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#4.06 family business
dinneratgrannys · 11 months
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ONCE UPON A TIME 4.06, Family Business
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castiellesbian · 1 year
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Meredith Glynn:
12.05 The One You've Been Waiting For
12.11 Regarding Dean
12.16 Ladies Drink Free
12.19 The Future (with Robert Berens)
13.04 The Big Empty
13.08 The Scorpion and the Frog
13.14 Good Intentions
13.20 Unfinished Business
14.05 Nightmare Logic
14.08 Byzantium
14.13 Lebanon (with Andrew Dabb)
15.06 Golden Time
15.11 The Gamblers (with Davy Perez)
15.17 Unity
Daniel Loflin (all with * were co-written with Andrew Dabb)
Writer of
4.06 Yellow Fever*
4.13 After School Special *
4.19 Jump the Shark*
5.06 I Believe the Children Are Our Future*
5.11 Sam, Interrupted*
5.16 Dark Side of the Moon*
5.19 Hammer of the Gods*
6.04 Weekend at Bobby's*
6.07 Family Matters*
6.13 Unforgiven*
6.18 Frontierland*
7.03 The Girl Next Door*
7.08 Season Seven, Time for a Wedding!*
7.14 Plucky Pennywhistle's Magic Menagerie*
7.22 There Will Be Blood*
8.02 What's Up, Tiger Mommy?*
8.09 Citizen Fang
8.16 Remember the Titans
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watchingfairytales · 5 years
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4.06 Family Business episode stills
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fyesthesavior · 6 years
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365 days of emma swan: day 317
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efnewsservice · 7 years
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Colette and Belle 4.06 Family Business (x)
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pynkhues · 2 years
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Hey! I’m re-watching GG 4x13 and I’m a sucker for the rio / beth / nick angst. Do you know of any fics that have flirty beth x nick vibes which showcase rios jealousy? Our boy is really wearing his heart on his sleeve at the end of the series and i’m loving it. We were robbed of season 5!!
Hey! He really is and we really were. I still can't believe we're not watching a new season right now.
Tragically, I don't think there's many fics featuring Nick period, let alone ones which play into the angsty love triangle. It's such a shame because I thought the dynamic was really fun, especially given Beth and Nick weren't even into each other and Rio kept revealing his hand over nothing, haha.
But! There are some, and some really great ones too!
(Under a cut so I can include excerpts! 😊)
It’s sudden, the anger that bubbles up and bursts. He came barging in here, upending her plans, throwing her whole evening out of alignment, making her feel all kinds of things she has no business feeling, and for what? To piss off his brother—cousin—whatever?
“I’m not a...a toy,” she bites out, startling him into looking at her. His eyes are dark and unfathomably deep, one eyebrow arched in question. “You don’t get to argue over who gets to play with me.”
He laughs again, but it’s so brittle the sound seems to break apart the moment it meets air.
“That what you think’s happenin’?”
“Isn’t it?”
Shiver for Me by ms_scarlet / @mego42
Nick invites Beth to a fundraising gala to help her network, and they run into Rio. Sexy dancing ensues, and Beth and Rio's history leans heavy over both of them. All of Meg's fics are great, but this one has such a terrific underscore of sexual tension and really leans into Beth's ambition and desire to prove herself. It works on so many levels, and I love it a lot.
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And she’s staying in her lane. She’s keeping her head down.
The event with Nick doesn’t really count, right? It’s barely related to Rio at all. She’s being smart and building a new business relationship. She doesn’t have any fancy family members to make all her crimes go away.
She could use a city councilor owing her a favor.
If It Feels Good by @septiembrre
When Nick invites Beth to the gardening program's annual fundraiser, Beth struggles with the implications. This one isn't finished yet (although fingers crossed part two's still coming!), but it's such a great set-up. It's got great Beth POV, flirty Nick, inevitably jealous Rio, and feels full of promise.
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“Seriously, Chris. Why’d you bring her here?” Marissa repeats her question.
Rio takes a long swig of his drink. It’s some craft beer that Nick brought over. He had picked it up at a local micro brewery that he’s been goin’ on and on about. Something about some pre-campaign event he’s hosting in their fuckin’ outdoor beer garden.
“It’s nothin’,” he answers flatly.
Marissa throws her head back, and nearly cackles. “It’s not nothing, don’t give me that shit.”
Rio rolls his eyes. There’s no one like family to call you out.
(without) recourse by mydearmoon
Okay, this isn't exactly what you're looking for, but Nick's there, and it involves snarky Rio POV, haha. After Beth leaves Rosa's in 4.06, Rio's interrogated by his family, especially by his cousin, Marissa. This is just really fun, with some delightful dialogue and rich Rio backstory, so it's worth checking out.
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“Don’t worry, Elizabeth kept me company while you were out there catching balls,” Nick winks at her. It’s meant as a slight to Rio and football, more than a compliment to her.
Nick’s comments must roll off his shoulders because Rio doesn’t react. He does finally look at her as Nick keeps going.
“You keep running up and down that field for four years and whatdya’ got to show for it, Cam Newton?”
Rio’s face is blank - peaceful, almost. Like he doesn’t hear the fighting words coming out of his cousin’s mouth. Beth frowns and shifts her attention back to Nick.
Watermelon Sugar by zetuslapetus / @querenaxx
A college AU focused on football player Rio, this fic recaptures canon dynamics in the new setting so well. It's fun and sexy and full of charm, and has bonus Ruby x Stan which is v important for me personally.
Those are some that I really love, but I'm sure there are more out there! If anyone reading has any recs for anon, you should add them!😊
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benjiwyatt · 3 years
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do you have any ben/leslie headcanons! i love your posts abt them so much it's great to see someone get as emotional abt them as i am asjdkajhjd
i got this message and i was like "god, i dont really know if i have any headcanons" and then i opened my notes app and started typing and didn't stop for over an hour
i'm literally putting this under a break and organizing it into categories bc it's absurdly long
here it is
A COLLECTION OF BEN AND LESLIE HEADCANONS
PRE-RELATIONSHIP/S3
basically canon but leslie definitely had a crush on a young benji wyatt and followed the story religiously for the first couple months before she started college
ben is only slightly jealous leslie had ann go out with chris to try and get more money for the parks budget rather than leslie asking him out with the same goal. he knows it’s insane, unethical, and illogical but he’s still excited that he gets to spend the night with her on a date plus two other people even if it is to accuse her of bribery.
ann realizes early on that leslie was attracted to ben and teases her mercilessly about it. she thinks it’s absolutely hilarious that leslie wants to make out with "mean ben.” after april and andy’s wedding, she realizes it's more than just attraction and she lays off.
before ben can even think rationally about what he’s doing, he’s in line at bed, bath, and beyond with a crock pot in his arms, calling stephanie to ask her to send him their family’s chicken soup recipe
ann knew ben liked her from the beginning and was totally positive when she ran into him in the hospital asking for leslie’s room number while holding jj’s waffles and a tub of homemade soup.
ben realizes he’s falling in love with leslie when he is at city hall with her until 3am one night trying to budget for the amount of cotton candy machines she wants for the harvest festival. in his exhaustion, he naively believes her when she tells him she’ll go home in a bit so he leaves. he never gets a text from saying she made it home so he stops at jj’s the next morning and brings a takeout container of waffles and a coffee complete with an outlandish amount of whipped cream and sugar to the parks department. he finds her asleep in the conference room. he starts trying to convince sweetums to donate more cotton candy machines that afternoon.
chris had to have known ben liked leslie. he’s not an idiot. in the deleted scene from their wedding, they read out emails from their “tumultuous first week in pawnee” and chris writes to ben saying, “why are you so focused on leslie knope?” ben replies saying, “i’m not. whatever. shut up.” there’s no way chris is this oblivious. ben takes her out for a beer. ben pays out of pocket for a children’s performer to help her out. ben shows up on chris and ann’s date just because he thinks leslie might be there. chris can’t be this dumb. but when they take the city manager jobs in pawnee, he knows it can’t happen so he cuts ben off when he starts to ask about dating someone in city hall. he cracks down on the rule in front of leslie after the tom incident to hammer it in. he starts setting ben up on a bunch of dates to try and head it off. he sends them to indianapolis for the little league pitch because, realistically, he knows they’re the best bet for success but makes sure to interrupt their dinner and invites them to his apartment to continue to run interference the rest of the night. after their fights in 4.06-4.08, he hopes he won’t have to worry anymore. the next work day, they come into his office looking nervous and happy and he knows he’s about to lose the partner and best friend that’s been by his side for the past decade.
april and andy knew they were secretly dating. it went unspoken aside from a few implicit teasing remarks from april and a few suggestive attempted high fives from andy but leslie assured ben they wouldn’t tell anyone despite their ostensible behavior.
BREAK UP
ben had commissioned the li’l sebastian plush for leslie after he had died but the toy shop didn’t finish it until after they broke up. he felt bad not going to pick it up so he did despite not being able to give it to her. he kept it for all those months and sometimes thought about getting rid of it but could never bring himself to do it.
when leslie made personalized copies her books for her friends with individualized annotations and notes in the bylines, she had two copies for ben. there was one that she gave him during their breakup that was very simplified and watered down where the note basically just said “i’m really glad you decided to stay in pawnee.” then there was a second copy that she kept while they were split up that was totally covered in notes and random thoughts she couldn’t say during their time apart. she gives him that copy when they get back together and it may or may not be the best gift he’s ever received.
april was much less abrasive with them during the break up because she’s a sweetheart and wants her friends to be happy.
the first time leslie admitted she was in love with him was during a long night of drinking and crying at ann’s house
ben craved the taste of sugar during their breakup because he got used to tasting the sweetness when he kissed her
ben found himself unable to sleep at night without the sound of leslie talking in her sleep to comfort him
april texted leslie the night of the halloween party to let her know that ben and andy were at the hospital after a fight and everything was fine and she didn’t need to worry. leslie was mad at andy for a few days after and he couldn’t figure out why.
the only photo in ben’s bedroom was of himself, leslie, and li’l sebastian at the harvest festival. if he got caught staring at it and crying, he would just say he missed li’l sebastian so much.
april and andy started having star wars and star trek movie nights to try and cheer ben up
DOMESTIC
ben and leslie got in the habit of having weekly game nights with april and andy during the campaign since they were all basically living together. it became a tradition that kept going as often as they could make it happen, even after the kids were born. they try to have game night at least once a month. april pretends to hate it.
one of my absolute favorite ideas about them is that she sleeps much better when he’s around to keep her grounded. after they get together for good, she starts getting closer to 5 hours of sleep a night.
another favorite involving leslie’s sleeping: ben is typically accustomed to tuning out incoherent nonsense that she babbles in her sleep but she also has some of her best ideas when she’s not busy trying to focus on a million different things. when he hears her coming up with legitimately good ideas or making speeches or having solid debate arguments, he takes out the notebook he keeps in his nightstand to record her thoughts and quotes. he revisits and revises the notes to strengthen her statements and make them more professional and less rambling but makes sure to keep her distinct voice apparent in them.
ben prefers pancakes to waffles but he will go to the grave with that secret
this isn’t a headcanon because nbc posted it but one of ben’s holidays on leslie’s calendar is watch synchronization day which is the day they celebrate syncing their watches to, as leslie puts it, “always be in harmony, like our hearts” which is just one of the sweetest fucking things in the world
leslie makes ben read and watch all the harry potters because he didn’t get into them when he first tried. ben is much more of a success than ann. she buys him a ravenclaw scarf for christmas.
their first fight as a couple was a historical debate gone awry
since ben clearly has some affinity for custom stuffed animals, he has some made for the triplets.
they’re both dog people but they adopt a cat because sonia and stephen beg for one and it does fit their busy lifestyle much better. they love the cat. they get a dog when the kids are older and life is slightly less hectic.
they both love striped shirts and sweaters so much that they have to make a conscious effort to avoid wearing them on the same day and matching
leslie makes sweets and bakes desserts while ben typically handles cooking the actual meals
BASED ON EPISODES, QUOTES, AND THROWAWAY LINES
i always loved the ann/ben dynamic in bus tour because there’s been such an obvious shift in ann’s attitude towards him in this episode. maybe it’s because she and tom just broke up and she just turned chris down again and she’s frustrated with relationships but i think it’s her realizing ben isn’t going anywhere. since the campaign is winding down, she realizes that things aren’t gonna go back to the way they were because ben is now part of this and he’s clearly in it for the long haul. ann’s definitely jealous that ben is just as important to leslie as she is and she now knows she’s never gonna get that full attention back. ann sits ben down to have a real “don’t you dare hurt her” speech after this ep and before win, lose, or draw. this is when he tells ann he wants to marry her.
they discover they both adore the princess bride after ben says “as you wish” to her one night and after that it becomes their movie.
the wildflower mural becomes a thing between them when ben says he considered that to be their first date, prompting leslie to tell him what the mural means to her.
ben puts banjo boogie bonanza on one of the mix cds he gives leslie at the beginning of their relationship
harrison ford movie nights start after they both reveal they had a crush on him as a kid. ben was obsessed with han solo and leslie was into indiana jones’ whole history teacher vibe.
they basically hate each other’s taste in music and stop exchanging mix cds once that becomes apparent that they aren’t gonna find much common ground. they both love tom petty, al green, and etta james and music in that vein though.
ben makes leslie watch game of thrones just to try to explain why he’s called her khaleesi. she gets into it, not so much because of the show itself, but because of how passionate her boyfriend is about it.
they start learning basic french during the s4 campaign because they think it will be useful to have a basic multilingual vocabulary for their political careers and because leslie confesses she has always dreamed of seeing paris. they study spanish next.
ben makes leslie watch the star wars prequels just so he can complain to her during them. he doesn’t think she’s paying attention and then he reads about midichlorians in the paper.
ann is also in on ben’s plan to sneak vegetables into leslie’s waffles.
they will sometimes jokingly refer to themselves as the “dream team” or “dynamic duo” because, despite chris’s absurdity, it’s true
i’m open to literally any origin of this because no matter what it’s perfect but i like to think that “i love you and i like you” started at some point in season 4 when, at some point, leslie went “i like you” and ben replied “you like me?” “mhm” “hm just like me?” “yes i like you. i love you and i like you. both.” “mmm i love you and i like you too”
i barely even register some of these things as headcanons since they just live so solidly in my brain
this might be my favorite ask ever thank you for loving benslie enough to ask me this and be genuinely interested
if anyone read all of this, i love you
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giftofshewbread · 3 years
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Developing Now (Prophecy Update )
By Daymond Duck            Published on: August 8, 2021
Concerning world government: on July 28, 2021, prophecy teacher Geri Ungurean posted a Tony Koretz video on her website (Absolute Truth from the Word of God) in which Tony made a couple of statements that really caught my attention:
“We are headed toward a worldwide dictatorship.”
“A global medical dictatorship is rising.”
Writer’s comment: It is hard to deny that the shadow government is using unelected individuals to dictate policies (masks should be required, vaccinations should be mandatory, people that disagree with them should be censored; lockdowns should be ordered, etc.) to nations all over the world.
The government of Antichrist will be a worldwide dictatorship, and it is developing now.
It may even be more developed than most people realize because it doesn’t appear that Biden is in charge at the White House, and someone has made Covid a global issue.
On July 30, 2021, Bloomberg reported that “More than 4.06 billion doses have been administered across 180 countries…. The latest rate was roughly 39.7 million doses a day.”
Below is more information about Covid than this writer likes to put in one article, especially with everything else that is happening, but this idea that Covid is being used to establish a global medical dictatorship needs to be explored.
Just know that Jesus will eventually throw a big monkey wrench into the plans of this global medical dictatorship (no one knows the day or the hour), and ultimately, we will win.
One, concerning open borders or a borderless world: on July 28, 2021, it was reported that Catholic Charities had booked all the rooms at a hotel in La Joya, TX, the U.S. Border Patrol was releasing immigrant families to Catholic Charities, 20-30 Covid-infected people were staying at the hotel, and infected individuals were then being moved to other hotels in the McAllen, TX area.
It appears that Catholic Charities and the Biden administration’s Border Patrol are knowingly and deliberately spreading Covid while Biden (under the influence of the shadow government) is blaming the unvaccinated for spreading Covid and talking about forcing unvaccinated U.S. citizens to get vaccinated.
It looks like the shadow government is creating an excuse to have another lockdown and try to control everyone.
Update: Earlier in the week, TX Gov. Abbott signed an Executive Order to stop the Biden Administration from transporting illegal aliens (many infected with Covid) into and through TX. But on July 30, 2021, Biden’s Attorney Gen. Merrick Garland said it is “dangerous and unlawful” for Abbott to stop the federal government from bussing illegal aliens into the U.S.
If this is not knowingly and deliberately spreading Covid, what is it?
Update: On Aug. 2, 2021, Bill Melugin, Fox News Correspondent in Los Angeles, wrote, “All morning long, we’ve watched Border Patrol drop off multiple busloads of migrants at a Catholic charity in downtown McAllen, where they are given food & shelter before they take buses and flights across the United States. Buses arriving every 30 minutes so far.”
Update: On Aug. 4, 2021, Fox News Commentator Lawrence Jones said, “Every hour of every single day, buses leave the border taking people with Covid to other parts of the country.”
Writer’s comment: Unvaccinated people are not to blame for this, and it is partly why the U.S. may have to go into another lockdown; more people will lose their jobs, businesses, etc.; inflation will soar; the U.S. economy will worsen, etc.; and the real goal is to scare people into accepting a godless one-world government.
Two, concerning deceit: on July 28, 2021, people in the halls of the House of Representatives were required to wear masks, but people in the halls of the Senate (same building) were not required to wear masks.
Why does the government and CDC tell people to follow the science when members of the House are required to wear masks and members of the Senate are not required to wear masks?
Does the science that our government wants people to follow change depending upon where people are in the halls of Congress?
Three, concerning the shadow government’s desire to reduce the population of planet Earth: it is difficult to know the truth, but on July 28, 2021, it was reported that the Director of an Alex Jones video said (as this writer understands it), one’s immunity system is reduced after the second jab of a Covid-19 vaccination; every jab after that will reduce the vaccinated person’s immunity system even more; continuous vaccinations will eventually reduce one’s immunity system to zero; eventually the vaccinated person will require a jab for every new illness that comes around because they won’t have a natural immune system to work against it, and they cannot survive if they don’t get it.
According to an article by Brandon Smith on July 29, 2021, globalists and their puppet governments are desperate to get everyone vaccinated because they are gaining great social and political power by pushing it.
This writer will add that they plan on the government owning everything and them taking over the government.
Four, on July 29, 2021, it was reported that the Center for Disease Control claim that vaccinated people are immune to Covid is false because the CDC is now telling vaccinated people they need to wear a mask. (If getting vaccinated makes a person immune, why should they be required to wear a mask? Will the vaccinated person eventually need to take a Mark to distinguish them from the unvaccinated?)
By the way, this writer may be wrong, but he seems to remember that one purpose of social distancing was that masks are not 100% effective.
Update: On Aug. 2, 2021, Yahoo News reported that fully vaccinated people that get the Covid Delta Variant are just as likely to spread it as unvaccinated people.
Five, on July 29, 2021, it was reported that the California counties that claim to have the highest percent of vaccinated people now have the highest Delta infection rates (Why should people get vaccinated for Delta if it is going to increase their chance of getting it?).
Update: On Aug. 1, 2021, naturalnews.com reported that Israel may have the highest percent of vaccinated citizens in the world (people are required to be vaccinated if they want to buy and sell), but as much as 90% of all new infections are people that have already been vaccinated.
Six, on July 29, 2021, The Gateway Pundit posted an article by author and radio host Wayne Allyn Root that makes the following points (I am quoting him):
I personally have vaccinated friends that have gotten Covid.
New York Yankees players who were vaccinated have Covid.
An NFL Coach who was vaccinated has Covid.
Olympic athletes who were vaccinated have Covid.
Texas Democrats who were vaccinated have Covid.
In Israel, the government admits a majority of new Covid cases are among the vaccinated.
In UK, the government admits a large share of new Covid cases and hospitalizations are vaccinated.
Root gives several more examples (but you get the idea), and then he goes on to say, “America is being destroyed from within. Bad and evil people are in charge…. I know one thing for sure. Unvaccinated Americans aren’t to blame.”
https://www.thegatewaypundit.com/2021/07/wayne-root-know-exactly-blame-new-wave-covid-not-unvaccinated-americans/
Update: On Aug. 2, 2021, Sen. Lindsey Graham announced that he has tested positive for Covid even though he has been fully vaccinated.
Writer’s comment: Booster shots are needed because the vaccinations are failing.
Seven, on July 30, 2021, it was reported that Dr. Rochelle Walensky, Director of the Center for Disease Control and Prevention (CDC), said the Covid vaccines are failing to control the Delta variant and vaccinated people may be more contagious than unvaccinated people. (Really! Vaccinated people are more likely to spread Delta than unvaccinated people?)
On July 30, 2021, White House correspondent William Koenig reported, “The vaccines are not working—in fact, they are making things worse. The White House and the CDC are alarmed that many of the new coronavirus cases are with those vaccinated.” (Koenig’s Eye View from the White House)
Koenig said, “Dr. Peter McCullough told on Fox’s Laura Ingraham Thursday night of a recent wedding in Houston that had 35 guests. All were vaccinated, and all came down with COVID…. would it be possible that the vaccinated need to be put into quarantine to protect the non-vaccinated?”
On Aug. 2, 2021, Pam Geller reported that as of June 1, 2021, 99% of Gibraltar’s estimated 34,000 residents had been fully vaccinated, but Covid has now exploded on the peninsula; and 90% of Iceland’s estimated 369,000 residents have been fully vaccinated (98% of those over 70), but Covid is surging.
On Aug. 2, 2021, the U.S. Center for Disease Control and Prevention (CDC) admitted that 74% of the people that were infected in a recent Delta Variant outbreak in Massachusetts were people that had already been fully vaccinated.
Eight, on July 29, 2021, it was reported that the Association of American Physicians and Surgeons (AAPS) came out against forced vaccinations.
The AAPS said, “all human beings have the right to liberty, which they do not forfeit when they serve the sick or the disabled.”
They said “experimental drugs” (the vaccines are experimental) cannot be coerced according to federal law.
Nine, concerning the Battle of Gog and Magog: on July 30, 2021, an Iranian drone struck and an Israeli oil tanker. Defense Min. Benny Gantz called an emergency meeting and announced that Israel will make an “appropriate response.”
Updates:
On Aug. 1, 2021, the U.S., UK, and Russia gave Israel the “green light” to retaliate against Iranian targets. Iran said it will “respond promptly and strongly to any misadventure.”
On Aug. 3, 2021, it was reported that Iran or Iranian proxies seized 5 civilian vessels (4 are oil tankers) near the UAE coast.
Ten, concerning wickedness and deceit: in late July, it was reported that:
Audits of the 2020 election may move forward in Wisconsin and 5 counties in Florida.
The Biden Justice Dept. warned state and local officials that it is “concerned” about the legality of some audit procedures.
Twitter suspended several accounts that have been reporting on audits in Arizona, Georgia, Nevada, Pennsylvania, and Wisconsin.
Auditors in Arizona testified that there were widespread irregularities in more than 2 million ballots that were cast in Arizona.
A joint meeting of the Arizona house and senate can legally decertify the Arizona election, and they may eventually do that.
Eleven, concerning the decline of the U.S.: on July 27, 2021, former Sec. of State Mike Pompeo said, “Collapse from within is possible.”
Pompeo added, “Immigration without assimilation, illicit drugs, human trafficking, disputed elections, inflationary risks have become the tools to disassemble our republic in what must surely be an attempt at national suicide.”
It sounds like Pompeo believes people are deliberately attempting to bring down the U.S. (This writer believes the Deep State may be trying to cause the U.S. to commit national suicide, but the economic collapse will be after the Rapture.)
Twelve, concerning a departure from the faith and a falling away in the Church: on July 26, 2021, it was reported that Facebook is planning to use future church lockdowns to increase its number of users.
Adding services could be a good thing, but Facebook censors services that go against “their Community Standards,” and it is dangerous to have people that support abortion, gay marriage, world government, world religion, etc., deciding what can and cannot be streamed on Facebook.
Perhaps, this is one reason why Paul said, “Not forsaking the assembling of ourselves together, as the manner of some is; but exhorting one another: and so much the more, as ye see the day approaching” (Heb.10:25).
God wants the whole world to hear the preaching of the Word, but He wants it to be the whole Word, not a filtered, censored, or politically correct message.
Thirteen, in the Bible, the Greek word translated “sorrows” means travail, labor pains, birth pains, etc.
Birth pains increase in frequency and intensity as the birth of a child nears.
When Eve sinned, God put a curse on her; “I will greatly multiply thy sorrow (labor pains) and thy conception; in sorrow thou shalt bring forth children” (Gen. 3:16).
Jesus said false Christs, wars and rumors of wars, famine, pestilence, and earthquakes are “the beginning of sorrows” (beginning of the birth pains or Tribulation Period; Matt. 24:8).
Paul said, “For when they say, Peace and safety; then sudden destruction cometh upon them, as travail upon a woman with child” (Like birth pains; I Thess. 5:3).
Many prophecy teachers believe natural disasters will increase in frequency and intensity as the Second Coming nears.
On July 31, 2021, it was reported that Prof. Petteri Taalas, the Sec. Gen. of the World Meteorological Organization (WMO) said, “Weather, climate and water-related hazards are increasing in frequency and intensity as a result of climate change.”
How significant is it that the Bible teaches that natural disasters will increase in frequency and intensity at the end of the age, and the head of the WMO said disasters are increasing in frequency and intensity?
Fourteen, concerning the Mark of the Beast: there was a time when some prophecy teachers said one’s Social Security Number, Medical ID Number, etc., is the Mark.
Wrong, the Mark of the Beast is not everyone having a different number; it is everyone having the name, number or Mark of the Antichrist (Rev. 13:17).
On July 20, 2021, it was reported that cybersecurity expert Karen Roby said vaccine passports have to be consistent so that all countries can recognize them.
A common global vaccine passport may evolve into a common global mark in the right hand or forehead, and godless globalists that don’t believe or understand the Bible wouldn’t hesitate to push it.
Finally, are you Rapture Ready?
If you want to be rapture ready and go to heaven, you must be born again (John 3:3). God loves you, and if you have not done so, sincerely admit that you are a sinner; believe that Jesus is the virgin-born, sinless Son of God who died for the sins of the world, was buried, and raised from the dead; ask Him to forgive your sins, cleanse you, come into your heart and be your Saviour; then tell someone that you have done this.
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mittensmorgul · 5 years
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The End
Yes, we have 5.04, the episode titled The End, with the whole end!verse, but every time this phrase pops up in the show since then, I think this is the first thought a lot of people have. And I think it’s... wildly misleading. I mean, since we haven’t actually had a return to this specific “end.” And I don’t think we ever will. As everyone will recall, the show did not actually end after 5.04.
So to that end (pffft), I wanted to cobble together a history of the phrase as it’s been used throughout canon. Just for my own reference purposes. Here’s the big ones, though:
5.22 Swan Song:
CHUCK types "THE END" and takes a drink.  CHUCK: No doubt – endings are hard. But then again... nothing ever really ends, does it? 
(spoiler alert: fuck you, Chuck)
11.22: We Happy Few:
AMARA: My brother will dim and fade away into nothing. (Outside, ROWENA staggers to her feet. The sunlight is no longer just rosy, tinting the sky purple.) AMARA: But not until he sees what comes next. Not until he watches this world, everything he created, everything he loves turn to ash. (Outside, ROWENA turns, lifting a hand to shield her eyes.) AMARA: Welcome to the end. (She disappears.)
(lol, bzzzt, wrong, try again)
13.23 Let The Good Times Roll:
CASTIEL (to Michael): How do we stop him? MICHAEL: You don't. After consuming the Nephilim's grace, Lucifer's juiced up. He's super-charged. He'll kill the boy, your brother. Hell, he could end the whole universe if he put his mind to it. And you thought I was bad. DEAN: No. No, you beat him. I saw you. MICHAEL: When he was weaker, and I was stronger. Believe me, I'd love to rip my brother apart. But now in this banged up meatsuit... not happening. This is the end, of everything.
(way to horrifically manipulate the situation!)
14.20 Moriah:
CHUCK: (angrily): Fine! That's the way you want it? Story's over. Welcome to  The End.
(cue things happening for another 20 episodes... he’s 20 episodes too soon)
and since there were *a LOT* of results:
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yes each one of those open tabs is a reference page I’m pulling quotes from, and yes there are so many open tabs they’ve blurred together. one big drawback about watching a show that has apocalypses every now and again. i’m omitting references that aren’t directly about narrative ends, too (like casual “at the end of the day” references and the like). this is gonna be long so it’s going under a cut:
2.22 All Hell Breaks Loose: Part Two:
YED Oh, Jake. It's got to be you. I've been waiting for you for a very long time. You're my leader. You open that crypt, and you will have your army. JAKE You're talking about the end of the world. YED No, not the end— the beginning... a better world, where your family will be protected. More than that. They'll be royalty. Buddy boy, you have the chance to get in on the ground floor of a thrilling opportunity. Whaddya say? It's your call.
(spoiler alert: pffft... the whole “Demon Army” thing was always a sham, I think pulled ON Azazel by Lilith, even if that was only retconned in later in canon. but also, endings are beginnings, the spiral loops ever onward, and it’s laughable now eleventynine loops of the spiral down the way from this moment, isn’t it? Jake who? Azazel the fanatic who wasn’t even trustworthy enough to be let in on Lilith’s real plans? Incredible)
4.05 Monster Movie:
DEAN: You think "elegance" is really the word for what you did to Marissa, or Rick Deacon, or any of the others?! DRACULA: But of course. It is a monster movie, after all. DEAN: You do realize what happens at the end of every monster movie? DRACULA: Ah, but this movie is mine. And in it, the monster wins. The monster gets the girl. And the hero, he’s... electrocuted. And tonight, Jonathan Harker, you will be my hero.
(spoiler alert: the monster does not win)
4.06 Yellow Fever:
Sam: So uh...so, what did you see? Near the end, I mean. Dean: Oh, besides a cop beating my ass? Sam: Seriously. Dean: Howler monkeys. Whole roomful of them. Those things creep the hell out of me. Sam: Right. Dean: No, just the usual stuff, Sammy. Nothing I can’t handle.
(spoiler alert: it was definitely not anything Dean could handle)
4.09 I Know What You Did Last Summer:
ANNA: Look... I get it. You think I'm nuts. If I were you, I'd think I was nuts. But it's all true. PSYCHOLOGIST: It's okay. You can tell me. I'm here to listen. ANNA: The end... is coming. The apocalypse. PSYCHOLOGIST: The apocalypse. Like in the Bible? ANNA: Kind of. I mean, same bottom line. This demon, Lilith, is trying to break the 66 seals to free Lucifer from Hell. Lucifer... Will bring the apocalypse. So... Smoke 'em if you got 'em.
(spoiler alert:... we know how this turned out)
4.15 Death Takes a Holiday:
DEAN: You know what I mean. We're talking the end of the world here, okay? No more tasseled leather pants, no more Ramones CDs, no more nothing.
(spoiler alert: Pamela’s cool with that since she’ll get an endless show at the Meadowlands in her personal heaven)
4.22 Lucifer Rising:
DEAN: But me and Sam, we can stop... (he cuts off, having an epiphany) You don't want to stop it, do you? ZACHARIAH: Nope. Never did. The end is nigh. The apocalypse is coming, kiddo, to a theater near you.
(spoiler alert... it bombed at the box office)
5.02: Good God, Y’all:
Dean: Listen, Chuckles, even if there is a God, he is either dead—and that's the generous theory— Castiel: He is out there, Dean. Dean: Or he's up and kicking and doesn't give a rat's ass about any of us. I mean, look around you, man. The world is in the toilet. We are literally at the end of days here, and he's off somewhere drinking booze out of a coconut. All right?
(spoiler alert: i mean he really wasn’t far off the mark was he...)
5.03 Free To Be You And Me:
REPORTER: —the town of Tully? tonight, John. Locals say that what started as a torrential hailstorm late this afternoon suddenly turned to massive lightning strikes that triggered the fires now consuming more than twenty acres here along the Route 17 corridor. County officials are advising all Tully residents to prepare for what could become mandatory evacuations. The BARTENDER shuts the TV off. BARTENDER: Damn. Is it me or does it seem like it's the end of the world? SAM looks away.
(spoiler alert: that was an observant bartender)
5.07 The Curious Case of Dean Winchester:
A WOMAN, MRS. XAVIER, is reading the Weekly World News, headline: "LEADING PSYCHICS AGREE: THE APOCALYPSE IS HERE! Experts confirm the end is upon us!" She chuckles. The door opens.
(spoiler alert: that time the Weekly World News was actually right)
5.08 Changing Channels:
Dean: Hey there, Sam. What's happening? Sam: Oh, nothing. Um. Just the end of the world.
(spoiler alert: lol)
5.09 The Real Ghostbusters:
CHUCK: Ok, Ok, just..okay, it's okay. so, next question. (hands shoot up) Yeah, you. FAN: Yeah, at the end of the last book, Dean goes to hell. So, what happens next?
(spoiler alert:  how do you feel about angels? Yeah, because let me tell you, they're not nearly as lame as you think.)
5.11 Sam Interrupted:
Dean: It's the end of the world, okay? I mean, it's a damn Biblical Apocalypse, and if I don't stop it and save everyone, then no one will, and we all die. Dr. Cartwright: That's horrible. Dean: Yeah, tell me about it. Dr. Cartwright: I mean, Apocalypse or no Apocalypse... monsters or no monsters, that's a crushing weight to have on your shoulders. To feel like six billion lives depend on you...God...how do you get up in the morning? Dean: That's a good question.
(spoiler alert: this is actually Dean talking to himself)
5.17 99 Problems:
SAM : Busy night? PAUL: I’m telling you, since The End started, it’s been like one long last call. That round’s on me. 
(spoiler alert: welcome to the apocalypse, pull up a bar stool)
DEAN: We’re all gonna die, Sam. In like a month—maybe two. I mean it. This is the end of the world, but these people aren’t freaking out. In fact they’re running to the exit in an orderly fashion. I don’t know that that’s such a bad thing. SAM: Who says they’re all gonna die? What ever happened to us saving them?
(spoiler alert: hey remember that other time Dean went all nihilistic about the end of the world? yeah good times)
DEAN: So the demons smoking out—that’s just a con? Why? What’s the endgame? CASTIEL: What you just saw—innocent blood spilled in God’s name. SAM: You heard all that heaven talk. She manipulates people. DEAN: To slaughter and kill and sing preppy little hymns. Awesome. CASTIEL: Her goal is to condemn as many souls to hell as possible. And it’s…just beginning. She’s well on her way to dragging this whole town into the pit. 
(remember the whore of babylon’s MO? manipulating people into doing stuff they never would’ve out of fear? yeah)
LEAH: This is why my team’s gonna win. You’re the great vessel? You’re pathetic, self-hating, and faithless. It’s the end of the world. And you’re just gonna sit back and watch it happen. DEAN grabs the stake, punches LEAH, and stakes her. DEAN : Don’t be so sure, whore.
(remember that time the whore of babylon taunted Dean about rejecting his destiny as the vessel of Michael, basically trying to manipulate him into doing the thing? And then he tried to go out and do the thing in the next episode but Cas stopped him? yeah good times)
5.18 Point Of No Return:
PREACHER : The end is nigh! The apocalypse is upon us! The angels talk to me, and they asked me to talk to you! The apocalypse— DEAN: Hey! I’m Dean Winchester. Do you know who I am? PREACHER: Dear God. DEAN: I’ll take that as a yes. Listen, I need you to pray to your angel buddies and let them know that I’m here. 
(spoiler alert: good thing that guy prayed too loud)
5.20 The Devil You Know:
CROWLEY Now...For the record, I'm against this. Negotiating a high-level defection -- It's very delicate business. SAM What are you talking about? CROWLEY I begged Dean not to come back. We should be miles away...from you. He replied with a colorful rejoinder about my "corn chute." SAM (scoffs) CROWLEY So, go ahead. Go --ruin our last best hope. It's only the end of the world.
(spoiler alert: considering this entire thing was a demonstration of Crowley’s ability to manipulate things to his favor... nice tug on the ol’ apocalypse card to get your way)
5.21 Two Minutes To Midnight:
Pestilence: Hmm. You boys don't look well. It might be the, uh, Scarlet fever. Or, uh, the meningitis. Oh! Or the syphilis. That's no fun. However you feel right now? It's gonna get so very, very much worse. Questions? Disease gets a bad rap, don't you think? For being filthy. Chaotic. Uh, but, really, t-that just describes people who get sick. Disease itself... very... pure... single-minded. Bacteria have one purpose -- divide and conquer. That's why, in the end... it always wins. So, you've got to wonder why God pours all his love into something so messy! And weak! It's ridiculous. All I can do is show him he's wrong, one epidemic at a time. Now... On a scale of 1 to 10, how's your pain?
(spoiler alert: blowing up the bacteria actually kills them)
Bonus:
Death: As old as God. Maybe older. Neither of us can remember anymore. Life, death, chicken, egg. Regardless -- at the end, I'll reap him, too. Dean: God? You'll reap God? Death: Oh, yes. God will die, too, Dean. Dean: Well, this is way above my pay grade. Death: Just a bit.
(spoiler alert: *taps watch and raises eyebrow at Billie*)
5.22 Swan Song:
CHUCK (VOICEOVER): Any chapped-ass monkey with a keyboard can poop out a beginning, but endings are impossible. You try to tie up every loose end, but you never can. The fans are always gonna bitch. There's always gonna be holes. And since it's the ending, it's all supposed to add up to something. I'm telling you, they're a raging pain in the ass.
(spoiler alert: with the context that this is God speaking, RUDE)
6.15 The French Mistake:
BALTHAZAR Hello, boys. You've seen "the Godfather," right? DEAN Balthazar... BALTHAZAR You know, the end, where Michael Corleone sends his men to kill his enemies in one big, bloody swoop? (Balthazar finds a container of salt and pours it into a bowl on Bobby's desk) DEAN Hey! BALTHAZAR  "Dead Sea brine." Good, good, good. You know, Moe Greene gets it in the eye, and Don Cuneo gets it in the revolving door? DEAN I said "hey." BALTHAZAR You did. Twice. Good for you. Blood of lamb. Blood of lamb. (looking through Bobby's fridge contents) Beer, cold pizza. Blood of lamb. Yes! Blood of lamb! SAM Why are you talking about "the Godfather"? BALTHAZAR Because we're in it – right now, tonight. And in the role of Michael Corleone – The archangel Raphael.
(spoiler alert: Raphael was playing at being a Michael wasn’t he...)
6.20 The Man Who Would Be King:
CASTIEL You want to make a deal? With me? I'm an Angel, you ass. I don't have a soul to sell. CROWLEY But that's it, isn't it? It's all of it. It's the souls. It all comes down to the souls in the end, doesn't it? CASTIEL What in the hell are you talking about? CROWLEY I'm talking about Raphael's head on a pike. I'm talking about happy endings for all of us, with all possible entendres intended. Come on. Just a chat.
(spoiler alert... it all comes down to the souls in the end, happy endings for all of us, or we can hope)
Bonus, for the sake of hilarity, because of the implication that Hell is a spiral narrative that begins at the ending, All Along The Watchtower style:
CROWLEY Yeah. See, problem with the old place was most of the inmates were masochists already. A lot of "thank you, sir. Can I have another hot spike up the jacksie?" But just look at them. No one likes waiting in line. CASTIEL And what happens when they reach the front? CROWLEY Nothing. They go right back to the end again. That's efficiency.
(spoiler alert: THAT’S EFFICIENCY!)
Double bonus, because I said so:
CASTIEL If you touch the Winchesters... CROWLEY Please. I heard you the first time. I promise -- nary a hair on their artfully tousled heads. Besides, I think they've proven my point for me. It's always your friends, isn't it, in the end? We try to change. We try to improve ourselves. It's always our friends who got to claw into our sides and hold us back. But you know what I see here? The new God (pointing at Castiel) and the new Devil, working together.
(no spoilers, this is just Cas giving everything, selling himself out, for his loved ones again)
6.21 Let It Bleed:
March 15, 1937 Providence, Rhode Island
(A man, H.P. Lovecraft, is typing on a typewriter. He drinks and continues typing. He types "THE END" then places the final paper on top of the others. His door creaks open, seemingly by itself. At the same time, there is a crack of thunder and the lights flicker. He looks up, afraid
(spoiler alert: guess what happened next? *screams and blood splatter* *title card*)
bonus:
CASTIEL: It's a means to an end. Balthazar, you understand that. BALTHAZAR: Oh, absolutely. But what's the end here exactly? You know, raid Purgatory, snatch up all the souls? CASTIEL: Win the war.
(spoiler alert: or option B, exploding and taking half the planet with him... always an option, apparently, and the one that kinda happened...)
7.20 The Girl With The Dungeons And Dragons Tattoo:
CHARLIE: So what's the end game – steal our resources, make us some slaves? DEAN: Planet-wide value meal. We're the meat.
(spoiler alert: sorry they weren’t kidding, Charlie. the Leviathan’s end game was pretty miserable)
7.21 Reading Is Fundamental:
DEAN picks up a “Sorry!” card. CASTIEL: You know, we weren't sure at first which monkeys were gonna make it. No offense, but I [DEAN moves a marker on the board] was backing the Neanderthals because their poetry was... just amazing. It's in perfect tune [CASTIEL picks up a card] with the spheres. But in the end, it was you – the [CASTIEL moves a marker] homo sapiens sapiens. You guys ate the apple, invented pants. DEAN: Cas, where can we find this, uh, Metatron? Is he still alive? CASTIEL: I'm sorry. I – I think you have to go back to start. DEAN moves a marker. DEAN: This is important. CASTIEL motions for DEAN to pick up another card. DEAN does and moves another marker. DEAN: I think Metatron could stop a lot of bad. You understand that? CASTIEL picks up another card. CASTIEL: We live in a "sorry" universe. It's engineered to create conflict. I mean, why should I prosper from... your misfortune? [CASTIEL puts down a marker and moves DEAN’s marker back to the start.] But these are the rules. I didn't make them. DEAN: You made some of them. When you tried to become God, when you cut that hole into that wall. CASTIEL: Dean... it's your move. DEAN pounds a fist on the table and swipes the board to the floor. DEAN: Forget the damn game! Forget the game, Cas.
(spoiler alert: In the end, it was you... I mean humanity won the evolutionary lottery and ended up being able to make the rules for ourselves. All through this, Dean’s looking for other potential avenues toward saving the world from being devoured by Leviathan. Remember when Metatron might be able to do a lot of good? while Cas dodges the actual subject and plays a game that literally continually sends Dean “back to the start” to make the same moves again, maybe slightly differently this time, different strategy, as he repeatedly tries to get Cas to answer HIS question about the actual world-ending game they’re playing against the Leviathan? THIS IS THE SPIRAL NARRATIVE IN ACTION IN ONE SCENE. “WE LIVE IN A SORRY UNIVERSE ENGINEERED TO CREATE CONFLICT” “BUT THESE ARE THE RULES” And when Dean is tired of trying to work within the rules? *game goes flying* *smashes God’s guitar* heck this is a perfect scene... have I mentioned that I love Ben Edlund lately?)
8.01 We Need To Talk About Kevin:
DEAN: Yeah, Cas didn't make it. SAM: What exactly does that mean? DEAN: Something happened to him down there. Things got pretty hairy towards the end, and he... just let go.
(spoiler alert: Dean’s already rewriting this ending in his head because he can’t accept the truth of it. Endings suck, and this one would not stand.)
8.12 As Time Goes By:
HENRY : John was a legacy. I was supposed to teach him the ways of the Letters. DEAN : Well, he learned things a little differently. HENRY : How? DEAN : The hard way. Surviving a lonely childhood, a stinking war... only to get married and have his wife taken by a demon... and later killed by one himself. That man got a bum rap around every turn. But you know what? He kept going. And in the end, he did a hell of a lot more good than he did bad.
(spoiler alert: see, Dean’s already made a hell of a lot of peace with John even way back then)
8.14 Trial and Error:
DEAN: I'm a grunt, Sam. You're not. You've always been the brains of this operation. SAM: Dean— DEAN: And you told me yourself that you see a way out. You see a light at the end of this ugly-ass tunnel. I don't. But I tell you what I do know – it's that I'm gonna die with a gun in my hand. 'Cause that's what I have waiting for me – that's all I have waiting for me. I want you to get out. I want you to have a life – become a man of Letters, whatever. You, with a wife and kids and – and – and grandkids, living till you're fat and bald and chugging Viagra – that is my perfect ending, and it's the only one that I'm gonna get. So I'm gonna do these trials. I'm gonna do them alone – end of story. You're staying here. I'm going out there. If landshark comes knocking, you call me. If you try to follow me, I'm gonna put a bullet in your damn leg.
(spoiler alert: just look at the title of this episode to see how this all turned out. It ain’t called “Trial and Major Win”)
Bonus:
SAM: I want to slam hell shut, too, okay? But I want to survive it. I want to live, and so should you. You have friends up here, family. I mean, hell, you even got your own room now. You were right, okay? I see light at the end of this tunnel. And I'm sorry you don't – I am. But it's there. And if you come with me, I can take you to it. DEAN: Sam, be smart. SAM: I AM smart, and so are you. You're not a grunt, Dean. You're a genius – when it comes to lore, to – you're the best damn hunter I have ever seen – better than me, better than dad. I believe in you, Dean. So, please – please believe in me, too.
(spoiler alert: hell if this doesn’t sound like the speech Sam gave Dean in 14.12, but like way less frustrated, angry, and afraid)
8.17 Goodbye Stranger:
Meg: You ever miss the Apocalypse? Castiel: No. Why would I miss the end of times? Meg: I miss the simplicity. I was bad. You were good. Life was easier. Now it's all so messy. I'm kind of good, which sucks. And you're kind of bad -- which is actually all manner of hot. We survive this... I'm gonna order some pizza and we're gonna move some furniture around. You understand?
(spoiler alert: Cas doesn’t miss the end of times. And the only reason he was “kind of bad” here was because he was being mind-controlled by Naomi so... Meg will be dead by the end of the episode, and Cas will be freed from Heaven’s control. Good times. Better than the apocalypse anyway)
8.19 Taxi Driver:
BOBBY: Yeah. Yeah, well... You know, I always figured that'd be the end of it... You know, just a Hunter's funeral. Zip. Nothing. And I was okay with that. Imagine my surprise. SAM: Well, I guess if there has to be an eternity, I'd pick Heaven over Hell. BOBBY: Yeah. 'Cause there's nothing screwy going on up there. SAM: I wish I made the rules. BOBBY: Well... I'll, uh, do my part, get to the end of this, but... I ain't exactly the retiring type, so, you idjits figure out a way to spring me...
(spoiler alert: apparently what’s burned doesn’t stay dead, s8 version? Also Sam wishes he made the rules... I love all these mentions of “the rules”)
8.21 The Great Escapist:
DEAN: We got the other half of the tablet. KEVIN: What? DEAN: It's the light at the end of your tunnel, kid. Don't say we never got you nothing.
(tfw the light at the end of the tunnel is actually a locomotive)
Dean: Cure a demon. Okay, ignoring the fact that I have no idea what that actually means, if we — if we do this, you get better, right? I mean, you stop trying to cough up a lung, and, and, and bumping into furniture? Sam: I feel better, yeah, um, just having a direction to move in. Dean: Well, good, cause where we're headed doesn't sound like a picnic. Sam: But we're heading somewhere. The end.
(spoiler alert: LOLOLOL thing again bub.)
9.20 Bloodlines:
ENNIS: Look, I don't need no apology from you. DAVID: I lost someone, too, okay?! But I'm trying here. ENNIS: I'm sorry about your brother. He spoke about you at the end. He said, "David, I'm sorry. I didn't have a choice."
(I wasn’t gonna include this, because it’s purely conversational on top of being from this episode which doesn’t really count but... when they’ve both lost people in a sacrifice play, and one is mistaken for the other and his dying words for his brother are “I didn’t have a choice?” um... that just felt relevant)
9.23 Do You Believe in Miracles?
Gadreel: I sat in this hole for thousands of years thinking of nothing but redemption, of reclaiming my good name. I thought of nobody, no cause other than my own. Castiel: You've been redeemed my friend. Gadreel: The only thing that matters in the end is the mission: protecting those who would not and cannot protect themselves. The humans. None of us is bigger than that, we will not let our fears, our self absorption prevent us from seeing it through. Not anymore. Castiel: No, no of course not. Gadreel: Move to the other side of your cell Castiel, and keep your head down. When they say my name, perhaps I won't just be the one who let the Serpent in, perhaps I will be known as one of the many that gave Heaven a second chance. Run sister.
(spoiler alert: redemption, selfless sacrifice, Gadreel meets his end to prove Metatron’s manipulative duplicity and reveal his real motive... that was just another game in a different loop of the spiral. In the end, it’s the only thing that matters)
10.20 Angel Heart:
CASTIEL: So do you think she's better off on her own? SAM: Cas, she just turned 18. CASTIEL: You were alone when you left for college at that age, weren't you? SAM: Yeah, but that's different. CASTIEL: How, Sam? SAM: Here's all I know ... going it alone, that's no way to live. You being there for her, even if she thinks she doesn't want you to be there for her, that's good for both of you. CASTIEL: Maybe, in the end. SAM: In the end.
(spoiler alert: things don’t just get better right away, and they’re hard but family sticks together, loved ones stick together, even when they say they don’t want to... it might not be easy now, but in the end...)
11.02 Form and Void:
SAM: I was infected last night. You? RABID MAN: This morning. SAM: Wait a second. Then why -- RABID MAN: . . . am I further along? Don't know. This thing, it ain't math. I seen some people change fast, some change slow. But in the end . . . We all end up the same. We go psycho. And then we go boom. SAM: Well, that's not -- I'm gonna fix this. RABID MAN: LIAR! You and me, we're dead. We're just taking our sweet time about it. So if you were smart, you'd put a bullet in me . . . and then eat one yourself.
(Sam wasn’t lying, Rabid Man. You just didn’t make it. And Sam was smart not to put a bullet in either of you.)
Bonus, for extra manipulation:
HANNAH: Where is it? CASTIEL: I don't know. HANNAH: Then who would? The Winchesters? Castiel, if this is true, it's the end for all of us. Sam and Dean -- where are they? CASTIEL: I don't know. HANNAH: Then think harder! CASTIEL: How did you find me?
(because that’s the thing, Cas realized Hannah wasn’t there to help, not there to heal him, and that she’d been in charge of all of this all along. She could’ve helped Cas like he’d asked and earned his trust and he probably would’ve shared what he knew of the Darkness with her, but she resorted to the old Heaven Way Of Doing Things instead... and he saw through the manipulation)
11.09 O Brother Where Art Thou?
Man: Repress your sins. Beg for his divine mercy. When the end comes – and come it will – only the forgiven will ascend to holy grace.
and
Amara raises both her arms skyward, compelling lightning bolts. One by one the members of the crowd are struck down; with the final lightning bolt hitting the man who had been preaching. They are all dead, completely scorched. The blood on the fountain turns back to water. The thunderstorm ends. Amara surveys her work, her gaze resting on one body, still holding a sign that says: THE END IS NEAR!
(gotta love those wackadoo religious nuts in this universe, right?)
Dean: What is it exactly that you want? When you make the world of bliss and peace, what’s in it for you? Amara: What I deserve. Dean: Which is? Amara: Everything. Dean: Everything? Amara: I was the beginning and I will be the end. I will be all that there is. Dean: So, you’re it. [Dean turns away from Amara]. That would make you God. Amara: No, God was the Light. I’m the Dark.
(So Amara was the beginning and will be the ending, all that there is... kinda... sounds a bit like... the empty?)
11.10 The Devil In The Details:
Lucifer: Okay, you don't like me. I get it... I get it; sometimes I don't like me either. But Gabriel and Raphael are dead. God went out for a pack of smokes and never came back... and Michael... well, let's just say prison life hasn't really agreed with Michael. These days he's usually sitting in a corner singing show tunes and touching himself. Sam: So you're it. Lucifer [laughing]: I'm it! And hey, I'm not the good guy, we both know I'm not, but the Darkness, she's the end of everything. Lucifer crouches down so he is face to face with Sam, imploring with him. Lucifer: But I can beat her. We can beat her. You and me, together. So come on, Sam. Make the right choice, the big sacrifice one more time, man. Sam, it's time to save the world, man.
(hooooly shit there’s a lot of lying and manipulating happening here... and the Darkness? even she wasn’t the end of everything)
11.16 Safe House:
(mostly included for flashback-to-the-apocalypse lolz)
BOBBY: The apocalypse is on the horizon, and you wanna hunt a damn ghost! RUFUS: Well unless you found a way to stop the end of the world during your little siesta, we got jack all on any of that business. Now I knew you were in the area, heard about this possible little gig, I thought a win would be nice.
(because it’s the end of the world and weird random “wins” help. Plus things that exist outside of time and space in convenient pocket dimensions for easy storage outside of God’s lil creation)
11.17 Red Meat:
Michelle: I... I just wanted to see how you were doing. And to tell you th... [Her voice shakes with emotion and she pauses.] I'm sorry. You saved our lives and... [another pause] well, my mom used to say, um... I didn't believe her then, but I... I think I do now. She used to say... death... it's not the end.
(lololololololllllllllll)
Dean’s spirit: You know, the Darkness is out there... and the world is gonna burn. And once she gets started, that's the end of everything, including you. Now, Sam's the only one who can stop it. Billie: Hmm. How's that? Dean is lost for words. Billie: That's what I thought. It's cute, though. You pretending you're trying to save Sam for the greater good, when we both know you're doing it for you. You can't lose him. But even if Sammy could win the title bout... the answer would still be “no.” The answer will always be “no.” Game's over, Dean. No more second chances. No more extra lives. Time to say bye-bye to Luigi, Mario. Dean’s spirit [sadness and desperation in his eyes]: I'm asking you... I'm begging you, please. Bring him back. Bring him back and take me instead. Billie: I'm not here to bargain with you, kid. I'm here to reap you. And the kicker is... Sam's not dead. [Dean looks stunned] But you are. Or will be, soon enough.
(DOUBLE LOLLLOLOLOLOLLOLLOLLLL)
11.21 All in The Family:
Dean: You're right. I am drawn to you. And it bothers the hell out of me, 'cause I can't control it. Amara: Then why fight it? What you're feeling is that I am the end of your struggle. Something stops you. Keeps you from having it all.
(lol Amara REALLY wants to be the end doesn’t she... poor thing gonna get stuck with Mr. Infinite Loop Chuck... no wonder that’s like her worst nightmare. Heck, being locked up in nothingness sounds better, since that IS her deal... she’s not just the “end” though... she’s also the beginning...Alpha and Omega... Chuck is all the middle bits)
11.22 We Happy Few:
CHUCK: I can’t say I’m sorry if I’m not. (He places plates of pancakes in front of SAM and DEAN.) What he wants an apology for, I did it for humanity. For the world. Look, Lucifer wants what everybody wants: Amara gone. ‘kay? Let’s just give him a little time to cool off. (CHUCK sips from a mug labeled WORLD’S GREATEST DAD.) DEAN: Okay, well, I don’t know if you’ve noticed, but a little time is not something that we have. The end is frickin’ nigh.
(omfg it’s all the Dabb era themes... god Chuck has always been a dick)
Bonus:
CLEA: End times shouldn’t bother you though, Ro, you a rat. Find your way off any sinkin’ ship. ROWENA: Damn right. The spell I’m working on is Book of the Damned magic, and it can get us back. We can buy ourselves a few more centuries of life. Turn back the clock for us before the world inevitably goes (sing-song) ‘bye-bye.’ CLEA: You scared. ROWENA: Aye. I came face-to-face with the Darkness. The Apocalypse bell’s been rung a few times in our day, but when I looked inside her, I saw it. Not just the end of the world, Heaven and Hell. The end of magic. 
11.23 Alpha And Omega:
CAS: The angels are—Heaven won't help. DEAN: They know that this is the end, right? Of everything. CAS: Yes. SAM: And they don't care? CAS: No, it's not that. It's... They know—They know God is dying and they don't think we can win this. Souls or no souls. They're sealing Heaven, and they're "dying with dignity".
(spoiler alert: it’s like they keep trying to do this all through Dabb era... even after the Shadow throws open every gate. They’re still dying. Kinda makes me think it’s Chuck’s doing... literally... all of it, since it was Humanity’s Plan in this episode that CHANGED things from Chuck’s plan to just... wait for the inevitable blast wave ending)
[Sam, Cas, Crowley and Rowena, and Chuck pull up in the Impala to ‘The The Lazy Shag’ bar/restaurant which has a ‘Closed’ sign on the door. A man walks by with a sign that says ‘The End Is Near’.]
(and a bit later Cas comments that Chuck looks terrible >.>)
12.12 Stuck In The Middle (With You):
[organ music plays, Castiel is sitting in his truck listening to the radio] RADIO: Each of us has a time the physical body dies. We all face God’s judgment in the end. There’s not one of us alive walking on this earthly plane that will not pay the consequence for their actions. [the Impala pulls into the parking lot, distracting Cas from the radio] RADIO: The Lord will hold us in the palm of his hand, and he’ll weigh our souls. Brothers and sisters, are you worthy? [Cas turns off the radio]
(lol, THE WOUNDED ANGEL)
RAMIEL: Allies. Is that what you call three humans with one good liver between them and a busted up angel? CROWLEY: I admit they don’t sound like much. But every Armageddon, every bloody, “this is the end of all things,” a Winchester stopped it. Like it or not, they’re an asset we can’t afford to lose.
(Crowley being sensible, there’s something much bigger than Ramiel’s surface-level read at stake here)
12.20 Twigs And Twine And Tasha Banes:
KETCH: It's the end for the American Hunters. Their time has passed.
(BWAHAHAHAHAHAHAHAHAA)
WOMAN: I'm reaching the end of my very long life, and it's a problem. Max and Dean are also in pain. Another image of Tasha in the cellar bleeding profusely from her stomach area flashes. WOMAN: 'cause I sold my soul for power. So when I pass, my soul goes to Hell. Unless I can find someone to take the burden, to take my magic.
(spoiler alert: that’s YOUR problem, lady)
12.22 Who We Are:
SAM: Is this how you pictured it? The end? DEAN: Oh, you know it's not. I always thought we'd go out like... Butch and Sundance style. (Sam chuckles) SAM: Yeah. Blaze of glory. DEAN: Blaze of glory. (Dean smirks) Son of a bitch.
(spoiler alert: the grenadebaiting payoff. Gonna die anyway? May as well get the big boom.)
13.02 The Rising Son:
SAM: These yellow-eyed things just keep on comin’, huh? DEAN: Mm—hmm. And hopefully this fourth Prince of Hell is the last Kardashian in the family. SAM: According to this, if that was Asmodeus, it’s the end of the line.
(hey, for once, reaching the end of the line is a relief)
13.16 Scoobynatural:
SAM: Dude, what's wrong with you? DEAN: They don't know that they're in a...a C-word. And we're not gonna tell 'em about anything. Not where we're from, not about monsters. Nothing. Capiche? (Dean looks over to the Scooby Gang, standing across the room) DEAN: They are pure and innocent and good, and we're gonna keep it that way. SAM: Look, if you've seen this episode, why-why can't we just skip to the end? DEAN: Well, 'cause sometimes it's about the journey and not the destination.
(we can’t “skip to the end” because it’s about the JOURNEY, which is still ONGOING, and therefore NOT THE END)
Bonus:
Sam: Ha! Velma was right. It was a shady real estate developer after all. Jay: It's not fair. I would've gotten away with it if it wasn't for those meddling kids. Dean: He said it! He said the line! Scooby Dooby Do! Sam: What are you doing? Dean: Well, I mean at the end of every mystery, Scooby looks at the camera and he says-- Castiel: Dean, you're not a talking dog. Dean: I know that. I... Sam: Yeah. Dean: No, but come on, I-I do look cool with the ascot, right? No? Guys? Come on, guys. Look, red is my color!
(lol!)
13.20 Unfinished Business:
KEVIN: I didn't have a choice! I… Y-you don't understand. I… I… I never used to believe in anything. Well, ex-except science-- quantum mechanical unpredictably. But then the end of the world happened, and everyone around me-- my friends, and my… my mom-- they all started to die. But God chose me? What… What does that even mean?! Michael said he wanted to save the world, not kill it. But he… he hurt so many people. When I couldn't perfect the spell, Michael, he got mad and threw me in the dungeon. And I was so scared, but I fixed it. B-but I… I couldn't do it anymore.
(aah, the poor Worst Version of Kevin, no choice, thought he was doing the right thing, manipulated by circumstance and empty promises...)
GABRIEL: I had it made-- all the booze I could drink, all the, uh, entertainment I could handle. [Sam interrupts and Dean looks disappointed, but the action returns to the motel room] SAM: Okay! Why don't we just skip to the end? [Gabriel sighs and skips to the end of the story, asleep in bed with the two women, when Sleipnir, Narfi, and Fenrir bound him with a sigil and kidnapped him from his bed] GABRIEL: So this is how it ended. By the time I came to, they had sold me to Asmodeus. SAM: Why would they do that? GABRIEL: Hello? Lucifer? In case you don't remember, there was an apocalypse brewing at the time.
(LOL Sam asked Gabriel to skip to the end of the story, and unlike Dean in 13.16, Gabriel did... no wonder Dean was disappointed, he was enjoying the journey even if most of Gabriel’s story was embellished beyond recognition)
LOKI: You think you're some… poor, innocent victim? [he strolls over and punches Gabriel again] Gabriel, with his deadbeat daddy and his mean older brothers. [he stomps on Gabriel] “Who will help me?” “Who will save me?” [he picks Gabriel up and pins him to the wall by his neck] I did! But you… you couldn't keep one promise. And then you had the audacity to ask me to help you again?! [he throws Gabriel down the hall, where Sam and Dean have arrived in a doorway behind him] You think I deserve to die for your spinelessness?! That my sons deserved to die?! [the fight continues, as Dean slides Loki’s sword to Gabriel and Gabriel finally gets Loki pinned to the wall at the tip of the blade] LOKI: Of course, of course you would need someone to swoop in and save your pitiful ass. GABRIEL: Shut up! LOKI: Face it, old friend, you're a joke. You're a failure. You live for pleasure. You stand for nothing. And in the end, that's exactly what you'll die for.
(heck... I mean, Loki dies here, because that “promise?” Gabriel didn’t break it. Loki just wouldn’t listen to facts or accept the reality of what happened. Gabriel had been trying to SAVE his father in 5.19, but THEY also wouldn’t listen... so... poor Gabriel was just stuck in the middle again, and he was imprisoned and tortured for it. Heck he better still be alive and that was another projection that died in 13.22)
14.03 The Scar:
Dean: You were right. I just didn’t want to look at it, what Michael used me for. I just wanted to race ahead. You know, skip to the end of the story the part where I get the weapon and I take out the bad guy. The part where I kill Michael. Sam: Yeah, I know. Dean: You know I said yes to him because I thought: it was stupid. I was stupid. Sam: Dean, you did what you had to do.
(ugh there’s that awful “you did what you had to do.” there was NO CHOICE. NONE. and Dean just wanted revenge at any cost for having been used like that... not even just by Michael, but in the Grander Scheme he has context for after 14.20)
14.07 Unhuman Nature:
Rowena: It's as I suspected. A Nephilim, for all its power, is an unnatural presence. Part human, part angel… It -- It doesn't quite fit. It's delicate. Its grace is what holds it in balance, and when Jack's grace was taken from him, his being fell into chaos. The -- The cells are gobbling each other up. Castiel: Well, if it's grace he needs, he can have mine. Rowena: No, dear, it won't do. Jack is part archangel. He needs a much stronger force and probably some kind of magic, and he needs it quick. Dean: How quick? Rowena: I don't...I don't exactly know, but he's enterin' a critical phase. Sometimes he'll look just fine, but then his body will give way and...it'll be the end of him.
(interesting phrasing...)
14.10 Nihilism:
Mainly, I wanted to make note of the song choice that plays in Rocky’s Bar, “Searchin’ for a Rainbow” by the Marshall Tucker Band. Because the lyrics repeat on a loop about looking for the end of the rainbow
14.11 Damaged Goods:
SAM: Mom, we don’t hug. I mean, w-we do, but only if it’s literally the end of the world, you know?
(yet... Dean awkwardly hugged him... sign of the apocalypse)
14.12 Prophet and Loss:
DEAN: Hey. Man, I-I just want to make sure that you’re still with me on this thing. You’re gonna see it through to the end. SAM: Well, I gave you my word, didn’t I? DEAN: Okay, alright. Just, you know, after what you said last night, I-I-I don’t need you and Mom coming up with some way to stop me. SAM: You know, Mom hates this. I hate this. DEAN: I know. SAM: And Cas and Jack, you haven’t even told them. DEAN: Okay, well, yeah, that’s because I’m not good with the whole big goodbyes, alright? I-I-I don’t need to get shaky on this thing. SAM: Wouldn’t be the worst thing. DEAN: You know what Michael wants to do, you know that this will stop it, and you know that there’s no other way. So, just put the end of this trip outta your head, okay?
(spoiler alert: oh look it’s nihilistic Dean from back in 5.18 come for a brief visit. good thing he got clocked on the noggin instead of doing this dumb thing)
Bonus that’s not really a bonus, because boy’s obsessed and it’s just not healthy:
DEAN: I believe in all of us. And I’ll keep believing until I can’t. Until there’s absolutely no other way. But when that day comes – if that day comes… Sam, you have to take it for what it is – the end. And you have to promise me that you’ll do then what you can’t do now, and that’s let me go. And put me in that box.
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dinneratgrannys · 11 months
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ONCE UPON A TIME 4.06, Family Business
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allhallowsreid · 5 years
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Aaron Hotchner // Thomas Gibson David Rossi // Joe Mantegna Derek Morgan // Shemar Moore Emily Prentiss // Paget Brewster JJ Jareau // AJ Cook Luke Alvez // Adam Rodriguez Matt Simmons // Daniel Henney Penelope Garcia // Kirsten Vangsness Spencer Reid // Matthew Gray Gubler Tara Lewis // Aisha Tyler
Criminal Minds
Season 1: 1.01 Extreme Aggressor 1.02 Compulsion 1.03 Won't Get Fooled Again 1.04 Plain Sight 1.05 Broken Mirror 1.06 L.D.S.K. 1.07 The Fox 1.08 Natural Born Killer 1.09 Derailed 1.10 The Popular Kids 1.11 Blood Hungry 1.12 What Fresh Hell? 1.13 Poison 1.14 Riding the Lightning 1.15 Unfinished Business 1.16 The Tribe 1.17 A Real Rain 1.18 Somebody's Watching 1.19 Machismo 1.20 Charm and Harm 1.21 Secrets and Lies 1.22 The Fisher King: Part 1
Season 2: 2.01 The Fisher King: Part 2 2.02 P911 2.03 The Perfect Storm 2.04 Psychodrama 2.05 Aftermath 2.06 The Boogeyman 2.07 North Mammon 2.08 Empty Planet 2.09 The Last Word 2.10 Lessons Learned 2.11 Sex, Birth, Death 2.12 Profiler, Profiled 2.13 No Way Out 2.14 The Big Game 2.15 Revelations 2.16 Fear and Loathing 2.17 Distress 2.18 Jones 2.19 Ashes and Dust 2.20 Honor Among Thieves 2.21 Open Season 2.22 Legacy 2.23 No Way Out, Part 2: The Evilution of Frank
Season 3: 3.01 Doubt 3.02 In Name and Blood 3.03 Scared to Death 3.04 Children of the Dark 3.05 Seven Seconds 3.06 About Face 3.07 Identity 3.08 Lucky 3.09 Penelope 3.10 True Night 3.11 Birthright 3.12 3rd Life 3.13 Limelight 3.14 Damaged 3.15 A Higher Power 3.16 Elephant's Memory 3.17 In Heat 3.18 The Crossing 3.19 Tabula Rasa 3.20 Lo-Fi
Season 4: 4.01 Mayhem 4.02 The Angel Maker 4.03 Minimal Loss 4.04 Paradise 4.05 Catching Out 4.06 The Instincts 4.07 Memoriam 4.08 Masterpiece 4.09 52 Pickup 4.10 Brothers in Arms 4.11 Normal 4.12 Soul Mates 4.13 Bloodline 4.14 Cold Comfort 4.15 Zoe's Reprise 4.16 Pleasure Is My Business 4.17 Demonology 4.18 Omnivore 4.19 House on Fire 4.20 Conflicted 4.21 A Shade of Gray 4.22 The Big Wheel 4.23 Roadkill 4.24 Amplification 4.25 To Hell...
4.26 ... And Back
Season 5: 5.01 Faceless, Nameless 5.02 Haunted 5.03 Reckoner 5.04 Hopeless 5.05 Cradle to Grave 5.06 The Eyes Have It 5.07 The Performer 5.08 Outfoxed 5.09 100 5.10 The Slave of Duty 5.11 Retaliation 5.12 The Uncanny Valley 5.13 Risky Business 5.14 Parasite 5.15 Public Enemy 5.16 Mosley Lane 5.17 Solitary Man 5.18 The Fight 5.19 Rite of Passage 5.20 ...A Thousand Words 5.21 Exit Wounds 5.22 The Internet Is Forever 5.23 Our Darkest Hour
Season 6: 6.01 The Longest Night 6.02 JJ 6.03 Remembrance of Things Past 6.04 Compromising Positions 6.05 Safe Haven 6.06 Devil's Night 6.07 Middle Man 6.08 Reflection of Desire 6.09 Into the Woods 6.10 What Happens at Home... 6.11 25 to Life 6.12 Corazon 6.13 The Thirteenth Step 6.14 Sense Memory 6.15 Today I Do 6.16 Coda 6.17 Valhalla 6.18 Lauren 6.19 With Friends Like These 6.20 Hanley Waters 6.21 The Stranger 6.22 Out of the Light 6.23 Big Sea 6.24 Supply and Demand
Season 7: 7.01 It Takes a Village 7.02 Proof 7.03 Dorado Falls 7.04 Painless 7.05 From Childhood's Hour 7.06 Epilogue 7.07 There's No Place Like Home 7.08 Hope 7.09 Self Fulfilling Prophecy 7.10 The Bittersweet Science 7.11 True Genius 7.12 Unknown Subject 7.13 Snake Eyes 7.14 Closing Time 7.15 A Thin Line 7.16 A Family Affair 7.17 I Love You, Tommy Brown 7.18 Foundation 7.19 Heathridge Manor 7.20 The Company 7.21 Divining Rod 7.22 Profiling 101 7.23 Hit 7.24 Run
Season 8: 8.01 The Silencer 8.02 The Pact 8.03 Through the Looking Glass 8.04 God Complex 8.05 The Good Earth 8.06 The Apprenticeship 8.07 The Fallen 8.08 The Wheels on the Bus... 8.09 Magnificent Light 8.10 The Lesson 8.11 Perennials 8.12 Zugzwang 8.13 Magnum Opus 8.14 All That Remains 8.15 Broken 8.16 Carbon Copy 8.17 The Gathering 8.18 Restoration 8.19 Pay It Forward 8.20 Alchemy 8.21 Nanny Dearest 8.22 #6 8.23 Brothers Hotchner 8.24 The Replicator
Season 9: 9.01 The Inspiration Part 1 9.02 The Inspiration Part 2 9.03 Final Shot 9.04 To Bear Witness 9.05 Route 66 9.06 In The Blood 9.07 Gatekeeper 9.08 The Return 9.09 Strange Fruit 9.10 The Caller 9.11 Bully 9.12 The Black Queen 9.13 The Road Home 9.14 200 9.15 Mr. & Mrs. Anderson 9.16 Gabby 9.17 Persuasion 9.18 Rabid 9.19 The Edge of Winter 9.20 Blood Relations 9.21 What Happens in Mecklinburg 9.22 Fatal 9.23 Angels 9.24 Demons
Season 10: 10.01 X 10.02 Burn 10.03 A Thousand Suns 10.04 The Itch 10.05 Boxed In 10.06 If the Shoe Fits 10.07 Hashtag 10.08 The Boys of Sudworth Place 10.09 Fate 10.10 Amelia Porter 10.11 The Forever People 10.12 Anonymous 10.13 Nelson's Sparrow 10.14 Hero Worship 10.15 Scream 10.16 Lockdown 10.17 Breath Play 10.18 Rock Creek Park 10.19 Beyond Borders 10.20 A Place at the Table 10.21 Mr. Scratch 10.22 Protection 10.23 The Hunt
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watchingfairytales · 5 years
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4.06 Family Business episode stills
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fyesthesavior · 7 years
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emma swan hair appreciation: 4x05 → 4x11
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efnewsservice · 7 years
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Belle and Rumple 4.06 Family Business (x)
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pynkhues · 3 years
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Want to know/would love to know your thoughts on CH acting in season 4.
I absolutely understood the closed off/detached vibe she had in season 3 after season 2 disaster ending, but in season 4, as Rio started to evidently warm up to her and arguably screwed her over significantly less than she him (aware he still pulled some stuff on her but in comparison to a live hit and arrest etc) I understood it less.
CH regularly played beth as stone cold to Rio. At times when he wasn’t doing all that much bad to her. Colder than I ever remember seeing in s1/2, & all things considered I still think Rio had much reason to do so than her? & as Rio got warmer as season went on, Beth got even colder somehow??? I think. I’m surprised they didn’t script, or rather that CH didn’t decide to play, one of the Later scenes with Rio as softer, to hint at ending??? It’s a bit jarring for me as it stands, & I can rationalize it narratively but it’s CH very conscious faces and expression that I can never get past. Even that last bench scene she is almost going above and beyond to give zero emotion. I never once thought same thing about MM. I always got such a depth of emotions from him.
Mmm, I agree that Christina played Beth as wearing a mask, but that mask is also pivotal to her character in a way that’s unnecessary for Rio, so to compare Rio wearing his heart on his sleeve to Beth concealing hers feels pretty fundamentally at odds with who these characters are. I also feel like we saw underneath that mask numerous times throughout the season, but that those moments were few and far between because, as you said in your ask, there was a narrative purpose to her wearing that mask.
Even though they were on better terms and Rio ‘wasn’t doing that much bad stuff to her’ (and actually, I contest that statement a bit, haha), none of their interactions were happening in a vacuum. This season alone, he’d kidnapped her sister, threatened her family, strongarmed back into her new business, sent her on a job only to punish her for his own miscommunication (the Canada job), blackmailed her so that he could use her bank account as a Smurf account, refused to help her with her husband’s arrest and set her up as the face of a part of his business so that he could handcuff her to his operation and make her an identifiable face for people who might one day testify against them.
Sure, Rio was ‘softer’ at various points, but he was also aggressively manipulative, threatening and sometimes outright cruel. That’s not to say that Beth didn’t give it back, she did, but Beth’s also a guarded character who canonically disassociates in a way that Rio’s not and does not.
I thought Christina captured that really well – her expressions while setting up Rio to take out Fitzpatrick in 4.04 and during Rio’s arrest in 4.08, I feel, are some of the most powerful moments of acting in the series. The way Christina is able to make the light in her eyes go out is really affecting to me, and I think showed the disassociation Beth felt in those moments as she tried to process what she’d just done, and the way what she’d done had impacted her. It really got me.
It wasn’t just in moments of disassociation though that I think she revealed Beth’s feelings for and about Rio – her warmth and excitement with him before he shut her down at the bar in 4.01 felt real to me, as was her wide-eyed nervous crush energy at the bar with him in 4.07, as was her hurt at him kidnapping Annie in 4.12 (fascinatingly to me with that, Beth was upset, not angry), as was her absolute exhaustion, both physical and emotional with him in the two scenes in her kitchen in 4.14 and 4.15.
Rio is exhausting, but Beth’s never tired of him, and I think that’s something Christina captures really beautifully, especially as it’s such a different type of exhaustion to the one Beth feels and experiences with Dean. Compare for instance Beth and Rio’s interaction in 4.15 with her scene with Dean in 4.16. Her exhaustion with Dean always comes down to Beth’s surrender, whereas her exhaustion with Rio is always something that circles back to building her up and making her want to fight again (the end of 2.02 being a great example, but again, 4.14 and 4.15 both ended on that note too).
On top of all of that, Beth was under an unconscionable amount of pressure the entire season while Rio was shown drinking, playing pool, basketball and getting boba tea with his brousin. He got his quiet moments to process his emotions while Beth had no time to really figure out hers at all. She was constantly having to react to new pressures, strains, information, jobs, conflicts, and in many cases, Rio only added to that (if he wasn’t the root cause). Even when they hit their stride again at the end of s4, Rio still wasn’t showing up for meetings, and his boy shot her in her kitchen.
My point is, Beth knows what being emotionally vulnerable with Rio gets her – it gets her fired / dumped (1.09, 2.11) her husband shot (1.10), a gun in her hand (2.02), shut down (3.06, 3.11, 4.01), or abandoned (1.08, 2.07, 2.09, 2.12, 4.03, 4.12). Keeping her mask on in front of him is her way of not only maintaining control, but protecting herself, and it’s why we get scenes of the impact and vulnerability away from him, like her breakdown over Lucy in 3.06 or her tragic daydreams about letting Rio down in 4.06. It’s a hard line to walk as an actor, but I think Christina does it well, especially because she always feels present in these scenes with Rio even if she does seem hard or cold, which is a stark difference to the way she is in scenes with Dean or Fitzpatrick where Beth as a character has a different emotional investment. Yes, there’s an edge to her performance in her scenes with Rio, but it’s an edge that’s been built because of the nature of Beth and Rio’s relationship, and honestly, I think Manny’s a good performer, and he’s certainly emotive, but I think there’s a lot more nuance and complexity in what Christina’s doing than what he is.
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