#2016 international tour | Explore Tumblr Posts and Blogs

fuckyeahgoodomens · 11 days

Text

Good Omens filming locations masterpost! ❤ 🐍😊 Part 2

(here to part 1 :))

Here to the map :)

Others in England (cont):

Tadfield Manor (S01E01, S01E02) - Bulstrode, Gerrards Cross

Scene: The Tadfield Manor where the satanic nuns run the hospital in the first episode and Aziraphale and Crowley visit in the second episode

Availability (as of 2024): The manor has been in private hands since 2016 - in 2023 sold again, I didn't find on the internet that it would be available to visit in any form, the manor is not visitble from the public road.

Link on the map

Four Horsemen meeting (S01E05) – Old School Cafe, Longcross Road B386

Scene: The cafe where Four Horsemen meet

Availability (as of 2024): street all day, the cafe Mon-Fri 7:30-15:00, Sat-Sun 8:30-15:00

Link on the map

Heaven middle floors (S01E01, S01E03, S01E04, S01E05) - Weybridge Business Park, Addlestone

Scene: The Heaven middle floors scenes in season 1 were filmed here

Availability (as of 2024): The places can be sort of seen from the street but I don't think that visiting is possible

Link on the map

Pollution by the river (S01E04) – River Wey Navigation, Guildford

Scene: The International Express Man delivers the package to Pollution

(fun fact: this one was the harderst one to pin down the exact location, I only knew bc of an article that the schooting took place by "Wey Navigation" which is a river long 32km (miles), I tried to find a better mention or through google maps comparing place for a long time but couldn't, finally I wrote to the River Way Navigation organization on facebook but they had no record of the shooting. Finally, in one of the photos I noticed that in the background there is a footbridge that I saw a photo of a similar footbridge while searching on a history of Wey Navigation river on the UK National Trust page and fortunately the previous mentioned facebook page knew where it was, WAHOO! :))

Availability (as of 2024): all day

Link on the map

Hogback Wood (S01E01, S01E02, S01E04, S01E05) - Painshill Park, Cobham

Scene: The Hogback Wood where The Them play, seen in several episodes.

Availability (as of 2024): The entrance to the park is paid (£11 with prebooking online on https://painshill.co.uk/visit-us/ticket-prices-booking/) They open at 10 and close at 16-18 depending on the season. The World Word II crater they shot the main scene at should be in the west-south tip of the park. The whole path there and back is 4km (2,5 miles).

Link on the map

International Express Man's house (S01E04) - Shetland Close, Guildford

Scene: The International Express Man leaves the house to make deliveries

Availability (as of 2024): street all day

Link on the map

Agnes Nutter's village (S01E02) - Weald & Downland Living Museum, Chichester

Scene: The Agnes Nutter's village in episode two. In the map I highlighted which part we see the villagers and Witchfinder Major Pulsifer to through in the show.

Availability (as of 2024): The entrance fee is paid (£15.50 for an adult ticket prebooked online https://www.wealddown.co.uk/), it opens at 10 and closes at 16-17 depending on the month.

Link on the map

Tadfield Air Base (S01E05, S01E06) - RAF Upper Heyford, Bicester

Scene: For the shooting of the Tadfield Air Base the former RAF Upper Heyford was used, by the examining the google maps and screenshots from the series I think that the area labeled as 'Shelter 9' was used.

Availability (as of 2024): The place is no longer used by RAF purposes, there are several companies that use certain areas it but it is not available for public. The Upper Heyford Heritage though organizes (paid - £25.00) tours through the airbase: http://www.upperheyfordheritage.co.uk/home-page/tour-booking/

Link on the map

Soho (S1) – Bovingdon Airfield Studios

Scene: The Aziraphale's bookshop and Soho in season one were built at Bovingdon Airfield Studios

Availability (as of 2024): The studios can be rented but I don't think they are publicly available – the Soho is not there anymore though, it is now build in studios in Scotland.

Link on the map

The motorway on fire (S01E05) - M96 Training Motorway at Fire Service College, Moreton-in-Marsh

Scene: The motorway on fire when Crowley is heading for Tadfield was filmed at M95 Training Motorway at Fire Service College that is usually used for training emergency service professionals

Availability (as of 2024): Not publicly available.

Link on the map

South Africa:

The 1941 church (S01E03) - St. Saviour's Church, Claremont, Cape Town

Scene: The scene in Season 1 where Aziraphale is outsmarted by the Nazis and is saved by Crowley

Availability (as of 2024): Their facebook says Always open

Link on the map

Famine at a fancy restaurant (S01E03) - Mutual Heights building, Cape Town

Scene: The restaurant where we meet Famine for the first time

Availability (as of 2024): It is a building with flats, offices and a reception, not available to public.

Link on the map

Crowley in a cinema (S01E04) - Joseph Stone Auditorium, Cape Town

Scene: Crowley in a cinema (with Neil Gaiman cameo) watching animated rabbits when Hastur interrupts

Availability (as of 2024): Not publicly available as such but they there are presentations and and such happening there https://www.facebook.com/josephstone1968/

Link on the map

Aziraphale dancing gavotte (S01E04) - Casa Labia, Cape Town

Scene: Aziraphale dancing gavotte in a discreet gentlemen's club in Portland Place in the late 1880s was filmed at Casa Labia in Cape Town

Availability (as of 2024): Casa labia is hotel and a restaurant so it can be visited in that way https://www.casalabia.com/

Link on the map

Anathema's child home (S01E02) - Llandudno Rock Villa, Cape Town

Scene: The home which we see Anathema as a child with The Book (in the show it's Malibu, California)

Availability (as of 2024): street all day, the villa itself seems that it can be rented

Link on the map

Eden desert and ep6 time bubble desert (S01E01,S01E06) – Atlantis Dunes, Cape Town

Scene: The Eden desert scenes and the time bubble with Adam and AC were filmed in the Atlantis Dunes at the outskirts of Cape Town

Availability (as of 2024): The Atlantis Dunes – or Witzands Aquifer Conservation Area – is a protected natural area. Biking adventures can be booked through https://atlantisdunes.com/ or also other activities through https://www.capetown.gov.za/Family%20and%20home/see-all-city-facilities/our-recreational-facilities/Nature%20reserves/Witzands%20Aquifer%20Nature%20Reserve

Link on the map

The apple tree in the Garden of Eden (S01E01) - Waterfall Valley (formerly Cascade Country Manor), Paarl

Scene: The Eden apple tree with the waterfall in the background was filmed at the retreat Waterfall Valley (then Cascade Country Manor) (the tree was added by the film crew for the scene)

Availability (as of 2024): I am not sure if you can visit the waterfall like that or you have to be a guest in the restreat. The retreat is available for booking: https://www.waterfallvalley.online/

Link on the map

There were other scenes also filmed at South Africa (thought not specified exactly where): Hell was filmed in Cape Town in a former abattoir. The Noah’s Ark scene and the Crucifixion scene were filmed on a windswept plain just outside Cape Town. Also the Meggido scenes. The entire village used for the scene with War causing mayhem in an african village is in fact a set, built on scrubland over a sand mine just outside Cape Town. The French Revolution scene wa shot on a set that had been used twenty-four hours earlier for the scene in Ancient Rome. Famine visiting a burger place with Elvis was shot on a set in Cape Town. Also some scene's in Anathema's cottage with Anathema and Newt.

SEASON 2

Most of season 2 has been shot inside the film studio in Bathgate (f.e. the whole Soho has been built there), the Hell in S2 has been shot in an old disused factory (not specififed which one). The shots of the Edinburgh castle have been shot from the top of the The Caledonian hotel.

Edinburgh:

Crowley and Shax in St James's Park (S02E01) – Inverleith Park, Edinburgh

Scene: Crowley and Shax meet to discuss the news in St James's Park – the scene though was actually filmed in Scotland.

Availability (as of 2024): All day

Link on the map

The place where Crowley parks the Bentley (S02E01, S02E02) – Circus Lane, Edinburgh

Scene: The place Crowley goes to to park the Bentley and sleep there

Availability (as of 2024): street all day

Link on the map

AC and Elspeth in Edinburgh (S02E03) - Moray Place, Edinburgh

Scene: Aziraphale, Crowley and Elspeth are taking the first "pickled herring" to be sold, Aziraphale and Crowley are debating good and evil

Availability (as of 2024): street all day

Link on the map

Detective Aziraphale parks the Bentley (S02E03) – Victoria Street, Edinburgh

Scene: Aziraphale arrives in the Bentley and happily goes to investigate

Availability (as of 2024): street all day

Link on the map

The Resurrectionist (S02E03, S02E06) - Cask and Barrel, Edinburgh

Scene: Aziraphale goes to investigate to The Resurrectionist bar (also in Gabriel's memories with Beelzebub) – filmed in the Cask and Barrel bar

Availability (as of 2024): outside all day, inside 12-24, Fri-Sat 12-1

Link on the map

Stirling:

Edinburgh cementery (S02E03) - Old Town Cemetery, Stirling

Scene: The cemetery in episode 3 was filmed at the Stirling cemetery (grave, some gravestones, Gabriel's statue and the crypt has been added by the crew for the shooting)

Availability (as of 2024): all day

Link on the map

AC and Elspeth going through Edinburgh (S02E03) – Broad Street, Stirling

Scene: Aziraphale, Crowley and Elspeth going through Edinburgh while Aziraphale is trying to persuade her that she could do something else

Availability (as of 2024): street all day

Link on the map

Meeting Wee Morag (S02E03) - Mar's Wark, Stirling

Scene: The small corridor behind the gate where Wee Morag is staying

Availability (as of 2024): The front all day, the corridor if not through the gate then hopefully from the other side

Link on the map

Others in Scotland:

AC drinking whiskey with Mr Darlymple and the corridor to Mr Darlymple (S02E03) – Hopetoun House, Queensferry

Scene: Aziraphale and Crowley drinking whisky with Mr Darlymple while he explains why he needs fresh dead bodies also at the house has been filmed the corridor reading to Mr Darlymple

Availability (as of 2024): Hopetoun is visitable, Friday 29 March 2024 to Sunday 29 September 2024 Open 5 days per week (Thursday – Monday) from 11am to 5pm, £13.50 for an adult ticket for House and Grounds (to see both), or £13.50 for Grounds (to see the corridor)

Link on the map

The Windmill Theatre in 1941 (S02E04) - Hippodrome Cinema, Bo'ness

Scene: The theatre that Crowley delivered the broken alcohol to and Aziraphale performed the bullet catch

Availability (as of 2024): You can visit the cinema for a movie or an event https://www.hippodromecinema.co.uk/whats-on/

Link on the map

Soho and more (S2) - The Pyramids Studio, Bathgate

Scene: The S2 Soho has been built in the Bathgate studio, also there were built and shot many other scenes

Availability (as of 2024): It is not available to visit for public

Link on the map

London:

Possibly only streets were filmed and the Bentley was added with VFX.

C on the way to A after A calls him (S02E01) - Wardour Street, London

Scene: Crowley on the way to Aziraphale after Aziraphale calls him (to tell him about Gabriel)

Availability (as of 2024): street all day

Link on the map

C rushing to A after Beelzebub's visit (S02E01) - Regent Street St James's, London

Scene: Crowley rushing to Aziraphale after Beelzebub told with that anyone who will be find helping Gabriel will be dealt with extreme sanctions

Availability (as of 2024): street all day

Link on the map

Whew! This masterpost took me several weeks, hope you enjoyed it and it might help you plan your trip to see the Good Omens places! :) ❤ 🐍😊 Wahoo! :)

#good omens #bts #filming locations #fun fact #masterposts #filming locations masterpost #long post

663 notes · View notes

sixth-light · 1 year

Note

*slides you money* I heard you were three seconds from a treatise on David Lange and Mururoa and the Rainbow Warrior?

BY POPULAR DEMAND (ok you and like three other people asked)...

The core fact that you gotta know if you want to talk about New Zealand and nuclear weapons is that campaigning for nuclear disarmament and maintaining a legal nuclear-free zone in our territorial waters has been the core of our independent foreign policy as a country for nearly forty years, since the mid-1980s. This developed over the 60s and 70s from a popular groundswell of anti-nuclear sentiment focused around continued atmospheric nuclear testing in the Pacific by France as well as visits from nuclear-powered (and potentially nuclear-armed) American warships. It evolved into government action; left-wing governments took France to court to demand an end to testing and sent naval frigates to the nuclear test area to protest with Government ministers on board.

This was crystallised in 1985 when a photographer was killed in the state-sponsored terrorist bombing of the Rainbow Warrior, a Greenpeace ship conducting protests at the French nuclear test site of Mururoa. The bombing was carried out by French spies who were decorated when they returned to France (after France promised they would be jailed) and led to a prolonged diplomatic rift between New Zealand and France. The subsequent passing of nuclear-free legislation in 1987, banning nuclear-powered or armed ships visiting our waters, led to New Zealand's suspension from the ANZUS (Australia, New Zealand, and the United States) military alliance. David Lange, the Prime Minister at the time, opined famously that "The only thing worse than being incinerated by your enemies, is being incinerated by your friends." The ban still has such wide bipartisan support that it's simply not on the table now for even our right-wing parties; infamously, in the early 2000s one Leader of the Opposition told an American congressional delegation that the ban would be 'gone by lunchtime' if he became Prime Minister. This wasn't the DIRECT cause of his eventual toppling but it certainly didn't help. Nobody else has gone near it since.

I am, however, excrutiatingly aware that while our nuclear-free stance is viewed internally by New Zealanders as central to our national identity - there's a well-known song and it was even controversially used this year in a beer ad as a signifier of national pride - nobody else remembers. Particularly the Americans and the French. Seared into my brain is Scott Brown (yes that one) arriving here as the new US Ambassador in 2016 and going on the radio to talk earnestly about how Kiwis didn't realise that nuclear fallout wasn't restricted by national borders, c.f. North Korea, as if anti-nuclear campaigning wasn't...well...see all of the above. READ YOUR GODDAMN BRIEFING PACKETS ON THE PLANE, SCOTT, IT'S A FOURTEEN-HOUR FLIGHT.

So what does that mean for the Locked Tomb books?

As the linked article about the beer ad notes, anti-nuclear protesting has been a site not only of national identity formation but specifically Indigenous protest in the Pacific. It is Pasifika peoples who have borne the brunt of nuclear testing and much of the early anti-nuclear movement in Aotearoa was led by Māori and Pasifika, and closely tied to the anti-apartheid movement which focused on the removal or restriction of Māori and Pasifika rugby players on tours to apartheid South Africa.

In Nona the Ninth, it becomes clear that John (a Māori man) and G- (whose ethnicity is not specified but 'reads' as most likely Māori or Pasifika in context), as well as their friends, blackmailed the US government for a suitcase nuke and eventually used it to bomb Melbourne, with John then causing nuclear armageddon around the world. This is, uh, emphatically not the same thing as "Twitch streamers [John & co] nuking New Zealand", as chill as I generally am with the eliding of detail for joke posts. This is a Māori man from and in New Zealand nuking first Australia and then the rest of the world.

This is, obviously, if you're coming from the historical context, hugely transgressive in a way I can only describe as a...horror of agency? The horror of saying, what if we were willing to do the thing that we identify ourselves as a nation as being against under all circumstances? What if instead of standing nobly against nuclear weapons, for reasons of moral indefensibility, we were the ones to pull the trigger? What if our culture and our people survived the apocalypse because one of us started it, instead of us surviving by virtue of being so small, so on the edge of the world, so carelessly left off world maps?

And as to why it matters that it's Melbourne - New Zealand has a...complicated relationship with Australia that's hard to directly parallel to anywhere else (it's sort of like Canada and the US but also not like Canada and the US in any way that Canadians or Americans ever interpret that statement in my experience). In particular, there is huge anxiety in Australia about New Zealand as a source of non-white (and specifically Māori and Pasifika) emigration to Australia. Australian immigration policy, while technically retaining free movement between the two nations, has grown more and more restrictive over the last twenty years. Right now the central point of conflict is a policy of deporting mostly Māori and Pasifika New Zealand-born prisoners back to New Zealand on completion of their sentences, regardless of how old they were when they came to Australia, resulting in a large body of traumatised people with zero community ties being dumped back here and - no surprises! - frequently turning to crime. There's A Lot Going On There. Added to which the Christchurch mosque shooter deliberately travelled here from Australia to carry out his terrorism. And yet also, hundreds of thousands of us live there and many more have relatives and friends there.

And Melbourne? Melbourne is like....the cool Australian city, if you're a New Zealander. Sydney is too big (the same population as our whole country!) and too...everything, Brisbane and the Gold Coast are tropical and so kinda weird, Adelaide and Perth? we don't know them, but Melbourne is aspirational. Melbourne is the kind of city Wellington and Auckland would like to be when they grow up, maybe. They have laneways and culture and a working tram system. But it's also a very...white kind of cool. The kind enjoyed by rich Pākehā who can afford to go on weekend shopping holidays there.

So yeah. John and G- and the crew nuke Melbourne and it's a nexus of all these tensions old and new, of who we think we are as people and as a nation, of how we relate to Australia which is our friend and nearest neighbour and our rival and our scapegoat (because they're the really racist ones, aren't they? If we say that loud enough, does it drown out the sounds of our own sins?)

It's a fantasy of power and a horror of it at the same time. I hope someone right now is writing a monograph on this, there's so much to dig into. But it deserves to be framed as what it is, as a response from a Kiwi author to our own history and identity. It deserves to be understood in context.

#the locked tomb #ntn spoilers #new zealand #history #nuclear disarmament

728 notes · View notes

jokeroutsubs · 3 months

Text

Joker Out ‘Live From Arena Stožice’ - A triumph of unquestionable talent, youthful enthusiasm and dedicated work

ORIGINAL INTERVIEW BY ILKO ČULIĆ FOR RAVNO DO DNA, PUBLISHED ON 08.01.2024 ENGLISH TRANSLATION BY @moonlvster, PROOFREAD BY IG @GBOLEYN123

“Aha, that Slovenian band from Eurovision. Cute guys, but their music is for kids.” Nearly every attempt at explaining the quickly growing phenomenon Joker Out to those older and less informed gets stuck on this kind of reaction.

After the concert album “Live from Arena Stožice”, published by Virgin Records, and a rockumentary of the same name, directed by Mark Pirc, everything will be much clearer and hopefully there won’t be anyone who needs convincing that this Slovenian five-piece have emerged as the most exciting young pop rock band in the wider region, for now maybe even the only ones of their generation capacitated for the biggest venues in the post-Yugoslav area. This is a complete 90-minute recording of their triumphant concert in Ljubljana with 12,000 backing vocals and the right material for a major label deal, which nobody from these parts has been able to do in such a short period.

Yes, of course, Joker Out makes music for kids, or more precisely music for girls, as they always make up a majority of their audience. Photo and video documentation obtained from Stožice doesn’t differ from what was recorded a few weeks later at the Zagreb concerts in Tvornica Kulture, where the only older faces in the crowd were the security guards, accredited reporters and some caring mothers who didn’t want to leave their darling alone in the crowd under any circumstance.

Everything that happens with this band looks like an endless highschool party fueled by high-spirited youthful rock. However, the fact that Joker Out’s music is magnetically attractive to only girls isn’t a handicap, but a huge initial advantage, both in Ljubljana, Zagreb and Belgrade, as well as London and Manchester. The mass teenage hysteria once similarly helped Chuck Berry and Buddy Holly, the early Beatles and T.Rex, and more recently Franz Ferdinand and Arctic Monkeys, with whom rock was briefly youthful again.

On home turf, the famous new wave became quite an important factor of pop culture when it won over a highschool aged audience, and became an exceptionally profitable discographic investment when in big cities it reached even the upper classes in elementary school. In later stages, due to the unlucky combination of unfortunate demographic and discographic processes, we ran out of young bands as well as the youngest audience. Since there were no adequate regional responses to Franz Ferdinand and Arctic Monkeys, a defeatist way of thinking prevailed in the rock world, saying that new generations are generally uninterested in bands with guitars.

Joker Out sprinted into that empty space and simply smashed it. Eurovision was the launching pad for their international career, but the foundation for a sold out Stožice Arena was built two years prior when the band filled Cvetličarna, a venue with a capacity of up to 2000 people, with their debut album ‘Umazane misli’. In terms of the Slovenian rock scene those were already big numbers and irrefutable proof that the winners of Špil Liga in 2016 became serious players in the meantime.

After a phenomenally successful regional and European tour it was Arena Stožice’s turn, so by October Bojan Cvjetićanin, Jure Maček, Kris Guštin, Jan Peteh and Nace Jordan had the required number of played matches and enough confidence in them to transfer all of their current published songs to a concert album, meaning 23 songs in total. So, that includes the complete material from the ‘Umazane misli’ and ‘Demoni’ studio albums, two last years hits,’Carpe Diem’ and ‘Sunny Side of London’, as well as their first song back from their highschool days, ‘Kot srce, ki kri poganja’. When planning some kind of festival gig, they could make a selection and pick out their hits, but at an ambitiously planned 90-minute solo performance they had to play all they have and be very careful not to make a mistake in the song setlist.

For a furious opening, effectively complimented by the guest brass players, the chosen song was their recent single ‘Sunny Side of London’, the only song performed in English. Live it sounds like a final confirmation that Joker Out is an international band and like an excellent announcement for their upcoming spring European tour. The next song is ‘Gola’, the first out of many old favourites and the ultimate Slovenian teenager hit, which started a rarely seen euphoria in the audience.

After that the whole arena thunderously sings along with Bojan to ‘Bele sanje’, ‘Plastika’ and ‘Dopamin’ and ‘Demoni’, and the accumulated energy is just transferred from one song to the next without any oscillation. In the middle part of the concert, however, you can feel that Joker Out’s repertoire lacks a few more punchy songs. At least the fans won’t mind that at all, because with a flashback to their debut song ‘Kot srce, ki kri poganja’ they got an exclusive opportunity to watch and listen to the ex rhythm section with the drummer Matic Kovačič and bassist Martin Jurkovič. Less impressive are the extended versions of ‘Metulji’ and ‘Vem da greš’, where the compact three-minute forms from the first album are extended with guitar solos and stretched out into the too long six-minute versions. The ending of the concert, in which ‘Tokio’, ‘Umazane misli’, their new concert single ‘Ne bi smel’, generational anthem ‘Novi val’ and their biggest hit ‘Carpe Diem’ were incorporated, was performed flawlessly. Joker Out is at the level of the assignment, and ‘Live from Arena Stožice’ is the most complete edition. This concert album represents a triumph of unquestionable talent, youthful enthusiasm and dedicated work, but there’s something else at play.

Fifteen years ago the run-down Kino Šiška, a former iconic meeting place for punks of Ljubljana, was thoroughly remodelled and turned into the city's alternative culture institute. Ten years ago Kino Šiška announced a competition for highschool bands and started Špil Liga, regularly funded by the city. In the third season, Joker Out won Špil Liga. Today, Ljubljana has a band that it can proudly send to every European metropole. Their concert in Helsinki sold out three months in advance. That’s not crazy luck, but a smart cultural strategy.

Rating: 8/10

#joker out #bojan cvjeticanin #bojan cvjetićanin #jan peteh #kris gustin #nace jordan #jure macek #kris guštin #jokeroutsubs #stozice

39 notes · View notes

grits-galraisedinthesouth · 9 days

Text

Revisiting information from Tom Bower's book Revenge and current events in the House of Windsor.

Misan Harriman: All Roads lead back, to Soho House & the person Rachel described as her "gay husband," Markus Anderson.

Anglo-Nigerian photographer, Misan Harriman, was instrumental in Meghan’s 2014 post-Trevor re-brand from Deal or No Deal Briefcase Girl to faux philanthropist/humanitarian.

Allegedly he's also gay, along with the other "boys" in MEgain's Soho House Circle. All in "contract" marriages with female "beards" like Rachel Meghan Markle. All liars.

According to Tom Bower's research (Revenge p. 63), Meghan was determined to use One Young World as her launching pad to celebrity philanthropy.

She was unknown to the OYW founders and event staff so she contacted Misan Harriman to ask for an introduction to his friend, tennis star, Boris Becker.

Becker was already scheduled to speak at the Dublin conference and Misan pitched the idea of Meghan's participation.

Becker referred Meghan to HIS AGENT, Gina Nelthorpe-Cowne.

If I remember correctly, in Gina's pre-wedding articles and interviews, she mentioned that Meghan contacted her office in 2014 to express an interest in helping with the OYW conference(s). I had no idea that Meghan and Misan were friendly while Meghan cohabitated with Celebrity Chef Cory.

MEgain did not choose Misan for her engagement photographs. Misan has only been in the photography business for five (5) years.

Soho House members, the York Sisters, invited Misan to capture the moment Edo proposed to Beatrice. (sigh & smh) SAME Eugenie who told the press, "we really like her..." when someone (OMIT & Jessica) gave Camilla Tominey permission to publicize their affair. Camilla repeatedly writes that William MUST forgive Sparry. Tominey cares nothing for the Wales family or the country. Her interests are rooted in greed and irresponsible reporting to sell papers.

Notice The Meghans began paying Misan during MEGXIT. He captured the stills and video footage for Megflix. He is also paid by Invictus. There's a lot of cash flowing into Misan's bank account via The Meghan and their archeficicial business ventures. IRS, where you at???? 🤔

I'm not sure why I included the following in my original 2022 post: "Allegedly, during Harry's 2 nights in Tornto (babysat by Jason Knauf), just before he flew to the US-FL IG, Meghan (while cohabitating w/Cory & just back from spending Mother's Day weekend w/Cory's parents) Meghan told Harry about her interest in helping him with the Invictus Games."

One thing that stands out to me is how much both Meghans lied during the engagement interview:

Sparry & MEgain admitted (on international television) that they were secretly dating for 5-6 months BEFORE Tominey received the story.

Do the math. If they met in July of 2016 and had 5-6 months together in secret, Camilla's article would have been published in December or January, not October/November.

Camilla's article was published at the time of their Toronto (soho house) Halloween party with Eugenie and Jack Brooksbank: October 2016 = only 3 dating months.

If they began dating during Sparry's Spring promotional visit to Toronto for Ingriftus, then YES--- they were "together" (like spooning bananas) for five (5) months before MEgain leaked the details to Tominey

Sparry is just as much of a compulsive liar as his wife. He lies about the unnecessary details:

"we had to announce your megnantcy for the tour because you were showing..."

"It's true, you did blend in-----‐until our farewell week..."

I have future content coming about Victoria Hervey and Dan Wootton's despicable behavior during kategate. At the moment I wish she would stop extending open invitations for Sparry "to come home," when he's repeatedly been clear that America is his home & America is where he feels safe.

In my opinion, Sparry and MEgain deserve to be married to one another FOREVER!! Initially I viewed Sparry as her victim but just because Sparry is mentally & emotionally unstable and intellectually "sub-educational" (as Lady C would say), does not excuse his character issues: lying, cheating, stealing, grifting to achieve fame and fortune in America. People all over the world with low IQs know the difference between right and wrong. There is no excuse for Sparry's crimes.

Royal Families cannot expect their people to look past bad behavior. Charles got what he wanted, "Camilla." Despite the good press she receives, the majority of the world sees Charles as spoiled and feckless. I do think he will be surprised to learn just how many Brits wish he & Camilla would just go on a permanent holiday.

In a world of meritocracy, we have watched Meghan Markle, Sparry, and Andrew get away with murder. Zero on the job consequences for bad behavior------>Out of touch with everyday people.

Andrew & Sparry have caused permanent damage to brand BRF. When Charles chooses tone deafness over humility and shame, they are begging the people for a Republic.

Normal people pay a price for their unwise decisions. Selfish Charles chose Jesus' resurrection day to rub Andrew into the faces of the British people and global royal watchers.

People won't take these moments of pure contempt for the will and opinions of the people and just let it all go due to cancer. Charles is still seen as a feckless king who will ultimately destroy this monarchy because it appears he cannot or will not manage his household.

Go to church Andrew & Fergie, but not in front of the cameras and not at the expense of the taxpayers. These are not difficult situations for Buckingham Palace. Does anyone have a working brain? It's as if Charles is deliberately destroying everything his mother & father worked so hard to preserve.

I agree @sassyfrassboss and don't get me started on Sarah's health related virtue signals. Why is it so difficult for Fergie to stop talking? And why won't Andrew go away and live out a solitary life? No one wants to shake hands with Epstein's pal. No charity wants to be represented by Epstein's pal. Consequences.

Andrew is reviled and despised because he refuses to accept responsibility for his unwise choices. He has no remorse for choosing "sleazy e & co" over his family and his country. It's not complicated.

I have drafts of future content about the York's. Surmise it to say, Andrew and Sarah are just not bright people. What's worse is they are selfish and refuse to step out of the limelight to give their daughters & grandkids a fresh start.

Unfortunately, like The Meghans, Eugenie was willing to exploit the identities of other people's children while concealing the face of her own child with stickers.

Ultimately Eugenie used the Jubilee to change course. She finally held up the child to show his face. Cute child. What's not cute is the elitist mindset that "blue blood makes us extra special."

After visiting Davos, Eugenie was quick to parrot her elitist, WEF talking points. There was no critical thinking about the issue(s) (like, "hmm, my husband wears glasses"), just a regurgitation of elitist talking points.

No one wants to see Andrew on Easter Sunday or for that matter at any other holiday. Seeing him jolly on parade is a slap in the face to all who had a deep affection for Queen Elizabeth's virtues and basic human decency. It's past time for him to retire from public life.

Rolling up to Easter service as though the York's are respectable members of society who serve Jesus Christ is absolutely shameful.

Not because of a liar named Virginia and her fake photo, but because of Andrew's REAL Central Park, NYC photos and the video footage of Andrew coming and going from Epstein's NYC home. Not to mention their big Epstein dinner with guests like Katie Couric, George Stephanopoulos and Woody Allen---- to name just a few.

Andrew used tax payer's money to travel in support of Jeffrey Epstein upon his release from prison.

A man who was convicted of sexually assaulting under age girls served about 12 months in prison and upon release he threw a NYC party for his royal pal Andrew! The Palace was "too honorable" to reply, "No thank you. Have a nice life." Andrew seems too self centered to concern himself with the commandments to "avoid even the appearance of evil" and to "honor" his mother & father's legacies.

26 notes · View notes

louisupdates · 12 days

Text

[Translated from Portuguese]

LINK TO VIDEO INTERVIEW

Former member of the British boy band One Direction, Louis Tomlinson will perform, in May, three shows in Brazil. It will be the third time that the musician will perform in the country, an experience that, according to him, is always chaotic - and "in the best possible sense". This is what the singer said to g1, in an interview held at Allianz Parque, where he will play in São Paulo, on May 11.

The shows are from the "Faith in the Future" tour, in which Louis returns to his latest album, released in 2022. The setlist also involves songs from the album "Walls" and, of course, One Direction hits.

Fever among children and adolescents in the 2010s, the pop group was formed from the TV show "The X Factor" and lasted six years, breaking up in 2016. Since then, the musicians have followed a solo career. A fact that, in Louis' eyes, is inevitably competitive.

"Your only reference is to compare yourself with the other members," said the Englishman. "You start to think, 'If they're getting this, why am I not getting it?'"

On Spotify, the number of monthly listeners among artists differs a lot. The most popular star of the divorced boy band, Harry Styles has about 58.2 million. Next are Zayn Malik (27.3 million), Niall Horan (17.3 million), Liam Payne (5.7 million) and Louis (2.9 million).

But if success meters like this were once a burden for the musician, today they are no longer, according to him, who also made a point of reiterating that he has always been proud of his friends.

In the interview, the musician also commented on subjects such as the conspiracy theories that describe him as a partner of Styles, the changes of concept between his albums, a Brazilian remix of his "Kill My Mind" - from the funkeiro FP of Trem Bala -, and his interest in fashion

g1 - What is the main difference between the Louis Tomlinson of the X Factor, 2010 and the Louis Tomlinson of today?

Louis Tomlinson - There is a lot of naivete in the boy who appeared in the X Factor. I really didn't know what I was getting into. I didn't know how that would put me sitting here. I definitely had no idea what I was acquiring.

I think I feel much more fulfilled. More confident. It took me a while to have enough courage to say: 'I'm creative, I'm a singer, I'm a composer

Now, I'm just internalizing all these feelings. When you grow up in a place like Doncaster, where I grew up, it takes a while to believe in all these things. Because you only watched it from afar, on TV or on the radio. So, when you become one of these people, there is a whole process until you believe and understand everything.

g1 - And what is the greatest similarity?

Louis Tomlinson - Probably my appearance (laughs). Well, I hope my fans don't correct me here. I like to think that I've always had a very lovely relationship with them. I think that's the only constant thing.

g1 - Do you know any Brazilian singer or band?

Louis Tomlinson - We were talking today about Anitta. And hm... Fresh? Fre? Fresno? I'm learning. I hope [the confusion with the band's name] didn't sound disrespectful, it wasn't my intention.

Do you have any recommendations for me? I got some tips today. What do you have for me?

g1 - There is a Brazilian musician called FP do Trem Bala. He made a remix of 'Kill My Mind'...

Louis Tomlinson - That's cool! So far, you were the one who made the best recommendation. Definitely.

g1 - Can I show you?

Louis Tomlinson - Of course!

youtube

g1 - What's up? Did you like it? Is there anything you would like to say to the FP of the Bullet Train?

Louis Tomlinson - Yes, it's a vibe. Fun. Very fun. Thank you for making a remix of the song.

g1 - This is your third time in Brazil. What comes to your mind when you hear things like 'doing a show in Brazil', 'Brazilian tour', or simply 'Brazilian fans'?

Louis Tomlinson - Chaos. And in the best possible sense. I totally love it.

Live experiences are defined by the most chaotic moments. And coming here and always feeling this energy is as if from the first drum beat, the fans were already there. It's a really triumphant feeling.

g1 - In musical terms, how was the experience of creating 'Faith in the Future' compared to 'Walls'?

Louis Tomlinson - I felt much more fulfilled, confident. I had more understanding of what I wanted to do and how to do it.

[On the first album], there was the factor that I left One Direction. It was as if my head was a mess and there was so much to think about... It didn't have a clear direction. I had to go through the experimentation phase to, in fact, understand who I am as an artist. That took time.

Throughout my creation of 'Walls', this was happening, but I was in a clearer, more concise place going to 'Faith in the Future'. And I think that made [the second] album better.

g1 - Recently, you created 28 Clothing, a fashion brand. What is your relationship with this sector?

Louis Tomlinson - I've always had a very funny relationship with fashion. Without a doubt, I'm interested in clothes, I've always been. Since I was young. But there is a level of haute couture that goes far beyond my understanding.

You know, I like to dress well. The brand is something I've always wanted to do. It is also intertwined with one of my [greatest] passions, football.

Football and fashion have been connected since the game was a game. People's fashion in the stands and everything else...

I think it's a very interesting thing and, for sure, a culture in which I was already inserted when I was younger. So, the brand helps me tell my story.

g1 - You once mentioned that you felt a little uncomfortable and more competitive at the beginning of your solo career. You said you were a little upset because you kept comparing your level of success with that of the other members of One Direction. Do you still feel that way?

Louis Tomlinson - No, I don't feel like it. Really. But I think that anyone - and obviously, there won't be many people who can identify with it - but anyone who has gone through a similar situation...

Being in a band and leaving on your own will always make your only reference be to compare yourself with other members. That's literally all you have.

I think it's a matter of maturity, actually. It took me a long time to look at it for what it was. Because that's where petulance begins. You start to think: 'If they're getting this, why can't I do it?'. And that becomes a little toxic.

Unfortunately, this is the nature of the music industry. It is naturally competitive. We are all competing for spots.

But now I see it in a very different way. And as I said, this requires maturity. I also needed to succeed on my own to be able to get through this. To overcome this.

Now, this comes back as I feel a confidence in saying these things.

Oh, and just to reiterate, because it's important: while I felt competitive, or more competitive than I am today, it wasn't like I wasn't immensely proud of everything the boys were doing.

It was more about reflecting on my own situation. Just about thinking: 'Oh, I wish I had a little of that'.

Now, I feel in a very, very, different place. And it's a nicer thing to feel, because being very competitive isn’t always the nicest feeling.

g1 - I imagine you hear questions like this all the time, right? Does it bother you?

Louis Tomlinson - Yes, it's okay. As I mentioned before, I understand the obvious public interest in One Direction. That's obvious. And you know, I appreciate that these things are interesting. I suppose [that they are].

g1 - Louis, many fans believe in the conspiracy theory that you’re dating Harry Styles, even though you describe this story as ridiculous. Why is this conspiracy so famous?

Louis Tomlinson - What I realized a few years ago is that there is nothing I can say, there is nothing I can do to stop those who believe in this conspiracy. They are so connected with what they believe they will not see the truth for what it actually is. I'm sure many people look and find all these little conspiracies that happen in life interesting.

I would be lying if I said it doesn't annoy me a little, but it's the nature of the work.

There are times when it gets very personal. I have my son, Freddie. He's the most important person in my life. And occasionally, [these theories] end up addressing things that are kind of unfair.

That's what we have now. There's nothing I can do about it. Nothing I can say to stop people from inventing what they want to invent. So, so be it.

g1 - Finally, what is your favorite song at the moment and why?

Louis Tomlinson - My favorite album is Paolo Nutini's last. It's great, amazing. He's an amazing singer, maybe he's my favorite singer. It's indeed an inspiring album.

And favorite music... I can't remember the name, but it's from The Libertines, a band I've liked since I was young.

#g1 #fitfwt24: são paulo #louis tomlinson #Louis press #louis interviews #louis quotes #2.4.2024

28 notes · View notes

pinkscaped · 1 month

Note

wait omg myah please please PLEASE tell us more abt myrah’s career after allume (and maybe during too 🤭) i js NEED to hear more abt her !

MYRAH YAMAZAKI is a Japanese K-pop idol and global icon based in South Korea. She made her initial debut in the rotational girl group ALLUME in 2005 as the group's leader and lead vocalist until her generation's graduation in 2010. Myrah is often credited for making ALLUME as popular as they are, achieving international stardom during this time for her strong attitude and natural star quality. Her run in Allume would be dubbed "Myrah and Friends" by fans due her popularity often overshadowing her groupmates.

Myrah would immediately begin a solo career after her 2010 graduation, destroying both the Korean charts and Japanese charts with the mini album HAUTE TOPIC. HAUTE TOPIC would break records for having all four tracks debut in the Top 10 on Melon. Moonlight, Chase Me, Starlight, and Kitty Kat would all break into the top ten and remain there for a solid five months. Myrah's solo career would be proflic and global, debuting in Japan shortly after her Korean solo debut where she would destroy the charts there as well. She would be the highest-performing Flowerbank soloist ever until the acquisition of Baebi's contract in 2023.

Myrah is still a high profile celebrity, starring in a handful of blockbuster films, critically acclaimed dramas, and becoming the face of many luxury brands through out the years. She is also the head of the creative board in Flowerbank Entertainment, owning an impressive amount of stocks in the company. She has been the host of the radio show AllTalkMe for over ten years now, keeping her and Allume relevant over the years.

ﾞ . ✩ . ' ۫ INFORMATION!

STAGE NAME :: MYRAH

BIRTH NAME :: Myrah Yamazaki

Birthday :: December 1st 1987

Zodiac :: Sagittarius

Birthplace :: California

Hometown :: Osaka, Japan

Ethnicity :: Japanese

Nationality :: American-Japanese

Faceclaim :: Devon Aoki

Height :: 175 cm || 5′9

ﾞ . ✩ . ' ۫ VIRAL MOMENTS!

"I don't think people realize we haven't actually had sex...I wish but we're acting, guys." One of her first viral moments as an actress was in 2016 during the press tour for A Man and a Woman with her co-star Gong Yoo. Myrah and Gong Yoo would go on to have a public relationship that would often have them going viral for their cute and funny moments. To fans' dismay, the pair would split in late 2020.

When she snatched Sooah's mic from her during a concert, singing her lines and high notes. "My mic wasn't working. It's not like she sings much anyways," Myrah would go on to say in an interview, fueling the fire of rumors about the two having a feud during their time in Allume. After this, Sooah would noticeably clutch her microphone whenever Myrah would walk by her.

"How could I not like her? I've never spoken to her. I love 2ne1. Shut up." Myrah would shut down rumors of her and CL of 2ne1 having beef, telling a fan to shut up when they spoke negatively of her. Shot in glorious 2009 iPhone quality, the video would make its round around the internet. A week later, Myrah would post a selfie with CL on her blog with the caption "My bestiiiiii~ ^-^ <3" and the two are still close to this day.

She put her hand up in Gdragon's face when he attempted to sing to her at the 2013 MAMA Awards. It was a lighthearted interaction, Myrah laughing the whole time, but the internet took it differently and deemed her "a rude bitch" and VIPS would begin to harass her. This would have very little effect on Myrah as she would go on to post a couple of photos of her with T.O.P and Gdragon in the studio with the caption: "I lovvveee rappers!! (*^^*)♡"

"She's a bitch! A hot one though!" Myrah would shout out her car window when she was escorted out of a club by Flowerbank CEO Kim Iseul. Myrah was a bit of a club-goer post-Allume, often having to be picked up by friends or, on rare occasions, her CEO. When asked by paparazzi about her thoughts on Iseul having to pick her up, prompting her to say her now most iconic line.

#༘⋆✿ ARTIST PROFILE #༘⋆✿ MYRAH #fake kpop oc #idol oc #idol au #kpop addition #kpop oc #oc kpop group #fictional idol community #bts addition #kpop au

25 notes · View notes

plasticflwrs · 3 months

Text

★ ⠀⠀ ! ⠀⠀ PLASTIC FLOWERS is a fictional idol band formed and managed by Superbloom Media between 2016 and 2018. Before this, they were known as THE BIG GLOOM and were formed by four high school students that primarily busked and struggled to get their music out there through YouTube and SoundCloud. In late 2015, their third single FOLKTALE gained much attention from the underground indie scene. Looking for something new and exciting for their artist roster, they were scouted by Superbloom Media's CEO Shin Yeonghui personally. Due to internal conflicts, only lead singer SALEM signed with the company and under her direction she chose the first generation of Plastic Flowers members. This line-up was composed of SALEM, DAL, JIHUN, and GWYN. They would only release three singles before the band was placed on an indefinite hiatus at the end of 2016 due to the company's financial struggles.

★ ⠀⠀ ! ⠀⠀ Plastic Flowers would make their RETURN to the music scene in late 2017 with an almost entirely new line-up including JUNYEONG, SERIN, and former member MINGHUI. With these new members, they created the identity known today and some of the most loved early singles were released with them. The band would remain with the same line-up until internal conflicts caused Minghui to leave the band and an unconfirmed hiatus that would last a year and a half. They would return with TEETH and new member DEURIM, creating the beloved line-up known today.

★ ⠀⠀ ! ⠀⠀ Now known as THE NATION'S SONGBIRDS, the rise to stardom was not an easy one for the members of Plastic Flowers. When their first extended play, SOCIAL REJECTS, dropped in 2017, they barely sold over fifty copies. Though their sales would slowly grow over the years, thanks to appearances on musical variety shows by the members, they would not have a hit single until 2022. Their first release after almost a year long hiatus, ABOUT TIME, would go on to top the charts and usher a new era for the members of Plastic Flowers. Since then, they have held on as one of the biggest idol bands in South Korea and have extended their influence internationally, selling out a world tour planned for 2024. Plastic Flowers are known for their melancholic lyrics and impressive instrumentals, often being hailed for having a song that fits any emotion and scenario.

★ ⠀⠀ ! ⠀⠀ company. superbloom media ( since 2016 ).

★ ⠀⠀ ! ⠀⠀ other ventures. death valley.

★ ⠀⠀ ! ⠀⠀ formerly known as. the big gloom ( 2014 — 2016 ).

★ ⠀⠀ ! ⠀⠀ debut date. september 18, 2017.

★ ⠀⠀ ! ⠀⠀ debut song. loner.

★ ⠀⠀ ! ⠀⠀ fandom name. poppy / poppies.

★ ⠀⠀ ! ⠀⠀ fandom colors. poppy's gift ( #bc1115 ) & haze ( #c8e8fd ).

★ ⠀⠀ ! ⠀⠀ former members. choi chaesol, choi seowon, ying " irum " shuhang ( 2014 — 2016 ); myung " dal " jisoo, kang " jihun " soonyoung ( 2016 ), lin minghui ( 2017 — 2020 ).

★ ⠀⠀ ! ⠀⠀ THE MEMBERS OF PLASTIC FLOWERS ... MILIN " SALEM " KUEAKULSRI ( 1998, leader ), KANG JUNYEONG ( 1999 ), LEE " SERIN " JIYEON ( 2000 ), OH DEURIM ( 2001 ), OLIVER SONG ( 2001. )

40 notes · View notes

unholyverse · 1 year

Text

waterparks // alternative press spring 2023

(full article text under the cut:)

TO THE MOON

With their new album INTELLECTUAL PROPERTY, WATERPARKS are diving deeper than ever before. The result is an exorcism of deep trauma and the sweet afterglow of catharsis.

STORY: Alessandro DeCaro • PHOTOS: Jawn Rocha • Styling: Josh Madden

Between international flights, jet lag and no days off in between, it is a miracle that Awsten Knight isn’t face down in a pile of pillows. For the past two weeks, Knight and his band Waterparks have been head down in a run of massive shows throughout the U.K. supporting British rockers You Me At Six as well as a series of intimate appearances at record stores with some of the band’s most die-hard fans. It was a landmark run for a group who have hit the road relentlessly the past year-and-a-half, with sold-out North American and European headlining tours, a top slot at the 2022 Sad Summer Festival and even a “bucket list” opening slot for My Chemical Romance. Their latest milestone? They played to 10,000 people — their largest show in the U.K. region — at London’s historic Alexandra Palace. Exhaustion should be Knight's baseline, but instead, he's as chipper as ever when he hops on Zoom back home in Los Angeles. There's only one problem. The bandleader has been on vocal rest for days leading up to this very interview.

“Dude, my voice feels so shot,” Knight confesses from his living room couch. “We did 12 performances back to back, then combined with really short cut-up sleep on the flight, 1 just feel, ugh.” Sleep deprivation aside, Knight is almost at a loss for words (not from the vocal rest) but because the experimental pop trio he formed 12 years ago have unlocked another level of fandom where new listeners are still flocking by the droves. “It turns out there are a lot of people [in this world].” Knight quips, referring to his newfound fans. But in reality, global domination doesn’t really seem too far off.

Knight barely has time to slow down. The band are set to release their fifth studio album, INTELLECTUAL PROPERTY (out April 14 via Fueled By Ramen). But the self-professed workaholic has never known any other way. “It's a really hard mentality to shake,” Knight reveals. “When we were a local band, we didn't have any family connections in the music industry, and no one cared, so you had to take on every role. Even though we are not local anymore and get to play arenas with our favorite bands, if I'm not actively doing stuff to push the music, then I don’t know if anyone else will."

In some ways, Knight fears downtime or stillness because that's when he feels like his brain will start to turn on him. He admittedly functions better when he's working on something creative, whether that’s writing a new song or simply designing streetwear for his clothing brand hii-def. “It's not necessarily the most healthy thing in the long run, but people have worse coping mechanisms,” he laughs nervously.

But Waterparks remain his main focus. The trio, which initially formed in 2011, began to truly put the pieces together the following year when Knight enlisted his now-best friends, guitarist Geoff Wigington and drummer Otto Wood, to round out the lineup. “Otto loved classic rock and bands like La Dispute and Touché Amoré, whereas Geoff was all about EDM," Knight recalls. “We all had different tastes, but at the core of it, it's guitar and drums.” Their individual musical backgrounds helped craft the genre-less sound they have now cultivated.

"THE BIGGEST REASON I didn’t want that pop-punk label is that I know exactly what we are capable of." - AWSTEN KNIGHT

It wasn't until 2016 when Waterparks finally released their debut album, Double Dare — an intentional choice. “I always felt like if no one was looking at us, why put out a large body of work? I wanted to do cool shit as opposed to oversaturating and waiting until enough people [actually] wanted to hear it.” There is a common adage that you have your entire life to write your first record and six months to write your second, to which Knight agrees, and from there, the band began making records like clockwork.

With those albums came carefully curated eras — a moment in time with a clear aesthetic, theme and overall mission statement. While always writing music from a subversive and experimental perspective, it was when the band released both FANDOM (2019) and Greatest Hits (2021) that they began to stray from the confinement of genre and inaccurate labels. Knight himself spoke out vehemently about being boxed in by the term “pop punk. “I learned [during that time that] you can’t control everybody, and you can only frame the narrative so much,” Knight explains. “Obviously, we grew up loving and still loving blink-182, Green Day, Sum 41 and Good Charlotte, so it’s in our DNA to a degree, but I just don't want that label because it’s so synonymous with the past and what cynical dickheads or mega naysayers say is just for preteens and kids. However, the biggest reason I didn’t want that label is that I know [exactly] what we are capable of and what our output is.”

Take, for example, the breakbeat madness of the FANDOM single “Turbulent” or the distorted experimentation of “Numb” from Greatest Hits. Nothing is off the table for Waterparks. The group join a cohort of other trailblazing acts like Bring Me the Horizon and Paramore, who both successfully pivoted away from the late Warped Tour circuit in favor of mainstream appeal without losing any substance. “There's a song for everybody, and I once tweeted that anyone who doesn't like Waterparks just doesn't like Waterparks yet,” Knight says confidently.

If you have yet to be on board with the band's music, you've at the very least been entertained by — or seen — Knight's fiery social media presence.

It's undeniable that Waterparks’ meteoric rise has stemmed from the bandleader’s unofficial side hustle as a social media celebrity. And at times, his online presence can feel truly monolithic in scale, something Knight has attempted to analyze over the years in many songs, including the aptly titled “You'd Be Paranoid Too (If Everyone Was Out To Get You)" When asked if his status as an extremely online figure has influenced the band’s latest album, INTELLECTUAL PROPERTY, Knight isn't entirely sure but reveals that he has had to set boundaries nonetheless, as someone who's regularly met with constant praise and vicious internet trolls. “I try not to let it influence things too much [lately], and with therapy, I've learned that you can only control yourself. However, that doesn’t mean I'm not still vulnerable in the music that I write.”

He tackles the subject on INTELLECTUAL PROPERTY with closer "A NIGHT OUT ON EARTH" and parts of the song “RITUAL,” where he recalls when he felt things were “caving in" around him due to the pressures of constant attention. “There are people who listen to Waterparks who aren't on Twitter. and then there are those who view the band in this bubble where it's just them and the people who reply to the tweets,” Knight resigns.

But beyond the topic of social media, Knight gets admittedly “introspective” on the record. When asked to discuss the overall lyrical themes and concepts behind INTELLECTUAL PROPERTY, he takes a deep breath and delivers a warning: Things might get a little turbulent.

“There is a love story throughout the record that is expressive to and for other people, but the album itself has to do with overcoming, unlearning and growing past religious guilt,” Knight explains. “It's something that I've struggled with for a long time.” On “FUNERAL GREY," he delivers the punchy line “baptized in my spit,” which is a playful twist on a weighted subject. The theme of religious guilt doesn’t just apply to the overall lyrics of the record but also extends to the album's striking cover art, which at first glance appears to be an image of a blue frog over a red backdrop; in actuality, it possesses a much more poignant meaning.

“Frogs have always been one of my favorite animals,” Knight reflects. “However, when I learned that frogs were seen as dirty and unclean in a biblical context, it was interesting to me that something that I saw as so good, natural and beautiful could also be seen as a bad thing through a biblical lens.” In other words, the concept of shame plagued the charismatic bandleader for as long as he can remember, and INTELLECTUAL PROPERTY was the moment for Knight to finally face his trauma head-on and “come to terms with himself” once and for all. That explains why a majority of the new songs possess “hypersexualized” energy — a conscious rebellion against a conservative past. “Growing up in church, you're taught that everything is so wrong and bad. I always felt like shit, so [this album] is the breakaway from that specifically.”

By overcoming his religious guilt, Knight was able to tap into an evolved sense of self-worth that he’s since applied to his very own love life, which he details on the album's stripped-down ballad “CLOSER.” “My concept of love has changed throughout the years, and that song is about [looking at the past] and realizing that when I was younger, it was maybe more of an obsession. Now I'm taking it apart and learning more about love and the way I present the current version of myself to other people.” Inversely, there is the alt-radio-ready anthem “BRAINWASHED,” where Knight admits that he still wrestles with the idea of true love, constantly making sure that he’s not just wrapped up in the “honeymoon phase.” Knight jokes that this track and “FUCK ABOUT IT” which features a guest vocal spot from blackbear, are “polar opposites,” as the latter couldn't be further from the “hyperfixation” he details in “BRAINWASHED.," once again proving that he feels the most comfortable when inserting juxtaposition wherever he can.

"I've learned that you can ONLY CONTROL YOURSELF. However, that doesn’t mean I'm not still vulnerable in the music that I write." - AWSTEN KNIGHT

Beyond the emotional clarity that Knight gained during the creation of INTELLECTUAL PROPERTY, it's the album's sonic risks and exploration that he is the most fired up about. Though Knight wanted the band to return to their more guitar-driven and organic roots for certain parts of the LP, much of the record ventures into eclectic territory, with hyperpop, trap, synthwave and even subtle elements of hard rock and nu metal. “RITUAL, ‘A NIGHT OUT ON EARTH, ‘REAL SUPER DARK’ and ‘ST*RFUCKER' are the craziest instrumentals we have done ever,” Knight exclaims. “I love the idea of taking something like a guitar or my voice and making it sound entirely like something else” “A NIGHT OUT ON EARTH,” however, is what Knight describes as “the biggest production flex,” and it most definitely shows. “There's fucking elephant sounds in there and weird Batman villain-sounding horns — it's evil and heavy, and not to mention, the outro is just game over,” he says.

Beyond production, Knight pushes his voice and stretches the idea of what constitutes a strong hook on INTELLECTUAL PROPERTY. With “END OF THE WATER (FEEL),” Knight is at his most “bombastic,” in a “cartoon-like” state, weaving falsetto melodies that are meant to shock. “I always make a mental note when I hear a song that makes me go…" He pauses, imitating an explosion. “For me, that's when I hear some high-ass vocals that I'm not expecting.” Even on the first day of demoing “END OF THE WATER (FEEL)” in his home studio, Knight was already so confident in the song that he called longtime producer and collaborator Zakk Cervini and “essentially” forced him to come over to his house right then to help finish it. “I also want the record to show that I had a mustache [during this time], too,” Knight laughs.

With collaboration on the brain, Knight is the first to admit that for many years, he was precious about his art and was hesitant to work with others. However, during the COVID-19 pandemic and quarantine, Knight changed his mind, which was evident on Waterparks’ previous album, Greatest Hits. This time around, Knight, who's an outspoken fan of the U.K. boy band One Direction, finally got a chance to live out one of his dreams by working with esteemed songwriter Julian Bunetta, who co-wrote beloved One Direction classics like “Olivia,” “Infinity” and “Best Song Ever,” among others. “I flew to [Julian's] place in Nashville, and we ended up making five songs together, two of them being ‘FUNERAL GREY" and ‘BRAINWASHED,” Knight recalls. And while he still plans to keep the majority of his music close to his chest long term, he won't rule anything out. Knight would undoubtedly jump at the chance to work with everyone from Post Malone and Damon Albarn to Donald Glover and Toby Keith.

"I'd rather make the coolest f*cking thing, RATHER THAN HOLD BACK and make something that wasn't that good." -AWSTEN KNIGHT

Now, with the band's new LP incoming, there raises the question: Does Knight feel a sense of relief after both exorcising his deepest traumas and inviting listeners on his journey to self- discovery? "I still feel pressure with it," Knight concedes. “It would be a lot easier if only strangers heard this, but everyone in my whole fucking life is going to hear this album, so that's what makes it strange." But he's never let any awkwardness or controversy hinder the artistic output. "I wasn't not in trouble when I put out a song like [2018's] 'TANTRUM' where I listed a bunch of dudes I wanted to kill, calling out by name," Knight acknowledges. Though his lyrical choices have sometimes resulted in strong reactions, even within his close circle of friends, Knight can't help but accept that he is meant to be unapologetic. "At the end of the day, I'd rather make the coolest fucking thing, rather than hold back and make something that wasn't that good."

Pressures of lyrical vulnerability and transparency aside, INTELLECTUAL PROPERTY is Knight's attempt to "normalize” the catharsis he finds within songwriting, which ties into the album title itself. "Intellectual property is the mental space you give to something in your head. The 'property' may be the thing that you are struggling with. By materializing it and giving it its own world, it's actually a great way to express it and then, eventually, expel it,” he explains. "I want this album to go to the fucking moon." ALT

#whoever designed the page layout for this. i don't like you #waterparks #awsten knight #otto wood #geoff wigington #i.zip

112 notes · View notes

sugrstars · 11 days

Text

youtube

THE SWEETEST SOUND ... THE DISCOGRAPHY OF SUG★R

debuting in 2016 with the album GIRL TO GIRL under Infinite Stage Entertainment, SUG★R is the group credited with the revival of the company, as they are the first ISE group that managed to break through and become a true success.

closely after this successful debut, SUG★R released their first mini album, SELFISH, in early 2017. this album continued their central concept of confidence and girl power, but added a bit more edge to their sound. title track As If It's Your Last topped international charts for nearly four weeks, and helped to make the group become known to western audiences. they released mini album ACT UP only four months later, with title track Go Hard helping the girls win their first ever music show award only a year after their debut.

ISE seemed determined to keep the girls busy, as only a few weeks after the release of this ep the group began the asia leg of what would later become their international SO SWEET tour. two months and ten tour dates later, the group began working on mini album Sixth Sense, which released at the end of 2018. the title track of this mini album received four music show awards, and the album sold over 200,000 copies in the pre-order phase alone. Sixth Sense was remarkably different from the group's prior releases, having a lighter pop sound. while fans clearly enjoyed the tracks, many netizens expressed a hope that SUG★R would return to their original sound in their next comeback.

with the completion of the Sixth Sense promotional period came the start of the north american leg of the SO SWEET tour, marking SUG★R as the first group under ISE to tour internationally. during this tour, during this tour in north america, the group also released their first ep, Lovesick Girls. the album was the first under ISE to be produced by american producers, and received mixed reviews from korean fans. though it sold nearly two thousand albums within the first week of sales, and became a fan-favorite.

in mid-2019 the group returned to korea to work on their second full album, UNAPOLOGETIC. around this time, fans became worried that the girls were being exploited by the company, seemingly not having had any downtime between their debut and the release of the album. still, it became one of SUG★Rs best-selling releases, with the album currently having over 3 million sales internationally. UNAPOLOGETIC was seen as being perfect for SUG★Rs concept, with strong messages of female empowerment in title tracks Iconic and My Satisfaction. during this era, a SO SWEET tour movie was released, as well as a series of unplugged recordings of SUG★Rs biggest hits that were posted to youtube.

in 2020 the group released an ep and a mini album back to back, with ep BAD/GOOD releasing four months after UNAPOLOGETIC, and mini album i TO i being released in the fall of that same year. both comebacks had a remarkably darker sound, and the promotional periods were criticized for the fact that the girls looked noticeably exhausted and irritable. after a seven-week promotional period for BAD/GOOD, the company announced that SUG★R would go on a hiatus for an indeterminate amount of time.

in 2023, after many fans had already accepted that SUG★R was likely to disband, the group had a comeback with album (DON'T) CALL ME. title track HIP became the most successful song of the year, winning 15 music show awards, making it the most popular song ever released under the company. the album has several memorable tracks, with Karma and Paint The Town especially becoming fan favorites. the album sold close to 4 million copies, and is SUG★Rs most popular release to date.

later that same year, the company underwent some major changes, with SUG★R again entering a minor hiatus as leader Hyejin became involved in a lawsuit against former ISE ceo Cho Hosung. during the spring of 2024, SUG★R finally had another comeback. Better Things is much more stripped down and sweet, and even the members themselves acknowledged that this was a deviation from their normal sound. the group did a promotional period for title track Better Things, and soon after also did a shorter promotional period for Life's Too Short. during the promotion for the album, the group had several pop-up cafes around korea in collaboration with angel-in-us coffee, releasing their own limited drinks to be sold at all angel-in-us coffee houses. this contributed to album sales, selling over 700,000 copies just within the first three weeks of release.

(ib. @venusvity)

#fictional idol community #fictional idol group #idol oc #kpop oc #oc kpop group #*sugar: discography #Youtube

9 notes · View notes

beautifulpersonpeach · 8 months

Note

BPP do you know why Jimin hasn't gotten professional vocal coaching till now?

***

He's gotten professional vocal coaching. The only time Jimin didn't get professional help was during their debut years when the company had limited resources, and he's been getting professional voice lessons from time to time since then, for years. I think the first time I heard him say he was taking professional lessons, was in 2016. More recently, Yoongi said during a live that he tagged along with Jimin to take professional vocal lessons in preparation for D-DAY tour, but that he stopped going to the lessons because they were too hard, so he's just decided to sing however feels right to him. So, Jimin has taken professional vocal lessons for at least a few years now, sometimes he seems to supplement or replace it with lessons from other members - I recall during one documentary, either Bring the Soul or Break the Silence I think, where he said something like Jungkook's tips for singing were easier than the lessons.

What's different this time, is that he's decided to fully commit to new lessons focusing on foundations, and this could be vocals, dance, and everything else.

Something you'll notice the more you watch BTS, is that the company leaves nearly all of their development to be self-directed. This has pros and cons but I think this is actually the biggest differentiator between how BigHit manages BTS, vs how other k-pop groups are managed in the industry. I recall Bang PD saying a few years ago, that the only time the company jumps in to provide certain resources, is when the members themselves ask for it or indicate they're interested in it. Look to how even Jungkook has mentioned taking supplementary vocal lessons because he felt he needed it, and more recently, we've seen Jungkook, Yoongi, and now Namjoon, take on dancing lessons that they've all said they wanted. Rather than these lessons being a standardized requirement imposed on them by the company. BTS is very independent and I'm not sure people fully appreciate all the ways this plays out.

I think from 2017 - 2019 when BTS was touring constantly, and in 2020 - 2022 while they were pushing heavily in international markets, their schedule was possibly so tight Jimin perhaps preferred to supplement a few professional lessons with tips from Jungkook. And now he's decided to focus more fundamentally on it in a way he feels he's not done up till now. Hence the mention of him taking his time, this time around.

Or I could be wrong. I suggest people take this time to rewatch their documentaries and older lives where Jimin talked a lot about this stuff. There's no use speculating on these details. When he's ready, he'll show us what he's been up to. Jimin is careful in how he communicates, but he's also very direct and blunt in his speech.

#jimin #park jimin #bts #bangtan #jikook

46 notes · View notes

dailytomlinson · 11 days

Text

Louis Tomlinson says he has stopped comparing his fame to that of the other One Direction musicians

In an interview with g1, the musician comments on career changes, competitiveness in the music industry and the Brazilian remix that transforms his 'Kill My Mind' into funk.

Former member of the British boy band One Direction, Louis Tomlinson will perform three shows in Brazil in May . It will be the third time that the musician performs in the country, an experience that, according to him, is always chaotic — and "in the best possible sense". This is what the singer told g1 , in an interview held at Allianz Parque, where he will play in São Paulo, on May 11th .

The shows are from the "Faith in the Future" tour, in which Louis focuses on his latest album, released in 2022. The setlist also includes songs from the album "Walls" and, of course, hits from One Direction.

A craze among children and teenagers in the 2010s, the pop group was formed from the TV show "The X Factor" and lasted six years, disbanding in 2016. Since then, the musicians have pursued solo careers. A fact that, in Louis' eyes, is inevitably competitive.

“Your only frame of reference is to compare yourself to the other members,” said the Englishman. "You start to think, 'If they're getting it, why am I not getting it?'"

On Spotify, the number of monthly listeners between artists differs greatly. Divorced boy band's most popular star, Harry Styles has around 58.2 million. Next are Zayn Malik (27.3 million), Niall Horan (17.3 million), Liam Payne (5.7 million) and Louis (2.9 million).

But if success metrics like this were once a burden for the musician, today they are no longer, according to him, who also made a point of reiterating that he was always proud of his friends.

FULL INTERVIEW UNDER CUT:

g1 - What is the main difference between Louis Tomlinson from X Factor, in 2010, and Louis Tomlinson today?

Louis Tomlinson - There is a lot of naivety in the boy who appeared on the X Factor. I really didn't know what I was getting myself into. I didn't know how that would land me sitting here. I definitely had no idea what I was getting. I think I feel much more fulfilled. More confident. It took me a while to have enough courage to say: 'I'm creative, I'm a singer, I'm a songwriter'. Now, I'm just internalizing all these feelings. When you grow up in a place like Doncaster, where I grew up, it takes a while to believe all these things. Because you only watched it from afar, on TV or radio. So, when you become one of these people, there is a whole process until you believe and understand everything.

g1 - And what is the biggest similarity?

Louis Tomlinson - Probably my appearance (laughs). Well, I hope my fans don't correct me here. I like to think I've always had a pretty lovely relationship with them. I think that's the only constant thing.

g1 - Do you know any Brazilian singers or bands?

Louis Tomlinson - We were talking about Anitta today. And um... Fresh? Fre? Fresno? I'm learning. I hope [the confusion with the band's name] didn't come off as disrespectful, it wasn't my intention.

Do you have any recommendations for me? I picked up some tips today. What do you have for me?

g1 - There is a Brazilian musician called FP from Trem Bala. He did a remix of 'Kill My Mind'...

Louis Tomlinson - How cool! So far, you have made the best recommendation. Definitely.

g1 - Can I show you?

Louis Tomlinson - Of course!

g1 - What's up? Did you like it? Is there anything you would like to say to FP do Trem Bala?

Louis Tomlinson - Yes, it's a good vibe . Fun. Very fun. Thanks for doing a remix of the song.

g1 - This is your third time in Brazil. What comes to mind when you hear things like 'playing a show in Brazil', 'Brazilian tour', or simply 'Brazilian fans'?

Louis Tomlinson - Chaos. And in the best possible sense. I totally love it.

g1 - In musical terms, how was the experience of creating 'Faith in the Future' compared to 'Walls'?

Louis Tomlinson - I felt much more fulfilled, confident. I had more understanding of what I wanted to do and how to do it. [On the first album], there was the factor that I left One Direction. It was like my head was a mess and there was so much to think about... I had no clear direction. I needed to go through the experimentation phase to truly understand who I am as an artist. This took time. Throughout my creation of 'Walls', I had that happening, but I was in a clearer, more concise place going into 'Faith in the Future'. And I think that made [the second] record better.

g1 - You recently created 28 Clothing, a fashion brand. What is your relationship with this sector?

Louis Tomlinson - I've always had a very funny relationship with fashion. Without a doubt, I'm interested in clothes, always have been. Since I was young. But there is a level of haute couture that goes far beyond my understanding.

You know, I like to dress well. Branding is something I've always wanted to do. It is also intertwined with one of my [greatest] passions, football. Football and fashion have been connected for as long as a game has been a game. The fashion of the people in the stands and everything... I think it's a very interesting thing and, certainly, a culture that I was already part of when I was younger. So, the brand helps me tell my story.

g1 - You once mentioned that you felt a little uncomfortable and more competitive at the beginning of your solo career. He said he was a little upset because he kept comparing his level of success to the other members of One Direction. Do you still feel this way?

Louis Tomlinson - No, I don't. In truth. But I think anyone — and obviously, there's not going to be many people who can relate to this — but anyone who's been through a similar situation...

Being in a band and going out on your own will always mean that your only frame of reference is comparing yourself to the other members. That's literally all you have.

I think it's a matter of maturity, actually. It took a long time for me to look at it for what it was. Because that's where the petulance begins. You start to think, 'If they're doing it, why can't I do it?'. And that becomes a little toxic. Unfortunately, that's the nature of the music industry. She is naturally competitive. We are all competing for places. But now I see it in a very different way. And like I said, this requires maturity. I also needed to be successful on my own to get through this. To get over it. Now it comes back as a confidence that I feel to be saying these things. Oh, and just to reiterate, because it's important: while I felt competitive, or more competitive than I am today, it wasn't like I wasn't immensely proud of everything the boys were doing. It was more about reflecting on my own situation. Just about thinking, 'Oh, I wish I had some of that.' Now, I feel like I'm in a very, very different place. And it's a more pleasant thing to feel, because being very competitive is not always the most pleasant feeling.

g1 - I imagine you hear questions like this all the time, right? Is it peaceful for you?

Louis Tomlinson - Yes, everything is fine. As I mentioned before, I understand the obvious public interest in One Direction. This is obvious. And you know, I appreciate that these things are interesting. I suppose [they are].

g1 - Lastly, what is your favorite song at the moment and why?

My favorite album is Paolo Nutini's latest. It's great, incredible. He's an incredible vocalist, maybe he's my favorite singer. It is indeed an inspiring album.

And favorite song... I can't remember the name, but it's by The Libertines, a band I've liked since I was young.

#020424 #louis tomlinson #g124

10 notes · View notes

killa-trav · 1 year

Text

Vettel leads race in sports nutrition

Sebastian Vettel has become the lead investor in a British sports supplement brand that has raised £1.2 million to commercialise its plant-based formula.

Bill Ronald, chairman of the Fever-Tree drinks mixer brand and a former Mars executive, is also investing and is becoming chairman of BACX, which is based in Oxford.

Vettel, 35, the four-time Formula One world motor racing champion, said he had been introduced to the supplement two years ago by Antti Kontsas, his long-time performance coach, as they explored ways to improve the driver’s hydration and energy levels during races.

“We were always looking for the next thing to get fitter and in terms of supplementation,” Vettel said. “A big one has always been fuelling during a race because it’s quite complicated in the car, you have all the G-forces. Antti brought this product along. I tried it out at home first, during exercising and training, and it worked. I felt good and energised and shortly afterwards put it in my drinks bottle.” Unlike with other products, Vettel had no stomach pain later.

He said the consumer market for BACX was broad: “It is not like this is the perfect product for Formula One drivers. This is the perfect product for anyone who cares about their wellbeing, who is active. It doesn’t need to be extreme sports.”

BACX was founded in 2020 by Jason Baits-Tomlin, a former Gallaher and Japan Tobacco International executive, who came up with the idea after breaking his hip during an endurance bike race in South Africa in 2016. He developed the formulation as part of studying for an executive MBA at the University of Oxford’s Saïd Business School.

Baits-Tomlin, 49, said that like Vettel he had suffered side-effects from using existing sports drinks and powders and had decided to develop a natural formula using plants.

The brand’s “Performance Fuel” concentrate is sold via its website and soon will be available on Amazon. “We will then transfer the tech into a sports drink that will be launching in the summer,” Baits-Tomlin said. He expects to the product to be launched in Germany, Italy, France and Spain this year and hopes to raise another round of investment from venture capital in 12 months’ time.

Other sports stars to have gone into business have included Chris Froome, the cyclist and four-time Tour de France winner, who has a stake in Hammerhead, an American start-up that makes cycling computers, and Chris Smalling, the former Manchester United defender now playing in Italy, who co-founded ForGood, an investment firm backing environmental start-ups.

BY RICHARD TYLER VIA THE TIMES

#occasionally i venture the business section of the times #and was pleasantly surprised w this today #sebastian vettel #sebfluencer era #also obsessed w the fact that he keeps mentioning the no stomach issues #red bull gives u wings?? more like red bull gives u the shits

58 notes · View notes