Eva Darren - Brides of Blood (1968)

Impressive Stones at Avebury Henge 1968 - A rarely seen photo from David Bailey's shootings for the Rolling Stones Jumping Jack Flash single, published in Italian fan magazine Giovani, March 1969 and brought to slightly refreshed life here

Jerry sat pensive at the open bar. Unfortunately the party was a bomb. The girl he’d been offered was annoying, beautiful, and empty. While once it would’ve been enough, now it was just irritating.

Suddenly, a glass was set in front of him. Bourbon. Neat. The only thing he refused to drink, mostly because…because…well, because it tasted like Dean. It was Paul’s drink of choice. People assumed he was a scotch man, but it was bourbon. Just the smell of bourbon could make him cry if he was unstable enough.

“Innkeeper! What the fuck is this?” He groused shoving it back at the bartender.

“Some guy bought it for you and left.”

“Who the fuck buys somebody a…” his blood went cold. He’d been here?

The bartender shrugged, “He didn’t say much, just…” the band started to play a song that hit him in the chest, “…he just requested the song.”

Jerry’s hands shook and he sat back down slowly.

Jane Asher on the cover of Pop magazine, 1968

Black Panthers (Agnès Varda, 1968)

“Bubble Chair” by Eero Aarnio, 1968.

Sharon Tate’s eyes (1967-1968)

Black Panthers (Agnès Varda, 1968)

[ Chile 2019 y París 1968 ]

Eero Aarnio, Bubble Chairs, 1968.

Sharon Tate in The Wrecking Crew (1968) dir. Phil Karlson

Black Panthers (Agnès Varda, 1968)

Joni Mitchel, The Bitter End, Bleecker Street, New York, NY, October 23, 1968.

Psychedelic machinery: inside the Yellow Submarine.

Sharon Tate outside Century City, Los Angeles, California, 1968.

Nocturno 29 (Pere Portabella, 1968)

Arlene Hawkins with Afropuffs" photographed by Eve Arnold (1968)

Virgil Finlay illustration. Worlds of IF. March 1968. 

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