~☆~ELECTRA HEART~☆~
Electra was a bubblegum bitch, a primadonna girl. All she ever wanted was the world, but the world was full of lies. People used to call her homewrecker, so she made the homewrecker her starring role. In a state of dreaming she had power and control, but she felt like a living dead. She wished she had been a teen idle in the valley of the dolls, but even there it was full of 'hypocrates', fear and loathing, so she decided to fake her death in August 8th, 2013 (I refuse to believe she's dead) She's been living in the dark ever since, where no lights will blind her.
by me
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9 Favourite Albums tag game :)
(or EPs. this is for fun.)
tagged by @mortalfollies
[ID: a 3X3 grid of 9 album covers. the albums listed, from left to right and top to bottom, are: Puberty 2 by Mitski, Little Oblivions by Julien Baker, Preacher’s Daughter by Ethel Cain, Lungs by Florence and The Machine, The Fool in Her Wedding Gown by The Crane Wives, Home Video by Lucy Dacus, Historian by Lucy Dacus, Folie á Deux by Fall Out Boy, and Be The Cowboy by Mitski. END ID.]
Puberty 2-Mitski:
“not happy or sad, just up or down- and always bad”
This is probably my favorite album of all time. 100% no skips, and the music on it is really soothing to me.
Favorite song: Fireworks
Current obsession: Thursday Girl
Little Oblivions-Julien Baker:
“‘cause if I didn’t have a mean bone in my body, I’d find some other way to cause you pain”
This is an album that took me ages to actually get into, but it hits so hard. This is an album that often needs my full attention while somehow also being a “scream in the car with your windows down” album at the same time
Favorite song: Relative Fiction
Current obsessions: Favor and Song in E
Preacher’s Daughter- Ethel Cain
“If I’m turning in your stomach and I’m making you feel sick”
Ethel Cain is single-handedly bringing back the lost art of the concept album. If you can sell me on giving your album a spoiler warning before i talk about it then you’ve won
Favorite song: Strangers
Current obsession: Hard Times
Lungs- Florence and The Machine
“there is love in your body but you can’t hold it in, it pours from your eyes and spills from your skin”
This is kind of just a stand in for how much I love Florence in general but this album is just so, so good.
Favorite song: Hardest of Hearts
Current obsession: Rabbit Heart
The Fool in Her Wedding Gown- The Crane Wives
“I will love you like the ashes in my cigarette box”
This is another album representing the whole band, but this specific album is 100% no skip for me.
Favorite song: Shallow River
Current obsession: Strangler Fig
Home Video- Lucy Dacus
“heat wave by midday, heat lightning on a summer night”
this album genuinely changed my life
Favorite song: First Time
Historian- Lucy Dacus
“You don’t deserve what you don’t respect, don’t deserve what you say you love and then neglect”
This album has me screaming along to 7+ minute songs. It’s incredible.
Favorite song: Next of Kin
Folie á Deux- Fall Out Boy
“I don’t just want to be a footnote in someone else’s happiness”
This album is on the list specifically because of how good it is as a cohesive album. It’s spectacular and has been one of my favorites for almost 10 years
I don’t have a specific favorite. every song on this album fucks pretty much equally
Be the Cowboy- Mitski
“It’s just that I fell in love with a war, and nobody told me it ended”
you all already know what’s up.
Favorite song: A Pearl
Current obsession: also A Pearl
Honorable Mention: Hozier by Hozier, Electra Heart by MARINA, SAWAYAMA by Rina Sawayama, Boygenius by Boygenius, Valentine by Snail Mail
Tagging: @justconstantly @myladyvesta @soupyzoupy @cyber-feline @classicsnerd @amusedmuralist @theurbanspaceboi @a-dux and anyone else!!
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On “Bubblegum Bitch,” the opening track of Electra Heart, Diamandis sings, “Dear diary, I met a boy/ He made my doll heart light up with joy/ Dear diary, we fell apart/ Welcome to the life of Electra Heart.” Contextually, that last line isn’t really phrased as an invitation, yet I interpreted it as one. Electra Heart, Marina explained in an interview with Pop Justice, was a character — not specifically an alter ego but instead “a vehicle to portray part of the American dream, with elements of Greek tragedy.” It may have started that way, but Electra Heart was something weirder and more specific; it became a symbol of womanhood in late-stage capitalism and in the age of the internet.
The mood board associated with Electra Heart was a simple look: dull pink, silver tiaras, lace bras, platinum hair, ripped fishnets. It was about being palpably unhealthy — depressed, anxious, anorexic, addicted to drugs — but still beautiful in a disorderly kind of way, like a dystopian pageant winner. A thin layer of glamor is painted over depths of disgust; “I guess you could say that my life’s a mess/ But I’m still looking pretty in this dress/ I’m the image of deception,” she announces on “Homewrecker.” There’s a simultaneous lethargy and thrill, like being sleep-deprived yet spending hours on doing makeup and picking an outfit. There’s a Tumblr post of a screenshot of a TikTok that reads: “electra heart is kinda like the joker but for teenage girls.”
This was true in the sense that Electra Heart inspired us to explore the most unhinged paths within our womanhood, leading us to repressed desires, or what we figured were our repressed desires. Did we want to be the Homewrecker? The Heartbreaker? The Teen Idle? The Bubblegum Bitch? We played these roles, imagining more complicated lives for ourselves. “My life is a play, is a play, is a play,” Diamandis croons on “The State Of Dreaming,” a soaring song basking in its own artifice. So was ours online.
Electra Heart was a sharp pivot from the alternative-leaning synth-pop sound of Marina’s 2010 debut Family Jewels. A lot of critics at the time, especially women, were almost offended by the sophomore album — partially due to the perceived creative regression of working with leading pop producers like Stargate, Greg Kurstin, and Dr. Luke, but maybe even more so due to the Electra Heart persona. “‘Housewife. Beauty Queen. Homewrecker. Idle Teen.’ Um, speak for yourself? I mean, fucking hell, seriously?” wrote Emily Mackay for The Quietus. Laura Snapes’ Pitchfork review was littered with words like “lazy,” “horrible,” and “unbearable.” Priya Elan wrote that it was “an expensive-sounding failure” for NME.
These reactions occurred while the album thrived on Tumblr, becoming a crucial foundation for communities in which teenage girls, like me, navigated their identities. It remains a staple of mid-2010s chronically online alt-pop, alongside albums like Lana Del Rey’s Born To Die and Sky Ferreira’s Night Time, My Time. Fans — especially stans — who are now in their early 20s reminisce on it and rave about it in the same way rock fans do with Nirvana’s Nevermind. To us, it was groundbreaking and forever changed the arc of music and culture. The likes of Marina And The Diamonds and Sky Ferreira never became household names, necessarily — Lana Del Rey is another, more complicated story — but that didn’t stop them from becoming ubiquitous within internet spheres.
In The Day Of The Locust, a massively influential 1939 novel satirizing the vapidity of Hollywood, Nathanael West writes, “It is hard to laugh at the need for beauty and romance, no matter how tasteless, even horrible, the results of that need are. But it is easy to sigh. Few things are sadder than the truly monstrous.” It is easy to be mad and upset about the realities of being a woman in this era — of spending money on products to make ourselves more desirable, of being told that we’re less desirable by using said products, of being told we’re ugly if we don’t use said products, of losing our value and worth for acting on our own desire, of being a prude if we do not, of being told that we are not supposed to desire but only be desired, of being told that our desirability is the only thing we have to offer. But it is hard to laugh. It’s hard to mock this absurd reality and make light of it when it has been a source of exasperation for so long. Yet that’s what Electra Heart does.
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