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#50's cinema
mannyblacque · 1 year
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Rest In Peace
Original "Creature From The Black Lagoon" performer Ricou Browning has passed away. He was 93.
Ricou Browning had been the last surviving original actor to portray any of the classic Universal Monsters.
via BloodyDisgusting.com
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in-a-dark-dark-room · 9 months
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Filming Creature From The Black Lagoon
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crumbargento · 1 year
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The Man Who Knew Too Much - Alfred Hitchcock - 1956 - USA
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tazzy-the-eighth · 6 months
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Franken-jeanie
Thunder claps and lighting strikes. "IT'S ALIVE!!!".
Heloise crosses her arms. "And annoying". She looks over, giving Jean a smug grin.
Jean was ignoring her on her phone . "Whatever, smelly".
She shrugs. "At least people know my name when they mention they mention the monster". Scrolling through.
"Not it's lab rat".
"....".
The sound of butcher's knife being pulled can be heard in the distance.
Jean and Heloise who somehow convinced her to dress up to go trick or treating with her this year.
Though it would obviously involve more tricks rather treats, the mere question at the door is simply out of it.
I'll be reposting some of my of old Jimmy fanart from last year, due to my wrist being out of order, so pardon the late entries.
(Click for better quality).
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sugar-salt2 · 2 years
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Against All Flags (1952)
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psykopaths · 5 months
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50 shades of grey
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doubtfultaste · 6 months
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The Revenge of Frankenstein (1958)
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darlingdawnvintage · 1 year
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Happy Friday everyone ✨Breakfast at Tiffany’s 1961 • Audrey Hepburn
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cinemachronicles · 1 year
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Loving You  (1957)
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twoheadedfilmfan · 8 months
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ky1echristian · 1 year
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annoyingthemesong · 1 year
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SUBLIME CINEMA #648 - GOOD MORNING
Ozu’s films were characterized by the relentless use of 50mm lenses and what cinematographer Yuharu Atsuta referred to as ‘tatami shots’ -  table level static angles of domestic scenes, meticulously composed and coordinated by tone, shape and color. The angle and lack of movement have a flattening effect onto the image; Ozu’s films often look like unsettlingly symmetrical print work. 
The narratives puzzle together in similar ways: circuitous tapestries of the private lives of ordinary people, stories that are profoundly observant and gently emotional. 
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Ava Gardner (1950s)
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crumbargento · 1 year
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Crime Wave - Andre DeToth - 1954 - USA
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vertigoartgore · 4 months
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Top 30 Movies that I discovered in 2023 (but not released in 2023) :
Pandora and The Flying Dutchman (Albert Lewin, UK, 1951)
Summertime (David Lean, USA/UK, 1955)
Tea and Sympathy (Vincente Minnelli, USA, 1956)
Murder by Contract (Irving Lerner, USA, 1958)
Nothing But a Man (Michael Roemer, USA, 1964)
Scattered Clouds (Mikio Naruse, Japan, 1967)
Let’s Scare Jessica to Death (John D. Hancock, USA, 1971)
The Hired Hand (Peter Fonda, USA, 1971)
The effect of Gamma rays on man-in-the-moon marigolds (Paul Newman, USA, 1972)
Chilly Scenes of Winter (Joan Micklin Silver, USA, 1979)
Being There (Hal Ashby, USA, 1979)
El Sur (Víctor Erice, Spain, 1983)
El Norte (Gregory Nava, UK/USA, 1983)
Vigil (Vincent Ward, New Zealand, 1984)
Choose Me (Alan Rudolph, USA, 1984)
Desert Hearts (Donna Deitch, USA, 1985)
Anguish (Bigas Luna, Espagne, 1987)
The Vanishing (George Sluizer, France/Netherlands,1988)
Chameleon Street (Wendell B. Harris Jr., USA, 1989)
Proof (Jocelyn Moorhouse, Australia, 1991) 
Ninja Scroll (Yoshiaki Kawajiri, Japan, 1993)
Suture (Scott McGehee & David Siegel, USA, 1993)
What Happened Was... (Tom Noonan, USA, 1994)
Leaving Las Vegas (Mike Figgis, USA, 1995)
August in the Water (Sogo Ishii, Japan, 1995)
Shall We Dance ? (Masayuki Suo, Japan, 1996)
Made in Hong Kong (Fruit Chan, Hong Kong, 1997)
Bullets Over Summer (Wilson Yip, Hong-Kong, 1999)
To the Left of the Father (Luiz Fernando Carvalho, Brazil, 2001)
Dead End (Jean-Baptiste Andrea & Fabrice Capepa, France/USA, 2003)
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love-pinups · 1 year
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Julie Adams in Creature from the Black Lagoon. She is strikingly beautiful in B&W. However, this is just a WOW photo!!
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