the fact that shakespeare was a playwright is sometimes so funny to me. just the concept of the "greatest writer of the English language" being a random 450-year-old entertainer, a 16th cent pop cultural sensation (thanks in large part to puns & dirty jokes & verbiage & a long-running appeal to commoners). and his work was made to be watched not read, but in the classroom teachers just hand us his scripts and say "that's literature"
just...imagine it's 2450 A.D. and English Lit students are regularly going into 100k debt writing postdoc theses on The Simpsons screenplays. the original animation hasn't even been preserved, it's literally just scripts and the occasional SDH subtitles.txt. they've been republished more times than the Bible
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happy birthday kittycat
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this bitch writes the disney villains monologues
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Helen: And who did you say you were?
Pen: Penthesilea, Amazon Queen, who went once/ to war to save Queen Helen (that was you)./ "Able to make men mourn" my name signifies, / supreme Amazon speeding to the neediness of Troy,/ leader of twelve good warrior maidens,/ battle-scarred/ and with fierce reputation. We were the last/ hope that queenly Troy could keep intact/ and reachable, the greatest beauty in the world.
Helen: I remember that day./ The sky was a sheet of crystal/ and the wind was still. I ran to see your arrival/ from my windowsill./ You were like Artemis to us, you arrow-carrying bear-dykes./ I could tell Hector/ and the other men had learnt/ some of their skill from you,/ and then too, what can confuse/ a man more than a naked female/ breast with a bloody ax behind it?
Pen: You and I met before the fight./ I rode into the hall/ on the great long-legged stride/ my mother prized me for./ You turned almost at once/ to look me up and down./ My cheeks burned with pride/ though inside/ I felt more like a clown.
Helen: The Amazon were coming!/ To fight on our side!/ We women were electrified./ You looked strange to us/ but exhilarating./ I was especially electrified/ by you.
Pen: I knew it too, that moment/ at least, when our eyes met across the room./ I was your last battle ax/ and you threw it.
Judy Grahn, the Queen of Swords
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Often I look back at my life and in particular my debased, pusillanimous fear of catching myself enjoying cringey neckbeard geek shit and I am overcome with shame and guilt and self-revulsion, but I can at least console myself that I was an unabashed homestuck. That has to shave off a few years of inauthenticity-purgatory
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is your url a reference to revelation 14:19?? sorry this is so random i was reading the bible for a class and suddenly something clicked
In a roundabout way, but also it's so much sillier than that. It's a grapes of wrath reference, because in the depths of my early CQL obsession I was idly poking around on tumblr and concluded that I should make an account, so as to spare my friends and family. I didn't think very hard about what my name should be- I just went oh, angry grape, the grapes of wrath, winepress of wrath, fateful lightning of his terrible swift sword dada dada dada haha purple. Naturally since all roads lead back to Wei Wuxian this bit
The baby has a cold. Here, take this blanket. It's wool. It was my mother's blanket—take it for the baby. This is the thing to bomb. This is the beginning—from "I" to "we."
popped into my head and made me think about Wei Wuxian and the people he makes his families with & particularly about a-yuan, for values of my mother's blanket that amount to "my necromancy" and "my sister's soup" and eventually "my life!" I know! I promise I know. Even at the time I was aware it was a deeply silly and thematically inconsistent through-line. I picked the first things I could think of because I needed a place to vomit out my thoughts and feelings and was rapidly approaching the end of my bff's patience for the topic and years later here i am.
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I love whenever time princess gives me a note ab the french revolution and i can flex my normal education system. I know who Voltaire is, come on.
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☕️ american girl historicals hehe
trying to format an opinion that i haven't already shared on here. okay I'm going to talk a little bit about Claudie who I think is the most intriguing of the recently released historicals to me.
First off: I think Claudie's doll is adorable, I love her curls and I think her new face mold looks very sweet and friendly. I know the new dolls with painted-on eyelashes are controversial and I have mixed feelings overall but I think it looks cute on Claudie. I also think her meet outfit is cute, especially the dress, and it's not as Aggressively Modern as some of the Beforever and current meet outfits on the other girls.
I'm also a big fan of Claudie's PJ set (love the bunny slippers) and her jazz dress. I think they're very cute and fun and while I'm not an expert on 1920s fashion or the Harlem Renaissance they don't feel like...glaringly obviously not period like, for instance, all of Sam's Beforever collection. At this point, I am quite pleased with Claudie's outfits.
(Although, one thing I'd like to point out that is sort of a semi-critique. These feel quite flattering and glamorous to me, not quite enough to stretch credulity for a nine-year-old character, and the meet dress is def simpler, and since Claudie is interested in performing it makes sense for her to be drawn towards glitzy stuff, but I would like to see her have maybe like a simpler and more childish set available, like a play dress or something.)
My final critique is reserved for the Harlem's Fashion Row outfits. Positives: these are very beautiful and I like that AG did a collab with modern African-American high fashion designers. That being said, as a historical doll purist, these are DEFINITELY not what a nine year old girl in 1922 Harlem would have been wearing. Claudie is a fourth grader, not a showgirl, and while these are beautiful I do wish that there were more options for dressed-down or believably everyday choices.
I also wish Claudie had more lower price point accessories, she has the bakery set but it's huge and more than 200 dollars. I wish they started making the lunchboxes that used to go with the girls' school sets again, I love miniature food but again the bakery set is so wildly expensive.
I also would have to examine the clothing more closely in person to determine construction quality, which I feel like has been more of an issue in more recent AG collections, and I'm not a huge fan of switching to largely synthetic fabrics, so I think I'd like to take a look at these sets in person. However, aside from my previously mentioned complaint that Claudie's collection is very glam and not as historical/everyday, I overall really like her/her collection. If I was to purchase one of the historical dolls they currently produce, it would probably be her (though I also quite like Rebecca).
I also think they undermarketed Claudie--they didn't even release an AG catalogue with her on the cover, which I think is pretty standard for new released historicals, and I worry about her getting overshadowed by the 90s twin dolls. I hope they keep marketing her and release some more accessories and more everyday clothing!
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“imagine playing this to a victorian child” I personally think my great grandma wouldve LOVED breakcore. sorry that your ancestors are such losers
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ASM readthrough blog
been meaning to do a big readthrough of all ASM and potentially the other solos too, but Across the Spider-Verse really bumped it up my list so. Here is the Spider-Man thread
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So I know you love History, and I have a question. Did nobles have to pay rent to stay in a king’s castle. I know some Royal courts had thousands of people, so I can’t think of how the King would feed all of them.
Reina, you're killing me with this question. 😭 I'm afraid that nothing in my field of study has included something like the minutiae aspects of medieval social life, so this requires some serious rolling up the sleeves and getting some proper research done.
So, when it comes to the Middle Ages, I'm not the best informed dilettante out there. I have to say, though, I imagine that nobles would generally live at their own estates most of the time, since they were directly interested and invested in its administration, their lands being their only source of income. Exceptions would be people who'd serve the King in some kind of official capacity - like a proper job (eg. chancellor, councilors, financial officers etc), for which they would have been compensated with some form of salary.
As far as visitors and hangers-on, I'm not really sure.
I did manage to find this related thread over at r/Ask Historians. As always, when pondering a question, it's important to delineate the time interval and the region, because feudalism was not exactly a uniform system. V interesting how some kings would keep an itinerary court of sorts and basically travel from place to place.
This thread (+this) explains a little how Louis XIV revolutionized the court system, essentially forcing his nobles to live with him at Versailles (at least for part of the year) and transforming them into courtiers, making them fight with each other for "better" positions. Of course, we're not talking about the Middle Ages anymore here, but it's useful to conceptualize this as a tool for the king to control and curtail the power of his nobles, increase his own political power instead and hurry along the process of bureaucratic centralization.
I imagine most of the people living at court would be servants though. Housing and food would be provided to them, of course, as well as payment. Households would also vary in size, depending on how much money there was available for wages.
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Dr. Jaeger's Health Shoe was a brand of footwear that was marketed as a health product in the early 1900s. The shoes were designed to be comfortable and supportive, and were said to improve circulation and promote overall health. The company that produced these shoes was based in Rochester, NY, and was run by John Kelly, Inc.
Chas. A. Eaton Co. was another manufacturer of women's shoes during the same time period. The company was based in Brockton, Massachusetts, and was known for producing high-quality, stylish footwear for women. While it's unclear whether the shoes made by Chas. A. Eaton Co. had any specific health benefits, the company was widely regarded for its craftsmanship and attention to detail.
Both John Kelly, Inc. and Chas. A. Eaton Co. were successful shoe makers during their time, and their products were popular among women in the early 20th century. While these companies may no longer be in operation, their legacy lives on through the shoes they produced and the impact they had on the fashion industry.
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Theatre Magazine, November 1922
Corselet of Tutankhamun, excavated November 1922
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Playlist title: Paul westerberg birthday party
tracklist:
happy birthday - steppenwolf
ooh la la - faces
forever young fast version - bob dylan
20th century boy - t rex
another girl another planet - the only ones
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