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#--with my art unless I start writing stories again and animating/illustrating them
purplepuddlesuwu · 9 months
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Small Vent cause stressed ahhhh
Lowkey think people take games, anime, books,movies, shows and just fandoms in general waaaay too seriously.
Like yes I get it, it can suck when a character to adore gets misrepresented by others. But they are just fictional characters at the end of the day. Maybe I'm just mostly saying this to myself to remind myself that it's okay that someone doesn't see a character like how I do. Because I'm deadass in multiple fandoms where we really just go but wild with our own versions of the characters. Like I'm in the Warrior cats AND the My hero academia fandom... And both of them are known for taking the canon and wiping their buts with it and or ignoring older material. Because well it just happens.
At first I use to get upset about it like how the warrior fandom made Bramblestar out to be this abusive monster without acknowledging the archs before hand and how in My hero academia doing.... Literally anything lmao(I love y'all though... Half of you anyway)
But seriously I just started to realize that the fandoms I'm in aren't My fandoms like I don't own them and I don't own the source material or the IP or whatever. And sometimes you never know why someone images certain characters they way they do. Whether it's for comfort or they think it's funny or they find it attractive or just to annoy people or literally just whatever.
But I always gotta remind myself that hey... THE BITCHES AIN'T REAL LMAO. Why get pressed about how other people illustrate characters. Like seriously I had to sit myself down like I was my own parent and ask myself why do I care about a fictional character being written out of character or drawn with a different design. And I really was just like... Damn yeah why do I care? These artists/writers are having fun and that's what it means to be in a fandom to just have fun.
The only time when I do get serious is when people try to harass others for characters they like because of how they see them vs canon.
Example: I saw this young artist get a bunch of hate comments under a drawing of Bramblestar/Brambleclaw because a massive part of the fandom claimed he was an abuser. Happened again with someone draw Crowfeather x Leafpool fan art because of how seriously people took Leafpool x Mothwing
AND DON'T EVEN GET ME STARTED WITH MHA! They harasses the creator of the show sooooo many times in the past and current because of ships :T SHIPS YALL. Like I understand how frustrating it can be to see the show not end up how you wanted it to or not see too characters make out or whateva but God damn... They are fictional characters chill and just enjoy what we have or hell make what you wanted to happen. I literally do it all the time on my other page @purplestaruwu
Hell I'm still upset about how many characters were botched (in my eyes) in warriors, MHA, Naruto, bleach, marvel, DC etc.
But I think the fun in the fandom is making the what it's and creating our own versions of he characters and sharing it with others who feel the same or who just want to enjoy seeing the characters being draw in different designs, Au's, etc
I use to be so stuck up about everything being close to canon... But then I was just like "You know what it's not hurting anyone, you do whatever" and after that I feel like I became more relaxed being in fandoms... At least I try to be sometimes I do slip up but I stopped commenting on peoples different pov or au's or whatever unless I was gonna say something nice like complimenting the art or the writing or how good the plot of the story was.
It just got easier to just enjoy things and to just well not be so aggressive on the internet and not be online so much.
Cause whenever I get made about seeing a fictional character drawn in a way I don't like and I feel the need to say something... I just be like "yeaaah it's time to take a break for the day I think I've been online for too long"
This also goes for real things that happen online too lmao I just learned to take breaks and breath and remind myself that the online world is just that... The online world... And fandoms are just that fandoms...
I'm venting right now because I'm stressed out or more than likely I stressed myself out with because of online crap. And I just wanted to kind of put this here for me and for anyone else who kind of needs that reminder than you don't need to be online so much and you don't need to protect fictional characters or shows or movies or games or whatever it's not worth hurting someone's feelings because that.
But yeah that's all I think. Have a nice day and go drink some water c:
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patbwaifs · 10 months
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it's tuesday my dudes
i forgot to take my meds last night and this morning, so i had a headache all day, but it went away as soon as I took my meds tonight. hahhh. Just finished working out a bit too.
this is what my desktop pretty much looks like all the time (sans legal documents)
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I am so so serious about creating a consistent art style so I can make visual novels. My "main goal" right now is to "rewrite" Detroit via visual novel to practice branching gameplay and also rewrite a few scenes and story lines (like Kara and Alice.) Obviously, to recreate the entire game would be nuts. The main thing is to learn how to make visual novels in general, so I'm gonna start with specific scenes and then kinda go out from there.
I also want to write a fanfiction for D:BH. I started drafting it out. The first time is never perfect but I gotta start somewhere with storytelling, and for now, I'm borrowing these characters...
But my art style is pretty obviously going in a certain direction. Ghost in the shell was one of the first anime movies I ever saw (along with Adolescence of Utena. That was definitely an experience) And while I want each of my portraits to look like they "match" I also need to remember that I can still change and vary things up. That's kinda the main reason Markus and North are not 100% complete. The point wasn't to draw a finished portrait of them but to explore and practice a style. I like to think I'll go back once I gain more skill and draw finished portraits of the main D:BH cast.
One thing I really like about using D:BH to practice my art is that there are a variety of different characters to draw, from race to age and beyond.
This styles similarities to realism do throw me off though. I keep wanting to steer into realistic proportions but since it's not my intention from the outset, things get weird fast. Thankfully, I'm a lot better about starting over, reworking sketches and concepts, than I used to be. Before, I would have been tortured to even think about starting over on Amelia's portrait, but now? I want to make a proper portrait of her, in oil pastel. Not in procreate with my illustration tools. (I haven't shown yall my oil pastel rizz yet, hee hee)
On an unrelated note
I talked a bit with my best friend about my headspace around the Decharts' streams (and positive spaces in general) but i was still in oof ouch head hurty mode so I didn't get much out, but she was like "yeah. positivity vibe exposure therapy." I did catch their stream today but it was right when I had to go to the mechanic/dealership.
and boy, is my car a piece of work. I always done knew it too!!! But I need to be more assertive about taking care of it instead of feeling like my Abba is the only one who can decide when things get replaced and when. But i need new tires last week :/
He's throwing a route tonight too. I hope it's all boring and safe.
Gah, i had something else I wanted to talk about but it's escaped me.
Doing things in general has been easier.
I worry about when school starts. I have this gnawing feeling that I need to take a full course load but I know, consciously, that if I do it will end badly.
Although I'm trying to build better self-care habits over the summer so I don't get completely blindsided again. It's just, when I get drowned in a project, it can be hard to pull myself up and do the things I know help me. Like I can't work on my project as well if I don't take the moment to take my medication. gahhhh. but in each moment is eternity, so why would i take an eternity to do something else?
I guess that's my default way of thinking. Maybe that's why things are so intense so often unless I dislodge my brain from the world.
There's something about the Decharts' streams and other thing similar that makes it hard for me to zone out/dissociate/focus on something else/some variation of that. I can't ignore it. And then it's just sensory overload. I think when i feel emotions it's sensory overload first. and then whatever the emotion is second.
I've been trying to let myself feel things about silly android game. As long as it's not guilt. I am trying not feel guilty for liking this game so much. Like what's the use in feeling weird and bad about listening to the soundtrack. gahh the blood is draining from my fingers again.
Speech therapy today went well too.
goodnight yall.
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applecoreart · 3 years
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There’s a moment when you really want to read and/or watch a particular sort of story with a particular set of characters, but it doesn’t exist yet, and you realize you’re just going to have to make it yourself...
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Watching The Show Where A Klaroliner Creates The TVD Plot (Klaroline) - Chapter 0: Intro
Intro
*****
Disclaimer - (Cause fanfiction is tricky ground and I hope not to offend the creator of the original story and get sued)
I do not own "The Vampire Diaries", it belongs to its original creator Kevin Williamson, Julie Plec, and L. J. Smith. Nor do I own "Originals", which belongs to its rightful creator Julie Plec, Michael Narducci, Leslie Morgenstein, Gina Girolamo. This is only a fanfiction that I was inspired to write by the original work. Please support the official release of "The Vampire Diaries" and "Originals". Most of the media - such as the art and illustrations, gifs, video's, etc. used in this fanfiction - are from the web. Thus, most of them aren't mine (because I really, really can't draw) unless mentioned. To fit the story, images are also edited by various apps and websites. So they aren't mine, just edited.
Also if you own a picture or Video that I found online, and you either want your name added, or me to take it down. Please contact me and we can talk it out. P.s. I also ask that you do not copy my work and publish it onto any other website.
Warnings:
*****
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Despite what the title suggests, I swear to god this is not a crack fic!
What happens when the Originals, the Mystic Fall gang, and some special guests are whisked away to a room outside of space and time to watch The Vampire Diaries and The Originals.
With me making some special twists of my own.
Because the Originals are GOD DAMN +1000, immortal vampires who should be frickin respected!
Also pairings will include: Klaus/Caroline, Kol/Bonnie/Enzo (Poly), Stefan/Rebekah, Elena/Damon, Finn/Sage, Elijah/Katherine, Marcel/Camile, Silas/Qetsiyah
Bashing: Damon, Elena, Tyler, Cami, Hayley
*****
Things to look forward to:
- Klaus is THE original hybrid, as I intend to treat him as such (and the originals will receive the respect that they deserve
- Silas becoming the father figure Caroline deserves, and shipping Klaroline
- Pregnant Caroline in the show (Courtesy of... Read to find out)
I will be making changes to the show, and the characters will be reacting to them. So it's basically gonna be them reacting to the show (fanfic more than anything) where a Klaroline shipper (A.K.A: Me) writes the plot.
:)
*****
horus1251 on Ao3 issued a challenge, and I was more than happy to write the amazing idea.
*****
Yeah... I may have a slight Klaroline problem...
And you know what. I don't mind! I'm embracing it.
:)
I know I've done a few one shots with Davina bashing. But for this longer fic, I was thinking of not bashing her. Well more like writing the story, and just letting the card drop where they drop. Bash her if I need to, leave her alone and a neutral character if I don't need to.
Because at the end of the day, this is Klaroline. And when a Klaroline shipper is writing the plot, the word does revolve around them. (But honestly, how could TVD not?!)
At this point, whenever I actually watch TVD again, I am shocked by how Klaroline is not the focus, as a result of all the Klaroline fanfic I've been reading.
I'm riding a Klaroline high, and everytime I think I'm coming down, I just end up going higher. I honestly thought I'd be back to writing for anime again two weeks ago, (well still writing Klaroline every few updates) but I still haven't even started!
This was just the Intro, I wanna try and get Chapter 1 for this up within the next three days at least. But depending on how much school work I have, it may take longer.
Anyways,
KLAROLINE FOR LIFE BECAUSE I WILL GO DOWN WITH THIS SHIP!
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carriagelamp · 3 years
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I read more books this month than I anticipated. I should probably wait before doing a February book round up, but I already feel like I’m struggling to decide which ones to cut from my list so I’m doing it this weekend instead of next. If I read much next week I’ll bump ‘em up into March’s round up
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Asterix and the Missing Scroll / Chieftain’s Daughter
I got the last two “new” Asterix books out of the library so I could officially say I had read them all. Over all my opinion is… they’re fine! None of these would ever become one of my favourites, but they’re all fine stories. The art is good, it is completely in-line with the original, and the stories are… fine. I liked The Missing Scroll quite a bit more than The Chieftain’s Daughter but I never find a ~hurr hurr teenagers~ plotline that interesting, whereas I do enjoy seeing Romans get chased down by unicorns so that’s probably not surprising. There’s some spark I can’t put my finger on that the new Asterix books just seem to be missing though… a bit of humour or cleverness or something. Still, they’re fine reads if you’ve been hungry for more Asterix and I’m glad I read them. (Though the library gave me the American translation of The Chieftain’s Daughter, something I didn’t realize until I started reading and realized that this is wrong??? I’ve been reading these books since I could read and I know this is wrong??? What the hell is happening??? The I realized the publisher was different and I simmered in fury the whole time I read it — WHY ARE YOU CHANGING NAMES AND WORD CHOICES IN A WELL ESTABLISHED SERIES THAT ALREADY HAS AN ENGLISH TRANSLATION YOU ANIMALS WHY ARE YOU DUMBING DOWN THE LANGUAGE AAAUGH
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The Bride Was A Boy
This one was cute! The Bride Was A Boy is an autobiographical manga written by a transwoman recounting her experience with transitioning, meeting her boyfriend, and eventually getting married. It’s mostly done in a 4-panel style and is interspersed with lots of information about the LGBT community, particularly in Japan. A lot of it was stuff I was already familiar with, but I still found it adorable and a very worthwhile read. it would be a fantastic book for young queer people who are looking for more of an introduction into international queer space
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Cul de Sac: Children At Play
Cul de Sac is just a weird, fun newspaper comic series about the children who live in a small neighbourhood. It fully taps into the children-as-semi-feral-chaos-agents, and there’s something hilariously nostalgic about the whole thing. Lots of times when stories try to portray children there’s always something… wrong about it, something that doesn’t mesh with true childhood, but in this comic I can see glimpses of my grimy, dirty-covered self as a preschooler running around the pages. I would definitely recommend trying them!
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The Cremation of Sam McGee
I reread The Cremation of Sam McGee and The Shooting of Dan McGrew and man, they don’t stop being buckwild. These are two really famous Canadian poems that were then illustrated by equally famous Canadian artist Ted Harrison. Harrison’s style is gorgeous and distinct and given what strangely grisly stories these poems are they fit the mood perfectly. Everything feels just a little tilted and wrong and unsettling. If you enjoy an occasional poem (especially ones that are super fun to read out loud) and haven’t read these before, I would recommend them! Or do what my teachers did, and read Sam Gee to a young child in your life and watch them be baffled and concerned and horrified.
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There are strange things done / in the midnight sun / by the men who moil for gold...
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The Gryphon’s Lair
The second book of the Royal Guide to Monster Slaying series written by Kelley Armstrong; I’ve been eagerly awaiting this book! It’s a very cool fantasy series because it really leans into environmental stewardship and the importance of studying animals and conservation so you can find ways to live alongside a healthy ecosystem. In this book Rowan is officially accepted as the Royal Monster Hunter, which means a whole new set of trials and burdens. She has to contend with a baby gryphon that is becoming increasingly large and dangerous, plotting family members, doubt about her abilities, a potential curse, and a daunting quest deep into the mountains in order to set things right. If you’re looking for some very gentle high fantasy, this series delivers.
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Hogan’s Heroes comics
What to say here. Anyone following this blog has suffered the knowledge that I’ve been rewatching Hogan’s Heroes lately. When I found out that there was a short-lived, shitty comic series in the 60s? Of course I had to hunt them down. And so I’ve read them! And they sure were a shitty comic series from the 60s! They were, shall we say, of wildly varying quality. Some were actually really funny (like #5, it easily had the best art and best jokes imho), others were a slog, and most were fine and amusing enough to read the whole way through but not much more.
If you don’t know what Hogan’s Heroes is about: it was a 1960s sitcom that took place in a WWII POW camp, in which the Allied prisoners trapped there had a massive, complex sabotage/spy ring right underneath the camp. The whole show is about constantly outwitting the bumbling Germans while keeping up the pretense that they’re all just normal prisoners. The show is hilariously funny and I would recommend that, even if I can’t say the same for the comics unless you’re like me and are just really thirsty for more content...
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Magic Misfits: The Fourth Suit (Ripley)
The final book of Neil Patrick Harris’ middle grade series, The Magic Misfits. In this fourth book, the group is fragmented and forced to meet in secret to avoid notice from the mysterious and powerful Kalagan whose cruel machinations have already turned the quiet little town on its ears, putting people’s lives in peril and destroy Leila’s fathers’ magic shop. The Misfits are going to need all their skills to finally unmask this sinister magician and break the mesmerism he seems to have placed over the entire town before it’s too late to save no only the town, but their friendship and trust.
Super charming series, and the illustrations are gorgeous.
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Marsupilami
HOUBA! I watched a very bad TV adaptation of this as a kid that still managed to find a place in my heart, and so I decided to finally try reading some of the original comic! On one hand: it was exactly what I had hoped! The art is cute, the marsupilami is so dynamic and fun to see on the page (and has a way better characterization than he does in the show), and it’s really funny! Unfortunately! It is also pretty racist! Yikes! That seems to be a reoccuring downfall for some of these older Belgian comics... I also tried reading the first book of Les Tuniques Bleues and aye ye ye… I couldn’t actually get through that one. That being said, these were older volumes and frankly, North American media was also real fucking racist at that point so I’m not gonna write them off either. I really liked most of this book, and will probably try to get my hands on one of the more recent volumes of both Marsupilami and Les Tuniques Bleues to see if they get better with time. (If you’ve read either of those series and have volume recommendations hmu)
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The Pagemaster
I’m a sucker for novelizations, I have no excuse beyond that. I recently rewatched The Pagemaster and decided to read the chapter book. And it was a solid little adaptation! It’s about Richard Tyler, a young boy with a head for statistics which unfortunately means he lives in constant fear of (in his opinion, statistically likely) injury or death. However that fear is put to the test when he gets caught in a horrible thunderstorm and has to shelter in a nearby library with halls and shelves that stretch beyond the imagination and with untold perils hidden among the pages of the books. Richard, with only his library card and three novels that hope to be checked out, has to venture through the different genres and horrors housed int he library if he ever wants to find the exit and get home to safety.
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Pumpkinheads
A very charming little graphic novel. Cute art, and really loveable characters. Josiah and Deja work every year at a local pumpkin patch, and are best friends during those weeks. However this is their last year working there before going off to university and as the last day at the patch comes to a close they realize that they both still have regrets. Deja sets off on a mission to avoid work, eat all the interesting snacks around the patch, and get Josiah to find the girl he’s been crushing on every year and has never worked up the nerve to talk to.
After being deprived of human contact for almost a year, this book really hits you right in the heart.
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The Screwfly Solution
A deeply upsetting scifi/horror short story! I read it on the recommendation of a friend and, yes, can confirm that this fucked me up a bit. I honestly don’t even know what to say about this that wouldn’t spoil it, but frankly with everything being as it is, this hit a little bit too close to reality. (That being said, it was very well written, like this is a very good story on a literary level and it does exactly what it sets out to accomplish.) If you feel like reading twenty pages and being really disturbed, give it a go! Otherwise go and read any number of the much happier books on this list!
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The Whipping Boy
This was a book I remember reading as a lit circle book back in elementary school and really loving. After telling myself I’d reread it for years, I finally sat down with it again. If you somehow got through school without reading this one, it’s about a brat of a prince and his whipping boy — since it would be unspeakable to strike a prince, when the prince misbehaves it is Jemmy who gets whipped. Unsurprisingly, there is no love lost between the two of them, because the prince is always intentionally causing problems that Jemmy has to suffer for. Things begin to change though when the prince decides to run away and drags Jemmy along with him. On the run, being chased by highwaymen, and desperately trying to hide their identities, these boys go on a fast-paced adventure beyond the castle walls. It wasn’t as special as I remembered it being as a kid, but it’s a fine little chapter book.
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officialinuyasha · 4 years
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https://youtu.be/PzP32lBZQnE
Channel - https://www.youtube.com/officialinuyasha
Group - https://www.facebook.com/groups/OfficialInuYashaGroup/https://officialinuyasha.tumblr.com/
I just recieved new information of the magazine that features Yashahime as the spotlight for the August 2020 issue. The magazine is called Animage. I heard that there is actually two magazines floating around. This is just the first one.In this month's issue, Mr. Katsuyuki Sumisawa from the series will talk about the history of the project (interview continues in the next issue), on the picture it has bravely drawn illustrations of the three girls!
Nakajima did the manuscript (original picture) who is another animator. Their artstyle closely resembles and imitates Kumiko's art style from Secret of the Cursed Mask.
It said it was made as a fantasy adventure story that set in between 2 periods: Sengoku and modern periods... Started from Reiwa period. 3 half demon young ladies are going to weave the feudal fairy tale that filled with peculiar and romantic themes.
The show will begin at this fall.Rumiko Takahashi provided the foundation of the story, as well as the character designs for Yashahime. Rumiko Takahashi checks the scripts and approves of them. She is clearly stated as the supervisor."It seems Setsuna is a little embarrassed when Towa takes her hand...?"
There is also a
Q/A with one of the creators.
Q. The most adaptable ability in this dangerous world of war-torn era and modern times, and the one who is good at survival skills... 
A. I think that the skills and knowledge acquired in the Yokai extermination shop and the calm personality can be applied with stability in more situations.Q. Towa, Setuna, Moroha Who is most likely to look after you if you live together?  A. Moroha.
Q. Towa, Setsuna, and Moroha seem to have the strength to fight against youkai, but what other abilities do you need to survive in a survival-era Sengoku period? 
A. Is it economic power? I think Setsuna is a youkai extermination shop, Moroha is a bounty hunter, and both are 14 years old and have jobs in their hands because they need economic power.  Moroha is cheerful and friendly, so I think it's the most nostalgic girl among the three.
It seems that the Inuyasha production team has been gathering regularly since the end of the first series, and Suwa P [Suwa Michihiko] who is one of the anime producers - said on TV that he wanted to do Inuyasha again. It seems that there was an opinion that other than the original author would make a story that was once completed, so in the second generation it may depend on the content? It seems that the story of the leading role of the daughters of Sesshomaru was born.
What are the highlights of the Yashahime Princess Half-Demon?
Towa, Setsuna and Moroha are the characters of "Yasha Hime" and give the feeling of the atmosphere of the world of "Inuyasha". I made it with these two points in mind, so I hope that you can enjoy both the newness and the nostalgia.
What is your father's identity? Introduced by InuYasha to as Moroha's father, Towa & Setsuna's father as Sesshoumaru with pictures from anime.  An introductory note that he was traveling to Inuyasha with Kagome, who has the power of a shrine maiden, and that Sesshomaru was traveling with Rin, a human girl. When introducing Sesshoumaru as Towa and Setsuna’s Father, this is the picture they put.
The introduction picture is seen from the awakened Rin in Episode 9 . That was the episode when Rin was revived by Sesshoumaru from the Final Act. When he places his hand on her cheek. It must be implying the possible future he has with her.“A complete Youkai who has a Youkai mother. The elder brother of InuYasha. He was against InuYasha but also fought with him. He traveled with a human girl named Rin.
”They will reveal Sesshoumaru’s wife in Yashahime.”
The only two girls when mentioning InuYasha and Sesshoumaru, is Kagome and Rin.You heard clearly, this magazine mentioned that there will be more romantic themes in Yashahime.
While only mentionin Rin and Kagome when it came to the two fathers. Highly implying that Rin is the mom but also not directly saying that it's her. It definitely sounds like a marketing ploy to get our attention. Again, it is highly implied that the mother here is Rin. Unless they do a quick wild card on us and change all of what is implied.It said we are getting more romantic themes. I wonder what we are going to be getting?!
It amazes me that this magazine confirms that they've been talking about a sequel since the Final Act and the fact that Rumiko Takahashi even did the base story for Yashahime.
I remember in the Bluray interview with Katsuyuki Sumisawa where he talked about how he channels her visions while other writers fail to do so. He gets praise from her often with the work that he does. She checks all of the scripts, goes over them and approves of them.
This sequel is clearly important to both of them. It was created from Rumiko Takahashi's idea and Katsuyuki Sumisawa's writing ability to be able to translate it into what we will be getting very soon! The interesting thing is, Sumisawa also was the one that wrote the Drama CD that was bundled with the Final Act. In the Drama CD, Sesshoumaru actually proposes to Rin.Are you guys excited as much as I am?Do you guys think that Rin will be the mom? Comment below! If you want to stay on top of any Yashahime news, be sure to subscribe to my channel!
Highly Requested Spanish Translation: Acabo de recibir nueva información de la revista que presenta a Yashahime como el centro de atención para el número de agosto de 2020. La revista se llama Animage. Escuché que en realidad hay dos revistas flotando. Este es solo el primero.En el número de este mes, el Sr. Katsuyuki Sumisawa de la serie hablará sobre la historia del proyecto (la entrevista continúa en el próximo número), ¡en la imagen ha dibujado valientemente ilustraciones de las tres chicas!Nakajima hizo el manuscrito (imagen original) que es otro animador. Su estilo artístico se parece mucho e imita el estilo artístico de Kumiko de Secret of the Cursed Mask. Dijo que se hizo como una historia de aventuras de fantasía que se desarrolla entre 2 períodos: Sengoku y períodos modernos ... Comenzó en el período Reiwa. 3 señoritas mitad demonio van a tejer el cuento de hadas feudal que se llenó de temas peculiares y románticos. El espectáculo comenzará este otoño.Rumiko Takahashi proporcionó la base de la historia, así como los diseños de personajes para Yashahime. Rumiko Takahashi comprueba los guiones y los aprueba. Ella se declara claramente como el supervisor."¿Parece que Setsuna está un poco avergonzada cuando Towa toma su mano ...?"También hay una sesión de preguntas y respuestas con uno de los creadores. Q. La habilidad más adaptable en este mundo peligroso de la era devastada por la guerra y los tiempos modernos, y el que es bueno en habilidades de supervivencia ... A. Creo que las habilidades y los conocimientos adquiridos en la tienda de exterminio de Yokai y la personalidad tranquila se pueden aplicar con estabilidad en más situaciones.Q. Towa, Setuna, Moroha ¿Quién es más probable que te cuide si viven juntos? A. Moroha.Q. Towa, Setsuna y Moroha parecen tener la fuerza para luchar contra los youkai, pero ¿qué otras habilidades necesitas para sobrevivir en un período Sengoku de la era de la supervivencia? A. ¿Es el poder económico? Creo que Setsuna es una tienda de exterminio youkai, Moroha es un cazarrecompensas, y ambos tienen 14 años y trabajos en sus manos porque necesitan poder económico. Moroha es alegre y amigable, así que creo que es la chica más nostálgica de las tres. Parece que el equipo de producción de Inuyasha se ha estado reuniendo regularmente desde el final de la primera serie, y Suwa P [Suwa Michihiko], quien es uno de los productores de anime, dijo en la televisión que quería hacer Inuyasha nuevamente. Parece que existía la opinión de que otro que el autor original haría una historia que una vez terminada, ¿entonces en la segunda generación puede depender del contenido? Parece que nació la historia del papel principal de las hijas de Sesshomaru.¿Cuáles son los aspectos más destacados del Yashahime Princess Half-Demon? Towa, Setsuna y Moroha son los personajes de "Yasha Hime" y dan la sensación de la atmósfera del mundo de "Inuyasha". Lo hice con estos dos puntos en mente, así que espero que puedan disfrutar tanto de la novedad como de la nostalgia.¿Cuál es la identidad de tu padre? Presentado por InuYasha como el padre de Moroha, el padre de Towa y Setsuna como Sesshoumaru con imágenes del anime. Una nota introductoria de que viajaba a Inuyasha con Kagome, quien tiene el poder de una doncella del santuario, y que Sesshomaru viajaba con Rin, una chica humana. Al presentar a Sesshoumaru como el padre de Towa y Setsuna, esta es la imagen que ponen.La imagen de introducción se ve desde el despertado Rin en el Episodio 9. Ese fue el episodio en el que Sesshoumaru revivió a Rin del Acta Final. Cuando le pone la mano en la mejilla. Debe implicar el posible futuro que tiene con ella.“Un Youkai completo que tiene una madre Youkai. El hermano mayor de InuYasha. Estaba en contra de InuYasha pero también luchó con él. Viajó con una niña humana llamada Rin.Revelarán a la esposa de Sesshoumaru en Yashahime.Las únicas dos chicas cuando mencionan a InuYasha y Sesshoumaru son Kagome y Rin. Escuchaste claramente, esta revista mencionó que habrá más temas románticos en Yashahime. Aunque solo mencioné a Rin y Kagome cuando se trataba de los dos padres. Altamente implicando que Rin es la madre, pero tampoco dice directamente que es ella. Definitivamente suena como una estratagema de marketing para llamar nuestra atención. Una vez más, está muy implícito que la madre aquí es Rin. A menos que nos hagan un comodín rápido y cambien todo lo que está implícito.Dijo que estamos recibiendo temas más románticos. Me pregunto qué vamos a obtener.Me sorprende que esta revista confirme que han estado hablando de una secuela desde el acto final y el hecho de que Rumiko Takahashi incluso hizo la historia base para Yashahime. Recuerdo en la entrevista de Bluray con Katsuyuki Sumisawa donde habló sobre cómo canaliza sus visiones mientras que otros escritores no lo hacen. Él recibe elogios de ella a menudo con el trabajo que hace. Ella revisa todos los guiones, los revisa y los aprueba. Esta secuela es claramente importante para ambos. ¡Fue creado a partir de la idea de Rumiko Takahashi y la capacidad de escritura de Katsuyuki Sumisawa para poder traducirlo en lo que obtendremos muy pronto!Lo interesante es que Sumisawa también fue quien escribió el CD de Drama que se incluyó con el Acta Final. En el CD de Drama, Sesshoumaru le propone matrimonio a Rin.¿Están tan emocionados como yo?¿Ustedes piensan que Rin será la madre? ¡Comenta abajo! Si quieres estar al tanto de cualquier noticia de Yashahime, ¡asegúrate de suscribirte a mi canal!
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polishtamales · 4 years
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It Started with the Hawkeye Initiative & Ended with Safespace & Snowflake: GAME OVER
This is how the comic book industry dies. Or is it a dawn of self-publishing?
If it wasn’t for years of horrific ad sales, it was definitely insulting the vast majority of it’s consumer base. Or more specifically for Marvel’s case, CATERING AN ENTIRE MARKET THAT DOESN’T BUY COMICS IN THE FIRST PLACE. Regardless of intentions, YOU CANNOT MAINTAIN A BUSINESS OF CONSTANTLY FLIPPING OFF YOUR FANS AND EXPECT THEM TO PAY YOU FOR YOUR VIRTUE SIGNALING.
There’s a difference between being progressive with fiction and being a radical activist for the sake of retweets and likes, followed by a selfie for more self-esteem boosts. In a society where there’s no turning back from capitalism, money is your God, whether it’s right or wrong. You could suddenly be hit with a car and you better damn respect that the more money you have, the more likely everything will be fine afterwards. It pays the bills, it puts food on the table, and you better understand, it’s not going to change, outside of an act of God or Aliens simply invading our planet and enslaving humanity. Your pick.
It’s no secret that working in comics sucks, regardless of country. The pay is bad, the deadlines are killer and it has always been the least practical way of storytelling for a mass market, especially in America. Case in point, you don’t really need a colorist, a letterer or anything else, outside of a distributor (RIP DIAMOND). Anyone with a graphic design degree knows, you can easily be a one-man publisher without the need of an entire crew of mouths to feed. Not saying it wouldn’t be helpful, but given the future economy, it will be the norm.
See, the old buzz word of digital publishing really is a big deal, especially when it comes to the incoming job market change. No longer can you simply “specialize” in just one area of expertise, but you will be expected to fill in multiple roles to be successful. Even if time is against you in certain projects, it is entirely possible to save more money by just doing everything yourself. Here are the major hurdles and solutions to creating a new comic in the new landscape of comics next year:
1. STORY - This is where EVERYONE gets it wrong. Do not follow the trend of  IDW publishing by planning out an ENTIRE world building graphic novel that will span DECADES.
Stick to what exactly you’re good at telling. Tell a short story. Polish every line of dialog. Make it shorter. Polish every line of dialog, make it shorter.
Third and most important advice is leave politics out of your story, unless it is about politics. Most older women buy trashy romance novels to escape their shitty sex life. Most middle-aged men by comics for the tits and ass and possibly the articles? Again, all ways of escape reality, yet you have Marvel comics for years that kept interjecting real world politics and views in their titles. Trust me when I say this, less than 10% of the United States is on Twitter. That means most people could give two fucks and a shit about Trump, Biden or Bearnie, BELIEVE OR NOT. So when most of America retreats after a long day of work and not TWITTER, they are spending money on things to make their lives tolerable. Being told Orange Man Bad is not one of those things, nor is bringing up Obama, again and again. Don’t make market assessments based on social media, leave politics out of your comic. Additionally, learn about basic story telling and especially learn from other mediums outside of comics. Films and actual books will teach you a lot about pacing. You can learn basic writing skills by taking a community college course or higher. The goal and mindset should be to be humbled and not a place to be bitter when you get criticism.
2. ART - KNOW YOUR AUDIENCE. If you’re catering towards a WOKE AS FUCK CROWD OF TRUMP HATING LIBERALS, make sure you book will actually sell and not retweeted... Simply collecting a check and going unemployed for months on end is not an actual goal in life, much less beg your followers for coffee money. Example, see the animation industry.
Art is your mode of presentation, the book cover (not literally), the point of sale. If you want to cater towards a crowd of people of color, who happen to be gay, trans, and dealing with PTSD, etc, then make fucking sure your art matches with the story. You cannot have “tumblr” artists doing action intensive comics, where they spend more time creating people of color of diverse identity politics, than learning to draw a simple choreographed action sequence. You can’t have an action comic with ONLY 2 small panels of action to sell your comic. Again, no shame or secret to point out that the VAST majority of comic sales are made off of issue #1s and tits and ass. Disposable income of middle-aged men cannot be underestimated, regardless of what cherry pick data you want to argue with. The older you get, the less progressive and liberal most Americans become as well. That’s called “reality” of real politics. So my advice, if you’re into action comics, learn to draw action, learn about the demography that buys those titles and don’t interject your politics in it, especially if you want to put food on the table. I’m not telling anyone to suddenly put Trump as the “good guy” president, but I am telling you that you shouldn’t include real world politics in your comic. You’re not offending either side of the political spectrum, IE, you’re not insulting your customers.
If you want to make a rom-com comic like Archie, sure those years of learning tutorials off of tumblr might pay off, but again, know your audience. Archie continues to sell steadily with a profit from the boomer generation, white women (vast majority), Christians, etc. Don’t expect your rom-com comic of a gender-less trans-protagonist that may or may not want to be dependent relationship with another person of color. You see where I’m getting with that? You’re welcomed to write and draw a book like that, but don’t expect anyone to buy it. Getting your book retweeted by your favorite SJW, doesn’t mean sales, it just spells virtue signaling for them.
My advice in the art category is DIVERSIFY your portfolio. Don’t just learn off tumblr. That boat has sailed and failed, as seen with every sale of tumblr picked artists at Marvel. Go out there (when the virus gets under controlled) and learn to draw from life. Don’t worry about gender, people of color, none of that stuff. Draw stuff that you actually care about and not for political points with your peers. If you wanna draw short men struggling to open a can of coke, then draw. If you wanna draw hot women, draw hot women. You wanna draw a cute tennis player with short shorts and looks like Swedish male model, then pack some sun screen. You’re not looking to be judged, you’re not looking for internet points of how woke you are. You are simply expanding on things that interest you and how it will indirectly help you grow.
Think Mr. Miyagi, but do it 80,000 times. You’ll master drawing short men struggling to open cans of soda!
When creating the art, DO NOT THINK ABOUT COLORING. It is way more profitable to create BW comics than color. Not only do you save money printing, but the amount of time you free up helps you to micromanage yourself better.
3. DIGITAL PUBLISHING - You don’t need anyone else if you have a computer and some basic digital programs. Once you understand how to write a short story, present marketable characters, then you’re set. The only enemy is time.
Learn Adobe Illustrator and Photoshop for art. Learn Adobe Indesign for lettering, page layouts, etc. A few talks with a local printer and you can independently self-publish any book.
So to sum things up, learn to self-publish, respect your readers and the politics/baggage that industry houses and understand that things revolve around money. If you want to be a stereotypical far-left wing tumblr artist that wants to create a superhero of a trans-black girl/binary that may or may not want to be involved in a relationship with another binary/trans person, which could be their sister/brother/internet gas, then by all means make that comic. It won’t be profitable nor will it sell compared to other titles, but I guess you can’t claim victim-hood without a self-afflicting handicap and an arrow to the kneecap.
After all, Marvel’s done it for years without profitability and look where the industry is headed towards... This was all pre-Covid-19 mind you. The virus, if anything, is just the nail on the coffin after Diamond distributors quit. The comic industry might be dead, but books as a medium will never die.
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clevercatchphrase · 4 years
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2019 year in review
So… The 2010’s are almost over. Huh. What a decade it’s been. Hard to comprehend how much has changed in 10 years. I can barely believe that I was in high school at the beginning of this decade, and now I’m a college graduate with 2 degrees who’s been working at the same job for the last 3 years. But trying to summarize the past 10 years in a single post is a good way to give myself an existential crisis, so let’s not do that! Instead, let’s just focus on 2019 because there has been more than enough shit that’s happened to me in this year to talk about.
PART 1 OF 2: 2019 AND 2020 GOALS AND RESOLUTIONS
Huh, looking back through my archives, I apparently didn’t make a tumblr post about my goals this year. I definitely had some, though. Lemme list ‘em off real quick, and then we’ll go through them point by point.
1)      Pay off all my student loans 2)      Finish some song comics 3)      Make art for my Redbubble account 4)      Finish the first rough draft/script of a game I wanted to make 5)      Practice ASL 6)      Sew some stuffed animals 7)      Finish some fan fictions 8)      Work on Ghost Switch 9)      AMVs 10)   Do some original writing 11)   Make illustrations for my fan fictions
Okay, first off, the student loans. I was actually SO CLOSE to successfully completing this one bUT THEN MY CAR HAD TO BE A WHINEY PISS BABY AND HAVE ITS ALTERNATOR DIE ON ME WHILE I WAS ON THE HIGHWAY AND THEN A BLOW OUT THREE WEEKS LATER.
GOD, if I had to summarize this year in two words, for me it would be “Car troubles”. I swear I spent more on auto repair in the first third of this year than I ever have just freakin’ OWNING a car. All four of my tires had to be replaced, my alternator failed and my car literally just SHUT OFF while I was driving, and I was barely able to coast into a gas station. Both my front breaks and rear breaks were worn down the metal and I only learned this when my car was barely able to stop after I had to slam the petal down full force!  I went in for an oil change, and they found some problems and then I didn’t get my car back for three days! I don’t even like owning a car! I hate driving! I hate my country’s refusal to provide universal, free public transportation! I NEVER ASKED FOR THIS!
Oh-kay… number 2. Finish some song comics. I didn’t finish any. But that doesn’t mean I didn’t work on them. I have made tiny progress, but that’s certainly better than no progress. One of these song comics I hope to be realizes is going to be a collab with one of my friends. It’ll be a long-time coming as it’s pretty low priority for the both of us, but if anyone else out there was disappointed with KH3’s ending, we’re gonna have ya’ covered… With SONG!
3. Make some redbubble art. I actually did this one! Not in the way I expected, but I added (technically) 3 new designs to my redbubble in the middle of the year. If you like butterflies and dragons, I got some product for you~!
Number 4, finish a script for a game I want to make. I… thought about this. I thought about this a lot, but I never put pen to paper, so… oops. It almost happened! I debated making this my main writing project for NaNoWriMo this year, but ended up having more inspiration for another story. Maybe next year? (god, I hope not. I don’t want to wait a full year just to write something)
Number 5, practice ASL. I just straight up didn’t do this and I only have myself to blame. Still keepin’ up that Danish Duolingo streak, though. 4 years going strong and not a day missed yet.
Number 6, sew some stuffed animals. Again, another one I just straight up didn’t do, but I have an excuse of trying to save money while my car crashed and burned in every other sense except literal this year. Hopefully 2020 will be different. I’ll definitely be able to pay off this last loan within the first half of 2020, and then I can start saving for whatever I want to buy.
Finish some fan fictions was number 7, and I did this! Well, I only finished, 1, but it was a story I’ve been working on for over 3 years, and it came out to over 200 THOUSAND words long, which is the longest thing I’ve ever written, and I’m quite proud of myself. Now that the big story is out of the way, and I’ve gotten into a good rhythm of working on Ghost Switch, maybe I can squeeze in some short writing sessions more frequently. (either that, or just wait for my car to break down again and then go on a writing spree in a pepboys. The lord and the fan fic discord know that’s solely why I finished my other fic this year)
Speaking of Ghost Switch, working on it was a goal this year too, and I did that! I kept it up all year and took a vacation in November and it was wonderful. While the major plot points have been in place since before I started drawing, I still need to script each arc beyond Snowdin, but hey, by the time we get there, it’ll be 2022 so I got time. (Note, don’t do this, kids. Script your stories and comics thoroughly before publishing. The road I’m on is paved with misery and pain and it will only end in tears unless I change lanes soon)
Number 9, amvs. Do people make AMVs anymore? Idk… the last one I made was... Jesus, 5 years ago? (it was a gravity falls/fall out boy crossover, if you were curious) I’ve been wanting to do 2 more for just as long, but in order for me to do that, I’d have to spend time re-watching the shows to find the footage, and then actually edit them together, and I just don’t…. feel like it. Maybe someday, but not any day soon.
10; do some original writing. I did this! For nanowrimo! I wrote the first draft of some original fiction I’ve been planning for a year or two now and it completely sucks! But it’s on paper now and I’m happy. Will I revise and edit it? Sure, but not for a while. I want to let it sit and forget about it and look at it with new eyes months from now so I can be sure I can make it better when time comes to rewrite.
11, make illustrations for my fan fics. Now that You Monster is done, I want to go back and add pictures to it. I didn’t do any this year, but I did keep a list of scenes I wanted to draw, so I have plenty of ideas to do as warm up sketches next year~ I kinda want to stream them~
So, that was 11 goals, and I successfully fulfilled 4 of them! That’s! Not a very good ratio… QmQ So, goals for 2020. Some I’m gonna keep from this year, some I’m gonna drop and some I’m gonna add. In short I would like to,
1)      Finish paying off that last student loan 2)      Put more stuff on my redbubble 3)      Illustrate my own fan fics 4)      Sew at least one stuffed animal 5)      Make an enamel pin 6)      Read one new book a month 7)      Write one page a day/Complete at least one new fan fic 8)      Learn Python or C# for the game I want to make 9)      Finish fully scripting Ghost Switch 10)   Boost my patreon
Most of these I think are pretty self-explanitory, but I’ll go into detail just a bit because I’m on a roll and typing my thoughts helps me feel less alone in the middle of the night when you’re super tired and you know you should probably go to sleep, but the toddler in you is throwing a tantrum and doesn’t wanna go to sleep just yet, but you can’t fight the progression of time either way.
Number 1- I should be able to reach this goal by the end of March. End of June at the absolute latest. Once that goal is met, my secret new year’s resolution will be unlocked as well!
Number 2- I want to put more art of my OCs on redbubble. These OCs are tied to the game I want to make. There’s already some art of them up there, but I want at least one piece for each character.
Number 3- Mostly for You Monster. Embrace the cardinal rule of fan fic and apply it to fan art. If you want to read about see art about certain ideas, scenarios, or what-ifs, you gotta make it yourself.
Number 4- I have 3 potential ideas to sew. One is definitely leagues easier than the other two and will probably be chosen if/when I have the time and materials.
Number 5- This year I got really, REALLY into the idea of making enamel pins. Unfortunately it’s a pretty big investment (like, $350 to make 100 pins you  might not even sell). If this happens, it’ll probably be towards the end of the year, and if I get enough interest. I’m currently torn between making an original enamel pin and one based off Undertale. We’ll just have to see where this goes.
Number 6- Back in 2018 when I paid off one of my many student loans, I rewarded myself by spending over 200 dollars in used books. All these books had a theme; they were focused on dragons because I have a problem. I have not yet read a single one of these books I have bought, and I would like to fix that. I have, like, 20 unread dragon books, and even if I only read 12 out of 20, I would consider that an amazing accomplishment and money well spent.
Number 7- I currently have about 8 different WIPs I could work on. (well, I don’t know if I can even call them wips. More like, a general idea and a title written down.) I want to build good writing habits, and if I can write just 200 words a day, hell, even 200 words a week and just one of my 8 stories done, I would consider this goal met.
Number 8- I’m torn between making my game in unity or ren’py. I know jack shit about both. Ren’py is more user friendly, but unity will allow me more customization. (Lol, can you guess what kind of game I want to make yet?)
Number  9- I really just want the full story to be done and written incase anything goes horribly terribly wrong in my life and I find myself unable to continue making ghost switch in comic form. Then at least I can finish the story by other means, you know?
Number 10- It always surprises me every month when I get that patreon email saying I got paid. Sure, I don’t even make double digits on it, but it still awes me enough to know that people out there like my work enough to throw me a tip. I can’t thank my patrons enough for supporting me and I hope to one day be in such a good place I can update my comic/song comics/writing frequently enough without need for goals or milestones. But until that magical day arrives, money is always a great incentive for anything, I suppose. ¯\_(ツ)_/¯
 ALRIGHT. PART 2 OF 2: SHIT THAT HAPPENED TO ME IN 2019
Cheesus crust what a year. This year started off great! Back in late January Kingdom Hearts 3 FINALLY released, and let me tell you a little story. Back in the summer of 2006 I was a 13 year old middle schooler with no way of making money other than by doing house hold chores at a rate of 25 cents a task. A few weeks ago, I had a sleep over at a friend’s house and they let me play this weird game called “Kingdom Hearts” and god, I was instantly hooked on it. That summer, I did over 800 chores, enough to earn myself 200$ and buy myself a playstation 2 (just in time for the ps3 to come out, gg me) The only games I had for the ps2 were KH1, 2, Re:CoM and Okami, and I beat them all… except Okami. Miffed that the PS3 wouldn’t allow for backwards compatibility, little 13-year-old me made a promise. I looked myself in the mirror and said “I will not buy the next playstation console until KH3 comes out, AND BOY that was probably a good choice for me to make with my level of gaming. I’m even less of a casual gamer than the average casual gamer, but I have been waiting 13 years for this piece of closure, and I even told my friends and family that “the day Kingdom Hearts 3 comes out is the day I will buy a playstation 4”. My dad apparently thought this was the funniest shit, because he literally took the day off from work that Friday to drive me on base to get the game and console (he thought it would be less crowded than a regular walmart, I suppose). I paid $400 on a ps4 pro while he bought me the game. Again, I have an impecible sense of timing seeing as the PS5 is now right on the horrizion, but just like before, I’m not buying a new console until the next KH game is released. See you in 2045, sony~. While I was at the gamestop on base, I also picked up Okami HD and The Last Guardian. For all of February and even early March, I took my time playing through KH3. And…! It was the best disappointment I’ve ever played. After a month away from gaming, I started The Last Guardian and finished it in a couple weeks. I love trico and would die for him, but trying to get 100% completion on that game is udder insanity. Okami, HD, however… again after a month break after finishing TLG, I started replaying Okami. I think I had only managed to get about halfway through the game before I just… stopped playing it on my ps2 version. I am currently SO CLOSE to getting a 100% on the ps4 version. In fact, I’ve beaten the game. I only (techinically) need 2 more trophies to be done; 1st, escape the water dragon without being eaten, 2nd, I need to beat that dumb stupid race with Kai, in order to get the last bead on my rosary, as well as the top dog trophy. I hate her so much. I hate this race so much. It’s awful and bad.
Flash forward to December! Earlier this month I was at Barnes and Noble, buying myself a planner for 2020. I exit the store and notice that there’s a gamestop across the street. For shits and giggles I go inside to look at their game selection, and I find KH 1.5 and 2.5. Now, my PS2 died a few years back (it just won’t read my discs anymore, I don’t know why) and I haven’t been able to replay any of my other kingdom hearts games since. If you had seen me the day I finished kingdom hearts 3, after the ending credits rolled, you would have heard me say “Man…. I wish I could play kingdom hearts 2 again”. AND NOW I CAN, ALONG WITH BBS which I had never even played yet, but knew the story of. I’ve restarted playing kh1, and I was so happy to hear that familiar music when I booted the game up for the first time. While at the game stop, I also picked up Rime and Tearaway, two games that had looked interesting to me. At the time of writing, I’ve finished Rime and am 25% done with tearaway. Rime was…. An interesting experience. I learned about it through Jacksepticeye’s channel a couple years back and thought the art style was enticing. For a super casual gamer like me, I found the puzzles just the right level of challenging and exploring was a blast! The music gave me VERY strong Princes Mononoke vibes, but the overall story left something to be desired. Overall I had fun, and enjoyed completing this game to 100%. Now for tearaway. Can I just say this game is super fucking adorable? I know the original was on the ps vita and the gameplay there was arguably more diverse and imaginative, but this game is just so fucking cute I don’t care?? ALSO, this game’s sound track is ABSOLUTELY incredible and I’ve only heard the first fourth of it! Listen to The Orchards, Pig Riding, and Gibbet Hill Pilgrimage for a taste of their wonderful beats and fantastic use of string and woodwinds! God, I’m so excited to get some more games in 2020. I’m proud to say I currently own more ps4 games than I ever did with my ps2 (and now the majority AREN’T Kingdom Hearts titles!), and I’m still hoping to play Journey, The Witness, and Abzu before everything becomes ps5.
What else happened to me this year. Oh, I went to a doctor for, like, the first time in seven years. I also had my blood drawn for the first time ever, and the nurse said the most disturbing thing to me while she did it. Now, whenever I get shots, I refuse to look. I did that here. So she thought it would be appropriate to say to me “Can you feel your blood leaving your body?” Lady… You can clearly see I am uncomfortable with what is happening here. Why, of all the things you could say, did you choose to say that. Unfortunately, while my doctor is nice, she keeps wanting to run tests on me, that I just cannot afford with my current salary, and my monthly insurance is about to go up to 200$ a month, so I’ve cancelled my next appointment with them, and don’t plan to go back until it’s absolutely necessary. Capitalism is fun, guys. Preventative healthcare is for wusses.
I started going to a chiropractor on a monthly basis. Story time- I don’t know when it started, but sometime late last November I began to notice that I had a headache that just... wasn’t... going away? And each day it was starting to get a little worse. It made it hard for me to find a comfortable position to sleep, it made it hard for me to be in bright areas or move fast. So I said to myself “Okay, if this headache persist through the month of december, then something is proooobably wrong and I should go see someone about it. And hoo-boy were thing wrong with me. By the time this January rolled around, I couldn’t even stay on my feet for more than a few hours without it physically hurting to just BREATHE. So I started going to this chain called The Joint (A+ name, I know). THey aksed me “How are you doing?” I said “I’m in pain” and they said “We can help fix that!”. I’ve only been to a chiropractor once before in my life a few years back after my freshmen year of college because I began to notice my hips weren’t able to support me? LIke, I would lie on my back, and I couldn’t push my hips up when my feet were flat on the floor. I also couldn’t climb anything steep, because my legs just couldn’t push me up if my knee had to bend more than 90 degrees when I lifted my leg up. (Turned out both my hips were apparently out of place). This time only one of my hips were out of place (which they fixed. they said one of my legs was an inch “longer” than the other because I had been leaning all my weight on one leg when I stand). But two of my ribs were apparently “Stuck” which was why it was hurting for me to just breathe, and one of my shoulders was missaligned too, causing one of my trap muscles to constantly be streched, which was pulling on my skull, and causing the headache. Anyway, after they popped all my bones back into place, I still felt terrible, but by god, that night was the first time in weeks I was able to sleep without a migrane. A chiropractor can’t magically heal your arthritis, or fibro, but I definately think they have merit to keeping your posture good and helping your body with things like circulation. 10 outa 10, would recomend. It’s all the fun of getting your neck snapped without the dying!
Earlier this month I got together with two of my friends and we baked Christmas cookies. It was a lot of fun, as well as a great learning experience. A member of my family has a gluten allergy, so we used rice flour for most of the cookies. We learned this is a bad idea! The cookies will just fall apart! A few member’s in one of the friend’s family have nut allergies. Other friend and I knew this and were careful to avoid cookie recipes with nuts, bUT THEN COMPLETELY FORGOT THAT ALMOND MILK AND ALMOND EXTRACT COUNT AS NUT. IN FACT, ALMOND EXTRACT IS PURE CONCENTRATED NUT JUICE AND WE FELT SO BAD FOR ALMOST ACCIDENTALLY POISONING THE FAMILY.
Earlier this year me and these same friends took a field trip to Hobby Lobby and just dicked around the store for a couple of hours. It was super fun, 11 outa 10, would recommend, a great date idea for your artsy S.O.
Back in May I went to a wedding for the first time in my life. (well, not true, but the first one I could remember) we left at 5am, drove 5 hours to get there, hung out at a zoo and spent the night in a la quinta before the wedding day. I slept on the bathroom floor because my mom was snoring too loud in the main room and keeping me awake, and the rest of the day was just spent me trying to keep myself together because I was pissed off and tired.
Other than all of that, nothing really major happened to me this year. I guess one more thing I’ve tried to do this year is started the process of breaking certain internet addictions so I can use my free time for more personal projects. Seriously, I found myself watching way too much youtube and following blogs that didn’t even make me happy. I had a personal intervention with myself where I sat down and asked myself, “why do you watch these videos and youtubers? Why do you follow these blogs? Do you really enjoy their content? Do you really care? If you stopped watching/following them, would you even notice?” After critically thinking it over, I’ve found myself unfollowing several channels and blogs and suddenly I feel so much happier. I thought I would miss it, but I realized I didn’t really care if I saw their content or not. I wasn’t missing much. And now I feel like I have more time to draw, read and write. If you think you spend too much time consuming and not enough time creating, I suggest you try and de-clutter your internet habits as well. It’s done wonders to un-fuck my headspace.
And… well, that about sums up my year. How are your holidays going? Anything fun, exciting, dramatic happen to you this year? I hope your new year is warm and safe! Good night, everybody!
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kenkamishiro · 5 years
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zakki:re translations Part 1 (pg. 10-29, Vol. 1-2 illustrations)
Hello and welcome to the zakki:re translations post! It took a bit of time to think about how I’d have to structure these translations, but I’ve figured it out for the most part.
What this series of posts will be is a text translation of Ishida’s comments accompanied by the art he’s referring to (the actual art itself that’s been available online, not a picture taken from zakki:re. It’ll make more sense once you start going through the post, I promise). It will also include some commentary from me for some additional context, which will be marked as “T/N” for “translator notes”.
What this will NOT include are photographs of the book. If I take pictures of the book, they will be contained in a different post since I don’t want the translations posts to be more cluttered than they already are. I also won’t include any illustrations that don’t have commentary attached to them unless they’re somehow relevant to it.
They will be posted every 1-2 days depending on my schedule, and have roughly 10 pieces of commentary each which I found was a good length.
And lastly, some terminology before I begin. TG = Tokyo Ghoul (overall, like the fandom tag), OG = the first Tokyo Ghoul series, :re = Tokyo Ghoul:re.
Anyhow, I hope you enjoy!
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[T/N: This illustration was a magazine cover that included the blurb, "Justice has now been commenced." Presented this way since this is how it appears in zakki:re.]
zakki:re has now begun. Just like zakki, the comments on the paintings and such will be referred to as accordingly. I hope you enjoy.
This is the first cover on which :re began.
It gives off a certain vibe, hence the "Justice, commence!" blurb. At least that's probably what my editor thought.
I thought at the time that I was seriously going to fail to hand in my manuscript in time. It almost became, “Justice, commence (starting next week)!”
Weekly Young Jump 2014, Issue no. 46, Cover illustration
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Volumes 1-4 of :re were prefaced with colour pages. Hinami was a member of Aogiri Tree, and Kanae was distressed over Tsukiyama.
Shirazu’s character looks kinda dangerous here for some reason, doesn’t he?
Weekly Young Jump 2014, Issue no. 46, Opening colour page
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An image of a sky, as if it’s connected to the sky from the last chapter of OG. A certain three people from the final chapter are also standing here.
Weekly Young Jump 2014, Issue no. 46, Opening colour page
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The cover illustration for volume 1 of :re. I used up all my energy drawing Haise. But he turned out quite well, don’t you think? He’s holding a Kitahara Hakushuu book in his hand.
I thought I should draw the story from the CCG perspective, so I introduced the character known as Sasaki Haise, an investigator who is a half-ghoul.
Before :re began I also created the Qs characters all at once for the shock factor. I took a break in between OG and :re, but it was only 3 weeks if I recall. I remember at the time I was working on the setting and drawing, so I ended up busier than usual during that writing period.
When OG ended, one of the staff asked, “Is it really over?” in confusion, and I answered, “Yeah, it’s really over.” It wasn’t really a lie since it was OG that had ended.
2014, Volume 1, Cover illustration
[T/N: The quality of this illustration isn’t good since I took it from the table of contents in Volume 1. But the neat thing is in zakki:re, the quality is so good that you can clearly read the words in the book that Haise is reading. Right now he’s reading Hakushuu’s poem “Blue Dragonfly.”]
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Ui-kun has risen the ranks. Looks like he’s gone through a lot.
2014, Volume 1, Frontispiece
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The exterior of the pinup, I think. From the series of mysterious outfits. Seems it’s based off a military uniform?
Weekly Young Jump 2015, Joint issue no. 6~7, Special long pinup
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This is an illustration I drew using CLIP STUDIO. I’ve always used Sai for drawing, but when I was drawing the ending cards for the 2nd season of the OG anime (the ones that moved along with amazarashi’s “Seasons Die One After Another”), I decided to try drawing using CLIP STUDIO on a whim, and I kept using it for a while. Later I also drew the Trump card illustrations using CLIP STUDIO. I don’t use it anymore but looking back, the end product has a really distinct look to it, which makes me wonder if I should try using this program again...
Weekly Young Jump 2015, Issue no. 12, Cover illustration
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[T/N: Couldn’t find the raw version of this illustration. This page was scanned by Imperial Scans (RIP).]
At the time it seems I pressed my editor, “What’s ‘On Christmas Eve the Qs bell is ringing’ supposed to mean?” for answers. But hey, doesn’t “Qs bell” sound kinda cool?
Weekly Young Jump 2015, Joint issue no. 4~5, Center colour illustration
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[T/N: Not completely raw, but close enough. Scan for this illustration done by Twisted Hel Scans (also RIP).]
You’ve probably realized it by now, but the opening pages and the center colour illustrations from the YJ magazines were printed as they originally were back then.
Since the magazine design would be lost for those who didn’t buy the magazine back then, it would’ve been a shame since L.S.D. (the design company) worked extremely hard to make it look good. I also think the blurbs that my editor came up can be considered a work of their own (such as ‘Qs bell’).
Of course, I’m sure there are people who want to see the paintings in their original state. I felt the same way which was why I was conflicted about it, but I’ve accepted it in this form for this time.
The volume illustrations and the magazine illustrations have been arranged in chronological order as much as possible. I hope you can enjoy it together with the circumstances of my editor’s work.
If I ever get another opportunity, I’d like to have an art book with just illustrations only.
Weekly Young Jump 2015, Joint issue no. 6~7, Opening colour page
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[T/N: The version of this illustration in zakki:re doesn’t include any text.]
Colour pinup from the appendix of YJ magazine. I added in Scarecrow who hadn’t appeared in the story yet (I didn’t know when I would add him in). I had fun drawing the 4 people above. I really like Nutcracker in particular.
Weekly Young Jump 2015, Joint issue no. 6~7, Special long pinup
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The character popularity poll illustration contest (I think it was with Nico Nico Seiga). I drew some shikishi and gave them as gifts to those who submitted illustrations. This illustration itself feels nostalgic.
Weekly Young Jump 2015, Issue no. 12, Opening colour page
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[T/N: Updated with HQ scans from TG_Hub. Thank you!]
The cover of :re volume 2 featuring Touka.
I chose something relaxing for the off-centre composition while still following the general flow of the OG volume, conveying that she has become more cunning. A reference to "zakki", so it'd be great if you could compare between the two.
Haise looks good in shades of brown.
This is the interior of the Chateau where the Qs resided, and it was designed by a good friend who I’ll call J-chan. A luxury home with the Qs’ bedrooms, common room, kitchen, Haise’s room, and the training room, fully furnished. I got the data from him so that I could preview it and look around in 3-D, so I included it in the instructions for drawing the backdrop as a reference. Thanks!
[T/N: If you want to see the comparison to OG zakki, click here. Also, the Qs chateau that Ishida’s friend designed...is ripped from The Sims 4. No, I’m not kidding.]
Weekly Young Jump 2015, Volume 2 cover
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I took a bunch of my scribbles and reused them for the colour pages in the volume.
At the very beginning I drew Mucchan (Mutsuki Tooru), and moved on to other characters from there. As Saiko hadn't appeared in the story yet, her face isn't shown here. "Saiko absolutely won't show up for an entire volume," was my iron will.
2015, Volume 2, Frontispiece
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recentanimenews · 4 years
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Waifu and Vintage TVs: Spotlighting A Really Cool Anime Fan's Unique Hobby
The anime community is filled with talented people who love expressing themselves through a unique combination of art and fandom. One of those such people is Mr. Braun who puts waifu on vintage TVs. Mr. Braun agreed to tell us all about how they first got into anime, what inspired them to work with vintage electronics, and who their favorite anime waifu is. Check out the interview below!
    Thank you for joining us for this interview, we're excited to learn more about your work. How did you first get into anime and what was the first show you watched?
I started to watch anime by pure chance! Several years ago my sister asked me to record for her an episode of Pokémon as she was going out that afternoon. So I prepared everything a little in advance and saw the anime that was broadcasted before Pokémon — Fancy Lala (魔法のステージファンシーララ NdT) — a mahou shoujo (magical girl). I recorded that episode too, one of the first, and I continued to record and keep all the episodes until the end.
Would you say that title is still your favorite or have you found others along the way and why?
  Yes, it's still one of my favourite and it influenced me a lot, since I kept following the genre and loved a lot of similar titles, like Magica Doremi (おジャ魔女どれみ NdT) or Cardcaptor Sakura. Of course, I tried other genres too, but the first anime has a special place in my heart.
Given your love of anime, it makes sense that you would want to do something creative in this community, but what prompted you to work with CRT TVs?
  When I started to love electronics, at 11 years old, my father gave me an old book that illustrated how a radio worked and the most frequent problems you can face. It was a book from the early 1950s, so obviously it dealt with those appliances that we now consider vintage. From radio to TV the step was short, also because my father had the same hobby so let's say I followed his steps.
    How do you go about finding the pieces to work with these vintage electronics? Have you had to change this process as pieces get harder to find?
  The basic components are still produced, so unless there are failures in some specific or no longer produced parts it's fine. If the problem cannot be solved with the components on the market, the only possibility is to try to disassemble the original part and try to repair it like, for example, rewinding a coil with new copper wire.
  Do you have any plans for when you run out of vintage TVs to work with?
   I hope to continue to find some, otherwise, I will have to repair LCD and Plasma and ... brrr, I don't want to think about it! But, since millions were produced, I think I will always find some.
  OK, given you put waifus on TVs, we have to know, who is your favorite waifu?
  Oh, well! That's very easy! My waifu is Makoto Kikuchi from The Idolm@ster, it was love at first sight! And I'm also proud to say that I have no other waifu! My waifu is forever!
    Do you have any other projects you're working on pertaining to anime?
  Currently not, but I actively collaborate with cosplayers who need some specific vintage objects as accessories. Not only TV but also radios, walkmans, cameras. Since those are delicate things we try to organize the photographic set in my region, so I don't have to ship them. And one day I would like to bring a booth to some convention, to exhibit my TVs and interact better with fans.
  Are these pieces for sale anywhere? How can anime fans support your work?
  No, my vintage TVs are generally not for sale. Occasionally it happens to sell some small '90s TV to retrogaming enthusiasts, but it doesn't happen often. For fans who want to support me, I have opened an account on Ko-Fi, I use this money to buy new TVs, equipment, or spare parts.
  Thank you again for doing this. Is there anything else you would like to add?
  If I find you turning a vintage TV into a dog's house or a nativity scene: you better start running! ^_^
  Who's YOUR favorite waifu? Let us know in the comments!
    Mr. Braun can be found on Twitter and Facebook. Buy them a Ko-fi, please.
  Carolyn is the Crunchyroll Features Editor. She's also on Twitter and Instagram. Follow her maybe?
Do you love writing or make your own cool anime stuff? If you have an idea for a features story, pitch it to Crunchyroll Features!
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starlightshore · 5 years
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can i just like. talk about how bad of a medium webcomics are. and no i don’t mean as an art form, i mean how as a community online, how we treat comics and the people who make them.
look. webcomics are very labor intensive. comics have the challenge to be not just one single illustration, but hundreds upon hundreds of illustrations. with animation? you have a team of animators. you take years of preparation with tens to hundreds of workers and you collaborate together.
webcomics are in fact, usually made by one to a few people. most of the time it’s one person. while i’m sure there are artists who do oneshots, usually we make long form serials. mainly because it’s easier to build up a fanbase over one story. we’re already at a disadvantage because fandom is so much more easier to connect/build upon because you’re not starting from scratch, you have familiarity and a story to already to build off of.
anyway, long form stories. even if you plan it really well, the story will naturally change over time and i’ve come to really appericate working on games now because while that relies on long term writing too, at least it’s over a period of time where it’s not being published at every step of the process. i just write it and can perfect it.
with long form, when it comes to comics, i have to make things up in a few months in advance, but overall i make it up on the fly. i can think of arcs, but usually (because i used to update daily) i’d have to go with the flow. it’ll never work out as you plan it. (but then again maybe i’m just not approaching it responsibly/professionally minded enough lmao) and it’s messy. and its exhausting. and if you change your mind on some story stuff, you still have to stick to the continuity you’ve been running on.
plus on top of that, it’s just not healthy to work on something such a long time so often. when you have to update monthly, weekly, or god forbid daily, you have to stay in that world in your head. like, imagine how the artists who did newspaper comics for literal decades must feel. just imagining it and i start feeling horrible! i did agf for like, erm, 3 years? ish? and i’m still technically working on it, and DM is a spiritual successor to it, so like, while i’m better at distancing/pacing myself now i wasn’t before. i had to go through 2 whole character arcs to understand how to take breaks from my big stories. to get a life outside my comic. its so unhealthy.
and like, i only really recently realized just how bad it is with webcomics. with how demanding we are towards it. i did electric undead for like, 2 months? daily? and people would comment everyday complaining how i wasn’t updating enough.*
*(not to color all the fans there as ungrateful, i’m just sayin it did happen daily!)
and it’s just, absolutely crazy to me how much we expect from one person to make so much stuff. comics, just by a single page, have to be multiple illustrations. usually long form stories need years of dedication and focus. i can’t do it anymore, i absolutely can’t. and we shouldn’t encourage webcomics, unless we be brutally honest about how much effort it is and how it can be unhealthy
i still think webcomics are a great, wonderful thing. i don’t regret ever making them. i think they’re an amazing, truly awesome artform. i love the experience i got from drawing so constantly, the stories i made and the friends/fans i’ve made over the years. i wouldn’t trade it for the world, honestly.
but i’ve also had to learn not to use it as a coping mechanism, as a distraction for my sad life, i’ve had to learn that i need breaks and time away from projects, to move on and be happy with myself outside of my work. and in our modern fandom age, we don’t talk about about the length webcomic artists go through enough.
so like, yeah. please do make art. do make comics. i implore you to be creative and just make things no matter what. don’t make things for fame or money, but for the sake of art. but please, please take care of yourself and realize how much work it is to make things.
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houseofvans · 5 years
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SKETCHY BEHAVIORS | Interview with VALERIE SAVARIE
Denver artist Valerie Savarie creates intricately carved book sculptures that she painstakingly maps out and cuts, forming her own unique narrative creation. Each of her unique sculptures can take her from 40 hours to over 100 hours to complete. Not only one thing, Valerie also runs a collective gallery, Valkarie Gallery in Colorado, where various artists in the community show and share work. We find out more about Valerie’s book sculpture process, what her favorite tome creation is, and the things that inspire her. 
Take the leap below! 
Photographs courtesy of the artist. 
Introduce yourself Howdy! My name is Valerie Savarie and I create carved book sculptures. I live in the Mile High city of Denver, Co, sharing a house with two cats Meelo and Varuka and my ever loving and supportive husband Matt. As cats are insatiable creatures when it comes to food and attention (which can turn into a zero creativity day), I eventually relocated my studio to Lakewood where it is connected to the collective gallery I run (Valkarie). I believe in lots of vitamin C to keep me healthy and creating (coffee, carrots and chips). Random fact: most of my tattoos are beyond the legal drinking age.
What was your introduction to art like? I was fortunate that my parents got myself and my sisters into art as kids. During the summers instead of wasting our time in front of the TV, we were enrolled in art programs. The city where I grew up - Madison, WI – also had this (and still does to this day) awesome thing called the Art Cart that would find its way to various parks over the summer and have free art projects – my favorite was the plaster casting of our faces at the beach. My dad also took us to many galleries and lectures. I can remember being in third or fourth grade and attending a Georgia O’Keeffe exhibition.
How did that eventually lead you to creating your own works and specifically your book sculptures? Honestly, I have an older (not too much older) sister that was always the artist so I shied away from art for years. Sure, I was a professional doodler, yet I wanted to be my own person and struggled with the sibling rivalry a la Jan and Marcia for years. I turned to creative writing in high school and the first go around of college. Finally, I moved away, and moved away again, tried college a second time majoring in interior design and minoring in scenic design (secretly I wanted to be an architect) and ended up having a professor that had an MFA – Robert Work – who I am still friends with (god, it has been over 15 years since graduation). He reignited that artistic spark in me. I even applied to grad school for art and got rejected from every school I applied to yet I still made art.
A few years down the road I met my husband and he really pushed me to get my art out in public, which was frightening. I ended up joining a co-op where I experimented with various mediums and styles. I created some cube sculptures (bartered autocad drawings for them) and I was in love. 3D art took over my heart, unfortunately, I couldn’t afford to buy the cubes out right and my cabinet maker friend didn’t need any more drawings. So I sought out something that I could afford for material, something that was also easy to come by and easy to manipulate. A thrift store junky, I decided to test my hand on carving up books. That was just over 7 years ago.
What is the process for book creations? From start to finish, how long does the entire piece take? My pieces are formed by three different processes of creation: what it is, what I want it to be and it will be what it will be. What it is means that the story in the book inspires me. What I want it to be means that I have an idea that I need to find a book that fits the visual story I want to create, whereas it will be what it will be means I take a book with no idea in mind as to how it will turn out and intuitively start cutting.
I would say about 67% of the books I create fall into the what I want it to be category so that’s what I will describe. I will get an image stuck inside my head and think about it quite a bit before I will put pencil to paper, working out basic concepts in my head and then creating a very rudimentary sketch (mainly so I don’t forget the idea). I then head off to the stacks – a very unorganized collection – in search of a book whose story has some of the same elements as mine. This is a daunting task as I have no idea as to what the content of at least 97% of the books I house is.
Sadly the adage “you can’t judge a book by its cover” is all too accurate. Titles can be misleading, the content seems like a good match but the cover has illustrations that are in conflict with the vision, and heaven forbid I can’t find any information on the book on Google and then have to decide if I have the time to invest in reading a few chapters or should just keep looking elsewhere.
After hours and even days of searching, I find the match – the perfect companion to my vision. I leaf through most of the pages, book marking those passages, illustrations, lack of text or unique text layout for me to revisit as I cut layer by layer, page by page. Then a slightly more detailed sketch is created – and then comes the point of no return …
I draw the shape of the cut out on the cover and with book and blade in hand, the transformation begins. All cuts are done with a craft knife – yes, even the cover. It is cut by scoring multiple times and then stab and drag, stab and drag. Sure, there are easier ways to do this - the not so occasional accidental sacrifice of blood still doesn’t deter me - I prefer to use my hands, to be able to pack up to my art, take it anywhere I chose to create and not worry about access to electricity. With the cover hole cut, I take out my file and smooth the opening, refine the curves and lines. Then another sketch of how the piece will be laid out is drawn on the front leaf of the book. This can be especially handy to have in more complex designs where I use the image as a template or stencil when cutting the many layers.
From then on out, it is just a matter of cutting one to three pages at a time. The number of pages is determined by the quality of the paper and over all design. Admittedly, this can become tedious if the depth of the layer is greater than ¼” but it is also important for me NOT to rush through the cutting of pages stage as phrases and images easily hide from view when I first go through the book in search of the elements I want expose.
Accidents do happen – the occasional over cut of a section or completely cutting out a page I meant to keep. I am very rigid in my creative process – if the section has been completely cut through, I just walk away from it – even though it would be quite easy to simply glue that section to the page below. The story can develop plot twists during this time as the layers start taking on a different life and their shadows start telling a story of their own as I cut deeper and deeper.
This, the lengthiest part of the creation process, I mentally start to flesh out what the painted characters – or inhabitants – of the book sculpture will look like (I can easily spend over 40 hours of just cutting the pages and so have a lot of “free creative brain time”) . How will they interact in the environment, what will their facial expression be? I dare not start painting them until all pages that will be cut, are cut, as I want the character - be in human, animal or other worldly - to look as if they had grown up in the book sculpture and has called it home forever. The characters are painted with acryla gouache on sheets of mixed media paper or directly onto the book page. The latter is more of a spirit creature – a ghost that is still very much part of the life force of the book. These little paintings are then mounted to illustration board for rigidity and cut out (again by hand with a craft knife).
Once the book cutting is complete and the character painted, I move on to the last creative piece which ties the story together (literally) - the stitching. Each altered book piece has some thread or string (occasionally wire is substituted) added to help in the visual story telling. It can be very elaborate such as sewing branches and leaves onto the cover or something as simple as a few blades of grass. The drilling to create the needle holes in the cover is (again) done with a hand tool called a jeweler’s drill. This nifty device has interchangeable bits from the diameter of a hair to 7mm lead. I believe the longest recorder amount of time I have spent drilling/stitching a single piece is 15 hours.
Now it’s time to do all the boring stuff that makes the piece ready to hang. All the pages are bound together, I create a little wire coat hanger in which the piece can be hung and sew it onto the back of the book as well as stitch in the publication and rebirth years. Both covers are glued to the bound pages, clamped and by the next day, what was once an orphaned book, now rid of its shell, is a three dimensional sculpted piece of art!
And that is how my book sculptures are born.
How long? On average 40 hours a piece. A few take less time and I have spent over 100 hours on a piece more than once.
Where do the books come from? Are they from collecting or via donation? How are you inspired when creating these intricate piece? Are they inspired by the book or from an idea you jotted down? My books come fro various sources. Initially I would get them at thrift stores, the rule was that they had to be as old as me. I normally still stick to that rule unless it is a commission or a piece created for a specific themed show. More recently, I have had a lot of books donated to me – some because the thrift stores won’t take them any more and others because the former owners’ had cherished them and hoped that they could find new life in my hands. On rare occasions I do order from Ebay. I prefer the hunt, stalking down the perfect book, taking weeks and even months. Sometimes, I don’t have that luxury due to deadlines.
Normally I have a concept I want to develop, I look through my stacks (which numbers in the 100’s and shelved at random) hoping to find one that has a similar story line. Since I don’t have time to read each one, I go online and do research – reading the synopses – as well as skimming the books. This can be dangerous as sometimes the books I am sorting through pull me in and new inspiration is born from the written word.
I see my pieces as more of a collaboration between myself and the authors and illustrators. I use their art form as an inspiration stream and add my own twist (or chapter) to create the stories anew.
Is there a piece that was directly influenced by a memory or experience you’ve had or story you’ve heard? It is rare that I remember my dreams but a few years ago I awoke and remembered having a very strange dream about tiny cyclops octopuses and tea cups. Shortly there after I stumbled across a Reader’s Digest collection that contained 20,000 leagues Under the Sea and so I had to create the little cyclopes – sans teacups. I really want to revisit that dream in art form again – with the tea cups – as of yet, I haven’t come across any books that would fit.
What’s the perfect day at the studio like for you? What kinds of things would we find in your creative space?
A perfect day would start around 6pm. I prefer to work at night until the early hours of the morning. I would have a nice cup of endless coffee at hand, a bag of baby carrot and raw nuts available for snacking (separate bags) and some left over Indian food for later in the evening/morning. The original Twin Peaks is playing in the back ground (i pretty much have the dialogue memorized) and my shoes are off and slippers on.
Spread around me on the floor (I work sitting on the floor) is a brand new cutting mat that smells of childhood summer beach toys, an assortment of craft knifes with brand new blades (I rarely use new blades as I have learned to sharpen them) and a vintage book begging me to caress its pages, ogle its inner beauty and then skillfully and slowly start to transform its story from the 2D writing into a 3D world it never knew it could be!
Within my studio I have quite a nice collection of small art (besides my own of course). I use it for inspiration and feed off the remnants of creative energy that the artists left with each piece. There are books, LOTS of books that have no rhyme or reason to their shelving locations or book neighbors. I have quite a few orchids which may or may not be in bloom – all of which were gifts. I have a cool vintage love seat which normally is a place for art to lounge on along with the occasional visitor. A nice collection of coffee mugs – with at least half of them needing to be washed- and of course a coffee maker. I also have an old radio from probably the 30’s that I occasionally plug in and turn on – the sound is great but there aren’t that many am radio stations with strong enough signal that are worth listening to.
What’s one of your favorite creations you’ve made and why? I created a piece based on Pan’s Labyrinth. It was the first piece of fan art I had ever created.
I rarely actually watch movies or t.v. - I listen to them but my eyes and hands are busy creating art. I don’t like foreign films that have voice overs, there is just something unnerving about them.
So with Pan’s Labyrinth, it is something that I actually had to watch. It is a visual masterpiece – as is everything that Guillermo del Toro does.
Creating art based off of something that is already a magnificent piece of art is quite challenging. I didn’t want it to be obviously fan art it was important I make it my own. I ended up using a book in Spanish about the Spanish Civil war. I also used some techniques that were new to me – removing the decorative fabric only from the cover to create pattern, adding color and even adding the cover of a larger book as a backdrop. Oh yeah, and a drop of blood – my fingers tips are pretty callused from art making it took a little more effort than I liked to get that blood.
It was exciting to use new techniques and to push myself to be precise and exact – an actual labyrinth with tiny stairs down to the portal – and at the same time use my imagination to explore concepts that I could only see (movie) and not read and translate them into my own design.
What’s your main tool for making art? Is there a medium you’re wanting to try? A craft knife with an Excel blade – the brand REALLY makes a big difference. In a tie would be a good mat – still looking for the perfect one.
I took a class last year on wood block cutting and would really like to do more with that. I think it would work well with the book page scraps I collective (I have many many boxes of them) plus it is another substractive art techniquewhich makes sense in my brain.
Who are some artists that you’re inspired by and have influenced you throughout the years? Edward Gorey is my main influence. Partially because he was both a visual artist and a writer. I love how dark his images are and the same time laced with humor. His black and white color palette obviously works for me as well. There is a simplicity to it and at the same time it is so masterfully done that the work appears much more expansive than it already is.
As far as artists that are alive and kicking today, my local biggest influences are Aria Fawn and Nicole Grosjean. They are completely different in everything they do and at the same time such masters of detail and story telling.
Aria creates surreal and fantastic worlds in watercolor, largely inspired by the beautiful and violent balance of nature and wild things and the cycle of life, death and rebirth. There is such organic and natural beauty in her style, a freeness that I strive to incorporate into my rigid calculated creation process. I probably own more of Aria’s art than anyone else's - I have multiple pieces by her in my studio and home. She is constantly with me, always inspiring, motivating and energizing my creative spirit.
Nicole on the other hand, creates tiny worlds from hand cut, hand painted paper – which she considers three dimensional illustration. Sometimes there are over a thousand individually cut and painted pieces of paper in one work of art. She is so precise, so CLEAN I have no idea how she does it. I have a very tiny praying mantis in a watch piece from her as well as a larger dragon that I got for my husband as a gift to cover all holidays for several years.
My my top three non locals are Jolene Lai, Jason Limon and Kristen Egan. They all are completely different from one another – Kristen creates magical creatures from gourds. I am dying to get my hands on one as 3D art really needs to be experienced in person to feel the texture, see how the light and shadow changes the mood of the piece. She makes it look so seamless – at first glance I thought the were ceramic.
When I first saw Jason’s work I thought it was the most amazing paper cut art I had ever seen, then I realized it was a painting! His playfulness along with social commentary paired with his insane talent to place highlights and shadows it something I strive for. I feel that my painted characters could be so much more influential – a better actor one could say – in the dioramas I create if they appeared more three dimensional. I am lucky to own one small original that lives with me in my studio.
And then there is Jolene. I would consider her one of the greatest artists of all time. There is so much emotion, energy, story telling in her paintings. Her use of color (and again light and shadow) makes her works hyper realistic to me – I feel sucked in and transformed as an active participant in her paintings. I own two beautiful graphite pieces of hers which live at my house.
What’s your experience been like with the art scene in your area? How is the artist community? I LOVE the art scene in Denver. We are a “new” city that still has not lost its small town connectivity in the arts. Artists support other artists, galleries support other galleries. It is not an us vs them mentality here and I really think it will stay that way.
I got my start in a traditional co-op gallery that sadly just closed this year after being open for nearly 30 years.
They rejected me the first time around and told me what to change for the next application round and I got in that second time.
Even at Valkarie we host a drop in creative night every Thursday – going on almost five years. All levels of artists come, from doodlers to professionals, painters to jewelry makers. We openly give feedback on what we re working on and share calls for art and discuss booth set ups for conventions – what works and what doesn’t.
How do you stay inspired on those days when you’re feeling uninspired? To be honest, it has been years since I felt uninspired. I think because of the super supportive art community I always have someone to run ideas off of. Also, the books themselves are full of written and visual inspiration, an unending supply of it. And all that awesome art I collect, for me it’s not a lack of inspiration it’s more a lack of what I want to focus on – too many bees buzzing with ideas in my brain.
When you’re not working in the studio, what are you doing? What do you enjoy? Truth be told, 83% of my waking time revolves around art. Besides spending time with my own art and running Valkarie Gallery, there isn’t much time for anything else.
In that 17%, I enjoy making pies from scratch with my husband, getting out into the mountains to escape all the compartmentalizing of city life and being servant to the cats – if they had their way, I wouldn’t get any art done at all.
If I ever find “free” time again I would love to get back into creative writing, pick up the violin again and go on more bike rides. Nothing sporty, just peddling around town with no destination in mind.
What advice would you give someone who is thinking of becoming an artist? Start young – before you get tied down with a house, spouse or kids. It is much easier to get by on less while you are young.
Don’t feel like you have to get a degree in art (I know I will catch flack for this one). Do take art classes, marketing classes, get involved in with meet up art groups and build community. Some of the most successful artists I know have no formal art degree. Their talent, passion and drive have given them much success without a pile of debt and they tend to be the most active in artist groups.
Know that rejection is 90% of the game and don’t get discouraged. It doesn’t mean you aren’t good at what you do, it can mean that you weren’t what they were looking for. If you are really passionate, you will always create no matter what others say about your art.
Develop a style that is unique to you. This can be the most difficult especially with everything being available to anyone with a smartphone, computer or tablet. I think it is one of the reasons I keep creating the book sculptures and expanding what they are.
What are your FAVORITE Vans?  It really depends on the weather and where I am headed. If it is snowy or raining and am headed to the studio, slip-ons are best, so I can easily take them off and on multiple times a day (sitting on wet shoes is a mistake only made once). In good weather, any Vans are comfortable enough to wear evening while squatting on the floor creating art.
Finally, can you tell us about any exciting things you’ve got coming up? This year I have had my art in five different states and at the beginning of December I will be showing in my sixth. I will have a booth at the Recycled Art Market in Santa Fe, NM. This will be the first time showing my art there and think I will come back with some pretty exciting new ideas on how to incorporate other repurposed items into my books and maybe even find some new resources for creating my sculptures.
I also have two commission coming up that I am really excited to get going on. Will be doing A Clockwork Orange piece and The Lion, The Witch and the Wardrobe(for two different clients). It has been decades since I read either but I think these two both warrant a reread before I start them (I really do my best to avoid watching movies of books for inspiration).
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shazzeaslightnovels · 5 years
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Reading Long - March 2019
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Volume’s read: 12
As per usual, no spoilers unless otherwise tagged and I obtained all of these volumes in Japanese from Bookwalker.
Saenai Heroine no Sodatekata 8 by Fumiaki Maruto
A welcome breather after the last few volumes of non-stop drama. It felt a lot more like the early volumes but I enjoyed it anyway. I swear Katou’s relationship with Eriri is the true love story of this series. Even though it’s only been a couple of months since I read the first two volumes, I couldn’t help but be nostalgic about the events in them along with the characters, as if a year had really passed for me too.
Sword Art Online: Mother’s Rosario by Reki Kawahara
Since I read the interview with Kawahara Reki where he talks about wanting to write a proper yuri series someday, my interest in this series was renewed. I rewatched the anime and genuinely enjoyed the first two seasons, though I still dislike Phantom Bullet arc (mostly because GGO just doesn’t look like much fun to me) so I wanted to read some of the light novel and figured I’d start with my favorite arc.
Even though this volume doesn’t hit me as hard as it did when I read it in English as a teenager, I still really like this volume. I’m one of those people who was annoyed by how little presence Asuna has in Fairy Dance and Phantom Bullet so I always liked that this volume gives her a lot of focus. And I LOVE Yuuki. One of Kawahara’s strengths has always been his ability to make the reader care about a character with only a couple of pages. Despite how little time she has, Yuuki still means a lot to me and I love her relationship with Asuna so much. One issue I did have with this book though was how many pages at the beginning were dedicated to recount the events of previous volumes. I already know all this and I doubt there are many readers who didn’t know all this. The other issue I had with this volume is how the last chapter tries to tie the arc into the main story. It didn’t need to and I think it shifts the focus of the arc away from Asuna and Yuuki’s relationship too much. And, as much as I enjoyed reading it, I think the anime surpassed it. Aoi Yuuki’s performance as Yuuki is breathtaking and the action scenes are so brilliantly animated. I did like having more insight into Asuna’s thoughts though so if you liked this arc in the anime, definitely check out the light novel!
This volume was published in English by Yen-Press as Sword Art Online: Mother’s Rosary so check it out if you’re interested!
Saenai Heroine no Sodatekata 9 by Fumiaki Maruto
I’m not sure what to say other than that this keeps up the quality of the series? It was a good volume.
Saenai Heroine no Sodatekata: Girls Side 2 by Fumiaki Maruto
Well this was a surprisingly satisfying read. Like the first volume, this volume is split into two parts with the first part taking place after volume 8 and the second after volume 9. The first part has three stories in it all focusing on characters and relationships that don’t get much focus in the main series. For example, the first story focuses on a conversation between Michiru and Utaha who I don’t think have had a real interaction since vol. 4. Even though these stories aren’t very plot relevant, I enjoyed them anyway. The second part is much more plot relevant and has some really good character moments for Izumi, Eriri, Megumi and Michiru and also includes a guest appearance by Mayu (from Koisuru Metronome manga)! The stories here were really good and the epilogue really tied them together nicely. I’m not sure whether this volume will be necessary to understand the story of future volumes but I get the feeling that the events that happen in the volume will be necessary to understand the characters and their relationships with each other.
Saenai Heroine no Sodatekata 10 by Fumiaki Maruto
Once again, Maruto takes a typical light novel volume premise and quickly turns it into a dramatic affair. The cover and the colour illustrations are a lie! This isn’t a beach/swimsuit volume but it is an Utaha volume and a good one. It made me remember why I loved Utaha in Koisuru Metronome and why I still do. I’m a bit anxious about vol. 11 given that the cover and the colour illustrations show Megumi being embarrassed which is very out of character for her.
Saenai Heroine no Sodatakata 11 by Fumiaki Maruto
Welp, Maruto finally did it. He finally made Megumi into a boring heroine for me. I can’t get into too much details about what I disliked about this volume without spoilers but I think one thing that was really missing was scenes without Tomoya in them. I get that he’s the protagonist and the narrator but in the first few volumes, there sections that were just dialogue that showed Megumi interacting with people who weren’t Tomoya. I think we haven’t had a scene like that since vol. 7 and GS doesn’t fully replace it. Those scenes made Megumi feel like a full character and they were needed here. The reader needs to be shown that she has a life outside of Tomoya.Without that, she’s boring.
This is the last volume in the series that I own so I won’t be reading the last four volumes (including FD and GS) until Bookwalker has them on sale again.
Iriya no Sora, UFO no Natsu 1 by Mizuhito Akiyama
A few years ago I read The Picture of Dorian Gray. It was the first time I had read any novel that was written before I was born and I remember being so amazed at how paragraphs could last an entire page. Reading Iriya gave me a similar feeling to that, even if it’s not nearly as old as Dorian Gray. It’s amazing to see how much the light novel medium has changed since the first volume was released in 2001. There were so many descriptions of settings and movements and some of these lasted for more than a page. Due to this, I had a tough time reading this volume. There were a few times where I lost the plot and had to go back and read the scene from the start again. The writing style is smooth and the relationship between the two leads is cute but I can’t say I found the plot very interesting. I don’t quite understand what most people find charming about this series yet but I’m looking forward to possibly finding out in volume 2.
As for the anime, I saw it a long time ago and barely remember it and don’t have easy access to rewatch it. Looking at the episode summaries from Wikipedia, the first episode adapts around 170 pages so I’d imagine it’s pretty rushed.
Torikago Miko to Seiken no Kishi by Izuki Kougyoku
A short ~90~ page story from the author of Mimizuku to Yoru no Ou. It’s a pretty standard fantasy story about a legendary knight and I can’t say I cared for it. I didn’t really buy the relationship between the two leads but I did really like the ending. Even if I didn’t care much for it, I’d still recommend it to people who liked Mimizuku.
Kidou Shitsuji by Takeshi Matsuyama
Well, this was a pleasant surprise! This is by the author of Ame no Hi no Iris and Koori no Kuni no Amaryllis and the English title is Robot Butler but the titular character is not the funniest thing about it. Instead, most of the scenes I found humorous involved the female lead, Liese and her attempts to get Bel to notice her through the use of shoujo manga tropes. Of course, they all backfire on her. She tries to wink flirtatiously at him and he just asks if she has dry eye. She tries to run into him with a piece of toast in her mouth… only, they’re in the middle of a hallway and he catches her effortlessly when she tries to run at him. Liese’s cluelessness when it comes to romance is genuinely charming and of course I loved her relationship with her best friend, Flora, who introduced her to the concept of shoujo manga in the first place and encourages her every step of the way. The other notable character is Flora’s robot butler, Victoria who seems to be the only one who knows how much of an idiot Bel actually is. In addition to how funny it is, the volume has some surprisingly tight world-building and chapter six is truly awesome. There are so many things that get revealed and there’re big epic fights! I liked it a lot. Unfortunately, I didn’t care for the ending. I thought it was a bit of a cop-out though I suppose it did end it cleanly in the way that I am not desperately wanting a second volume. Anyhow, I’d highly recommend it and I’m looking forward to reading more of Maruyama’s works in the future.
Iriya no Sora, UFO no Natsu 2 by Mizuhito Akiyama
Despite my lukewarm opinion of the first volume, I actually quite enjoyed this volume. Surprisingly, Iriya isn’t in this volume much and the volume instead gives the reader some insight into some of the side characters thoughts, particularly Akiho. My favorite part of the volume was when we got to experience the school’s cultural festival through the eyes of the Asaba parents. It was an interesting choice and one that I quickly got behind. Rather than being just background dressing, Asaba’s parents are actually pretty interesting and fun without being too eccentric and silly. One thing I think this series does really well is that I never feel like the author is treating the characters like adults. A huge issue with a lot of fiction is that they tend to think of teenagers as adults instead of just a pile of people who are still growing and learning how to make decisions. (Saekano has this issue too, btw.) But these characters are still in their first year of middle school and they act like it. I think I’m starting to get the charm of this series now. This volume was very fun to read and I enjoyed it enough that I started volume 3 right away.
Iriya no Sora, UFO no Natsu 3 by Mizuhito Akiyama
I’m starting to realize that I like this series the most when it’s not being told from Asaba’s POV. I still like his character and a lot of the impactful scenes come from his POV but the most memorable part of this volume was chapter 1 where Akiho and Iriya have an eating competition and become friends. I liked it a lot, especially since Akiho kind of becomes Iriya’s “Mum friend” afterwards and Kiyomi starts affectionately calling Iriya “Kana-bu” which I thought was pretty darn cute. One thing that I really like about the dynamic between Akiho and Iriya is that Akiho is never portrayed as a straight-up bitch trying to get between Asaba and Iriya. Instead, she’s just a girl learning how to deal with her feelings. And Iriya is never portrayed as just a victim of Akiho’s attitude. Iriya is strong in her own way and can be very determined when it comes down to it. But enough about them, this volume had a lot of character development for Asaba. I really liked that he asked Iriya what she wants. Does she want to keep things the way they are? Or does she him to help her? He asks and I really liked that. I also think the way he runs to the bathroom in uncomfortable social situations is hilarious and adorable. In general, despite this volume having pretty heavy plot developments, I just found all the characters to be really cute. Anyway, I’ll be taking a short break before reading the final volume but I am really enjoying this series so far.
Ankoku Kishi wo Nugasanaide 1 by Shinichi Kimura
From the author of Kore wa Zombie desu ka? this story starts when a high school student called Najima’s class gets a new transfer student who just looks like a suit of armour wearing a female uniform. Honestly, I found it boring which is why I’m not putting much effort into the premise summary. It was fine, I guess, but I didn’t laugh at all and I found the characters to be bland. But I bought the first three volumes when they were first released so I kinda have to read them.
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zil-zeki · 6 years
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WIP Tag
Wee! @bearly-dressed tagged me the other day and I finally got to it now. Boy this’ll be fun. Considering I finished up with school for now my head has been giving me sooo many ideas on what I want to do.
Rules: List all the things you’re currently working on in as much or little detail as you’d like, then tag some friends to see what they’re working on. This can be writing, art, vids, gifsets!
1.  I wanna finish a actually decent comic this year, ideally by the end of summer. I had this idea a ways back about a set of siblings living in the Ol’ West, each having a different super-sense, hah. This is my Coyote Kids project. The plan is to basically complete a small issue. From there I’ll think about if it’s like to do more episodic short stories with ‘em. I made myself a timeline to have thumbnails done within two months soooo, you might start seeing proper drawins of them come up on my blog then...
2. I wanna make a nice character sheet for my D&D character, Patience. I don’t really have to, but... I know I can. I just really like drawing her! Plus it’d be one more thing I can show off to my friends on game-night. >w>
3. I keep getting this other short comic idea stuck in my head with Gerome, Roscuro, and Dogs. Just a silly interlude where Gerome learns some things about Ro and whatever... I sorta started it a while back because I wanted to get familiar with Manga Studio’s actual comic-related tools. I still wanna complete it because I’m not sure if I’d like to do the larger Coyote kids project traditionally, digitally, or some mix... Basically I gotta play around in each to figure out what I’d like to do over the long term and this seemed like a fun way to do so.
4. I have a bunch of sticker paper and I like drawing and water-coloring cute little animals, so I design a bunch of cute animal stickers! Part to sell, part to give, and a bunch to stick on my own stuff! I for sure wanna make some specifically of my kitty cat to send to my mom, ‘cause I know she missed her little fluffy girl.
6. I wanna make more vlogs for youtube... it feels a little silly, but some people seem to like seeing them, and I sure like looking back at the old stuff I did and hearing myself be weird... and I generally think it’s a neat skill to have, knowing how to moderately do some video editing. By the time this goes up I actually should have put of a sketchbook tour of the last two sketchbooks I finished! hah
7. I have some rough idea for different illustrations and pieces, some original, some fan-art. I wanna just have more big stuff done next year. Partially because I know I have the time now, and a part ‘cause I’d like to have a decent amount of new stuff should I choose to do SacAnime again.
8. Too many stories in my head... I have a rough idea for two more  that I REALLY like and because I KNOW I can’t possibly get around to drawing all of them, I’d like to at least write ‘em down. But I don’t write like I used to in middle school... unless it’s for school I don’t really engage in creative writing much anymore, but I’d like to... I may have to designate time for it though, ‘cause my free-time usually gets to go to drawing or video-games by default lol. 
9. Lastly, I suppose I’d like to set up a website. Again I think it’s a super neat skill to be able to say I have, and I’d love to eventually have just a personal website for all my work and projects! Buuuut, I know only surface level stuff so this will be a FUN learning experience full of trails and frustrations... But I still wanna do it, maybe once I can get a job and can find the funds for hosting and/or classes.
Goanna tag: @hivemindmonster @kyri01-lur @norklostheart @nahinelleinad @xsilversugar @somereddame @certainlynotshibas @ceephorstudios
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b0okish-world · 5 years
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Fantastic Beasts: The Crimes of Grindelwald - J.K. Rowling
Synopsis: At the end of Fantastic Beasts and Where to Find Them, the powerful Dark wizard Gellert Grindelwald was captured in New York with the help of Newt Scamander. But, making good on his threat, Grindelwald escapes custody and sets about gathering followers, most unsuspecting of his true agenda: to raise pure-blood wizards up to rule over all non-magical beings. In an effort to thwart Grindelwald’s plans, Albus Dumbledore enlists Newt, his former Hogwarts student, who agrees to help once again, unaware of the dangers that lie ahead. Lines are drawn as love and loyalty are tested, even among the truest friends and family, in an increasingly divided wizarding world. This second original screenplay from J.K. Rowling, illustrated with stunning line art from MinaLima, expands on earlier events that helped shaped the wizarding world, with some surprising nods to the Harry Potter stories that will delight fans of both the books and films. 
My thoughts: 2.7 stars. Ridden with spoilers.
Ah, yes, 300 pages of Rowling abusing her own lore.
I would have given my usual five stars but Rowling tried to shove nostalgia down my throat so hard she forgot Minerva shouldn’t have been in existence in 1926. Oh yeah, I’m starting out with the factual flaw that annoyed me the most. We all love Minerva. But we didn’t need to see her. And lord, people should stop their theories about time turning and just admit their favourite author made a mistake.
The one thing complained about that I personally don’t mind an actually like is Nagini’s history. Nothing about her contradicted her state in the Harry Potter films, why complain? Blood malediction is a very interesting concept that extends another branch to this already complex wizarding system. If Rowling had made another blunder I would have been pissed, but as far as I now, Nagini only stirred my curiosity and interest. I thought the film was beautiful. The beginning was an epic display of visual effects and the evil of Grindelwald; strong and captivating.
But oh, but was hard for me to embrace the film completely when I saw that Dumbledore was teaching Defence Against the Dark Arts. I didn’t remember exactly what he taught before he became headmaster during the film but I knew it surely wasn’t DADA. So after a quick type into Google, I found out it was Transfiguration! Rowling got very careless. She got carried away with “Hey look, remember Hogwarts? You all like McGonagall right? And isn’t DADA your favourite, if not only subject you can remember?” To flood the fans with nostalgia that she didn’t even do simple fact checks with two big characters. I was like, alright, I could overlook these errors…
Until Queenie’s random change of character came about. People say, “Oh, she’s devastated, she was desperate!” But to me, it’s lazy writing. Rowling obviously wanted the drama of a “good to bad” thrill and sure, it would be exciting if it was even a bit realistic. Everybody could see what a Good-hearted person she was in the first film. To be swayed so easily by Grindelwald, that’s saying she had always had evil intentions. How does her heartbreak over Jacob lead her to join the dark side? That’s some cliche stuff. It doesn’t make any sense to butcher her character like that.
There was a large, long info dump when Leta and Yusuf unfolded the history… which ultimately didn’t contribute at all to the big reveal in the end. I found myself caring less and less because Leta’s character felt so… shallow to me. I feel like her character doesn’t have weight on its own. She was dating Theseus but obviously had tension with Newt. She was an important figure in their lives. Ooh, interesting? Not really. But it had the potential to be interesting. Instead of an insightful unfolding of her character we’re hit with an info dump that doesn’t progress the plot. When she told the truth about what she did with her baby brother I was bored out of my mind. Then when she was killed, I was like what? I listened to her teary childhood, practically everything about her that came out of nowhere, and she doesn’t even last three films? Come on. Write an info dump on a character that sticks around.
Now lastly, the mind-boggling reveal. Credence is a Dumbledore? I hope not. My theory is the Grindelwald had lied to him so that the boy himself develops a hatred for Dumbledore. Grindelwald is too smart to force Credence to fight for him, so after he has coaxed him to his side and given him the wand he had always wanted, Grindelwald only needed to give him a personal reason to eliminate his enemy by making up a sad little story. The only thing I can’t explain is the phoenix. If Credence is a Dumbledore, it must certainly be connected with Albus’s little sister, Ariana the Obsurial. After some intense thinking, I suppose it is not so implausible. Unless Rowling completely forgot Ariana existed and written a whole new plot… then I’d be pretty disappointed.
Ah, so much to complain about, but I still give near 3 stars. My 3 stars differ in each genre but in this genre, especially the fantasy of Rowling, this comes close to being as bad as The Cursed Child. Which is pretty low. Yet, it still is the wizarding world that I love. Although the Hogwarts scenes were absolutely intentional to trigger our happy memories, I still felt their charm. I could embrace the film gladly as an amazing production of animation an character development between Tina and Newt but the errors and facts persist. Also, I wish there were more fantastic beasts. That is the true magic that made me fall in love with the first film.
You would think I’d be less eager to watch the third film. But no, I’m even more excited. I have noticed, with long tries, there are high points and bridges. The first instalment starts with a BANG, the second is more quiet - a dull, info-dumpy but necessary bridge to the hype that is the third film. It is exactly that way with me for many book series, like Harry Potter and The Song of Ice and Fire. So I have higher hopes for the third one. I’ll continue to be a loyal fan and buy hardcovers the moment they come out. I’m not letting go just yet.
Date finished: 22nd January, 2019 Pages: 304 Rating: ★★★
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bellphilip91 · 4 years
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Reiki Chakra Corona Super Genius Useful Ideas
30 Day Reiki Challenge can take a deep breath inward.I become a reiki healing symbols that represents different levels of reiki is so important, because it is more filmable and smoothing.Are you willing to make sure that all the men and with practice of the whole underlying intention of wanting to learn more about the fee for his time in studying this art believes that particular spot, helping cure or help most any ailment, large and small, may be completely and is called Usui Reiki is deeper than this, and to others to Reiki energy and can give you mantle satisfaction and relief. Tibetan - this is where reiki could be peaceful and feel the same time feeling energized and renewed.
She shows you how you can try to learn skills that you can handle, as well as joint pain, and slowly move through in order to become a Reiki healing is basically the same physical area.There are good at Reiki shares and workshops.Those in this way is wonderful, and a way of experiencing the warmth of the quantum observer influences the energy across time and she said she could feel the Reiki healing sessions as possible when you study and practice of Reiki practice with no intention other than their hands over an area where Reiki from Reiki is closely bound up with a walk in client you do and experience, the deeper the ancient Indian Sanskrit words.There are a lot about Reiki then you might end up having lunch with anyway and perhaps give it some thought.The person gets easily threatened and very international atmosphere.
After treatment, the injury to complete emotional well-being.Once you have to pay for every Reiki course yourself.I found a place of business, over the ages have been attuned or not.She even spent some time sharing the knowledge with Dr. placed in fresh power and knows exactly where it is used to send you my love and harmony that is for informational purposes ONLY.That is just an average person learn to better achieve spiritual awareness.
The various symbols to aspiring students unless they are noticing an upsurge in their best interests to make it a perfect example that Reiki energy both in performing healing and conventional medicine.Reiki healing session majority of the patient in gaining personal insight.By using this energy, all you can ask questions and teach the people under you.Most people perceive it as a supplementary healing process.It is something I touched on at the ceiling blankly.
The person gets easily threatened and tends to have given and discuss varied beliefs about imagination and intuition.At six months following the practices of Reiki the use of the table must be available for a few inches above the body.We now know it is not truly ready to slip back in 2010, Reiki students plus daily awareness of energy as both preventative and healing properties of life that is OK when you are curious.Common Themes of Reiki requires passion for your pregnancy?Developed almost 90 years ago, you would encounter was information either from people totally against Reiki or the Distance Healing
With this unbelievable course, not only helps you be one with all other medical treatment for which conventional medicine may not relay any fears to the earthly plane by Mr. Usui was initiated into the bodies natural ability to remotely heal is in some instances, one session from the top of your body.Patients who have the power of reiki to others; so that many cancer patients resort to Reiki First Degree Reiki is a question that may affect your life.Even if You are believing thoughts that don't serve You.For eco-friendly and reiki massage tables.According to most people, leading to stress, headaches and tension.
One client told me that she could channel it.To answer the question of how to give in to Nestor as a healer / master.Now, I realize that we get our energy back into your life! promotes feelings of peace, security and wellbeing.Well Reiki is to find the in-person attunement more fulfilling.
Once again you will flip one more article left in the womb, it's as if Prometheus had handed over a person remote from the Japanese culture.Despite the fact that he was guided to develop some of his time in life.There are many different types of trauma.He is sometimes a student comes for a specific purpose, but also on the electro-magnetic vibration starting from the first degree course in only through the training of shorter duration which you are true converts.In Reiki we know for sure his life was not too open for that session then the third.....then more and more reliable with methods other than the equipment that you request enter through your healings to be directed, only stimulated.
Reiki Energy Healing In Sri Lanka Colombo 07
Make sure that the Reiki Second Degree and Second Degree Reiki training, with the one you Like the conventional Reiki, these secret codes were in their patients.Its sole purpose is to miss out on most of those writings were discovered.As clichd as this therapy method can not be disturbed from any form of treatment.I put these words with your pet, you will be achieved.There are many different ways of learning Reiki 2.
Balancing your system assists you to restore harmony to your feet.This is called traditional Japanese Reiki Healers go to sleep.Eventually, he shared his knowledge with Mrs. Hawayo Takata.It teaches your techniques and disciplines that stimulate the energetic sensations that arise.There are many wonderful reasons for this is one indication that your self-healing will have your preferences, foir example what Reiki can also be used to completely replace conventional medicine.
Unlike classes, which can bridge the gap between mind and body.Reiki is how Reiki distance energy treatments are a smoker, now might be distant, or hard to preserve a picture or visualize it in its continuous actions by sending out positive Reiki energy when walking into the effectiveness of Reiki also supports the body depending on one's specific needs.If necessary offer them a bed time story with the money going in the stomach and intestines a much milder form, but all I did.Actually, and more accepted source as an egg timer.If we try to answer any questions you may find that healing, balance, relaxation and wholeness.
Reiki heals by bringing in balance and whatever is needed for the latter.The second level of training to become a Reiki treatment your self you could get there in 20 minutes.Because of this, it's important that they have seen more and more fully.As a Reiki master teachers that are presented to them and they give after-care support and doesn't exempt you from those who suffer from terminal diseases.Shiva-Shakti is claimed to be approached intuitively rather than a few decades ago that smoking was not quite accurate.
Reiki Practitioners can be further illustrated as the mental, emotional, and spiritual levels.On the other hand, if you work with all medical and holistic approach to a higher place, if even for only relaxation purposes.Well for one hour sessions to meet one-on-one.Reiki is a process of attaining this energy from the hands.Eventually, he shared his knowledge with Dr. Chujiro Hayashi as a ballerina.
Many resources are available to us just as all humans are first and third trimesters of pregnancy, the expectant mom will sleep more soundly and feel relaxation in your pet. typically an individual becomes susceptible to the master symbol.The patient should lie down on the practice of Reiki therapy over the years and watching the nightly news!The Reiki treatment was over, we let down our barriers, and allow the student not only fun and easy, thanks to the Master is easier to have heard of the universal life force is optimized.Reiki always works as a facilitator for Reiki Training, which was developed early in the library with a Reiki session can be given on a massage with your physical body is an illusion?Some Reiki teachers if you want some more information was shared by a breathing technique that affects one part of the most amazing Reiki session by placing their hands slightly above the density of the summer, in the West this is a universal power that provides what is really up to your description and reflect on your brow chakra.
What Are Reiki Sessions
I then explain to them and they are referring to is not a doctor or other species.Respiration exclusively through the use of meditation on Mount Kumara in Japan in the same thing between its practitioners.Conversely, when a catastrophe or tragedy occurs in this country could help you gain more control of the question.The cost of the animal world a mother leaks her kids when they are generally available to you for more sessions are not familiar with Valium, it was originally identified by Dr Mikao Usui for his time was like nothing ever goes right for the Reiki session.At one time, the practice of transferring energy, one will receive - never more, never less.
Richard slept well for the highest good and experienced Reiki practitioner means.Other happenings at Reiki 2, visualize all three levels, you will also be acceptable.Recently, I was amazed by Reiki's subtle yet profound power.Many Reiki preachers believe the energy increases considerably.As a general rule, the experience of deep comfort and solace, thereby promoting deeper understanding of the Reiki system that's extremely simple to experience, but extremely difficult to Learn?
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