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#1920’s french
emeraldexplorer2 · 2 months
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carbone14 · 2 months
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Couple - Cartes postales françaises - 1920's
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resplendentoutfit · 2 days
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Callot Soeurs (Callot sisters) was a leading Paris fashion design house from 1895 through the 1920s. The fashion house was operated by the sisters Regina, Marie, Marthe and Joséphine Callot.
They were taught by their mother, a lacemaker. The eldest sister, Marie was a trained dressmaker. The sisters started out embellishing lingerie and blouses with antique ribbon and lace. The enterprise quickly took a turn for success as the sisters began creating their own dress designs.
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Right: the Callot Seeurs label
Left: The sales room of the haute couture house Callot Soeurs, c. 1910.
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Evening dress from 1900-14, designed by Callot Soeurs • Silk, cotton, metal
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Callot Soeurs dress • 1910s
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Day dress with collarless tunic • c. 1924
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crownedstoat · 9 months
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Citroën-Kégresse expeditions 100th anniversary is in September.
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debrink · 2 years
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Cycles Albatros
Sur Pneus Dunlop
~ Charles Hirlemann, circa 1923
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lexxwithbooks · 2 years
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📖: 𝑬𝒄𝒉𝒐𝒆𝒔 𝒐𝒇 𝑻𝒊𝒎𝒆 (𝑆𝑢𝑟𝑣𝑖𝑣𝑖𝑛𝑔 𝑇𝑖𝑚𝑒 #3) ⌛️❤️‍🩹📜
✍🏽: 𝐂𝐚𝐥𝐢𝐚 𝐑𝐞𝐚𝐝
Get the book! 🌟
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theshatterednotes · 2 years
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French philosopher, sociologist and literary theorist Jean-François Lyotard
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minayuri · 10 months
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Silent Film Masters of Disguise My Beloved ❤️❤️
René Navarre as Fantômas & Rudolf Klein-Rogge as Dr. Mabuse
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lovelynoisyfun · 4 months
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1920's French Postcard
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littleeyesofpallas · 2 months
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So, with the new legends there's a neat way we can take a guess at some of the time frame. Although it's largely aesthetic and hard to gauge the intended historical parallels of, the not-Eiffel Tower at the center of the city could presumably have been completed in the late 1880s like the real thing. Interestingly that places it pretty concurrent to the construction of the Hokkaido Government building in the 1870s that served as the basis of the Galaxy Team HQ in the first Legends game.
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But with the keywords being "urban redevelopment" the setting could only possibly be Haussman's renovation of Paris that took place from the 1850s-1920s. So given that the tower is already standing, that places Legends Z-A between 1889 and 1927.
And I doubt it would play into the setting of a Pokemon game but I think it's neat that it would mean taking place firmly in the 3rd French Republic, as that's not typically the most romanticized period of French history. (Kind of shocking given just how much Japanese pop culture loves to fixate on the Ancien Regime and Rococco architecture.) It's right at the height of the French Colonial empire and their rivalry with the British... Even if they don't address the history directly, certainly not the darker bits, I wonder if we'll see an ancestor of Rose* and some mention of Kalos and Galar's relation as a hint at the Pokemon world's equivalent of India. (Elephant, what elephant...)
*put a pin in that... Well come back to Rose later...
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Also I know a lot of the stupid "leaks" that were just running with any/every rumor they could find had been talking about Celebi, despite there being no signs of it in the direct, but it's possible that the Z-A title and the fadethru of the sort of sci-fi looking city diagram into a pencil and parchment one is indicating going back in time --backwards, from Z to A, end to start.
and just so long as I'm just picking at edges of things...
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The unknown are an anagram of, "POKEMON PRESENTS"(oh and the SOEYUE one at the end is just "SEE YOU") and the ""confidential"" stamp on the documents likely reads "Gokuhi" as in gokuhi[極秘]: "Top Secret," but the rest of the text doesn't seem to match either Japanese, French, or English,
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Hito to POKEMON no kyouzon o yumemite[人と ポケモンの共存を夢見て]: "Dreaming of people and Pokemon's coexistence" Toshisaikaibatsu hassou MIARE CITY[都市再開発発想ミアレシティ]: "Urban Redevelopment Concept Miare City"
The obvious exception being that redacted text is clearly the romanized MIARE from the Japanese MIARE[ミアレ] and the English CITY, which is the Japanese name for what was localized as "Lumiose."
Curiously the word "Pokemon" is very clearly missing from the passage, and also in both cases there are too few "Galarian" characters for how long the phrases are in any actual language.
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and finally, given some of the existing examples of handwritten Galarian in SwSh, I'm guessing the text on the big logo is as i've transcribed into the more standard Galar font, although I'm really uncertain about that second one, and a bit iffy about the big "X"s, but the little cyclone O, the V with the underbar, and the E seem certain enough.
Also there's a logo I know I remember seeing that looks like this one but I can't remember where it is or what it's associated with.... It's the logo on the Macro Cosmos power plant. Not Rose's personal logo with the stylized rose, and not the Cosmos business logo with the big star system orbital ring Cs, but the power plant in Hammerlock where you go to fight Eternatus specifically.
It would be really neat if whatever this organization is was tied back to an ancestor of Rose and Peony and the origins of Macro Cosmos somehow.
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the1920sinpictures · 26 days
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1920's French Seagull opalescent glass lighting by Sabino. From Art Deco, Avant Garde and Modernism, FB.
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carbone14 · 1 month
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Cuirassé français Béarn transformé en porte-avions - 1920's.
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1938
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1946
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rippersz · 3 months
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𝐏𝐚𝐫𝐢𝐬𝐢𝐚𝐧 𝐃𝐨𝐠𝐬
✧⋄⋆⋅⋆⋄✧⋄⋆⋅⋆⋄✧⋄⋆⋅⋆⋄✧⋄⋆⋅⋆⋄✧
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✧⋄⋆⋅⋆⋄✧⋄⋆⋅⋆⋄✧⋄⋆⋅⋆⋄✧⋄⋆⋅⋆⋄✧
Fem!Named!Reader x Larissa Weems; (Fluffy, romantic, ships in the night, angst) (8K word count)
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Why are you here?
Why are you here if you’re so tired? So exhausted? So bored?
Why are you looking for meaning in a foreign country? And why can’t you find it? Don’t you know passion isn’t found in the street? Don’t you know it doesn’t just exist beneath the light rain and cold wind? Your shaking body won’t get you anywhere but across the cobblestone bridge - and even then, you must trudge. Wade through the distinct desire to fall asleep.
Why are you trying so hard to stay awake?
You have come here for a reason - for an escape - and yet, you are plagued with the same thing that haunted you back home. It is inescapable, this distinct feeling of emotional helplessness. You feel too much or you feel too little. You explode with desire, with sadness, with anger, or you are cool and detached. You cannot find an in between. You cannot find a warm, soothing balance. You walk the line of extremes and get upset when the grey areas cease to exist.
So you run away to France and think that you can find yourself in what? Hm? In the Eiffel? In the lights? In the love? Please. You have not felt love. You have not felt real love. You have not felt anything beyond passion and lust, and even then those feelings were artificial. Forced, almost. You have looked at men and you have seen their shoulders and you have witnessed the bobbing of their throats and the easy fluff of their hair and you have been thoroughly unimpressed. For what exists for you there? What is in their strong arms? What is in their DNA? What lies in them that cannot be discovered elsewhere? Why are you expected to view them and want them?
Why are you expected to love?
So many questions, not many answers. They swirl around inside like the milkiness of an oatmeal bath, opaque and bottomless. They swirl and you watch. Utterly mesmerized. Hypnotized until you feel the distinct desire to fall asleep. Constantly tired, you are. Always so exhausted, dragging your feet along the pavement. Blindly clutching the collar of the black coat that covers your arms and back. Its hood leaves your face bare for the elements. Wind sweeps and rain smacks and you are certain you’ll get sick from walking out so late at night in the cold.
What on Earth came over you? Who could ever be so stupid?
Shivers run the length of your body. You feel like a wet dog thrown out in the street, proving far too difficult for the family to continue dealing with. Too loud and too needy and too caked with mud everytime you walked into the house, so they had no choice but to discard you. It is better, after all, than having a defective animal. No one wants a dog who cannot love. No one wants a dog who cannot be understood. No one wants a stray. And no one-no one-wants a shivering pup walking slowly on unsteady legs. No one wants that. No one wants you.
Except for the sign in the distance, blurry and far away - past the stoplight and across the street. A golden light flickers brightly above an evergreen background, and you can just barely make out, through squinted eyes, the bold gold lettering. ‘Madame: A 1920’s Brasserie’. You can’t help but think that it’s a rather silly name. Madame. Can’t get more French than that. And, it appears, can’t get more authentic. The restaurant stands out in a way that borders on tacky. It is all dark mahogany, golden accents, and small details of matte red and green. The sconces on the walls glow like mini-fires, and you find yourself… drawn. Intrigued. It is inviting and it is late. The windows are dark; the world inside is its own. And you need an escape. A proper one. None of this wandering shit that leads you to nowhere but a random spot with aching feet and the distinct feeling of dissatisfaction. None of this waiting around emptiness.
You are cold and it looks warm and you are just an abandoned dog. How can they expect you to deny yourself some peace?
The very moment your boot slides over the threshold, tapping down lightly on a dark wooden floor, your body is changed. A veil of something different flows over your shoulders, draping behind you, and suddenly you feel as though you’ve stepped into another world.
Have you? Or were you just hit by a car in the middle of the road and slipped into the Afterlife?
If that had happened, and you were indeed dead, then the Afterlife was an absolute treat. It seems like a small speakeasy, with a stage at the very back of the restaurant - lit up by a few spotlights and otherwise empty aside from a single microphone stand and a piano. In the dark corner beside it, there’s a cello, a trumpet case, and a deconstructed set of drums. The lights are dimmed so intensely that only the flickers of tabletop candlelight and a few burning wicks by the bar help you squint through hazy darkness. It feels like a dream as smoky hands curl into the air and caress your lungs as you breathe, creating something intoxicating when paired with the heady scent of mixed perfumes. Mixed perfumes that all seem to belong to women. Only women. It’s not crowded but a few souls linger. Couples leaning into each other at their booths, their pupils melting into hearts. Friends sitting lazily at one of the center tables, toasting to something you can’t hear. A group of flirts. A lonely soul or two nursing martinis by the stage. A woman at the bar. The bartender. One server drawing in a notebook, tucked away from the rest of the world. All women. All… dated. Old fashioned. It feels like you’ve stepped into the 1950’s - or something like that. You’ve never been very good with time. But they are different. Wearing dresses with pulled in waists, collars, square necklines, bateau necklines, coats and hats and heels and gloves. Not a phone in sight. Some are in suits, too. Marlene Dietrich type suits. Tipping The Velvet type suits. Very dapper. Very clean. You’re overwhelmed.
Distantly, somewhere, the gentle keys of piano jazz fill the buzzing room - and you feel lightheaded. Dizzy with warmth. The rain purrs against the windows, blowing with the wind trying to get to you. But you have reached safety. Nirvana. And you find yourself itching to shrug out of your coat and disappear into a glass of something tangy and sweet.
“Amaretto sour,” you murmur to the lady behind the bar, sluggishly pushing back the hood from your head.
“Choose somethin’ else, sweetheart.”
The response is immediate. And annoying. You pause, halfway out of your coat, and look from the polished mahogany of the bar’s surface to the amused glint in the bartender’s eyes. There’s a cloth thrown over her shoulder and a dark loose vest sitting tight against her button up. White. Sleeves scrunched by the elbows. A smirk on her lips. Your gaze melts into a glare.
Stop looking at me like that. I’m just a dog. I don’t want whatever smiles you have to offer.
“I don’t know,” you growl, tugging the coat from your body so harshly it nearly tears your arms off.
But she doesn’t seem to mind your irritation, and better yet, she doesn’t really seem to care. Her eyes only track the way you throw your coat over the back of your chair and push yourself onto the high-top stool. You reason your anger is probably out of place in such a dreamy world, just like your choice of alcohol, but you’re too tired and cold to bother giving her a smile. And being kind has proven to be more and more exhausting as the days go by. It’s not like she deserves it anyway, being so casual with you. Standing so tall, with such confidence, not even the slightest bit weary or weathered from the long day. You don’t even know what time it is - only that it’s late. Past the twinkling stars kind of late. Way past sunset kind of late. So late that you think the restaurant may be closing but you’re not even sure. No one has left. The women are still happy, buzzed and delighted by the concoctions in their glasses. Still all lonely by the stage. Still knee-deep in the quiet place of Madame.
Still a silly fucking name.
“Bailey’s Colada then,” you drawl, running a hand through your messy curls. “And an extra shot of pineapple juice. I dunno.” You shrug, leaning into your hands as your elbows press into the wood of the bar. They’re cold, covering your eyes. Damp. Tense with the chill from the rain you just escaped. And eager to feel something grounding.
Too bad the bartender is still a bitch.
“I’ll give you one more try.” She thinks she’s so clever, smiling at you like that. She thinks she’s so charming.
You want to rip her happy eyes out.
You want to sleep.
“Just. Get. Me. A. Fucking. Drink.” Your gaze shoots daggers, piercing her right through the heart between the gaps of your fingers.
If you were any more aware of your surroundings, instead of just appreciative, then you’d notice that the only liquor they serve is the kind produced during the 1950’s. The popular drinks back in the day. True to the time. Devoted to the piece. Overall very good with details. But details are not something you have the energy to notice. And there’s not a damn thing on Earth that can tear you away from the drugged feeling of your eyes slowly drooping. Growing hazy with fatigue. Vision blurring. Body shivering, still dripping small beads of water from your coattails onto the floor. Distantly, you hear the bartender speak.
“Hey- are you okay?”
No, you want to say. No, fucker. Can’t you see I’m not okay? Just get me a damn drink and-
“If you don’t mind my interrupting,” a voice - deep, English, breaks through your haze. “I suggest a Tom Collins.”
Great. And I suggest you shut the Hell up.
“That work for you, princess?”
You want to reach across the bar and strangle her so bad that your cold fingers twitch, but something stops you. No- someone stops you.
“She’s exhausted, Leslie. Leave her be.”
Yeah. Finally a person who has a fucking clue.
You want to speak, and perhaps tell the person to go away, or throw your hands up in the air and yell ‘Halle-fucking-lujah!’, but before you can open your mouth, the seat next to you squeaks. It spins around, dragged lightly by a white-gloved hand, before it moves to accompany a figure. A figure with a lot of misplaced confidence and a lot of audacity. A lot of self importance and a lot of gall. A lot of… oh.
You swallow.
A lot of height, as well. A lot of height and a lot of elegance. She slips into the chair with practiced ease, placing her hands in the right places and her heels on the right rungs, tugging the chair to spin around and face- you. You. Of course you. You, who are the odd one out. You, who waltzed in from 2024. You, who are not one of them. You, an abandoned dog and you, who are cosplaying as a content human. Of course the stranger turns to face you. And of course she is beautiful. All pale skin and shining blue eyes and snowy curls pinned extravagantly atop her head. A jawline that is softer than fresh downy pillows and could cut glass if it grows tense. Long arms. Long legs. Red lips. A scar-so faint you have to squint-but a scar nonetheless. You wonder where she got it from. You wonder why you wonder.
“It’s palatable,” the stranger speaks. The tip of her nose moves with her words. It’s cute. She has a very distinct face. Sharp features. Eyes not too hooded but not too wide. They don’t look at you directly, and instead focus on a spot near your hand. On the mahogany, where it’s (thank god) clean.
The bartender turns her back to make the drink and you take that moment, away from her bastard prying eyes, to speak.
“I hope so.” It’s ruder than intended, but doesn’t seem to offend. Those red lips quirk into a smile, and she looks at you- finally- from beneath dark lashes. Her makeup is fresh. Her skin looks warm.
“The Amaretto Sour and Bailey’s Irish Cream only rose to fame in the 1970’s,” her covered fingers run along the smooth wood, “The Mai Tai, Tom Collins, and Sloe Gin Fiz, on the other hand…” She tilts her head, shrugs one shoulder, and flicks her eyes from you to the bar. It’s endearing, annoyingly enough. And you’re sure that for a second, the blush on her cheekbones is a figment of your imagination.
For some reason, you shoot her a wry smile.
“Lemme guess… popular in the 50’s?”
An auburn eyebrow ticks up, splashing feigned surprise across that pretty face.
“How did you know?” Her tone is pitched a bit too high as she gasps. A bit too hysterical. It makes you roll your eyes and look away, taking a moment to glance at the dark floor beneath your feet. You shake your head.
Maybe it’s her beauty. Maybe it’s her humor. Maybe it’s the fact that she understands you’re so tired you could fall asleep right there where you sit.
“Tom Collins,” the bartender steals your attention. The glass is full, sliding across the bar at top speed, and you can barely hope to reach out and catch it before the stranger’s white glove is stopping it from tipping right over the edge. Only a splash of the sweet drink spills onto clean leather. You watch. You get the distinct urge to lean over and lick it clean.
Just like any other mutt. Eager to lap up the scraps. Even when they’re not yours.
“Shouldn’t you be finishing up, Leslie? I thought the bar was closed.” Leathered fingers curl around the tall glass, squeaking lightly beneath the strength of her pressure.
“And why would you think that, Larissa?”
Larissa. Name fit for a dream.
The bartender doesn’t look too happy. There’s something acrid in her expression, something that pulls at her lips in a way most unpleasant. She looks sour. Jealous. Of her? No. No, not of her.
Of you?
Yes. Absolutely of you. You can see it in the way her green eyes shift- running from your face to Larissa’s and back again. Upset. Betrayed. Let down. It makes you want to smile. Larissa seems kind. The bitch behind the bar isn’t, you’ve decided. Not fucking kind at all. And you’re happy when Larissa’s pretty red lips stretch into a bright smile. The very lingerings of derision hide in the sweet lines beside her mouth.
“It’s a quarter after midnight, Leslie. And you close at-”
“11:30, yeah I know. Whatever.” And with that shit attitude, Leslie tugs the cloth from her shoulder and walks away; leaving you to your precious company.
Your precious company who takes the glass from the bar and holds it out to you, completely unphased by the cold condensation wetting her glove. It’s later than you thought it was, but you don’t have anywhere to be, do you? No. No, you don’t. So you hide your surprise and stare into Larissa’s eyes instead.
“A peace offering?”
Her smile, this time, is genuine. Wide and perfect, showing off those white teeth and the delightful little scrunch of her nose.
“Yes,” and the warmest chuckle rumbles up from her pale throat, “a peace offering.”
You nod and take the glass. It’s very cold, but you don’t feel it. Not when she’s looking at you like that. Watching you raise it in a silent toast and a quiet thanks. Her eyes follow you when you bring it to your lips, when you drink, and when you allow your expression to scrunch up only the tiniest bit. She lets out a loud laugh at the sight of that, and brings a large palm up to cover her open mouth, probably finding her exquisite joy to be too unladylike. You almost tell her to take it away, to allow herself to cackle freely, but it’s not your place. You’re just a dog. And you’re too busy swigging down more ‘zesty lemonade’ to pause and perhaps mention that her bright laugh is something to be marveled at. To be joined in.
You’ve never felt this way.
This way… what is this way? Amusement? No. You’ve felt that before. Happiness? No, because it’s not that. You’ve felt that - a long time ago. Contentment? No. You don’t feel safe. You don’t feel like you want to stay forever. In fact, you kind of want to leave. It suddenly feels too stifling. Too… romantic. Ah. That’s it. Romantic. Looking into those twinkling blue eyes and finding genuine intrigue there. Interest. She is beautiful and you want more. More conversation. More of her voice. Because there she sits, waltzing over to your spot, making your eyes widen, and giving you a drink. One that isn’t too bad either - after getting over the initial tartness that sort of stings your tongue. And she just sort of expects you to be okay with it? To not want more? And more? And more? You are a dog and you want to tell her that.
I am a dog, Larissa. I have learned to be desperate. I have known what it is to want for more. Can you give me more? Just another smile for a sweet stranger?
“I don’t mean to laugh,” her voice is gentle, becoming clearer once she takes her hand away from her mouth, “but your face was- it was…”
“What?” You lick your lips, tilting your head. “What was it like?” And you can’t help but pull another face, exaggerating it, crossing your eyes and frowning, smoldering, and sneering all at the same time. Thank goodness it seems to do the trick as in the next moment, you hear a surprised stuttering laugh fill the air. It makes for the most beautiful harmony with Madame’s soft piano music; lilting and light and gorgeous. A silver lining. A golden undertone. You follow in her beautiful steps and join her in laughing.
“Was it like that?” You grin, taking another sip. “Just like that?”
“Yes,” Larissa gasps and nods, pressing a hand to her chest, “Precisely.”
Your combined chuckles eventually fade and silence falls like the rain outside. Softer, now. A light brush against the windows - like the storm decided to calm as soon as Larissa sat down beside you. But that’s a silly thought. Storms don’t bend to the actions of women.
Except, you ponder, watching Larissa pick invisible fuzzies off of her beige coat, they may make exceptions.
“Where are you from?” You say it so quickly you don’t even realize it comes from your own mouth. Just your luck that your inner thoughts betray you.
But Larissa only looks charmed, and possibly grateful for a conversation starter. She straightens up in her spot, giving you her full attention. It is excruciating. It kills the shivering you’ve been indulging in since your outside excursion - and fills you with something just short of… giddy.
“The United Kingdom originally, but Vermont is where I stay now,” she responds, resting her palms along the bar’s edge.
Vermont? Odd.
You raise an eyebrow.
“Long way from Vermont, aren’t you?”
Those red lips twitch with the ghost of a smile. True, you think she says in her head. Very true.
“Indeed,” blue eyes sparkle, “I figured I needed a holiday.” She tilts her head and you know the question is coming. “Are you a long way from home as well?” It’s a wonderful question. A good question. A perfect question, truly. You want to tell her yes but you’re not sure if that’s the truth.
“I-” Well. Abandoned dogs don’t have homes, Larissa. Can’t you see that in me? Can’t you recognize it? Don’t you know?
Apparently not. Her beautiful face is still open and inviting, unshaded by judgment. Unperturbed by your unfamiliarity. You don’t know how to react to that. How to respond to her kindness. Her patience. She is unknowingly opening a can of worms and you are knowingly staring at her, mouth flapping open and closed, trying to conjure up words that don’t sound like I have no home.
“Please don’t feel obligated to answer,” Larissa waves her hand in the air, “I understand it’s quite personal.”
Oh. How sweet you are to a stray.
“No, I just… I’m a little lost right now,” you admit with a sigh, tipping the glass back until you can swallow the rest of the liquor in one smooth gulp. Something shifts in Larissa’s expression while you lose yourself in the feeling of alcohol sitting in your throat. It’s a miniscule difference when you look at her again, but you spot it anyway. Sadness. Melancholy. Understanding. Pity. All scuttling around in the depths of her eyes and the furrow of her brows and the downturn of her lips.
Normally you hate pity. Normally you despise it. Normally you figure it isn’t for you. You don’t deserve it. You’re just a person with no wind and no destination and no path. You’re just a dog overdue. So why do you need pity? Why do you have it? Why do you get so angry at anyone who wants to give it to you? And why is Larissa any different? She’s still a stranger. Just one with a pretty face. And beautiful hair. And the most gorgeous voice…
“Doing a bit of soul searching then?” Her tone is intentionally light.
“Yeah,” the glass makes a small ‘clink’ against the bartop, “I guess so.”
Kind of. Sort of. Yes? And no. Whose soul are you searching for? Which life do you want? Why are you so lost, when they say that everyone has a place on Earth? Where is your place?
Do you have one?
“Why France?”
“Good question,” you shrug, not really knowing the answer yourself. “City of lights, I suppose.”
“Hmm,” Larissa nods, drumming her fingers against the wood. “City of love, as well. In case you haven’t heard.”
Yes. She’s right. Very right. You lick your lips and nod along. City of love, indeed. City of love with the way that dress looks on her, for sure. City of love with the way she looks at you, too. City of love with the way she smells. Like vanilla and jasmine. Strong, intense, a cologne that probably costs a million dollars - for a woman that looks like a million dollars. City of love. It’s written in the piano that fills your silences. In the air that breathes between your bodies. In the bubble of privacy that lives on when Leslie disappears from behind the bar with a heavy clang of its trapped door. She throws the cloth onto the wood, shoots one last glare at the two of you from over her shoulder, and fucks off into the dark of the stage area. Probably to pick up some other sad woman that’s just as lost as you.
On any other night, I may be the person she takes home. But right now I’m with Larissa. And that’s where I’m gonna stay.
“Not for her,” you snark, watching Leslie retreat before turning back to your company.
Larissa hums, but her eyes don’t follow the bartender like yours did. Instead, they stay on you. Glued to the side of your face, then to the full of your features when you give her a small disgusted expression. You’re rewarded with a light chuckle. “Yes, except for her,” she clears her throat. “Unfortunately, Leslie has always been…”
“Rude?” You start, putting an elbow on the bar and leaning on your palm, “Annoying? Flirty? Shitty? To name a few,” you roll your eyes, flipping your hand in the air.
Larissa only closes her eyes and snorts. “She has always been… eager? I guess that’s the right word. Eager.”
You don’t like the sound of that. Eager people are desperate people. Desperate people are loose cannons. They’d do anything for- well- anything. And Larissa is not an ‘anything’. Larissa is not a reward. And you are not a desperate, eager person. You are not a loose cannon. You’re just a lost one. A rusted lost contraption that was thrown off of the side of a pirate ship. Silly loose cannon, searching for land. No reward.
“For you?” The disapproval that colors your tone does not seem to surprise Larissa. In fact, it only makes her nod.
“Yes, I’m afraid. Though I can’t imagine why,” those broad shoulders of hers shrug, “I’m not nearly as fascinating as half of the women that grace this bar.”
That’s what you think.
“I beg to differ.” It comes out so confidently you kind of want to punch yourself in the mouth. What the fuck do you mean you beg to differ? What would you like to follow that up with? What would you like to say? Oh no, Larissa. You are WAY more fascinating than the people that ‘grace this bar’. You are WAY more intriguing. Leslie has good taste, sure, but a shit attitude about it. I can imagine why she fancies you. I can imagine why anyone would. Yeah right. You can’t say that. But you’re still curious, so instead of giving her a moment to register and respond, you ask the burning question. “How long have you been on holiday if you’re so sure?” But really the question is: How often do you come here?
The pink in porcelain cheeks has deepened. You’re sure it’s from your comment, but you refuse to allow the buzzing of your heart get any worse. It’s already filling your ears, drowning out the piano, and you yearn for the safety of contentment. The same contentment you didn’t feel before. Is this still romance? Or was this never romance at all?
“About three weeks. An extended stay. Though I must admit, I’m nervous about returning to work. I fear I’ve left it too long,” she frowns, twisting her lips in a way that says ‘But what can you do?’.
“Three weeks! What do you do for work?” If there were some more drink in your mouth, you probably would’ve spat it out by accident. Three weeks? Sort of a long time. A long time to be away from work and a long time to be alone.
Unless she isn’t alone… to which you’d actually like to leave right now if that’s the case.
There's hesitance in her eyes. "I'm... a school principal," she says slowly, looking away. “But I needed it. Prolonged stress isn’t good for me. Or for anyone, really.” Her voice softens, carried away by the music as she glances down at her hands. You get the strange desire to hold them. It pops up first as a soft urge in your mind before barrelling forward and pressing hard against the front wall of your thoughts. Reach out and hold them. Hold them. They are soft. They are the kind of hands that reach out and pet the strays. Feed the strays.
But you’re too scared you’ll bite.
“Preach,” you murmur, unsure of how to continue. What are the duties of a school principal? “But- ya know. Good for you I guess. Are you returning to Vermont soon?”
“My flight leaves at seven tomorrow. I’ll get back at approximately half past five in the morning if I’m lucky.”
“Hm. And if you’re unlucky?”
Another small smile.
“Then I’ll never get back.”
You find that to be quite interesting. She’s not worried about her job in a way that speaks to severe anxiety, but in a way that speaks to nervousness regarding her passion. Regarding the children she has to look after. The parents she has to (no doubt) reassure. The world that she is important in. The oil that runs through the machine. She keeps them going - and she has been gone for three weeks. You’re rather curious about the aftermath, and about the scene she will return to upon arrival, but it’s hopeless and misplaced. You will not see what happens. You will not spot the relief on her face. You will not know how life continues for her. Because she is leaving, this beautiful stranger, and she has a home. And you are a stray dog. Abandoned. Hungry. More, more, more. She does not want. She is satiated. Larissa has lived out her dream here, her relaxation, and now it is time to turn around and face the music. Return home. And be part of the family again.
How does that feel? Family?
“How long do you plan on staying?” She asks, looking just as curious as you feel.
A sigh rattles your bones as you lean your head back and push out your chest, relishing in the pops that run down your spine. Exhaustion is creeping again. You didn’t even notice it was gone.
“Probably… forever?” It’s not the truth.
“That can’t be true.”
“No,” you groan, “it’s not. So I don’t know. Maybe forever. Maybe I’ll leave tomorrow, too. We’ll see, I guess.”
That pretty gaze burns into the side of your face. It is full of questions, even when you’re not meeting it, and you’re suddenly sort of scared to look at her again. Scared that she’ll know everything. Scared that she’ll realize what you really are. Not just lost, but hopeless. No way of being found. Because what will you do and where will you go? Nothing and nothing. That seems to be the answer these days. Nothing.
“Do you have any family you’re traveling with?”
Her voice is soft again. Colored with feeling. What is she feeling? Is it still pity? You glance at her, out of the corner of your eye, just to check. No. Yes? No. Maybe. Could be. Or it could be something else. Could be hope. Could be sadness. Could be something better. You can’t clock it, so you return with a question of your own. It stings you to say it- embarrasses you to wonder- but you can’t help yourself. You’re just a dog. You need more.
“Do you have anyone that will be waiting for you at 5 in the morning?”
Her eyebrows twitch for the smallest shade of a second. It’s barely there, but you see it anyway. You see how she frowns and recovers. Maybe that was too far. Maybe that was too blunt. Maybe you should just hold your fucking tongue and stop digging into other people’s business-
“Honestly? No. I’ll probably have to grab a taxi from the airport.”
Oh.
For some reason that’s worse. Worse than if she said yes. Worse than if she started to go on a tirade about a lover waiting for her. Worse than if she mentioned a gaggle of friends or even a coworker. How can she just have- that? That? A taxi? You can’t hide the way your face falls. You just can’t. And you can’t contain the way your heart breaks a little. Crackling like a burning fire, pounding away behind the frailness of your chest. Dropping pieces all over the floor of your innards as you see Larissa get lost staring into space. Probably looking over the different types of liquor bottles as she figures out how best to get a cab from the airport with the least amount of trouble. You kind of want to reach over and shake her shoulders. Take her out of her own head. Insist that it’ll be okay. But of course it’ll be okay - she never said it wouldn’t. She never made any indication that being alone was something she didn’t like.
However, she did walk over to you, didn’t she? And she did sit down next to you. And she was alone at the bar. So maybe the isolation is getting to her. Maybe she needs to go back home. Maybe you need to go with her.
Maybe you need to shut the fuck up.
“I don’t have any family,” you respond, figuring it’s only fair. “So it’s just me.”
Larissa gives you a distracted hum before she takes her eyes away from a place over your shoulder and moves them to your face. To your eyelashes and your eyebrows and your cheeks and your nose. You don’t know what she sees. Hopefully not a dog.
“And no prior commitments? No one waiting for you either?” She seems hesitant to ask, but you know it’s just because she doesn’t want to be impolite.
Oh, Larissa. You can’t offend dogs, Larissa. Others can but not you.
“No. No roots, if that’s what you mean.”
She nods. “I see.”
“Do you?”
A long leg goes sliding up to cross over the other and for a second, you’re lost in the smooth length of them. Her calves and thighs are gorgeous. The hem of her dress falls below the knee. A little restricting but classy. She is very beautiful. And slowly, as the night progresses, you’re beginning to fear what will happen when she leaves. Which is silly, because she’s still a stranger. She doesn’t even know your name. And she has a home to return to and you’re doomed for the rest of your life.
“I believe I do, yes.” And that’s enough of an answer for you.
From that sweet point on, you fall into silence.
The ambience of Madame hasn’t shifted in the slightest. The earlier smoke only renewed itself once certain cigarettes ran out - and the piano looped into another song. Probably playing over a speaker system you couldn’t see or a record player somewhere in the dark. No one takes center stage. No one leaves. It’s still empty drinks, empty hearts, empty heads, and full laughter. Easy chatter. Women getting closer. Women holding hands. Women with their palms on each other’s thighs. Women with lipstick marks on their cheeks. Women with perfectly pinned hair, like Larissa’s, are left with loose curls and messy ends - easily destroyed by a wandering hand or a particularly heavy kiss. You refuse to blush at the sight of that when you turn around and make eye contact with a woman at a booth, but your body doesn’t listen. Your body finds it scandalous. Your body finds it exciting.
There are no threats. There are no men. No shouts, no loud drinking, no busy football games, no beer-stained tables and hugs that hit a bit too hard. There’s no gag-worthy cologne and no clumsy feet stepping on the toes of ladies and no drunken asks for a number or company home. There’s only peace. Sweet and fragile, not even broken by the wind and rain that beats and floats against the windows. You wonder when the place closes if it’s already so late.
You wonder why there’s so many women.
“There was no um-” your throat grows hoarse before you clear it, putting a hand up to your mouth while you look at Larissa. She’s waiting patiently for you to continue. “There was no… advertisement? I guess? That said this place was- is it like… a lesbian… bar? Or something?” You sound more and more childish the higher your voice goes but Larissa’s smile is gentle.
“There’s no advertisement needed. Everyone knows Madame in Paris is a place of community acceptance. However, it’s apparently more popular in the Spring. Tourist season and all that.”
“Oh.” Oh.
Larissa’s brows furrow. “Something wrong?”
Well, yes. Sort of. Kind of. Uh…
“No I just- it’s not Spring now?” You frown, lifting your elbow from the bartop and putting your arm in your lap. What does she mean?
“No,” Larissa shakes her head slowly, stopping the light drum of her fingers. “It’s Autumn. November, actually.”
November? But…
“Huh,” you blink, “must be more lost than I thought. Weird.”
The very beginnings of a frown pull at those red lips, giving away her worry; and for some reason, you’re hasty to reassure her.
“But it’s probably just the exhaustion or something,” you huff out a self-deprecating smile, “No biggie. Maybe I’m like- too buzzed to comprehend. Or too hungry. I don’t know,” you gesture to your head, waving off the concern that she was going to show you.
But it doesn’t work.
“Perhaps you need dinner then,” Larissa tilts her head, looking at you from beneath her eyelashes.
In that moment, she’s perhaps the most glorious thing you’ve ever seen. Lit by low candle light. Shadowed by her own form of mystery. You kind of want to lean over and kiss her - which is weird, because her lips are just like any other person’s lips, and you’ve never wanted to kiss someone so badly before. But dogs change sometimes, don’t they? Just like any other creature. Dogs change. And instead of wanting for more, they want for something different.
“Yeah. Perhaps I do.”
Your company takes a moment to look behind you, running her gaze over the interior of the restaurant. You see her blue eyes flit from couple to couple and group to group and crying woman to the next crying woman. You see her nose wrinkle when she spots all of the cigarettes and you see the twitch in her kitten-heeled foot before she’s uncrossing her legs and moving to stand. Every nerve in your body jumps to stand with her. To follow her lead and let her whisk you away. But you don’t know if that’s what she wants - and you don’t want to assume just to be let down. You don’t want her to look at you like ‘What the fuck are you standing up for?’ so you stay in your seat and watch her fix up her coat, straighten her gloves, and grasp the purse on the back of her chair. Everything about her is so elegant. Smooth. Maybe you’re hallucinating and she’s only a dream.
“I know a place nearby. Do you want to join me?”
You look from her hands to her face, caught frozen by the timber of her voice. Do you want to join me?
“Is- are you sure?” Your heart is screaming.
“Yes. Why wouldn’t I be?” Larissa gives you a small confused smile.
You lick your lips. “You don’t even know my name.”
“Alright. Do you want to tell me on the way?”
No one ever asks. Everyone stopped a long time ago. There’s no need to wonder, to know, when everyone understands that you’ll just disappear sooner or later. Abandoned dog with an abandoned mind. But here she is asking - and it would be rude to ignore her.
“Sure.”
The weather is still brisk when you step outside. The rain is not as harsh and the wind not as bad, but the chill is just as strong. It seeps through your coat rather quickly and you have to shove your hands in your pockets to hide the way they shake. Larissa seems to be faring much better, walking along at a steady pace and adding to the clicks your boots leave behind on the pavement. Despite the dreary weather and the dark sky, threatening to break with another downpour at any moment, the streetlamps are beautiful. Guiding you both through the midnight haze and the swiftly settling fog. You feel like a ghost, floating along there by your company’s side, trying to keep yourself from staring up at her. The bar’s seating apparently did her no favors as when she stood up and led the way outside, you nearly tripped over yourself upon noticing the height difference. She is… she is something extraordinary. You wonder why you’re the one there beside her. Maybe Leslie had a better chance. Maybe you’re just a placeholder until she leaves.
“Are you going to make me guess?” She says eventually, pausing mid-stride to look down at you.
There’s only a few inches difference. Maybe a near foot. You’re not sure. You haven’t asked. But you want to. Curious dog.
“Sure,” you shrug, amused by the way she sighs and continues forward. “It’s not that hard.”
“Elizabeth,” she starts.
Cute.
“No.”
“Emily.”
“No.”
“…Erin?”
“No. What’s with all the ‘E’ names?”
“Would you prefer I start at ‘A’?”
“Might make it easier.”
“Nothing will make this easier.”
The walk feels like it goes on for ages the more she speaks. One name after the other after the other. You smile at the ones that are close and snort at the ones that could never suit you. Larissa only rolls her eyes and tries again. It’s silly and fun and lighthearted and you feel something inside you lighten. Though maybe it’s the Tom Collins, finally kicking in after a day of no food and one boozy drink. Larissa doesn’t seem to mind your occasional giggles and huffs - she even joins you, especially when you almost trip over your feet walking along the curb and she has to reach out and tug you back from the street and the ground. Her coat is cold but her body feels warm. There’s a small droplet of rain that hangs off of a strand of white hair behind her ear and you’re desperate to brush it away, but you don’t. You can’t. Can’t gather the energy to reach out. Can’t gather the energy to get your hopes up. So you move away and the game continues.
Down the street, along this turn and that, through rights and lefts and around lamp posts and street lights and intersections and parks. Far far away and all over the place. You walk for so long your legs begin to twinge - and then she says it.
“Jasmine?”
“Nope.”
“Lilith.”
“No.”
You’re waiting for a stoplight to turn red, but Larissa breezes past you. Head held high. Strides long. Back straight. The world does bend for her. And so do you.
As soon as you reach her side, she takes a steadying breath.
“Iris.”
Why your heart decides to take that moment and skip multiple beats is something you’ll never understand. Maybe it’s just the way she says it. The way it tumbles off of her tongue and slides from between her teeth and disappears into the ether. Maybe it’s the look she gives you and the way she stops when you’re a bit too quiet for too long and the corners of your mouth can’t help but quirk up. You’re not proud of her - that would be silly - but she certainly looks proud of herself. If that slowly spreading grin is anything to go by.
“Iris. Is that it?”
You nod and watch as her nose scrunches up with joy and her gloved hands make little muted claps in excitement. You think you can get used to the way she says it. Like it’s something to be cherished - something delicate and soft. Iris. Eye-riss. Iris. Slow and measured. Careful. She wants to take as much caution as she can when she says it. And when she finally goes to resume your walk, she lets out a little hum and glances down at you from the corners of her eyes.
“It’s a lovely name.”
Oh, Larissa. You’re killing me here.
“Larissa is nice, too. Very… elegant,” you respond, trying desperately to take the attention off of you. It’s been so long since you last heard a compliment like that, you’re unsure how to react. How to be normal about it. How to stop yourself from circling her body and pulling her close and pushing your head against her chest to listen to her heart. To see if she’s real. Because only fake people pay attention to strays - and she’s too wonderful to be anything aside from a figment of your dear imagination.
“That’s very kind of you, Iris.” Oh say it again. Please god, say it again.
But she doesn’t. And you don’t push it. And you don’t look at her for fear of bursting into flames. And you continue your walk until you come across a park bench and you sit down - drawing her attention and luring her back over to stand while you rest your legs.
“Feels like we’ve been walking forever! Where are you taking me?” You glare at her, all playful looks and pouts.
“To my lair. Are you scared yet?” She shifts on her white heels and you can’t help but give her a small chuckle.
“Me? Scared of you? Yeah, right. In your dreams, blondie.”
“Oh you haven’t seen anything yet. I can be quite terrifying when I want to be,” Larissa defends, crossing her arms and cocking out a hip.
“Yeah. To school children maybe,” you grin, spreading your arms out over the back of the bench to sit comfortably. “But not to me.”
“Hm. Not yet, anyway,” her tone is airy, making you blow air out of your nose with amusement.
“Uh huh.” You pause, close your eyes to bask in the chill that bites at your skin, and then open one to look at her. “How tall are you, anyway?”
She towers over you there - standing beside the wrought-iron arm of the bench while you sit and crane your head back. Outlined in the soft glow of the park lamps, you begin to wonder if Larissa is not an imaginary friend or a ghost but instead an angel. She certainly looks the part. You really wouldn’t be that surprised if huge ivory wings sprout from the defined lines of her shoulder blades.
“How long have you been wanting to ask that?” Oh, she’s teasing me now. You roll your eyes.
“Since you first stood up.” The truth is always best. And it makes her smile softly.
“Six foot, three.”
Your lips part, falling open before you catch yourself. Six feet and three inches?! Jesus, woman. You swallow around your delighted shock and push yourself off of the bench - bringing yourself to your full height on the backs of your heeled boots.
“There’s no way,” you snark, crossing your arms.
“Oh really?” Those red lips grow into a smirk and never in your life have you wanted to feel something more. Never.
“Yeah. Really.”
And of course that’s how you sign your heart away - for a split second later, there she stands. So close you can smell the old wine on her breath and see the individual lines in her face. It’s only half lit by golden light, but that doesn’t matter. You’re beginning to think your eyes were made for seeing her. And you’re beginning to think your body was made for standing so close. She smells like the rain now. Like the rain and the stars, which twinkle brightly behind her head as you resist the urge to step back and look at her. There is no backing down from this. There is only matching her height head-on, even though that’s impossible. But that’s the joke. So you move to stand on the tips of your toes and get into her personal space and only when you do, do you realize your mistake. She’s even closer. And her blue eyes have gone wide. You see a deep black abyss take over the oceans of her irises and suddenly, you think your name is very inadequate in comparison to the gorgeous cerulean of her gaze. To the way it envelopes you and electrifies you and warms you all at once. She is a vision. She is everything you want to look upon. And her eyes dart between your own, carrying shock and admiration with them. You don’t know what to do. You don’t know what’s happening. This doesn’t feel like romance anymore. This isn’t contentment. You don’t know what this is. You don’t know why you want to lean into her and fall.
And you don’t know why she decides to pull away.
“I’m sorry,” she says so quickly, so quietly, you think it’s just a whisper of the wind. “I’m sorry. I can’t.”
Her eyes are still wide, but they’ve been captured by something terrible. Something sad. You open your mouth - to say what? - you don’t know. But she’s taking a few steps back and you close it. Her hair is still perfect, but there’s one strand loose. It flits wildly in front of her ear. A sign of her loss of control, perhaps. A sign that someone got through. She’s not a guarded woman and yet she is. She’s not private and yet she is. You didn’t have the deepest talk of all time and yet you did. You don’t know what to do. You don’t know what to say to get her to stay. So you just say her name.
“Larissa-”
“It’s been very nice to meet you, Iris,” she murmurs, interrupts, clears her throat, and adjusts the purse on her shoulder. Those blue eyes glance around madly, like she’s scared of being caught. “But I’m afraid I have to go now. I have a busy day tomorrow.”
“Your flight leaves at seven.” You don’t know why that’s the thing you say. You don’t know what that’s going to do - but before you can even hope to say anything else, she nods and looks at you again. With unwavering strength. With a hint of an apology.
“Yes. It does.” Her lips press together firmly. “I hope you find what you’re looking for.”
And with that whisper, softer than the distant break of your heart, she’s turning around and walking off into the rain.
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Lazily waves my hand around before walking away. - Rip x
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TAGS (please keep in mind Tumblr won't allow me to tag certain accounts): @oddball21 @kaymariesworld @bloommushroom @readingtheentrails @thegoddamnfeels @theonefairygodmother @theflashesoflove @sweetderacine @opalthefrog @gwensfreak @shyladyfan @erablaise-blog @bellatrixsbrat @sunnyanon @emilynissangtr @lex13cm @sugipla @hasthebaconinhispants @deongocrazy @nocteangelus15 @eveymay @one-pining-queer @azu-zu @niceminipotato @hopelessly-sapphic @barbarasstar @enchantressb @syrenacrainn @im-a-carnivorous-plant @willowshadenox @aemilia19 @ladylarissaweems @scarlettssub @ladysdraga @willisnotmental @gela123 @h-doodles @zillahofviolets-bayolet @weemssapphic @the-bearr @amateurwritescm
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crownedstoat · 2 years
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Citroen Champs Elysees show room
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debrink · 2 years
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Compagnie Générale Transatlantique
Plymouth direct to New York
~ Harry Hudson Rodmell (1896-1984), circa 1920’s
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1dcommunityficrecs · 1 month
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Historical AUs!
We have 26 incredible fics submitted to this list, stretching from the fifth century up to the 1990s. We have stories that fit into just over 2,000 words, and others that are more than 200,000! This list includes one LiLo fic, and we also have our first ever non-English rec, with a French language fic -- truly the language of love.
To all my fellow history lovers, it's time to go apeshit. Read, reblog, comment, kudos, bookmark, tell your friends, all that jazz -- your local fanfic writer appreciates it!
Here In The Afterglow by fondleeds (88649, Not Rated, Harry Styles/Louis Tomlinson) - fic post Warnings: Violence, bullying, homophobia, slurs
1970’s AU. In a tiny town in Idaho, Louis’ life is changed forever by the arrival of a curious stranger.
Reccer says: The beautifully chosen words, the captivating story, the queer joy!!!
Unrequited by babyhoneyhslt (144000, Mature, Harry Styles/Louis Tomlinson) - fic post
Omega Prince Harry is send to France to marry Prince Louis, but instead of the nice boy he knew when they were children, he is met with a cold and distant husband and no idea as to why.
Reccer says: It was so interesting to follow along with this and try to figure out why Louis was behaving this way. And then later see them fall in love. Really liked it and can't recommend it enough.
Danger I can’t hide by CelticSky (227290, Explicit, Harry Styles/Louis Tomlinson) Warnings: War, homophobia
Flying Officer Styles and Sergeant Tomlinson would have likely never crossed paths in a time of peace, their lives laid out neatly, predictably before them. But then the world became unrecognisable. Too soon they grew accustomed to fear, surrounded by death and destruction, not even their freedom a certainty any more. Until they found each other. Comfort. Companionship. Understanding. Another person to lose.
Reccer says: It's one of those fics that I'd describe as monumental, masterful, epic. In my opinion, it should be made into a film, and brought to everyone's attention. The script is brilliant and relentless. The characters are subtle and nuanced. The writing is exemplary. A masterpiece.
Secrets in Winter by softfonds (82582, Explicit, Harry Styles/Louis Tomlinson) - fic post
If Harry Styles thought he was going to have a peaceful winter while staying far away from the rake who lived across the street, he was sorely wrong on two fronts. A Victorian AU.
Reccer says: I loved the plot and the character development of the main pairing.
A cycle of recycled revenge by Brokenbeaks (103302, Explicit, Harry Styles/Louis Tomlinson) - fic post
Foxburgh, England, 1983. In the heat of summer, wreathed by pastures, rolling knolls, and thatched-roof cottages, Louis takes on a new job: caretaking for a recently blinded man named Harry. As it begins, what seems like a simple task turns into a quest that costs him every last bit of his pride and tolerance. Harry is, in practice, a two-legged curse. And Louis is just gonna have to put up with it. Or: The one where Harry likes to infuriate Louis almost as much as he enjoys straddling his lap.
Reccer says: Absolutely excellent. I was a bit worried about how Harry's blindness would be handled, but it was done wonderfully. Perfect fic. Perfect writing. Perfect plot.
Through Lonely Streets and Neon Lights by Sweetly_disposed (25107, Mature, Harry Styles/Louis Tomlinson)
1920's era, Great Gatsby inspired. Harry is a poor boy living in the South Village. Every night he watches the North City come alive and longs of crossing the river to be a part of it and escape his dreary life. The infamous Mr Tomlinson lives across the river from Harry. His parties are the stuff of legend; people on both sides know about them, and all Harry wants is a chance to go to one. When fate swings his way and he finds himself in Mr Tomlinson's house, he gets much more than he could ever have bargained for.
Reccer says:
Chasing empty spaces by Lis (Domesticharry) (79028, Explicit, Harry Styles/Louis Tomlinson)
The year is 1934 and Harry Styles was to inherent the largest tobacco firm in the south. His parents have picked out the “perfect” girl for him to marry and he has the privilege of receiving the highest education possible. The problem was, Harry hadn’t realized he didn’t actually want any part of that future until he met a mechanic named, Louis Tomlinson.
Reccer says: This fic is simply magnificent. A must read
An invincible Summer by Brooklyn_Babylon (44627, Explicit, Harry Styles Louis Tomlinson)
Never content to stay in one place for long, a few months down south researching for his novel seemed like an idyllic, slow-paced summer to Louis. He wasn't ready for the blistering heat, the backbreaking work of watermelon picking, or how stifling the attitudes in rural Georgia would feel. And he definitely hadn’t anticipated falling in love with the farmer’s son. The summer of 1946 would turn out to be everything worth writing about.
Reccer says:
Box of Rain by Indierection (amandamoraisa) (26631, Explicit, Harry Styles/Louis Tomlinson)
1970 AU, Louis is a boxer and Harry a ring boy
Reccer says: The era is well transcribed (the way of life, the music), and the story is very charming.
Cela aussi passera (French-language fic) by Hazzunah (110721, Not Rated, Harry Styles/Louis Tomlinson)
1993: Louis is 16. It's summertime, by a lake in France. He meets Harry. 1999: Louis is in Japan; he hasn't seen Harry for 6 years, since that fateful summer. He thought he'd lost him forever.
Reccer says: For years, I've been reading only in English, but there's still the odd French fic that I come across that's really good. "This too shall pass" is one of them. It's set in the 90s, it's beautifully written, it's moving, and the characters are well characterized. For me, it's a gem. So I recommend it. For anyone who can read in French.
You Make The World Taste Better by LiveLaughLoveLarry/loveislarryislove (10000, Mature, Harry Styles/Louis Tomlinson) - fic post Warnings: Harassment and threats from the rival baker, culminating in physical violence and a grisly end in keeping with the fairy tale
A twist on Hansel and Gretel as a rivalry between bakers, based on Hans Traxler’s fictional non-fictional text "The Truth About Hansel and Gretel"
Reccer says: This fic is such a wild adaptation of a story almost everyone knows, capturing both the sweet (literally, since Harry is a baker haha) elements and also the darkness of the tale.
No One Like You by myownspark (20000, Mature, Harry Styles/Louis Tomlinson) - fic post
Louis Tomlinson and Harry Styles were noted painters in the 19th century. Louis was a Neoclassicist, Harry a Romantic -- totally different, nothing in common, no connection. But centuries later, art historians Niall and Liam find something that suggests perhaps the two were more intertwined than people think.
Reccer says: I love the parallel timelines, watching Louis and Harry's relationship develop and fracture and heal at the same time as watching Niall and Liam discover things. We see pieces of history they're trying to puzzle together, and then we see the history as it happened, what it really was and what it meant to them.
Bloom by LadyAJ_13 (28909, Teen, Liam Payne/Louis Tomlinson) - fic post Warnings: Non-graphic violence, period-typical attitudes
In early 1970s Oxford, Detective Sergeant Louis Tomlinson has to deal with the dual pressures of a case that hits too close to home, and the arrival of new colleague Liam Payne.
Reccer says: This was an incredible, atmospheric, moody historical mystery fic. Topped off with a lovely, happy ending that had me tearing up.
Under Electric Candlelight by littleroverlouis (5051, Explicit, Harry Styles/Louis Tomlinson) - fic post
In the 1970s, small town veterinarian Louis moves to NYC and meets a beauty at the bar named H who sometimes goes by Lola.
Reccer says: So immersive you feel like you're in 1970s Manhattan. The characters are truly electric and lovely.
this is my jam by disgruntledkittenface (4513, Mature, Harry Styles/Louis Tomlinson) - fic post
Harry goes to a gay bathhouse for the first time. 90s AU.
Reccer says: This story is so much more than it first appears. I could feel the atmosphere and the emotion of the moment of the characters finding a freedom that didn't exist for them outside of the bathhouse's walls. It's an absolutely beautiful (and hot) exploration of such a specific time and place. So layered and thoughtful and hopeful and real.
After Dark, After Light by QuickedWeen (71440, Explicit, Harry Styles/Louis Tomlinson) - fic post Warnings: Kidnapping, battlefield
Louis Tomlinson is the mysterious commander of the Sutherland army sent back with Harry on orders from his laird to help shore up Clan Edwards' defenses. As the winter draws nearer by the day, the two are thrown together to prepare for the invasion that they expect as soon as the ground thaws.
Reccer says: This fic just sweeps you away to the Scottish Highlands! Such a fun historical romance!
the sanctity of patience by scrunchyharry (22521, Teen, Harry Styles/Louis Tomlinson) - fic post
When young Lord Harry was chosen by King Louis of Bavaria to become his husband and prince consort, Harry thought all of his dreams had come through. His illusions came crashing down when he understood it meant living in isolation in the alpine castle of Neuschwanstein with a husband who turned out to be far from what he had hoped for.
Reccer says: The writing is gorgeous and immersive. The characters are so vivid and I loved the way their journey to love played out.
Ace of Spades by allwaswell16 (78000, Explicit, Harry Styles/Louis Tomlinson) - fic post Warnings: depictions of violence, drug use
Louis is a pirate, Harry is his captive, and no one is who they say they are.
Reccer says: Once I started reading, I couldn't put it down. The plot twists! The suspense! The intrigue!
Adore You by Isthatyoularry (66979, Mature, Harry Styles/Louis Tomlinson)
Arrange marriage AU, Harry initially hates Louis and their arrangement but goes along with it for the summer. Louis is perfect for him tho, as much as harry hates to admit it. They last.
Reccer says: The word building. Stubborn harry. Pining louis. Catching feelings. Hate to love.
We Can Find a Place to Feel Good by yeah_alright/uhoh-but-yeah-alright (8000, Teen, Harry Styles/Louis Tomlinson) - fic post
1960s AU inspired by Treat People With Kindness. Harry attends school dances over the years, meeting Louis and learning more about himself and what he loves.
Reccer says: Just so completely sweet and hopeful! Captures the vibe of the song so well!
The Garden Part 1 by Throwthemflowers/hazzabeeforlou (13000, Explicit, Harry Styles/Louis Tomlinson) - fic post Warnings: Major character death, war
Biblical AU - 5th Century. A prince (Louis) falls in love with his father’s musician (Harry) in the midst of war.
Reccer says: This story is so hard to describe (it's Part 1 of a truly incredible 3-part series) but it's intense and brilliant and epic. The love here is all consuming and it comes through in the writing. Completely unique.
Ever Since I Tried Your Way by fairytalefemme (25896, Explicit, Harry Styles/Louis Tomlinson) Warnings: internalized homophobia
40s/50s AU. Harry leaves his bride-to-be at the altar, runs away from his life, and finds a kind farmer who lets him stay.
Reccer says: Such a sweet, tender exploration of love and self.
With Words Unspoken by jacaranda_bloom (18000, Explicit, Harry Styles/Louis Tomlinson) - fic post
Older Louis and Harry. 50ish Louis returns to a cabin he'd visited many years before and it's a hippie commune type place where he finds Harry.
Reccer says: It just made me SO HAPPY. Peaceful and lovely.
1957: here to take my medicine by zita17/louisandtheaquarian (2652, Explicit, Harry Styles/Louis Tomlinson) - fic post
Beat poets Louis Tomlinson and Harry Styles blow off some steam before a reading.
Reccer says: Literally transports you to this particular time and place. And so so hot.
The murmur of yearning by Mediawhore (93300, Mature, Harry Styles/ Louis Tomlinson) Warnings: Rape/non-con attempts, death of character, slurs etc
Harry upon the death of his husband he was forced to marry find companionship and support in the arms of Land steward mr. tomlinson. Together they try to prove harry didnt murder his husband.
Reccer says: Regency era. Dark academia. Mystery and suspense. Forbidden love trope. The angst and mutual pining. Harry in corsets!
Love you in the dark by Perzikze (9225, Explicit, Harry Styles/Louis Tomlinson) Warnings: Dubious consent i think, loss of virginity
Story of a historical wedding night. Innocent Harry has no idea what goes down during the wedding night; Louis eases him through it.
Reccer says: Innocent harry. Supportive Louis. It's adorable and sexy at once!
Stay tuned for the next list theme! It's similar... but different... ;)
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