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#12 episodes where nothing happens
news4dzhozhar · 6 months
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Yasmin Porat, a survivor of the bloodshed at Kibbutz Be’eri, near the boundary with Gaza, says many Israeli civilians were killed by Israeli forces.
An Israeli woman who survived the Hamas assault on settlements near the Gaza boundary on 7 October says Israeli civilians were “undoubtedly” killed by their own security forces.
It happened when Israeli forces engaged in fierce gun battles with Palestinian fighters in Kibbutz Be’eri and fired indiscriminately at both the fighters and their Israeli prisoners.
“They eliminated everyone, including the hostages,” she told Israeli radio. “There was very, very heavy crossfire” and even tank shelling.
The woman, 44-year-old mother of three Yasmin Porat, said that prior to that, she and other civilians had been held by the Palestinians for several hours and treated “humanely.” She had fled the nearby “Nova” rave.
A recording of her interview, from the radio program Haboker Hazeh (“This Morning”) hosted by Aryeh Golan on state broadcaster Kan, has been circulating on social media.
Notably, the interview is not included in the online version of Haboker Hazeh for 15 October, the episode in which it apparently aired.
It may well have been censored due to its explosive nature.
Porat, who is from Kabri, a settlement near the Lebanese border, undoubtedly experienced terrible things and saw many noncombatants killed. Her own partner, Tal Katz, is among the dead.
However, her account undermines Israel’s official story of deliberate, wanton murder by the Palestinian fighters.
Although it no longer appears on the Kan website, there can be little doubt about the recording’s authenticity.
At least one Hebrew-language account posted part of the interview on Twitter, now officially called X, and accused Kan of functioning as “media in the service of Hamas.”
Porat also gave her account to the Israeli newspaper Maariv.
However, the Maariv story, published on 9 October, makes no specific mention of civilians being killed by Israeli forces.
And in a half-hour interview with Israel’s Channel 12 on Thursday, Porat speaks of intense gunfire after Israeli forces arrived. Porat herself received a bullet in the thigh.
Not only does Porat tell Kan that Israelis were killed in the heavy counterattack by Israeli security forces, but she says she and other captive civilians were well treated by the Palestinian fighters.
Porat had been attending the “Nova” rave when the Hamas assault began with missiles and motorized paragliders. She and her partner Tal Katz escaped by car to nearby Kibbutz Be’eri where many of the events she describes in her media interviews took place.
According to Porat speaking to Maariv, she and Katz initially sought refuge in the house of a couple called Adi and Hadas Dagan. After the Palestinian fighters found them they were all taken to another house, where eight people were already being held captive and one person was dead.
Porat said that the wife of the dead man “told us that when they [the Hamas fighters] tried to enter, the guy tried to prevent them from entering and grabbed the door. They shot at the door and he was killed. They did not execute them.”
“They did not abuse us. They treated us very humanely,” Porat explained to a surprised Golan in the Kan radio interview.
“By that I mean they guard us,” she said. “They give us something to drink here and there. When they see we are nervous they calm us down. It was very frightening but no one treated us violently. Luckily nothing happened to me like what I heard in the media.”
“They were very humane towards us,” Porat said in her Channel 12 interview. She recalled that one Palestinian fighter who spoke Hebrew, “told me, ‘Look at me well, were not going to kill you. We want to take you to Gaza. We are not going to kill you. So be calm, you’re not going to die.’ Thats what he told me, in those words.”
“I was calm because I knew nothing would happen to me,” she added.
“They told us that we would not die, that they wanted to take us to Gaza and that the next day they would return us to the border,” Porat told Maariv.
In the Channel 12 interview, Porat elaborates that although the Palestinian fighters all had loaded weapons, she never saw them shoot captives or threaten them with their guns.
In addition to providing the captives with drinking water, she said the fighters let them go outside to the lawn because it was hot, especially as the electricity was cut.
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fans4wga · 9 months
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26 July update from WGA's Chris Keyser
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From the WGA: With SAG-AFTRA now on strike and new levels of solidarity across all Hollywood unions, we are witnessing the spectacular failure of the AMPTP’s negotiating strategy. In this video, WGA Negotiating Committee Co-Chair Chris Keyser lays out what this moment means and how we move forward. To learn more about the WGA strike, visit https://www.wgastrike.org.
FULL TRANSCRIPT:
Fellow members of the WGA East and West. It's been a while since our last video and quite a bit has happened in the meantime. So on behalf of the negotiating committee and leadership, I wanted to give you an update on where we are and what the near future at least is likely to bring.
We've been walking side by side on picket lines in New York and Los Angeles for a little over 12 weeks now. Only now we're joined by thousands upon thousands of members of SAG-AFTRA who, like us, have finally had enough.
This is the endpoint and the fruit of the AMPTP’s game plan. For 11 weeks, they negotiated with everyone but us. They claimed it was just practicality, that they could only do one thing at a time, which is not normally a point of pride. But events have made clear what we knew from the start: that not only was it a strategy, it was their only strategy. Negotiate a deal with a single guild and impose that deal on every other guild and union in Hollywood, whether it addresses the needs of those unions or not, all with the implicit threat: if you want more, strike for it.
Wow. It’s their 2007-8 playbook applied to 2023 as if nothing has changed, as if the accumulation of economic insults and injuries inflicted on us over the past decade would be borne in perpetual silence, as if the giant of labor had not awakened. But it has. And you only need to look as far as the front gates of every studio in LA and New York to see the evidence.
Two unions on strike willing to exercise their power, despite the pain, to ensure their members get the contract they deserve. For us, that means addressing the relentless mistreatment of screenwriters, which has only been exacerbated by the move to streaming; the continued denial of full MBA protection to comedy variety and other appendix A writers when they work in streaming; and the self-destructive unsustainable dismantling of the process by which episodic television is made and episodic television writers are paid.
It means addressing the existential threat of AI and the insufficiency of streaming residual formulas, including the need for transparency and a success-based component. All of these will need to be addressed for there to be a deal because in this strike it is our power and not their pattern that matters, not their strategy. Their strategy has failed them. Now they're in the midst of a streaming war with each other, an admittedly difficult transition. And as they face the future, their interests and business models could not be more different from Disney to Sony to Netflix to Amazon.
We root for their success, all of them. They root for each other's failure. We are the creative ammunition through which they will succeed. They are each other's apex predators. And yet, in a singular shared dedication to denying labor, they have shackled themselves together in what increasingly seems like a mutual suicide pact, as the 2023-24 broadcast season and the 2024-25 movie schedule and its streaming shows disappear, melt away week by week.
So what does this mean? What does it mean going forward? How do you play chess against an opponent who insists on screaming checkmate at every move regardless of how the board looks and the game is going?
You stay firm, you stay resolved, because our cause is no less existential than when we started and our leverage is increasing every day. Alone we withheld our labor with the support of our union siblings and the Teamsters and IATSE and the Crafts, we were able to delay the vast majority of production. Now with SAG-AFTRA on strike, those few studio projects that remained have also shut down. And it's not just the obvious delays. If this strike drags on, it's the actors with conflicting obligations and the directors and the double-booked studio facilities and release date chaos that the companies must now also contend with. Some of their most valuable product could well be delayed for years.
Add to that, no promotion of movies or television shows and famous faces on the picket lines and social media speaking directly to their customers. For the tech companies and the mega corporations, that should be their nightmare scenario: WGA and SAG-AFTRA side by side. Our bargaining agenda may not be identical, but our cause is the same. Our army of labor, defending labor has increased 17-fold in the past two weeks alone.
Even so, even with all this wind at our backs this negotiation won't happen overnight. It's not because the negotiations themselves are so complex. Once the companies fully engage, it could go very quickly, but because their strategy of many decades has just fallen apart and they didn't see it coming, and it's going to take them a minute to regroup, 'cause the companies have things to work out internally, and saying no to labor in unison is a lot easier than saying yes. So either together or separately, as their divergent interests might suggest, they will come back to us, despite their understandable concern about how they've navigated this transition to streaming, which is on their heads and not ours; and their worries about costs and their worries about Wall Street; despite this being a season of doom and gloom, none of them are walking away from the riches of this business, and certainly not over the equitable minimum compensation to writers.
They didn't get the deal they wanted; that's fine, it happens all the time. They're not taking their ball and going home over it. And since we know they come from union families themselves, and since they've denied that “even-in-Hollywood-you-have-got-to-be-kidding-me” ugliness of threatening to starve us out and leave us homeless (which we assume they understand also means making our children homeless,) they will come back to us. Although I will say they took a long time to deny that statement, longer than I would have had it been ascribed to me.
But what does it matter? You can starve a labor force slowly or quickly. The effect is the same. It's not like day rates for comedy variety writers and endless free drafts for screenwriters in exchange for a single paid one in four-week mini-rooms isn't cruelty. It's just cruelty written in contract language instead of a press quote.
So what can we expect from the companies as all of this plays itself out? They will try to convince Wall Street that taking a strike, prolonging it unnecessarily, losing their content stream in the process—that all of that is just smart business and no reason for investor concern. We will be talking to Wall Street too, and reminding them that for all these companies, all of 'em including Netflix, the bill, the price for making nothing, will eventually come due. And Wall Street is listening already. Here's Michael Pachter, managing director of equity research at Wedbush on Yahoo Finance the other day: “I think the studios are completely wrong on this one. Content is their lifeblood. They're feeling really foolish about this."
Wall Street isn't the only one listening. We've been talking to union pension funds too about the risks the companies are taking. We talked to CalPERS, the largest public pension plan in the country, talked about the loss of programming and the cost to the industry, and we heard strong support from its board for our struggle and the promise that the companies will be hearing from them, from CalPERS, and demanding answers on behalf of its 2 million members.
To us, of course, they will continue to plead temporary poverty, but we know the drill. These companies support billions into the streaming wars and taken short-term losses these past three years, because they know that to the winner will go the spoils. We're patient, will they share that with us when the time comes? What are the chances?
Since 2017, the last time the studios negotiated with us outside of COVID, the big six companies alone have made $150 billion in profits off our work, while they slashed our pay and degraded our working conditions. Maybe if they had shared a tiny piece of that then, made $1 billion or so less, this year wouldn't seem so costly. As it is, there is no iron law that these companies are entitled to record profits every year, and it isn't some great travesty if their shareholders or their CEOs get a slightly smaller slice of the massive profits we helped create if some balance is restored.
Look, no one denies that corporations exist to make a profit and no one wants our employers to be profitable more than we do, but the singular pursuit of corporate profits to the exclusion of their social and human cost is a real problem in this country—it’s a real problem. A corporation's bottom line is not the same as the world’s, and there is nothing in our studio's bottom lines today that accounts for the quality of our lives or for our dignity, for the comfort of our retirement or the security of our families. Their numbers have no conscience, but the people who report them as victories ought to.
In their refusal to recognize that, these companies have also extracted an awful price, which is laid at their feet and for which they are responsible. Losses to the economies of New York and Los Angeles and everywhere that film and television are made, terrible losses that mount every day, thousands of people out of work; not just us, all the crews, the crafts, the janitors, the drivers, the businesses that thrive when Hollywood thrives, the restaurants, the stores—for what? For nothing. So they could avoid coming to the table to negotiate the deal they will one day give us. Measured today that is the painfully mixed legacy of our employers, weighed against every beautiful piece of work we have made with them.
And if history is a guide, they have only temporary stewardship over a kind of national trust, which is Hollywood. Our story, our sometimes conscience, our public conversation, our diversion of the worst and best of times, our greatest export, the repository of our imagination. They have some obligation to more than just their shareholders to behave accordingly.
Unfortunately, it seems big tech, mega corporations, and some of the people who run them, as the saying goes know the price of everything and the value of nothing. So they have built a business model that no longer works for human beings who cannot be paid minimum for 10 to 20 weeks a year and make a career out of that, be paid for one draft of a screenplay that demands a year of labor, be paid a few episodic fees for a show about which to take years to decide be paid a daily rate.
And now we have a first glimpse of what they offered our actor colleagues. We are not 170,000 Willy Lomans to be used and then discarded. We know what the companies believe they have the power to do. We know what they think machines can do and do without any of us. Oh yeah, we've seen the writing on the wall and it's plagiarized.
The thing is this: the difference between what you CAN do and what you SHOULD do is the greatest single difference in the world. Knowing that is the only real protection we have against a dystopian future. And if the companies sometimes forget that, writers will do it for them.
I can't know exactly how long it will take this revolutionary moment, and you've heard again and again what is happening today has not happened in 63 years, but I know that's not always how it feels, revolutionary and defining, even though we celebrate that on picket lines together, which is the right thing to do. That's not always how it feels when you go home at night. I know how tough this is: to strike, to hold the line. I know it gets tougher every day even with SAG-AFTRA marching beside us, how hard it is to face the uncertainty of when it will end, when we'll get back to work, how we'll pay the bills. I know it's hardest for those who've just gotten started, for those for whom the world opens doors more reluctantly, battled their whole life just to get here; but hard too for those struggling to maintain their long careers, who find work tougher and tougher to come by, or those with families with children or parents to take care of.
These companies understand the cruelty of what they're doing. It's their plan to starve us just a little, to exact as much pain as they can so that we wish more for the pain to end than for the better life we dreamed up. That we're more afraid of the uncertainty of the present than the certain devastation of the future. It's societally acceptable economic torture inflicted by management on labor every day, then blamed on labor for daring to fight back, for refusing to be complicit in its own mistreatment.
Here's how I know that's not going to work. Not with us, not with the writers, because we haven't come all this way, fought to have these careers in the first place, all the adversity, and marched together for all these months, only to let it slip away on our watch—because there is no point in rushing back to jobs that may not be there in a year or two anyway. Because the business, as the companies have twisted it, is now untenable, unsurvivable for so many of us, because even success is not enough to keep going, because this guild is younger than it's ever been and more diverse. And this young diverse membership knows from hard personal experience the system is broken and that it will not be fixed unless they fix it. And those of us who came before them will not let them down, because we and the writer's guild are the beneficiaries of all those who came before us who gave up everything for us.
Like the writers of 1960, the year I was born, who struck for 22 weeks and who gave away all the TV residuals for all the movies they had ever written so that we could have a health insurance and pension plan and residuals from that date forward. $15 billion flowed to writers and their benefit plans because of that sacrifice. Because writers are brave, because now it's our turn.
So what's our job? Even as we welcome SAG-AFTRA to our side, we are still responsible for our own deal, and so we must remain focused and diligent. We must continue to march, picket signs in hand. But we should also remember this and with pride, that before there was SAG-AFTRA, before even the Teamsters and IATSE and the laborers and the electrical workers and the musicians and the plasterers came to our side, there was the writers. Alone then, we looked at the blank page and began to imagine the future. With no net but each other we typed the words, what if?
And then we took a step into the darkness and found that it was light. And then we were joined by the crews and the drivers and the actors. The actors got a bit more fanfare when they showed up, but that's okay, we wrote the script. The WGA, still small, not alone anymore after all these decades. Hollywood labor has finally linked arms and found its voice, and that voice says enough. There is no road to longterm prosperity that burns a path through your own workforce. We are not your enemies. We are not merely a cost to be borne. We are your partners and your greatest asset. And we are, as you acknowledge yourselves, irreplaceable, but by accident or design and it doesn't really matter anymore, the business you are running no longer works for those who work for you.
What is the point in continuing to deny that? Why deny it when everyone else in the business to a person tells you it's true? Do you think it's a coincidence that two unions are on strike against you for the first time since Eisenhower was president? You can't exactly accuse us of being quick on the trigger. The effect has a cause, it has a cause. And there is no profit in insisting on the answers to the past for the questions of the future.
But if you want instead to invest in something that will reap you fortunes, I have a tip. And if you are visionaries, envision a solution, not a stalemate. Because this isn't a war we're in, it's a negotiation, it's just a negotiation. There is no face-saving here for either side, because there is no winner or loser. It's just a deal. And when you come to remember that again we will be here as we have been here all along.
And at this point with 170,000 writers and actors aligned against your intransigence, that is as generous as I can be, as close to an olive branch as I can offer. But if you insist instead on the same threatening rhetoric, on saying you would rather starve us than pay us, I would remind you of this: You are fighting for a dollar, we are fighting for survival. We are fighting for our home: writing is where we live, and we will defend that home with a bravery and stamina and ferocity that you will come to understand someday, which is why you cannot break us. You cannot outlast us, you cannot.
And not just because we have the will, because we have power. Nothing in this business happens until we start to write. And we will not start to write until we are paid.
Union now. Union forever.
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skygemspeaks · 1 year
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In honour of cecilsweep2023, here are some wtnv quotes that live in my mind rent-free. Feel free to add on more if you'd like!
...no pet is perfect. It becomes perfect when you learn to accept it for what it is. (Episode 2: The Glow Cloud)
Sleep heavily and know that I am here with you now. The past is gone, and cannot harm you anymore. And while the future is fast coming for you, it always flinches first, and settles in as the gentle present. This now, this us, we can cope with that. We can do this together, you and I. (Episode 12 - The Candidate
Time is like wax, dripping from a candle flame. In the moment, it is molten and falling, with the capability to transform into any shape. Then the moment passes, and the wax hits the table top and solidifies into the shape it will always be. It becomes the past – a solid single record of what happened, still holding in its wild curves and contours the potential of every shape it could have held. It is impossible – no matter how blessed you are by luck, or the government, or some remote, invisible deity gently steering your life with hands made of moonlight and wind – it is impossible not to feel a little sad, looking at that bit of wax, that bit of the past. It is impossible not to think of all the wild forms that wax now will never take. (Episode 21 - A Memory of Europe)
When we talk about teenagers, we adults often talk with an air of scorn, of expectation for disappointment. And this can make people who are presently teenagers feel very defensive. But what everyone should understand is that none of us are talking to the teenagers that exist now, but talking back to the teenager we ourselves once were – all stupid mistakes and lack of fear, and bodies that hadn’t yet begun to slump into a lasting nothing. (Episode 33 - Cassette)
Listeners, I do not know everything about Carlos and he does not tell me everything. That is OK. We are not one person. How lonely that would be! A couple who has made themselves one so completely, that they are once again alone. We are two people, separate. Unique. And joined only where we choose to join. (Episode 55 - The University of What It Is)
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eimids · 6 months
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Your worst enemy
Arsenal x reader
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Reder is suffering with depression and doesn’t want her teammates to know.
Warnings: depression, mention of suicide (nothing happens tho), HEAVY on the angst, hurt/comfort?
words: around 3k
Your thoughts had been spiraling for a while, first you didn’t even realize it. Starting with only tiredness and some not so good days. You just brushed then off.
Your depression wasn’t back, it couldn’t be it.
Last time it got so bad that you were almost hospitalized. So this time it couldn’t get to that point. You changed your whole life after your last depressive episode. You changed from Manchester United to Arsenal. You cut contact with toxic people in your life, especially your ex.
But without you even realizing, it became more severe. Not having any energy, going to sleep at 9pm and sleeping for almost 12 hours every day. You were also getting irritated really easily. If something didn’t go your way, you were ready to fight (and cry). Practice was the only moment you had to be energetic. You couldn’t let things affect football. You didn’t want to be with your teammates, the bonding nights only seemed like a lot of work to keep a happy surface.
During best days, everything felt almost normal. But just almost. Something felt always off. Sounds were too loud, lights were too brightbut you were happy. You were supposed to be happy. Why couldn’t you just be happy. Everything was good, what did you have in your life for you to be depressed? Absolutely nothing.
You tried your best to not let anyone notice but you failed miserably. Alessia was the first one to notice and tried subtly to talk to you about it. You were closest to her at Arsenal. You transferred with her from Manu so you knew each other from there. Although you were only 19 you and Less where getting along really well. After practice she offered to grab coffee with you, then have a nice girlsnight with her.
“Oh it’ll be fun. We can just go to my apartment to watch some movies and order your favorite food” The older woman tried to convince you.
You were hesitant at her suggestion. After the long day you were already overwhelmed and tired. You just wanted to sleep away the never ending tiredness. You hadn’t had even that long day. Only practice and recovery. Then some quick media stuff. But even that made you exhausted. Wanting to just rot away in your bed you made some excuse for Less.
“I’m sorry i’m just really tired today and I’m gonna have to call to my parents about them coming to visit” You said as casually as you could.
Lessi almost believed it, but she knew something deeper was going on. She’d seen you get more and more tired during the last months and she didn’t really know what to do about it.
“You know you can always talk to me if you have something on your mind?” Less blurted out.
You were pondering your options. You could say that things were ok and not to worry about you. But you could also confess the hard truth. Your depression was back. But Less would have to tell that to Leah and Kim, who were obligated to tell Jonas and the team management.
“I know Less, but I’m doing okay” You said and smiled. Then you just grabbed your kitbag and left the training grounds.
It was already 8pm and it was getting dark. You still didn’t have your drivers license so you couldn’t drive by yourself. You could ask a lift from one of your teammates but most of them had left or were still doing media. Uber felt useless waste of money so you decided to walk home. It was only four kilometers so it wasn’t anything too bad. You started your walk on the quiet roads of England. There was some pubs and bars you walked past to. Hearing the usual catcalls from some gross old men. You tried to ignore them you put your music louder in your headphones and continued walking.
Your phone was on ‘do not disturb’ mode as you continued your walk. You didn’t really notice anything around you. Not even truly caring about anything. You just wanted the numbness and tiredness to go away. Somehow you managed to get to your apartment. You took your shoes off and walked straight to your bed. Not caring that you were still wearing your day clothes. Your apartment was a mess so you didn’t even bother to look for any other clothes.
The next day you woke up and it was already 10am. Another 12 hours had passed with your sleeping. You knew you were going to be late but still didn’t bother to get up. You decided to check your phone only to find 3 missed calls from Less and texts.
Lessi🤍
8.47pm
Viv said you didn’t ride with her back home? Don’t say you walked! I could’ve driven you home..
9.12pm
Please answer to me that you are okay y/n. I just want to know you got home safely.
10.39pm
I really hope you are already asleep at your house. I’m worried please call me when you can.
You were alarmed when you heard something from your kitchen. You quickly got up and went to look for the sound. Your kitchen was cleaned, the living room was cleaned, what was happened.
Alessia. She stood there in your kitchen making you breakfast. You were confused about everything even though you had given Less your spare keys.
“Morning y/n, we need to have a talk” Less just said. Clearly not happy.
“Well yeah, you can’t just show up to my apartment” You answered.
“Yea I can when I’m worried sick about you. I asked almost everyone on the team if they had taken you home but no. Did you walk home? You can’t be that reckless, something could’ve happened. So when you didn’t answer I decided to come over to see what’s going on. I’m glad I found you safely home, sleeping” Less started her lecture.
“I didn’t walk” You lied. “I ordered an uber and got home safely” You continued with the lies. You could see the anger and worry on Alessia’s face turn to guilt. “I was tired and didn’t want to bother anyone so I just ordered the uber. You don’t have to worry about me Less, I’m okay” You said with a smile. You were trying to be convincing although all that came from your mouth was lies.
“Oh i’m so sorry y/n. I don’t know what got to me but you’ve been acting weird lately and I just got so worried when you didn’t answer. Maybe I should get going, I’m sorry again” Alessia said and started to grab her things.
You stopped her by hugging her. You weren’t mad at her, although you didn’t want her to be worried about you, I felt nice to know that she cared about you. “You can stay Less, have breakfast with me” You said to her softly.
So she did. You ate your breakfast in a comfortable silence and then talked about your next match that you were going to have in couple days. You were supposed to leave to Manchester later that day. After you ate, Less grabbed her stuff again and left. You were happy with yourself that you convinced her that everything was okay.
You and Alessia both missed the team meeting of that morning but were on time to get to your bus to leave to Manchester. You got a little lecture from Jonas but didn’t really care. Wasn’t the first time.
On the bus most of your teammates were on the back of the bus listening to music and chatting. You however were sitting in the front. Headphones in listening to Taylor Swift and trying to sleep. It wasn’t hard with how exhausted you were. Sleep came nowadays always easily.
At some point you were woken by Kim sitting next to you. You tried to just act like you were sleeping but the skipper knew better.
“I know you’re awake y/n. Why don’t you come to the back of the bus with the others and have some fun, you have missed a lot of team bonding nights lately and the girls miss your company” Kim stated to you. You could hear Katie singing in the back of the bus and laughed a little.
“Okay I can come for a while. But I really need my beauty sleep” You tried to joke. Kim laughed a little before walking back to her seat. You followed her and were welcomed with teasing from your teammates.
“Well good to see you y/l/n, feels like I haven’t seen you in ages” Katie teased as she saw you walking to the back of the bus. “Come sit next to me” She continued.
You really didn’t want to hear the teasing from Katie but decided to still take the seat next to her. In front of you were Beth and Viv. In the next booth of four were Less, Leah and Kyra. Music was blasting and you saw as Katie was filming a tiktok about the her day. She filmed you in it with the something along ‘She’s alive’. You smiled for the camera but actually you wanted to cry. You were tired af the teasing. You were tired of everyone fussing about you. Why couldn’t you just enjoy some peace and quiet.
You zoned out for a while and next thing you realize was that Leah was gently waking you up.
“Wake up sleepy” Leah said quietly and smiled to you.
“Oh sorry I didn’t mean to fall asleep” You said while looking around. Everyone else had left the bus, you were at your hotel.
Leah just hummed and helped you get your stuff and then walked with you to the entrance. Your teammates were sorting out rooms. You were hoping to get a room for yourself all alone. When you’re name was called at last you found out that you were paring with Leah. Kim and Leah changed looks that you didn’t notice.
Some of your teammates, mainly Viv, Beth and Less had went and talked to your skippers about your weird behavior. They had all noticed the signs of depression. Especially Less who had known you when you had your latest episode. They had made a small plan to get you to talk. Leah would be rooming with you, Kim would encourage you to be more with the other girls. Viv and Beth where just like parents who took notice about your behavior and made sure that you took care of yourself. They didn’t want to talk to you yet about it. They want you to come talk to them, or to anyone at that matter.
The rest of the day was a blur. You had a practice on the pitch, some recovery in cold pool, dinner. At practice you were almost benched because you were playing recklessly. Taking stupid risks and tackling people. A lot of your tackles were not even towards others, more so you could get yourself hurt. They were stupid and you knew it but just didn’t care.
After dinner your head was a mess. You felt overwhelmed and you couldn’t really take a notice of your surroundings. Kyra was walking next to you to the elevator. For the next couple of hours you were supposed to spend time with your teammates. You knew you had to show your face there for people not to get suspicious but you were in a bad mental state and just wanted to be alone. You walked hand in hand to the meeting room where pretty much everyone was in already. You smiled and talked for a while before trying to make an excuse to leave.
“Don’t leave yet, you just came here” Viv said to you. Trying to find someone else in the room who was in on the plan. She saw Leah and waved her over.
“I’m just not really in a mood to be here, I was thinking about having a shower and just going to sleep” You answered. Not having the energy to make up excuses.
“Y/n it’s not even 6pm, can’t you just stay here with us for a little while longer?” Leah asked hopefully.
Everything was just too much for you. The music in the background, Leah and Viv asking too many questions. Your breathing started to pick up pace. You knew that if you didn’t get away now, you would most likely end up having a panic attack. So you left. Without a word to Leah or Viv. You just turned around and walked away. You ran to your room and quickly closed the door. You fell to the ground and couldn’t help the tears in you eyes starting to spill.
You hated it, hated it all. You hated your mind for not being normal. You hated yourself for not accepting help from the other who clearly were just worried about you. You hated your teammates for trying to help. You hated the feeling in your head that just didn’t go away. You just hated it all.
Leah and your other teammates decided to give you some time for a while. Letting you calm down. But they all knew that they needed to do something. Leah and Kim decided to talk to the team management the first thing the following day. They knew you needed help and couldn’t watch on the side as you were slowly ruining yourself. After sometime Leah decided to come back to your shared room. She expected to find you sleeping but was concerned when you weren’t in the room. She checked the bathroom but no. You weren’t there. She got worried quickly. Her mind went first to the worst scenarios. Did something happen to you, did yo do something to yourself, was it too late for her to come look for you, she was blaming herself instantly.
“She isn’t hear” Leah said in a panicked voice as soon as Kim answered her call.
“What do you mean Leah?” Kim asked worriedly.
“She isn’t in our room, what if something has happened” Leah worried.
“Okay let’s not panic yet. Come back to the team room and we’ll make a plan” Kim said to Leah. Being the captain she knew she had to stay calm. They talked as Leah walked back to the team room. Kim had asked most of the girls to go back to their rooms and have a chill night. Not wanting to consern them.
Viv, Beth, Katie, Alessia, Leah and Kim were the ones to stay. They knew you the best and right now all they wanted was to find you.
“Has anyone called her?” Beth asked.
“Well yeah but she didn’t answer, it went straight to voicemail” Leah answered.
“She’s an adult and can leave if she wants, right now there isn’t much we can do unfortunately. Leah I suggest you go back to your room and see if y/n comes back. Inform us immediately if she comes, Viv and Beth can you go to the restaurant and bar to check if y/n’s there?” Kim started to make a plan.
Kim, Less and Katie stayed in the teamroom. Alessia was crying. She knew how bad it could get for you. Last time, about two years ago, she and Ella Toone had found you on the roof of the hotel, ready to jump. After that you started to get better. You were put on antidepressants and went to therapy for a year. She was happy that you were getting better. She didn’t want to believe the signs of depression when she first noticed them again. She didn’t want you to go through that again.
The team didn’t have to look for a long time before you showed up back in your room where Leah was pacing around. She stopped immediately when she heard the door open. Next she saw you with tears in your eyes standing there. Looking so fragile.
“I think I need help Leah, please help me” You said with the tiniest voice, lips quivering but Leah heard you. She came running to you before you collapsed on her embrace. You cried as she carried you to the bed and then continued to let you cry against her.
She quickly found her phone in her pocket and sent a quick text to Kim that you were back. Then she ignored the respond she got and just continued to hug you.
“I’m here for you and I’m going to get you the help you need” Leah whispered in your ear.
This was supposed to be longer but I don’t really know how to continue this so I might do a part 2 where reader sorts with the aftermath about everything. Would you be interested in part 2?
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wonuwrites · 16 days
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are you still looking for MTL suggestions? how about MTL likely to have the rest of the group scheme to get them a date.
so like Most = the guy with zero rizz. he's shy or awkward or both but he needs all the help he can get. or he's the dummy who doesn't know he's in love. the members all "casually" DM you on the same day to see what you're doing on the day that he has open.
Least = this guy pulls. the members don't even know who he's out with, or if it's the same person every time, just that he's always out. the members trying to get him a date would actually backfire by throwing him off his game. their hijinks would be disastrous and he would be mortified but his blushing is so cute you still agree to a date. this man cannot be stopped.
Always looking MTL suggestions and sooo excited for this LOLOLOL. Thank you for asking for a MTL <3
Warnings: mostly fluffy but def some will be suggestive. *Cough Cough MINGYU Cough Cough*
A/N: I hope I did this the way you wanted if you wanted it to be written. also I'll be adding "songs" I was listening to while writing each of their parts to their name. For example:
Wonwoo (song linked is Message In A Bottle by Taylor Swift)
just doing so bc sharing music is a love language of mine and getting 13 chances to do that is awesome imo <3 LOL
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before we begin I do want to say something: I do think all members have a bit of rizz to them. I think if they were presented with an opportunity they would kill it. I mean, they have MILLIONS of people who love them because they are them. The way I wrote this is based on my interpretations on how they've done things with Nana Tour and GoSe episodes. Please note this may differ from what others may see. Please let me know what y'all think after reading it. <3 ok let's start :D
M O S T
✫ Woozi *song note: this song has nothing to do with this one shot but ye*
Jihoon is one of those weird ones where he can charm people like nobody's business but idk I feel like he is really into his work so dating or anything like that is at the bottom of the barrel at the this point. I can see if he were to have a crush on someone, he would love them from afar because he doesn't want to ruin things with you but also not with his work. Due to this thought process is why I have him at first. He would NEED the members to step in because honestly, he could be okay with just loving you from afar. I could see members setting up blind dates for him actually. I could see all 12 of them trying so hard to be a wingman but honestly it was up to him whether or not he would want to have extra commitment at the time or not. Let's say a blind date did happen and you were the apple of his eye and all the members were in on it. I feel like it would be the most adorable yet most awkward date because of nerves and everything like that. He thought you were pretty and tbh, so did you. You thought he was cute as hell (which you are right.) If the date went well, he would def be the one to ask you for a second date and your number if he didn't already have it. <3
✫ Jun *song note: I'm obsessed with this song.*
I was debating on putting Jun and Jihoon at most for the longest time. Like I said in my Authors Note, I do think all of them have some type of rizz or whatever but Jun is one of the more quiet and shy members. The reasons I have him second is because I feel like he would like people that intimidate him at first meeting? haha. According to his K Profile he likes "someone who looks pure. He also likes sexy girls." So take that as you will. Anyways, I feel like he'd be a bit shy if he liked someone at first and would really be in his head about it. The members would literally drag him to your first date and if there was an outing with you they would always make sure you two were near each other. After a few awkward moments of adorable giggles and glances at each other, you both went on a double date with one of the other members (tbh probably Soonyoung or Minghao) and it was at that moment all the anxieties had went out the window. Over time, he became more confident and comfortable with your budding relationship. so sorry this is all jumbled, I had no inspo for this one :(
✫ Seungkwan *song note: the last NCT 127 I genuinely liked :(*
Seungkwan is pretty extroverted but he gets into his head a lot so out of all the members I can actually see him asking one of his hyungs to help him out. LOL. He just trusts his hyungs for the most part and he really wanted to be yours but he was afraid. He would try to act confident at all times but when it came to you he was a shy bean. He would probably have Seokmin or Jeonghan help him out if he were to personally ask for help. ngl, I can also see Mingyu trying to help him out as well but it would be more of a "I want Boo Seungkwan to be happy and I'm tired of him not making a move." After the guys planned a date for y'all, similarly to Jun his anxieties lightened up. He was enchanted for this moment and he was hoping you were also enchanted.
✫ S Coups *song name: this was high school and i miss hearing it on the bus*
Look, Seungcheol has got rizz, we all know this. HEAR ME OUT THO. There was a thing I saw a few weeks ago where he said he was sad because one day he would break million of carats hearts when he gets married which :') (PRECIOUS.) So because of this I feel like that's his mentality right now where he doesn't want to hurt anyone plus his main focus is Seventeen. I feel like he'd be the member where if he had a crush on you, he rather admire from a distant instead of hurting you because idol life and fear of what dating news would be like. I feel like Seventeen would hate seeing him hurt himself in process of trying not to hurt you but they could see his unintentional cold shoulder to you would be killing you inside. One day, Joshua couldn't handle it anymore and just texted both of you to meet at a restaurant to meet up and just see how things go. Which it did as everyone but you two assumed would. help this gives me a one shot idea. if someone wants it pls let me know xo
✫ Hoshi *song note: ngl I might make a oneshot with Soonyoung with this song in future*
Soonyoung is such a wild card so I put him in a category of "could go either way" along with Minghao and Wonwoo. With Soonyoung I feel like he is someone that would not have trouble in dating or getting numbers but I also know he is a bit more shy and reserved around others that he doesn't know so he wouldn't mind if other members got involved. I feel like he'd be more chill about their help then Wonwoo and Minghao. I think it wouldn't even matter which member or members were to help him out. He'd just be grateful for the support from them. If it was from members, it would mostly be a blind date where neither of you really knew each other but if you were friends with one of the members already he'd be a bit more comfortable. If your date was because of him, expect a very blushy Soonyoung who would be smiley the whole time because someone as special as you agreed to spend a few hours with someone like him.
✫ Minghao *song note: this is my fave song atm*
Minghao like I said in Soonyoung's part is part of my "it could go either way" line. I feel like unlike Soonyoung it would matter who helped him out because I feel like he'd ask for advice from the older members or the 97 line on what he should do. I feel like he would want to pursue you but he would be nervous about rejection which... who in their right mind would ever reject him?! Anyways, that would be why he would go seeking for help. I feel like once he got over that hurdle of self doubt and lands a date with you with the help of Jun he would be such a gentleman and you would wonder how in the world you were able to meet someone as amazing as Xu Minghao.
✫ Wonwoo
The final member of the "it could go either way" is the handsome as HELL member Jeon Wonwoo. (yes they are all handsome as hell but I am so whipped for him it's not okay.) With Wonwoo, I feel like he would admire from afar for a while and debate on if he would want to pursue someone or not. From what I've read online, it takes him awhile to get used to people which is why it would take him a month or so to see what he wants. Which is why his members would get involved. Some members, ie Hip Hop Unit (especially Seungcheol) might get impatient with is prolonged plan and would message you and invite you to an event with them. While at the event, they would try to subtly make sure that you both were near each other the whole time. I can see Seungcheol smirking if you both started to talk throughout the night and ignoring everyone else in the process. Mission accomplished.
me after i saw this gif
✫ Jeonghan *song note: I'm not even sorry about this song. it's a bop*
Now we are getting into the "members that don't need help" category. I feel like it is perfect to start it off with Yoon Jeonghan. Jeonghan has such a loving personality and has rizz that makes anyone blush. Don't believe me? Watch him with Hyungwon from Monsta X LMAOOOOO Anyways, I feel like if he likes you he would tease you like a school yard kid. Some might find it strange but it would win you over and have you tease him back as well. Bottom line you both would be leaving said conversations with new phone numbers in your phone afterwards.
✫ Joshua *song note: Help this song just gave me inspo for a Joshua one shot o.o*
Hong Jisoo is such a flirt, if you don't agree you can argue with the freaking wall. He would have you kicking your feet by just saying hello LMAO. He might act shy but we know homie is an extrovert and honestly I could see him pulling an Ariana Grande with you. "I see it, I want it, I got it." but of course make it *gentleman-y* He would come up to you first and would ask you questions and would just have you smiling and honestly as would you. Anyone looking would have thought y'all have known each other forever.
✫ Vernon *song note: this song is song of all songs*
Hansol doesn't need ANY help when it comes to dating but he's similar to Wonwoo where he is very selective to who he dates. He's the type of guy if he likes somebody, he will tell them or just pursue him. I can see him being one of the most casual members when it comes to asking you to go on a date or to be his. He'd ask you what you like to do and then would say something along the lines, "oh cool, would you like to do that sometime with me?" He would be all smiles if you said sure and honestly, it would surprise some of his members how good he was at getting dates. But then again, they all were obsessed with his charms as well so????
✫ Dokyeom *song note: hot people are swarats. (Swifite x Carats)*
For the final three we are in the "they def fuck" category LOL. I know Seokmin seems like a wild card pick but hear me out. I feel like even though he is introverted, he is also outgoing and not afraid to make connections. Plus he is part of the 97 group chat and idk to me the majority of that line just drip with rizz and able to get dates. I feel like Seokmin is similar to Jeonghan where his loving personality and just how he is makes people swoon. At first you were hesitant when you first became acquainted with him. You thought he was too good to be true. When you told him that, he would be taken aback and do everything in his power to show you that he was serious about you. idk how i feel about this one, I might come back and rewrite this or do a drabble later
✫ Dino *song note: this is my husband. yes he makes baby making music.*
pls don't tell him wait~~ sorry. anywhore. LEE CHAN fucks but also is a lover boy. I could end it there but that would be boring and Dinonara's deserve better. To be fair, if it wasn't for Wait he would not have been this low but Wait was just wow. Chan just has an aura where he would be such a tease to his significant other or his future partner. I can see him being a mashup of Mingyu, Jeonghan, and Joshua. He would be such an annoying flirt and would laugh or smirk if it made you flustered. Even if it came of cocky, it worked pretty well on his behalf. His members still would tease him regardless of the outcome too.
✫ Mingyu *Song Note: :) :) :) I love this song*
Kim Mingyu. This man fucks and it's delulu to think he does not. It's honestly weird when I think about Mingyu. I mean this respectfully when I say he gives such fuck boy x house husband vibes and sometimes it pisses me off. That's an aries for you tho. LMAO. Anyways, it's almost impossible to not fall in love with Mingyu. Not only is he super attractive but he also is just genuinely so nice which is why he would not struggle. Even if it is easy for him, if he was with you. He was with. you. He would be so down bad and would constantly compliment, flirt, and just love you. It would be as simple as basic math to him.
this took so much longer than I thought it would. I hope I did it the way you wanted me too <33
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wearepurplejackets · 2 months
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Little recap of episode 4 of season 4 of Wakfu
Look at this!!
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You saw this beautiful smile???? This smile can stop babies from crying (and Nora). This smile can revive a puppy.
You saw it???
Well, I hope you did because I think we'll not see it in a really loooooooong time~ (maybe 9... Or 10 episodes.) The storm is coming... violently with a bat.
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(BEHOLD SPOILERS OF EP 4 OF SEASON 4 OF WAKFU)
I remember Tot said season 4 was gonna be sad a f*ck and that Yugo will have to pass some kind of "hard trial" (AGAIN) in this season because this kid will never have a good rest. Not even a breath. Stop. Give this little boy some holidays c'mon, the lord is always testing our little angel to the limit. (And by lord I mean Ankama I'm looking at you...)
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So it's very likely that Yugo will start to suffer even more in the next episode. And of course, in the entire season :))))))) Let this boy have something, someone precious by his side more than an instant and stop take it from him in the next second, I beg you. (He just found his family... And... Qilby I guess. And Adamai just abandoned him already to investigate by his own way...)
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Just seeing how the kings and queens of every nation were so disrespectful in front of him and just called his mother a monster and made her cry, well. (I want to riot! When Joris said they were "quite tense" he fell short.)
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Okay, yes, I understand the eyes in the sky~ are pretty creepy and of course I don't trust her either, at least, like this is so suspicious for sure, no one was born yesterday even when she is trying to be so kind and helpful monitoring the entire planet (yeessss mom, way too much).
But, c'mon, this is a goddess as tall as... I don't know, as much as she wants, girl she is made of f*cking magic. If she wanted she could erase you from existence. She didn't have to give a f*ck about anyone and HERE WE ARE~
The best thing you can do is looking for a fight with her in the moment you meet her with no hesitasion? Do you want to die that much? Do you know about survival? Did you skip that class maybe? (I'm going for a tea BECAUSE-)
It was so necessary to (be a little racist dear rich people and) insult the giant blue mother of your hero in his f*cking face and the people who are at least trying to do your job (which any of you losers did well, like ever, btw. When Sadida kingdom was about to be destroyed by the chaos of Ogrest what did you do?? Eh, where were you???)
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Jobs like protecting and saving your citizens from, nothing, being robbed and I don't know: imminent death??? I mean, really? Was that all you thought about in this situation? Being a d*ck was your best choice.
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These same guys here were talking about stolen freedom?? What freedom? The brotherhood of Tofu had to save your asses for like 3 season. 3 ovas and dozens of comics. The same people who criticize others actions but never assist and reunite when they are needed, Cause I don't know Rick, it seems a little fake....
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Yugo just met his mom and his sis and he already has the world of 12 hating them... Like wow, the rulers are all going to die in the hands of that kind of white demon/zombies of TLOU/soul suckers or whatever they are. And I really don't give a f*ck for any of them, ladies and gentlemen. Only the crowns are going to remain. (Down with the monarchy.)
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Weeeeeeeell.
You know what? I don't care what Yugo will do from this point. Nop, not a bit. But I'm with him to the end of everything. I will support you honey, I will defend you no matter what. I mean, I'll be totally okay if he decides to save the world for the third f*cking time and I also will be okay if in the end he prefers to let all these motherf*ckers die in an instant with no mercy and no regre-
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And it could even happen that Yugo loses someone important in season 4... (The same way I will lose my mind.) Hope that never happens, I just swear to god-
Anyway, Yugo fans, unite and brace yourselves.
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syrena-del-mar · 2 months
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An Ode to Older Siblings: New in Dead Friends Forever, Episode 9
Spoilers ahead for Dead Friend Forever Episode 9. Allusions to suicide and all other triggers that have accompanied this show will be here. Tagging @slayerkitty for the DFF Meta compilation.
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Can you imagine New, who sacrificed his relationship with his little brother to make it into a university abroad with a scholarship, one that would open opportunities that Thailand did not have to offer him, having to come back on a plane ride? A minimum of 12 hours in a plane, in an airport, packed with people going on business trips and vacations, yet where nobody knows that you're going to back home to a hell that you never could have imagined? It was supposed to be a holiday for him, a chance to see his family again after months of being apart.
But instead, his baby brother was now missing. The same baby brother that had given up on having any semblance of a relationship with him because he felt abandoned, forgotten. His little brother who would find no difference if he was abroad or not, because it's not like Tan had ever paid him any attention when he was so focused on just getting out of their home. But New was trying, extending an olive branch, hoping that Non would accept even the smallest bit of it. He'll bring him the best snacks that England has to offer, he'll listen to any problems that Non may have, even while he's thousands of miles away. But no calls ever came from his little brother's number. No, he hadn't even known that Non had gotten into trouble until his mother called him. Non's missing.
And, now he's returning home. The snacks that he had promised Non probably weighed like a ton of bricks as he carried them, they were his burden to carry. Maybe if he had been there a little more for Non, had been a little bit more present, maybe Non would have reached out. Maybe he wouldn't have had to turn to his tutor. His home is broken, but it's still a home. He's the oldest, he's the one that has to repair it when his parents can't.
He knows his mom had mentioned Non's boyfriend in passing before, even though Non had never told him directly. So he had searched through Non's belongings, looking for his number, hoping that Phee might have more information. He's doesn't, they're both at a loss. Maybe Phee didn't know Non as well as he thought he did, but New knows his brother. Non was never good with his words, never good at speaking directly of the problems he faced, but he would have left a sign, something, that might show them what demons he was facing alone.
So, he pretends that he can go back to his life in England, pretends for his parents' sake, so they don't have to worry about their only other son. But he can't, not when his little brother is out there...alone, again. He takes a leave of absence from school. Maybe it's crazy, reckless, but he puts himself back in high school. If the cops won't give him answers, then he'll get them himself. He forges his records, pretends that he was Non's same age, changes his identity. He's now Tan. A new kid that just happened to meet Phee at the office on their first day of school. Tan can charm his way into the same friend group that likely destroyed his brother. Tan can dig for the answers that nobody was willing to get.
And Phee helps, maybe he helps a little too much and little too close. For a moment, a part of New's heart breaks for his baby brother, as he sees his boyfriend get close to one of the bastards that had a hand in Non's disappearance. Maybe this is why Non always felt abandoned. So New smokes, one pack turns into hundreds more. A bad habit that he picked up with his English friends as they hit the pubs. It's the only sense of normalcy he has anymore.
He builds a makeshift lab with the money his parents wired him, nothing like the state-of-the-art equipment that he had grown accustomed to at his university, but it was enough. He researches, he experiments with the one concoction that might finally get Non's friends to tell him the truth. He's so close to perfecting it. Then his dad calls, and it feels strange. He rarely talked to his dad, it's his mom that usually calls him. Mom's dead. For a moment, he forgets that he was supposed to be in England, that he was never supposed to be in Thailand. He's not Tan anymore, he's just New. His house isn't just broken anymore, it's crumbling.
His father resents him. He's drunk and he's spitting fire, New can't blame him. Afterall, he is a liar. He lied that he was back at university, back in England. He never visited his mom when they were only miles away from each other and now she's dead as well. Was Non right all those years ago? Does he abandon everyone? He was never his dad's favorite, he knew that, but how he could he go and leave him behind too?
Now there was no broken house, no dilapidated house, no place that he called home. He couldn't fix this anymore. And he's tired, he's so tired. There's nothing for him to salvage anymore. Maybe if he takes a hit of his own concoction, he can end his pain as well. But Non... Non deserves justice and New is so scared, scared of failing him again. He wants this to end, he can't save anyone. But Phee arrives and holds him steady, lets him cling tightly to his shirt like he used to cling to his mother as a child.
Maybe he won't live for himself anymore. This all started with the bastards who were supposed to be his brother's friends. They cost him his whole family. No. he wasn't going to give them the satisfaction of destroying his home, of destroying his baby brother. He once told Non that he would steal his novel, get it sold for other people to read. Maybe it can't be sold anymore, but maybe Non's story can finally be told as Non had wished.
How could New have ever known that getting onto that plane would just be the prelude to the hell that he was about to raise? He's the oldest brother of the family, he was supposed to protect them, take his responsibility for his parents and his baby brother, but he failed. His dad was right, he wasn't a good enough son or brother, but maybe this could be the start of his atonement.
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zelenchai · 1 month
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The devil keywords – temptation, corruption, your shadow self
The devil is one of the 22 Major arcana cards. The one in the Rider-Waite deck has an image of the devil sitting on a throne with a man and a woman chained at his feet. It looks like a dark version of the lovers (and the two are connected thematically and numerologically since the lovers is card no.6 and the devil no.15 – 1+5=6). To put it simply, the devil represents the obsessive pursuit of material goods/physical pleasure which, in the end, leads to the corruption of your spirit. It’s associated with the sign of Capricorn whose dark side can manifest as an obsession with money, social status and power (also fun fact - according to the novel Vegas’ birthday is December 31st which makes him a Capricorn sun according to western astrology). So, what does any of this have to do with the lovers and VP? The devil is also associated with dark sexuality and everything taboo. Also, as I mentioned above, it represents your shadow self aka everything you feel ashamed of and try your best to repress. In VP’s case on one hand, we have Vegas who uses his sexuality as a weapon, is interested in BDSM and enjoys torturing people. On the other hand, we have Pete, probably the most repressed character on the show, who suddenly has to come to terms with the fact that he is a person with desires and that those desires are pretty dark and unconventional. And all of this happens while he’s being held captive by Vegas in the safe house sex dungeon. Vegas, who tortured him almost to death and is now trying to seduce him with his little monologue and a lot of chin grabbing. Do you see where I’m going with this one? We can interpret Vegas as the devil figure from the card – he’s the one trying to make Pete take off the mask he wears around everyone else and stop hiding his dark side. Vegas has seen glimpses of Pete’s true self after all – first in ep. 7 and later in ep. 10 and 11, and is fascinated by it. He wants to see more of it and uses one of his preferred methods – sex, to achieve his goal (and probably starts to regret that decision after he sees Pete’s smile in ep.12 – is Pete truly someone he can handle? But that’s a discussion for another time.) Pete is one of the chained figures and he’s there because he chose so himself by forsaking his personhood and letting himself be seen as nothing more than a weapon by the main family, someone who fades into the background the moment he isn’t needed (is he real if no one can see him?). If you look carefully at the Rider-Waite card you can see that the chains are loose enough that the two figures can free themselves at any time if they wish so. Vegas is trying to make Pete do just that – drop the act and live his life as his authentic self, without shame. He’s also trying to set Pete free so he can put a chain on him himself. And we all saw how that plan backfired on him.
There's also another reason I chose this scene – when the devil shows up in a love reading (surrounded by positive cards) it can mean that the people involved have amazing sexual chemistry. And there are literally chained people drawn on the card. And we all know what happened 30 seconds later in the episode.
*I decided to retouch my old devil card a little to fit my new template instead of drawing a new one :))
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loveyourownsmiilee · 1 year
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Something Has Shifted: A Buddie Story feat. Oliver & Ryan
This has to be OUR season. Not only do we have proof with everything said about upcoming episodes that set them up going canon perfectly. But it’s also in the behaviors and body language of Oliver and Ryan who portray Buck and Eddie. Not only them, but everyone else has been acting differently when it comes to them. Which tells me they all know something is up. Something has definitely shifted and it can’t all just be coincidental and for nothing. I simply will provide you all with a compilation of everything that’s happened this season and you can come up with your own opinions ☺️
July 7, 2022
Ryan and Oliver officially refollow each other back on IG after 18 months since they originally unfollowed each other.
July 22, 2022
Aisha blesses us with first BTS of both Oliver and Ryan on set. They’re of course sleeping but it’s the start of everything that made me go 👀 bc we haven’t gotten Oliver and Ryan BTS in so long. This is the first of many BTS content shared by this queen.
August 1, 2022
First cast BTS of the new season, which is in fact a group photo including Oliver, Ryan, Aisha, Kenny, and one of their other paramedics. Ryan and Oliver are standing next to each other, rather a bit too close.
Oliver then posts that photo to his IG page. This is the first time he posts any BTS with Ryan since s3.
August 23, 2022
Oliver shares a video of Ryan and Aisha, while Aisha gets her hair cut.
August 24, 2022
Oliver shares a BTS of Ryan and himself and only tags Entertainment Tonight & Ryan. He informs us that they will be on a segment together and everyone loses their minds bc it’s the first time he’s sharing any BTS content with just Ryan and himself.
September 8, 2022
Fox Instagram posts both Ryan and Oliver by their trailers to promote the upcoming trailer for the new season. This drives us all wild bc they’ve refrained from using the two of them together to promote the show since s2! They look cute and close and it’s definitely something we haven’t seen in so long!
Oliver then reposts it to his IG story.
September 12, 2022
FoxTV posts a tiktok including Aisha, Oliver and Ryan. Once again they’re slowly using both men in their social media promotions when they’ve refrained from it for years.
Oliver shares it to his IG story.
September 16, 2022
Oliver shares a blooper from the upcoming ET segment where he says “Season Sex.”
ET shares a picture of Ryan and Oliver being all smiley to promote the segment before it airs.
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ET segment is glorious and the interaction between the two is very flirty. They’re so comfortable with each other and easily touch each other like second nature (Ryan touching Oliver’s bicep).
I also wrote a full on body language meta on these two during this interview which explains why I think something had already shifted this early on.
September 18, 2022
For the first time in a while, Oliver shares fanart to his IG story again. It’s all of Buck, however 80% is the pictures is of Buck during important Buddie moments. He’s feeling comfortable to share these again!
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September 20, 2022
Oliver does an interview which he talks about how Buck and Eddie are “borderline co-parenting.” Like we all been known but it’s wonderful to get that confirmation from one of them.
September 26, 2022
Ryan posts his first Oliver video to his IG. It’s of Oliver on top of the fire truck. They’re all joking and laughing and having fun.
Oliver than shares the video to his IG story. Once again, this hasn’t been something they’ve done in literal years, especially Ryan who’s mostly refrained from posting any BTS content in previous seasons.
Also there’s a photo of Ryan and Oliver sleeping during filming that’s shared. This just shows how much they’re all sharing of the boys this season when everyone has refrained from doing so in previous seasons. Which makes you think why?!
September 28, 2022
Ryan posts a sexy thirst trap to his IG. We all collectively lose our minds bc 🔥🔥
September 29, 2022
Oliver, that little fucker, comments 4 exclamation points under Ryan’s thirst trap. Literally (!!!!) I meaaan something’s gotta give boys?!?
October 1, 2022
This is Angela’s 25th wedding anniversary party. We come to find out later on that Oliver went with Ryan and his wife, as they were seen together entering and throughout the party. No biggie, Ryan just taking his real life wife and work husband as his dates to the anniversary 😂
October 18, 2022
Oliver posts several pictures he took of his 911 family, including Ryan. He posted Ryan, Aisha, Kenny, and Peter and captioned it “Family”.
October 21, 2022
Oliver plays the IG game where it randomly chooses a BFF, an ex, and a crush. He of course gets Eddie as his crush, reacts to it but quickly cuts off the video. Literally leaves it up for a few minutes then deletes the story.
Oliver also posts a video of Ryan and him carrying Kenny while everyone sings him a happy birthday to his IG story.
October 23, 2022
There were two separate photos posted of Ryan and Oliver. Upon looking at both photos, you can kinda tell that they took each others photo while they were filming 6.05.
October 26, 2022
Multiple IG stories of Ryan and Oliver playing ping pong during filming were posted. The fact that cast and crew have been heavily posting both men on set interacting is interesting since it’s been so dry when it comes to Ryan and Oliver content for years.
October 31, 2022
Aisha blesses us with Ryan and Oliver throwing a baseball to each other during filming. Aisha has been the truest MVP for all the Ryan and Oliver content we’ve been fed this season.
Oliver and Ryan both share this video of them throwing the ball to their own IG stories.
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November 10, 2022
Ryan and Oliver, along with Peter and Kenny, are voted sexiest firefighters alive for 2022. The video interview of them is just so different?!? Like the body language between Ryan and Oliver is so different than before. There’s a teasing and somewhat sorta flirty tone to their interactions. There’s a sense of familiarity that seems to be recent. I meaaan just look at them.
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February 6, 2023
Their PA Erika shares an IG story of their shared trailer, then quickly deletes it. I know sometimes on location they have to share trailers. But like the caption?!? I mean hmm ok 👀
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February 10, 2023
Oliver shares a BTS of them filming with Brenna Malloy as the director for 6.16. Just look at him and Ryan. Both of their shirts are unbuttoned (yeah I know they’re just not ready) but like their body language too is so different. They’re close to each other and we rarely get BTS photos where they’re standing next to each other. So it’s a rare occurrence and Oliver shared it.
February 13, 2023
We get multiple BTS videos of Ryan, Oliver, and Kenny while they’re filming. It’s all fun videos of Oliver in a small pink car while they push him around.
Their tv crew posts a tiktok with them as well.
February 16, 2023
A cast and crew photo gets posted to IG. We see Oliver and Ryan standing super close together, with their hands right next to each other. I say this bc like I previously mentioned, it’s very rare we see them standing next to each other in pictures. I like to think it’s bc of all that sexual chemistry/tension those two share (sorta kidding). But it’s a thing and we rarely see them this close. It also highlights how natural and comfortable they are to be that close. Almost as if something has indeed shifted.
February 20, 2023
The official 911 IG also posts the picture of Ryan and Oliver in the car, while Ryan holds up the Monday Motivation sign, to their pages. Like this is once again them using these two for promotion on their official social media pages!!!
February 21, 2023
Our Buddie warrior JCC posts this clapper with a Buddie sticker on it. It’s an episode he wrote and directed. He’s known to give us such wonderful Buddie moments throughout time so of course we all lose our damn minds bc what does this all mean right?!?
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March 1, 2023
Queen Aisha blesses us with her iconic IG lives and we get soooo well fed!!! Like sooo much can be taken away from what content we got of Ryan and Oliver from that day.
First bit I want to mention is how Oliver and Ryan seem to be in their own bubble in the van ride over to set. They aren’t paying attention to what’s happening with Peter and Aisha. Their heads are huddled together. Also I think it’s so sweet how Ryan wanted to make sure Oliver was ready before he got on the van. Like this is such wholesomeness between these two!!!
Then we see them arriving to set and both Ryan and Oliver are walking together, side by side with their shoulders brushing as they talk. They literally look like their characters, attached at the hip. This happens when actors spend a lot of time together on set. Their bodies seek the others’ out due to constant interactions. Once again, they’re in their own little world and this is a closeness we haven’t seen any of while the filming of the last two seasons.
We also get this cute moment where Ryan acts out a line in different Eddie Diaz variations. It’s important to note how Oliver is in the background taking photos of the two of them while this is happening.
Anirudh then goes on IG live and records Aisha questioning Oliver about his tight clothes. Just then Ryan comes in and literally teases Oliver the same exact way Eddie would naturally do to Buck. Again, this is something so seamless that it makes one question where the line is drawn between Buck&Eddie to Oliver&Ryan. They seem so comfortable with each other, almost as if this is a common occurrence while filming too.
Aisha goes on live in the middle of the day while they’re filming in the truck. They’re tired but you get to see glimpses of Ryan acting funny by putting some gauze on Oliver’s headset, which once again is very Buddielike of them. There’s also some talk about Buck talking about a boring date and while Oliver seems annoyed with it, Ryan’s smirk alludes to it being something more than just talk and harmless teasing. Idk but his reaction gave me massive “he knows” vibes. There’s definitely some secret there that we’re not in on.
March 4, 2023
Aisha goes on live again and we get a really wholesome moment when Ryan arrives to the trailer. You can’t see it but after he hugs Aisha and says hello to the live, he goes towards Oliver and hugs him too. You can hear their little back taps as they hug 🥹
Aisha’s live did give us some more goodies that make me question what Oliver and Ryan know. She asks Oliver if he feels enlightened after the lightning episode and while it was a pun, the way he looks over at Ryan is very suspicious in my opinion.
Oliver than shares two photos to his IG story he took while filming that day. One of them has Ryan in it.
Aisha then posts some IG stories of the boys and Kenny while they film 6.17. Again, Ryan and Oliver are laughing and enjoying themselves while filming. This is such a difference from previous BTS we would get when it wasn’t this much fun, especially between those two.
March 9, 2023
Oliver posts the photo he took of Ryan and Aisha on 3.1.23, during Aisha’s live. Tags the both of them. He is getting better and more comfortable posting Ryan to his IG, which I love. But it also makes me look at him and question why now? Why this season? What’s changed?
March 18, 2023
This is something that really raised questions for me. Oliver posts an IG story of three polaroid photos he took on the last day of filming. You can see he tagged Ryan and Aisha in them. He has a photo of Ryan and Aisha hugging, a selfie of himself and a selfie of him and Aisha. Now that makes me question why he didn’t post a photo with Ryan and himself.
Throughout the day, he posts pictures of almost everyone else on set. Whether they’re cast or crew, we see the photos Oliver took. He ends the day by posting a picture of Peter and him hugging, simply captioning it “Done”. Now I wouldn’t think anything of this but it was strange how the only person really missing from the photos was Ryan. Now bare with me here please. This entire season we’ve seen BTS of them being close on set. They hung out together while they weren’t filming, they talked a lot, they seemed very close, they are very close. Oliver’s shared photos and BTS with Ryan this entire season. So why the absence of Ryan in these final day photos? He didn’t post a single one of Ryan by himself or even one with the two of them together. I know he has those photos. The deliberate choice to not include Ryan raises questions and I think he knows exactly what he’s doing. Something tells me it’s possible he’s saving them for an important moment that’s to come in the near future.
A few more things I want to say just so you guys can keep it in mind. Every group photo we’ve gotten, Ryan and Oliver are almost never standing next to each other. It’s super rare we see them next to each other.
Oliver has been liking Ryan’s artwork and being supportive of his talent.
The few times we’ve seen them sleeping on set, their bodies are turned towards each others’. They’re close by one another and this further proves the amount of trust these two have with each other to be able to easily sleep in each others’ presence. Not only that but to have your unconscious body just seek someone who its very familiar with is huge. Even their unconscious bodies know the others’ so well.
The first half of this season included way more BTS of the boys than the second half. We almost didn’t get any BTS of them filming for episodes 6.12-6.14. So that makes me think there’s gotta be something they’re trying to hide from us since no one from the cast or crew had any issues with sharing BTS from earlier in the season and the final 3 episodes.
Basically, this entire post is meant to highlight how weird things have been while they’ve filmed this season. Their behaviors and interactions do come off as things being shifted and then knowing something we don’t. If we put all this along with what we know of what’s to come for their characters’ storylines, it really makes me think that it’s very possible to get Buddie canon, or even a concrete confirmation of Buddie canon, by the end of this season. Again I just provided all that’s happened involving these two men during the filming of this season and what my theory is. It seems like we really may be getting Buddie canon but again, this is just my own conclusion made from my own observations. If you take the time to read this, thank you very much. I hope you all can take away some opinions of your own after reading this and maybe share some of your own thoughts with me 💜
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magicalrocketships · 5 months
Note
☔Is there a fic concept you have that you'd like to just explain and share because you're not sure you'll ever write it? If so, what is it?
Oh, I'm sure I've talked about this before but L U C K I L Y I retain zero information, particularly when I'm tired, so this means I get to explain it again.
SO, the plot which I won't ever write because it gets pretty dark and it also requires me to make up an injury (I got the idea from the first series of Chicago Fire, where the dude whose name I've forgotten (no, really, I retain no information anymore) has a life-changing made-up ?neck? injury where he requires surgery and it will take one year+ to recover from the surgery so he self-medicates and then it's miraculously fixed by a dazzling new surgery in one episode after making it an entire plot for an entire season):
Canon divergence somewhere along the way, maybe the pandemic doesn't happen, maybe he never really got as publicly involved in streaming, whatever, but what's key is that Max doesn't have anything really going on outside of racing and it's this year
So Daniel's left RB/Mcl, and Max is focused focused focused on racing and maybe he gets his first world championship a year earlier but whatever happens, he doesn't build that strong sense of home outside of racing (no cats, no partner, no online streaming, just what's becoming an unhealthy focus on racing and winning at all costs)
Then there's an accident. It happens off-track, so it's not a racing incident, and it's not Max's fault. His car gets hit. And Max is injured. He breaks something in his neck (I am assured this injury does not exist in the manner employed by Chicago Fire. For the purpose of this imaginary not-to-be-written fic, it 100% exists).
Max is told he can't race, maybe forever, but likely for at least a year post surgery
(and at this point I'm just going to c&p from the chat fic doc I saved months and months ago, and it's going under a cut with a content warning here for suicidal thoughts, some mention of disordered eating and childhood abuse, look after yourself, pals)
surviving to drive: the max verstappen recovery story (~3k)
Anyway max realises that he has exactly one (1) thing in his life, racing, and it's just come crashing down and he's v emotionally unhealthy as we know and has nothing else going on so when he loses racing he believes there is literally no other reason to keep going plus he's in hospital
anyway daniel ignores all of max's emotionally unhealthy bans on hospital visitors and sneaks in to see him and he's like... "something is very wrong here"
he leaves and max thinks he's chased him away but then daniel comes back later that day and he's like, "you don't have to have the surgery in this hospital, you can have it done in any of these places *presents a list* so pick a place and we'll go there instead"
so yeah they just go somewhere else and daniel rents them a house and just hangs out with a secretly suicidal max who sees precisely no reason to wake up every morning if he's not racing
and daniel has precisely zero idea that max is still here/alive/whatever just because daniel is there every night and every morning and max doesn't want daniel to have to see him like that
ANYWAY max is very clearly not in a good place and his dad sends him messages telling him how he can improve his recovery and get better faster
it becomes more difficult for max to hide the fact that he's alive mostly by virtue of not being dead right now
and he's had the surgery or whatever and he's looking at a 12 month recovery so he's definitely out for the whole of the next season so daniel's like, "It doesn't matter how long recovery takes, take your time" which of course he has precisely zero idea of how to deal with since he's been racing so long and has nothing else in his life
Something happens idk he breaks a glass and Daniel finds him with cut hands and a piece of glass idk and Daniel's like, "a new crisis! I can help with that! this is clearly not something that max has been dealing with daily for weeks now, it's a new thing!"
so he's like, IT'S THERAPY TIME BABY, no more clutching a handful of broken glass and bleeding everywhere, superdaniel is here to help
yada yada finds max a therapist and max HATES IT, HAAAAATES IT, he's uncomfortable and the therapist makes him feel worse and he still wants to like... not be here if he can't race today, he can't wait a whole year
and daniel asks him how it's going and Max lies because why wouldn't he and he's been doing miserable things his entire life that he didn't want to do so what's another thing on top of everything else
meanwhile Daniel's like... hmmmm this is scary Max looks worse
and he sits in on a therapy session and half way through he's like, "nope, we're ending this, sorry, bye, you can have the money for the whole hour but we're never speaking to you again"
points out to Max that that therapist was awful and why didn't Max just tell him how awful it was and how it made him feel
Max, who's never had a choice over anything in his entire life: "..."
anyway he gets max to try another couple of therapists and in the end there's one who is NOT monstrously awful and does not make Max feel like he wants to scratch his own skin off
so Max gets THERAPY and it becomes clear that max's childhood was weaponised beyond belief and he doesn't even know what foods he likes and doesn't like
because he never got a choice and he was always on some kind of food plan that his dad could withhold or not according to how max was doing in every other area of his life
well of course, he gets a whole year of therapy and it turns out his dad was an abusive asshole and he is BLOCKED from Max's phone
and Max has to do things like "make sure his life has more than just racing in it"
so he reads a book
the first one he's ever read
he tries food and tries to figure out if he likes it or if it's just a source of energy he has to eat anyway
he gets a PLANT
it DIES
anyway whatever he gets therapy and he lives in a house with daniel and is allowed to feel some things because he never really felt anything before
and daniel goes off and does some promo stuff idk and films some shit from the house and max is maybe in the background or something and no one's heard from him in ages and in fandom it's all like MAX IS IN DANIEL'S HOUSE etc
and the drive to survive people get in touch and are like, can we interview you for the series even if you're not on the grid, do some stuff about your recovery etc etc
and max is like... i guess
he's not, like, actively suicidal any more because his life has actual pillars of stuff that isn't just racing
his life isn't just like dependent on one jenga tower of racing with the pieces falling down
like, he can't wait to get back to racing but he's like, six months in to therapy or whatever and he's been living with daniel and it's... nice to just... watch movies with him and eat stuff and play computer games (daniel banned racing games so max has had to... compromise)
and maybe there are some... warm feelings
some best friend shit when he's never had real time for a best friend
some "i could probably spend more time with daniel in a forever kind of a way and not get tired of it" you know
BUT ALSO, daniel blowing up his life for max, he saw max in that hospital room and didn't once question what it would mean to him to step back and just... fuck shit up so that max would be okay
anyway drive to survive team show up and they do a bit of interviewing and it is VERY CLEAR that this isn't a natural fit for an episode because Max has, for once, got some shit to say
so they come back with an idea for a spin off documentary that's just Max and this injury and getting back to driving
because Daniel has kind of been fielding red bull this whole time, saying "he's not racing this year, leave him alone, give him some space", and he's got to go out and talk to them or do some promo stuff with them, whatever, he's going away
Max says the timing is good because he can do the main body of the interviewing about what's come before etc, then Daniel can come back and do his bits
and then the docu team are like, "where do you think you'd be right now if you hadn't crashed" and Max looks at the camera and says, "dead, I think" and the team know they're on to a winner because Max has realised that actually, driving like you don't care if you're alive if you don't win isn't actually okay
anyway Max does the documentary interviews and Daniel comes back and Max tells him he can talk about whatever he wants, it's fine but when the team ask him about helping Max when he realised he wasn't coping, Daniel won't give any details and says it's Max's story to tell and he just wanted to make sure his best friend was okay
not realising that he looks very much in love during this idk
ANYWAY SOME TIME PASSES and they do a bit more documentary stuff and Max is preparing to race again and Daniel is doing some stuff with red bull and he flies out somewhere to do an interview and photoshoot for some magazine or other.
The first clips from the documentary are released and they're on youtube and clipped up for instagram and Max posts them but the first picture is just like, 'this contains discussion of suicidal thoughts' etc
Daniel is preparing for this photoshoot and interview
anyway the first clip is about Max in hospital and they go straight in for the kill, Max saying, "I didn't want to live if I couldn't race.
"I didn't want to see anyone, I didn't want to speak to anyone, I shouted at the nurses, I just wanted to get somewhere so I could figure out how not to wake up again. And then Daniel walked in.
"He didn't know how bad it was, he didn't know anything specific, but he knew something was wrong and he got me out of there and he brought me here and got my surgery moved. And he didn't know he saved my life that day. He won't know until he sees this. But he saved my life that day."
END OF CLIP ONE, start of clip two
"You were suicidal," the interviewer says
"Yes," Max says. "The only thing that stopped me was that I didn't want Daniel to find me. He'd moved me to a different hospital and he'd rented this place for us so it was close to the doctors, and every day I woke up and he never knew that he kept me alive just by being here."
"But he found out in the end."
"Not how bad it was. Just that it was bad. And he got me help. And when that help didn't work, he got me more help. He's the best friend I've ever had, and I still haven't been able to tell him how bad it got."
end of clip two, start of clip three
except this clip is DANIEL
"I snuck in to see him in hospital. he wasn't doing great. He was kind of lost, and I didn't really know what I could do, but, like, I figured he needed some space so I got him some. Different hospital, different views, nothing to remind him about racing."
"But he was struggling?"
"Yeah," Daniel says. "He struggled. It was hard to see him when he couldn't race. He's my best friend. It was hard when he wasn't doing so well. But he's doing great now."
smile smile etc Daniel being happy
then a final max clip i think
"Do I still have that drive to win? God, yes. I'm going to win. That hasn't changed. I just want to live as well. I want to wake up tomorrow, and the next day, and the one after that, and win."
then a final slide with the documentary logo on and some suicide prevention helplines, idk
ANYWAY imagine Daniel, if you will, at a photography studio about to have pictures taken, crying his eyes out in the toilets because he's just found out Max wanted to die
so Daniel, who is always very professional, entirely bails on both the photo shoot and the interview so he can go home because he needs to see max
and Max lent him his plane because that's a normal thing excessively rich world champions have so it's not a fucking nightmare getting back from... wherever the interview is, somewhere not that far away in europe
and Daniel chooses to respond to Max's documentary clips on instagram
[ASIDE, my beloved friend as I was telling her this over Telegram, in response to that above: WHY????
Me: because this is MY 4am hurt comfort fic baby]
so anyway he makes a text post that just says Max is the bravest and best person he knows, he's fought so hard to be here, and that there hasn't been a day in Daniel's whole entire life that would have been better if Max wasn't here on this planet, and he's so glad he stayed
and then another one which is like, if anyone else feels like they don't want to go on, please stay, people love you, here's some helpline numbers etc
and Max just replies to him with a blue heart
important to understand that this is my four am comfort fic so it is ENTIRELY appropriate that Daniel walks through the door and both hugs him and starts to cry
and Max hugs him back but does not cry because Max has broken through a lot of shit in therapy but he is not a crier
but he IS accidentally in love with Daniel
and Max makes some Choices in his life, as Daniel does, but this choice involves touching Daniel's cheek and glancing at his mouth and then up at Daniel and Daniel kind of nodding and then there is a KISS
which is badly timed really considering that today has been very emotional and Daniel is still crying and has been travelling etc and they've never actually addressed any of this
so Daniel needs a moment and he goes into the bathroom to stare manfully into the mirror and wash his hands and face and when he comes out Max doesn't let him say anything, just launches into a multi point in-person powerpoint about how they should be together
[my friend: maxplaining his way into a relationshippp]
which Daniel, it turns out, entirely agrees with, but he's really kind of emotionally burnt out right now and would really just like a hug and a sit down, so he tells Max yes, of course, but could they just talk about it later and hug right now
How good is Max at listening to instuctions to stop talking?
not marvellous it turns out but daniel kind of likes it when max gets enthusiastic about stuff
even if the stuff in this case is a multipoint argument in favour of them being quite gay together
OH OH OH now we skip forward a bit
to when Max is racing again
first or second race out there for red bull
and daniel is kind of tied to red bull again
anyway Max WINS
hurray etc he's a conquering hero with a recovered broken neck
so once he's out of the car idk he's done the bit with the team and he spies daniel and goes over to hug him, which the cameras in general love, and then he goes off to do some kind of next step celebratory thing, cool-down room, whatever
only partway there he's like... um
has a feeling, one or two, you know the kind of thing
max hasn't historically been very good at feelings
or healthy choices
but anyway, he decides to act on this one, which is to go back to where Daniel is, and kiss him
which is as much of a surprise to daniel as it is to the whole of the media who are still around to film him
and then Max just turns back around and heads for the podium, so there's a very nice accidental shot of Daniel, afterwards, just smiling and ducking his head and touching his thumb to his lip
which turns into a very popular gif
for reasons
Anyway!! there is a LOT of discussion about Max losing his edge now his focus is not only racing
the documentary talks a lot about Max's childhood abuse and limited food intake etc etc but doesn't mention his dad by name
Daniel races again somehow but probably not in the fic
daniel ends up losing some bet or other and has to do a computer game live stream from his living room of some cosy game idk and the whole thing is interupted by max just living his life in the background
max getting up and sleepily saying morning, max going for a run and kissing him hello, max going in and out of the sim, idk, the two of them making weird noises at each other because they still do that
OH I forgot they buy a house together like immediately after getting together
somewhere green again and it's in both their names because they've lived together for a year already and whatever
and still don't tell anyone they're together even though red bull has them residing at the same address
and ZERO people realise until after the kiss on screen
and obviously the docu clips suggest they've been staying together
and Max gets to say to Christian that they literally own a house together when he expresses some degree of surprise at kissing in public
not their fault no one noticed
Forgot to say that max and Daniel get filmed driving about and max stalls his car and doesn’t know if he likes olives and maybe they forget they’re being filmed
And also that when the documentary finally airs all its eps Netflix on Twitter are like “lol bet you can’t figure out which bits we filmed after they got together and which were before because we certainly can’t, lol”
And Daniel’s in the comments, like “do I get a prize if I get it right”
He gets 9/10 clips right but no one but max knows
Anyway when they buy their house max has zero shits to give about the decor so daniel just gets a decorator in and the only thing max wants is a fancy catio for when they’re not there and his new cats want to go outside
Daniel arranges this because he’s a sucker for max.
anyway that's general plot of surviving to drive: the max verstappen recovery story, the end.
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nandorscloak · 2 years
Text
Nothing changed; everything changed.
Colin Robinson is back, but he left a child sized hole that deflated Laszlo and Guillermo’s entire world.
Laszlo. “Sounds like life goals achieved.” Now what? What do you have, Laszlo Cravensworth, that can fill the whole in your heart? Your little boy is gone, as well as all his memories, leaving you with nothing but a race car bed and the tinkling keys of a piano.
Guillermo packing away the toys like someone finally putting away their dreams, and still going to Nandor one last time. Not even to ask to be made into a vampire, just seeking some reason to stick around. Leaving behind his family, and putting a payment down on the life he always wanted (the one he always hoped love and devotion would grant him).
Nandor. My dumbest bitch. I truly do think at the end of season 3 he was on the verge of an emotional breakthrough, and I think season 4 began with him trying to muddle through somehow. He wanted love and affection. He tried every wish he could to get it. But he gradually wore himself down because that’s not the kind of thing you can build on your own, even with a Djinn’s help, and now he’s back where he’s started. Depressed. Closed off. Not the creepy-paper man we’ve grown to love.
Nadja, my dear ladywife with a loud voice, tired of being ignored in Europe and learning to scream while she was away. Nadja trying to bully her way into success and shuffling backwards every two steps, only to come back to her house of stupid, depressed morons. She was the most unaffected this season, but there’s definitely strife building between her and the Guide. And just like her dumb morons, she herself can be a dumb moron who’s unwilling to change. The Guide could have helped the whole time. Nadja had all the tools and help to make her nightclub successful- she had literal talent at her fingertips- but they weren’t as important as her version of the plan. The same way Guillermo’s idea about brainwashing the headmaster wasn’t as important as sticking to Nadia’s plan.
Unchangeable. Relentless as time itself. Literally rotting at the foundation. Hoping for change is something futile to the vampires. That’s what this season has hammered in over and over.
But Guillermo’s not a vampire. Guillermo’s a fundamental part of their rotting foundation- and he’s on the move to shake things up.
‘It only gets darker from here.’ But I think there was a reason for this season being so dark. They had two more seasons guaranteed. I think this season needed to happen to help destroy the previous stagnancy of the show. I think it was time to lay a new foundation.
But the one consistent element of the show is that Guillermo will always protect the vampires. He loves them. They are his family. And whatever happens next, whether he’s turned or it all goes wrong, I think that will still be true. He’s their body guard, their heart guard. Their familiar. He’s what’s familiar.
I lost the point of this. Anyways, can we get an episode next season of the household + Sean doing an Ocean’s 12 style heist to get the witches hat back from Simon the Devious? I think we’ve earned it.
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reiderwriter · 6 months
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Thoughts on unsub spencer reid fics?
Hi! I'm not sure if you wanted more of a general answer or meant this as a headcanon or gen request, so I'm just going to go purely on vibes and answer this as a question.
Spencer as an Unsub - Thoughts
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Disclaimer: Anything negative said here is absolutely not an insult towards any specific writer or fic. I don't really read unsub Reid fics, due to facts I'm about to get into, so I'm really not knowledgeable enough to be throwing shade 💀 This is personal opinion!
I personally would need a lot of convincing to believe in an "unsub" Spencer Reid.
In Criminal Minds, it's clear from very early into the show that Spencer is very empathetic with certain unsubs. The entire team have their own types of cases that they get more personally involved in (Morgan and cases involving child victims, JJ and apparent suicides, Emily and quote unquote battered women cases) but Spencer is the only one whose personal attachment to cases leaves him empathising with the unsub instead of the victim.
He's the only member of the team who could have seen himself committing violent acts the way unsubs do had his life veered down a different path. And, based on Spencer's background and the psychology of the show, he's probably right to be concerned.
He's a white male, at the peak of the show in his mid to late thirties, with a background of abuse and a family history of mental illness. By season four, we know he's highly skilled with a gun, and by season 12/13, we see that he can be pushed to violence when he is at the very edge of his limitations.
And then they make his character so intrinsically moral that you never question him ever again.
To a certain extent, Criminal Minds is about the perpetual cycles of abuse that human kind can inflict upon itself. Many of the unsubs were once victims, some of them perhaps still are. The heroes of the story are characters who have been able to break the cycle.
Spencer is neglected as a child. He has an absent father abandon him, a mother with schizophrenia who does physically beat him when she is having an episode. He is bullied heavily in school for his high IQ and his lack of social skills. But he is shown to deeply care for him mother and empathise with her deeply instead of coming to resent her like many of the unsubs in that situation. He resents his father, for sure, but instead turns that resentment into drive, leading him to "just keep getting more PhDs." And his personal experiences with bullying allow him to empathise with the unsubs that have gone through similar circumstances.
So I don't think canonically, Spencer is ever in danger of becoming an unsub. He deeply cares about the world and the people around him, and whilst he does have a kill count on the show, he either expresses deep remorse at having to oull the trigger, or it is in the best interest for everyone involved.
Basically, all that to say: I think Unsub Spencer Reid in fanfiction has to be written incredibly carefully, or it runs the risk of being very out of character. To be clear, I'm not too bothered about characters being slightly out of character in fics because it happens. I've probably written a lot of stuff where Spencer is OOC, too. And that's fine.
I do kind of draw the line at grabbing random unsub traits from the show and giving them to Spencer for a fic. For example, Spencer would never end up as a sexual sadist. He probably wouldn't be a spree killer, either. Not that anyone wants my writing advice, but if you're writing an unsub Spencer fic, think about his background and the profiles they generally give for the kind of signature/ crimes you're about to give him.
If this was a request, I apologise for the misunderstanding. But here's a little hint at what I might do with a general "unsub Reid" request.
☆ It would most likely take place after the events of Season 12/13.
☆ It's angst or nothing.
☆ The basic plot: Reid's headaches come back after taking a blow in the field. He tries seeking help for it but can't find any relief. On his next case, because of his chronic pain, he makes a mistake that gets his teammate, the reader, shot. The unsub escapes, but the reader falls into a coma. When it looks like reader is not going to pull through, he tracks down the unsub and beats his to death after a brawl. Massive overkill. The reader pulls through that night, and he feels no guilt for getting that monster off the street. But each time the readers health takes a turn, or they require a new surgery, he is compelled to go back out there and track down and kill another serial killer until the reader finally wakes up.
☆ I don't think it'd be very well received because there would be no morally grey smut. This is some tragic angst shit only, lmao.
☆ please don't put a request for this in my inbox. If I feel like writing it later, I might, I don't have the brain power right now, though 💀
That's all I've got right now, but I'd love to hear other people's thoughts on unsub Reid :)
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david-talks-sw · 9 months
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An allergy to the Prequels
While I'm putting together a post about the evolution Lucasfilm's transmedia strategies, this part kinda turned into its own thing!
So I'm not sure if anyone else noticed, but, uh... there hasn't been that much Prequel content since the Disney sale, right?
'Couple novels and comics, some episodes... but nothing meaningful.
The more I look into it, the more it feels like a deliberate avoidance to touch on anything Prequel-related - beyond the required quota, that is - to a point where they'd rather tell stories set during periods that are Prequel-adjacent (Dark Times, High Republic) than something set around Episodes I, II and III.
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On-screen policy: "pretend they never happened"
I mean, this one's no secret. When The Force Awakens had been announced, with J.J. Abrams at the helm, everyone sighed in relief. "Finally, George Lucas won't keep ruining the franchise."
When Abrams had been announced as the director of Episode VII, I remember this cringey animated video started circulating online, titled "4 Rules To Make Star Wars Great Again" or "Dear JJ Abrams":
“Star Wars isn’t shiny and clean... Star Wars is a western.”
If you ask me, those two things are not mutually exclusive.
'Cause Star Wars has always been both, for many Prequel kids. Both clean and dusty, Coruscant and Tatooine. There was never a disconnect between the Original Trilogy (OT) and the Prequel Trilogy.
Even the documentary The People vs George Lucas shows Prequel-hating fans begrudgingly admit their kids felt all six episodes tied seamlessly.
Abrams, on the other hand, said: "I think [the "Dear JJ" video] was right on." Later on, he also said:
he considered "putting Jar Jar Binks's bones in the desert" on Jakku, somewhere, and
he intentionally made the lightsaber fights "rougher", "primitive" and "more powerful" unlike the fast-paced ones in the Prequels.
Later, we found out he wanted to blow up Coruscant.
It's clear he wasn't a big fan of the Prequels.
But y'know what? Not many fans over 20 were, at the time. And when The Force Awakens came out, most them celebrated it as a wonderful love letter to the OT.
Star Wars is cool again. Mission accomplished 🙌 !
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However movies keep coming out, and references to the Prequels - if there are any - are literally just that... references.
Sometimes in the shape of a cameo ("hey look, Genevieve O'Reilly from the Ep. III deleted scenes is playing Mon Mothma again!")
Sometimes in a name (Luke name-dropped "Darth Sidious"!)
But nothing set during the Prequel era, and nothing treating the events that happened in that period as relevant or impactful, beyond subtextual nods.
In fact, the trend of avoiding anything Prequel-related continues as the final film in the Skywalker Saga comes out:
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The Rise of Skywalker has a secret Sith society that chants the name "Palpatine" instead of his Sith name "Darth Sidious",
the film pretends the Kaminoans never existed,
and neither TROS nor Trevorrow's Duel of the Fates script even try to bring Hayden Christensen's Anakin Skywalker back on screen. Let that sink in, we're talking about the Chosen One, Skywalker Senior, whose sins caused this whole mess... and his name isn't even uttered once in the final chapter of what Disney dubbed the *Skywalker* Saga (or the entire Sequel trilogy, for that matter).
But hey, The Clone Wars got renewed for one last Season! That's cool right? So many stories had gone unfinished and somehow the animation looks even better than befo--
-- oh. It's not 22 episodes? Only 12?
Four of which had already been shown to us, but hey! We need to set-up the Bad Batch series, so let's shoehorn those episodes in there, and forget Son of Dathomir, Dark Disciple or Crystal Crisis.
*sigh* Better than nothing, I guess.
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In other mediums: "just not a priority"
Now this is something that I'll explore more in the transmedia post (and purely my interpretation), but the noticeable change between Lucasfilm's transmedia strategy *post-ROTS* and the one post-Disney sale is that:
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Before, the games, comics and novels were the main content. After all, Revenge of the Sith had been released, so that was it, for the movies. Thus, a variety of other content was being cranked out to keep the Star Wars franchise relevant. There were comics set 100 years after Episode 6, comics set 25,000 years prior, games set in the Old Republic era, other stories in the New Republic era, novels galore, a couple of parody films and an animated show, The Clone Wars, which sometimes received its own tie-in comics, novels and games.
After the sale and ever since, most of the transmedia products have had only one goal: promoting the films & streaming shows.
So while in 2015 you won't see an abundance of Prequel content... you'll see an avalanche of OT books and comics come out.
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Why? Because the heroes of that era will be in the Sequel Trilogy movies. It provided context to the kids who hadn't seen the OT yet, and reintroduced those films to a new generation of fans, while priming them for the Sequels.
A multimedia marketing strategy that ultimately proved successful.
However, it continued even after The Force Awakens came out.
Don't believe me? Compare how many comics there have been set during the Prequel era vs the OT era.
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If they make comics about the Prequels, they're limited runs.
Case in point: before the current Yoda series, the best any Disney Prequel-set comic series ever got was 6 issues.
Note: it's worth pointing out that the frequency of mini-series aren't just a Star Wars-specific thing, it's a comic book industry thing. The readership for comics is dwindling, many people are reading scans online, and so no publisher wants to commit to a story that lasts more than 4-6 issues. My problem is: there absolutely would be readership for a Prequel comic series to warrant an extended run instead of a mini-series.
Let's talk books. There have been give or 64 canon novels published since the Disney sale.
Only 11 of them are set during the Prequel era. And even those stories only came out when the planets were aligned.
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Almost half of them were released while being a part of some bigger multimedia push.
Example:
Before the Obi-Wan Kenobi series was being released on Disney Plus, we'd had one novel and like two comic stories about him during the Prequels... released between 2012 and end 2021. That's about three pieces of content in almost ten years.
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Clearly a low frequency.
Then, when the series is around the corner, two books and a comic story comes out in the space of months, plus an anthology book with an alt cover with his face on it and a comic with a story of him and Anakin in the first issue, all in 2022.
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My takeaway: short of there being a film or series that needs to be promoted, you'll rarely get any Prequel comics or books.
And this is OBI-WAN we're talking about. The character who even the Prequel haters love. Imagine how little attention the other ones get.
Gaming-wise, Battlefront had no Prequel content at all (again, 2015 was the year where OT content was shoved down the consumer's throats to prep them for Episode VII), and Battlefront 2 only released Prequel content a full year later.
All that being said, we did seen some Prequel elements here and there. After all, some actors got to reprise their roles, books and comics came out featuring Prequel characters... but there's a catch.
The stories they appear in are set in-between Episodes III and IV, a time-period known as "the Dark Times" or the "Imperial era".
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"Dark Times" being used instead of the Prequel era
It's easy to see the appeal of this era. You keep the same threat from the Original Trilogy - the Empire - but redress it with Prequel elements... while also cherry-picking the best characters of both the OT and the Prequels and giving them a chance to shine again.
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The situation is more clear cut, as opposed to the complex one in the Prequels. Bad guys are stormtroopers, good guys are anyone else. And the stories no longer take place in the shiny capital, you're back on the frontier.
But at this point... it feels like a cop-out.
When you consider how much content has been set during the Dark Times, it's nothing to sneeze at. Since the sale, we've had:
2 movies (Solo, Rogue One)
4 series set in that time-period (namely The Bad Batch, Obi-Wan Kenobi, Andor, and Star Wars: Rebels).
2 video-games (Jedi: Fallen Order and Jedi: Survivor).
17 novels (such as Ahsoka, Lords of the Sith, the new Thrawn books, etc)
And just a whole bunch of comic book series & mini-series (like Kanan, Princess Leia, various Vader-centric comics including Darth Vader: Lord of the Sith, many tie-in mini-series promoting Rogue One, Jedi: Fallen Order, Obi-Wan Kenobi, etc).
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There's been so much content made for this time-period that it feels like an unwillingness to do the work and create something set something during the Prequel era, let alone something that follows its Jedi.
After all, why make a story set in the Prequels (disliked by vocal fans) when you can just take the characters in that story and put them in an OT setting (which will appease the Prequel-haters)?
Maybe these stories get relegated to the Dark Times because:
there seems to be a perception that anything set in the Prequel era won't sell?
or maybe the current SW writers weren't fond of Episodes I, II and III, and don't find those Jedi characters likable, thinking they're too righteous and dogmatic which makes it hard to craft a story around them.
Or maybe it's because they're under the impression that the Prequel Jedi are bad. Like, canonically, in the narrative. Not just in a "I don't like them" sense, but also in a "the story is all about them becoming corrupted" sense.
Let's expand on that last point.
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Retconning the Prequels as the "Fall of the Jedi" era
Somehow the rare stories set during the Prequels that we do get seem to automatically be about how "the Jedi lost their way/failed".
The series Tales of the Jedi is explicit about it...
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... and I already explained why it contradicts what George Lucas established here and here.
You also see it in Rebels and the new season of The Clone Wars...
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... in comics...
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... in games...
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It gets to a point where the Prequels era has now been redubbed the "Fall of the Jedi" era by Lucasfilm.
You wanna know what that period was referred to before the Disney sale? The "Rise of the Empire" Era.
Because - and I'll never get tired of saying this cuz it's factual - the Prequels aren't about the fall of the Jedi, they're about the fall of the Republic and Anakin, and rise of the Empire and Vader.
So in addition to being overdone, the "Jedi lost their way" is not even the intended narrative of the Prequels (if one puts any stock in Lucas' words). It's a minor subplot at best, hardly the focus of the films, let alone a whole time period.
But dubbing it "Fall of the Jedi" implies that there's another era in which the Jedi were in their heyday.
Because Star Wars authors are in luck! Yet another alternative has presented itself in the shape of a new transmedia initiative, and it's even better than the "let's set it during the Dark Times" solution:
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A new transmedia initiative: The High Republic
You wanna deal with the Jedi before the Empire, but for some reason you wanna avoid dealing with the ones seen in the Prequels?
Look no further. Meet the Jedi of the High Republic.
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Noble, adventurous, inspired by the Knights of the Round Table, they're everything the OT kids dreamed about when they heard ol' Ben Kenobi talk about the Knights of the Old Republic.
That's more like it!
Note: the High Republic was created for other reasons and has many more upsides than the ones mentioned above. Namely, a fresh new spot in the timeline that allows for creative freedom and a beautifully-coordinated transmedia storytelling effort where retcons are non-existent. However it does seem evident that not having to deal with the 'unlikable' Prequel Jedi and their "fall" is one of those upsides.
Another perk that the High Republic era offers is more freedom in terms of storytelling compared to the Prequels.
In 2016, Pablo Hidalgo tweeted he still quotes to authors the following excerpt of West End Games' guide for aspiring Star Wars writers, from 1994.
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You can't write "this was the best day in Luke Skywalker's life", for example, because another author may want to write a better day than the one you just wrote.
My guess is that a similar approach applies to how all characters from the movies are treated. They're massively iconic. So you can't write a book that drastically changes how Mace or Yoda or Obi-Wan are perceived overall.
The stories need to be self-contained, disregardable if necessary, because you'll have dozens of writers coming up with new stories for those same characters, and you need to leave them some room.
Examples:
Notice how in the book Dooku: Jedi Lost we never see how Dooku turns to the Dark Side and joins the Sith.
Same goes for crossover comic book arcs of the Star Wars issues, like Vader Down or Crimson Reign... the characters don't really change by much in those comics. You could stick to just watching the movies and you wouldn't really miss anything.
But with The High Republic, you indeed can develop these characters as much as you want.
All stories featuring Avar Kriss leave an impact on her, you can nail down who she is perfectly in one book or one comic arc, both being just as meaningful to her character.
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The fact that she's not as iconic/famous a character as Mace Windu means that authors can go to town on crafting an interesting and nuanced character arc for her that'll have a beginning, middle and end... something Mace will never really get.
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CONCLUSION:
Back in 2015... let's not kid ourselves. The Prequels were unpopular and Disney is a multi-billion dollar corporation. Opting to make as much money as possible is what they do.
It's the same reason they decided not to go with George Lucas' original plans for the Sequels, in 2012.
I mean, imagine you're Disney. You just dropped 4 billion dollars, with a B, on this franchise. Your next Star Wars movie needs to be worth the price tag. Now, you can pick between two options:
Option #1 is uncharted territory and it explores the midi-chlorians (the cursed word…!) and the guy who presented you with this option also openly admits that a big chunk of customers won’t like it, but he wants this to be done because it’s his vision.
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Option #2 is very simple: a soft reboot, that plays on nostalgia that the same chunk of customers (aka the 'boomer and Gen-X fans who grew up with the Original Trilogy and now have kids, grandkids and MONEY) will like.
It's a no-brainer. They gave the customers what they wanted.
But time has passed, the fans who were children when the Prequels first came out have grown up, and grew up with characters like Yoda, Mace, Plo Koon, Kit Fisto and other Jedi as their heroes, aside from main characters like Anakin and Obi-Wan and Ahsoka.
Can we maybe expand on them, flesh them out more?
No, let's either ignoring the storytelling potential of these characters or reducing it to them being "righteous, arrogant and dogmatic".
God forbid we get a story showing the Prequel Jedi in a *gasp* more positive light? One where their POV is more understandable, instead of the same old "we brought this on ourselves" storyline.
There's a whole decade between The Phantom Menace and Attack of the Clones... you're telling me there's no space to show us Anakin's training and how he formed bonds with the Jedi we later see in The Clone Wars? I tried my hand at it here:
Interesting or fun Prequel-set ideas from other pro-Jedi fans on Tumblr can be found here, here and here.
And y'know, part of the Star Wars intent is for fans to take the ideas in the movies and come up with their own stories. You're supposed to create headcanons.
What I'm saying is fans of the Prequels are being given less "imagination food" than the rest, and many of us who like the Jedi in particular are forced to rely on headcanons only. "Better than nothing" is no longer an acceptable standard.
There's a range of recognizable Jedi characters that have already been established in films and TCW, can we maybe expand on them, flesh them out more, instead of whole new ones?
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ithinkdogshouldvote · 9 months
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Tide tide tide tide tide nothing bad has ever happened to you my love. My favorite beef stroganoff dad i love you. No. 1 himbo.
(PLEASE NO SPOILERS I JUST STARED SEASON 2 BE GENTLE)
Update: I'm on episode 12 WHERE ARE YOU??!?! COME BACK! I MISS YOU!
Update update: TIDEEEEEEEEE!!!1!1!!! <33 :D!!
Update update update: WHAT THE FUCK
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jimmyysea · 7 months
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youtube
(just some of my fav parts from this interview)
-> in the game, whoever lost was supposed to sing a song. first lost but they both sang "lets try" anyway lol
-> firstkhao get asked about whether ray was right to leave sand to go to mew after answering the call.
khao says that ray was wrong for leaving sand. first says that no one was at fault, and that ray wasn't doing the wrong thing but he should have considered sand's feelings.
-> first giggling when the girls said "sand is always right" and "the right opinion is to protect sand" was so cuteee
-> first does not listen to any of the songs/artists that sand likes because he prefers more indie music, so he asked khao for advice and khao advised him to listen to 505 by Arctic Monkeys to try to get into character
-> first says he wished he played ray because he wants to spend money and just resolve any problems he might have by spending some money. he just wants to play a rich boy.
-> q: in your opinion, who is the worst and best character in the series?
in khao's opinion, the best character is sand (we love khao being a sand supporter), because he is very sympathetic to others, and because he works for himself. he works hard to get where he is and his rs with his mother is good. in his opinion, there is no worst character cuz everyone makes mistakes. in first's opinion, namcheum is the best character cuz she's a supportive friend and having her as a friend would be good for anybody. he agrees w khao on the worst character, but he mentioned boston for the betrayal
-> when both the interviewers said their fav character was sand ("i would die for sand", "at the end of each ep, sand did nothing wrong"), firstkhao were giggling loll but then first says "maybe for now" and everyone goes a little crazy
-> q: if you could be friends with only one of the characters from the series, who would it be?
both of them said namcheum because they think having her in the friend group would be lively and it would be a lot of fun. when the interviewers both chose sand, firstkhao starting laughing so hard pls it was so funny. they changed their answer to nick for a while and said that he would be great for digging up dirt on people, but then sand again cuz sand is perfect. (firstkhao started giggling again)
-> when they were asked for spoilers:
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about the spoilers, they said ep6 was the peak of when things start to happen. the fight, the friendship that is going to be destroyed, ep6 is the start. khao personally likes ep 11, maybe 12, cuz there is some happiness going on. first says he likes them all cuz he loves playing his character in the series, cuz compared to the eclipse, where they had to go back and think about their high school selves, its a bit more relaxing and they can be themselves. the girls said since first is perfect and so is sand, it all works out. (first just kept giggling every time they mentioned sand is perfect). first says that ep 11 is kinda perfect because there is love and caring and happiness all around. the boys start laughing when the girls say they don't believe them.
-> i found it kinda cute that in the word association game with the word "love", first said "feeling" and khao said "giving"
this just ended up being a transcript for so much of the episode lmao so ig whoever doesnt have 45min to watch the show can read this ig?? lol
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