❪⠀🪐. cappuccino⠀𓏔⠀lee know⠀❫
☆ customer!lee know x afab!reader ( i wanna be yours oneshots )⠀★⠀8.1k words
( i am extremely sorry for the delay of this one shot ♡ )
synopsys: after a bad run you are forced to look for a second job, and you end up covering the first shift at the campus café. every morning you find the same guy waiting for you to open, leaning on the wall, looking flawless, and it gets on your nerves. until one day you see him leaving the dance academy where you teach, getting on the same bus as you.
warnings: in this one she's the barista, guys. a part from that, we have mentions of reader not having enough money, lee know with his misterious aura but being a literal sunshine, also he's insecure :(( unusual hopeless romantic minho too, he's a softie (and whipped) reader's insecure too 😔 mentions of overworking and skipping meals. minho saves the day!! let me know if i missed something.
If life as a college student was hard, life as a broke college student in a country completely different from your own was pure hell. You had never let it get to you when you said your dream was to make it as a choreographer in Seoul and everyone laughed in your face, so you certainly weren't going to let anything stand in your way now that you had gotten a chance at Seoul's famous arts university, JYPU. The plane ride had been a challenge, because you kept wondering if you were really doing the right thing, but when you landed and saw you had messages of encouragement from your sister and the few friends you had left in your hometown, their words had filled you with determination.
A couple of years had passed since that moment, and perhaps the circumstances were still not the best, but you were still determined to achieve everything you set your mind to. The language barrier had not been a big problem, because you had learned some Korean while you were in high school, but it had only helped you to find that tiny room you were living in and get hired at the dance studio a couple of blocks away from the faculty. You were earning enough to pay for food, rent, and the materials you needed for class. But when understanding your classmates became a little more complicated, when the language used in the lectures became more technical, you had to pay a personal teacher to help you improve your Korean. And since you didn't have enough money, you were forced to fit a second job into your busy schedule, getting a little bit of extra money to live slightly more comfortably.
A friend of a friend from the Music Production department had recommended you to the owner of the most famous café on campus, and after hearing your story, he had hired you right away. This Chris guy had been very nice, and had taken an interest in your schedule to find the shifts that suited you best, even waiting for you after one of your classes to have lunch with you and talk about everything in peace and quiet. You had never met a boss so concerned about his employees, and he made it much easier to have to get up before dawn to be the one to open the café, because he always left you some candy hidden in your apron pockets or a note encouraging you to start the day with a smile.
However, the first time you had covered the morning shift, the 5.30 am shift, there was a guy waiting at the door. You had arrived, exhausted as you were every day, the laptop and your college books weighing like heavy bricks in the backpack on your shoulders, along with the sports clothes you wore for the afternoon classes. Chris had told you to be there at the normal time and he would show up to explain some of the details and give you the keys. After all, it was your first day. But instead there was a tall, slim guy leaning against the metal grille, his slightly long bangs covering his eyes, though that didn't stop him from scrolling lazily on his phone, headphones hanging around his neck, and looking flawlessly put together. Certainly not how someone should look on any given day at 5:30 in the morning.
You flashed a shy smile as you reached his level and he lifted his head to find out who you were, his sharp cat-like eyes sparkling from the reflection of the light on his phone screen, and you grabbed your own in a hurry to send a message to the cafe owner.
You 5.32am
Hi, Chris
I already arrived, where are you?
Chris 5.32am
Hi, sorry
Still in the subway
Like... 2 minutes away
You 5.33am
Yeah, no worries
It's just
There's this guy...
Chris 5.34am
OMG wait
Dark aura, looks like a cat and gave you a dirty look when you showed up?
You 5.35am
Yeah, quite accurate
Chris 5.35am
Oh, that's Minho
Don't mind him, he's inoffensive
Most of the time
He's there for his morning coffee
You 5.36am
Okay, then
See you!!
Chris 5.36am
👍🏼
And then he showed up, out of breath, in a hurry, around the street corner, phone still in his hand, unblocked. You smiled unconsciously, trying to ignore Minho's gaze weighing on you while Chris approached, flashing his dimples as he stopped in front of you to catch his breath, breathing some kind of greeting that you responded to with a nod. He pulled out a dinosaur-shaped keychain, a very adorable doodle version, and bent down to unlock the metal grille, pull it up ーgiving a little jump to get it all the way upー and unlatch the lock on the door. Minho hadn't bothered to greet him, you guessed it was a common thing between them, and he didn't look up from his phone screen either, a bored gesture plastered on his face. You followed Chris as he entered the café, leaving your backpack on the counter, and standing awkardly in the middle as he went to switch on the electrical panel.
"Get his coffee ready while I finish up in here," he instructed you, stepping into what you thought was the kitchen, "I'll be right out to help you."
You nodded, grabbing the apron from the rack that already had your name on it, and stood behind the counter, Minho having rested his forearms on the surface, again with the phone in his hands. If he was reading some article or playing some online game it must have been interesting, because except for the few furtive glances he had given you, his eyes had been glued to the screen the whole time. Clearing your throat, making just enough noise to get his attention, you flashed your best customer service smile, "What'll you have?"
"Cappuccino" he mumbled, sitting up and stretching absently, "grande, to go".
You made a small affirmative noise, turning on the coffee machine, and picked up the cup in the size he had asked for, with its respective lid.
"Chris, where's the milk?" you asked, walking into the kitchen, stifling a laugh when you caught him wrestling with the flour, staining his dark blue t-shirt white.
"'Storage room'" he muttered, his ears taking on a reddish hue, "If there isn't any under the counter, Jisung must have forgotten to restock it last night."
You hurried into the kitchen supply room, after grabbing a scoop of coffee powder and put it in the machine to make some espresso, and came out with two packs of milk, setting them down on the floor to place them as soon as Minho left, but grabbing one of the bottles to make the steamed milk and creamer.
It wasn't your first time working as a barista, and not in the hostelry industry either, so really the only thing you had to get used to was the café distribution. Luckily, Chris seemed like a pretty neat guy, so you didn't think it was going to be much of a problem. You set about pouring the milk into the necessary containers to heat it to your liking and get the effect you were looking for, as the coffee dripped into the cup you were using to measure the amount, the chestnut-colored liquid falling, first in drops and then in a small stream of caffeine, flooding the white porcelain.
You mixed it on the counter, in front of Minho, so he could see how you did it, although you hadn't seen him look up from his phone at any moment. Actually, he had been watching you. He always did 一observing his surroundings, that is一, but with you his eyes flashed with curiosity. Chris was known for rescuing stray souls in need of a job, a quality through which he had met most of his friends, and he wanted to find out why a girl like you would have caught his eye, or would need extra money. Usually JYP University students had wealthy parents, and if that wasn't the case, they had at least gotten a temporary job that allowed them to live comfortably. But you had arrived, with your worn converse and patched hoodie, your backpack full of safety pins and big dark shadows under your eyes, screaming to anyone who could see that you didn't quite belong there.
He had wanted to take care of you. It had crossed his mind for an instant to give you a friendly smile, to introduce himself, to ask you about you; he had felt the need to approach you and engage you in a conversation that would allow him to get to know you better. Because as soon as he laid his eyes on you, he knew that despite being two strangers, you were going to be the one who, only with the sweetness of your voice and the kindness of your gaze, would break through all that was and what was remaining of him once you left him, would turn his unleashed fire into a warm hearth. But he wasn't good with words, and you had rushed to grab your phone to busy yourself, watching his chance fade before he could even realize it. It had bothered him how comfortable you seemed to feel with Chris, even though he knew his friend had that effect on people, and how you'd smiled when you'd seen him show up, like he was saving you from someone 一from him.
But at the same time, he had struggled not to curl his lips as he realized how strange you felt in the situation you were in, standing at the entrance of the café, as if waiting for instructions. It wasn't that you were a contradiction, but that you caused him too many dilemmas. Like having to repress that electricity that ran through him the only time you looked into his eyes, when you looked up to check how much his coffee cost and he already had the money in his hand. He had tried not to brush his hand against yours, dropping the coins onto your palm at full speed and picking up his cup, leaving the place, with you still on his mind. He couldn't concentrate in class that day.
Unfortunately, you had no other choice but to focus. The scholarship you had been given depended on your grades, thanks to which you had obtained a place at the university. If you dropped below your grade point average, they would take it away from you, and that was something you couldn't allow. But some thoughts had slipped in your mind about the boy you had met that morning, remembering the shape of his eyes, sharp and rounded at the same time, and his slender figure. You had allowed yourself to smile at the memory of him, even as you hurried to stuff your backpack and boots into the locker at the academy where you worked, your jeans exchanged for a leotard and the most comfortable sweats you had, always arriving a couple of minutes earlier than required so you could get ready.
But even if you wanted to stop thinking about him you couldn't, because soon what you had considered an isolated event became a habit that every day was harder to break. The next morning, after barely five hours of sleep, you got up again, crawling as best you could to the outside of your cramped room, your body trying to feed on the freshness that the shower had left on your skin, your heavy backpack digging into your shoulders. And when you managed to reach the café, the keys tightly clutched in your fist, he was there, again, his long figure leaning against the grille, again, and his gaze fixed on his phone, again.
When he heard you, your stifled pants revealing your presence, he sought your eyes, separating himself from the wall so that you could open. You bent down, sitting back on your heels, to undo the lock on the grille, and accompanied it with your hand as you stood up again, mimicking the hop you'd seen Chris take the day before to get it all the way up. Unfortunately, it only got halfway up, and you felt your cheeks redden with embarrassment, fearing that Minho had seen it. Still you pretended nothing had happened, trying to straighten your shoulders under the weight of the backpack, unlocked the door, leaving it open behind you, and stepped inside.
You repeated the steps that Chris had indicated to you the previous morning, going directly to the electric panel to turn on the power, and then you entered the kitchen, crossing it until you reached the room reserved for the staff, leaving your backpack on one of the chairs, and taking the apron that had your name on it before leaving. You hung it around your neck as you undid your steps, and by the time you got behind the counter Minho was already pinning his catlike gaze on you.
"Grande cappuccino to go?" you asked, your fingers tapping on the surface like a piano in a nervous gesture that Minho found adorable.
He merely nodded, averting his gaze to his phone screen, as if he had somewhere more important or urgent to be and was checking the time to make sure he had enough minutes left to get there. It was a somewhat pretentious gesture on his part, without stopping to think whether it would make you feel better or worse, but he couldn't help it. He was torn between absorbing every detail you could offer him, and trying to delay the moment when you would reject him, when his feelings would be too obvious to be denied. And even if he had mentally chosen the second option, he let his gaze follow you as he performed a graceful dance with the sole purpose of making his coffee.
He had noticed a difference from when Chris made it to when you had made it. Minho didn't know if it was your expert hand or some ingredient you had used to make it, but it tasted slightly sweeter. And since he had tasted it he hadn't been able to stop thinking about what your lips would taste like, if he got to kiss them someday. Minho kept telling himself that it was a silly crush, that the butterflies he felt in his stomach when you handed him his glass were the effect of hunger, of thirst, of any excuse he could think of but the ghost of the feel of your skin on his. Or maybe you were a witch, and had used his cappuccino as a love potion.
However, it didn't matter anymore. If you had wanted to have him trapped in your web, he wasn't going to be the one crying out for help to be rescued. Not when he felt his heart falling off a cliff every time you looked at him, adrenaline racing his pulse, not knowing for sure when it would stop. At least until he handed you the money, turned around and walked out of the café, the bite of the cold winter air bringing him back to reality, leaving behind the pleasant warmth of the place, and also of your smile, which he could still feel in the palm of his hand thanks to the coffee you had made for him.
And meanwhile you watched him walk away, the coins still in your hand, until there was no trace of him left. Then you sighed, coming out of that strange daydream in which you were interacting ーif you could call what you were doing thatー and put the money away, leaving the apron on the counter and taking a chair. Your problem wasn't being short, it was not knowing how to jump high, you decided, as you leaned the chair against the street and looked up, more than willing to climb the grille to the same height Chris had left it the day before.
To your surprise, it was in place, even though you knew perfectly well that you had left it halfway up only five minutes earlier. You shrugged your shoulders and went back inside, leaving your chair in place and hurriedly putting on a black shirt before tying on your apron and starting your day.
The next morning, you went to work with your heart in a fist, expecting to see him leaning against the grille, letting out a small sigh of relief when you saw that he was. You hid the smile that struggled to appear on your lips, and frowned as you looked at him, refusing to let the mere presence of a stranger affect your mood that way.
This time, Minho greeted you with a quick glance and a small nod, a display that made you blush, hiding your reddish cheeks from him as you bent down to lift the grille. You figured that this routine between the two of you would be repeated quite often, since you weren't planning to quit your job and he was going to need his coffee every morning, so you decided to put all your effort into maintaining a cordial relationship with him.
You soon realized that he was the type of person who also got up early on weekends, since you still had to cover your shift and he was still at his usual 5:30 am spot. You had no idea what he was studying ーor even if his major that was the reason he was getting up so early. And it wasn't like you were going to ask Chris either, you didn't know him well enough to figure out if he would tell Minho or not.
In fact, he kept making stupid excuses for why he had to go to your unofficial morning appointments. He told himself you wouldn't have anyone to climb the grille for you. What if the lock on the door got stuck and you couldn't get in? His coffee addiction had nothing to do with it, although he would probably develop one just from drinking so much cappuccino, and if he didn't feel like getting up one day, just the thought of knowing that he would be able to see you before going to class made him wake up instantly.
And somehow he ended up going on the weekends as well. The first Saturday just to see if you were also working those mornings, stuttering his order when he saw that you had already opened and he hadn't been there, but after taking the first sip from his cup he had to sit for a long time on one of the benches in the nearest park, feeling sick at the fixation he had developed with you.
Could he consider it a crush when he tried to look for you with his eyes every time he leaned to wait for you, pretending to use his phone? When he walked through the corridors of his college and thought he recognized your beautiful hair in the crowd, only to end up being a random girl? When his heart stopped for a few moments as soon as he entered the café that morning just because he heard you laugh?
That Sunday he was on the verge of not going. But every minute that passed and it got closer to the time to open the café, his anxiety increased, so he dressed in the first shorts he could find and a shirt he had lying on his bed and decided to go for a run. He wasn't a big fan of doing sports, but he liked the feeling that flooded his body once he finished, exhausted, knowing that it had been worth it. He had jogged towards 5STAR, towards you, ready to drink his morning coffee.
Until that moment the only thing that kept him from murdering anyone who bothered him as soon as he woke up had been the caffeine shot, but he had lately been smiling only thanks to you for a week, and it was much healthier that caffeine. That Sunday you had looked at him, surprise on your face, probably because he had changed his normal outfit for a slightly more revealing one, and you had had to clear your throat before asking if he would have a cappuccino. He had smiled shyly and asked for a pastry to go with his coffee, since he wasn't willing to go running on an empty stomach, and had waited as long as it took while you put the first batch of croissants in the oven.
He had pretended not to notice, too, when you stole glances at him from the kitchen, blushing when he couldn't help himself anymore and made eye contact with you. After all those days he still wondered why you kept asking him if his order was still a cappuccino, when his answer had always been yes, but he would never dare to find out, because hearing your sweet voice was a hell of a lot better than all the alarms on his phone. What he didn't know was that you adored the look on his face, his lips curving slightly and nodding adorably, and that you weren't willing to give that up either.
The mornings went on, each and every one of them with the same repressed interaction, and the same warm feeling in your chest as you said goodbye to each other until the next day, neither of you making the first move. You had grown accustomed to his presence, almost inherent in your morning routine, and he had learned to soften his attitude in front of you, but never without exchanging more than three words in a row.
The first time you said something different, a few weeks later, was when you mustered the courage you needed to thank him for raising the grille for you every morning. At first he had done it slyly, taking advantage of you coming into the kitchen to make a little jump and push it up. Then he hadn't cared if you saw it or not, realizing that if he wanted you to notice him he would have to be a little more obvious. And now he was doing it without any kind of embarrassment, waiting for you to pull it up more or less to your height to take the leap, in front of you.
"Thanks for helping me with the grille" you had whispered, pouring the milk into the glass, while the coffee was being made behind your back.
He had made a nonchalant gesture, as if it wasn't that important, or if he had done it for anyone, and he had seen you smile, embarrassed, but his ears had turned red.
That same day, taking advantage of meeting up at Han's apartment with the group of friends, he followed Chris into the kitchen when he offered to go get more beers and tried to ask some sly question about you. Chris was no fool, evidently, but he let Minho get the information he wanted. It was most adorable to see his gaze light up at the mere mention of your name, or how he drank in the words Chris whispered hurriedly about you, fearful that any of the others would walk unannounced into the kitchen and interrupt them.
You, on the other hand, had begun one of the most difficult periods of the term: when your exams were combined with the recitals of the girls you were teaching, limiting your time even more and drowning you in due dates, subjects to study and two jobs you couldn't afford to loose. You couldn't complain about how lucky you had been to find jobs that matched your preferences, but you did say, without hesitation, that the one at the café was much better than the one at the dance academy. Not only in something as obvious as the salary, but the conditions were nicer with Chris as the boss than with that man who had assumed that because you were a woman and beautiful you would surely be better at teaching ballet and dealing with the little girls.
That was what you had confessed to Han, since his shift was the one after yours, while you took advantage of the brief ten minutes he managed to save for you, arriving earlier than he should have, and you spent by having a coffee. He had nodded, giving you to understand that he was listening to you, while he stored all that information to be able to communicate it later to Minho. All the co-workers you had dealt with had been very nice to you, but Han was your favorite. He compensated for your introversion with witty and funny comments on his part, which made you burst out laughing and the mood relaxed. He always paid attention to everything you said - even if he had hidden intentions to do so - and you had several hobbies in common.
Besides, he was the only one who would talk to you about Minho without having to ask, and even if you pretended to be disinterested, he could see the way you nodded at his words, and your lips tried to avoid curling up at the silly anecdotes in which you were utterly oblivious to this different version of the gentle Minho who said good morning to you. He would brighten up your breakfasts, at least until you realized what time it was and rushed off to avoid missing your morning classes.
Because the classes were also demanding enough. It may not have been as difficult as a science degree, but the exams on music history and dance, along with all the physical sessions and dances you had to prepare for the end of the semester not only tired you mentally, but you would arrive home at night totally exhausted, with just enough energy to take a shower and go to bed. You would also skip a meal or two due to lack of time, resulting in quick snacking whenever you had a second. More than once your belly had growled in the morning, in front of Minho, and you had formulated a quick apology, without even turning around, too embarrassed.
They weren't the best conditions for a healthy life, even less if you were a teenager trying to survive, but it was the only - and best - thing you had. At least you had your mornings at 5STAR, with the opportunity to see Minho every day without fail, and the hours at the academy with your girls, who were immensely fond of you. Seeing their excited faces when you proposed to change the typical play based on the Nutcracker or Swan Lake for an invented version with all the Disney princesses made the two nights you had spent almost without sleep planning the story and the choreography worthwhile. That way everyone would have a starring role, and not just the one who got the main role, which was something you had missed in your childhood, so you were happy too.
One morning, however, when Minho came to your not-date, the café was already open. It wasn't that the fact itself was strange ーyou had sometimes arrived early because you hadn't been able to sleepー but that the grille was all the way up, and you always left it halfway up no matter what time you arrived. When he entered, the door bell ringing behind him, the one who came out to greet him was Changbin, another of his friends, who flashed a mischievous grin at his confused face.
"Looking for your girl?"
"YN is not my girl" he protested, slipping his phone into the pocket of his jeans.
"Ah, but you took it for granted I was talking about her" the boy replied, winking at him, starting to make his coffee.
Minho missed your sleepy voice as you murmured good morning to him, and the graceful way you moved behind the counter, in and out of the kitchen, gathering all the ingredients and utensils you needed to prepare his breakfast, which although varied in pastries, always consisted of a cappuccino. He pulled out his wallet, preparing the coins he always counted out before handing you over, and the movement caught Changbin's attention.
"So you're not going to ask?" he said, rephrasing, still with his back turned.
"You seem to be eager to tell me," he replied, rolling his eyes, "so go ahead."
"Oh, you're no fun" Changbin complained, his face contracting into an adorable pout.
"I didn't mean to be" Minho said, cracking a sarcastic smile.
"You know what, I'm sure you wouldn't have responded to her like that" he muttered, pouring the milk into the cup. "Anyways, I'm sure Han will text you as soon as he finds out, but Chan hyung convinced her to ask for a couple of days off."
"Chan hyung?" Minho couldn't help but frown, not understanding.
"Apparently, YN has been pushing herself more all month" Changbin explained, picking up a cup-sized cap, finishing his friend's order, "and you know how Chan hyung is when he sees someone overworking."
"He gets all protective" summed up the dancer, paying for the drink.
"Exactly" he stated, crossing his arms once Minho had his coffee in his hand, "and she must have been having a really hard time. I guess Chan hyung asked her about her schedule to find out which days would be better for her to rest, and yesterday he asked me if I could cover her shift."
And it had been that way. Just the day Chan had decided to stop by to see how you were doing, he had found you passed out on the kitchen floor. You had made him promise not to tell anyone, and he had sworn to keep his lips sealed, only if you let him make sure you were okay. He had woken up one of the other employees, and then had taken you to his house. You had been somewhat shocked by the seriousness with which he had taken it all, but you had let him do it, rambling about everything you had to do and how little time you had, while he prepared a very nutritious breakfast for you.
"You should quit that job at the academy" he had advised you, his gaze fixed on the chicken frying in the pan.
"I can't" you had protested, whining, "there's less than a week until the Christmas performance. I couldn't let the girls down like that."
"Are you willing to quit after that, though?"
"If I find a better job," you had supposed, shrugging, trying to avoid yawning.
"What if I offer you a double shift at a higher salary?" he had proposed, filling the plates with food and setting them in front of you, reaching for a clean set of chopsticks, "I can even switch you to the afternoon, so you'll get more sleep."
"That's very kind of you, Chris," you had murmured, "but I don't know if it would be a good idea. Or legal, at this rate. You're already paying me more than my fair share."
"You could find a roommate, then" he had continued, not giving up, "I know a guy who..."
"Thank you, really," you had tried again, feeling somewhat uncomfortable at his effusiveness, "but I'd rather sort it out myself."
Chan had looked down, blushing as he realized he had gone too far anyway, and had apologized, leaving you to eat in peace. You couldn't thank him enough for how much it had meant to you that he had accepted you into his house and fed you, but he had more surprises up his sleeve. He had told you that he was going to give you two days off, and also that he knew someone in your class who could get you the notes of what you would be taking that week in the main subjects, so that you could spend the next few days resting. Before saying goodbye, you had given him a big hug, almost crying, and you had returned to your little room, more than ready to faint from exhaustion.
But Minho didn't know that. For him it was the first time you had been absent, and the first notice that you were really that unwell. Not that he hadn't noticed the dark circles under your eyes, but you had always looked so cheerful in front of him in the mornings, with that bright smile that lit up the café when you saw him, that he hadn't realized the real gravity of the situation. And he blamed himself for it, for his lack of attention to detail, for having been so absorbed in his feelings that he hadn't realized your own reality.
That's why the next day he didn't go: it didn't make sense, since he knew you weren't going to be there. And in any case, he wasn't in the mood to get up so early. He didn't go to class either, his mind too absent-minded to attend to three straight hours of long, monotonous explanations. But he didn't miss his daily appointment at the dance academy, one of the few places where he could let himself go, it's physical exertion and music taking him away from all the buzz he had in his head. He would go to practice the dances he had to present in his subjects, but also to memorize choreographies he found on the internet or create his own from scratch.
The mere fact of putting the bottle of water and the change of clothes in his sports bag for later made a slight curve form on his lips, wishing that the subway would move at the speed of light so he could arrive as soon as possible, and nodding as a greeting to one of the owners of the place, who was always sitting at the reception desk, heading straight to the studio he had booked.
That evening Yewon was not in her usual place, but running back and forth, somewhat stressed, having exchanged her usual low heels for ballet slippers.
"Hello, Minho!" she greeted him, waving some papers with a hurried gesture. "You have studio C10, as usual, but I will have to change it tomorrow!"
"What's all the fuss about?" he asked, securing the strap of his bag over his shoulder in a nervous gesture.
"Two of our teachers couldn't make it today, and it was unexpected," she explained, not bothering to use the comfortable office chair to type something quick on the computer. "Jisoo took maternity leave after a little scare with the baby, to be at home and rest. But Jinyoung has finally quit."
"The one who wanted to set up his own academy?"
"That same one," she replied, trying to stifle a complicit laugh. "I'm covering his ballet classes, but I'm short of someone to take over Jisoo's hip hop classes. You wouldn't be willing to volunteer, would you?"
"With kids?" Minho tried not to let his panicked face show too much.
"Yes, but only today," she replied, letting out a melodic laugh. "You can wipe off that scary face, don't worry. My sister is in Jeju, sorting out some family issues, and she'll be back tomorrow. She'll take care of it until Jisoo and her baby are healthy and the happy mom can continue working."
"Huh" he knew he couldn't refuse, not when Yewon had always been so nice to him, even if he was late on one of the months' payments, always greeting him with a smile. But children made him panic. Those little humans who judged you without a filter, always bursting his eardrums with the screams they made, and so wild that they deliberately ignored any orders they received. He realized it sounded like he was describing real demons, but in his experience, it was totally justified. "Right."
Yewon clapped her hands in excitement and led him to one of the studios reserved for afternoon classes. They always put the children in the larger rooms, so they could run around freely. And if you were able to teach ballet for whole afternoons to children, surely it couldn't be too bad for him. After all, he was pretty good at hip hop, and he had a couple of easy choreographies he could teach.
Luckily, the group was small ーfour boys and three girlsー more than willing to learn, half of them with dreams of becoming idols, and all of them with wide eyes watching him dance for the first time. It wasn't the first time people had complimented him, but the fact that eight-year-olds were looking at him with such admiration made him die of embarrassment, and also made it seem much more real than any empty words they could ever give him.
When the time came to an end, he had gotten as much exercise as any other day, had laughed a lot more, and had not been alone, like the vast majority of his afternoons, though unfortunately he had not found a solution to your problem. Yewon left the ballet studio, sweating but smiling, waving goodbye to his students, thanking him again and again after Minho high-fived all his children. It was only after a quick shower that he knew what he should do.
The break had been wonderful for you. You had dedicated yourself to sleeping and eating, without worrying about anything but going to your ballet classes on time, and you were afraid that getting used to it would be easier than breathing. You kept telling yourself that what you were experiencing was a temporary hiatus for a couple of days, something Chris had managed to do but it wouldn't last forever, and that you should be grateful. Although you should also try to figure out what was going to be your life after that, because going on as you were was not an option.
But you were tired of looking for a job and the options getting worse. If the pay was perfect, the schedule was bad for you. If it fit with your classes, it wasn't worth it because it was too far away or the salary wasn't enough. You were definitely going to keep the job at the café, but you also wanted to keep the job at the academy. You were totally lost. Maybe you could stay the same for a couple of months, asking for fewer hours and saving a little more at home. Cut back on showers to the academy bathroom, and try to ration your meals. It could work.
After the established time had passed, you came back. And you were looking forward to it. You got up energized, grabbing a couple of pieces of fruit while you packed your stuff in your backpack, and even noticed it less heavy on the way to the café. When you arrived, you didn't see Minho in his usual place, but since it wasn't the first time either you shrugged your shoulders and opened the grille, leaving it halfway and going in, following the routine that by now, you knew by heart. You busied yourself with the trays of croissants and brownies that some co-worker called Felix was leaving ready on his shift for the next day, waiting for Minho to arrive. You had the milk ready, the coffee powder already in the machine. All you needed was for him to show up to press the button and serve it to him.
Only he didn't show up.
It was the sound of the grille going up that made your heart race, and you left the staff room totally hopeful. But although you expected to see the young man with the mischievous smile and gentle gaze, you found a guy you didn't know at all, looking lost, and a little nervous tic in his hand. You took a big breath of air, forcing a smile, and stood behind the counter.
"Good morning," you murmured. "What will you have?"
"Oh, hi" he said to you, trying to avoid your glance. "I didn't know if it was open yet...".
"Yeah, yeah" you affirmed, the shy curve of your lips reassuring the boy, "don't worry. I usually have a friend of mine come over to help me with the grille, but he's not here yet."
"Then I was right to put it up, wasn't I?" he asked, his fingers still drumming on the surface of the counter.
"Yes, of course," you confirmed, your hands fiddling with the edge of the apron, trying not to let your disappointment at the boy's presence show too much, "thank you. What will you have?"
"A macchiato, please."
Similar to a cappuccino, you thought, unable to get Minho out of your mind. You didn't know why his absence was affecting you so much. You didn't even have that much of a relationship. Outside of your greetings, and small conversations here and there, you didn't interact much else. Even if after all this time you felt you had known him all your life, even if seeing him in the mornings made your day, even if you wished you could spend your whole life mixing espresso with milk if it meant Minho smiled the way he did.
Your shift took forever, each coffee making lasting longer than necessary, and perhaps too short, customers coming and going and none of them being who you expected. You understood that the shock must have been the same for him ーin case his feelings for you were remotely similarー on the days you had been absent, and you feared that he had grown tired. That so many shared mornings would have been for nothing, and yours would have been a relationship by proximity. It wasn't the first time you had maintained such a friendship with people, because you were forced to go to the same place together every day, and not because there was actually any bond.
Maybe he thought you were not coming back, and had decided to look for coffee somewhere else. Maybe you had misinterpreted everything you had experienced, and had taken cordiality for friendship. Maybe nothing of what you felt was reciprocated, and again you had been daydreaming.
Despite all your efforts, you couldn't concentrate on your classes that day. You took the lunch break you had promised Chris, pulling out of your backpack a container of a small salad you had made yourself in the morning and a piece of brownie Han had slipped in when he thought you weren't looking. After retiring to the library for a couple of hours to study you went to the academy, ready to go over the dance with your girls.
You wore your leotard under your jeans, so, as usual, you only had to put on your sweatpants and ballet slippers, locking yourself in the studio half an hour early to dance by yourself for a while, and at five o'clock, letting it fill up with energetic and joyful girls, ready to become their favorite Disney princess for a few hours. You always had a great time, and in your heart it made up for everything it meant in your private life.
After the shower, as you were coming out of the changing room with your hair still slightly damp but back in your normal clothes, your backpack slung over your shoulder, walking down the hallway towards the lobby, you stopped when you heard Minho's voice. You couldn't make out what he was saying, but you could hear the angry voice of your boss, and you peeked your head around the corner, trying to see without being seen, in time to see your boss hit the table lightly and Minho frown in an annoyed gesture, turning around.
You hurried out, ignoring the exclamations of your boss calling you, and followed Minho. He was carrying a cup of coffee that wasn't from 5STAR, and for a moment you feared it was over altogether. That he had found somewhere else to buy his cappuccino. That maybe your friendship had broken down without you realizing it. That it didn't mattered if you thought you didn't care if it never evolved into something more ーsomething you longed forー, you were content with whatever it was that you had. You noticed also the jacket he was wearing, the logo of a dance academy that wasn't yours drawn on his back, and tried to match his long steps to reach his pace.
He was heading in the direction of the bus stop where you usually caught the one that dropped you off near where you lived, and you got on after him, sitting down next to him, still frowning.
"YN?" he mumbled, taking off one of his earbuds so he could talk to you, turning his body slightly to try to face you.
"What were you doing talking to Mr. Kang?"
"Huh?" he asked, as if he hadn't understood anything you had said.
"I've never seen you outside the café before," you told him, propping your backpack between your feet, "and just the day you don't come in the morning I see you in the afternoon at my academy, when you don't even come here."
"Well... It has an explanation" he tried to defend himself, his ears turning red. "Han had said... Ehem, since you didn't come to work these days... I..."
"I was resting" you told him, leaning your back against the backrest, "I had been having some complicated days, and Chris has recommended me to change jobs, but I don't know..."
"I know" he interrupted you, "I know. That's why I was talking to your boss."
"What?"
"He told me that next week is the performance you've been working on for the past few months" he summarized, avoiding looking at you, not feeling ready to find out if he had taken too much of a risk or not. "I wanted him to make your work conditions better, and maybe I told him that the academy I go to they have an opening for a ballet teacher so he should watch out how he treats you. They pay like a normal job, not a part-time one, and the schedule is the same."
"Really?" you stifled a cry of excitement, covering your mouth with your hand, "Oh my God it's perfect! It's literally the miracle I was waiting for! I'm so happy I could..."
"You could...?" he repeated, urging you to finish the sentence.
But you couldn't finish it. You didn't know if you should. It would be crazy, in fact.
"Whatever," you solved, seeking to change the subject, "it doesn't even have to do with dancing."
"And what does it have to do with?"
You cleared your throat, mumbling an answer you knew he couldn't hear, too embarrassed to let it sink in, hoping he had heard it, and also hoping the opposite at the same time.
"With you" you repeated, this time louder, looking into his eyes when he asked you to say it again.
"With me?" he breathed, his heartbeat increasing its speed, roaming his gaze all over your features.
"Yeah" the worst thing it could happen was that he rejected you, and he never came againg to the café. And you already thought that was what had happened, so there was no point in not trying it. "I was going to say that I'm so happy I could kiss you right now".
"Kiss me?" unable to think straight, he was only repeating what you voiced, watching your lips moving and your cheeks slightly blushed.
You flashed a bright smile and caressed his cheekbone, the pad of your finger gentle and soft against his skin, and his breath got caught in his throat, swallowing hard, and confirming your crazy theory of him liking you back. He tried to touch you the same way, his hand twitching with anticipation, but it fell to his lap when you kissed him, his eyes closing down immediately to focus on the way your lips moved over his, lazy, slowly, enjoying every single second.
Minho knew that he had fell first, and harder, and then he had waited patiently for you to reciprocate his feelings. And when you did, you understood that his heart was so full of love and adoration you couldn’t stop yourself to love him in the same deep, absolute and fathomless intensity.
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IMPORTANT INFO: issues around Jimin’s album
I have an ARMY friend (who shall remain safely anonymous) who works in film production for the music and entertainment industry here in the US. They offered me some valuable insights today into production limitations and possible issues related to Jimin’s solo album.
Below the cut is a transcript of their messages to me. I share this in the hopes it better informs our discussions around fair treatment of BTS members’ releases. It is by no means a definitive account of Jimin’s situation—simply an insider’s ideas on what likely happened around a few things.
I understand there are very big feelings about this topic, especially with the apparent differences around JK’s single, and I appreciate everyone’s viewpoints. However, if you choose to interact with this post, you will be respectful to others (including members) or you will be blocked. You are always welcome to DM me privately if you need to vent—we are all human and we all need a bit of grace, so you’ll always have that with me.
Sending you guys so much love, Roo
Anonymous Insider
Some “light reading” while you’re resting up and recovering, lol. This is all just based on what I’ve been watching and seen. Of course, I don’t have access to their production budget sheet and Korea works very differently than the US when it comes to production, but this what I’ve been seeing when it comes to their videos and particularly the promotions for FACE.
(I’m sending in sections, lol)
Alrighty - I’m still like deep in edit-land (still am two days later 😭) but I started typing this on the train between meetings, ha ha. (And am still on the train doing this, lol.) Also this rambles a bit I’m sorry! So the first thing I did was go back to the interview where Jimin talked about the music videos — it was a Japanese TV show and he’s talking with a host in Korean.
He’s talking about “wanting to do it all,” laughs and says, “I wanted all the music videos” and that “they” (the company assuming) said “무리다” which has its roots in the word 무리 which means a herd, a party, a group — basically “it’s too much,” “it’s unreasonable,” and “it’s impossible” are decent translations as it refers to something or an idea being “too much” — then the host and Jimin burst out laughing and the host goes “서리와 무리다” which I read as “sorry (in konglish) but we can’t” and they continue to laugh. So based on that —it sounds very understandable.
We can imagine Jimin sitting down with his team and planning out SMFP2 and LC videos, with the 30 dancers and all the party scene extras, and then Jimin saying he wants to do the music shows with 6 different sets in rented locations so they could have total control. And if Jimin in that process went “what if we made official music videos for all of them?” the team would understandably go “that’s just not reasonable!” 1) because it would give Jimin a budget no other member had gotten and 2) there aren’t that many production houses in Korea. It’s a very small scene — it may just logistically not been possible. There aren’t enough DPs and crew and editors. Sometimes, as a producer, you have to tell your creative talent “I’m sorry, but no.” — I say it every week!
So what about the music videos? Well, here’s what I know from meticulously watching all the behind the scenes for BTS videos over the years. They work with a small team. They likely own a good deal of the gear — they shoot mainly on RED cameras and heavy expensive Cooke lenses (which you can’t get this stuff easily in Korea. I lost a lens cap for a Canon CINÉ Lens in Seoul and it was like this whole big deal because getting gear there is an import challenge but anyways) they use MOVI and Ronin gimbal stabilizers and Jimmy Rigs a lot.
Recently they’ve been using technocranes but I wonder how many technocranes there are in Seoul. As I said, they likely own a lot of this gear which can help with costs. But we’ve also been told — and I’ve heard through my industry friends — that Hybe PAYS. And in Korea there’s no unions in the entertainment world, and often the rates are shit (hence Netflix investing so much there - blerg) their standard work week is also already 12 hours longer than the US. It’s a whole thing. and they spend so much money on sets. It’s incredible.
They rent these huge spaces outside Seoul and BUILD — I mean the build out for SMFP2 was astounding. They easily dropped 1million on that video. The rigging, the build-out, the custom set and the custom camera rigs to achieve the 360 shots - the drone shots. They’re astounding videos. No US label is spending that money on videos these day. Absolutely none of them are — my friend recently produced a video for John Legend. They were trying to pull the whole thing off for $100K which is ridiculous. It’s really almost impossible.
But on the Big videos they spend a lot of money, but they also produce a lot of other stuff too (and these are often looked at as Performance Videos vs all-caps MUSIC VIDEOS) -— like RM’s video shoot at DIA Beacon… that was a much smaller, fairly single camera shoot — all shot on drones or a MOVI handheld rig. No set, they also didn’t like pay for the set because DIA: Beacon is an art museum — and similar a little bit to Letter for Jimin, which was much smaller set and easy in-house gear.
(And it was also released on Bangtan TV channel vs Hybe Labels Channel, which is a good indicator of how they categorize these shoots.) But the big videos, they go for broke. I mean they spend so much money and again they may own a lot of the equipment but there’s still so much people-power and labor involved. Take the dancers’ rehearsals. You have to pay people for all that — you have to pay them for the weeks of rehearsal, you have to pay them to be in a video. It is so expensive — like, I would not be able to budget that video for under 1 million, that’s how much it costs.
So then Jimin wanted to do music shows —- and so because he’s Jimin and it’s BTS, Hybe rented larger venues and locations for all of the shoots. None of them use the actual Broadcast spaces or were provided by the broadcast studios. The smaller companies do though — remember when BTS first started out they went to SBS to film on the day? — but they don’t do that anymore. They rent huge facilities so that they could be a mini concerts for ARMYs to visit with Jimin and see him.
They also have to do this kind of outside of the city and they built huge sets because they’re going to want to show off if they’re gonna be on TV but that is so expensive. (I don’t think you were an ARMY then, but when ON was released, at the time it was the “biggest broadcast performance ever” and they keep upping that ante for sure!) It’s possible the broadcast companies spend some money but what BTS is doing is so outside the usual budget and given the tension with the broadcasters and HYBE — they (Hybe) wants control of their products, and so I think they pay for that control.
I can’t imagine they got out of any of those days for under $500K; I mean, there were two different sets, all the crew; they’re paying for all of it. We add it up and they probably spent close to $3-5 million between Jimin’s music videos and his music show performances, and I would be understandably like: “That’s it!” Like, that’s the budget for an EP, you know.
I don’t think Jimin could have it all because that wasn’t the case for the other members. RM got to lead videos and J Hope had pyrotechnics, which definitely costs money and safety and insurance. You know he had visual effects his first video (a lotta visual effects) and again a lot of challenging technocrane work, but I haven’t really seen them build something on the scale of what they built for SMFP2 in a very long time (or ever?).
We heard from the Art Dept that Jimin did not want to shoot on blue screen, so they built the set for him. This cannot be the same label that is shafting him — that allows him to spend that amount of money just because the artist said “I want to shoot in a real space!” because I’m gonna be completely honest— he could’ve done that on a blue screen — I’m glad they built a real world because BTS almost always shoots on Blue/Green Screen. They build him a huge set like that. It’s absolutely incredible.
I was also reminded this morning that people are talking about radio for Like Crazy and not supporting the song — and I just keep thinking that they did exact rollout for Butter, Dynamite, and Permission to Dance. They released Like Crazy. It had both a Korean version and English version. (Obviously that wasn’t the case for the English BTS songs.) They released two additional remixes. Then they kept releasing, like, alternate cover versions — alternate covers of the main remix, alternate cover the other remix. They were trying to maximize the direct-to-consumer store and exact same way they had tried to maximize it with Dynamite and Butter and Permission to Dance.
The way you were buying Like Crazy was the same process I took on Dynamite. They did the exact same playbook. So the fact that they were unable to get the kind of radio play they wanted or maybe they weren’t prioritizing radio because they knew that they were gonna have a better chance at direct to consumer sales... Maybe they didn’t want to fight radio. Maybe Geffen was like “We don’t have the right ‘Ins’ yet!” — I’m not sure, but the fact that they got completely screwed over by Billboard doesn’t mean that they weren’t actually rolling it out in that way, because as soon as they started doing the whole alternate cover thing, I was like: “Well, they clearly want us to try to go for number one!” You know, “They clearly think that they are going to be able to get number one on the hot 100 and we’re gonna use these sales to do that!” And clearly that’s all changed now.
They keep changing the rules on us, so — with JK, they’re obviously trying to, you know, use whatever tools they have available to them at this point.
Finally, when it comes to restocking the digital single CD. There are still albums available in the store. So why would they manufacture and ship more (likely thrown away) plastic that’s just for one song, when those CD singles only serve to raise sales for the charts? All of the other member’s CD singles are out of stock except The Astronaut, which they treated more like a proper album a bit (kinda like the Butter CD releases). Because they still have both versions of his full albums in stock, so if I were Hybe, I’d be like “No,you need to buy the album, we still have albums, we’re not going to sell you a single song when you can buy the album!” That makes more sense to me. The albums cost more.
TL:DR, haha — so I feel like this narrative around Jimin’s release has been ramped up because, from my professional opinion, he’s had the most expensive release so far (by far) and if we want to compare him to, say, Beyoncé — well she owns her own production company (Parkwood Entertainment), so she can funnel her own money into a Visual Album, I don’t know if Jimin has considered that at this point in his career, but in the future, he might!
((Not including costs for Suga’s tour because that’s a whole other thing, and the tour probably made money I would expect to balance out the cost of the tour itself))
Anonymous Insider
This isn’t to say that the other things, the part where he didn’t get the cake celebration, or the posts, the issues with the linking and this general feeling that Jimin was short-changed in these things isn’t valid and understandable. I think Hybe relied too much on D2C sales and I don’t think they leveraged their might as much as could have for JM. They could have risked more for him.
{This is an end of Anonymous Insider’s messages to me. They noted that they are an intermediate non-native Korean speaker so please excuse any translation errors. They translated things themselves using Naver tools that aligned with the video subtitles.}
So, listen, I still don’t think Like Crazy was sent/promoted to radio (which was a mistake and still is a mistake) and I am furious at the shady articles and lack of celebration for Jimin…
But after reading the way the members approach their work in the Beyond the Story book and now hearing from someone who produces these works for a living, I have to wonder if the company was doing everything they knew how to do for Jimin, but the second it didn’t work out because of the western music industry culling streams and sales, they pulled back all their resources and pivoted for Yoongi and JK. (I also wonder if leadership shut up about it all due to liability issues, or not to cause bad blood with the music industry for future releases.)
Again, I’ll never forgive the lack of celebration and the split streams (not without a great explanation), but at least now I think there’s a good chance no one was actively trying to sabotage Jimin on purpose. They seemed to have wanted that #1 and then it all went to shit because Billboard and radio want to get paid. Maybe leadership decided not to put any more resources into Face but instead pivot for all the future music coming out (including PJM2.)
Perhaps I'm a cockeyed optimist. I’m just hoping like hell they never engage in payola. I want all our boys to win, but I want us to win fairly. And even if everyone cannot have the same investment every time on every project, I hope when they come back together in 2025 that everyone feels good about their solo works and each other. This is my prayer. Love, Roo
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By: Joseph Burgo, Ph.D.
Published: Jan 17, 2024
As my thoughts began to coalesce around the subject of this essay–adolescents in history rebelling against their parents–memories of an old movie from my childhood kept coming to mind. Even readers who haven’t seen it have probably heard the name–Gidget, a low-budget California beach movie starring Sandra Dee, James Darren and Cliff Robertson. It was released in 1959 and spawned two film sequels, two TV series, and several made-for-television movies. In early December of last year, I tracked down the original Gidget on YouTube and watched it again–some 50 years after I’d first seen it.
The title character’s obsession with surfing, and her transformation from tomboy to infatuated teenager and finally to wise young woman don’t concern me here. It’s the subplot focusing on two other characters that resonates with my subject matter. Kahuna, a man somewhere in his late 20s or early 30s, lives in a shack at the edge of a surfing beach. After serving as a pilot during the Korean War, he has decided to drop out of society and live as a bum, following the sun and traveling the world in search of waves. His only true companion is a parrot named Flyboy, although the gang of teenage surfer boys who hang around him that summer look up to Kahuna as their leader.
One of those surfers, nicknamed Moondoggie, is home for the summer after his freshman year at college; he has resolved to drop out instead of returning to campus in the fall, team up with his hero Kahuna, and pursue the life of a beach bum. Both men have rejected the rules-driven adult world. Neither wants the responsibility that comes with adulthood, viewing it as a kind of prison. In a gesture of defiance, Moondoggie tears up the allowance check he has received from his father and vows to go it alone.
[ Sandra Dee as Gidget (left), James Darren as Moondoggie (middle), and Cliff Robertson as The (Big) Kahuna (right) ]
In 1959 when this film was released, Western Civilization was on the verge of major social upheaval as youth culture began challenging long-standing social norms about sexuality, marriage, and family. But there on the cusp of this revolution, Gidget’s world seems confident that the generation of young people coming of age will eventually submit to the values of their parents. At the outset, Moondoggie and Kahuna are both adolescents rejecting the authority of the existing social order; but in the end, they embrace it. Kahuna gets a job as a pilot. Before returning to college, Moondoggie gives Gidget his pin, a promise of future marriage and a new generation of children to come.
Adolescents rebelling against the authority embodied in an existing social order and eventually becoming reconciled to it—this is a story we’ve been telling for generations.
By identifying as “trans” in today’s youth culture, adolescent rebellion has found a new way to express itself. I don’t want to be simplistic about the society-wide dynamics here. There are other obvious factors involved: a permissive social order in which it’s hard to find any behavior extreme enough to count as true rebellion, for example, and a social media landscape that makes teens feel insecure, insignificant, and desperate to prove they’re unique. But here I want to talk about the way a rebellion against authority can fuel trans-identification in our children.
My 16-year-old client Sophia, for example, had given her parents no trouble as a younger girl. For most of her childhood, she’d been a respectful daughter and a good student. Because her family had moved around quite a bit due to her father’s shifting business, she hadn’t made close friends and rarely socialized outside the family. Her mother had always taken an active interest in Sophia’s schoolwork and athletics. And then one day, Sophia announced that she was trans, told them she wanted to be called Finn, and insisted that her parents use he/him pronouns.
I’ve had other female clients with a nearly identical background, and I’ve heard similar stories from other parents who’ve consulted me about their trans-identified teens. The announcement often comes out of the blue following a mostly non-conflictual childhood, causing a lot of angst and opening a rift between child and parents. Nothing the parents say–no evidence they bring or logic they apply–makes any difference. The child rejects it all from a place of absolute certainty. “I know I’m trans,” they’ll say. “I’ve always known it.”
These children have often been a bit different from the other kids, struggling to fit in. Maybe they were highly gifted or on the autism spectrum. They might just have been “quirky” and beloved for it by their parents. But especially during the teen years, the need to belong to one’s peer group overrides almost everything else; and as American teens have done for generations, these quirky kids reject the values of their parents for new ones held by other kids their own age, especially as they pertain to sex and gender.
Back in the 1970s, Goth became the dominant form of youth rebellion. The Goth scene rejected traditional sexual mores while celebrating new and occasionally deviant forms of sexuality. There are obvious similarities between that movement and today’s transgenderism. Dr. Az Hakeem, a British psychiatrist with extensive experience treating gender distress, has actually referred to Trans as “Goth 2.0.”
The main difference between the two is obvious, however: teens and young adults immersed in Goth might have pierced or tattooed their limbs, but they didn’t have healthy body parts removed by surgeons. They no doubt consumed illicit drugs, but not off-label anti-cancer medications and cross-sex hormones that may leave them sterile. Once they grew out of Goth, young adults were probably left with a few embarrassing tattoos or piercings but no other visible scars, unlike detransitioners today who may be scarred for life.
Contempt for parents often plays a role in youth rebellion, be it mild or toxic. Back in Gidget’s day, the kids were hip while the adults holding onto their old-fashioned ways were square and not at all with it. Today, moms and dads who quaintly cling to the duality of biological sex are clueless about the multiplicity of possible genders; if they refuse to affirm their child’s new identity, insisting it’s impossible to change from one sex to another, they’re deemed transphobic and therefore unworthy of respect. Most of the trans-identified teens I see in my practice feel and express utter contempt for their mothers and fathers. Two of them will turn 18 within the next six months; they both regard their parents with scorn and intend to have no further contact after coming of legal age.
Behind the contempt, I sense a lot of terror about impending adulthood. The teens in my practice look forward to their medicalized transition as if it will be a major accomplishment, more significant than anything else they’ll ever do, but they have little understanding about how to lead a responsible adult life. I often say to my young clients that transition is not an achievement: they still have to figure out what career they’d like to pursue, and how to make enough money to support the lifestyle they want. One of these clients poo-poos the very idea of earning money and insists she’ll live in a camper van, free from responsibility. Another imagines devoting her life to collecting vintage motorcycles, believing that about $30K per year is all she’ll need. None of them ever imagines having children or building a family, much less planning ahead for retirement. They have a narrow vision of their own future that seems to go no further than attaining the freedom to start taking cross-sex hormones.
In this sense they remind me of Kahuna and Moondoggie, those two characters from Gidget in flight from the responsibilities of adulthood. While my clients apparently look forward to escaping their parents’ control and attaining the legal right to make their own choices, they don’t really want the responsibilities that go along with such freedom. On some level, they see transition as an escape from the dreaded reality of adulthood, a triumph over the tedious world of facts, financial obligations, and inevitable limits.
There’s another classic film you might know, The Graduate, directed by the brilliant Mike Nichols. Benjamin Braddock, the main character, spends most of the movie rebelling against the limitations and responsibilities imposed by the real world, the world of his stodgy parents; at the end, after he has relentlessly pursued young Elaine and disrupted her more-or-less forced marriage to another man, the two run off, she still in her wedding gown, and escape on board a city bus. The final shot shows realization slowly dawning upon them, their facial expressions collapsing from elation into dread.
Now what are we going to do?
At the close of The Graduate, Benjamin and Elaine realize that however fun and even exciting it might be to rebel against their parents, at the end of the day, they’ve achieved nothing beyond wrecking their families; in the aftermath, they’ll have to pick up the pieces and make a life for themselves in the real world. You can’t outrun reality, of course. It will always prevail in the end. In a softer way, you see Moondoggie and Kahuna coming to this realization at the end of Gidget.
For millennia, parental authority has been the primary means of transmitting a culture’s values: parents teach their children to abide by standards embodied in their culture, and the world-at-large has almost always supported the parents in exercising that role … at least until now. Honor thy father and thy mother says the Fifth Commandment; today, children learn that if Mom and Dad won’t affirm their new identity and use the designated pronouns, they should cut off those parents and embrace a new glitter family online. In California, a state court deprived Adam Vena of visitation rights because he wouldn’t affirm his four-year-old son’s new gender identity. The modern world often undermines parental authority when it takes a stand against gender ideology.
By severing ties between parent and child, a cult does the same thing; it appropriates parental authority onto itself as a way to bind members more tightly to the group. The votaries of gender ideology likewise subvert parents, replacing their guidance with cultish dogma. A great many influential forces today promote this dogma, from primary education to medical boards to professional associations–a society-wide rebellion against parental authority and, I would add, against the ultimate authority that is reality.
Every parent I’ve consulted with has felt helpless in the face of this phenomenon. Based on their love and better knowledge of their own children, they believe they know what’s best for those kids but feel unable to wield authority as parents to guide them. In my own case, when I insisted there were obvious psychological reasons why my daughter might have wanted to become a boy, I was treated with contempt by the medical establishment and colleagues in my profession. Meanwhile, all around my daughter, every influential voice in her world told her that I, her father, was wrong.
But I also believe that we, as parents, bear some responsibility for the erosion of our own authority. Many mothers and fathers today seem uncomfortable with the very idea of parental authority, preferring to be buddies with their kids rather than authority figures. Maybe we don’t want to be viewed as square or stodgy, droning on about antiquated notions like taking personal responsibility and showing respect for your elders. I remember the slight feeling of shock and discomfort I felt upon first hearing myself say the words “because I said so!” to my own kids. Why should I have felt so uneasy when exerting myself as the adult in charge and expecting my children to mind me?
Writing for The Atlantic, the psychologist Joshua Coleman says that family ties have shifted over the last century from a focus on duty and obligation to one promoting personal growth and the pursuit of fulfillment. He quotes the historian Stephanie Coontz, who says: “For most of history, family relationships were based on mutual obligations rather than on mutual understanding. Parents or children might reproach the other for failing to honor/acknowledge their duty, but the idea that a relative could be faulted for failing to honor/acknowledge one’s ‘identity’ would have been incomprehensible.” In our youth-driven culture, words like duty, obligation and authority sound almost quaint. Today there seems to be no valid authority outside of one’s personal “lived experience.”
What’s to be done? How are we as parents to regain authority and prevent our children from permanently damaging their bodies when a cultish ideology encourages them to do so? This is the question every parent of a trans-identified child would like to ask, I imagine, and I wish I had a simple answer. The longer I work in this field, the more I feel that gender ideology must be questioned in every area where it dominates; only if we loosen gender ideology’s stranglehold on our cultural institutions can we hope to return parental authority to its rightful place. Get involved in the pushback–that’s my advice to parents. Run for your school board, get to know your local politicians, challenge this new orthodoxy wherever you see it. Don’t play the pronoun game.
I’d also like to say something in particular about fathers. As a father myself, I’m concerned with specifically paternal sources of authority: What is the role of fathers in helping our families to navigate this crisis? Does paternal authority differ in any important ways from maternal authority? And where are all the fathers, anyway? I’ve had a few joint consultations with both parents of a trans-identified child but it’s invariably the wife who does the talking. More often, I have consultations with the mothers alone. I sometimes wonder whether empathic, nurturing mothers are so desperate to maintain contact with their children that they won’t or can’t draw a firmer line. Perhaps the fathers, by deferring to their wife’s lead, have failed to mount a more vigorous defense of reality.
Could that be a paternal function? I honestly don’t know. I think of Chris Elston–better known as Billboard Chris–who addressed himself to Rachel Levine on Twitter, saying that puberty blockers and cross-sex hormones would be normalized for children “over my dead body.” Is that an implicit threat of violence? As fathers, do we need to take a more aggressive stance?
I’m prepared to be told that I’m just projecting here, or possibly overgeneralizing. Questions about my exercise of paternal authority within my own family–or my failure to exercise it properly–are on my mind a lot these days. With the modern world the way it is, it sometimes seems as if there’s nothing that even an authoritative and loving father can do. I often feel helpless and without any real power, an ineffectual if well-intentioned dad.
Which brings me back to Gidget. We’re all familiar with the bumbling father motif in television and commercials today–the clueless man set right by his clever wife and children. Al Bundy, Homer Simpson, Ray Barone. I used to think this was a more recent phenomenon but there it was in a movie from 1959. Gidget’s dad seems constantly baffled by his daughter’s behavior, issuing hasty pronouncements that are promptly undermined or ignored by his wife and child. He wears an expression of near constant bewilderment. It’s up to the two women in his world to set him on the right path.
I dug a little deeper and learned that father figures from 1950s sitcoms like “Make Room for Daddy,” “My Little Margie,” and “Life with Father” typically tended to be hapless buffoons. As a culture, we’ve been ridiculing the very notion of paternal authority for decades. Even the series title for “Father Knows Best” was originally intended to have a question mark at the end, to make it ironic and thereby underscore the well-known reality that mothers were the real heads of households. My friend the historian Peter Filene tells me that this belittling of fathers goes even further back–to the 1920s when comic strips began depicting men as shorter than their wives.
Then there’s the classic teen rebellion movie Rebel Without a Cause from 1955, with James Dean playing the main character Jim Stark. Jim’s father, overshadowed by his domineering wife, is a weak man unable to wield any kind of authority. In one famous scene, Jim comes upon his dad kneeling on the upstairs landing of their home wearing a frilly apron. Dad has dropped a dinner tray he prepared for “mom” and is cleaning up after himself, obviously fearful that his wife will discover the mess he’s made. Jim clearly wants and needs his father to stand tall and stop humiliating himself.
This might sound like I’m blaming women for usurping authority from their husbands by belittling them, but that’s not what I believe. I think it’s a society-wide problem where, for more than a century now, the force of paternal authority has been undermined through ridicule and mockery. In recent years, our ongoing critique of the “patriarchy” often makes it seem as if all sources of power and authority exercised by men are inevitably bad.
In Totem and Taboo written back in 1913, Freud opined that fathers embody the symbolic order of society, law, and external reality; they set boundaries, establish rules, and help their children to navigate the external world by introducing principles of discipline and order. A lot has changed in the last hundred or so years, and even to my ears, Freud’s view sounds quaint and out of date. Besides, how can you maintain rules and boundaries when the external world will only encourage your children to violate them?
But still, I cling to the belief that there’s an important and distinctive role for fathers to play in fighting this gender madness, even if I can’t yet define it. If you’re a father who’d like to discuss this issue, I invite you to reach out, in confidence and at no charge.
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