#10 ¼ × 6 ½ in. (26 × 16.5 cm)
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Portrait of a Woman, Corneille de Lyon , c. 1540, Cleveland Museum of Art: European Painting and Sculpture
Corneille de Lyon worked both for the French court and wealthy merchants. His distinctive northern style stood in contrast to the taste for Italian Renaissance painting (seen in the nearby portrait) and connected closely to portrait miniatures and manuscript painting. Recent conservation treatment has restored the smooth, enamel-like background and the meticulous rendering of detail.
Size: Framed: 39 x 26 x 5 cm (15 3/8 x 10 1/4 x 1 15/16 in.); Unframed: 16.5 x 14.8 cm (6 1/2 x 5 13/16 in.)
Medium: oil on wood
https://clevelandart.org/art/1942.48
13 notes
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Blue Horse with Rainbow (Blaues Pferd mit Regenbogen), Franz Marc, (1913), MoMA: Drawings and Prints
John S. Newberry Collection
Size: 6 1/2 x 10 1/4" (16.5 x 26 cm)
Medium: Watercolor, gouache and pencil on paper
http://www.moma.org/collection/works/32978
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Untitled, Glenn Ligon, 1998, MoMA: Drawings and Prints
Gift of Gwen and Peter Norton
Size: 6 1/2 x 10 1/4" (16.5 x 26 cm)
Medium: Ink and coal dust on paper
http://www.moma.org/collection/works/153233
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Costume design for the ballet Le Tricorne, Pablo Picasso, 1920, MoMA: Drawings and Prints
The Louis E. Stern Collection
Size: composition (irreg.): 9 7/16 × 6 1/2" (24 × 16.5 cm); sheet (irreg.): 10 1/4 × 7 1/2" (26 × 19 cm)
Medium: Collotype with pochoir from an illustrated book with thirty-two collotype reproductions (thirty-one with pochoir)
http://www.moma.org/collection/works/125902
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Wine Bottle, first half 19th century, Brooklyn Museum: Asian Art
Size: 10 1/4 x 6 1/2 in. (26 x 16.5 cm)
Medium: Glazed stoneware; Shigaraki ware
https://www.brooklynmuseum.org/opencollection/objects/106636
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Sheet 79: From the finished sculpture in marble, John Wood, 1857-1858, Harvard Art Museums: Photographs
Harvard Art Museums/Fogg Museum, Transfer from the Fine Arts Library, Harvard University
Size: image: 26 x 16.5 cm (10 1/4 x 6 1/2 in.)
https://www.harvardartmuseums.org/collections/object/281363
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A Woman with a Dog, Paul César Helleu, circa 1892
Etching and drypoint on paper
26 x 16.5 cm (10 ¼ x 6 ½ in.)
Isabella Stewart Gardner Museum, Boston, MA, USA
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Crab Demon Bottle, 4th–7th century, Metropolitan Museum of Art: Arts of Africa, Oceania, and the Americas
Gift of Nathan Cummings, 1967
Size: H. 10 1/4 × W. 6 1/2 × D. 8 in. (26 × 16.5 × 20.3 cm)
Medium: Ceramic, pigment
https://www.metmuseum.org/art/collection/search/309440
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Study for a Scene from "Carnaval", Paul Gavarni , c. 1847, Cleveland Museum of Art: Drawings
Size: Sheet: 26 x 18.6 cm (10 1/4 x 7 5/16 in.); Border: 20.5 x 16.5 cm (8 1/16 x 6 1/2 in.)
Medium: black chalk with touches of white gouache; border in black ink
https://clevelandart.org/art/2015.47
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Approaches to post modernism (1/1).
postmodern approach: escaping the confines of the museum.
“Cloud Gate” (aka “The Bean”).
Stainless steel plates around two metal rings.
Chicago, Illinois.
Amish Kapoor, 2006.
postmodern approach: collapsing boundaries between “high” and “low”.
“Julianne’s Cottage”.
Canvas painting.
Thomas Kinkade, 1992.
postmodern approach: rejecting originality.
Untitled (cookie jar, Jamaican head, Stormtrooper, dog chew)
Mixed media, 26 1/2 x 55 7/10 x 13 1/2".
Haim Steinbach, 2016.
postmodern approach: jouissance.
“Untitled Film Still #52”.
Gelatin silver print, 6 1/2 × 9 7/16" (16.5 × 24 cm).
Cindy Sherman, 1979.
postmodern approach: working collaboratively.
Installation View of Lettres du Voyant: Joseph Beuys x Nam June Paik.
Installation View of Lettres du Voyant: Joseph Beuys x Nam June Paik.
Shanghai, China.
Joseph Beuys and Nam June Paik.
January 20–May 13, 2018.
postmodern approach: appropriating.
“Hymn”.
Painted bronze, 240 x 108 x 48 inches.
Damien Hirst, 2000.
postmodern approach: simulating.
Like Child’s Play. Work in situ #1 (Also seen as Comme un jeu d’enfant, travail in situ).
100 blocks.
Daniel Buren, 2014
postmodern approach: hybridizing.
“Tube Stacks”.
Polyester, metal, painted wood on paper sonotube.
Brian Jungen, left to right, 1980, 1970, 1960.
postmodern approach: mixing media.
“Masquerade of the Military Industrial Complex Looking Down on the Insect World.”
Oil and acrylic on shaped canvas, with metal screen, pencils, clock hands, and battery powered clock mechanism, 90 x 350 inches.
James Rosenquist, 1992.
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Portrait of a Woman, Corneille de Lyon , c. 1540, Cleveland Museum of Art: European Painting and Sculpture
Corneille de Lyon worked both for the French court and wealthy merchants. His distinctive northern style stood in contrast to the taste for Italian Renaissance painting (seen in the nearby portrait) and connected closely to portrait miniatures and manuscript painting. Recent conservation treatment has restored the smooth, enamel-like background and the meticulous rendering of detail.
Size: Framed: 39 x 26 x 5 cm (15 3/8 x 10 1/4 x 1 15/16 in.); Unframed: 16.5 x 14.8 cm (6 1/2 x 5 13/16 in.)
Medium: oil on wood
https://clevelandart.org/art/1942.48
7 notes
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Blue Horse with Rainbow (Blaues Pferd mit Regenbogen), Franz Marc, (1913), MoMA: Drawings and Prints
John S. Newberry Collection
Size: 6 1/2 x 10 1/4" (16.5 x 26 cm)
Medium: Watercolor, gouache and pencil on paper
http://www.moma.org/collection/works/32978
8 notes
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Vase, Brooklyn Museum: Arts of the Americas
Size: 10 1/4 x 9 3/4 x 6 1/2 in. (26 x 24.8 x 16.5 cm)
Medium: Ceramic, pigment
https://www.brooklynmuseum.org/opencollection/objects/44264
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