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#....I guess it's just practice. I've lost so many...
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My brain refuses to sleep, so more drabbling! Probably modern-ish AU?
Steve makes a career for himself as a re-decorator (or de-decorator, as he loves to call himself). His clientele are those celebrities who rose to fame so quickly they have plenty of money, but they don't have time to make their houses feel like home. They just bought penthouses and mansions and now live in homes that are fancy, but they feel like hotels.
Steve is there to fix that.
One of his clients is the hard working rockstar Eddie Munson whose life path went from a trailer park to couch surfing to living with 4 people in a tiny apartment, then suddenly tours, hotels and boom! He has a house that looks like an IKEA prop.
He doesn't hide his distaste at the pristine condition of the place (yes, Eddie has a cleaner). "Oh god. A beige carpet?" he scoffs and he sounds so bitchy Eddie decides he likes him already.
He likes him even more when Steve puts on reading glasses. Damn.
Over coffee, they discuss what Eddie wants. Except Steve doesn't just...tell him. He doesn't give him any hints. He just keeps asking about Eddie's favorite colors, what movies he likes, does he have hobbies apart from music? Can Steve see some of the items that bring him comfort?
And Eddie's surprised. "Shouldn't you, like...be telling me what I'm supposed to want?" he asks the gorgeous man who almost wails when he sees the vase with fresh flowers ("This is the third place in a row that has this fugly thing! Is it like a status symbol? Uh, tasteless.").
And Steve just stares at him. "Uh, Mr. Munson?"
"Eddie."
Steve nods. "Eddie. Why should I have any say in what you want? If you ask me what's practical, easy to clean, what bounces off light well, that's another thing. But in matters of taste...you're the boss. You live here, I don't. (Pity, Eddie thinks) Now, let's change this place into somewhere you actually like staying, hm?"
They spend the whole afternoon talking. Eddie opens up about what he loved before the touring and expectations from his agent took that from him. He talks about the Lord of the Rings, Dungeons and Dragons, fantasy in general, and Steve listens, makes tons of notes and asks questions that make Eddie's heart bleed, such as "and who is your favorite Lord of the Rings character?" and "you mentioned elves, dwarves, orcs, wizards...so what is your favorite group?" and "which DnD class would you be then? I guess a bard? Is that too obvious?". Now, Steve doesn't know much about these things, but learns quickly and works with the info he has.
They walk through the house again, with Steve making notes and wincing at transgressions against humanity or at least against his taste in things ("Oh ew. EW. Glossy finish on a kitchen counter? What is this, a future crime scene?") and Eddie feeling equally amused and curious. Eddie orders dinner for them, it goes something like:
"I don't know what would be appropriate, any preferences?"
"Eddie, there's no time or space when pizza is not appropriate."
"What about a funeral?"
"It puts fun in a funeral."
"Touché."
They follow up on a bunch more things. Steve notices Eddie fidgeting and asks him like the mindreader he is if perhaps the place is too clean for him. "Minimalism is what everyone's trying to push," Steve says, not without sympathy, "but it's not for everyone. I hope you don't take this the wrong way, but you seem like a person who'd love a more....personal, cluttered space."
And god, Eddie feels so seen. He tells Steve about all his favorite books and trinkets that he lost during a horrible earthquake in Indiana, so when he moved to the city it was just some clothes and his two guitars. Steve makes so many notes. "I've seen quite a lot of collectibles for your beloved trilogy," he says with a hint of a smile. "Is that something you'd like in your home?" Eddie can't nod any faster.
They talk about the budget (Eddie just scoffs at that, for the first time in his life money is not an issue), Eddie's absolute no go things ("No more vases, please! PLEASE. Also maybe the one room that can stay as it is is the studio, there's no decor"), if he has issues touching any materials, if he wants to keep any areas in the house neutral for visitors (he doesn't). Then finally, he asks Eddie if he wants to be more consulted or surprised.
And Eddie, tired and surprisingly relaxed from talking to Steve, just grins and says: "Surprise me, big boy."
Steve just smirks and makes one more note. "Oh, I will, Eddie."
...
Eddie goes on yet another tour for a couple of months, which is the ideal time for Steve to start working on the house.
Steve sometimes texts Eddie random choices, such as "Rohan or Gondor or both?" or "what's the best pub in the Middle Earth?" and Eddie usually trips over his feet trying to get to his phone after concerts to see if maybe he has another message from Steve. He learns bits and pieces about the man as well - he has a younger brother, Dustin, who is into the same stuff that Eddie is. Sometimes it goes like this:
STEVE: What's the best battle in the LotR movies?
EDDIE: The Ride of the Rohirrim, duh!
STEVE: Dustin says you're wrong, it's the last stand at the gates of Mordor.
EDDIE: The disrespect to king Théoden!
And finally, the big day comes. Eddie meets with Steve at the door. From the outside, the house still looks boring, but that's what they agreed on. At least for now.
But there's one notable difference and Eddie gasps when he sees it.
"I know we said no changes on the outside," said Steve sheepishly, "but I took the liberty to make one slight change."
Where the door used to be bland and white, it is now carved with silver etchings. It replicates the Doors of Durin. Eddie loves it.
Steve smiles at him. "Speak friend and enter, right? Dustin told me. Anyways, are you ready?"
Turns out, Eddie wasn't ready. Steve took all of the shiny and sterile surfaces and turned them into something beautiful.
The kitchen is now in warmer colors, brown and green, imitating the Green Dragon inn, plaque included.
Guest rooms have been changed, each to represent a group or a nation of the Middle Earth. Eddie thinks his uncle will love the Rohirrim one.
No more vases are to be seen, but Steve got potted plants ("almost immortal, as long as your housekeeper waters them once a week or so").
Eddie howls in laughter when he sees that Steve somehow managed to disguise all his security cameras as tiny eyes of Sauron.
The bathroom is inspired by the Rivendell, with soft tones and nods to Elvish architecture.
Eddie's bedroom resembles the Shire, with round shapes and homely motifs.
But Eddie's absolute favorite is the living room.
The only things that remain there that he bought are the massive TV and his stereo system with records. The rest though...
Gone is the ugly and sharp couch that looked like a geometry exercise. The new one is large and comfortable, with a couple of armchairs to finish the cozy feel. The coffee table and TV stand are more rough looking, with decorative ironwork. And then, around the room and on the walls...
"Oh wow," whispers Eddie and Steve beams at him.
There are collectibles and figurines that young Eddie Munson would have killed for. A replica of the Narsil hangs over the TV. It's cluttered but tasteful, still easy to clean, but Eddie always has something to touch, to play with.
And then he spots the bookcase and actually sobs. "What the fuck, Steve?" he asks, but there's no anger, just awe. "How did you know?"
The bookcase is full of Eddie's most beloved books, all that he told Steve about and more, but it's not just that. These aren't just pristine new prints - Steve managed to get both those and well-loved used copies. Most of them are the same editions that Eddie had before the earthquake. He runs his trembling finger over the back of the Hobbit and it feels like home.
"That was the hardest part," says Steve and leaves Eddie to rummage through the books, the old DnD guides and used comic books. "But I assumed you're sick of new and shiny. In fact, most of the collectibles are already used as well. They have some history. As for the books, uh..." He scratches his neck, embarrassed. "I will be honest, I don't read much. Dyslexia and some issues with the eyes, although audio books are making it more possible for me now. So I had to ask Dustin for help. We looked for editions published before the earthquake. I hope we got some of them right?"
Eddie just mutters "Sorry, I'm about to do something really unprofessional now" and pulls Steve into a bear hug. And Steve reciprocates.
"Fuck, this...this is everything," says Eddie into his shoulder. "How did you do this? Are you magic. You must be magic."
Steve grins. "I take it the surprise was a success then?"
Eddie finally pulls back. He would have loved to keep embracing Steve for a bit longer, but boundaries. "A total one. Wow. I mean. It's a lot, but so good. SO GOOD. How can I repay you?"
"You already paid me, Eddie."
"You know what I mean!" Eddie points and the books and apparently also a DVD collection he now owns. "This must have been so much more work than you normally do, no? I doubt every client has you memorize the members of the Fellowship."
"Not just that, but also why Sam is the best," Steve smiles at him and fuck. Eddie might be in love. "It was more than usual, but I loved it, Eddie. That's why I like my job so much, helping people find themselves again. You don't owe me anything. Although, if you're offering..."
"I'm listening."
Steve runs his fingers through that majestic hair. "So, I didn't tell Dustin that I was decorating the house for you, but he's a huge fan of your music. Like, massive, has every album, has been following your career from the start. And feel free to tell me it's too much, you are my client after all, but...he'd love to meet you. Over a pizza, maybe? The plain ham and cheese one you like so it doesn't have too many flavors?"
And Eddie melts. Because Steve still remembers his pizza choice from months ago, even though this definitely wasn't in his notes. He decides there and then that Steven Harrington is a national treasure.
"Sure, big boy," he smiles at Steve, and hopes he didn't imagine Steve leaning into the touch. "How about you invite him over for a movie night or something? With pizza of course."
It looks like Steve could kiss him, but he doesn't. Not yet. That only happens a week later, when they bump into each other in Eddie's kitchen when they scramble to make more popcorn for Dustin.
Steve stays the next night. And maybe a few after that. Always in a different themed bedroom.
They travel for work a lot, but when they are both in Chicago, they always meet in the Green Dragon kitchen, cuddle in the bed that would be far too large for a hobbit, and in the night, Eddie wraps himself around Steve and whispers: "My preciousssss."
And Steve can't really complain, because it's his fault that his boyfriend has re-discovered his dorkiness, so why would he mind?
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mrsmikaelsxn · 10 months
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A Malfoy And A Potter
masterlist
pairing: draco malfoy x female potter reader
warnings: fluff, kissing
summary: you and draco have been dating in secret but the secret comes out when you two attend the yule ball together
a/n: i am so sorry i have not posted in forever, i've just been busy with school and work, and trying to catch up on my reading goal for the year! it's almost summer break so i should be posting more again :)
song: sleigh ride - the ronettes
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You were currently pushed up against the wall by your boyfriend, Draco Malfoy.
His lips roam the smooth skin of your jaw and throat. Peppering you with loving kisses while you play with his hair.
Both of you are breathing heavy and he brings his lips back up to your mouth as he kisses you. You let out a satisfied hum and put your hands on his chest.
You gently push him back a bit and he looks at you. "What's wrong, love?"
"Someone is going to see us," you whisper.
"Hm, well that sucks for them," he grins and kisses you again.
You push him and laugh, "I guess you're right," you smile.
"They're going to see us when we go to the ball tomorrow night, you do know that, don't you?"
"Well of course, I know that!"
Draco pulls you into his chest and rests his head on yours, "If Potter has a problem with you and me tomorrow, I'll be more than happy to practice some hexes on him," he glides his hand along your waist.
"There will be no practicing hexes, Draco," you pick up his hand and kiss it before walking out of his embrace.
"Boring!"
"Oh, don't be such a baby," you squeeze his cheeks. "Anyway, I'll be off to dinner now, you should come too," you start walking to the great hall and he follows you like a lost puppy.
You go in and sit with Harry, Hermione, and Ron. "Hello," you smile at them.
"Hi, Y/n," Hermione smiles.
"Hey, mate," Ron says.
"Greetings," Harry salutes you. You grin and salute him back.
"So, do you all have your dates?" You ask them. You already knew about Hermione's date, of course, you two are like sisters.
"Er- not exactly," Harry replies scratching the back of his neck.
"Same here," Ron sighs and drops his head onto the table. You cover your mouth to stop your laugh when he groans in pain.
"Welp, you two got under a day left," you clasp your hands.
"What about you?" Ron asks, "I've been wondering if you finally picked someone out of the two hundred people who asked you," he says with amusement.
"Oh don't be silly, Ron, it was not two hundred people!"
"Sorry- two hundred and seven," he corrects.
You roll your eyes, but it was true. You four have literally been tallying how many people have asked you, boys and girls. "Well, yes, I have a date."
"Really? Who?" Hermione asks.
"I suppose you'll have to see tomorrow," you exclaim with a smile.
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You were in your room getting ready for the ball, slightly panicking. Hermione was already dressed and now helping you. "Y/n, you don't need to be nervous," she says as she helps with your hair.
"I know but-"
"No buts. You are perfect and you dance amazingly! Your date is very lucky," she smiles.
You relax a bit and look at her through the mirror, "Hermione, have I mentioned how much I love you?"
"Yes, yes you have," she takes her wand to finish your hair. You already did your makeup with some of her assistance. She claps her hands in excitement, "I believe it's time for the dress!"
You pick up the beautiful dark green gown. You had bought Draco a matching tie when you picked the dress out.
You put the dress on and flatten out some wrinkles.
"You look stunning!" Hermione squeals.
"You mean that?"
"Of course! Now, let's head to the ball!" Hermione links her arm with yours. You two make your way to the entrance when you start to panic again. For someone as well known and popular as you, you get social anxiety often.
"You go in first, I'm scared," you bite your lip nervously.
She sighs but nods. She gives you a quick smile with a thumbs up before she heads down the stairs and goes to her date, Viktor Krum. You peak through the curtain to watch. Ron's jaw drops when he looks at her and her date. He looks angry and you could almost laugh.
After pacing for two minutes you decided to just go down. You pull the curtain and try to sneak in without being noticed. Unfortunately, things don't always go the way you want.
There were an absurd amount of gasps as you made your way down the stairs, praying to Merlin that you didn't trip in your heels. The gaping gazes of the people there making you even more nervous.
You see Draco talking with his best friend, Blaise Zabini. Draco listens to his friend talk as he waits for you to arrive. He notices his friends eyes widened as his mouth opens a bit.
He furrows his brows and looks to see everyone staring at something. He looks and his eyes land on you. He feels all the air sucked out of him. He admires you and then snaps out of his trance and makes his way over you, who was smiling at him.
He holds out his hand and you place yours in his. He leans down to your ear and whispers, "I hope you know how ethereal you look, sweetheart," he pulls back and you blush. Another round of gasps fill the room and you hear a, "WHAT?!" You look over and see Harry rushing over to you two, "I- what in Merlin's name are you doing with Malfoy?!"
"Um, he's my date," you say.
Harry's jaw drops as his head goes back between the two of you. You laugh and shake your head.
Draco pulls on your hand, "I would appreciate a dance with my girlfriend while you continue gaping," he places his hand on your lower back and walks you to where people started to dance.
"GIRLFRIEND??!!"
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alastors-antlers · 2 months
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a brief take on the whole "Alastor's smile is permanent" discussion
hello all!
I've seen a lot of people theorizing lately that Alastor actually smiles all the time because his smile is magically, physically fixed onto his face. All of this seems to come from the fact that he's practically grimacing rather than smiling during the scene where he breaks down in ep8:
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As well as this frame of his deal with Charlie: (lower res sorry)
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I will say, I do like some of the implications of this theory. The sheer spite of his creditor forcing him to smile as an addition to their deal, almost like a sort of forced silence, is a neat concept. It's fun and dramatic. Plus, of all things, of course Alastor would claim the "smile at all times" policy and make it his own to pretend that it was his decision all along lol.
To be fair, though, I don't think we even need any magical compulsion to explain why he's smiling while he's having a mental breakdown. Actually, if we assume magical compulsion, I think we lose a bit of dimension from Alastor's character. (No judgement to anyone's take though, of course -- I just think this works in the direction of his established characterization, but obviously all personal takes <3)
Hear me out:
Alastor's persona is not just for others to see.
"A smile is a valuable tool, my dear. It inspires your friends; keeps your enemies guessing; and ensures that whatever comes your way, you're the one in control."
That makes sense given what we know about him. If he's always smiling, he seems like he has it together. You can't read him very well, especially not when he's actively trying to keep up appearances.
Now consider that when you think about ep8's fight with Heaven, we see that he's already been through so much in this one day.
He fights an army of angels, presumably not even at his own whim (if we go by his blurb about freedom in the Finale song); he loses to Adam, who he considers sloppy and mediocre; his staff, which we can assume holds some part of his power, is snapped; he comes close to being Angelic-power-killed; and to top it all off, he knows that others watched him get injured and then apparently die or flee, all of which would ruin the public image that he's trying to maintain. It wouldn't even be unreasonable for us to assume that he knows Vox was watching, given that Vox kind of has eyes everywhere.
In a moment like this, in the finale, you could say that Alastor has lost (at least on some level) everything that we know matters to him. He doesn't have access to all of his magic, and it's limiting him. He's reminded that he doesn't have freedom or control over his own destiny. He certainly has taken massive hits to his powerful, composed persona. But he's desperate, and furious, and terrified, and clinging on.
That's why he's smiling.
It's not that he can't stop because he physically can't. It's that he can't stop because to him, the smile is the last thing that is still within his power. When there are so many moving parts that he can't predict what happens to him next, he can control how he responds to it. In these last fragments of autonomy, there is solace.
He needs to keep telling himself that he has it together and that he'll eventually scheme his way free, that there's a solution, that he won't be in chains forever; because letting his pretense slip would be admitting that it's all starting to actually get to him. That maybe this time, he doesn't have an escape plan.
In addition, if you read his interactions throughout the series, we also see something else: Alastor's reputation is of paramount importance to him. At multiple points throughout the series, when others disrespect him by discounting his power or presence, he gets visibly annoyed. And in the battle, we see a glimpse of the part of his personality he seems to be trying to leave behind - a normal Alastor, who's just some guy from Louisiana. No transatlantic accent; no unflappable malice; no sharp wit waiting at the ready. Maybe even unremarkable.
Dropping his smile - arguably the most prominent part of his brand - would be admitting that in reality, he's not the Radio Demon of legend that he aspires to project. And if he doesn't have that... where would he be?
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chunksworld · 10 months
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A Helping Hand
ITZY Yuna x Male Reader | (Tags: Smut)
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A/N: Damn I've been so down bad for her lately. Thanks @kaedespicelatte as always for beta reading.
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Clank. Clank. Clank.
Missed shots after missed shots—some of them aren’t even hitting the rim, that’s how bad it’s gotten. It’s safe to say that basketball practice isn’t going particularly well for you. You’ve had to resort to either passing the ball in the perimeter or going for a layup instead, which makes you easier to defend against. And it’s not like you were making your shots in shootaround either, the rim could probably be as wide as the ocean and you would still somehow miss it. It’s as if you forgot the fundamentals of the sport you grew to love and dedicate your life towards.
Nothing frustrates you more than when your shots aren’t falling. You’re a basketball player after all—well to be more exact, you are the school’s star basketball player and the team captain. Your teammates look up at you for inspiration and to lead them to victory every single game. Sure it’s just practice, but you didn’t get this far by slacking off and you want to lead by example. No one criticizes you more than your own self and perhaps it’s that double-edged sword that has led you to become so hard on yourself. It’s a trait that has led you to success but at times like this, you are your own worst enemy.
You make brief eye contact with your coach and the look of disappointment he gives you is so gut wrenching, his hands on his hips and his eyebrows furrowed. You can already hear the rant he’s about to give once scrimmage is over, he’s not exactly a player’s coach and just because you’re the star player does not mean that he’s going to be nicer to you—in fact, it’s the opposite. You’ve gotten yelled at in front of your teammates so many times that you’ve become numb to it. He wants the best from you as much as you want the best from yourself but his yelling is what you didn’t wanna hear at this very moment. All you want to do is get some rest and perhaps sleep it off.
“Cut! Cut!”
Coach yells and you’re scrambling to remember how to defend the play. He introduced it earlier during this practice but it obviously never stuck with you. You’re so distracted trying to remember m that you didn’t even realize that you’ve blown your defensive assignment as your opponent drives past you to receive the pass for an easy layup, following the coach’s instructions perfectly and you’ve absolutely lost it. It’s one thing to not make shots but it’s even worse that you can’t even defend properly. You might as well be a drill come out there. Enough is enough. 
“Fuck!”
The expletive rings throughout the gym, much louder than you’ve anticipated and your coach blows the whistle. Your teammates can only look at you in pity, they know how frustrating it is to be in your situation plus the wrath you’re about to receive is not going to be pretty. You stop in your tracks and pant heavily, sweat dripping down your face as the intensity of the scrimmage takes over you. Silence, except for your teammates also trying to catch their breath. Your coach then takes a slow walk towards you with his clipboard in hand and you are already bracing your eardrums for the berating but then signals all of the players to leave for the day and walks up to you with his clipboard in hand. Huh, guess he’s sparing you the embarrassment for today. He probably already knows that you’ve embarrassed yourself enough already.
“Listen, I don’t know if you woke up on the wrong side of the bed this morning but I’m not having this okay? We’ve got a game later today and I need you to be completely focused and locked in. You’re not leaving this gym until you’ve made 100 threes in a row, got it?”
Somehow, that’s a better punishment than being yelled at in front of your teammates. You look pathetic as it is for their team captain and that would’ve made it worse. Maybe it was the prospect of getting yelled at but suddenly your shots were falling again, and it’s a great thing that it was a morning practice because it still took you five hours to make that many threes in a row. You were pretty sure that more threes than you’ve ever made in your entire career but it was all worth it. You were completely drained and exhausted and all you wanted to do was pass out. You found yourself laying on the hardwood floor and looking up on the banners, some of them you’ve helped raise in the rafters. It would be nice to ad—
“Tough practice, huh? Coach Lee looked like he was gonna knock your head off.” A familiar voice echoes throughout the empty gym. It’s the sound of a woman nonetheless and you’re damn sure that you must be hallucinating with how completely tired you are but that was immediately debunked the moment a basketball landed on your face. You look up and that signature bunny smile is enough to send your heart running throughout this facility. What the hell is she doing here? She’s never been here, hell does she even know what basketball is?
Shin Yuna. The school’s most popular student and the president of the student council—rumors has it that she’s turned down a record 200 male students during her time here so far (you can confirm at least 19 of those male students because everyone of your teammates have asked her out already). And it’s as clear as the bright blue skies as to why she’s highly sought after; insanely smart, stunning visuals, and an amazing body to go along with it (you definitely have not been taking notice of the last part, absolutely not). Plus, you see her face everywhere. There’s 100 clubs to join in this campus and she’s the leader for a handful of them. “Fuck me, did he broadcast to the entire school how shitty I was today?”
You lay back down on the hardwood floor, probably not good advice because your jersey is now completely dirty. But that’s the least of your concerns at this very moment. Yuna continues walking towards you, the heel of her boots making a resounding noise with each and every step. “No he didn’t, but I was running some errands and I wanted to stop by to check how our basketball team is doing and….” She sits down beside you, clearly she doesn’t care that her clothes are going to be dirty either.
“And you saw me being absolutely shit at the sport I’m supposed to be good at. Great.” What horrible timing, the student council president rarely visits and she just had to choose the worst day possible. You just want to bury a hole and dig yourself. 
And Yuna is either terrible at reading people’s emotions or she doesn’t care at all because her response was a smile as she sits closer to you, as if she’s shrugging off everything you just said. Can this day get any worse? “Well, everyone has bad days don’t they? I’m sure that LeBron Jordan guy had some bad shooting days as well.” Never mind, guess she has great intentions after all.
“Touché. But we have a game later so I need to figure the fuck out how to play again so will you be of any help, miss student council president?” You must have said something right because her face lights up like a light bulb. And you can only hope that whatever she does have in mind is actually going to be helpful.
“Well that can’t be good….” Her fingers trace your biceps, “As the president of the student council it’s my duty to ensure that our school’s star athlete can de-stress before the game right?” You’re only half focusing on her words at this very moment, her scalding touch the only thing occupying your mind as she continues to caress your arms.
Like a true basketball star, you’re figuring out her next play though like a simple pick and roll, it’s easy to decipher. You decide to let it play out anyways. “What are you trying to say?”
“How about……” Her fingers now reach for your face, her own visage now dangerously close to yours, “…I lend you a helping hand, how does that sound?”
As expected, it was the perfect read all along. The moment her lips mesh with yours and you could already feel all of this morning’s stress start to dissipate. You didn’t even hesitate to think about the potential repercussions, of the fact that two of the most influential figures on campus are about to engage in acts not appropriate for such a setting. Not when you feel how perfect her soft lips are on yours, clouding your judgment and throwing any sense of rationality out of the window. Your teammates would surely kill you if they found out that out of everyone on the team, it was you that’s getting such an opportunity with Yuna.
They’d surely be jealous because you’re the one viewing her beautiful features up close, not them. You’re the one caressing her curves and every other part of her heavenly body that have made her the wet dreams of every male student on campus. That you’re the one eliciting such lustful and throaty moans out of her as your lips trail down to her neck, your hands reaching out to her clothed busts to give them a gentle squeeze. It sounds so hot, Yuna sounds so fucking hot. And it’s a good thing that you’re wearing your basketball shorts and not your regular pants because you would definitely be in much more pain now with how hard you are.
“Fuck, a little stress relief is what I need as well….”
But it gets even worse the moment she straddles your lap, landing perfectly on the tent forming on your shorts and you inadvertently groan at the immense pleasure. She reverts back to kissing you before you could even muster up a verbal response, a more aggressive lip lock this time with tongues involved  as she slowly starts to grind on you. You could feel how wet she is under that skirt and your mind is already racing with the plenty of ways you want to take advantage of this opportunity. As much as you don’t want to stop kissing her, you don’t want it to stop at just this so you grab at the hem of your jersey but before you could remove it, she breaks away from the kiss. It’s only first base and yet she’s already ruined and so fucking pretty as always. “Is there a more private place?” 
Of course there is. You grabbed her by the hand and dragged her towards the empty locker room. As soon as the door is shut, you grab her by the waist and bring her to your lap again as you sit on the bench and resume your kissing. Busy hands immediately go to work trying to remove each other’s clothing. She gets rid of your jersey with ease while you have to work with removing her tie and lifting the blue top over her head; her bra coming off right after. Your mouth salivates at the sight of her perfectly shaped tits, round, petite, and nipples begging to be sucked. But as you were mere inches away, she got off of you to remove her skirt and panties (which were drenched as you predicted. You do the same with your shorts and boxers, throwing them to the side. Both of your shoes come flying off as well.
You’re both finally fully naked. Your cock twitching as precum oozes from the tip due to intense arousal, there in front of you lies a naked Yuna. Whereas other guys have to imagine what she looks like, you could actually view her in this state. A gorgeous face paired with a body sculpted by the gods themselves, curves that can only be compared to that of an hourglass, her clean shaven pussy, her inner thighs already drenched, and those legs that you just want wrapped around you. But with how she’s biting and licking her lips, you’re not the only one completely turned on. “You can take a picture of me to jack off to later, but I want you to fuck me now please.”
And who are you to turn down such a request? She mounts you once again, this time making sure to aim her opening at your tip. You both moan at the first contact, electricity surging through your bodies but you fight through it. You bring her lips to yours, arms wrapped around her body as you aid her in completely taking you inside her. “A-Ahhh fucc-k!” Her nails immediately dig into your shoulder and back as she pulls away from the kiss. Yuna is tight, so amazingly and mind-blowingly tight despite how wet she is. And it doesn’t seem like she’s a virgin either because she seems like she knows what she’s doing. You, on the other hand, haven’t had sex in ages and yet your carnal desire for her is what’s driving you. “So fucking b-big!”
“And you’re so tight….shit.”
Eventually, she's able to take your length all the way inside her. But with how tight she is, you will definitely rearrange her guts by the time you two are finished. That’s the least of your concerns right now, however. as she begins to roll her hips. The pleasure is overwhelming and the effects of not having any intercourse in quite a while is starting to rear its ugly head as every single movement of her hips is driving you crazy. You pull her even closer to you, causing her to squeal as no inch of space is left between the two of you. Once you are able to overcome the initial onslaught of pleasure, you begin to thrust up inside her as well. And this causes Yuna to wrap her long, luscious legs around you as her nails leave scratch marks on your back and shoulders. “F-Fuck me hard just like that, please!” Her moans are a beautiful symphony of curses, inaudible phrases, and your name uttered in the sexiest way possible. You would gladly listen to it until the day you die. Maybe you could have her relieve your stress all the time if this is what you get at the end.
And you would kiss her to prevent anyone from hearing her moans but the place is empty so it’d be useless so instead you do what you’ve been dying to do ever since earlier, and that’s to taste her breasts. It doesn’t help that they jiggle deliciously in front of you as every thrust of your hips meet her bounces. You dive down and capture them with your lips, focusing on her left breast first and licking the stiff, brown nipple with your tongue. Her whimpers only serve as encouragement, switching to the right nipple and giving it the same treatment that it deserves. Your fingers, on the other hand, are carefully massaging her saliva-drenched left breast. You repeat this over and over, making sure they get enough appreciation from you. She stops grinding her hips at some point because of the immense pleasure and you paused your thrusting as well, and if she didn’t grab you by the chin for a kiss you wouldn’t have noticed as well.
A deep, passionate makeout then ensues as she starts to grind her hips again, her hands pushing your face further towards hers into a sloppy serenade of pure unadulterated need towards each other. A string of saliva follows as you both pull away from oxygen, the lust in her eyes only strengthening with time. “Don’t lie, you’ve been dreaming of sucking my tits don’t you?” The remark catches you off guard and makes you laugh. The answer is obvious, if she wants to hear it then you’ll gladly tell her. 
“Fucking hell Yuna, I don’t think there’s any guy out there that doesn’t.” Hell, you want to suck them again at this very moment but you don’t want to be selfish. She also has her needs after all.
The grinding of her hips turns into bouncing again, and the slapping of skin on skin begins to reverberate in the empty locker room. “Exactly. S-So take advantage of this opportunity—shit—and give me your all.” You don’t want to be told twice; you bury your face on her chest as you thrust up at a frantic pace. Her moans only get louder as you piston your cock inside her pussy—that’s still so amazingly tight—relentlessly, making sure that they’ll mold to your shape. Soon, those moans turn into whimpers as she rests her chin on your shoulders and her hot breath going directly through your ears as she continuously whispers sweet nothings—completely delirious from how good of a fucking she’s receiving from you. It’s so pure, it’s so carnal, and it’s so fucking hot the way your moans combine with the slapping of wet skin and the squelches of her pussy as you continue to pound up into her. 
But you two are humans after all and can only receive and give so much pleasure, and it doesn’t really take long for Yuna to completely unravel—only three more minutes to be exact. You could already feel it with how much tighter she’s gotten, so tight that you might just reach your orgasm the same time as her. It takes you gritting your teeth and closing your eyes because looking at her pleasure-stricken face with her tongue sticking out and eyes rolled to the back of her head along with her unreal visuals is going to completely cause you to become undone. “Fuck, baby I’m gonna come please. Make me come, fuck me just like that I’m so fucking close….” But you’d rather attack her neck with kisses and bites anyways, the combined smell of her sweat and lavender perfume only driving you crazier and crazier. Like a mantra, she repeats her wish along with incoherent whispers but it’s at a particularly rough thrust as she comes down hard in your lap that sets off the explosions.
“FFUCKK!”
It’s so fucking hot. The way her nails cling to your back, now probably leaving scratches that will surely take weeks to disappear. The way her luscious thighs constrict your waist. The way she grabs onto your face and pulls you towards her for a kiss. It’s all too overwhelming and it takes every single fiber of your being not to join her as her hot and tight walls attempt to squeeze you for all the cum you have, and you just might. Her juices immediately flood both of your crotches as her orgasm completely overrides her, taking a few minutes to subside as you continue to thrust your hips up to her at a slower and gentle pace. She doesn’t stop grinding her hips either, her moans now turning into whimpers while she continues to make-out with you, and with everything that’s already happened you know you’re not too far away from joining her. Yuna pulls away from the kiss and she whispers the words you’ve been dying to hear, her eyes filled with cock-filled lust in the aftermath of her post-orgasm haze. “Fucking cum in me.”
You’re embarrassed the way it immediately turns you on, as if a switch is flipped inside your brain that wants one thing and one thing only: Yuna. So with the remaining strength you have, you place your hands underneath her thighs and made sure that she’s wrapped tightly around you before standing up to effectively fuck her in stand and carry. The new position has her screaming and yelling as gravity aids in impaling her into your shaft, your cock now reaching places inside her that you couldn’t do so earlier. You bounce her on your length before walking over to your locker and pressing her back onto the cold surface, making her shiver. With support, you continue to thrust into her at an unrelenting pace and due to the sensitivity from her orgasm, it doesn’t take too long for her to come undone once again. You must’ve discovered a specific bundle of nerves inside her because she bites into your shoulder with a scream and begging you to fuck her hard once again, every thrust has her wrapping her arms around tour neck tighter and the feeling of such a perfect body like hers against yours is truly mindblowing. 
She’s completely rag-dolled into your arms at this point and it only took a few more thrusts before she lost herself. The sight is perfect and unsullied, not even the most expensive paintings in the world could rival her face at this very moment. It’s all beautiful and lewd at the same time. It’s an orgasm that’s somehow even stronger than her first one. “S-So fucking good!” Yuna’s juices immediately start to flood your length and drip down to the floor below; the added lubrication now making it easier to thrust in and out of her and she must’ve noticed how much your cock has been twitching ever since her orgasm because she doesn’t stop bouncing on your cock despite her sensitivity, in fact she’s working twice as hard. No words exchanged for a while as she’s still trying to recover from the intensity of her orgasm while you’ve been rendered speechless by how intense your orgasm is going to be as well. Instead she kisses you as a way of showing thanks, nibbling and pulling on your lower lip as you let her do all the work. It doesn’t take long for you to feel that bubbling sensation in your stomach and you have to inform her sooner or later so you pull away from the kiss but it seems like she already knows.
“Y-Yuna, where—“
She gives you a nod, then a peck on the lips. Her eyes are once again filled with lust and that’s the only green light you need. “It’s been a while since I’ve been fucked like that so it’s only right for me to return the favor. I want your cum inside me please.” Such words have never been more enticing and seducing. With a loud groan, the first shot of cum is emptied into Yuna’s freshly fucked pussy. And then some more; each thrust of your hips delivers a shot of cum fucked deep into her needy womb. Each thrust makes all of the stress and anguish of today go away. You can’t count how many shots you’ve unloaded but it’s enough to stain your balls and flood the gaps between where your cock and her pussy meet—all of it dripping down onto the floor below. Another makeout session ensues, your tongues lazily dancing with one another as you continue to thrust your cock inside her to make sure no drop of cum is wasted. But it really doesn’t matter because a copious amount of semen drips out of her pussy the moment you pull out, and you’re completely shocked by how much you filled her. It’s truly a testament to how good she fucked you.
“Shit. Yuna, I–” 
Yuna interrupts you with a kiss. “It’s fine, I wanted your cum and I got it. And it looks like you were really stressed.” She points towards the pool of cum on the floor, weeks worth deposited inside her and you can’t help but be embarrassed. “Either that or I really turned you on.” Heat rises up to your cheeks and you want to dig up a hole and bury yourself in it once again. There’s no denying that she didn’t; she’s definitely the best woman you’ve ever had sex with and it doesn’t even come close. And the sight of her post-sex is only making you want to fuck her again—her inner thighs glazed with your cum, her perfect body covered with sweat, and her face looking thoroughly fucked. Your cock twitches at the sight and she smirks, walking over to you and slowly wrapping her fingers around your length and pumping it at a leisurely pace. 
“Hmm. Looks like you’re still hard for me, how about I fix that?” It truly must be your lucky day today because she dragged you to the showers and quickly got on her knees, taking your length inside her mouth and effectively cleaned both of your juices off of it with her skillful tongue. Despite already one orgasm down the drain, the opportunity to paint her face with your cum is the only thing you need to get going again. Yuna continues to bob her head up and down your cock, her hands massaging your balls as if to make sure to receive your full load again. Your groans and the lewd sound of her mouth overpowers the sound of the intense water pressure of the shower. And with how turned on you’ve been, it doesn’t take too long before you unload spurts after spurts of cum on her face. She looks so damn beautiful, yet so ruined at the same time. “We taste so good together, we should do this more often…” 
Thankfully the rest of the shower time was actually used to clean up and ten minutes later, you two are dressed up again as if nothing happened. “Good luck out there, champ. I’ll be cheering for you.” Yuna gives you one final kiss, giving you an extra boost as if you weren’t motivated enough already. Then she flashes her signature wide smile that has caused hundreds of men to fall in love with her, and you’re about to be added on to that list. Fucking hell. 
“Here’s my number by the way. Feel free to stop by my dorm once you guys win, your student council president will have a special prize for you.”
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sleeplesssmoll · 5 months
Text
I think Vertin might be a tactile person.
Here are examples taken from the voice lines and context clues.  This isn't an all conclusive list of touchy interactions, just what I could find. Someone stop her before she gets hurt. Update: I'm going to keep adding on as we find more interactions together because this is really fun.
Sotheby (hat and hair): Stop it! You can't just touch an adult's head! (She is 13. Vertin probably sees her as a baby and pat her head).
Bette (hands): Ha ha ... They might be a little rough. To tightly grab the eave does require abundant practice. (assuming Vertin is holding her hand. Don’t ask me how we got here.)
Rabies (clothing and torso): Straws ... be hugged. Rabies ... feels it. (she hugged him 🥹)
A Knight (hat and hair): One step further, and you will be in close contact with Someone's nose... As long as you can hit Someone's head. (how close is Vertin standing to the AK? Or maybe she was looking for an invisible head to pat.)
Mesmer Jr (Hands) :Compared to the incurable anxiety, these wounds are minor. Oh, watch your distance. (smh Vertin not everyone likes being touched.)
Melania (hat and hair): "Well done. Please keep on." ...Aren't you going to say that? (more headpats but Melania needs vocal praise too.)
Lilya
Clothing and torso:  Feel awesome? Now it's my turn to pet you. (...what is Vertin petting? This is clothing and torso but I'm lost.)
Hat and hair: You should be grateful that I am too lazy to move now. Or you should know that the first-class pilot’s got a first-glass head-butt, too. (Vertin taking advantage of the moment to give headpats. I'm telling you, its a THING)
Leilani (Hands): Shaka brah! Ooh! Do you want a handshake or a high-five, my friend? I'm fine with either! (She’s so wholesome)
Cristallo 
hat and hair: Are you patting my head? The doctor says, this is a reward for good children. Have I done something right? 
Hands and sleeves: Would you like to hold my hands? I could be with you anytime. (Cristallo is weak and frail. The nurses say she could be blown away by a gust of wind. Despite this she says she’ll be with Vertin anytime. To me it reads as Vertin being worried Cristallo will disappear too. Cristallo notices so she offers to hold hands and says she will always be here as a way to comfort her.)
Darley Clatter
Hat and Hair:  Oh ... I can't deny you are really good at patting.
Clothing and Torso: Take a look at my beautiful muscles! I don't need to explain how fabulous I am. Hey, watch out! Rub me in the direction my mane grows.
Bonus Intimacy : Adorable? Ahh? You don't even have a taste! (Vertin pets him and calls him adorable. Darley, don’t let the girlies know. They might end your noble bloodline.)
Pavia (Hat and Hair): Wanna know how many holes I've made on others' heads? No? Then stop it. (What possessed her to give Pavia headpats?)
Dikke (hat and hair): Thou art overstepping my boundaries, arcanist. (I’m guessing Vertin is at it again with the headpats. Dikke smiles when she says this so she isn’t offended. If anything, she seems amused. )
Eternity (hands and sleeves): Go on, try holding it, and feel its temperature rising in your hand… Easy, sweetheart… take it easy, heh heh… (more hand holding but Vertin wasn’t prepared this time)
An-an Lee (hands and sleeves): What? You want a palm reading? (Vertin, why are you like this? Are you randomly touching people's hands?)
I feel like I should have picked up on this sooner. Gift-giving, hand holding, and headpats. This is the Timekeeper way.
Regulus (hands and sleeves): What do you want? I don't have any spare scratch. (I'm sure she knows you're broke since she's your boss. Vertin's just being Vertin at this point.
Vertin leads Regulus by the hand into her Suitcase in the prologue
Blonney (hands): Interesting! It's been a while since I last met someone who would start with holding hands.
She also holds Blonney's hand as she calms her down during the green lake event.
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serinesaccade · 3 months
Text
Les mis Enjoltaire ficrec list part 1
Hi all, I decided I'd do a scan of my extensive bookmarks list to bring together basically everything I've consumed of enjoltaire. I have not been publishing much but I can still share what brought me joy. These are not in a reasonable order (just by my reading history chronologically) and I'll be limiting them on a one-fic-per-author basis so I don't just recommend you my fave authors 100 times. See below the readmooore for the first part of this effort (page 1-5 of my bookmarks)
dressing apollo by Tegami
Model Enjolras and hot mess designer Grantaire on a reality TV show, handled brilliantly. What else do I need to say.  how sweet and lovely dost thou make the shame is also essential reading.
With My Feelings On Fire (Guess I'm a Bad Liar) by pumpkinspiceprouvaire
Enjolras and Grantaire enter the stupidest and pining-est arrangement of all time. This list is going to make it very obvious that I have trope preferences and frankly, I don’t care. This is Delicious and so is basically everything else by this author
Walk Me Home by kjack89 for serinesaccade
It is impossible to pick a good fic by kjack89 out of their infinite library of good fic so I cheated and picked the one written for me
no more cyanide kisses (i’m methylene blue) by Mousetrap
Hurts so good
send you my love on a wire by blairs
Hilarious fics, gotta love blairs
i looked to you instead by Anonymous
suckerpunch by televisionbodies
say my name a million times (and i still haven’t heard you say it enough) by dyhtps
the road not taken by Petr1chor
Another heavy debate over which fic to pick out of many greats
Revolution Barbie by StrangeOccurrence
Lesbiabs but like weirdly serious and sexual
It's You And It's Been From the Start by stellatundra
Screaming
best practices in seasonal dessert distribution: a primer by twofrontteethstillcrooked for stardust_and_sunlight
Brownie sweet
Beautiful & Good by Riotstar
Emotionally difficult for me to read like I am not sure I can continue but? Important?
in momentum. by AnnaBolena for ShitpostingfromtheBarricade
how long it's gonna be (before we get on the bus and cause no fuss) by samarskite 
The Finer Points of Communication by ShitpostingfromtheBarricade
God I love this author
And Pages To Go by femmebingley
here i am leaving you clues, by moonswinger
you can’t kill me after this fic bc I am already dead
Ho, Ho, Oh No by catstrophysics
stuck together by whooves
fire in our bellies and furtive little feelings by sarahyyy
Classic bigtime writer with big big list
the first time we met we hated each other by mariuscourf
I get so excited when they post
Silvertongue by resnovae
Compromise by Akigriffin
I am a sucker for acespec
What’s it like to date someone? by Wildrivver
Patron Saint of Silent Restraint by vivalataire for emmettcadrian
If It Ain't Baroque, Don't Fix It by vivalataire
Lost in Translation by ellevaire
It's Not the Same Anymore by ShameDumpster
Insanely cute and deeply real, I read it over and over
Witchboy by tothewillofthepeople
Ughh how does one write so good
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bogkeep · 4 days
Note
Would you recommend the SSSS comic? I know little of it beside the very beautiful artstyle and premise
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to answer the question of if i would recommend SSSS as a comic: yes, yes i would.
a description for those who don't know: Stand Still Stay Silent is a post-apocalyptic horror + adventure webcomic set in the nordics (norway, sweden, denmark, finland, iceland) that have been isolated from the rest of the world and gone back to their old gods. the the world outside of safe zones is full of trolls and beasts - humans and mammals that got infected by a horrible virus and turned into monsters. the story follows a ragtag crew that ventures into the old world (derelict denmark) on an expedition to collect books.
the comic updated every workday until it concluded in 2022, and consists of two Adventures. the creator had plans for many adventures with these characters in this world, but ended it after two when she wanted to take a new direction with her life.
what i love about it:
- the art is GORGEOUS. it's been a huge source of inspiration for me. open any page and it's a masterpiece, and you will ask yourself "how the FUCK did she update this FIVE DAYS A WEEK"
- the characters are wonderful and endearing. i just, i love them so much. i am so thankful lalli hotakainen exists he is one of my #1 blorbos forever
- the world is so cool. the blend of chunky sci-fi and norse mythology fantasy magic slaps. it goes so hard. i fell so hard for this comic when i got to the big ferry ship with a viking style dragon head prow added to it. it's everything
- it really really gets nordic cultures. it's difficult to explain all the dynamics and nuances but it just gets it. it brings me as a scandinavian a lot of joy to read a story that speaks to my heart this way. the attitudes, the language barriers, the cultural differences... it was so refreshing to me in a media landscape dominated by american stories. when the pandemic hit, i decided to reread the comic because i found such an odd comfort in seeing how it depicted the scandinavian countries reacting to, well, a pandemic.
- there's kittycats
what i don't like about it:
- the most glaring and obvious flaw is that everyone in the comic is white. there's not a single character of color anywhere, not even i background shots or the prologue. there's no mention of the saami people (the indigenous people of northern europe), either. i believe this was done in ignorance more than malicious intent, but the implications are Extremely Bad and it's been bothering me (AND MANY OTHERS) since day 1. that is the number one caveat i will give to anyone wanting to check this comic out. i've been in the discourse trenches and i am not going to excuse this. it's just bad!
- you can tell in the middle of adventure 2 that the creator has kind of lost interest in the work, around the time when she found jesus i guess. like, very few people can keep up work on the same creative project for years and years and years and i think it's fine that she wanted to drop it, but it's a bit sad to see the comic dragged to its end like a limp corpse, and feeling like the creator no longer really cares about the characters.
- minna sundberg has said and done some questionable things, presumably gotten somewhat radicalised over time, and has also converted to hardcore christianity which is what her new works are about. there's nothing about this in SSSS - there is a moment of christianity represented in the story in a sort of mythological sense, just like the other religions, but this was written before minna's conversion. her new works... are a Choice. i have much to say about them, and i have, and im not gonna rehash it now.
SO YEAH hopefully this will help you take an Informed Choice! i got into this comic in 2015 and was deep in the fandom and it's for better or for worse part of my soul foundation now.
i also recommend A Redtail's Dream, minna's "practice comic" before SSSS, based on finnish mythology and the kalevala.
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zoeykallus · 7 months
Note
Hm? A note?
*opens the note and reads*
“I kindly request a Pheromones but with Tech with a mix of predator and prey into this nasty smut. But if you do not want to do this that is fine with me your majesty.”
Finally! Someone's asking me for unhinged Tech Smut 🔥🤩🔥🥵 I feel like I've waited for this one for years 😱
And I had so much trouble writing and editing my draft 😅😭 A lot of hours later: "I'm not happy with what I did here 😓
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Warnings: SMUT/Sex Pollen Trope/Unhinged Tech/ Shy Tech Turning Feral/Dubious Consent(!11!1!!)/PiV/Oral/Groping/Biting/Pining/Pinning Down/Restraining/Plus Short Dirty Dream Sequence/Angsty/Creampie/Messy/Fluff (Believe it or not)18+
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Ko-Fi (If you feel like giving me some coffee)
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>Master List<
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AC: This is very feral Tech, Reader is definitely having fun, but there are possible triggers, so mind the warnings!!! This one is dancing heavily on some very thin lines concerning consent and pleasure/pain. I wasn't even sure if I should post this. Guess there was a lot of pent-up smutty stuff left in my mind about this guy. Okay I tamed the original version down, a good bit, I think it was a tiny bit too much. But still, this is pretty messy.
Update: damn it, I changed this draft so often now, I don't know if it's still readable...
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Wrecker, who playfully bumps into his helmet, nearly knocks Tech off balance. Tech glares angrily at his brother through the lenses of his goggles, but finally sighs and turns back to his holopad. Again and again, his gaze sneaks from his holopad to you, watching Hunter talk to you. Today, you and Tech are to complete a mission, just the two of you. A more or less simple exploration tour. His heart beats faster just thinking about it. You've been traveling with CF99 for a while now, and Tech has had a crush on you practically since day one. You smell good, you're pretty, you're curious, and you always listen to him so intently. He's been blown away from the beginning by your little laugh, the smile, the way you talk, how your fingers move when you're lost in your thoughts. Tech takes in so many little things, by now he knows so much about you, so many wonderful little things that he admires, almost idolizes. But as straightforward and logical as Tech actually is, he can be just as shy.
He hardly dares to exchange a word with you that has nothing to do with work, he hardly dares to look you in the face. So often he has dreamed of you, of touching, kissing and even more, things that have done wild things to his mind and hormones. But he can't bring himself to do it, just doesn't dare touch you. So many times he had been close to just gently touching your hand, or sliding a little closer when you were sitting next to each other, but each time he has backed down. Tech wouldn't know how to deal with you, in theory he's already read everything there is to know about intimacy, romance and the like, but the practice is somehow so damn seductive but also so incredibly scary for him. What if you reject him? What if he kisses you, and it's bad? What if you feel nothing when he kisses you? What if his touches leave you cold? What if he does something wrong, scares you away, or leaves you unsatisfied? With all these questions, his guts tighten, and a heavy pressure builds on his chest. This is a challenge that can't necessarily be tackled with logic. Love doesn't really feel logical, but it feels intense, Tech thinks silently. Another light bump against Tech's helmet snaps him out of his thoughts.
"Cut it out, Wrecker!" "Come on, you two finally alone again? This time you have some guts!" the giant rumbles. Tech hastily glances over at you, but you're still engaged in conversation with Hunter, then he looks at Wrecker and nervously waves his holopad around. "Keep it down, Wrecker, she can't hear this!" he whispers energetically. Wrecker rolls his eyes and laughs softly, "You're way too nervous, I think she likes you a lot too" Tech pauses in his tense movement and asks, "Oh yeah, did she say anything?" "No, but that one particular smile, she only smiles at you like that". Tech's gaze darts back in your direction and that's when he sees it, that smile, his face gets all hot, and he hastily turns back to the holopad in his hands. "You're such an idiot," Wrecker grumbles, "She's smiling heavenly at you, and you're staring at your holopad" "Shut up, please, Wrecker," Tech says tensely.
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The others are on their way, doing their jobs. Tech is finally alone with you. His knees are soft, he feels slightly shaky, and his pulse is permanently slightly elevated, but he's more in control than he suspected. Tech puts on the helmet he customized for you and says, "This helmet has an air filter, just like mine. We don't know what to expect yet, so we'll play it safe." He explains as you look at him questioningly through the visor. He can't really see your face, but he always senses when you look at him. Actually he is annoyed about the helmet, just because he can't see your beautiful face, but Tech also wants to protect you and when you are moving among unknown flora and fauna, this helmet is actually indispensable. "Okay," you say, groping for the helmet with both hands, an unfamiliar feeling. "Don't take the helmet off outside, please," Tech says gently but firmly, "We don't know much about the plants and animals in the area yet" You give him a thumbs up and say, "Okay, got it. We're good to go as far as I'm concerned" Along the way, you carefully take some samples of various plants, take holo-images of the environment, and look at various species of animals from a safe distance. You listen with fascination as Tech comments on some of your observations. It's so nice to spend time alone with him, you like the way he looks out for you.
You discover a cave that is riddled with glowing crystals and mushrooms. You put on your gloves because Tech told you to. "We'd better not touch anything with our bare hands for now," he notes. You nod and reply, "Sounds reasonable." With a gloved finger, you poke a neon-red glowing, thick mushroom, which then begins to blink and emit a thin cloud of spores. Tech leans over and says, "See, this is why we have the helmets, we don't know what these spores might do, hallucinations, fevers, toxic reactions..." You nod and say still intrigued, "It's blinking, like an alarm light" "Indeed" Tech looks at his watch and says, "We've been walking for a few hours, maybe we should head back" With a nod, you agree and follow him out of the cave.
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Something is wrong, he is way too warm, the outside temperatures are not that high, but his body temperature seems to keep rising. He feels strange, maybe Wrecker knocked his helmet a few too many times, maybe his filter wasn't working properly. Tech quickened his steps, and you tried to keep up with him in surprise. Arriving at the Marauder, Tech takes off his helmet, and you can tell something is wrong, the expression on his face, that slightly glazed look. "Are you okay?" "I don't know," Tech admits, "I'm very warm, and I have a headache." He blinks in surprise as you start to help him take off his gear, but he allows it to happen, he also lets you push him into his bunk and tuck him in. "You must be overworked," you say gently, "You're always working, around the clock. At some point, your body just can't keep up with your mind, Tech." He blinks, accepts the water you brought him, and says, "Maybe you're right." He likes the way you take care of him, fluffing his pillow, covering him up, bringing him water and putting a cool, damp cloth on his forehead. He feels miserable right now, but he literally melts at every little thing you do for him.
"I'm sure a few hours of sleep will do you good," you say with conviction and a soft smile. Tech looks at you from wide, glassy eyes, he gets lost in that smile of yours, and before he can pull himself together he says, "Can you stay here, with me?" "Oh," you say in surprise, "Sure." You lie down in the bunk across from his, barely two steps away from him. Tech turns to the side, so he can look at you. You say with a smile, "Don't worry, I'll take care of you". Tech's ears turn red as he smiles back. At a certain point, you both fall asleep.
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His dreams are wild, very wild, much wilder than usual. Intimate dreams are not unknown to him, but this one is very intense. He watches you suck him while his hands on the back of your head give you a wild pace, shortly after he pins you to the floor and plows his hard cock through your pussy while you gasp, sigh, moan and whimper under him. Then he spins you around and shoves his length into the tight little hole between your buns, taking you so fast and hard that the clash of bare skin, echoes loudly off the walls. His hand is in your hair, pulling at it as he thrusts ever more savagely into the tightness of your butt. Tech tears open his eyes, feeling even hotter than before, his thoughts a wild jumble of sexual acts. His cock pulses hard under his blacks, almost painfully. Everything inside him burns and screams to grab you, to take you, to taste you, to fuck you. He moans softly and wipes his forehead, a very small part of him knowing that he's thinking and intending very naughty things right now, that he actually needs to pull himself together. But this small part is lost in the wild, feverish racket of his suddenly felt hundredfold intensified sexual desires.
He is so tense with horniness that a slight tremor goes through his body. He looks over at you, you are still asleep, you are still alone and will probably be for a while. Automatically, almost of his own accord, he takes off his blacks. He looks down at himself, he doesn't see much, it's still dark, but his cock is clearly standing at full size. Against all reason that tries to survive somewhere under the wild chaos of sex thoughts, he walks over to the bunk you are lying in. In between he hesitates, this little part of him is only small, but stubborn. "You can't do that, it's indecent, you'll scare her... it's wrong..." he whispers to himself, and yet he keeps coming closer to you.
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You feel someone climb into your bunk or sit on the edge and slowly awaken from your slumber. Your eyes do not immediately adjust to the darkness. You blink, there is someone, in your bunk, you are uncovered and that someone is bent over you. "Tech? Is that you?" you ask, confused and not yet in your right mind. Your fingers grope for the nightlight and turn it on. It's not particularly bright, but enough to clearly see the naked Tech kneeling above you on your bunk. Your gaze lingers briefly on his hard length, thick, long, gently curved, the tip slightly red and swollen, a trickle of precum on the small slit. You look up at him, startled. "What's going on here?" you ask, perplexed, completely bewildered by the unexpected situation. He's not touching you yet, but you can still feel his body heat already. "Tech, you must have a fever- wait what are you doing!" Ignoring your words, Tech reaches under your sleep shirt for the waistband of your panties and sets about pulling them down. "Need you, need to smell you, taste you, feel you," he stammers as if delirious with fever.
When you automatically grab his hands in surprise to stop him, he fends you off and tugs impatiently at the fabric until it tears. You let out a startled little scream as he rips the fabric from your body, and right after that, impatiently, your sleep shirt. His eyes get even bigger behind the lenses as he sees you naked in front of him. "Tech, what are you doing....?" you ask quietly. He grabs your wrists, rips a strip off the sheet and goes to tie your hands together, but you fidget and stubbornly resist. He grabs your hands and pins them down, glaring at you impatiently. "Tech, what the fuck!" "Need you, need you to comply," he says hoarsely. "I don't understand," you say quietly. He looks at you, feverish, almost desperate, "I need to taste you and smell you and feel you, I need to have you!"
His words make you nervous, it doesn't sound like him at all, neither the pitch nor the way he said them.
Tech smells your hair and shivers, as do you. You feel his legs pushing your thighs apart, his pelvis thrusting between them and his cock pressing down on your pubic, rubbing against it. You let out a small surprised moan as the friction drives heat and wetness into your pussy.
He moans softly and repeats, "I need you." You've been into Tech for a while, but this wasn't really Tech, was it? Again he tries to bind your wrists, this time he's faster, and a little rougher, overpowering your flagging resistance and finally tying them to the headboard of the bunk. Your pulse races, your heart hammers in your chest. A startled, surprised squeak comes from your lips as he presses up against you, and dig his teeth into your shoulder, not hard enough to really hurt you, but hard enough to leave pressure marks. He licks over the spot, kissing it as his hands travel down your body. You're hot and cold, thoroughly aroused, but this seems so foreign. His body is burning hot, you are sure he has a fever. You want to tell him that he needs a doctor, but at the same moment his mouth moves to your breasts, and he begins to lick and suck your nipples, his long fingers greedily embracing the soft flesh. Your head is swept clean. You loll under him, sighing softly, he presses his lap into the mattress as he moves down your body, a low rumble coming from his chest as he sucks your nipples and rubs against your body.
Suddenly he rises, kneeling higher over you, his hard cock hovering just in front of your mouth. You blink and look past his hard length up into his face. His hand roughly grips your chin, pushing it higher, then he demands, "Open." Nervously, you open your lips as he finally presses his tip against them, letting him in. Your tongue automatically presses against the underside. You see him shiver, and hear him moan. Admittedly a nice feeling and a delightful sight. But Tech is under pressure, under fire. He grips your head and pushes further until you gag and your eyes tear as he fucks your mouth. His whole body trembles with tension. You stare up at him, having no idea how long you can keep this up or what to do when you can't anymore. But it doesn't take long, you feel him throbbing in your mouth, Tech moans out, then his semen shoots down your throat and mouth. You swallow in surprise as best you can. There's quite a bit. He pulls his cock out of your mouth again. Some of his semen trickles down your chin, but you can't wipe it away because of your bound hands. He keeps moving, his lips and tongue roaming from your breasts down, over your belly, faster and faster, as if they're impatient.
You start breathing faster the closer he gets to the heated triangle between your thighs.
There is something tugging at you, a craving, a want, something you didn't know before you had. It's weird, all of this, yet you feel you want this, you want him.
Then he's finally there, you hear him take a deep breath, feel him shakily expel the air on your wet folds. While you're still shuddering from the soft draft, his mouth is suddenly on your pussy, his tongue heatedly exploring your folds. A surprised squeak escapes you, followed by a gasp as his tongue glides over your pearl, repeating the motion several times in quicker succession. You have no idea how he does it, but his tongue is so nimble and strong, getting wilder and wilder. Your thighs tremble around his head, the gasps from your throat become faster and faster, mixing with hoarse moans. Tirelessly, his tongue flicks over your swollen, pulsating clit, again and again and again. You mewl in arousal, stir in your bonds. The feeling of his soft, wet tongue dancing on your sweet spot, that bundle of nerves is delicious.
He's rutting his cock into the mattress while he licks and sucks your clit, moaning as he does so, humming, muffled by your pussy where you very clearly feel the vibration, an added stimulus. You don't know what's gotten into him, at the moment you can't get a clear thought either. But somewhere in the back of your mind, you think back to the red glowing mushroom in the cave.
No matter how surprised and overwhelmed you are right now, you are also incredibly horny. Your abdomen trembles, your thighs quiver, the tension, the tingling and pulsating is heading towards a climax.
Tech's tongue gets faster, flicks your little clit in rapid fashion. Your abdomen tenses, your walls clench around nothing.
You almost cry out as you tip over the edge into your climax. Tech continues to lick your clit, a little too long, you become hypersensitive, and you jerk under his touch, but his hands grab your hips hard and hold you in place, pushing you into the sheets. He's still rutting his cock into the pad of the bunk, and his tongue finds your dripping opening. A little cry comes over your lips as Tech slips his tongue between your slick walls and wiggles around inside, starting to lick you out like you're candy. He's greedy, and intense and he's making a mess. "TECH!" He growls, not a word, not really a response, just a growl. His nose keeps pressing against your hypersensitive pearl, but every twitch of yours is held in check by his hard grip. "This is too much, Tech, too much!" You see him twitch, another growl, he rolls his glassy, reddened eyes back for a moment. You realize he's cumming in the sheets.
He finally lets go of you for a moment, sits up, somewhat breathlessly wipes his mouth and chin with the back of his hand and forearm, wipes away your juices and his saliva. His sweaty chest rises and falls heavyly. Tech still looks feverish, his eyes still wild and without focus. "Not enough," he says, slightly hoarse, smoky, "More!" You see that his length is still hard and erect. Then you see his gaze fall between your legs, you automatically want to close your thighs, you don't really want any more over-stimulation, but he pushes himself in between. Automatically, you want to use your hands, but they are still tied to the head of the bunk. Tech lies above you, pressed against you, his body still glowing hot. He seems to be wrestling with himself, hesitating, but only briefly. In the next moment, he has brought his tip to your hole and is penetrating you, parting your moist folds and plunging deep inside you. He's quite long and thick, you feel him stretching and filling you. "Fuck," you curse softly.
It hurts a little, but somehow it also feels so damn good. He's leaning on his hands, hovering half above you, his cock deep inside you. Sweat is on his forehead, his muscles are shaking, his reddened eyes keep blinking. He looks strained. You realize he's trying to hold back right now, but barely managing it.
This is not your sweet and shy Tech.
He starts to move, dragging his cock a bit out of your sensitive entrance, and right after that he pushes forward into you again. Slowly at first, but he gets faster and faster. He half sits up, pulling you to a different angle as he does so he can push deeper inside you. Tech moans, gasps, makes little sounds you've never heard before, every now, and then he stammers words you don't understand. His hips move faster and faster, the sound of naked skin meeting naked skin fills the room. You didn't expect it, but your arousal picks up again and as if Tech sensed it, a hand moves between you and his fingertips, deftly find your pearl. A hoarse sound passes your lips as his cock inside you, as well as his fingers on your clit, speeds up. As if of their own accord, your legs close around his hips as your thighs begin to tremble.
His name comes moaning over your lips, again and again. He stares at you, but his eyes are still so glazed and wild that you don't know if he's really looking at you. A shudder goes through his body, a twitch, then he growls softly, you feel his cock twitch and pulse in your cleft, his warm seed filling your pussy. Every other thrust, accompanied by a squelching sound. Shortly after, the knot in your abdomen loosens, tingling all the way to the tips of your toes. But Tech doesn't stop, he's still hard, thrusting into your pussy filled with his seed. "More," you hear him say in a shaky voice. You moan, "Tech, I can't take anymore." You don't know if he really understood you, perceived the words, but he pulls his cock out of your pussy with a wet smacking sound, grabs your hips and turns you onto your stomach. Your heart races, you're not sure what he's up to. His length is still full of his juices and yours as he pushes it lengthwise between your buns. His hands grip your buns pretty hard and squeeze them together as he begins to rub his cock in the crease between them.
He moans, gasps and trembles. You are glad that he has refrained from sticking it in your ass. Without preparation, that would have been very unpleasant. Tech rubs himself against your buns, panting, trembling. He suddenly slows down, then you feel his warm load splashing on your buns and your back. By now you are full of his cum, in and on you, even the bunk is full of it, everything is sticky. Tech, of all people, who is very conscious of his hygiene, has made this mess. His breath is getting shaky, you hear it, feel his cock finally softening on your buns. "Oh maker... oh no... oh hells no...", you hear him whisper, in his tone a desperation that is hard to overhear. You pull at your bonds and say as calmly as you can, "Please, Tech, untie me." "Oh my goodness, of course, right now.... I'm so sorry... really so sorry..." he continues to stammer and with trembling hands he loosens your bonds. Finally, you can sit up, turn around and look at him. His eyes are back to normal, no longer glassy, nor reddened, but his cheeks and ears are red, and the expression on his face completely desperate and ashamed. He hastily grabs a pillow to cover his crotch as you look at him.
"I'm so sorry," he says softly, almost whispering, barely managing to look at you, his gaze jerking away again and again, "I felt everything, perceived everything, but it was like my body was just a doll, controlled by overwhelming sexual desire...my mind had no control." "I figured something wasn't normal," you say dryly, looking down at yourself, "I'm all sticky," you grumble softly. "Oh maker, please don't hate me now, I couldn't stand that" he says, ducking his head. You laugh softly and say, "I'm never touching any mushrooms near you again". He doesn't feel like laughing, and your attempt to loosen him up unfortunately fails. You say softly, "Tech, well, before all this happened, you and I really liked each other, didn't we? I mean, we were just a little too shy to interact more." Tech blinks and lifts his eyes after all. His cheeks are flushed as he clears his throat and says meekly, "I've been in love with you for a long time, if that's what you mean." You feel heat rising in your cheeks and your heart beating faster. "Yeah, that's what I meant" you say nodding "The feeling was mutual by the way". Tech's eyes grow wide behind his goggles, but then he lowers his gaze again. "I guess I ruined that now".
"No," you contradict him, "you didn't. The fungus has twisted your senses, or whatever you want to call it. Nothing is broken because of it yet." Cautiously, Tech raises his eyes again. "I'd like to make you a proposition," you say softly as he looks at you. Tech nods and says, "I'm all ears." "You and I are going to take a shower together, nice and relaxed. We'll wash, maybe each other, some tender touches, no pressure, no expectation, just enjoy each other's closeness. Some tenderness after this, little disaster?" Tech blinks several times and asks, "You would still let me touch you?" You nod and admit, "It's not like I wasn't having fun at all. Besides, that wasn't really you, but I'd still like to get to know the real Tech better." Tech smiles, stands up and after a moment's hesitation, puts away the pillow he was covering his crotch with. He takes your hand and helps you out of the sticky bunk.
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Under the warm stream of water of the shower, you both slowly relax, Tech letting his tension escape with a sigh and smiling at you as you look over your shoulder while he gently washes your back. Tech says tenderly, "You're gorgeous, by the way". Your ears get all hot and a tingle spreads through your stomach as you say, "You're not bad yourself, handsome" Suddenly you hear voices, the boys must be back from their errands. Then you hear a curse and Crosshair yelling loudly, "WHAT THE HELL HAVE YOU DONE TO MY BUNK!!!" You look up with a soft, "Uh oh," at Tech who then whispers, "Oh. That's probably bad." "He's going to kill us," you say, biting your lower lip suppressing a grin, "We really made a hell of a mess." "Indeed," Tech says dryly, "I'd say we stay in here for now until he calms down." "That could take a long time" Tech smiles mischievously, "I don't mind"
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hlizr50 · 22 days
Text
I was shown a post this morning (I think it was from Tumblr, but I'm not 100% sure) where someone asked if maybe something was LOST IN TRANSLATION because so many Gwynriel shippers aren't native English speakers.
Now...
I'm going to give this person the benefit of the doubt and believe that they truly don't mean anything negative by the question, even though the implications are... harmful to say the least.
Here's the deal, guys.
There are Gwynriel shippers all around the world because there are ACOTAR readers all around the world. The ship is not localized to a region or a language.
When people read books, the words on the page send a message. Sometimes, if we're super casual readers, the messaging is limited or we don't read a ton into it. For other readers who choose to delve deep into how the author writes to try to understand what might come next, it is obviously a bigger investment.
But at the end of the day, we all read the SAME BOOK (and bonus content) and those words made us all feel different ways. Made us want or predict different things. And that's all well and good. The problem comes up when we try to explain why we feel the way that we do.
I'm an engineer. Even though I enjoy creative writing and art, my brain is practical. I like having evidence. I like being able to identify trends and make an educated prediction based on them. As someone who ships Gwynriel, I have never denied that there are canonical moments where Azriel and Elain have some level of... something. On page. It would be ignorant of me to say that those moments don't exist. However, for the most part FROM WHAT I'VE SEEN, when a Gwynriel shipper tries to use canonical evidence to support their ship -- WHICH EXISTS -- it's a constant barrage of 'that's not what that means' or 'how could you read that romantically?' or 'Gwyn is just a side character'. And then there are the blatant hypocrisies, like how Azriel saving Elain from Hybern is romantic but Azriel saving Gwyn at Sangravah should never be mentioned ever again.
I guess what this long-winded ramble is trying to say is that there's nothing lost in translation. We've read the same story, and we believe Gwynriel makes sense. We lean on canon and trends in the author's style to support the ship, and then we headcanon the hell out of it, because fandom is supposed to be fun like that. Some people read the story and believe that Elriel makes sense, and that's perfectly fine. But don't come at a Gwynriel shipper, attacking their textual evidence with your headcanon that Elain was barely existed in ACOSF bc she was apparently training to be a spy and she and Azriel were falling in love completely off-page with nothing to show for it.
And don't you dare make an implication so blatantly out of bounds like blaming it on some strange translation error that somehow miraculously makes Gwynriel makes sense, but only if it's not in English. Like... give me a break. And... think about what you're saying. For A SINGLE MOMENT.
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Hello,so i've been brainrotting about Pei ming genuinely falling in love with f!reader,but the reader always ignored him since he is known for using women for fun,but he just keeps trying so hard to win reader over and prove he's actually inlove with them. It would be great if you could write this in hcs,you can ignore this if you dont want to
I Have Standards
Pei Ming x F!reader
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Do you know how long I had to search the gifs for him?
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Pei Ming is a womanizer everyone knows that
But Pei Ming genuinely has found an interest in you. Truthfully!
You intrigue him, however you also ignore him
So he hasn't been able to get far in his affections
Most women don't ignore him like this you know?
Pei Ming has been chasing you around like a lost dog, trying to prove his love to you
He's tried to woo you, give you flowers, buy you expensive things, take you out
But no you ignore him gracefully as if he were your fan
This man is genuinely confused. Like??? Why is she ignoring me ugh I got to step up my game I guess
Doesn't realize it's because of his reputation until Ling Wen tells him
Which she only did, because he wouldn't stop bitching in her ear about how his lovely crush won't bat an eyelash at him.
She wishes you the best of luck
Now that he knows the problem lies within his reputation he doesn't know how to fix that. . .
How does one go back and fix the past?
Ling Wen tells him he's stupid and maybe he should try to clean up his act. Then you'll look at him.
So that's what he attempts to do.
He should've done that in the first place but like he's trying okay?
Pei Ming really isn't all that bad, he just needs to get you to actually talk to him now.
Asks Ling Wen how he's supposed to sit down with you and she sends him right to your door.
Ling Wen is probably the only reason you guys have a chance of being together because she paid you off to deal with him.
She's sick of it
You stay true to your word though and give him a chance to woo you.
You sit in your palace lounge with crossed legs.
You aren't expecting anything heart felt
However you sit with wide eyes when Pei Ming pours his heart out to you.
Pei Ming practiced this speech like several times.
"I know I don't have the best reputation with women, but if you could give me a chance I promise to treat you right and not throw you to the side like rumours say I would"
Etc, etc
Okay so you're woo'd
Do you know what time period it is? Especially as a women?
All men are too afraid of their feelings and some are too busy being gay with each other cough, cough Xie Lian.
It just doesn't leave a girl like you many options
But you do like Pei Ming you've just never told him because of the whole reputation thing
You've been quiet for a long time, Pei Ming almost thinks you're going to say no.
Very happy when you say yes!
Astounded when you say you'll castrate him if he does you wrong.
He'll accept that!
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I hope I wasn't rambling 😞 but yip yip guys 🖤
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tc-doherty · 2 months
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Hey! In your practical writing tips - post you said novels require lots of telling. I've noticed this too when I read, amazing books that tell a lot vs. showing but all advice gears to show and that's what I've been learning to do. Since I can't find anyone that teaches when to tell vs. show and how much tell vs. show is right and why telling is good etc. I was wondering if you could elaborate on this? Why some books that tell a lot are very engaging and others can't keep my attention? I'm so interested to see your thoughts! Thank you.
Like I said in that post, teaching people how to write isn't really my jam so this is less a teaching guide and more just my assorted thoughts on the subject based on my own opinions and the habits that I follow.
I guess what it boils down to is this. You can't really say that either showing or telling is more important in a novel, but the things that you show are perhaps more relevant.
For example, if you describe the morning routine of your character in great detail every single morning, readers are going to get bored. The story will grind to a halt. Yes you're showing us that, which most people would say is a good thing based on "show don't tell", but the information isn't relevant. If you're setting up a fantasy or sci-fi story it might be relevant once or even twice to show us how things work, but not every single time.
Similarly, if your character gets news telling them that someone they love has perished, you don't want to simply say that it made them sad. You want to show us their reaction. What do they do? What do they say? What physical sensations do they have? Are they lightheaded, do they feel out of breath, does their throat hurt because they're trying not to cry? That information is all relevant to the character, the scene, and the reader. If you simply say they're sad, then your story feels too shallow.
Many people might consider dialogue a kind of telling, but really it's both. What the characters say, how they say it, and also what they don't say can show us a lot about who they are as a person, which is relevant information to the audience even if they're simply explaining something that would be considered exposition. But what do your characters actually need to say or hear? And what can you relay to us through something happening in the background, for instance?
And what about the genre? I like to write road trip novels, which means I spend a lot of time showing the minutiae of the journey. That's relevant because the story is the journey that's being taken. But sometimes your characters just have to get from one place to another, and you don't need to get bogged down in it. You can just say that they took a bus or boat or horse or whatever.
Balancing it in any given story is the writing equivalent of "this meeting could have been email". What do you actually have to get together in a conference room to discuss (show the readers in detail) versus what can be summarized in a few sentences in an email? What will make you bored out of your mind if you see too much of it, versus what will leave you lost and confused without it?
And of course just because something is telling or summarized doesn't mean that the way that you write isn't important! Your writing should still be engaging even when you're telling. Pay attention to the words you use, the rhythm of your sentences, the variety of sentence lengths, things like that. If something is pleasant to read it will keep the reader's attention on the page. If the sentence rhythms or lengths are too similar, it becomes "monotone" and causes people's attention to wander.
Something I pay special attention to is that - unless the narrator is subjective or unreliable - I don't tell something about characters in the narration which is shown to be false. Nothing gets me riled up like supposedly objective narration which tells me a character is like so and I should feel like this about them, but then their dialogue and actions reveal that to be patently false and I feel some other way. Of course that is something that relies on the narrator being objective and having access to more information than we do. If it's a POV character who might just be unobservant, overly arrogant, biased, or kinda stupid, that's fine
When it comes to showing versus telling in regards to the background/description...well. I struggle a lot with description because I have almost complete aphantasia and can't visualize things easily. So I cheat! Anything that I describe in detail is something that my POV character is actually paying attention to. The level of detail varies from book to book based on what kind of person has the POV and what sorts of things they notice. And again, that's relevant to the audience because it's information which is relevant to the character. This is also really great way to start building up to any kind of romantic interest, because people do tend to pay a lot more attention to people they're interested in!
I feel like this has gotten really long, so if there's anything that you would like me to elaborate on more or I wasn't clear about, feel free to send another ask! I won't say I'm objectively right (usually lol) but I'm always happy to talk shop.
Hopefully some of it can be helpful to you or at least give you some things to start thinking about. And of course, it's always a good way to start by studying books that you read and seeing what you like and what you don't like and how it's been handled in both.
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hey! i really enjoy your analysis of aang and zuko's relationship, and i was just wondering if you have any thoughts on this:
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when aang considers what he's afraid of the most, he doesn't just see zuko - he sees the blue spirit. why do you think his fear is linked to that mask? zuko was the most amicable towards him when he put that mask on, and was hostile every other time.
Ooooh!! This is such a rich and meaty question!! And it's something I've wondered about but never dove into before.
I guess there are a couple of questions we need to explore. One, do we want to begin to analyze this from Aang's perspective or the series' themes, which, when put together, should offer us the fullest idea of what the intent might be? If we begin with Aang's perspective, then the next question we need to next ask what is Aang's view of Zuko and/or the Blue Spirit at this point in the narrative? My worry about beginning at that intimate level is that we might miss possible connections that a thematic understanding might facilitate and may, like many fandom analyses, leave it at a character level when, in fact, the characters exist to serve larger philosophical purposes, especially in a show like ATLA.
So, we'll return to those questions about Aang after we visit some questions about the broader themes here. We know for a fact that the team did a lot of research into Eastern philosophies that they had to then pack down into 24 minute episodes, preserving a surprising amount of complexity not in the words but in the actions and visuals. The 2 part Crossroads of Destiny episode is probably the most evocative of this practice. The four-way fight scene is celebrated for the way it masterfully shows character development through fight choreography. Then, Aang's crystal chamber he forms to master the Avatar State is a direct reference to a statement about pre-enlightenment in one of the foundational texts about Japanese Zen for American Buddhists, "The Three Pillars of Zen." The rapid explanations of the seven chakras with Guru Pathik might seem like a a skimming of Tantric beliefs based on the brief statements and processing, but it's another prime example the way ATLA suffuses meaning beyond the script.
What more can be said about the Earth (also called the Root or Muladhara) Chakra, then, that the show might reflect without stating it explicitly. Guru Pathik explains that the Earth Chakra "deals with survival." Is there any subject more prescient than that for our protagonist, the single survivor of an otherwise all-encompassing genocide? Other accounts of this chakra that I can find explain that it's at this chakra that one can observe that their base needs are being met--enough food, enough water, etc. There seems to be a subtle witnessing to the effects of PTSD here then. With this chakra untouched, unopened, and out of balance, Aang within his mind has been living in a state of emergency without knowing it, believing himself at a core level beyond his consciousness to still be under immediate threat even in moments of peace like his meditations throughout the opening of his chakras. "Your vision is not real," Guru Pathik points out, not to say that no danger exists for him in the world but to illuminate the immediate reality surrounding his person.
The memories and visions that flash during the sequence hint at how fear conceals deeper realities and thus possibilities. I'll start with the clip of Katara sinking away from the first episode of Book 2, "The Avatar State." The Earth Kingdom General performed this cruelty after many other attempts to force Aang into suffering to gain the Avatar State. Believing he lost another person he loved, the state was triggered despite the actuality that Katara was unharmed. The fear of her loss overwhelmed Aang, and even her safe return could not assuage his traumatic response. The Blue Spirit incident forms a striking parallel to this event, in that case. Aang felt himself helpless and in danger only to discover the opposite: the seemingly malevolent force freed him from danger. Further, that Blue Spirit Mask concealed Zuko who, by the end of the series, will be revealed (to himself and) Aang as an ally and a friend. The shadowy image of Ozai, then, connected with these two fear-inducing semblances, can be seen then as perhaps the ultimate foreshadowing of Aang's ultimate success in pacifying Ozai. Put in the context of this chakra and the other two visions, it frames the Firelord as a facade meant to induce terror and distance, when in reality, life and humanity still lay behind the horrifying megalomania.
Concerning the Blue Spirit element specifically in the series, I want to explore one more factor within the series before getting back to Aang's character relationship in this moment. Blue has a running symbolic theme within the series that seems especially relevant here since it played a huge role in a highly symbolic part of the directly previous episode, "The Earth King." As Zuko rides out his psychogenic fever induced by releasing Aang's bison and abandoning his Blue Spirit mask, he is confronted in his dreams by a blue dragon voiced by Azula and a red dragon voiced by Iroh. I felt really confused by these two would-be shoulder angels for the longest time (literally until I was sorting my thoughts out to write this) because Azula's blue dragon is the one who entreats Zuko to rest, which even in Grey Delisle/Azula's clearly threatening tone--she even ends the temptation by saying "sleep just like mother!"--seemed to be what Zuko needed to do as opposed to the red dragon's exhortations to get out. I could see how sleeping might also refer to accepting his upbringing without thought, but why blue? The layers upon layers of possible meaning overwhelmed me.
I posit that blue in the series, especially when put in relationship to red/orange, as it is in the dream sequence, the dynamic between the water tribe and the fire nation, the fire of zuko and azula (especially the final agni kai), and the energy-bending of Aang over Ozai in the finale, ought to be read as Yin (making red/orange yang). Yin is passive, retractive, and receptive, which makes the invitation to rest by a blue dragon make perfect sense. Yin is also feminine in nature, hence the association with both Azula (whose blue fire and lightning becomes especially interesting to explore under this understanding) and Zuko's mother in the dualistic dragon dream. If you know anything about yin and yang, you know that it's key tenet is ever-changing coordination of yin and yang within one entity and with relationships between entities rather than the privileging of one above another. The two dragons in Zuko's dream, while seemingly in opposition to one another, are actually seeking, like the bumper stickers say, "coexistence" of their dispositions.
Now, back to Aang's vision of fear over the Blue Spirit. The red that overlays everything is specifically a reference to the Earth Chakra, which is symbolized by the color red. But the fact that he has one fear of Katara, the pinnacle of blueness/yin in the series, dying, and another fear of the Blue Spirit, a de-flamed (read: emasculated) Zuko attacking him that are then overlayed by this Earth Chakra red, a color otherwise used to portray yang (masculinity, activeness, expansion, and repulsion) and the fire nation in the series, suggests that his fears are specifically about within holding onto yin nature (symbolized by his grasping for a disappearing Katara) without being entirely overwhelmed by it (in the image of the fear he felt as the Blue Spirit approached his imprisoned body). And all those fears are intensified when living in such a patriarchal, or yang-skewed age and society, which gets depicted through both the final image of Ozai, the ultimate patriarch within this world, and the red coloring.
I promised I would get back to the characters, and after that hopefully illuminating thematic expansion, we can hopefully get at the core of what's going on here for Aang personally and what it might mean for him to be picturing Zuko with the Blue Spirit mask as a fear. I want to put this moment into context with Aang and Zuko's relationship at this specific moment. Aang hasn't seen Zuko since he watched him cry over his uncle in the ghost town after Azula struck him with lightning as a diversion. That was ten episodes prior (and more than 6 months time if you were watching the show in real time as it premiered; May 26th-Dec. 1st). The next time Aang sees Zuko, two episodes later, they are glowering across a crystal prison cell at one another with antipathy as they're embraced (a gesture I can only remember from the fantastic black romance film Love & Basketball, and in a gay context that is clearly referencing that moment in L&B, in the Norwegian teen romance series Skam). Right before this scene, Aang readily agrees to co-rescue Zuko and Katara with Uncle Iroh despite Sokka's protestations. Nothing seems amiss with Aang, no obvious belligerence toward Zuko until he sees him. Zuko has barely seen the airbender this whole season, and the one moment they encountered one another, Zuko was attacking Aang's attacker rather than him. Why is Aang expressing anger toward Zuko in the crystal chamber then? It's a rare expression from Aang even when we look at their more antagonistic interactions from the first season.
Here's where this vision of the blue spirit Aang envisions as he opens his earth chakra might enliven his characterization and his relationship to Zuko. We get two pieces here. His attachment to Katara and the queer implications of his partnership with the Blue Spirit/Zuko. And they are inseparable.
I don't feel that I need to especially dive into the attachment to Katara since it's been a pretty big component of discourse within the fandom, both in general analysis and more specifically relating to the (literally historic) shipping wars between zutara and kataang that emerged after the series came out originally. What I'll say here is that the first vision that Aang has as he addresses his root chakra points to his fear of losing her and what she represents pretty explicitly and, as I suggested earlier, also provides its antidote in the realization that accepting/surrendering the fear of impermanence reveals its simultaneous illusion. Katara wasn't actually harmed and wasn't truly lost when the general subsumed her into the ground. Aang has to let go of her as a permanent fixture that he'll always be able to see and know entirely (not, as many have interpreted it, let go of loving her). He'll also have to let go of saving her and the world of so many others she represents, which is as much a pressure and role Katara and others put on him as Aang yolks himself to.
Part of this acknowledgement of Katara's impermanence as a living being and a romantic possibility is addressing the others in her life who pose both danger and attraction for her. Zuko embodies both of these things simultaneously. The aggressive stare Aang launches at Zuko in "The Crossroads of Destiny" can be understood through this lens. The Eve Sedgwick's concept of the triangulation of male homosocial desire between romantic rivals was one of the foundational ideas of queer theory. It's so well-established as to be a meme among the tumblr crowd. The show even references the history of these literary homosocial tropes in "The Avatar and the Firelord" as Sozin and Roku's tight-knit youthful friendship is slowly rent apart at the event of Roku's heterosexual marriage, which thus begins the imperialism of the Fire nation.
Except that Roku and Sozin aren't romantic rivals. And Zuko's obsession with Aang begins sans Katara. And, as you pointed out, if the romantic threat is Zuko, it ought to be Zuko in the Earth Chakra vision instead of the Blue Spirit? Well, those all exist because ATLA is not a tragedy for homosocial relationships, and it's hard for me to explain how groundbreaking that was.
You see, the show theorizes homosociality differently. If Aang is required to let go of Katara, he has no pivot point, no object (because women shouldn't be objects for male fodder!) to connect with and compete with a rival male, so he has to look directly at the desire of another male for him and, therefore, face the fears that he might have similar desires. I said above that the Blue Spirit is an entirely de-flamed Zuko, which I then paralleled to emasculation. One could even go farther to call it a kind of symbolic castration (Firelord Ozai losing his firebending at the end of the series certainly demands this kind of reading). These aspects ignite fears about lacking masculinity which then cause reactions, which make men avoid accepting any thoughts and behaviors associated with vulnerability and homosexuality invoked within themselves or by others.
I think Aang, in his way, is confronting these fears but not from the angle of someone raised within a homophobic or misogynistic culture. His openness to Zuko and the potential of connection to him is ripe from the first time they meet--"you're just a teenager" connects them without any intermediary. He comes to understand the rigidness of the environment he's in, though. He feels like he's being forced to choose between a yang/masculine role he plays with Katara, who at this point in the series though growing out of it and certainly not a fault of her own making still sees him as her savior and depends on him to save her and the world through metaphysical mastery and the repulsion of evil, and yin/feminine role he plays with Zuko, who finds Aang in and forces him into positions of elusion, surrender, and passivity, while requiring his compassion and forgiveness. When the Blue Spirit comes swinging his swords (read that with all the innuendos you want lol) at a shackled Aang, it's the ultimate expression of Aang's potential for submissiveness because, not only is he entirely helpless but the one who could harm or save him in that scenario is another who is not participating in the expected power of fire/yang/masculinity.
I think everything in the show says this is attractive to Aang--that he remains with Zuko immediately after their escape from the fort, that he reflects on the Blue Spirit as he opens his chakras, that a reference to the conversation that followed their escape that Zuko makes halts him in his tracks when Zuko asks to join the team. Zuko's Blue Spirit persona means a lot to Aang, a scary amount, and my point is that it's this fear of the meaningfulness of their encounter as two men who are not the masculine paragons they are supposed to be which Aang faces as he opens his chakra. As much as he wants Katara, he wants Zuko. He fears he'll lose Katara and he fears he'll lose his life to Zuko. These are the dichotomies he's tackling as he processes the Earth chakra.
Aang eventually opens the chakra, but that's only to say he acknowledges and surrenders his fears to a destiny and understanding beyond his control, not that he necessarily learns how to address and solve all the conundrums contained therein. We know he chooses his attachment to Katara at the end of the episode to obtain power over the Avatar state but perhaps we could've been clued into this choice by noticing he has not chosen Zuko with that initial glare Aang gives him. Aang hasn't found a way in his chakras or his heart to hold both Katara and Zuko at once, so he chooses Katara and expresses a newfound jealousy and rivalry toward Zuko (not that Zuko's at his best behavior at this point, but it's Aang who initiates the exchange).
By the end of this season, Zuko abandons the Blue Spirit mask and Aang loses his life for prioritizing Katara and a yang-centric mastery of the Avatar state. The next season involves all three of the protagonists finding more internal balance between yin and yang for themselves and accepting mutually reciprocal feelings for one another that allow them to escape the kinds of patriarchal tropes that have dominated Anglo- literature for centuries. The ability of this brief sequence to highlight so many of the series' central revolutionary themes speaks to the depth of the show and the way it invites the audience to think about rich subtext rather than pedantically hammer us with morals will just continue to be the gift that keeps giving from this show.
Thanks so much for asking! Didn't know how much I missed doing a deep dive into this kind of stuff.
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howlingday · 3 months
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ADAM VS JAUNE
Adam: Do you... play tennis, Mr. Belladina?
Jaune: Huh? Well... Penny got really into it after we practiced together with Blake.
Penny: I hit so many home runs!
Blake: And it's thanks to that why I did so well in the tournament.
Jaune: I'm glad!
Penny: Did you win a prize? Can I have some?
Adam: (Thinking) Hah. As if you had anything to do with Agent Nightshade's skill. And unlike you, I was the one who helped him win the tournament.
Adam: You must be very skilled, Mr. Belladina. Would you say no to a friendly game?
Blake: What are you doing, Adam?
Adam: (Code-speak) I want to make sure he's physically capable for the operation.
Adam: I could do with a bit more exercise.
Adam: I WILL CRUSH YOU.
Penny: (Wide-eyed)
Adam: I will crush you down so horribly, you will have no choice but to relieve yourself of your position in the Belladina family!.
Jaune: Um... Well...
Blake: Jaune, you don't have to do anything.
Jaune: I accept your challenge!
Jaune: (Thinking) I can't afford to lose! I have to play, and I have to win!.
Penny: (Looking between them, Thinking) Is this... Is this a war of emotions?! SO COOL!.
Adam: (Standing at the end of the court) COME AT ME WITH EVERYTHING YOU'VE GOT.
Blake: Adam. Don't do this.
Adam: Stand back, Mrs. Belladina.
Jaune: He's right. I can't hold anything back against him. It's time for me... (Tosses ball up) TO GO ALL OUT!.
Jaune: (Swings, Ball falls to the ground)
Adam: Is this some kind of jo...
Adam: (Watches ball fall into diced pieces)
Jaune: Darn it! Not again!.
Adam: What... What just happened? Did that ball just disintegrate?. HOW?!.
Jaune: (Tosses ball up, Serves)
Adam: WHAT?! HOW IS IT MOVING SO FAST?! Get ahold of yourself, Red Dawn, or else you'll die!.
Adam: (Hits ball, Struggling) The force driving this ball forward is strong! It's unlike anything I've ever known! But even if it is...
Adam: I must fight back! I must keep pushing myself forward! For Agent Nightshade, for the mission, I have to be stronger than this! Just... Push... The racket... Forward... And... Get... The hell... OUT OF MY WAAAAAY!!!!!.
Adam: (Racket shatters to pieces, Falls to knees) I lost... I UTTERLY AND COMPLETELY LOST!.
Jaune: Mr. Tauren! Are you okay?!
Blake: I warned you, Adam.
Adam: I... I give up... You're the superior husband.
Jaune: I've the what?
Adam: One day... Mr. Belladina... One day, I will challenge you to a revenge match! (Runs into his car, Drives away with tears in his eyes) I SWEAR IT!
Jaune: Was... Was it something I said?
Blake: I... I guess he's really passionate about tennis.
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olderthannetfic · 2 months
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I don’t know if it's appropriate on this blog but I'm just going for it. How do people make friends in fandom? How do you all manage it? I've been bouncing from fandom to fandom for more than 15 years and have been mostly lurking for the better part of those years. It has been very hard to find friends just in general because of my shyness and all this antiship/proship discourse is making it even harder to even consider putting myself out there. Everyone just seems insufferable. Even the ship and let ship crowd.
A thing I've noticed is that while the proship spaces have better attitudes towards fiction/fandom/fanfic in general there exists this weird hate boner about people with canon ships (in my personal experience, just last week I stumbled on a tweet from a self identified proship account telling people that they shouldn't read fanfic of their blorbos because they are canonically together which made me go huh) and there exists this strange superiority complex, a "you're not enlightened like me" attitude (it's very strange and especially prominent among people who identify as proship and ship the big m/m ship in fandoms of material catered towards male audiences, ik this because I was guilty of this superiority too at one point). Honestly, this "enlightenment", the hypocrisy of preaching ship and let ship but only the way I deem correct (last week I saw a big a proship account shade shippers of a specific rival ship right under their thread about how we shouldn't generalize and I think I lost brain cells) and condescending attitude of "I am not boring like you" and "You're doing fandom wrong" is one of the reasons that has turned me off those spaces more and more. I've noticed it once and can't unsee it because it all gives off this mean girl (gender neutral) energy and puts me off interacting.
On the other hand a lot of the ship and let ship spaces that prefer the canon ships tend to be very anti adjacent even if they actually practice ship and let ship (screaming and crying about sexualization of minors, throwing out phrases like porn addict around). I've seen some very strange sentiments about Europeans there (like thanks for informing me that all of us are monstrous bloodthirsty cannibals I guess) and Japan (which is ironic because it's mostly anime fandoms doing it). It doesn't make me wanna associate with them either.
--
*dying*
Nonnie, do you know how staggeringly often I get this question?
A big part of the answer is to not be a lurker. There are reasonable people out there, but they're much less visible than loud assholes, so the best way to find them is for them to find you.
Many of my closest fandom friends are people I met offline, either because they live near me or because we went to cons together. Others are people who turned up in replies on tumblr regularly. You need repeated contact that's memorable enough to recall the person as a distinct individual. I sometimes find that hard online. It really depends on frequency and them having something to say plus a good writing voice.
I know lots of people are shy or prefer to be lurkers. I get why. But you'll rarely meet anyone that way.
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shadale-s-safe-space · 5 months
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I don't know much about you as a person, but from what I can gather you've had a long journey with art, but still have the motivation to continue even when its rough. I'm sure you didn't start out making masterpieces, so if its not too much trouble, do you have any advice for a 16 year old artist losing motivation? i feel like im stagnating right now and its awful
Idk man, all I can say is, draw watchu want without the care who's gonna see it or what they gonna say , commit to new ideas and care less about pleasing everyone, because I know that way too well, I started learning by drawing animals, flowers and nature, "you should draw something else", switches to furries " No you must do human portraits", draws humans *no one fuckin cares*, and I felt miserable drawing what I didn't want all the damn time just trying to please everyone and be liked, hell, I still do that sometimes cuz I'm a dumbass. When in reality, when you do your own thing is when you're the happiest, this internet bullshit? Yeah don't trust the likes and favs, people like what they find relatable, no one really knows how much time you've spent on your drawing or how much you love it, when a 5 min doodle you did could do more than a painting that took 2 whole days to complete just to be scrapped in a new speedy record, paint what you love for yourself and you only.
Don't be shy to learn new things, I have tons of stuff I don't post here cuz I know people wouldn't care about it, but here for this post, have this that I practiced when I felt too depressed to think of anything good and wanted to step back from the MD artstyle
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You'll see, you'll thrive when you draw what you want, and get yourself a drawing buddy! That way you'll stop focusing on the internet and more on each other, and each other's improvement. Tbh I struggled with that one. Since everyone I had were not into art irl, I somehow managed to find someone after 10 years of drawing alone. I honestly wanted more people to join in and make an improvement circle, but unfortunately that never happened.
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I found myself twice as productive now than ever, even though I'm not active here as much I am still drawing and making things, ofc giving you more comics! And other fun things in the future I hope.
If you're struggling to draw something just do it, man commit, i was uncomfortable drawing men and male characters for years, I've wasted so many years being "too uncomfortable" and draw a naked person like yeesh who fucking cares, it's for studying.
And ofc if you feel like you're not improving at all please, please experiment with your artstyle and try something new, please refresh your mind, I was stuck for years doing the same thing over and over, same colors, same 2px brush, drawing like a machine same shit over and over, I felt so stuck and lost, but also afraid to do something new, idk why, I guess I never felt good enough or deserving of it. I also didn't go to art school, I am NOT a professional, nor will i ever be in my opinion. Hell, me feeling like I'll never be good enough left me afraid to try and apply for art school, they were asking for sculptures, different mediums all that scary stuff and I was like, I don't.. know.. how to do those things... I can't build a portfolio in less than 3 months?!?! I don't even know how to use half of what they're asking for!!
In reality at the end of the day, art is what you make of it and no one can stop you, search for inspirations and don't be afraid to try, yes you'll fail fist 2 or 10 or hell even 100 times, but you'll come back with more knowledge than ever.
For ending I give you the most confusing drawing to ever exist [dw he's just sleeping on top of her and she's just ghasping for air but awe romance or sum lol] is it weird? Yeah but I had a fun time making it hahaha
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Idk I'm bad at putting my thoughts together, but hopefully some of this helps.
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4dkellysworld · 6 months
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What's stopping you?
So you've read a ton of information on Tumblr (maybe even some books) and now you feel lost. And even though you want to apply, you feel stuck. Why? Well, there's too many possible variables on why someone could be feeling this way but I'll cover a few.
Personally for me, that all stopped when I found the teachings and practices that truly resonated with me & not what was popular here, I've branched out from what 4dbarbie has taught; I'm on my own path that I got led to and chose, and it feels right. And there's a strong sense of peace and certainty once you recognise and know what resonates for you personally; that's YOUR truth. The end goal is the same for everyone but the way there will differ depending on the person, their level of spiritual maturity, state of mind etc.
When asked once by Swami Yogananda, a Swami with a large following in America, what spiritual instruction should be given to the people for their uplift, Ramana Maharshi replied: “It depends on the temperament and spiritual maturity of the individual. There can be no mass instruction.”
I'll always be grateful to 4dbarbie for introducing me to non-duality and there was a time when her teachings were what I needed but now I'm on my own path doing practices that work for me which is what she encouraged too.
So maybe you keep holding off & feel unsure about it all because what you've read from teachings doesn't feel right for you personally. Don't force it to fit where it doesn't. Be bold and branch out of Tumblr and the 'mass instruction' if that doesn't sit right within you (be honest with yourself and you'll know). Find the teachings & practices that resonate with your spiritual heart & inspire you to live that truth honestly. Cut down on the sources you read from and only stick to the ones that resonate with you.
And I know there's some or a lot of people who follow so many accounts on here (LOA/void/ND) but how are you going to go forward and practice anything when you have so much conflicting information? You can't simultaneously manifest/fulfill desires and let go of the ego; their directions are complete opposites. Pick a path and stick to it. Stop flip flopping then feeling bad for not going anywhere. Your indecision is the cause of this. And I said before to be discerning of what you read too, when you stick to few sources that you know are genuine and resonate with you personally, there is little room for confusion on the truth and what you need to apply daily. This also applies to what you read on. If you can't read about multiple things without getting confused or swayed from the path, cut it out already. What value is LOA/void information anyway when you're on the ND path and vice versa? Zero; it's just a waste of your time. So stop it already.
This is just an intuitive guess on what could be causing resistance to some of you practicing and living this honestly but ultimately you'll need to dig into it yourself and figure it out. It's not something that a post will be able to cover completely as everyone is different. For anything else in life, self-discipline would be really important but I think desire for freedom is the most important and would drive anyone that has it to keep applying faithfully every day without having to force themselves to do it. Self-discipline might be more important when you start out but ultimately this has to be something that you live and breathe every day without effort.
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