Tumgik
#1979 movies
retrocinemv · 1 year
Text
Tumblr media Tumblr media Tumblr media Tumblr media
22. kramer vs. kramer (1979) dir. robert benton.
21 notes · View notes
adamwatchesmovies · 3 months
Text
Meteor (1979)
Tumblr media
While I didn't enjoy this film, that doesn't mean you won't. No matter what I say, the people involved in this project did it: they actually made a movie. That's something to be applauded. With that established...
Say what you will about 1998’s Armageddon. Its science is laughable, the sentimentality is cheap, the premise raises at least a couple of eyebrows… but one thing it isn’t is boring. The same can't be said about 1979’s Meteor. This space disaster film is likely to put you to sleep and the one thing it had going for it at the time - the special effects - don’t hold up today.
A comet passes through the Asteroid Belt and hits the asteroid Orpheus, sending it on a collision course with Earth. The United States government has only days to find a way to deflect or destroy it before Orpheus creates an extinction-level event. Our best hope rests in Hercules, a secret orbiting nuclear missile platform satellite designed by Dr. Paul Bradley (Sean Connery).
Let’s get one thing out of the way first. This title is awful. Orpheus is not a meteorite; it’s an asteroid. Why’d they call the film Meteor instead of Asteroid? Probably because the studio didn’t want their movie to sound like a butt thing. This movie is much too serious for that sort of nonsense.
While I appreciate a science fiction film trying to remain realistic, Meteor takes it too far. This story has no race to find a solution. Everything we need to save ourselves is already built. Hercules was designed to knock out space threats and doesn’t even require a pilot. How is there any tension then? Well, Hercules is a secret (illegal) missile base. Admitting it exists - even in the face of armageddon - would be embarrassing for the United States government. This means even though Hercules is our only hope, Major General Adlon (Martin Landau) fights Dr. Bradley every step of the way. World’s gonna end but, you know. Gotta hold onto those Cold War grudges. That’s what the movie is REALLY about. The U.S. has Hercules. They figure the USSR has something similar. On their own, neither station would have the firepower required to blast the space rock but together they would. If only we could come together in peace and harmony…
The movie is frustrating because it takes so long to get to the obvious. This movie is no Dr. Strangelove; it’s not funny or subversive. There aren’t any surprises, no unexpected twists. All you do is wait for people to get over their childish hang-ups. Even Dr. Paul Bradley is acting like a big baby. He’s all upset that the government hijacked his satellite and changed it so the missiles aim TOWARD the planet instead of away. Fair enough but come on, man. The planet’s about to blow up. Unless you’re in a weird state of depression or you don't think there's any point in living unless you're a billionaire and want to hold the planet ransom, there’s no point stalling. Just get on the project and save the world. You’ve got a family. Do it for them. Do it for the audience so we can get this over with and move on.
Meteor doesn’t have a story worth watching. It doesn’t have visuals worth seeing either. The small asteroids that end up falling on Earth (the film’s attempts to keep us awake while we wait for the main event) are just glowing balls that go past the screen. The destruction is nothing special (the fact that director Donald Neame uses footage from the 1978 disaster film Avalanche isn’t worth docking points from the overall score, but does show that we’re not talking spectacular in the least). The main asteroid is just a big cragly rock floating in space. It’s no sight to behold. In theory, the characters would pick up the slack. You’d be so worried about them, so invested in their character arcs this would feel like a big deal (it worked for Titanic) but you won’t care about any of this.
With a star-studded cast that includes Natalie Wood and Henry Fonda, it’s a surprise this disaster flick only sparks to life towards the end, when it’s so cloying you can kind of smirk in a mixture of amusement and embarrassment. Meteor is the kind of movie you barely manage to watch once and then forget you ever did. (On VHS, September 26, 2021)
Tumblr media
6 notes · View notes
closetofcuriosities · 1 month
Text
Tumblr media Tumblr media
Alien - 1979 - Dir. Ridley Scott
3 notes · View notes
sagradofemenin0 · 1 year
Text
Tumblr media
The Shooting Party. (1979)
28 notes · View notes
astolfocinema · 3 months
Text
Tumblr media Tumblr media
La luna (1979) --------------- dir. Bernardo Bertolucci cin. Vittorio Storaro cs. Italy, USA
2 notes · View notes
lostcryptids · 3 months
Text
Tumblr media
I've always loved the alien 3 promo stuff that say "THE BITCH IS BACK" so I made a design inspired by it
16K notes · View notes
bkenber · 1 year
Text
'Rocky: The Knockout Collection' 4K Review
The following review was written by Ultimate Rabbit correspondent, Tony Farinella. When it comes to the genre of underdog sports films, they don’t make them any better than the original “Rocky.”  It was a film that came along at the right place at the right time and with the right actor.  After all, Sylvester Stallone was the writer of the original “Rocky” script, and he demanded to star in the…
Tumblr media
View On WordPress
0 notes
ultrakillblast · 28 days
Text
Tumblr media
ALIEN (1979)
1K notes · View notes
alethianightsong · 4 months
Text
"I miss when movies weren't political-"
ALIEN is about a megacorporation coercing some salvagers into transporting a dangerous creature without telling them what it is, all because the creature could be a great bioweapon for them. When a survivor of this failed transport mission wants reparations, they screw her over to avoid a scandal.
ROBOCOP is about another mega-corporation experimenting with a cop's body and declaring him their property, trying to reduce him to an obedient killing machine who can maintain the status quo for them.
JURASSIC PARK is about a rich billionaire going all out to make a dinosaur-themed amusement park, not caring about the real-world implications of resurrecting giant lizards. He also underpays ONE guy to maintain the entire park's security systems so predictably, that one guy betrays him at a crucial moment.
The best movies weave their politics with plot & character, so you can enjoy them as entertainment but can also notice the themes. Movies without themes wind up being all spectacle and no substance, just noise and color like Michael Bay's Transformers franchise. Yeah, they make money, but they'll be forgotten in 2 generations.
2K notes · View notes
atomic-chronoscaph · 6 months
Text
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
The Shining - On-set photographs (c. 1979)
1K notes · View notes
fanofspooky · 6 months
Text
Tumblr media
2K notes · View notes
adamwatchesmovies · 10 months
Text
Escape from Alcatraz (1979)
Tumblr media
From The Shawshank Redemption to The Great Escape, stories of innocent or righteous people scratching together the means to regain their freedom is both captivating and emotional. Unlike most films, Escape from Alcatraz doesn’t “cheat” by giving us a softie of a protagonist. Without a doubt, the people in this film deserve to be jailed. Ultimately, you don't care because of the ingenuity in their plan and the fact that it’s based on a real-life story. Tense all the way through and with a terrific ending, it’s one of the best prison escape films.
In early 1960, Frank Morris (Clint Eastwood) is sentenced to the maximum security prison on Alcatraz Island. Having escaped capture many times, Frank is undeterred by the exceedingly high security measures and strict warden (Patrick McGoohan) who assures him no one’s ever made it out.
Alcatraz isn’t merely a prison; it’s a hell hole. While there are some who certainly deserve everything the guards and warden throw at the inmates, such as a rapist called Wolf (Bruce M. Fischer), many of the prisoners are sympathetic; victims of an unfair system (Paul Benjamin is serving dual life sentences for killing two white men in self-defence) or clearly reformed by the time we meet them. Alcatraz doesn’t see it that way. The objective is not to rehabilitate. It’s to make lives miserable. In fact, the warden makes a point to punish those he oversees based on how he feels about them rather than the way the justice system sees them. He’s not a cartoon but his smugness means he deserves to be knocked down a peg. That’s where Morris comes in. The odds are stacked against our protagonist. It’ll take inhuman levels of ingenuity to escape from the prison. Some of his tactics are so wild, it’ll make you feel like a moron. You think the operation will be as simple as Morris, his accomplices John and Clarence Anglin (Fred Ward and Jack Thibeau) and the fourth conspirator, Charley Butts (Larry Hankin) stealing a power tool to break through the bars at night but no. They’re going to have to MAKE the tools they need - out of nothing.
The space the escapees have to maneuver in is so tight, you’re constantly wondering what will go wrong. Clever as it might be, their plan is literally put together with bits of loose paper, paint, and mud. It just barely crosses the line into doable and the tiniest detail out of place will make the whole thing fall apart. While there might not be anything that prevents them from trying again should they fail, so much effort is being put into this attempt you can’t bear the idea of it failing. You want to see the phases work just so you can see what to see what comes next.
It’s probably better that you don’t know beforehand what actually happened on the night of June 11, 1962. The FBI’s position on the events are clear and unfortunately, they don’t make for a cinematic ending. This is where the film proves to be as ingenious as its protagonist. It’s a terrific final note.
Escape from Alcatraz deftly maneuvers over the obstacles it might’ve faced to deliver wall-to-wall thrills. Against all odds, you like the characters. You like them even more when you see what kind of plan they’ve got cooked up and you can’t wait to see it executed. It's one of these stories that's so wild it HAS to be true, which makes it a real nail-biter. (March 27, 2020)
Tumblr media
3 notes · View notes
Text
Tumblr media Tumblr media Tumblr media Tumblr media
Lamborghini Countach LP400 S "Cannonball Run," 1979. Chassis number 1121112 was originally delivered to the Lamborghini distributor for Rome, Italy, SEA Auto, who almost immediately had the car exported to the United States of America. Hal Needham. the movie's director, decided the factory original Countach wasn’t quite wild enough for the film, so it was modified by adding a new front spoiler with additional lights for night driving. In 2021 The Cannonball Run Countach made history by entering the Library of Congress National Historic Vehicle Register. 
2K notes · View notes
lastoneout · 1 year
Text
Alright everyone, it's time we settle this once and for all...
3K notes · View notes
pedroam-bang · 1 year
Photo
Tumblr media
Ellen Louise Ripley as warrant officer aboard the USCSS Nostromo
Alien (1979)
4K notes · View notes
carterrdraws · 4 months
Text
Tumblr media
i just think the Rem and Ripley comparison is really fun
931 notes · View notes