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#1962
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Marilyn Monroe in the “Veil Sitting” by Bert Stern in June, 1962.
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twixnmix · 2 years ago
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Eartha Kitt photographed by Ernest E. Reshovsky, 1962.
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mistons · 2 years ago
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Desert Ranch Motel, Saint Petersburg Beach FL, 1962
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sandraoh · 2 years ago
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Ivan's Childhood (Ivanovo detstvo) 1962, dir. Andrei Tarkovsky.
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perfectlymarilynmonroe · 11 months ago
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Marilyn Monroe on the set of Something’s Got to Give, 1962. Photos by Lawrence Schiller.
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twixnmix · 2 months ago
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Eartha Kitt at the Talk of the Town nightclub in London, 1962.
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iamdinomartins · a year ago
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If you just learn a single trick, Scout, you’ll get along a lot better with all kinds of folks. You never really understand a person until you consider things from his point of view… Until you climb inside of his skin and walk around in it.
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sandraoh · 2 years ago
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Ivan’s Childhood (Ivanovo detstvo) 1962, dir. Andrei Tarkovsky.
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“I sometimes felt I was hooked on sex; the way an alcoholic is on liquor or a junkie on dope. My body turned all these people on, like turning on an electric light, and there was barely anything human in it. Marilyn Monroe became a burden, a - what do you call it? - an albatross. People expected so much of me, I sometimes hate it. It was too much of a strain. I still feel that way. Marilyn Monroe has to look a certain way – be beautiful - and act a certain way, be talented. I wondered if I could live up to their expectations. There were times on The Misfits, in those emotional scenes, when I had a feeling I’d fail however hard I tried, and I didn’t want to go on-site in the morning. I was sorry that I wasn’t a waitress or a cleaning lady and free of people's great demands. Sometimes it would be a great relief to be no longer famous. But we actors and actresses are such warriors, such – what is your word? – narcissus types. I sit in front of the mirror for hours looking for signs of age. I like old people; they have such qualities younger people don’t have. I want to grow old without facelifts. They take the life out of a face, the character. I want to have the courage to be loyal to the face I’ve made. Sometimes I think it would be easier to avoid old age, to die young, but then you would never complete your life, would you? You never totally know yourself.” — Marilyn, from Conversations with Marilyn by W.J Weatherby. 
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thecoleopterawithana · 2 years ago
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Photo-realistic oil paintings by Klaus Voormann, depicting the years he spent with The Beatles in Hamburg, from 1960 to 1962.
Klaus was part of a group of The Beatles' friends in Hamburg. His "memory drawings" of our Hamburg days are not only beautiful drawings in themselves, but capture the spirit of the times.
– Paul McCartney
The Top Ten Club ‘96  |  The Beatles play the Top Ten Club with Klaus on bass.
Ringo, Keiserkeller Dressing Room ‘96  |  Backstage with Ringo and Rory Storm in the Kaiserkeller dressing room.
Paul and Rosa ‘96  |  Paul is shown receiving slimming pill amphetamines to help sustain round-the-clock performances in the Kaiserkeller.
Stu Betkante
Daybreak ‘96
Breakfast with John ‘95
Breakfast with John ‘06
At the Kirchherr’s Bathtub ‘12 
Davidwache Police Station ‘96  |  Prior to being deported, Paul McCartney spends a night in the Davidwache Police Station.
Hamburg Doorways ‘18
[I am endlessly fascinated by illustrative records made by people that were actually there. Like Paul said, these seem to capture the spirit and the ambience of the moment, with an emotional acuity that photographs normally lack, limited to an instant as they are. Klaus Voormann is a blessing in the sense that he allows us a peek behind the curtains, placing us there with him in the scene, in a way that little else can. I wanted to gather all these pieces in one place, despite having seen some of them floating around. My sincere thanks to those who brought them to my attention in the first place.]
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el-jujeniodeletras · 2 years ago
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El amor, si es algo, es dos que se miran.
Alejandra Pizarnik. Diarios. 1962.
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i-am-on-a-lonely-road · 7 months ago
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Vintage Christmas Photos - Two young women display their holiday hairdos (1962)
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perfectlymarilynmonroe · 2 years ago
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“That’s really me. Freckles and all. The real me.” —Marilyn Monroe to George Barris talking about the photos he took of her on the beach in June/July 1962.
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avagardner · 2 years ago
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French actress Catherine Deneuve at the Paris Opera Gala for the presentation of the film Lafayette. Paris, 18th March 1962
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