comes back and plays through his alternate life.
His reaction to seeing his alternate life. I am sooooo glad they didn’t gloss over that or make it light-hearted. Or a joke. I think we as an audience (or at least the fans) needed to see that. I’m glad he didn’t turn away, or turn it off in anger, or otherwise reject it. I can’t fathom what it must be like to see your future, and see it play out LIKE THAT. And realise you’re at risk of death in your current situation and if you can work out how to return to your old timeline that you will die there too, and that this will be enforced.  There is no chance to escape. No chance to change your future. I am haunted by his face.
And then the way in which he says “glorious purpose” afterwards. Ugh! My heart!
I think I enjoyed this scene on a personal level too – it reflects how I felt after seeing Infinity War and Endgame. So sad that all his actions seemed so futile, that after all his suffering and trying so, so hard, that he wasn’t even allowed some time to enjoy life before Thanos caught up with them.
I think they did a really good job of showing us a scenario in which Loki would appear willing to give up his connection with the world of TDW/Ragnarok/Infinity War.  I was worried they’d just give some flimsy reason and for plot purposes Loki would agree, but this was satisfying enough for me.  And I like his growing realisation and grief about having no place to go back to.
Despite my perceptions of Mobius based on the trailer material, I really appreciated how he was sympathetic at that moment.
I’m glad they addressed “but the Avengers were the time criminals” thing head on.  Bit arbitrary, but I guess bringing back half of the population of the universe is probably a good enough reason. Lol
I also kinda liked how they described Loki’s purpose as bringing out the better parts of other people. Assigning him some purpose for the greater good, not just telling him he’s a useless waste of space. It might not be what he wants but he has worth all the same.
How young and hurt and vulnerable he looked sitting on the edge of the room with the tesseract in his hand.
Things I wasn’t so keen on:
So, yeah, there’s a lot of moments that are just a bit too different from the Loki I’m used to for me to be comfortable just yet, but I think as the series goes on I will adapt to it and notice them less and less. For example the cringey trying to do magic moment in the court.  Not a fan. But it did remind me of the similar moment in Ragnarok when Thor mistimes with Mjolnir. So it was kinda helpful to me to be able to recall an instance where they did that joke with an outright hero.
I was disappointed that they seem to not want to mention Thanos or his influence.  There was a perfect moment for him to bring it up, and for a while I thought that might have been what Mobius was angling at. But no. Though if I had to choose between Loki responding to his mother’s death or his time with Thanos then I’m glad they went with Frigga. I guess we can assume that if an Infinity Stone is powerless in the TVA then Loki is now out of Thanos’ reach, so perhaps he felt he could keep that one buried.
I wa a little disappointed that the DB Cooper thing was just a flashback – it was fun, and I enjoyed it, I just would have like to have seen more.  And it means that the line mentioning Heimdall and his brother mean nothing, nor does the bifrost.  I’m wondering now if the little flashes of Asgard are just flashbacks too.  Though the Thor 1 outfit is against a different design of throne than the one actually in Thor 1, and I would assume if they were going for a flashback they would build it to look like the original, but maybe they just wanted to make something “new and fresh”. Ugh.  
That damn graphic death scene! Again!  Will we ever escape this!? Or will every future Loki-related show/article/advertisement include it? Is there some bizarre legal requirement to include it! :p  So yeah, tw, they go there. Again.
And the little speech near the end where he was explaining that he doesn’t like hurting people and it’s all just a cover – that seemed a little too direct and open to me.  But after everything he’s just seen, and realising he’s just lost his entire life, even if he’s still alive, I can accept he might feel he has nothing to lose, that it’s not worth hiding anything anymore.
Other thoughts:
I was interested in the Jetsons-style Multiverse 101 spiel – that there were multiple universes before and that they had been brought down to one. That’s not what I was expecting. That multiple universes were a bad thing. That’s puts a new light on Dr Strange and Multiverse of Madness.
They didn’t show the Your saviour is here! Scene?  Will that come later? Or was that just for the trailers?  They seem to have had quite a few moments that were different than in the trailers.  Nothing big, but they chose different takes to go into the actual episode a few times.
Some of the reviewers had talked about a surprise twist at the end of the first episode.  Ha!  Was anyone actually surprised?
That scene where Loki has the tesseract in his hand in the office and nobody seems at all bothered by the person wandering around in a prisoner’s uniform without a collar in their workspace.  That still seemed odd, and I can see why we thought there must have been something significant about it.  But I guess that’s just showing us the downbeat disinterest of office work!
Interesting that most of the trailer material seems to have been taken from this episode.  I hope that means we get to see a lot more outside the TVA.
 I’m going to be watching this again on Saturday with a friend overseas so I’m sure I’ll have more thoughts after that.  Well actually I’m sure I’ll have more thoughts while I brush my teeth and get ready for bed! Who am I kidding!  :D
So overall, I’m relieved that this will be something I can find enough in to enjoy. I’m liking the scope that we’re seeing so far, and how they seem to be okay with the emotional stuff.  This is definitely not Ragnarok again.
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atalana · 3 years
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[copied over from my cr blog, also this is gonna get long, i’d apologise but im not sorry]
okay, so
this is a rant probably about 7 years in the making, bc when i first watched lok i had not done any music study, i had not done any composing of my own, my knowledge of music theory was at a primary school level and i still thought tv soundtracks were just made by one person composing a whole cache of music and then the audio editors pick and choose what track to place where
(spoiler alert that’s not how film and tv scoring works, i have now done a music composition course where we had to score a short film, among other things, and i have so much more respect for tv composers jesus christ)
but this one stuck out to me even way back then, bc me barely knowing what a leitmotif was was like “hey this one little refrain keeps popping up whenever bolin does lavabending, and i like it, i’m gonna see if it’s on the soundtrack”
it was not, and that’s sort of where i left it back in 2014, but i actually did a rewatch of lok pretty recently out of nostalgia, and then noticed it even more
and to explain why (and this is also a little bit why five’s stuck out to me in tua, i’ll get to that in another ask), let’s cover, leitmotifs, and tv scoring in general
so a leitmotif is basically just a short musical idea that represents something in a piece of music. when i studied motivic development we were encouraged to make that motif four notes or less, and then develop it into something longer (aka a theme), because if you can constantly come back to a really short idea while keeping the piece moving, that’s what makes a piece of music memorable
(you can ignore those rules on purpose but that’s a different essay)
so the most common way that a leitmotif shows up in soundtracks is to represent a character or a location - you play the motif when that character shows up or when you’re in that location and boom, the audience associates that motif with that person place or thing, and you can then use this to tell the audience things without actually telling them. for example, star wars playing the imperial march whenever someone does something darth vader related - darth vader isn’t on screen, but you can feel his presence, because his music is playing
and if we were a film score, where we have two hours to show one particular character’s development, great! we give them a simple motif, and then as they grow as a person we change their motif to reflect what is happening to them, until we end up with something that communicates on a subconscious level how much they’ve grown. we toss in as much symbolism as we can, and we have a really great soundtrack that’s instantly memorable
tv scoring, is harder. partially because of time constraints (have you ever composed half an hour of original music a week, and had to make sure it fits perfectly with every beat of what’s happening on screen? these guys have), partially because there’s a much larger focus on ensemble casts
so what atla and lok do, for the most part, is not score individual character motifs for everyone. this is fairly common in tv soundtracks, instead we score ideas, concepts, and feelings - these’ll come up a lot more and give you more information than just “oh hey this character’s on screen”
the avatar state, for example, has the strongest and most recognisable theme across both shows. i’m linking an atla track in here because it has the best example but you’ll know this shows up with korra too - and with particularly important moments for wan, for kyoshi, etc. they also appear in the opening of both shows, four strong notes that start and end on the same note (in the case of what i’m linking, it’s an F#)
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the first part of this track is the more uncertain, pensive theme that comes up when both avatars are feeling doubt/worry/sadness, but then it transitions into the more recognisable four. worth noting though, those are both basically the same motif. if i write them out back to back, you’ll notice they both have four notes and start and end on F#. if i had to guess, four notes four elements, and it comes back to the start because the avatar is a cycle.
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korra has a theme for when she’s fighting, but not an individual character theme. the airbenders as a concept have a theme, republic city has thematic instruments, as do some big name characters, like iroh and his tsungi horn (this is also a cross-series thing, he’s always playing it in atla, it shows up when zuko has to make big moral decisions, and when we first meet iroh in the spirit world in lok, it shows up there too, to let the audience know who this is before we properly see him)
so, if korra doesn’t get a single theme and instead has several for different aspects of her life, and mako and asami follow along with the mood of the story like all the other characters, the fact that bolin has a personal leitmotif at all, let alone a solid, developing one, is pretty remarkable!
now, granted, it mostly starts with book 3, before then he was like every other character, but it has clear symbolism through those last two books! and, initially i thought it was related only to his lavabending, since that’s most of when it shows up, but since my rewatch, i’ve started calling it his hero theme
see, when people wanna criticise mako and bolin, usually the comments they get are that bolin’s too immature and mako’s too serious/uptight. but like, that’s how they work, you can’t analyse either of them without the context of the other. since they were little kids on the streets, bolin chases his heart and mako makes sure they don’t die from it, that is their entire childhood. and neither would have got here on their own because mako wouldn’t take the necessary risks and bolin wouldn’t take the necessary precautions. (like. remove either one from the equation and they’d still be working for the triple threats bc s1 and their flashback miniseries make pretty clear that bolin got them out and mako kept them out)
and then book 2 proves it! because it splits team avatar up, and what happens? bolin is totally taken advantage of by varrick and used as a pawn in his evil plan and mako ends up in jail
so what’s book 3, to them? it’s, being able to find themselves without having that codependency. mako no longer has someone to protect, which is what he’s based his whole life around so far - bolin’s doing fine and he’s no longer dating either korra or asami. and bolin’s trying his hand at some of that responsibility (look at how he immediately adopts kai who is explicitly them but younger because he wants to be the older brother for once). most importantly, they find the rest of their family, and stop being defined by being orphans. they don’t have to be that singular piece of a puzzle, they can just be themselves. and that’s where bolin’s character really starts to shine, because that’s when they bring in the bending plot, and bending, perhaps more than any other character, really gets to the heart of who bolin is
if you want more of my thoughts on that i have an essay here, but tl;dr: bolin’s an extremely powerful earthbender, but he’s not a metalbender because metalbending requires you to double down on the earth characteristics and think like an earthbender, and bolin doesn’t, he’s too fluid for that, which is one of his major strengths, so of course he can lavabend
and finally - to his motif itself! (as a note, i’ve put all of these in the same key to show where it repeats, but there’s a variety of keys used in the show)
as far as i can find, it first shows up in s3e8, when bolin stuns p’li with this well placed shot
[Edit: it first showed up in the s2 finale, but again in a simplified version and again with him doing something heroic with earthbending, so we can still start the analysis here]
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mako volunteers bolin for that job, because he knew bolin was capable of it. why? because bolin landed an identical shot earlier in the episode, after trying to metalbend, getting frustrated he can’t, and cheating with some extremely well aimed earthbending. it’s just a short refrain and you barely notice it, but it’s the first connection of this motif with the theme of bolin’s bending
it looks like this, and it’s always played on a trumpet, which is part of why i call it the hero theme, because, if you’re looking at music from a western perspective, trumpets were used to herald kings, and then used to represent military glory, and then when superhero themes started happening, they used trumpets too - it’s basically western music shorthand for hero these days
(it’s also symmetrical so that helps with the good vibes)
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and he’s saving everyone here, so it’s linked to his bending, but it’s also linked to his heroism
it ties the two together, and they are tied together.
when’s the next time it shows up? episode 10, when the brothers are in prison in ba sing se, and bolin tries to metalbend them out. again, he’s doing this to save people, and this motif gets a few notes added on to the end in a raising pattern - they’re inspiring, but they don’t go anywhere. which is exactly what happens in the scene, because he’s trying to go about this in the wrong way. mako believes in him, but it won’t (and doesn’t) work
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it appears in episode 12 when bolin saves everyone from ghazan destroying the temple, in a more fancy orchestral remake of the first version - it’s impressive, but it hasn’t actually developed yet, it’s just his discovery of it
the book 3 finale already has its own fucking amazing soundtrack, i love that entire episode’s score, but it gets its own moment there too, and the first real development!
because what we hear is not what we’ve heard before. we know it’s the same theme, because it’s using those signature trumpets, but it’s the second part of this phrase, the answer to the question supplied by the first one. why? because bolin’s figured out who he is and he’s starting to use it. it still hasn’t settled yet though, it’s early days and he’s still just turning ghazan’s lava back on him, so again, it raises, leaving it on a question mark
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it doesn’t appear in s4e7 when he lavabends as a warning against the escaped prisoners, because he’s using it as a threat, not to help people. but it does later in the episode when he uses lavabending to save them from kuvira. and that’s when we get the first full phrase, question and answer
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it keeps the first motif identical, takes out the first note of the second, and ties them together - except now it’s not open ended, now it knows where it’s going - it’s been three years, at this point bolin is confident in both himself and his bending
and then that phrase appears all over the place in the finale, because all bolin does is save people - everyone from the exploding building, he slows the giant mecha with lavabending, he saves opal, he slows the giant mecha again by collapsing a building on it, and most importantly, he’s the one rescuing his brother this time, instead of the other way around (though that one doesn’t get a motif appearance bc admittedly a fuck ton of other things are happening in the soundtrack at the time)
so to that question asked in book three - who is bolin when not next to someone else? well, funnily enough, we saw it in book two as well, just in a warped way, playing nuktuk. it just wasn’t truly him because it was created by varrick, and he needed to get away from varrick too. the question put forward by the narrative is who is bolin, and the answer given by the music is, he is a hero. and i don’t know why bolin is the only one to get a theme like this, but i think it may have something to do with the fact that, while everyone in team avatar has been a hero and saved people, he is the only one who has, from the start, solely been motivated by wanting to help people. he follows his heart, and his heart cares, about everyone. it’s been the driving force behind almost everything he’s ever done. and i love him so much
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pennylanefics · 3 years
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Hope is a Dangerous Thing - Will Schofield
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July 23, 1917
Dear my love,
I am writing to tell you that I am okay. I have not been able to write much after some recent events that happened. I was in the hospital for a short while, but I am now back to the field. I wanted to come home, but my injuries weren’t severe enough for that. I miss you terribly and all I want is to see you again.
Love,
William Schofield.
That was the most recent letter you got from your fiance, Will. He’s been gone for three years already, and there wasn’t an end in sight anytime soon. You missed him so much, and every day, you were terrified of the worst case scenario.
Hearing from him gave you some hope that he would return safe, or at least return. From friends and people around town, soldiers returning from war weren’t exactly the same. So, a year later, when you finally got word that he would be returning, you prepared yourself.
Jumping in his arms after four long years was an indescribable feeling. You met up at the train station, which he had just gotten out of, and as soon as you saw him, you sprinted.
He didn’t say much, you were the one whispering how much you missed this and how much you love him. He just held you close, as tightly as he could, breathing your smell in, relishing in your touch.
You planned on staying with him and his family for a while, after his mother invited you to. She knew how much you missed him, just as much as they did, so she was more than happy to invite you in.
The first dinner with him back was quiet. You, his mother, and his sisters tried starting conversations with him, but he was short with answers. You could tell his sisters were confused and upset that their big brother was distant.
When Will finished, he stood and announced he was taking a walk before taking a shower when he got back. You help his mother with the dishes while his sisters went outside to play before bedtime.
As the weeks pass, Will hasn’t opened up much, still. You tried your best to help him through everything, like nightmares, PTSD episodes, things like that, but he’s still very reserved and to himself. At one point, you tried asking him about his time in the past four years, but he brushes the topic away as soon as he can.
One particular night, it was starting to affect you as well. You were losing hope.
“Hi darling,” Lorraine, Will’s mother, takes a seat next to you on the couch. She rubs your shoulder and you try to keep your tears at bay. “How are you holding up?”
“I hate not being able to help him. He always thanks me after he calms down, but I don’t feel helpful. I’m not sure what to do when he’s yelling and screaming and I can’t get him to wake up from the nightmare. I don’t know how to tell him it’s going to be okay when he’s having a panic attack, when I don’t know if he’s truly okay. I feel so helpless and I feel awful.” Your voice wavers with tears, and after a few seconds, you burst into tears.
What you didn’t know was that Will had come out of his room, to refill the water pitcher in his room, but he stopped when he heard your heartbroken tone.
“He’ll come around, love. I know he will. Iris mentioned it’s normal for them to not talk much about their experience. Tom was the same way with her. He didn’t open up about what he went through until months after he was home.”
“I don’t know what to do. I mean, do I continue to help him? Do I ask what I can do to help him more? I want to be a good fiance and I want to be there for him, but I’m not sure if I can be strong enough to do so.”
“You don’t have to stay strong for him. He knows you’re struggling just as much as he is. You’re allowed to hurt and you’re allowed to let your emotions out.”
“I just don’t want to put that burden of him comforting me because I can’t comfort him, and make it seem like I’m trying to guilt him.” Lorraine chuckles softly and hands you a handkerchief to wipe your tears.
“I’m sure he won’t think that. He loves you so much, and I think he would hate to think that you’re hurting just as much as he is.”
Will walks back to his room before either of you see him. He wanted to confess something to you.
Later that night, while you’re getting ready for bed at the mirror in Will’s room. He comes up behind the ottoman you were sitting on and wraps his arms around your shoulders.
“You coming to bed soon?” He wonders, pressing a kiss to your temple. You were a bit shocked. Along with not being super open, he hasn’t been very romantic and touchy with you. He went through a phase for a few days or so where he didn’t want to be touched at all, not even you playing with his hair or even holding his hand. You ended up sleeping in the guest room those nights because it was too hard to sleep next to him and not touch him.
“Yeah. I’m almost done.” He nods and walks over to the bed, crawling under the covers, watching you from his spot. When you finish, you hop into bed with him, keeping your space. But, again, he shocks you by sliding his arms under your body and pulling you a little closer.
“Are you feeling better?” You wonder, stroking his cheek as soft as ever. He leans into your hand, making a smile appear on your lips.
“I am. Thanks to you.” Your smile falters immediately at his words, your talk with Lorraine.
“I feel like I’m not doing a good job, though. I-”
“I overheard your conversation with my mum, love,” he cuts you off. “I know you’re trying your hardest, I just, I don’t know if I’m ready to relive all of what I went through.”
“And that’s okay. I don’t want to force you into talking about it if you don’t want to.” He quietly thanks you and reaches up to stroke your cheek as well.
“There is one thing.”
“What’s that?”
“While I was on a mission to deliver a message, I met this woman hiding underground in a town. I was running away from a German soldier and slipped under into her space.”
“Was she German?”
“No, French. She didn’t speak much English, and I’m glad I was able to communicate. She had a baby.” Your eyebrows raise in question.
“How old?” Will smiles and grabs your hand.
“Not even a year old. Probably six months. I gave her the food I had from the General, and I thankfully had milk for the baby, which I’m so glad I bottled up when I found it.”
“Was she alone? I couldn’t imagine being left alone with my baby in the middle of a warzone.”
“She was alone, but it wasn’t her baby. She found it then went into hiding. It was quite sad when she told me. I really want to know if she made it out safely.”
“Let’s hope for the best.” His expression drops for a moment.
“Hope is a dangerous thing,” he whispers, keeping his eyes on you. You could tell he was having a flashback, so you break the conversation.
“What did you and the woman talk about? How long did you stay with them?” The same expression reappears as he remembers the reason he was telling the story.
“Only for a short time. She attended to the wound on the back of my head for a moment, and that’s when I noticed the baby. She took a liking to me when I talked to her.” He smiles fondly, staring into your eyes the whole time.
“She asked if I had any children of my own. It got me thinking,” he begins.
“Thinking about what?” You continue.
“Starting a family.” Your eyes widen a bit as he waits for your response.
“You-you want to start a family with me?”
“I mean, yeah. We are getting married, which I hope will happen soon, once I’m a little bit more back to myself. But you’re the woman I want to spend the rest of my life with, so why wouldn’t I want to start a family?” You shrug and sit up, nerves suddenly hitting you.
Of course you wanted a family with him; but you didn’t expect it to happen so soon. This was also the first time he’s brought up having kids.
“I’d love to see you with a baby bump, feeling them kick my hands, talking to them every night. And when they get here, seeing you hold a baby we made together, out of love.”
“Would your mum be upset if we get pregnant out of wedlock?”
“We’re getting married, though. And accidents happen. We don’t have to mention that we wanted this earlier before we get married.”
Will sits up with you and brushes some hair behind your ear.
“You want to do this? Because I don’t want to rush you.”
“No, I do. I want to start a family with you.” He slowly moves to lay you back down and crawl on top of you.
“Want to start right now?” He whispers in your ear, placing soft kisses from your cartilage to your neck.
“I wouldn’t mind,” you smirk, reaching up to tug his hair gently.
“Gonna show you how much I love and appreciate you, beautiful.”
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I’m rewatching all my fave? english-centered period dramas in preparation for  new one coming out, twq, twp, tsp, the tudors, and I know we all love the tudor family here, but good lord was twp such a mess that I ended up actively hating every Tudor character in it. (which was kinda the point, imao) The twp show was based off phillipa gregory's books (that are even worse than the show) and they both shredded the characterizations of everyone in them to the point that they might as well be OCs based on historical figures. Literally the only reason I was able to make it through was because of the actors. jodie and jcls acting carried it at the best of times, and JCL is hot, so... and I’m so glad they got michelle fairley and essie davis as EW and MB, or else it would of been unwatchable.  I couldn’t really root for either lizzie or henry, because their characterizations and personalities were so inconstant and varied wildly from ep to ep, its like I was watching different people in each ep. nd that’s a big part of why I favored the York plotlines/characters more, at least most of them (except lizzie) stayed constant in their characterizations/motives (even if all they were consistent with was revenge against the tudors) And rooting for the tudors in general was hard too, since the show was bending backwards to make them all assholes. (JT gets a pass tho, he was just trying to raise his kid right) No one was really likable, you get a good moment with someone and then the next moment they’re doing something batshit, e.i, henry’s good for a while and then starts being a dick, (wtf was up with imply he slept with cathy gordon and him being such a bitch to lizzie out of the blue?) or you’re starting to sympathize with Margret Beaufort and then she kills another kid, which like, the decision to have her kill the two princes was a choice, and I won’t hesitate to say I enjoyed the drama it brought. Along those lines, the show is marginally enjoyable if you divorce it from the history its trying to retell and treat it as a game-of-thrones-bodice-ripper-drama, which was the intent of the author in the frst place, but whatever. That some of the best acting on the show came plots/situation that weren’t even real irl is wild, and that says a lot. henry’s talk with lizzie about her loving him, but not like she did w/rIII, and his depression-breakdown (never happened),  over his mother being a murderer and the whole thing with Richard Jr./percy warbeck was just juicy, later moments with lizzie and the bit when she talks to richard jr./pw in the tower and his laugh reminds her so much of her father? and then the execution scene? good shit.  A fave bit was henry sitting all despondent in his room remembering the killing of richardIII, and yes they did actually have richardIII buried alive in this show, jfc. It goes again to the bad characterization that ep 1 lizzie would have strangled him outright if she’d found that out, but lizzie in this ep would have been meh. Speaking of which, the short-lived friendship between richard jr./pw and teddy was extremely sweet, which made their executions all that more horrific. within the narrative of the show, R jr./pw seemed like he would have actually made an excellent king, he never seemed anything but kind and honorable, although adamant about his claim, and lizzie’s fear he would kill her children, which was  not unfounded of course, was also made mostly her entire basis for having him killed in the show, even though he was never presented as someone who would do that? make it make sense, or at least hint he would want to harm the kids after taking the throne, instead of showing him as incredibly nice. And in this show, with richard jr./pw being the actual richard, and mb having tried to kill him as a boy and framing richardIII for it, he’s more than justified in wanting the throne and justice. except that never happened irl, and the show has me rooting for a pretender instead of the certified monarchs, which are SUPPOSED TO BE THE “HEROES” OF THIS SHOW. and like, claimants to the throne are usually entitled fucks by nature, I don’t know why everyone hates richardjr./pw for being entitled, when every person who ever laid claim to a throne ever does so on the belief of entitlement to that throne?   And tell me how there was more chemistry between lizzie and faceless richard III in a four-second flashback than she and henry had in most scenes? I’m not saying that lizzie and henry didn’t have chemistry in the show, because they did, (at least the actors did) but once again, their inconsistent characterization marred a lot of scenes that would otherwise be amazing. Then the whole thing where henry r*ped her nd it was shown to be directly caused by her mentioning her relationship with richardIII? Messy, messy messy. after that, it was hard to “feel” lot of her and henry’s scenes even in better contexts. I ship lizzie/richardIII out of spite for that nasty-ass scene alone, because I can’t sit there and watch lizzie falling for her rapist. and then lizzie is vilified for her relationship with richardIII, yet the show implies that Margaret B is in love with her own brother, has lizze taunt her over it, and then present JT marrying/ MB her arranging his marriage as a tragedy for MB? Sir? Ma’am? Jasper Tudor straight up implying that his sister should get a fucking annulment so they can be together, and MB actually considering it gets a pass? more like margaret lannister. Then they bring up richarchIII as a gotcha to lizzie every other ep? someone inform henry that his beloved mother wants to fuck her brother, his beloved uncle and see if he keeps throwing rIII in lizzie’s face every five minutes. EYE. god, this show is bad, bad.  Don’t get me started on the burgundy plot. if you’re going to have the duchess start a war on a whim, at least imply she was possessed to do so by EW’s magic, or have the balls to make her stepdughter’s death actually the fault of the tudors. And poor fucking maggie. it was hard for her irl, but it’s intolerable for her within the show.   Sorry, this got long, I’m ranting at this point because holy hell ITS BAD. If you take it as a show that’s supposed to be about real life historical figures it’s a trash fire, but you really should just watch it as a story like bridgerton. makes it more tolerable.  You know you’ve lost it when a show that’s supposed to be about the unification of two great houses and the love story (not that it was reallly that great of a love story irl either, but that’s for another day) between the scions of those houses gives me hives and makes me wish the burgundy plot succeeded.   
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hyena-frog · 3 years
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Makes me so sad to think about how Cassius raised Lysander for 10 YEARS and came to love him like a brother and likely put a ton of effort into being a decent role model only for Lysander to turn around and become exactly like Octavia..... like can you imagine what must be going through Cassius’ head when he flies over Lysander at the end of DA.. :( seeing the kid he raised to adulthood become a monster.. I just... ugh. It tears me up inside
Hoo boy, I hope you’re prepared for the essay I’m about to write.
Genuinely, I think about this all the time. Cassius and Lysander have one of the most complex, tragic relationships the second trilogy has to offer. I hated Cassius so much after Golden Son but now he’s one of my favorite characters. I would really love it if he is the new POV Pierce Brown promised. In the second trilogy, Cassius has been exclusively filtered through Lysander’s POV, so I’m dying to know his own thoughts on everything that has happened. (But I would also like a Volga POV for the Obsidian story and maybe Diomedes POV for the Rim perspective. I’m torn.) I just want Cassius to have a happy ending. And I hate Lysander, but I would really like for him to see eye to eye with Cassius at least once before he is horribly, painfully, rightfully murdered.
Now, the thing is, Cassius didn’t come to love Lysander as a brother over time, he already loved him when he decided to become his guardian and mentor. It bugged me that, at the end of Morning Star, it didn’t feel like Cassius’ decision to take in Lysander was justified enough. All we really got out of him was that Lysander reminded him of Julian. Pretty flimsy. Then Iron Gold came along and blessed us with a flashback to when they first met. Little Lysander wasn’t too impressed with Cassius (he wasn’t exactly as respectable post Red Rising as he is now) but Cassius quickly went from calling Lysander an “eerie little creature” to declaring “I’ve decided to like you, little moon boy.” From that moment, Cassius truly cared for Lysander. Reading that flashback again after Dark Age makes me so emotional.
Lysander has this complex about being Julian’s replacement, that Cassius doesn’t love him so much as he loves the shadow of Julian he sees in him. And he’s justified, in a way, because Cassius does slip up and call him Julian sometimes, but it’s usually when he’s delirious from pain and not thinking clearly. Lysander completely misses the fact that Cassius does love him. I guess he doesn’t have much experience recognizing when he’s genuinely cared for, because why would he, but there is plenty of evidence of Cassius’ true feelings.
For example, Cassius sold most of his remaining family possessions to keep them afloat on the Archimedes. Now, Cassius isn’t strapped for cash by any means but the fact he cares for Lysander (and Pytha) enough to sell many of the last reminders of his dead family that he owns, is very telling. But Lysander doesn’t think about that. He acknowledges that it happened but doesn’t consider the deeper, emotional meaning behind that action.
Another example is Cassius opening up to Lysander about the last time he ever saw his father. How he disappointed Tiberius but finally regained his respect, only for the entire Bellona family to be slaughtered shortly after that reconciliation. That was a sign that he loves and trusts Lysander enough to be vulnerable with him. He never told that story to anyone else, as far as we know. He believed he was going to die in the Bleeding Place and wanted that memory of his father to live on in Lysander. The fact that Lysander is blind to how Cassius genuinely loves him, even now, is tragic.
You’re right, Cassius did try to be a good role model and pass on good morals. I think the scene in Dark Age, where Pytha confesses that Cassius forbade her from revealing to Lysander that she is actually a soldier and not a disgraced commercial pilot, as he was lead to believe, was very telling. Cassius attempted to show Lysander life outside of politics and war. He tried to show him that all Colors are equals deserving of respect. Cassius was devastated when Lysander chose to save Seraphina over the many mid- and low-color prisoners on the Vindabona. He was horrified that Lysander chose “quality” of life saved over quantity. This coming from Cassius, who compared Pinks to animals in Red Rising. Cassius has learned and changed a lot since the first book and he tried to pass those lessons onto Lysander. But it didn’t stick. Not even after 10 years of teaching.
Unfortunately, his teachings were tainted by his bad coping mechanisms for his personal demons. His alcoholism, his continued pining for Virginia, combined with his betrayal of Octavia and involvement in Aja's brutal murder, gave Lysander enough excuses to never fully embrace his lessons. While Lysander did love Cassius, there was always some flaw or another in his teacher that allowed him to comfortably distance himself from the lessons that diverged from Octavia’s teachings. To be honest, Cassius had no business taking on a ward while he was so torn up inside. Keeping Lysander isolated in a tin can in the middle of space for 10 years, instead of living among diverse people, didn’t do him any favors either. Frankly, Cassius missed a lot of red flags. A big one is the fact Lysander carved Lux ex tenebris, the Lune family motto, into the ceiling of his room on the Archimedes, where he could stare up at it every night. Yikes.
This dissonance in Lysander’s thinking is what lead to his betrayal in the Bleeding Place. Yes, Lysander loves Cassius and wanted to save his life rather than see him die at the hands of people who don’t respect him. But he also genuinely believes in the inherent hierarchy of Octavia’s teachings, that the “true order” is for Cassius to follow him. If Cassius lives, if he can convince him that his rightful place is to follow Lysander, things can finally be right in the worlds. Cassius failed to express his feelings in a way Lysander can comprehend, so he felt he was just a replacement for Julian. Lysander can dismiss Cassius’ love as love for his dead twin, and in turn, he can dismiss his claim to believe in the inherent equality of humankind as guilt and justification for killing his Sovereign. Cassius was unable to truly see how badly he failed until he was betrayed.
Since Cassius was absent for most of the plot following his “death” it’s difficult to concretely say what he’s been thinking since then. But I’ve been thinking a lot about him, so here is my conjecture. Take it with a grain of salt.
That moment you mention, when Cassius flies overhead, he deliberately retracted his helmet for a brief moment of eye contact with Lysander, so he would know exactly who rescued Darrow... Shivers. So much left unsaid. I imagine Cassius was thinking a lot of things in that moment. On the one hand, some pettiness and anger at being betrayed: “I lived bitch, I rescued Darrow, this is where my loyalties lie.” But there was also probably a mixture of shock and guilt at knowing what Lysander has done, at who he’s sided with and enabled, but also at seeing evidence of physical suffering in Lysander's burn scar and blind eye. Cassius loved Lysander, he was his guardian for 10 years, so he would hate to see him hurt. I think he would feel responsible for Lysander’s actions on some level, even if he logically understands that he’s an adult who makes his own choices.
Regardless, Cassius probably blames himself on some level. That’s what I think anyway. He tried his best to teach this kid good morals for an entire decade only for him to cling to the ideals his grandmother taught him. That has to sting. It’s probably also embarrassing, to a degree. Cassius made this grand promise to Darrow that he’d raise Lysander right, that Sevro was wrong to suggest they should have just killed him when he was little. Now Cassius’ failure to make good on that promise has been advertised to the whole Solar System through Lysander’s actions on Mercury. Surely Cassius feels responsible.
Cassius had a lot of time to think during his long return trip to the Core. About what happened with Lysander in the Rim, about his lingering feelings for Virginia, about his place in the Republic, and about what he really considers the right thing to do. Cassius can be intensely empathetic when he allows himself to be. For example, in Morning Star, he managed to really sympathize with Darrow’s life when they were drinking whiskey together. I’m willing to bet he spent that long return journey considering Lysander’s perspective with a clear head, after spending so many years lost in the haze of his own sorrows. Now that he is out of that bad mental place, he is likely able to see where he made mistakes in how he raised Lysander.
It will make for an interesting confrontation between Cassius and Darrow, who is thoroughly, understandably, done with Lysander, when the time comes to kill him. Cassius knows the danger Lysander poses and probably won’t argue against killing him this time, but I do think he would resist a little and at least try to find an alternative solution.
Lastly, I just want to say this, since it’s sort of relevant: This fandom tends to agree that Sevro should have just killed Lysander as a child, but if I’m being honest, I don’t agree. Kill Lysander now, as an adult, by all means, but as a kid he hadn’t done anything wrong yet, even if he was a little creepy. Darrow was right to give him the chance to live in peace. Too bad he ultimately didn’t take it. I especially don’t think Cassius would agree killing Lysander as a kid was the right choice, even now. He is traumatized by the sudden loss of most of his family, including little kids, so I don’t think he’d ever agree to killing a child. If he could somehow go back in time, knowing what he knows now, I think he would make the same choice to raise Lysander. In that scenario, I think he would rather try to fix the mistakes he made as a mentor, rather than punish Lysander.
Guh. Anyway. I had a lot of words in me about this subject. Hope you got something out of it! I’m consistently amazed by how Pierce Brown’s writing compels me to think deeply about these characters. Not to mention his ability to make me understand Lysander’s perspective even if I don’t like it or agree with it. Cassius’ perspective though... well, half of this post is just me guessing, so we’ll have to see how close I am to canon when book 6 comes out. Thanks for reading!
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octupus-on-the-moon · 3 years
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I rewatched the attack of the clones. And I have come to six discoveries/headcanons/ experiences/ unwanted analysis comment.
First of all, it's canon.
Obi-wan and Anakin and Ashoka are one small family. (I never doubted it, I just want to have the evidence in one place and I want to clarify the structure of the family)
So shortly after Padme almost got killed by some ugly worms and Obi-wan vastly complained about his Padawan's flying skills. Anakin loses his lightsaber and Obi-wan returns it to him with the complementary-master-speech-about-this-weapon-is-your-life
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And after that he says something along the way that Anakin is going to be the cause of his death, to which Anakin responds with a don't say that master your are the closest thing i have to a father. And when he is with Padme on Tatooin he repeats almost the same, so it's canon.
Now we can jump to the clone wars season 7, where Ahsoka calls Anakin "
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" shortly after kicking a*s and before that having one of those happy landings as Obi-wan, would call it (Big family vibe here).
Jumping right to revenge of the sith were Obi-wan says that Anakin was like a brother to him. But let's be honest. Obi-wan doesn't call himself a father, because he doesn't want to feel old. Ignoring the previous statement, looking at it that way, I would say that Ahsoka and Anakin are the kids and Obi-wan is the tired parent. (1*)
Second thing.
In the diner scene
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when Obi-wan asked if the clones were friendly
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I kind of had a trauma flashback
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with all the f*cking cody and obi-wan ship content all over tumblr, twitter and so on.
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I was like man. You don't even know how 'friendly' these guys are.
And the third thing that came into my mind was.
What if in the first battle of Geonosis, since the clones were new and the Jedi weren't really in tune with war; it obviously were a little mess at the beginning, but what if that brought the clones to their Generals. Like they send Cody's, Rex's, Wolffe's and Gree's squad to battle and they see the different Jedis and in that brief moment of confusion and rapid organization every one chooses their general or squad. Like Rex sees Anakin doing something really crazy trying to protect Padme and he just jumps to help him. Then Cody sees Obi-wan strategically destroying clankers while putting himself in complete risk and just runs on his side to watch his back etc.
Then at the end, after Dooku's escape they keep asking for the clones who helped them and tadaaa clones and generals are united.
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I haven't read the novelization, but that's now my headcanon bye.
Coming to my fourth point now.
Why do we not have any story about a Sith coming back to the light side? For real, that would be a hell of a good plot. I know Anakin (and Kylo) redeemed himself, but it was after a lifetime of bad decisions and guilt, just to die after their last and almost only act of good after years.
What if we take someone young corrupted by the Sith since an early age, may be growing up between them. Always being compassionate and diplomatic. Then when it's finally time to prove his recklessness, he just decides to escape and he finds a Jedi master ready to teach him about the light side of the force and help him on to the right way.
I don't know about you guys but for me that's a hell of a story. Just the training would be hilarious. Like when Lilo tried to teach Stitch how to be a 'good dog'. They constantly would get themselves in trouble, because of sith-like-acting of the Padawan.
Five.
I think I have two theories of why Obi-wan is so afraid of flying with Anakin.
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The first one is that Obi-wan was in charge of teaching Anakin how to fly, but given the fact that Anakin isn't the best listener; He is just concerned about how much he actually taught him and if he did teach him enough or if it was just to little and then he kind of falls in that overthinking spiral where he ends up doubting his own flying skills.
The second one is that Anakin never officially learned how to fly, it was just after he got 14 or 15 and had a growth spurt, so he now was finally able to reach all the buttons or pedals or whatever and he just proclaimed himself, from one day to another, that he was a capable and secure pilot or even the best pilot in the galaxy (most likely the last one). Then he managed to get a fake licences and convinced the Jedi-order that it was real, only Obi-wan found out the truth, which would explain why Obi-wan is scared to sit in a ship with Anakin as the pilot.
Now very important and last point number 6.
Like (i think) everyone around the Star Wars fanbase, since a young age i had an insane crush on Obi-wan (as if anything on here is sane), anyway. I couldn't really watch the prequels often, because we didn't have them on DVD, so i kind of ran to the TV every time they miraculously showed them (Like with Harry Potter, just that it was Snape i had a huge crush on). But now i have Disney+ and it's like endless power. Long Story short i found my Obi-wan aesthetic. It's the messy hair during duel/battle and just...
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look at him so handsome and hot ♡. Now connecting it with the info before, I'm mad at whoever didn't let me have the DVD's of the prequels, because i missed this out for so long. *angry octopus noises*
Thank you for coming to my ted talk and reading the unnecessary input.
(1*) Obviously it isn't just the three. Yoda and Plo Koon could be the cool grandparents. Rex and Cody the cray-cray cousins. Mace the grumpy uncle etc. etc.
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twobitmulder · 3 years
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When did Storm Shadow Become a Villain?
There is a scene in GI Joe Resolute where Snake Eyes and Storm Shadow are having their obligatory Ninja Battle and (Spoilers I Guess) Storm Shadow reveals that he orchestrated his uncle, The Hard Master’s, death and that he fully meant to kill Snake Eyes as well, out of jealousy and because his uncle would not teach him the final secret to killing a man in seven steps, fearing that young Storm Shadow was too volatile and violent. Towards the end of the battle Storm Shadows wrist bands come off, revealing his Arashikage tattoo on one arm and a Cobra Sigil on the other.
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This version of Storm Shadow (Voiced by “every Beagle Boy on Ducktales” Eric Bauza) stands out amongst his post-2000 incarnations as an unrepentant psychopath, but still falls in line with the prominent view of Storm Shadow as a villain--one of the main villains with a special hatred for his GI Joe counterpart.
This is the version I grew up with. GI Joe vs Cobra through Sigma 6 were the prominent Joe adaptations when I was the target demographic and all throughout Storm Shadow was a bad guy to varying degrees. 
I knew in the classic Hama stuff he eventually defected, but I was not prepared for just how much he’s a heroic character from the start. There’s no big sword dual with Snake Eyes, no Anakin and Obi Wan style “friend turned bitter enemy” dynamic. It’s made clear from jump that Tommy is undercover in Cobra and remains an honorable man in search of justice. He leaves Cobra quickly and is branded as a Joe in all his figures until 2000--when they started packing their characters in two-packs with one Joe and one Cobra. In all appearances, Storm Shadow is more a Joe than a Cobra. So what led to the the modern view of Storm Shadow as a bad guy, who, even when he gets his redemption, still has a mean streak and a cruel manner? How did a character in a toy driven franchise who had more toys as a hero than a villain end up as one of the franchise’s most consistent villains?
*(For simplicity’s sake, this is only going to cover film and television portrayals of the character).
*Spoilers for pretty much every GI Joe adaptation to follow.
The first portrayal of Storm Shadow as Cobra Commander’s loyal and competent hatchet man (one of the few) is not too much older than Hama’s original Marvel version. The Sunbow version of Storm Shadow (voiced by “guy you’ve heard in everything” Keone Young) remained a loyal cobra agent--with none of the Hama version’s depth. 
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He had what you might call “standard cartoon Ninja honor” where he clearly had some kind of code of ethics, but was primarily an arrogant killer (as much as he could be in a cartoon) who fought primarily with Spirit and Quick Kick (voiced by wonderfully talented “guy you’ve seen in everything” Francois Chau) as Snake Eyes was largely shunted to the side in the cartoon. The echoes of Sunbow Storm Shadow can be seen in pretty much every non-comic adaptation that followed.
Skipping right over the Dic continuation of the Sunbow cartoon because Storm Shadow actually is a Joe in that, as he was in the comics and figures of the time (and because I haven’t seen it) we come to the 2000′s era.
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The Spy Troops and Valor vs. Venom DTV movies had a Storm Shadow (voiced by “guy who got his blood ripped out by Magneto in X2: X-Men United” Ty Olsson) who was essentially his Sunbow self with one major change. He actually had a history with Snake Eyes, and a bitter rivalry. The details are not gone into in either film (you get a little more in the figure file cards and mini-comics of the era) but Storm Shadow accuses Snake Eyes of betraying the Arashikage. The implication being that either Storm Shadow blames Snake Eyes for some crime or another or that there was a schism in clan. 
The File cards of the time movie go from acknowledging Storm Shadow’s time as a Joe, and claiming he’s working with Cobra again for unknown reasons, to establishing their own canon that Snake Eyes and Storm Shadow were once best friends and “Sword Brothers” before Storm Shadow fell to the dark side and joined Cobra. Though Storm Shadow’s file card does end with the ominous implication that he’s got his own agenda in working with Cobra (just like his Hama incarnation) the DTV films imply that he’s a Cobra loyalist in addition to his feud with Snake Eyes.
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Spy Troops and Valor vs. Venom lead in a semi-canonical way to GI Joe Sigma 6 where Storm Shadow (voiced by “guy whose only other role I recognize is pulling double duty as Zeke Stane and Living Laser in the Iron Man 3 videogame” Tom Wayland) more or less continues the previous two iterations’ version of Storm Shadow. He once again accuses Snake Eyes of some great betrayal that broke their friendship. The GI Joe website at the time includes the detail that Storm Shadow was infiltrating Cobra when he was brainwashed into becoming a loyal Cobra agent. It’s another concession, like his 2001 file card, to Hama’s heroic double agent, while still portraying him in line with Sunbow’s villainous henchman. 
GI Joe Resolute comes next, where we see a departure from any pretense of Storm Shadow being a good guy. Resolute, in many ways, comes off as a gritty direct continuation of the Sunbow series, and it takes Sunbow’s villainous Storm Shadow and strips him of even the token bits of honor and humanity he had. It also, as near as I can tell, begins the trend of Storm Shadow outright resenting Snake Eyes, rather than being his one time friend.
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As an irrelevant aside, I have my problems with Resolute but I do love everyone’s character designs and Eric Bauza does a fantastic job as one fourth of the cast. His Sean Connery impression for Destro is particularly inspired.
This brings us to the big ones. GI Joe: RIse of Cobra and GI Joe: Retaliation where Storm Shadow is brought to the big screen by Lee Byung-Hun (who I don’t have a snarky/informative aside for because shamefully despite how prolific he is I’ve only seen him in these movies and The Magnificent 7 remake) and as a child by Brandon Soo Hoo (he’s also been in a lot of stuff, but I particularly liked his turn as Beast Boy in the animated New 52 DC movies).
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Lee’s Storm Shadow in the first film falls in line with his portrayals up to this point, probably skewing most closely towards Sunbow. He has a code of ethics (he doesn’t kill women apparently) but he’s still a bad guy and he seems to quite like it. Lee brings a charm to the character that had not really existed up until that point. He also spends a lot of time maskless (and it’s hard to blame the production team for that one, he’s a very handsome dude) which was a shock for anyone who grew up with the 2001 era storm shadow where the thought of him without a mask was so insane that it was relegated to a mail in figure (As a kid I seriously thought he had some Mandalorian style code of not removing it)
His origin in this version takes bits of Hama and bits of Resolute (or Resolute took from this, Resolute came out first but this might have been in development). It is, as far as I can tell, the first version to have Storm Shadow and Snake Eyes train together as children and it portrays Storm Shadow, even as a child, as an arrogant and jealous person.
Now, at least in my opinion, it’s fairly obvious that the first movie fully intended Storm Shadow to be a baddie, full stop. There’s a little wiggle room given that we never see him stab The Hard Master in the flashback (the Hard Master in this version is Storm Shadow’s father rather than his uncle) but the way he taunts Snake Eyes about it during their final confrontation makes a pretty compelling case for his having committed patricide.
The sequel would bring back elements of the Hama backstory. Zartan killed The Hard Master and Storm Shadow had to infiltrate Cobra to discover that. Given Cobra Commander and Storm Shadow are of roughly the same age (Storm Shadow being a bit older I think) and this event occurred when they were both children it’s unclear on who’s orders Zartan did this but we do know it was done to turn the already volatile young man into the perfect angry ninja assassin (given this canon is pretty much over we’ll probably never know for sure, but my guess based on the IDW movie universe comics is that Zartan either did it at the behest of the Red Ninja Clan or just to have a tiny assassin of his own, probably the former since they seem to regard each other as unpleasant colleagues who sometimes work together).
What I particularly like about this version is that, because the first movie portrayed him as this charmingly sadistic Bond Villain henchman, even after he switches sides in the sequel he’s still kind of a belligerent dick. It’s a fun piece of characterization that even once he’s cleared his name, avenged his father, and made his peace with his family, it doesn’t change the fundamental fact that he’s not a very nice person.
This is something that would persist into the next (and for the moment last, but more on that later) onscreen version of Storm Shadow.
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GI Joe Renegades (the best GI Joe Cartoon, fight me) saw Storm Shadow (voiced by “holy crap this guy originated the role of Saw Gerrera in Clone Wars” Andrew Kishino) as the leader of the Arashikage Clan (explicitly a crime syndicate, harkening back to implications in Hama’s version) who operates independent of Cobra except very briefly and only to fulfill his own ends (again bringing him closer to Hama’s version than any of his predecessors). Falling in line with the implications of the movie and Resolute, he and Snake Eyes were uneasy classmates more than friends and trained together as teenagers. An attempt to kill Snake Eyes went awry and resulted in the death of the Hard Master (who again, seemed to favor Snake Eyes over his own nephew). Storm Shadow believes Snake Eyes to have killed The Hard Master(somehow failing to connect the dots given his own murder plan failed the same night Snake Eyes allegedly murdered his uncle--or hell he’s probably just in denial until the truth slaps him in the face). 
Also, irrelevant aside number 2, in contrast with Resolute I really don’t like this character design. Renegades had pretty good character design all around, neatly bringing together various versions in a way that felt coherent but I don’t like the little tufts of hair sticking out of the mask or the way it kinda hangs in front of his mouth. Is he hiding his face or not? It seems like he’s not so much wearing a mask as a bandana and an oversized turtleneck.
This version neatly ties together the “Snake Eyes betrayed us” of the early 2000′s, the “arrogant unfavorite” of the mid 2000s and the “out for justice assassin” of Hama’s run. He is, again, an arrogant prick from the start, but his genuine shame and resolve to abandon his quest for vengeance and his extremely short partnership with Cobra make his eventual redemption (or the start of what you assume would have been a longer redemption arc had the series continued) more believable than the live action movies--if a mite less fun.
And that’s where it ends, at least until the much delayed Snake Eyes live action movie is finally released, where Storm Shadow is set to be played by “guy from the best episode of American Gods Season 2″ Andrew Koji. I quite like the look of the cast of this movie, and I’m excited to see what Koji brings to the role. Will Storm Shadow be arrogant, murderous, honorable, charming, brooding, misunderstood, cruel, vengeful...some impossible combination of all of the above? We’ll have to wait and see.
*Including the various alternate comic book versions probably would have painted a more complete picture, but I’ve only read Hama’s run and the IDW reboot (where Storm Shadow is kind of a non-entity), besides this was more about tracing Storm Shadow through the adaptations I watched as a kid.
*None of the adaptations seem to go with Hama’s original detail that Storm Shadow and Jinx were from Northern California. On the one hand I see why you transplant them to Japan with the rest of their family (it’s a globetrotting element and makes the cast more cosmopolitan) but I always liked the idea of that they were children of immigrants.
*Adaptations have been touch and go about casting Japanese actors in the role but I was impressed to find out that Sunbow cast Japanese Americans as both Storm Shadow and Jinx, making them probably the most faithful casting in relation to their original backstories.
*Apologies for my complete inability to get screenshots of roughly the same size or resolution.
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ajbwasntwriting · 3 years
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Daughter!Reader X Negan, Reader x Daryl: Chapter 7. Home Sweet Home
First | Previous | Next
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The quest for relevant gifs continue as we begin this chapter with a cheeky little flashback. Hope you all had a happy end of 2020 and may all your 2021 goals come to fruition.
I’ll only post more chapters if previous chapters get a good reaction so if you enjoy this please heart it, reblog it, and/or reply to it. Interaction inspires.
if you wish to be added to the tag list please dm me. All chapters can be found under the tag AJ’s Negan’s Daughter AU
The school bell rang. All the kids packed up their things and got into a line to walk out the school to their parents. You were told to always take the back of the line, that way when all the other kids walked out the door to meet their parents, you could break off and run down to the teacher’s cafeteria. You’d stand outside the door and fifteen minutes later your father would arrive, usually with another two teachers in tow. Everyday you’d see him round the corner then drop your bag and sprint your little legs down to him. He’d pick you up in his arms and place a big kiss on your cheek.
“How was your day princess? Did you give Janet a hard time?” he’d ask, to which you’d always shake your head no. He’d smile at you before placing you back on the ground, then you’d run back to your bag and your father would bring you back to his classroom where he taught other kids. He’d correct work for a bit while you did your homework, usually at a desk far too big for you but it was still easier then the kitchen table.
After you had finished your homework your father would let you pull out pencils and paper and draw until either he had finished his corrections or it was time to go. It was 1985 and you were strapped into the backseat of your father’s car with ‘Out Of Touch’ on the radio. You were six years old and living the high life in the back of your daddy’s car on the way to your suburban house where your mom was cooking pasta for dinner after a long-shift at 7/11.
You woke up when the light hit your eyes, stirring you from the peaceful childhood dream of speeding down the country rode while The Bangles sang out. You were lying on a hard bed in what looked like a med-bay made out of an office. Realisationed hit you like a truck that this was the Sanctuary and you shot up, immediately regretting it when everything started to hurt.
“Woah Woah, easy.” A man chided as he jumped to your side, grabbing you by the shoulders to stop you from getting out of the bed. You yelled at him to get off you as you swung at him, sending him backwards. In a moment another two were on you, a man and a woman.
“Tie her before she pulls out her IV!” the woman yelled. The first man stood up and began strapping you in using broad leather straps while the other two put their weight on you.
You struggled as best you could, still exhausted and something heavy on your leg. “Let. me. Out!” you yelled as you pushed against the bonds.
“Get Daryl” one of the women commanded, the second man running out. “Try not to pull that IV out. We can’t patch you up if you do.” she commented, walking around to tend to the man you punched. At this angle you could see the four barred tattoos on her neck. You recognised her, but it seemed she didn’t recognise you. Or at least wasn’t saying anything.
“What are you gonna do to me?” you asked, trying to hide your fear. The man glared at you from where he sat on another hospital bed, his eye turning bruised.
“Nothing.” The woman commented. “Bosses orders” the man scoffed at that, earning a slap to his chest by the woman.
“What? You actually think Daryl is the boss. Negan had him putting dead ones on the fence! He should still be doing that!” the woman punched him in the chest
“Knock it off,” she chided “Unless you wanna get punished”
“He doesn’t do that shit” the man grumbled.
“Do you wanna be the reason he starts doing it?” You couldn’t help but laugh. Maybe it was your nerves at the situation but their banter was completely unexpected. She turned around and looked at your tied down giggling figure. “What’s so funny!?”
“You sound like his mom” you turned your head to look at them as you spoke, a smile on your face.
“She bitches like the old hag too” the man chirped, earning a more playful slap from the woman. This was good, the tension was being lifted if only slightly.
“Sorry for punching you. New surroundings, ya know.” you piped up, hoping to take advantage of the tension drop.
“Yea well, you're not getting out of those belts” the man retorted, nodding towards the binds
“That’s fair” you sigh. Looks like you’ll need a new plan. Maybe some info, but you’d have to give a little to get a little “So are you gonna kill me? Like your friends tried to”
“What you mean?” The man asked
“Couple of people broke into my safe house, said they were saviours and they were gonna kill me to save their friends.” you stared at the ceiling, trying to feign complete helplessness. “Are you with them?”
“No, but-” the woman shushed him again, but that did nothing to deter the man. “We used to be, then a war happened and our boss got locked up and they put an outsider in to look over us”
‘Locked up?’ you thought ‘so he’s not dead.’ you bit your tongue to contain your happiness. “I can’t say I’m sorry” you said after a beat, “So...I’m gonna live?” you looked at them with intentionally wide eyes. The woman looked pissed, but she nodded. You breathed a sigh of relief and closed your eyes. A beat or two later the man returned with Daryl and a grey-hair woman in tow.
“Get those off her!” Daryl ordered.
“It’s okay” you interjected. “I punched your friend there. Kinda earned this”
“Nah” the first man perked up “If I had been jumped then woke up in a strange place I’d have acted out too,” he moved over and started opening the belts, Daryl working on the others. You slowly pulled yourself up, Daryl jumping to your side to help you into a sitting position.
“You alright?” Daryl asked. You looked over now realising your palms were bandaged and your leg was in a splint. You reached up to your aching head and felt a bandage with your fingers.
“I’ve been better” you spoke low, still in a great deal of pain.
“What happened?” the grey haired woman asked. You spun a story of a bunch of people claiming to be saviours who entered your apartment with the plan of ambushing and killing Daryl, how you burned down the apartment and jumped out the window for your escape. The grey haired woman listened to you with growing worry on her face. “Did you kill them all?” she pushed
“I don’t know.” you admitted
“What do you mean you dont know!” she snapped
“Carol-” Daryl started
“No, if there’s people out there claiming to be saviours and hurting people then we’re gonna look bad in front of the other settlements.” Carol snapped back.
“She’s right,” the messenger added. “We’ll have to do something.”
“These were our brothers” the punched man spoke out “We can’t just kill them.”
“They didn’t give us a choice” Daryl snapped. “Y/N barely got out alive and she’s been living out there for months. What if they get someone who can’t hold their own!” he went to storm out but you reached out of the bed and grabbed his arm, yelling out in pain at the strain.
“Don’t” you warned, after Daryl and the woman helped you back into the bed. “If they’re still there then they’re barricaded and have significant advantage.”
“Well what do you purpose we do?” Carol asked. Your breath was getting heavy.
“Anybody got a map of DC? And maybe a pencil”
The original messenger boy got you a map and a pen. You marked out where your apartment had been, as well as some buildings that had fallen apart with age. “They said they were watching me, which means they could be in any of these” you marked around the stable buildings that could make for a hide, which was surprisingly few. “This is my hideout in city centre” you said marking the building
“You never mentioned another safe house.” Daryl spoke up, you smirked
“A girl needs her secrets.” you handed the pen to Daryl “What route did you take to my place?” he lined in his route.
“What if they’re farther?” Carol asked.
“They’re not.” you spoke firmly “They were watching me for long enough they knew when Daryl wouldn’t be around which means they made their place comfortable, and I bet a couple of them got injured in the fire, meaning they’re gonna have to lay low and patch themselves up,” You explained. Your body finally gave way and you fell back on the pillows. The woman jumped to your help, telling the others to go. She made you comfortable in the bed, you drifting off to sleep again not long after.
“How’d you know they’re there?” she asked later that evening when you were awake, eating some acorn mush, “How are you sure?”
You could sense she was worried. “I was in the military before all this” you answered. “Our job was to sneak into enemy territory to help our fellow soldiers or civilians. We used to make maps like that, using where our friends got attacked as a central point to where the enemy could be hiding” she nodded as you explained, though still visibly nervous. “They’ll be fine” you tried to reassure her. “If they’re not nearby, they’ll have to get through hordes of walkers before they’ll be somewhere safe. You’re friends will get them”
She seemed to be reassured, If only a little. “You know I’m meant to be looking after you,” she breathed out, a tear sneaking over her cheek. She wiped it away before it could fall. “I’m Laura, by the way”
“I’m Y/N”
The following morning they all returned, with the exception of Daryl. “You were right” Laura informed you. The ‘saviours’ were held up barely a block away and now they were dead.
“Where’s Daryl?” You asked when Carol visited you.
“He took off for Alexandria” Carol replied. “I’m in charge now.”
“Oh” you spoke, clearly disappointed. Carol ordered Laura to leave, putting you on high alert. She pulled up a chair and looked you in the eyes with a dead stare.
“What is your relationship with Daryl?” she asked bluntly. You cocked an eyebrow at her.
“I’m gonna need you to elaborate so I can give you an answer you’d be happy with, Carol.” you replied helpless from the bed. She knew you couldn’t run, yet she was putting on this show of bravado? She seemed to accept your request though.
“Up until three days ago we didn’t know Daryl had a secret lady hiding in the city. We want to make sure Daryl isn’t keeping secrets that can hurt us.” she spoke a little more relaxed now, but still direct. She reminded you of your mother in a way, whenever she noticed a cookie was missing, or later in life, her vodka had been replaced with water.
“So Rick, Carl, or Tara hadn’t mentioned me either?” those names spurred on some recognition. “Guess not” you sighed, thinking on how to break to this woman you had tried to kill two of her friends. You came to the conclusion that you shouldn’t. “I traded with Carl and Rick for some medical supplies. Few months later Tara, Rick, and Daryl stumbled into my area needing help so I did. Daryl’s been trading with me since.”
“What kind of trade?” she pushed.
“Food,” you answered. “He’s been feeding me, in return I’ve been getting him stuff. Blankets, bandages, jeans, kid’s shit like bottles, and toys-”
“And raincoats with little butterflies on it?” Carol interrupted you. You nodded and whispered a ‘yeah’ under your breath. “I have a niece called Judith. She’s trying to name all the butterflies.” she spoke lovingly of the child and you couldn’t help but smile at the thought of a small girl pointing at water-proof butterflies giving them cute names. She probably gave them different names every time she listed them.
The smile faded as you remembered the world isn’t that simple anymore. “So what now?” you asked.
“You’ll stay here” Carol ordered. “You’ll do your part, whatever way you can.”
You nodded in agreement “I know this might be a big ask considering we just met but,” you began, taking a big breath to try and stave off the tiredness, “Could I help here? In the hospital. I was a combat medic before this so it’s probably the best way I can help.”
And it could be a great way to weed out who knows who you are and threaten them into keeping their mouth shut, or even shutting it for them.
Your request was granted, under the watchful eye of Laura, and so began your new life at The Sanctuary.
~Tag List~
@bodeckersbitch​ @lauren-novak​
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peanut-in-the-goal · 3 years
Note
7 or 34 for some good ol’ angst
tw for child abuse and flashbacks (kinda)
also no i did not proofread who do you think I am?
this isn’t goodbye; It’s just you and me
Sirius turned away from the door, his door. Just on the other side lay his bedroom. The one that was painted an ugly green, with posters upon posters up on the wall. Stick charms in place, keeping them there. He had pictures of his friends hanging there too. James, Peter, Remus, all of them laughing, arms slung over each other’s shoulders. 
He hated leaving it, but it had to say. He never thought he’d leave this place, as much as he hated it, it was his home. At least somewhat a home. 
Not like Hogwarts, where people loved him, they laughed with him, celebrated after quidditch games together. They grew up together, they’re growing up together.  And it hits him that he’s just a kid, because it’s so easy to forget that sometimes. He’s sixteen, and he’s leaving this home for good. He hated it here, since he was 8 and understood what the word family meant he hated it.
Home has always meant a person for Sirius, not a place. Home used to be Grimmauld Place, here with his parents and his little brother, they were their own little family. And it had worked, for a while. But the illusion of safety and love had quickly faded into something else entirely.
The next time he picked a home, it was at Hogwarts. As soon as he got on the train with that messy-haired boy who had glasses that magnified his eyes, he knew this was where he wanted to be. There wasn’t the need to prove himself to his parents, he didn’t have to sit up straight at the table or isolate himself in his room. 
He was at Hogwarts with his friends and his found family. That was the best feeling in the world. 
He shouldered his bag, his trunk was shrunk and safely stored inside. He was finally getting out, the thought brought a smile to his face. He started down the stairs, the last time he’d be walking these steps, last time he’d be in this miserable hell of a house. 
House, not home.
His footsteps sounded louder as he padded down the steps, reaching the landing. His wrist still throbbed from his run in with his father earlier that day. His ribs were sore too, and he could feel his ankle swelling under his sock. But that wasn’t going to stop him. 
His vision blurred and unfocused as he reached the landing, moving as quietly as he could from then on as to not wake Kreature. He almost made it to the door, hand outstretched, but he paused. Did he really want to do this? Did he want to leave his baby brother here?
He curses himself for stopping, because he knows how hard it was going to be to get going again.
He couldn’t leave without saying goodbye, but he also knows he won’t leave if he sees his brother’s face again. He doesn’t really have a choice, does he? Sirius’ head snaps around when he hears a creek at the top of the stairs.
He panics, ready to fling himself out the door and run if it’s his parents. But when he turns to look, he sees a pair of the same eyes looking back at him. 
“Regulus…” He whispers his name, and he hopes it’s not going to be the last time he says it. That this isn’t going to be the last time they see each other, looking at each other, or even talking. He doesn’t want it to be the last time before staring his brother down on the war field.
He’s not going to hurt him then either, he can’t. He still sees his baby brother, the one that promised to follow him anywhere, the one who said he wanted to be a Gryffindor. Just like his big brother.
And now, looking him up and down, he’s grown up. The kid who used to be afraid of the monsters under his bed now sneers at him across the hall, the one who keeps his head down while his “friends” curse the mudbloods.
He sees the kid who wants to rebel but won’t because he’s too afraid to face the consequences.
But then again, he sees the scared grey eyes of his little brother who would come to him when he was afraid of the monsters under his bed.
“You’re leaving, aren’t you?” Regulus is walking down the stairs, slowly with one hand sliding against the railing. “You’re finally getting out.” 
Sirius didn’t know what to say. He couldn’t place Regulus’s tone, whether it was defiance, or bitterness, or even sadness. 
“I’m sorry.” He faced Regulus fully now. “I just… I can’t stay.” He looked down and to the side, ashamed. He didn’t want to see the disappointment on his brother’s face, not that he’s never seen it before. But something in this moment felt different. 
“Leave.” 
“W-what?” Sirius snapped his eyes back up to his brothers. “You want me to go?”
Regulus stepped off the landing, “I want you to live, you idiot.” He walked towards Sirius, with a sad smile on his face. Sirius had to swallow a lump growing in his throat.
“Come with me.” The words surprised both of them.
“I can’t, you know this,” Regulus shook his head, pushing lightly at Sirius’ shoulder.
“Why, Reg, come on. We can get out, the both of us.” 
“Sirius, look… You got to rebel in your own way, let me rebel in mine.” 
“Quoi?” Sirius was affronted, not expecting that answer. “What do you mean, how are you rebelling.”
“You daft idiot. You rebelled by, let’s say showing your displeasure—”
“Their ideas and viewpoints are stupid.”
“Not the point. You rebelled out loud, showing your displeasure, and spoke. Sometimes yelled—”
“—yea, sometimes.”
“Can you just let me talk? We don’t have much time you prat.” Regulus sighed, running his hand through his hair. A habit he picked up from Sirius.
“Okay, okay, fine, speak.” Sirius held his hands up in surrender.
“Thank you. You rebelled in your own way, out loud and in front. I want to rebel in my way, from the inside. Let me do this.” Regulus pushed.
Sirius sighed, there was never talking Regulus out of something he set his mind to.
“Be safe? Promise me you’ll be safe.” Regulus shoved Sirius again, towards the door.
“I’ll be safe. Now go, Mother and Father should be up soon.” Sirius nodded, hating the tears that were welling up.
“This-This isn’t goodbye Reggie.” Regulus’s smile shrunk a little at that.
“It never is.”
That was the last thing Sirius heard as the door swung shut behind him. The journey ahead was still so far. He let the tears fall, slipping down his face. But he wouldn’t give up yet, not when he had the chance of starting over.
He starts towards one of the few places he wants to call home. James.  And he runs, he runs as fast as he can before remembering something. James isn’t home. He won’t be home for another 4 days. 
He goes to the next logical choice. Remus, or course Remus. The two had started dating last year. He doesn’t know if the thought of Remus makes him more upset or relieved, but the tears are still spilling down his face, and he wants to know how he even fit that much saltiness in his tear ducts. 
It takes him longer than he’d like to reach the young werewolf’s house, but he’s so tired, and his backpack feels like it’s weighing him down. It’s so dark out and he just wants to sleep. Just a few more steps… Just a few.. more… steps... 
He wants to collapse, to just lay there in the fluffy grass of the lawn, but he figures his moony’s arms are much more comfortable. His limbs ache, a mixture of all the adrenaline that’s wearing off and the wounds that are starting to present themselves. He can still feel the harsh tingle in his spine from the aftershocks of the cruciatus curse. The wounds that have long scabbed over on his back and stomach are reopening every time he shifts.
Finally, he drags his feet up to the door. The tears that are dried on his face came flooding back, prickling at his eyes. 
It’s around 4 in the morning when Sirius finally gets there. He’s cradling his right arm to his chest, shaking like a leaf from the cold. Sirius hesitates yet again at another turn. Should he knock, and disturb one of the only people who’s ever loved him. Did Remus love him?
He almost walks away, but he doesn’t. He’s come far too far to give up. 
He knocks on the door softly at first, before a little louder. He still isn’t sure if he should do it. But lucky for him, Remus was awake. He still has no idea what the button on the right does, he doesn’t push it even though he wants to.
He had gone to bed hours ago, and he meant to sleep, really he did. He just got so invested in his book that by the time he checked the clock it was half-past 3 in the morning. He was in the kitchen, filling a glass of water before going back upstairs.  He was startled by a quiet yet insistent knock on his door.
He jumped, almost dropping the cup. The knock was so quiet, he thought he imagined it in his sleep-deprived state.
Then, it came again, followed by a barely-there whimper.
His heart pounding, racing in his chest. He could hear his pulse in his head. Who would be knocking at this hour? Was it safe? Should he get his parents? Should he-
“Re?” The voice was weak, followed by almost silent sobs that he wouldn’t have heard if it weren’t for his advanced hearing.
His heart raced for a different reason this time, he knew that voice.
Sirius
He rushed towards the sound, not even thinking this could be a trap. He threw the door open and revealed a tear-stained Sirius.
“Moons?” His voice cracked, and his eyes flitted around widely like he couldn’t believe Remus was really there, standing in front of him. Like he was still trapped in that house, and he never made it out.
Remis stared at him with wide eyes, Sirius’ hair had been cut uneven and choppy. His pale skin was looming with bruises.
“Sirius,” he whispered, not having meant to have said anything at all. But he can’t believe that this is the same boy he fell in love with. He doesn’t want to believe that his boyfriend, the boy that was brighter than life, brighter than his star in the sky, was reduced to-to this. After only a few days over the holiday at that. 
What kind of monsters would do this?
The Blacks apparently.
It takes Remus a moment to react before pulling the probably disowned heir into him. Sirius goes willingly, melting into the embrace. He feels comfort, cared for, safe. He feels like he’s finally home.
He lets out a small cry as Remus squeezes him tightly, the painful wounds making themself known to Remus.
The pain in his arms, his ribs, the pain of leaving Regulus. The pain where the mark would have been burned into his arm, The pain of showing up on Remus’ doorstep in the early hours of the morning. The pain of forcing himself to stay living there, under those conditions, for so long.
All he knows is pain and part of him wishes he were numb.
He’s apologizing, a mantra of “Please, I’m sorry,” spilling from his lips. He’s not sure who he’s apologizing to. Whether it be to his parents for failing them, to Regulus for leaving him, his friends for not being good enough, or Remus for coming. He doesn’t even know if he’s apologizing to himself, but that’s not likely.
His knees give out, and his hands are shaking from where they’re gripped onto Remus’ nightshirt. He registers the flashes of pain shooting up his arm from how hard he’s gripping, but he’s not ready to let go yet.
He’s reliving it, all of the abuse, and the spoken words. All those years he felt abandoned inside those walls. And he feels like he’s back there again. He doesn’t know how to make it stop. He wants it to stop.
He feels a hand on his chin and he flinches. Please, don’t hurt me, he thinks. But his eyes meet honey brown ones, his parents don’t have honey brown eyes. They have grey and terrifying ones, not the comforting ones he’s seeing right now.
It’s moony, I made it to moony. It’s okay, I got out.
“It’s just you and me,” He hears the whispered words, the lips saying them being pressed against his forehead in a soft kiss. He finally feels safe when his eyes involuntarily close and he falls into a deep sleep. His wounds can wait until tomorrow. Because nothing else matters when he’s wrapped in his moony’s arms.
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army-of-mai-lovers · 3 years
Text
Ok I just finished book 4 and thus the series as a whole, here are my thoughts:
1) first and foremost: Korrasami. It was beautiful. It was gorgeous. I wept. I’m weeping as I write this. It was really gorgeous. I don’t want to criticize it because I know just how big of a moment that was for gay representation in children’s stuff, that it was the blueprint for a lot of the other LGBTQ+ rep in kids’ animation I’ve watched and loved. That said, I do wish that Asami had gotten more character development prior to Korrasami happening. I really don’t feel like I know much more about Asami now than I did at the beginning of the series. I know a lot of stuff with their relationship had to be censored and like, I get it, it was 2014. But the stuff about Asami’s relationship with her father was really interesting and I would have loved for that to have been explored in more depth, and idk, she just had interesting character traits. She’s an ace at pai sho, she’s a female inventor, she’s the only nonbender on Team Avatar. I would have loved to see more of her friendship with Bolin, or what her relationship with Mako looked like post-book 2, or just anything really. It does bother me that Varrick got a whole character arc and Asami was just kind of...there, the whole time. Idk, I think if both Korra and Asami had more and better development it would have been even more amazing and wonderful than it already was. And that’s the perfect segue into: 
2) Korra’s book 4 arc!!!!!! if you missed my 3438098908080 liveblogs about it, I loved Korra from the start, and it was really hard to watch her get beaten down time and again, only for her to say that she *had* to go through all that to be “compassionate” when I knew she was compassionate from the moment I met her. The way she was written throughout the show just reeked of racism and sexism, and I wish the writers had seen this awesome character they created, who was strong and fierce and good and powerful from the very beginning, and, to paraphrase @bluberry-spicehead , let her be. She deserved so much better than what the writers were willing to give her. Maybe when I was younger, the idea of having to go through immense suffering to be good would have been appealing, but having been through a lot in the past year, trauma doesn’t make you a better person. If you become a better person, it is in spite of trauma, not because of it. I really think the way they wrote her sends the wrong message and I wish they had done something else (and there was so much more they could do!!! It really was not necessary for them to make her suffer so much and then try to justify it later!!!) 
3) in terms of the series as a whole, I definitely think in terms of purely technical things, book 4 was the best season by far. However, in terms of comedy, book 1 was the best season. Simply nothing will beat the Amon is Tarrlok’s secret brother reveal. 
4) I meant to have a prediction of who would get a secret sibling reveal this season (since it happened in the other 3) but nobody got one so I guess all my bases were covered. 
5) oh speaking of hcs, I predicted at one point or another that all of the villains were robots, and I FINALLY (sort of) GOT IT RIGHT WITH KUVIRA I FUCKING KNEW IT!!
6) Favorite good line: “Kuvira will rue the day she messed with Meelo!” Favorite bad line: It’s a tough call between “Unalaq hired the barbarians” and “Zhu Li, will you do the thing for the rest of our lives?” so I’m just going to honor them both bc they were both the result of absolutely shit writing. 
7) Favorite gaang cameo: It was SLIM PICKINGS but I have to go with Katara because she was mostly unproblematic and somewhat consistently written (would have gone to Sokka but I can’t give the lok writers for having fucking killed him even though he was a true king in that flashback scene) (although tbh if he had lived they would have made him a secret war criminal who was a dick to his kids and had a brother we didn’t know about so maybe we dodged a bullet there)
8) Favorite characters: Korra, Asami, Mako, Bolin, Shiro Shinobi, Opal, Tenzin, Meelo, Pema, Grandma Yin, and of course, Prince Wu. Least favorite characters: fucking Varrick (as well as Unalaq, Zaheer, Kuvira, and Tarrlok, but tbh, mostly Varrick) (also can we talk about how so many of the antagonists were Water Tribe???? what was up with that????)
9) the setting was...weird throughout. I posted a lot about wanting to understand how the fuck the United Republic government worked and I’m going to be perfectly real with you I still don’t know. The over-industrialization, the Westernization, the fact that they could not commit to a governmental system (and I never got to see the constitution!) it was all just deeply deeply wrong. I wish that they’d hired more writers of color, especially writers from the cultures they were trying to represent, because I think there was so, so much potential in the idea of a sequel series to ATLA, and they wasted it.
tl;dr the characters of LoK were great, the writing was not, and bryke owes me and everyone else who watched the show an apology for dropping the ball
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shinjaeha · 3 years
Text
itsay ep 4 (thoughts + spoilers)
idk even know how to even start this bc i feel like i’m just a big ball of emotions, and this ep was wild. so much happened. last ep was so wonderful and almost languid with how everything played out (esp since it focussed much more specifically on the shift in teh/oh-aew’s relationship). this ep had a bit more of everything, not just the two of them in their bubble anymore. societal forces at play, and hence much more angst. again, this isn’t a  proper analysis, it’s just me ranting and raving as usual as i semi-rewatch this again. this is very long, and there are a lot more things i want to think about in more detail at some point bc i’m mostly just skating over a lot of what happened but i gotta get these thoughts in my head out of me somehow. and i’m not sure if what i’m typing will even make sense bc i MYSELF can barely make sense of what i’m feeling but here i go anyway.
so we start off with the both of them kind of awkward after the night before which is fair enough considering what happened. actually when oh-aew’s habit started playing up again, i thought teh wasn’t going to scratch his back bc he was trying not to ~go there again after the night before, but he did and i was pleasantly surprised like oh...maybe things aren’t that bad?? (YET). also, i can imagine that it would have been reassuring for oh-aew too. like things have changed, but it’s not like teh has completely abandoned him. the touch itself is comforting, like when they were kids.
teh’s mum talking about how she wants both of her sons to bring their girlfriends around (and hounding him about bringing tarn around again) is giving me war flashbacks to my own asian relatives and i can feel the way that must crawl under his skin. I HATE when family members do that (and they always do). but for teh it must be esp hard bc he’s already constantly feeling like he’s vying for his mum’s attention over his brother, and now hoon’s bought back a girlfriend so it’s yet ANOTHER thing he feels like he has to compete with his brother over. in the back of his mind, he knows that he can’t give his mum what she wants if he’s with oh-aew (he can’t ‘win’ over hoon bc heteronormativity). teh is def prone to jealousy fairly easily, but i always feel like his emotions on that base level are also very easy to understand. i’ve been in positions like that before where i’ve felt like i’ve constantly been compared to someone else, and it makes you feel like shit. but also oh-aew having to sit through teh’s mum telling him to let her know if teh and tarn are dating?? ouch.
cue teh trying to avoid what’s going on with them and oh-aew being sad :((( they’re both in so much pain and i feel it and thank god i am no longer a teenager that’s all i can say about this.
the guitar in skyline instrumental is just...making me feel some kind of way. they have so many versions of this song and they always use the right version at the right time how is that.
so the tarn scene!!!!!!!!!!!!!! first thought: holy shit she looks so cute i love her crop top where did she get it i want one. second thought: but why did they make her wear a dark bra under such a light top?? i love that i was thinking this and then it all unravelled in front of me and like...the brilliance. the contrast between the scene in ep 2 (i think?) where teh accidentally peeks at her bra through the buttons of her shirt and gets noticeably flustered, and then this one where she literally wears the same bra under a light shirt ON PURPOSE to get his attention, but he doesn’t even notice?? the way she expects him to colour the hibiscus purple, but he colours it red for oh-aew instead?? it’s so incredibly telling of where his heart is at, and how his feelings have changed. anyway, it doesn’t take a genius to figure out that he’s just not all there with her anymore, and tarn isn’t stupid...she’s been picking up on the signals since the beginning (why was he so weirdly obsessed with beating oh-aew at the start? why was he willing to wake up at 4am for oh-aew but not for her? willing to tutor the rest of his friends but not spend time with her?). the way she sees him colouring the hibiscus red and it’s her wake up call, like wtf am i DOING bc of this guy????? i love how she acknowledges that her feelings for teh have made it so she’s solely focussed on him and that she hates the things it makes her do (like wearing the bra to gain his attention). ngl i was slightly worried with how they were going to use her character during these later eps with teh being so conflicted (since girlfriends in BLs are usually handled pretty poorly), but i appreciate that she’s still as fleshed out and full of feeling as she ever was. she’s so sweet, and i just wish she had better than this, but i’m glad she called teh out on it. i know he’s confused af rn, and tbh i don’t think he’s handled this as badly (atm at least) as i thought it could have gone, but at the same time, if he doesn’t decide and set his heart on what he really wants, he’s just going to end up hurting them all. LOVE that she basically tells him to get his shit together first before coming back to her. i like her so much. and that scene of teh just walking around and around at the back feeling conflicted while she drew? really reminds me of the squiggly line timeline(?) of how ep 4 was going to go that nadao released before this ep went live. also cmbyn vibes were real in that one.
the devastation in oh-aew’s voice when he asks teh to at least reply his messages ;;; it’s like teh wants to go back to just being friends and oh-aew has kind of accepted that at this point, but at the same time, teh’s not backing that up. he says he wants to be friends, but he doesn’t know how to act ‘normal’ about it anymore, so he pushes oh-aew away instead. good on oh-aew for not taking that shit and standing up for himself too. i absolutely cannot stand seeing oh-aew sad bc pp’s sad face/voice is so good it actually pains me.
notice how teh ALWAYS uses studies/tutoring as an excuse to get closer to oh-aew again...hmmm...does oh-aew see it for what that is now too? that “you’ve never understood me” hit me like a fucking train. to think that they were so attuned to one another last ep, but now teh’s too caught up in he’s own world to realise just how much he’s hurting oh-aew. thanks, i hate it.
i know that he’s needs to figure himself out more and i absolutely stand by the fact that he needs to do that without messing around with either oh-aew or tarn (and also that he’s using studies again to get into oh-aew’s good books instead of talking through feelings and all that), but the chinese idiom book that he made for oh-aew was actually SO CUTE and romantic. all this stuff he does for oh-aew to show that he clearly cares so much, yet he can never accept it enough to get the words out...
I SWEAR THEY PLAY THE INSTRUMENTAL SKYLINE JUST TO CHOKE ME UP. the darting around each other after the neck kiss COUPLED with the skyline instrumental?? it’s like a sad beach scene 2.0. teh making the first (intimate) move this time. every time he’s trying so hard to convince himself he’s not in love with this boy, and every time he keeps coming back. i always feel such a weird mix of happy and sad when i see them together bc i love them but i know teh in particular, is just not ready yet. like the hug scene made my heart leap, BUT they did it in hiding (under the staircase). all their big intimate scenes are in hiding and that just :(((
teh saying that he loves the seawater on his back bc it holds him up, and oh-aew saying but you have to hold your breath in that posture and it gets uncomfortable so he likes letting it go and just sinking sometimes instead (obv paraphrasing but you get the drift)?? THE WRITING IN THIS. it says so much without telling the audience directly...so poetic. everything about this show is so poetic. the way they sink into the ocean and into that space of oh-aew’s where you can just let yourself go without holding back, and then and only THEN does teh finally kiss oh-aew. and it’s beautiful, after holding back for so long, but it’s also painful bc he’s let go but only within this tiny pocket of space and time. in hiding again. that bird’s eye view shot where you can’t see them at all sealed it for me. like you want to be happy, but you can’t really bc you know that they’ve still got so much more to go...like when teh’s hand grazes oh-aew’s chest and you see oh-aew realise again...like that’s partly what stopped teh the first time in ep 3. when his hands stopped at oh-aew’s chest like it hit in for him that he was a boy. anyway, love that they gave us a skam kiss but i’m also very sad. on another note, how the hell did they hold their breath for that long?????
love that they gave us a further 2 more seconds of teh/oh-aew being cute (CONSTANTLY thinking about teh’s fingers dancing across oh-aew’s face and smushing his face in his hands...oh-aew holding the back of teh’s head...just a brief moment of carefreeness) before they went for the jugular. watching teh fight against himself in this way is what hurts. oh-aew begging him to just let go and accept what they are (the way he keeps going “what did i do wrong?? you feel it too!!”) but he’s so tortured he can’t do it. it’s downright fucking heartbreaking. the “one day i’ll stop feeling this way”...could have just stabbed oh-aew and it would have hurt less. all i know is i’m hurting for the both of them. the repression is real, and it just sucks. this whole thing fucking sucks for both of them (and tarn and bas too at that). idk it just gets me that oh-aew is coming out of this having been rejected once again bc teh isn’t ready yet. and i know this but it doesn’t make me any less upset. not at any of them bc it’s hard i know it’s hard...just at the situation. sometimes it feels like teh’s taking a step forward but then he takes two more back instead. the look on teh’s face when oh-aew was like let’s stop being friends...total devastation. i’m done. don’t want to think about it anymore.
i’m glad that oh-aew’s parents are so supportive of him though. i wasn’t sure how close they were based on their previous interaction but they really love him and i’m glad he has that stability to help him through this.
THE SCENE WITH OH-AEW AND THE BRA FUCKING BLEW ME AWAY. this show is always keeping me guessing, and again yet another thing that i wasn’t expecting but it was so visceral. the red of the bra in comparison to tarn’s bra with the purple hibiscus flowers on it...everything connects. oh-aew looking into the mirror with that bra on and thinking about how things would have been different if only :((( and then his breakdown when he realises that it’s not and that’s the reality of the situation. the feeling that gave me sits so deep within my chest i can’t even begin to carve it out.
teh masturbating when he sees that picture of oh-aew and to that picture of yongjian on his wall (idk why it only now just occurred to me that yongjian is always in red too)?? the self-hatred in this scene. the internalised homophobia. my heart feels so heavy.
he KEEPS reaching and it’s going nowhere bc it won’t ever be enough, and that’s not fair on himself and it’s not fair on tarn. like i understand what he’s going through, and i get that he’s extremely confused and needs the clarification, but when he asks tarn to tell her she loves him and he can’t do the same back for her...i just feel so, so, so fucking bad for tarn.
oh-aew hoping that the worksheets left for him were from teh (which would be very on brand of him), but then seeing bas :( maybe in another world, in another life (like teh and tarn)...but he’s such a sweetheart. bas, best boy ;;;
legit as soon as the gang came to see teh off to bangkok and talk to him about how oh-aew was doing terribly (and wasn’t planning on going to the admission exams) i knew where this was going to go. there’s been so much foreshadowing leading up to this, and this was also one of (if not my main theory) with how things were going to eventually play out. but tbh for some reason i thought it was going to play out later in ep 5...but like damn. damn. the way i understand but at the same time i kept going OH TEH :( throughout this. the utter STRESS this bit put me through. THE MISCOMMUNICATION.
anyway, teh’s love language is clearly acts of service. but it can really be to his detriment when he does things impulsively (albeit with care and good intentions), but he doesn’t use his words so things get lost in translation. sometimes actions just aren’t enough and you really do need words to communicate.
the confirmation scene was so tense...even now i’m just sitting here thinking about it and there’s a hole in my stomach at the thought of what teh must be going through and what he ends up doing. like when that last person on the list shows up and you KNOW it’s going to happen but at the same time it’s like a punch to the chest bc there’s just no doubt that teh’s going to turn it down for oh-aew...OF COURSE he would. oh-aew’s split moment of happiness before realising what teh’s done...the absolute dread i still have in me at the realisation of this.
the tension really kept increasing from here on in...teh coming home and his mum just being so fucking proud of him and telling everyone in the restaurant about how happy she is for him (all while teh is absolutely depleted), then tarn coming in and everything bubbling over when she realises what teh’s done too. realises that teh’s in love with oh-aew (smile is so great in this btw like WOW). the “you hurt me and i’m alright with that, teh, but right now you’re hurting yourself” broke my heart. absolutely love tarn as a character and only ever want the best for her.
when he tells his mum :((((((((((( and his mum just goes on about how hard he’s worked and how much he’s already sacrificed only for him to throw that away. he wanted her to be proud of him SO BAD, wanted to not be compared to his brother for once, only for him to give away his place bc he loves oh-aew more than he wants his mother’s praise. more than he wants to compete and ‘win’ against his brother. when she points to hoon and goes “why can’t you be more like him?” and he just loses it. like rubbing salt in the wound. i’m so glad hoon finally hugged him the way i’ve been wanting to this whole time. the banner congratulating him that teh’s mum made with all his materials from before :((( hoon giving him money for uni :((( you ever watch some things and feel like you’ll never be happy again...
okay the way that everything spiralled during the ig story fight?????? what gets me is that teh sacrificed his place thinking that oh-aew wasn’t going to sit the exam at all (he could have just talked to him and convinced him instead but ughhh i understand i get it). oh-aew thinks he did it bc teh didn’t believe he could get in himself (which of course then spurs him to give it up so he can get in through the exam instead). and when teh sees that, it’s like a smack in the face, like he went through all that only for oh-aew to reject it (him). it’s just layers upon layers of miscommunication and the anxiety of it all absolutely guts me. and then the anger mixing into devastation when he opens his book and sees how it’s all cut up. the remnants a reminder of everything he’s done for oh-aew. this boy that he adores but can’t accept he has feelings for. it’s just this mix of anger and sorrow and what have i fucking done?????? and how could he????? the cast were all fantastic but billkin really had to go above and beyond in this one and i could absolutely feel his pain throughout this.
TO PIGGY BACK ON THIS, like i said before, teh has always used studying/tutoring as a tool to get closer to oh-aew, but seeing that book with all the words gone was in part also him realising he doesn’t have that anymore. he can’t use that tool to get close to oh-aew anymore. the only way forward would be to actually get close to oh-aew without the pretences. and the saddest part of this all is that oh-aew doesn’t even NEED all of that (the tutoring, the book of idioms, the relinquishing of his uni spot)...the only thing he wants is for teh to ADMIT his feelings out loud. to admit that he feels the same way about oh-aew that oh-aew feels about him.
it’s funny bc in the last ep, the conversation that had me feeling the most nervous was when they’re talking at the cape, and oh-aew’s telling teh that he’s a rival and inspiration to him. i always KNEW this was going to come back to haunt them. like a constant circle. friends to rivals to friends to more than friends(?) to rivals. it’s a fine line. narratively, it always had to happen, and now they’re back to competing against one another yet again, and it’s going to be so tough bc they’ll have so much more competition on top of that as well.
next ep is going to be very, very hard on teh, but somehow after this ep, i just feel a lot more hopeful about it? i’m pretty convinced at this point that it won’t end in tragedy (which was the thing that i wanted least of all). of course i want both teh and oh-aew to end up together, but i can understand if they don’t. if this ends with them rekindling their friendship again, that’ll be enough for me. their relationship has been so turbulent and passionate that it needs some stability, and hopefully when teh’s in a better state of mind, when he’s at a place when he’s finally accepted all parts of himself, they’ll get there. so if that means it ends on them running to the cape together (even if they’re not technically together) fulfilling their promise to one another in the sunset, then that’s fine with me. i don’t mind an open ending if it makes sense in the context of the story, and i think something like that would. it’s like after such an angsty episode, you need a slight reprieve from it. i have no doubt in my mind that ep 5 will contain darkness, but i do think that there will be light at the end of the tunnel. so for once i feel truly hopeful about it.
i can’t believe we only have one more ep left to go...
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popculturebuffet · 3 years
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Ducktales Final Four!: The Lost Cargo of Kit Cloudkicker!
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Hello You Happy People. SPIN IT! OHOHOHOHOHOHO LETS’ BEGIN IT!
After 10,000 years we’re finally at the motherducking Talespin episode! And only 8000 of those years were the last 14 months as Ducktales 2017 has been working toward this for a while with Cape Suzette being prominently mentioned in both the first episode and the season 1 finale, and Don Karnage being a regular part of the rouges gallery, voiced by the wonderous Jamie Camil. So this episode was less a matter of “If”, since Don’s presence meant Disney wasn’t really against it happening, and more a matter of “When and How.” The how, to a point was settled at the big NYCC panel for Ducktales that revealed Daisy and Goofy... as it also revealed aged up versions of Kit and Molly, meaning a proper tailspin episode was on the way.  I could not have been more pumped. While I didn’t remember the cartoon well, i’d always loved Talespin since I was a kid and as an adult my curosity only grew. Still need to watch way more of it mind you, I really have slept on most of the Disney Plus Libarary and that’s dumb of me, but what i’ve seen is impressive. The story of an irresponsible bear forced to work with a buisnesswoman bear after she buys his seaplane, his loveable kid sidekick and said buisness bear’s daughter whose cute as a button but suprisingly tolerable for a little kid character. Opposing them were masterful buisnessman Shere Kahn, who sadly does not show up here and could be friend , foe or neutral depending on the episode, and Don Karnage, a kooky sky pirate who as mentioned is already in this series and was Balloo’s arch enemy. The series was colorful, creative, had a great premise and cast and in general was just awesome and out of the Disney Afternoon shows is honestly my faviorite, though Darkwing is getting close. I even recently finally got the Shere Kahn funko, which is starring into my soul as I type this review! Hurrah! 
So I waited impatiently like I did for Daisy and Goofy, both also things I’d wanted in the series since the start. Thing was.. Goofy showed up in the second episode of the season, that was part of the premiere, and while the wait for Daisy was agonizing, she still showed up pretty early into the season at episode five. Gosalyn showed up at episode 12. This is episode  20.  
I do get it: This season was built to be the last just in case.. and ended up being the last so good job there. There was a LOT to wrap up in one season and on top of that they had a double and TRIPLE length episode taking up 5 episodes of the season, AND two holiday episodes. So that gave them only 18 normal episodes they had to place very carefully. So likely, given that they had some episodes important to the finale that couldn’t wait for the last minute in “The First Adventure” and “The Battle for Castle McDuck!”, as I highly doubt pepper was given such  a build up to not be important in the finale, still think she’s webby’s mom, we’ll see soon enough. And New Gods on the Block, while not as important was probably not swapped with this one because they wanted a lighter episode after three plot important episodes in a row, two of which are fairly intense and had lasting consequences and one of which, while a bit of a breather, was still indulging in the new FOWL status quo. This one ended up crammed into the last block.. because they likely really wanted to do this one, wanted it to tie into FOWL... and had nowhere else to put it, with Life and Crimes likely serving as one last break from FOWL, if it doesn’t end up tying into it, before the finale movie. Doesn’t make waiting forever for it any less grating, but hey it’s finally here. So how was it? Was it worth the hype? And how do the Wuzzles factor into this? Join me under the cut and spin it with me to find out and count down to 3!
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So we open with an adult Kid Cloudkicker at work, voiced by Adam Pally!
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If you haven’t heard of him, and one of my Patreons had not, he was on Happy Endings and the Mindy Project, and has a very distinct voice and is very funny, so it was a pleasant surprise to have him pop up here as Kit and given aforementioned roles were messes in some way shape or form, especially Max from happy endings whose essentially Oscar the Grouch, just as gay only not living in a trash can. Though if he had to he would. 
Since he was a kid KIt’s picked up the old family business, and is now running hire for hire.. and has also picked up his Dad’s old enemies as Don Karnage chases after Kit, his second greatest nemesis, who freely mocks him. It’s a lovely sequence but shows Kit isn’t the best pilot, and his fancy flying, while beating Don, also opens both crates, freeing the livestock he’s carrying.. and the other cargo, a mysterious stone that was in a F.O.W.L. crate that merges the chicken with  a goat, and scares kit, and he ends up causing his cargo to drop out of the plane.  Cue titles. 
Back with our heroes for this series, Della is recroding Dewey as he flies solo the first time!
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That is so precious. Huey is along for the ride and is taking having his reckless brother with the attention span of a coked up ferret at the helm exactly how you’d expect. 
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Of course his helmet says safety boy and of course he has a helmet on over his hat. Awww. Dewey, while good at it, he’s a 12 year old flying a rather sizeable plane with no difficulty that’s  pretty impressive.. he’s also Dewey so just flying a plane normally isn’t enough and he wants to Dewey it instead and do all the fancy stuff. He wants to be special as is usual for him, not realizing this is how you get to being good as his mom or Launchpad. And he’s 12 so that makes sense just on the basic level.. but it also makes sense on a comparison level: Dewey’s done a LOT of impressive stuff over the course of the series: rattling it off because why not, and this is just things he acomplished himself: he found the Lost Jewel of Atlantis (Getting it home was still a team effort but he is the one who identified it), is a golf pro better than his uncle whose played the game for centuries at this point,   defeated Don Karnage in a sword fight with little to no sword training, was crucial in beating Magica during the Shadow War, travled through time, by accident or not, consulted on a major motion picture, defeated a Gandra, even if she was going easy on him, BLIND, and biggest of all defeated the World Serpent Jormunngandr, by himself, a GOD that’s fought Scrooge evenly for decades. AND FINISHED HIM WITH A PILEDRIVER. To reitirate this was ONLY the stuff he did himself. So I get why he’d think just flying a plane when his mom and best friend have done so much more with it is boring and that being a pilot when two people he looks up to are already one is just.. boring. I’ts not special or unique and given his family name is built on the two, I can see why he’d chafe under this. 
Della for her part isn’t doing things wrong entirely, she wants him to start with the basics, the fact he can DO those basics at such a young age with minimal training shows he has a true knack for it, and it takes experince to pull off death defying stunts. The First Adventure backs this up as while Della was so talented as a kid she could land a plane herself.. that was all she did. And it’s still incredibly impressive a ten year old landed a seaplane with no real world training or hours in a full on flight simulator. The issue that’s never really adressed is while she’s mostly doing it right she dosen’t get that despite his talent, Dewey just dosen’t find this INTRESTING or get how impressive he is, and that dressing it up a bit migh’tve helped. It’s an understandable mistake though, teaching someone something in any context is hard. It’s one of many, MANY reasons like currently horribly hazzarodus conditions, long hours, having to buy their own suplies at times, that teachers are badly underpayed. 
Before we get into why their headed to Cape Suzette at long last, there is one notiacble absence in this episode I can’t really ignore: Launchpad. While he has been absent in every episode since Let’s Get Dangerous, not counting “How Santa Stole Christmas!” as the two holiday episodes were made to fit in anywhere story wise and timeline and production wise take place before the rest of Season 3 , which takes place during Spring given both the March note on Boyd and Huey’s photos in Astro BOYD, and Forbidden Fountain taking place during spring break. At most it’s currently running into Summer. I put too much thought into this with someone i’ve lost contact with. 
My point, I had one trust me, is that Launchpad has just been gone for the second half of the season . And up till now it wasn’t necesarily a bad thing: He was a major part of Let’s Get Dangerous and wasn’t really needed for any of the episodes so far: The Manor side of things in ImpossiBin was purposfully intense and while he would’ve had some thoughts on Beakly’s actions, it just worked better with him gone and the only other adult in the house at the moment busy doing other stuff for their protection till the climax. Split Sword was kid focused, New Gods didn’t really involve him at all, though I am sad he and Storkules never met as far as I can tell, The First Adventure was a flashback, Fight for CastleMcDuck was about the family unit more, and Beaks in the Shell is the only one so far I think he could’ve been included in at all and again shoving him in would’ve just cluttered things up. Like a lot of character ballance issues of the series, there’s a good enough reason.. this is just the one exception in the last batch I think would’ve been improved by having him. He’s Dewey’s best friend, he’s been there for him, he would’ve been a good counterpoint as a teacher and it could’ve been intersting having both he and della have constrasting styles but valuable things to teach and I would’ve loved to see him interact with Kit. It also just feels really weird to be down a pilot in the episode about the franchise about a pilot. \
The fact Dewey ends up crashing while landing after Huey applauds him on his safe normal landing, which ticks him off because he dosen’t want to be normal, hammers in it in a bit as he missed his buddy’s first crash. I get leaving him out as Kit is just as irresponsible and the episodes just as much about Kit if not more so as it is about Dewey, so I understand it but it dosne’t make it feel like any less of a lost opportunity. 
As for why their in the cape at last, it’s unsuprsingly another missing mystery, the stone of what is which can combine two things, the stone seen in the intro. Kit loosing it turns out to be a good thing as it meant FOWL didn’t get it, and they can find it, and are in town to find him. They pass the hire for hire offices which have a ton of notices on the door, and Dewey is entranced by the idea of cloud kicking, aka sky surfing, aka that thing kit did in the original. We also get to see updated versions of Baloo, Kit and Molly. Sadly no Rebecca. Can’t win em all. 
Our trio find Kit whose asleep, clearly having no customers and trying to pass it off like he does. It turns out he knows Della, as they went to flight school together, though she only vaugely remembers him at best. She does remember Molly though, wouldn’t be suprised if that’s another ex of hers either, and wonders what happen to her.. and not just because htere’s always room in Della’s harem.  Kit dodges.. and it’s likely in large part because it’s clear to anyone looking despite his statments he’s kinda stalled as an adult. It’s very clear from his surroudings, him being a pilot for hire, and him eagerly taking Dewey on as a sidekick when Dewey shows intresting in Cloud Kicking, that he’s trying to be Baloo. This idea was, according to Frank, the brainchild of the episode’s director, and one of it’s writers and storyboarders, Tanner Johnson. Tanner pitched “What if Kit never outgrew his Baloo fanboying?”. 
It’s an intresting idea: while it is sad we don’t get to see the old boy at any point and I do wonder where he is now and what he’s up to in his retirment, probably just flying about free as a bird would be my guess given how he never liked working to begin with, I applaud them for doing something unique with the Tailspin cast that fits into the themes of the season rather than just have them show up. By making it Kit instead of Baloo cargoing them, it gives us more of an arc to work with character wise as Kit has become so obessed with becoming his dad, he never stopped to consider if he was even good at it or enjoyed it.
  Using Della is part of what makes this work as she too grew up with a larger than life mentor and adopted dad.. but unlike Kit, she grew up a bit and saw the flaws in her dad. His greed, his selfishness, his tendency to hog the glory, his ego.. she stopped putting him on a pedestal. She still loves him, still wants his respect and admiration to this day, but she gets he’s not perfect and not who she wants to be.  Kit clearly never got this message. He never grew out of putting Baloo on a pedsteal and wanting ot literally be him instead of his own man. So he ignored the many flaws in how Baloo lived: Baloo started Talespin having lost his plane because he was so obessed with freedom and doing what he wanted, he didn’t bother actually paying on it and chafed under actually doing work half the time. He’s talented, fun to be around and a hell of pilot bar none, he honestly outclasses Della, but he was entirely irresponsible. Kit’s found himself in the same position Baloo was in: living alone, having not a lot going on, and on the verge of loosing his plane. Not only that he’s worse off because Baloo at least, while lazy, had enough talent. Kit.. isn’t a good pilot as we’ve seen and will see again, and clearly not only dosen’t have a knack for it, but is only doing it because Baloo did. He’s so obsessed with being who he THINKS baloo would want him to be, he never stopped to think that the actual Baloo would just want him to be happy and has probably told him this, or was probably too proud of what Kit was doing to realize what he was doing to his life. 
But Della dosen’t have time to get him a therapist, they need to find that stone before FOWL, and Kit offers to take them.. if they hire him. Della scoffs at this and insults the Sea Duck
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Yeah Della your fantastic.. but you do NOT insult the Sea Duck and your very, VERY lucky it’s not Baloo you were dealing with as he would’ve turned you down out of principal. The Sea Duck is fucking awesome, and a national treasure. Thankfully Kit instead points out the Sunchaser isn’t in a better place after Dewey Dewed what he dew, so they really don’t have a choice. 
Della does draw the line at letting Kit fly as she eventually realizes he’s not good at this, mostly letting Crowby his crowbar do all the work, and finds he has a map to where he dropped the stone, so he dosen’t even have that leg to stand on and throws him out of his own cockpit before he gets them all killed. Okay that time on her side. Kit takes this time to try and train Dewey on cloudkicking... but despite being encaustic at the idea of it the reality leaves Dewford scared shitless.. and doubles up on bad things as Don Karnage and his crew are closing in on the island. FOWL hired them to get it for them, though why FOWL didn’t do so themselves I don’t know. Don’t get me wrong i’m happy to have Jamie back and it really wouldn’t feel right ot have a Tailspin ep without Don Karnage, I just find it odd Bradford would hire outside contractors for this given he has a full staff and not at least send Heron or Steelbeak along to supervise.  Regardless, Don puts pleasure before buisness spotting Kit.. and fully commits after finding out Dewey is ALSO involved. I also find it hilarous DEWEY outranks Kit on Don Karnage’s enemy list. So naturally he goes after him, int he personal plane he used in the series which also showed up in the cold open, and with Dewey not having the skill to take Don on, Kit is forced ot step in. He also calls him “Little briches” which while another sign of how much he wants to be his own dad.. is still too awesome not to apricate. Don cuts the line but thanks to Kit’s fancy footwork, they make it out alive and wash up on an island. Della soon joins them, thanks kit for saving her kid then rightfully slaps him for putting him in danger in the first place. Dewey also has to stop her from punching him when he explains he had no idea the stone ended up on this island, which granted she is justified in but Dewey , of all people, rightly saw this means they don’t have to drag a  unconcious bear around who probably hasn’t showered in a while. I mean the smell will be there either way but there’s less chance of accidnetlly inhaling too much while he’s conconcious. They also find out what the Stone’s been doing: combining the wildlife leading to rhino monkey hybrid trying to murder them. So at the last minute Frank also squeezed in another disney aftenroon show but one tha’ts not streaming and most don’t care about: the wuzzles, a bunch of hybrids of various animals... Frank couldn’t do much with that as is and just decided to rightfully play it for horror. 
Our heroes find Don, whose found the stone.. and is simply throwing most of hi crew  at it rather than doing anything productive, with them turning into just.. utterly horrifying combinations. Hands for heads and everything, bug legs, a non-anthro parrot head. it’s pretty tough to watch and I question why the episode did this as Don’s crew did not deserve this and this episode is mostly lightearted before and after this. A tailspin tribute episode episode should not pair well with the song no spill blood.. seroiusly you paid for all I do is win, and rightfully but you couldn’t get this?
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Regardless the kids and manchild are told to stay put while the slightly more functional womanchild takes care of Don. Dewey and Kit naturally don’t, which is fair: what did della expect, the sugared up rabbit in a small duck’s body and the incompitent but charming manchild she’s insulted repedadtly to listen? Naturally they both beef it as Dewey can’t board and while Kit does get Don’s plane, he ends up crashing it instead of doing anything productive. I mean even Launchpad would’ve at least got back to the seaduck.. he would’ve crashed into it but still. Look when you make Launchpad look compietnet you really need to rethink your life.  Della has bigger problems though as it turns out the thing they were on.. was a coocoon.. for a butterbear. Oh no. Thankfully this goes better than you’d expect as she’s able to ride the thing and it tangles up some rope, taking the stone of what was with it and Don takes off after it with what pirates he has left. 
Our remaining heros return to the Sea Duck. Dewey and Kit plan to do the same thing again and expect diffrent results but Huey.. has some words for them. 
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He’s fed up with this and points out they need to swap jobs. Dewey CAN fly, and Kit really is good at cloudkicking, it’s in the name, and he needs to return to it. While Dewey balks again stating anyone can be a pilot.. Kit finally admits that’s not true and he’s just not good at it and Huey finally snaps them out o fthier neurosis, Kit a bit late but better late than never given the state of his life, and points out the episode’s aseop: YOU make something special just by doing what you like to do and are good at well. I’ts been hard making these reviews, but I feel i’m getting the hang at it and it’s what I was meant to do, I just had to find it. It’s not always easy to find your calling but when you got it, go for it instead of some version of you you think you should be.  So we get pured distilled awesome for the climax. Besides Della again riding a bear that’s also a butterfly, Kit, also a bear I did not miss that gag, proceeds to finally spin it and begin again it as he tears through them with Crowby and easily deispatches the planes finally earning Della’s respect and finally back in his element, using his newfound size and strength combined with his still inherent acrobatics to easily take them out and land on Carnage’s plane and beat him. 
So the day is saved: The stone lands on the plane and our heroes properly secure it. Della releases her bear fly but it’ll find it’s way home i’m sure... so majestic. Or it’ll eat all the world’s seagulls. Good news either way. 
Back at the bay Kit packs up the stone safetly and gives them the bill. Which Della grumbles at but whiel he didn’t fly he did save their asses.. after endagenring them but still and does have a buisness to run. Plus he has to save his plane. 
But it turns out someone’s already bought it. And you can probably guess who. 
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No not you sweetie.. though he is an investor for the person who DID buy it: Molly, whose taken being danger woman from a 4 year old’s play time to her career running an air stunt show. This is the other thing that cemented the whole aged up versions of these guys working for me: HIstory Repeating itself. Once again an enterprising young woman with a lot of ideas has bought the seaduck from it’s incompitent owner and hires the former owner to work for her.  But things are warmer this time: Kit wasn’t happy doing what he was doing, and it’s clear unlike Rebecca, who just bought the first plane she could get and hired baloo because he was who she could afford, they became friends with time and patience if not more but that’s still vauge... Molly did this out of love. She knew Kit was struggling and probably has as many fond memories of the sea duck and baloo as he does and didn’t want someone else to get the old girl. Her air show seems to be going fine, she apparently has a full crew, fans and enough money to purchase another plane on a whim from the bank to expand the show.. she wanted her old plane back and her old brother back. And wheras again Rebecca offered Baloo the job because he wanted to keep his baby safe from some half assed pilot she could afford and she knew it and thus could manipulate him with that. Plus he worked cheap so there. Here Molly just admires her brothers skills and hires them on it and he’s frankly more comfortable being a sidekick than the main star anyway. 
He TRIES to brush it off but gladly accepts. God another possible spinoff.. please make this Disney.. and if not at least Reboot tailspin I miss it. Still it’s a very satisfying ending. But what of Don Karnage? Well he’s lost everything as a result of this, unable to get back to his carrier, his crew mostly gone, and FOWL sure to be gunning for him. This is seemingly the end for him.. until he finds a chunk of the stone. “Or the start of an encore”. Wether this was a setup for a possible part of season 4, a possible spinoff or is going to come back in the finale.. we’re just going to have to wait and see won’t we?
Final Thoughts: I really liked this one. It’s not the best of the season: Kit’s arc is kinda telegraphed and Dewey’s arc while intresting isn’t focused on enough to really be that engaging. But the ideas at the core are solid and fit into the series well, the idea to age up our kid heroes from Talespin was really clever and paid off and as usual Adam Pally is a delight and as I said at the top was pitch perfect casting. Couldn’t figure out who played molly and the credits cut out on me, so let mek now if you do but yeah I enjoyed this one> It wasn’t the series at it’s best but given the last two are liable to get pretty intense it was a nice breezy break. And it got me wanting to watch Talespin again and there’s nothing bad about that. 
NEXT WEEK: In our penultimate adventure, Ducktales reinacts that one episode of Batman the Animated Series where all of Batman’s foes put him on Trial, as Scrooge’s Rogues put him on trial with Doofus as prosecuter and Louie for the defense. Well at least it’s not Lionel Hutz. 
This Week: Lots of Ducks! The lena retrospective continues as we take a detour for some comix, and we begin the Della arc as we go back to the start. It’s finally time to talk about Woo-Ooo!. 
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